My Attempt To Capture Afghanistan Wound Up Capturing America Instead
Afghanistan. Distant, foreboding, little understood.
Known as the “Graveyard of Empires” the carcasses of countless soviet war machines rust away in mute testimony to the futility of that savage war. The more I read about Afghanistan the less I seemed to know. Watching the news was even more confusing and it appeared America had entered this same graveyard and that we were now fighting elusive ghosts otherwise known as the Taliban.
I remember watching the newscasts in the 1990’s of the Taliban as they rose like a cancer throughout the country, oppressing women, killing those who opposed them and imposing their radical version of Islam on all. Nothing made a deeper impression on me than the public destruction of the massive Banyam Buddhas and the wholesale “cleansing” of Afghanistan’s precious ancient history. Then came 9/11.
In 2010, then our 9th year of the war, I was still struggling with understanding why we were there, who we were fighting and maybe most importantly who were we helping? I got it in my mind that I wanted to make a sort of “combat travel film” that didn’t just following brave men in combat but one that also helped to explain more about the land and the people. Digital technology now makes every soldier a potential documentarian and it was under these auspices that I started to look for a story. It didn’t take long and it would change my life.
Enter Team Cobra
A Sergeant friend of mine told me about a group of all-volunteers from the Oregon National Guard who, in 2008, wanted to deploy to Afghanistan to “impart change” by helping the local population and training the Afghan National Army. They would return a year later as one of the most decorated units in Oregon National Guard history. While I didn’t at the time know the particulars, I knew I had to tell their story.
Of the 17 men that deployed, I interviewed 6 of them. I had between 2 and 4 hours of initial interview footage from each man. With each interview their stories started to intertwine and after the interview process my real work began. I listened to these stories on my headphones over and over again. Their journey to Afghanistan was over, but mine was just beginning. I watched countless video clips and looked at thousands of photos, each one representing a puzzle piece. Weeks turned to months. The sound of the newspaper being delivered in our driveway served as a reminder that I might have missed another night’s sleep. I was learning about Afghanistan, about the diversity of the people, about courage, about honor and about loss.
Earlier that year I had lost my mom to a long and protracted battle with cancer. My father followed a few weeks afterwards. In my own sorrow I consumed myself with telling the story of Team Cobra. They too knew loss. One of their leaders, Bruno DeSolenni had died in an IED attack and the impact on these men would be profound and everlasting.
Each night as I worked on the film I felt closer to these guys, even though they had only met me months earlier for a few hours. But that didn’t matter, I felt a huge responsibility to tell their story in a way that would honor them. I was nervous to show the final cut to them because I wanted to tell the story right. They were gracious and thankful and said to my relief that it was faithful.
When the film finally debuted almost a year later everyone of the soldiers were there for the premiere. They stood on the stage after the screening and answered questions. It was after this that I really got to know them, not just as soldiers but as people.
In my attempt to make a film about Afghanistan, I ended up making a film about America. It’s seems so easy to accept the popular indictment that we have lost it as a country. But I would submit that all around us are exceptional people. I am proud to say I know six of them. They are simply some of the finest people I have ever met and I know that if I was ever in need I could call any of them and they would be there for me. Not because I’m special, it’s because that’s just what they do. They went to Afghanistan to help, some of have gone back, one didn’t come back and some of them are there today.
I am honored to call Jerry Glesmann, Paul Dyer, Marking Browning, Dave Hagen, Dominic Oto and Steve Cooper my friends. They helped me more than they will every know.
Gary Mortensen is an award-winning documentary film director, President of Stoller Family Estate (a premiere Oregon winery), and is active in helping to preserve and share the stories of our veterans. See more at www.veteranslegacies.com.
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