If you watch any Pearl Harbor movie on Dec. 7 it should be this one
When it comes to the events of Dec. 7, 1941 — “a date which will live in infamy” — two films stand out.
There is the 1970 classic “Tora! Tora! Tora!,” which featured some of the biggest directors from American and Japanese cinema.
And then there is the 2001 film “Pearl Harbor,” directed by Michael Bay, and which had major stars like Academy Award winners Ben Affleck, Cuba Gooding, Jr., and Jon Voight.
So, which film was better?
Tora! Tora! Tora!
Pros: This film really delved into the history of the attack, including many of the factors as they were known back then. The strategic context of Japan’s decision to launch the attack is covered here.
Within the very real limits of special effects technology, you experience the attack. The cast plays the roles well — remarkable given the lack of big-name stars. They also catch the American arrogance at the time – underestimating Japan while at the same time knowing they were going to hit us somewhere.
Using American and Japanese talent also brought much more realism to this film, bringing a very good balance. The footage was so good, it was re-used in a number of other World War II epics, and for a flashback in a Magnum, P.I. episode!
Cons: The special effects are pretty cheesy in some cases. You also catch historical anachronisms – like the presence of USS Ticonderoga (CV 14). Also, this film is 46 years old – in some ways, scholarship and history has overtaken it.
Pros: The special effects make the experience of the attack far more intense. You also have some very good talent on screen, including three who won various Academy Awards. There were other future stars as well, including Josh Hartnett (“Black Hawk Down”) and Jennifer Garner (“Alias,” “The Kingdom,” “Elektra”).
Cons: Where do we start? How about the contrived storylines, particularly with Ben Affleck’s character? Maybe the unrealistic stuff as well, like the implausible selection of the characters played by Affleck and Hartnett to take part in the Doolittle Raid?
Not to mention the still-obvious errors (many of the “ships” hit in the film were Spruance-class destroyers in reserve). Not to mention the distracting romantic triangle. The biggest con is that we had a chance to capitalize on 30 years of new scholarship on World War II, and we got melodrama instead.
Which of these films comes out better? Believe it or not, the classic “Tora! Tora! Tora!,” despite its age, holds up much better.