---
title: "This is why we need to stop playing the 1812 Overture during fireworks shows"
date: "2018-04-02"
modified: "2020-10-22"
authors:
  - name: "Blake Stilwell"
    job_title: "Editor-In-Chief, Air Force Veteran"
    link: "https://www.wearethemighty.com/authors/blake/"
url: "https://www.wearethemighty.com/articles/this-is-why-we-need-to-stop-playing-the-1812-overture-during-fireworks-shows/"
categories:
  - "Opinion"
tags:
  - "Russia"
---

# This is why we need to stop playing the 1812 Overture during fireworks shows

![](<https://www.wearethemighty.com/wp-content/uploads/legacy/assets.rbl.ms/17312624/origin.jpg>)

Every Fourth of July, I find myself at a fireworks show enjoying the pretty lights and the prettier colors only to be slapped in the face with a muscially-driven grand finale that should be an awe-inspiring feat of Amerigasmic glory.

---

Except that the music driving that finale often has nothing to do with America. At all.

I'm talking about the 1812 Overture. Here's the part you definitely know:

https://www.youtube.com/watch?v=O9Dct0l2uVM

I may be an overreacting history nerd. I accept that possibility. But also consider that I want us all to bask in the glory that is the history of the United States. We are f\*cking amazing.

We're back-to-back World War champs, we have the strongest military in the history of ever unless Star Wars turns out to be real, and we don't need to take other countries' history as our own.

My (correct) guess is that people think the 1812 Overture is so-named because of the War of 1812, fought between Britain and the United States, often called our second war for independence. That war was fought to a grinding draw.

![](<https://www.wearethemighty.com/wp-content/uploads/legacy/assets.rbl.ms/17312625/origin.jpg>)
*A draw is not a loss. Just sayin'.*

They burned Washington. We burned what would become Toronto (only because London was too far to swim, but dammit, we would have). We checked the vaunted Royal Navy in both oceans and the Great Lakes.

We even *teamed up with pirates* and beat the British at New Orleans. (Side note: we should bring back pirate alliances.)

My other (probably correct) guess is that if an American doesn't live in New Orleans or upstate New York, the bulk of what they know about the War of 1812 is that it started in 1812. And because the sun obviously revolves around the Earth and the Earth obviously revolves around America, the 1812 Overture must be about *our* War of 1812.

What else did history have to pay attention to in 1812, other than America toppling the giant *again*, "Guardians of the Galaxy Vol. 2"-style?

![](<https://www.wearethemighty.com/wp-content/uploads/legacy/assets.rbl.ms/17312626/origin.jpg>)
*Pictured: America. Obviously.*

(Reminder: a draw is not a loss.)

It turns out, a whole hell of a lot was going on. Namely, 1812 is the year Napoleon's Grande Armée (minus all the men he lost to disease and lice on the march) captured Moscow. But before they did, the Russians made sure to douse the city in vodka and burn it to the ground.

![](<https://www.wearethemighty.com/wp-content/uploads/legacy/assets.rbl.ms/17312627/origin.jpg>)

The French Army spent the winter in Moscow trying to find snails, or whatever it is they ate, in a burned-out city as babushkas laughed at them from the shells of former homes and distilleries.

This is how Tchaikovsky was inspired to write the 1812 Overture, an awesome piece, complete with church bells and cannons and lots of drums and what not.

![](<https://www.wearethemighty.com/wp-content/uploads/legacy/assets.rbl.ms/17312628/origin.gif>)
*Simpsons did it.*

But Tchaikovsky didn't like it. [He called it](<https://music.allpurposeguru.com/2016/06/1812-overture-and-4th-of-july-fireworks-why/>), "very loud and noisy and completely without artistic merit, obviously written without warmth or love."

There are a number of clues in the song that should have signaled to us that it — like many things — isn't about us. For starters, it's written by a Russian named Tchaikovsky. That should have been our first clue.

Secondly, [the Marseillaise](<https://www.youtube.com/watch?v=4K1q9Ntcr5g>) — the French National Anthem — is *actually played in the 1812 Overture.* More than once.

So when I'm watching the fireworks on July Fourth, I'm always quizzically raising an eyebrow as we celebrate our independence with the French National Anthem.

Unlike other Americana that borrows from other countries songs (The Star-Spangled Banner, for example, is the tune of a British drinking song set to Francis Scott Key's poem about the bombing of Fort McHenry), the 1812 Overture is a piece we will never be able to fully co-opt as uniquely American.

So play something else. I recommend "[The Battle of the Kegs](<https://www.youtube.com/watch?v=wupSrQMduCw>)," an American propaganda song about Patriots scaring the sh\*t out of British sailors with a bunch of beer kegs during the Revolution.

https://www.youtube.com/watch?v=wupSrQMduCw

###### Special Thanks to Logan Nye for contributing to this post.

## Author
Blake Stilwell is We Are The Mighty's Editor-in-Chief, covering military news, entertainment, and history, along with veteran education, employment and entrepreneurship. He is a former U.S. Air Force combat cameraman with degrees in Graphic Design, Television and Film, International Relations, Public Relations, Business Management and Middle Eastern Affairs. After leaving the military, he began working in film and television production in New York and Los Angeles, work that included ABC News, NBC Olympics, and HBO Sports. He then spent two years in Washington with White House Communications, before joining the Near East Foundation. At NEF he served as an International Development Fellow, then Communications Officer, and finally, Media Officer for the Middle East and Africa. Based in the Palestinian Territory, he coordinated strategic communications between eight country offices, international media, and government and NGO partners. He began a career focused on writing and editing in 2015 with We Are The Mighty. He left in 2019 for Military.com, but returned as Editor-in-Chief in 2025. Blake’s work has been seen on CBS News, Fox News, CBC, The Chicago Tribune, Task & Purpose, Military Times, Recoil, Skillset, American History, and was shockingly even used in a Supreme Court argument. He is an avid traveler and small business owner in Ohio, where he spends most of his energy fixing up a very old house.

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