Articles

Army veteran and filmmaker shows a different side of war in "Day One"

Any time someone sets out to make a war film, he or she risks getting swept up into the action, the combat, the inherent drama that comes with the subject. The truly great war movies recognize the smaller elements, the ironies and subtleties of life during conflicts. Day One, a short film from U.S. Army veteran turned filmmaker Henry Hughes, is such a movie.


Hughes at the 42d student Academy Awards

"We're not having a lot of success in getting telling the soldier experience story," says Hughes, an American Film Institute alum. "I don't think we've changed much how we look at war and the stories that come out of it. Troops are portrayed as either victims or heroes. We still think war is ironic, that we go in and we're surprised by the things that we find in war. Maybe there's some bad things about it, and we're like 'oh that's a surprise!' But it's not a surprise. War is a very mixed bag, but it can be spiritual and it can be fun and it can be dangerous and it can be morally wrong at times and it can also be one of the things you're most proud of because you do some really good things."

Day One is based on Hughes' own experience with his translator while he was an infantry officer in 173d Airborne Brigade Combat Team. The movie follows a new female translator's first day accompanying a U.S. Army unit as it searches for a local terrorist in Afghanistan. Her job brings up brutal complexities as gender and religious barriers emerge with lives hanging in the balance.

"Having a female interpreter definitely changed my perspective of fighting, particularly having been on two deployments," Hughes says. "The first time, it feels very new and romantic and exciting. The second time, you aren't seeing a lot of impact in the way you would like and so you start wondering if you're doing the right thing. In this instance, I had this Afghan-American woman with me at all times, and she was the person I communicated with locals to and she had access to the Afghan women in a way that I have never had before."

"In my first deployment we didn't even look at the women," Hughes continues. "I remember that was a thing we did as a company. When we were on a trail and a woman came by, we would clear the trail, turn out, and allow them to walk by. Now all of a sudden, I mean I'm not face to face with these women but my interpreter would tell me she just spoke with a woman that would give us a very different perspective from what we would usually get. It's interesting in that way."

Hughes' Army perspective spans more than just his time as an Army officer. He was also a military brat, following his dad with the rest of the family, living in Germany and Texas. As an officer in the 173d, he went to Airborne and Ranger School, Armor School, and Scout Leaders Course to prepare for his time in Afghanistan during 2007 and 2008 and then again in 2010.

"I'm very interested in exploring the military stuff because it is such a hyperbolic life." He says. "Things are just so condensed and so strange and powerful. It's like the meaning of life is life hangs in balance sometimes. You get that moment in the military and most people don't ever work in those types of absolutes." 

Hughes has always been the artistic type. He went to a high school that had a TV studio, which inspired the creative side of his personality. He's also come to believe that the military is the perfect place to start a filmmaking career.

"You take so many lessons from your military experience and apply them into filmmaking because it is so team-oriented and team-based. The ability to communicate and draft up a single clear mission or objective. Those skills that I learned as a young officer are paying massive dividends now, being creative." 

Hughes also believes a good storyteller must step out of his or her comfort zone to empathize with the characters and relate them to the audience.

"With trying to express yourself artistically, you have to be a little bit more vulnerable. 'What is actually at play here,' as opposed to 'How do I accomplish this?' I think you have to be a little bit more introspective whereas in the military, we're very external and action-driven. It's just analysis but we all do tons of analysis in the military too. I think it's a good thing."

Watch 'Day One' here.

History

This pilot shot down an enemy fighter at Pearl Harbor in his pajamas

Comfort is important when doing a hard job. If it's hot on the work site, it's important to stay cool. If it's hazardous, proper protection needs to be worn. And comfort is apparently key when the Japanese sneak attack the Navy. Just ask Lt. Phil Rasmussen, who was one of four pilots who managed to get off the ground to fight the Japanese in the air.

Rasmussen, like many other American GIs in Hawaii that day, was still asleep when the Japanese launched the attack at 0755. The Army Air Forces 2nd Lieutenant was still groggy and in his pajamas when the attacking wave of enemy fighters swarmed Wheeler Field and destroyed many of the Army's aircraft on the ground.

Damaged aircraft on Hickam Field, Hawaii, after the surprise Japanese attack on Pearl Harbor.

There were still a number of outdated Curtiss P-36A Hawk fighters that were relatively untouched by the attack. Lieutenant Rasmussen strapped on a .45 pistol and ran out to the flightline, still in his pajamas, determined to meet the sucker-punching Japanese onslaught.

By the time the attack ended, Wheeler and Hickam Fields were both devastated. Bellows Field also took a lot of damage, its living quarters, mess halls, and chapels strafed by Japanese Zeros. American troops threw back everything they could muster – from anti-aircraft guns to their sidearms. But Rasmussen and a handful of other daring American pilots managed to get in the air, ready to take the fight right back to Japan in the Hawks if they had to. They took off under fire, but were still airborne.

Pearl Harbor pilots Harry Brown, Phil Rasmussen, Ken Taylor, George Welch, and Lewis Sanders.

They made it as far as Kaneohe Bay.

The four brave pilots were led by radio to Kaneohe, where they engaged 11 enemy fighters in a vicious dogfight. Even in his obsolete old fighter, Rasmussen proved that technology is no match for good ol' martial skills and courage under fire. He managed to shoot down one of the 11, but was double-teamed by two attacking Zeros.

Gunfire and 20mm shells shattered his canopy, destroyed his radio, and took out his hydraulic lines and rudder cables. He was forced out of the fighting, escaping into nearby clouds and making his way back to Wheeler Field. When he landed, he did it without brakes, a rudder, or a tailwheel.

There were 500 bullet holes in the P-36A's fuselage.

Skillz.

Lieutenant Rasmussen earned the Silver Star for his boldness and would survive the war, getting his second kill in 1943. He retired from the U.S. Air Force in 1965, but will live on in the Museum of the United States Air Force, forever immortalized as he hops into an outdated aircraft in his pajamas.

(U.S. Air Force photo)

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