From the first American jet fighter to the latest unmanned aircraft systems, Skunk Works has been innovating for more than 70 years.
Skunk Works was formed in 1943 by the U.S. Army’s Air Tactical Service Command and Lockheed Aircraft Corporation to counter the growing German jet threat. The organization’s first answer was the XP-80 Shooting Star jet fighter, which was designed and built in 143 days.
Skunk Works is responsible for some of the most famous aircraft designs, including the U-2, SR-71 Blackbird, F-117 Nighthawk and others. This short Lockheed Martin promotional video highlights some of their famous innovations, its culture and some of their latest UAS concepts.
The Slow Mo Guys — a YouTube channel dedicated to filming action shots in super slow motion — released a cringeworthy video of one of their cameramen getting bare body tazed.
The video starts with a couple of incredible slow motion shots of the Taser being deployed: one side shot followed by a frontal.
Dan Hafen, the volunteer for this experiment, is introduced at 1:50 of the video and soon takes off his shirt to capture the full prong penetration. OUCH.
Watch his muscles contract from the point of impact to the rest of his back like a water rippling in a pond after a stone is tossed in.
His face says it all.
Here’s the barbed prong being pulled out of his skin.
Service members authorized to carry Tasers have to pass a written test and be able to effectively engage a target with a minimum of two Taser cartridges before they can carry a Taser. Once they complete training, they have the option to get tazed, according to the Air Force.
Medevac crews have the dangerous job of flying into gunfights in unarmed helicopters to provide medical care to wounded troops. It’s a race against time, and it’s nothing short of astonishing.
The video starts with a crew racing across Afghanistan’s Korengal Valley in a Black Hawk helicopter in response to wounded Marine. The terrain makes it difficult to spot ground forces, so they bank and turn to avoid the ground fire, that may, or may not be there.
Green smoke signals the helicopter, which also serves as the chosen landing spot by the Marines huddled just a few yards away. The helicopter doesn’t just land, however; it circles around the troops to assess the danger. Once it finally lands, the Marines rush the wounded corporal to the Black Hawk for evacuation while others stand watch.
Even with a circling pass around the Marines, the medevac crew in the helicopter drew fire from three sides. Watch how the rescue unfolds in this short three-minute video:
The Fighting Season is a six part documentary series that captures what ending a war looks like. The film, which is out now, shows the sacrifices of the men and women who fought for the freedom and security of Afghanistan as America’s longest war drew to an end. Producer Ricky Schroder put himself in harm’s way as an embedded cameramen to deliver the best account possible.
In this edition of “At The Mighty,” Schroder discusses his motivations for filming this series and his experience with the troops in Afghanistan.
Recently, the Navy announced that the expeditionary fast transport USNS Brunswick (T EPF 6) completed Pacific Partnership 2018 in Thailand. If you’re out of the know, you may be asking yourself why this operation is such a big deal. Well, believe it or not, this annual exercise has been going on for a dozen years now and it’s an essential part of being ready for the worst.
After the 2004 tsunami ravaged Indonesia, Sri Lanka, India, and several other neighboring countries in one of history’s worst-ever natural disasters, the United States deployed relief ships to provide humanitarian aid. This generated generated a lot of good will among affected nations and their allies. This matters a great deal — when you have a reservoir of good will among a population, you’re much less likely to find yourself embroiled in war.
USNS Mercy (T AH 19) taking part in Pacific Partnership 2018.
(U.S. Navy photo by Mass Communication Specialist 2nd Class Kelsey L. Adams)
At the time, the United States had a pair of hospital ships, USNS Mercy (T AH 19) and USNS Comfort (T AH 20), that hadn’t seen much use. Although these ships are slated for replacement, they still house much more advanced medical facilities than most countries can offer. Those aboard USNS Mercy rendered care for 108,000 patients between 2004 and 2005.
After supplying aid in the wake of a terrible disaster, the Navy began to make annual deployments. The Navy has also used the big-deck amphibious assault ships of the Tarawa and Wasp classes in these deployments.
A Navy corpsman gives a tour of the medical facilities on board USNS Mercy (T AH 19) during Pacific Partnership 2015.
(U.S. Navy photo by Mass Communication Specialist 3rd Class Mayra A. Conde)
During Pacific Partnership, not only does the Navy provide a lot of medical aid, they host disaster relief training exercises with partner nations, like Thailand. As the old saying goes, “you fight like you train.” The same can be said of providing disaster relief.
This exercise is not entirely a one-way street, however. During Pacific Partnership, in exchange for advanced training, the Navy gets a lot of knowledge about the terrain and personnel are given the opportunity to build relationships with their local counterparts.
Big-deck amphibious ships, like USS Essex (LHD 2), have also been used in Pacific Partnership deployments.
(U.S. Navy photo by Mass Communication Specialist 2nd Class Adam Brock)
The operation isn’t exclusively for governments. Representatives from various non-governmental organizations also take part. These aren’t the normal passengers on Navy vessels, and having them aboard allows the Navy to practice operating as part of grand-scale, disaster-relief efforts.
At the end of the day, Pacific Partnership is one of the U.S. Military’s greatest chances to practice responding to a disaster. The fact that it generates good will and gets some nice press is just a bonus.
Violent jihadism as a governing ideology has been a significant feature of the global scene for nearly two decades.
There are certainly differences between say, the nature Al Shabaab’s control over Somalia in the early 2010s, the Taliban state’s governance of Afghanistan from 1996 until the US-led invasion in 2001, and ISIS’s “caliphate” in the present day.
But militant groups spurred by a combination of religious radicalism, violent disenchantment with the existing state system, revisionist philosophies of Islamic history, and a rejection of secularism and Enlightenment value systems have morphed into territorial political units with alarming frequency in recent years.
One such instance was in Mali in early 2012, when jihadists piggybacked on a long-simmering Tuareg autonomy movement — itself empowered by the collapse of Mali’s government in the wake of a shocking military coup — in order to take control of several population centers in Mali’s desert north. Among them was Timbuktu, a legendary center of trade and Islamic scholarship.
The jihadist occupation of Timbuktu was brutal but thankfully brief: In early 2013, a French-led coalition liberated the city after 10 months of militant control. Now, the rule of Al Qaeda-allied militants over the city is the topic of what might be the important movie of the past year.
The hypnotic and visually overwhelming “Timbuktu,” the work of Mauritanian director Abderrahmane Sissako and an Oscar nominee for best foreign language film, is an intimate and terrifying inquiry into one of the defining authoritarian ideologies of the 21st century, as told from the perspective of the people who are actually suffering under its yoke. (The film is currently playing in New York and LA and will open in various other US cities in February and March.)
US movie audiences have usually met jihadists through the lenses of American sniper rifles, or lying prone in front of CIA interrogators. “Timbuktu” is hardly the only movie that’s portrayed them as political and social actors. “Osama,” a multi-national production about a girl living in Taliban-ruled Afghanistan that won the 2004 Golden Globe award for best foreign-language film, and Iranian director Moshen Makhmalbaf’s highly regarded “Kandahar,” about a Afghan woman who sneaks into Taliban Afghanistan to try to stop her sister from committing suicide, succeed in giving viewers a first-hand look at the societies that jihadists create and the horrors this visits upon the people trapped in them.
In the wake of ISIS’s takeover of a Belgium-sized slice of the Middle East, “Timbuktu” has more immediate resonance than either of those films. The movie opens with a pickup truck of fighters flying a black flag nearly identical to ISIS’s. As the opening credits roll, the fighters eviscerate a row of traditional figurines in a hail of machine-gun fire.
But the firmest sign that jihadist rule is something external, alien, and deeply unwanted comes in the next scene, when gun-toting fighters enter a mud-brick mosque without taking their shoes off. They tell the imam that they have come to wage jihad. The imam replies that in Timbuktu, people wage jihad (which has the double meaning of spiritual reflection and self-purification, in addition to earthly holy war) with their minds and not with guns.
The next hour and a half is a grisly survey of what happened when this 1400-year-old precedent was inverted.
The jihadists ban music — one of the most celebrated aspects of Malian culture — and then whip violators in public. They ban soccer, and then break up a group of children miming a game in silent protest. The jihadists speak a smattering of local languages and broken Arabic; their leader bans smoking only to sneak cigarettes under the cover of the town’s surrounding sand dunes.
In one of the more illustrative scenes, a female fish seller is told by one jihadist that women can no longer appear in public without wearing gloves. She explains to him that she can’t work unless she’s barehanded and then dares the fighter to cut her hands off on the spot.
In “Timbuktu,” the jihadists are power-tripping, thuggish and hypocritical. They are in the city to create a totally new kind of society and revel in their own insensitivity to local concerns.
But crucially they are not entirely outsiders, and some of the film’s most affecting scenes involve a Tuareg who joins with the jihadists occupying the town, a reminder that there are local dynamics at play. Just as importantly, the film hints at the context of state collapse and social chaos that allowed the jihadists to take over in the first place.
The movie’s primary narrative follows a Tuareg herder who accidentally kills a fisherman from a different ethnic group during an argument over his cows’ access to drinking water along a disputed riverbank. The film’s central conflict encapsulates the unresolved questions of ethnicity and resources that kept northern Mali in a state of crisis that the jihadists later exploited.
The herder’s treatment at the hands of Timbuktu’s new overlords depicts the imposition of an an outside ideology. But the killing is itself is a pointed example of how social turmoil can feed into a violent, totalitarian mania seemingly without warning. It harkens back to ISIS’s swift takeover of Iraq this past summer, a national-level instance of the dynamics that “Timbuktu” manages to boil down to an intimate, dramatic scale.
“Timbuktu” has a happy ending. Even if it isn’t part of the movie, the city was eventually liberated from jihadist control. The film depicts a now-extinct regime.
But the nightmare of “Timbuktu” is far from over. The liberation of the areas that ISIS rules will come at some indeterminate future date, and parts of Afghanistan, Yemen, Somalia, and Nigeria are still under the control of extremists whose ideologies are not categorically different from what appears in the film.
“Timbuktu” is maybe the best cinematic depiction ever made of what millions of people around the world are suffering through.
We’ve all seen the military homecoming videos, with a service member returning from overseas to surprise their loved ones.
But what happens when a soldier comes home and surprises a total stranger? Well, not to worry, because the satirical website ClickHole has you covered.
“I think he’s going to be very surprised, because he has no idea that I’m finally back from Afghanistan,” says “Sgt. Luke Brundage,” in the video produced by the one-year-old offshoot of The Onion.
With the look and feel of many familiar homecoming videos, the video hilariously illustrates a very awkward meeting, if something like this ever did occur. Interestingly enough, the actor who portrays Brundage is a Marine veteran, according to The Marine Times.
And while it does have some technical errors (using “soldier” instead of Marine, for instance), it’s still funny as hell. And the actor, Jonah Saesan, had little to do with pointing those out.
“A few people want to focus on the detail,” Saesan told The Times. “I don’t think they understand how little I had to do with the creative process.”
Texas City plumber Mark Oberholtzer has been bombarded with calls, some hostile, since a truck he traded in at AutoNation was shown being used as a gun platform in Syria, according to a Galveston Daily News report.
Oberholtzer said he traded in the truck to an AutoNation dealership three years ago. He usually takes the decals off his vehicles when he sells them but he left it on this truck with the expectation that AutoNation would remove it.
“They were supposed to have done it and it looks like they didn’t do it,” Oberholtzer told the Galveston newspaper. “How it ended up in Syria, I’ll never know.”
The United States’ use of the atomic bomb against Japan is credited with ending World War II. Over 300,00 people were killed between Hiroshima and Nagasaki, according to CNN.
Despite the devastation, less than 100 years later, Japan and the U.S. have become close political and social allies. This video shows how America’s involvement in post-war Japan helped the country become the thriving nation it is today.
The Pentagon says Islamic State militants in the Iraqi city of Mosul are holding civilians in buildings by force and then deliberately attracting coalition strikes.
A Pentagon spokesman on March 30 said the U.S. military will soon release a video showing IS fighters herding people into a building, then firing from the structure to bait coalition forces.
The comments come as the U.S. military responds to criticism from within Iraq and internationally over a separate incident in which as many as 240 civilians are believed to have been killed.
“What you see now is not the use of civilians as human shields,” said Colonel Joe Scrocca, a spokesman for the coalition. “Now it’s something much more sinister.”
He said militants are “smuggling civilians so we won’t see them” into buildings and then attempting to draw an attack.
He said he was working on declassifying a video showing militants conducting such an operation.
Human rights group Amnesty International, Pope Francis, and others have urged for better protection for civilians caught in the war, with calls intensifying after a separate March 17 explosion in the Mosul al-Jadida district, killing scores of people.
The U.S. military previously acknowledged that coalition planes probably had a role in the explosion and subsequent building collapse, but it said the ammunition used was insufficient to explain the amount of destruction observed.
Officials said they suspect the building may have been booby-trapped or that the damage may have been caused by the detonation of a truck bomb.
U.S.-backed forces are attempting to push IS fighters out of west Mosul after having liberated the less-populated eastern part of Iraq’s second-largest city.
Scrocca estimated that some 1,000 militants remain in west Mosul, their last stronghold in Iraq, down from 2,000 when the assault was launched on February 19.
They are facing about 100,000 Iraqi government forces, he added.
From “Top Gun” to “Commando” to “Navy SEALs” and everything in between, the 1980s had a plenty of classic military movies. There were so many to love, but more often than not, cheesy special effects, “unlimited ammo,” and technical errors made these also quite funny for real service-members to watch.
In a video put together by BuzzFeed Video, Ranger Up‘s Nick Palmisciano and Article 15 Clothing‘s Mat Best and Jarred Taylor watched some military movies and offered colorful commentary. As you would expect, it’s pretty hilarious.
President Trump caught a lot of flak for sharing intelligence with the Russians last year. Specifically, in May when he shared classified info from Israel with Russian envoys Sergey Kislyak and Sergey Lavrov.
What Trump shared was information regarding a new ISIS weapon and the Saudi bomb maker who developed it — laptop computer bombs that are undetectable at airport security.
Vanity Fair detailed how Sayeret Matkal forces — elite Israeli counter-terror troops — flew undetected across Jordan and then north into Syria. The helicopters dropped the troops and Syrian Army jeeps a few miles away from their target. They then drove on toward their objective.
They were on their way to a meeting house of an ISIS cell. The Israelis wanted to ensure it was tapped so they could hear every word. An operative in the field guaranteed them valuable information would come from there. At first it sounded like the bug was a bust — no one was saying anything.
Then it happened. The ISIS troops started talking about how to build the laptop weapon that couldn’t be detected at airports. The bombs would cause airplanes to fall from the sky in huge fireballs. Once the Mossad had the info, they quickly shared it with other potential targets, namely the United States.
Al-Qaeda’s chief bomb maker in Yemen and Saudi Arabian national Ibrahim al-Asiri was thought to be the mastermind behind the weapon.
That’s what President Trump shared with the Russian Foreign Minister.
Only the Mossad knows what happened to Israel’s inside man in Syria as a result of his location being leaked. An Israeli official told Vanity Fair that, “whatever happened to him, it’s a hell of price to pay for a president’s mistake.”
The Make-A-Wish Foundation teamed up with the crew of the USS Harry S. Truman (CVN-75) to grant Peter, a 16-year-old cancer survivor, his wish to become a Navy pilot for a day.
“Since fourth or fifth grade I wanted to be a naval aviator,” said Peter, in a video produced by the U.S. Navy. “We live within twenty miles of Annapolis and so you have the Naval Academy there, everyone is a Navy fan.”
He didn’t know what to expect when he learned that he was going to be on an aircraft carrier. Little did he know that he would be traveling by air and landing on its deck. Peter got the Navy’s V.I.P. treatment and did way more than he could imagine.