Chesty XIV is all grown up and headed into the retired life— and you might now see the adored English bulldog skateboarding around the nation’s capital.
After five years of service, the Marine Corps’ mascot transferred his responsibilities to a younger model on Aug. 24, 2018, during a ceremony at Marine Barracks Washington. Col. Donald Tomich, the barracks’ commanding officer, presided over the sergeant’s retirement ceremony.
The bulldog’s owner told NBC she planned to purchase a skateboard for the retired mascot, who finally gets to relax those strict Marine Corps standards in retired life.
“All the things I would not let him learn how to do because he might embarrass the Marine Corps, he’s going to learn how to do them,” Christine Billera told NBC News.
Chesty XIV grew into his responsibilities during his time at 8th and I. That included lots of nights on the parade deck in miniature dress blues or attending other events in the Washington, D.C. area in his service or utility uniforms.
Cpl. Chesty XIV stands over Chesty XV wearing a Campaign Cover at Marine Barracks Washington, March 19, 2018.
(Marine Corps Photo by Lance Cpl. Taryn Escott)
“When he was young, he was feisty and energetic just like most Marines are when they come out of recruit training,” Gunnery Sgt. Aaron Calderon, the drill master at 8th and I, told NBC Washington. “As he progressed and got a little bit older, he brought that wisdom, knowledge and experience.”
The service’s canine mascots are named for revered Marine Lt. Gen. Lewis Burwell “Chesty” Puller, who earned five Navy Crosses while serving nearly four decades in the Corps.
Pvt. Chesty XV, who arrived at the Barracks as a 10-week-old puppy in March 2018, has completed his entry-level training, where he was even issued his own physical-training safety belt. The private will immediately begin representing the Marine Corps at ceremonial events in the nation’s capital.
Not everyone was ready to see the service’s 14th canine mascot go. Sgt. Chesty XIV will always be remembered at 8th and I, Calderon told NBC Washington.
Others thought the English bulldog might’ve been skirting his weight standards and dodging PT during his last days on active duty.
“Time to retire when you can’t button that uniform,” one Facebook user joked.
This article originally appeared on Military.com. Follow @militarydotcom on Twitter.
High-Mobility Artillery Rockets systems are trucks that can take highly capable rockets right to the frontlines in combat, but before HIMARs, the Army experimented with strapping rockets onto helicopters in Vietnam and using them as true helicopter artillery — the Redlegs of the sky.
To be clear, this wasn’t air support or close combat attack; this was artillery in the air. These units belonged to the division artillery unit, their fires were controlled by the fire direction center, and they specialized in massed fires, not the pinpoint strikes of close combat attack helicopters.
It all started in 1962 when Secretary of Defense Robert McNamara and Gen. Hamilton Howze called on military leaders to rethink land warfare, and subordinate leaders came back with a few concepts that might make the Army more flexible. One of those suggestions was to make artillery more responsive by creating two new unit types: aerial rocket artillery battalions and aviation batteries.
The aerial rocket artillery battalions were filled with helicopters strapped with dozens of rockets that they would fire en masse when receiving fire missions. The aviation batteries were helicopter units that could pick tube artillery, usually howitzers, and deliver them to firing points near the battlefield on short notice where they would then be used normally.
For infantrymen in combat, this meant they could request artillery support nearly anywhere in country and get it fast, even if they had been deposited by helicopter miles ahead of any artillery units.
Aerial rocket artillery didn’t focus on precision strikes, but they had the firepower to make up for it.
(U.S. Army illustration)
Tube artillery delivered via helicopter is still used today and worked about as you would expect. Usually, military planners would identify the need for artillery ahead of time and send in the gun, suspended under Chinooks, as soon as ground troops secured the firing point. But sometimes, the tube artillery would be requested after combat was already underway, and the Chinooks would rush the howitzers in.
The real craziness, though, came with the aerial rocket artillery battalions, the true helicopter artillery. These were UH-1 Iroquois or AH-1 Cobras modified to carry a loadout almost entirely composed of rockets. For AH-1s, this could be four rocket pods that each carried 19 rockets for a total armament of 76.
At times, they flew with Hueys modified to carry lights. This was valuable in any fight at night, but was especially great for base security where the “light ships” illuminated targets and tube artillery pounded it with rounds.
An early UH-1B in an aerial rocket artillery configuration without door guns.
But the rockets were effective in combat, so commanders kept asking for them. In addition to the quick response ground troops could get with helicopter artillery, there was the fact that the birds were more responsive on target than a howitzer conducting indirect fire could ever hope to be.
That’s because the pilots were the artillery officers, and they could adjust their fire on the fly, watching rounds impact and shifting fire as they went with limited guidance from the troops in the fight on the ground. And, aerial rocket artillery was fired from much closer to the target than tube artillery typically was.
If you’ve ever watched a video or seen an ad from Black Rifle Coffee Company, you’ve seen the work and style of co-founder Jarred Taylor. “Everything is devoted to creation,” Taylor said, describing his overall philosophy. “So every piece of time, it might seem like I’m having fun, but everything is devoted to creating stuff for the audience base, on my part.”
Taylor grew up in Novato, California, north of San Francisco. His father was in the U.S. Navy, and they lived on a decommissioned U.S. Air Force base, Hamilton Army Airfield. In 1994, he and his family moved to Bangor, Washington.
“I was always fascinated with the military,” Taylor said. “I loved jets specifically.” But his other passion, from an early age, was film. “I would tell people when I was super young, ‘I wanna make movies, I wanna make movies, I wanna make movies.'”
At age 13, Taylor started making short skateboarding films using his parents’ 8mm camera and a VCR. When he was in high school, technology improved and he began using iMovie to edit. He took all the classes he could about digital media.
Taylor completed high school a year early and joined the Air Force in 2002. As the war in Iraq started, he was eager to get in on the action. “I was kicking and screaming during basic training, trying to find any way to get to that,” he said. When he had the chance to become a Tactical Air Control Party (TACP) — the person responsible for coordinating air strikes on the ground for the Army — he passed selection on his first try.
His role as a TACP meshed nicely with his continuing desire to create movies. “I was in this cool job now where we drop bombs right in front of our face. And I was like, ‘Well shit, no one’s ever really recorded this so I’m gonna do that,'” Taylor said. During two deployments to Iraq, he made films that were eventually used to help with military recruiting.
Jarred Taylor while in the U.S. Air Force.
(Photo courtesy of Black Rifle Coffee Company.)
Taylor re-enlisted — with a hefty ,000 bonus — and became an instructor at the TACP schoolhouse. “It was one of the biggest signing bonuses they ever had,” Taylor said. “I got it and spent pretty much all of it on camera gear and editing stuff. I was gonna go full force on this.”
He began moonlighting in marketing and design work for a variety of companies in the tactical industry as early as 2005. “I had only been in the military for two years before I was searching for something more, wanting to come home from work and continue to work,” Taylor said. “I went to my first trade show with a shitty photo album from Walgreens with a bunch of 4×6 pictures. Everything was always a stepping stone.”
At the same time, Taylor began studying social media, especially YouTube and Facebook. “I’m face deep in how do you get traffic, how do you get the maximum number of people to see this stuff?”
(Photo courtesy of Black Rifle Coffee Company.)
That was when he saw a YouTube video made by a former U.S. Army Ranger named Mat Best. “I took one look at him and his videos he was making and said, ‘You’re it, man. You’re gonna be it,'” Taylor recalled. “This is what the tactical industry was looking for, this is what I’ve been looking for as a partner, somebody who’s perfect for in front of the camera while I’m doing all the things behind it.”
While Taylor was still active duty in the Air Force and Best was deploying as a CIA contractor, they formed Article 15 Clothing and began posting video content on Best’s YouTube channel. By the time they teamed up with another veteran-owned apparel company, Ranger Up, to crowdfund and produce the feature film “Range 15,” they had already created a wide-reaching community that was passionate about their work.
“The script was so ridiculous that no agents could understand how this movie got funded,” Taylor said with a laugh. They managed to pull in well-known actors Keith David, William Shatner, and Danny Trejo to participate in the film, which brought Article 15 even more notoriety within the veteran community.
Through the Article 15 Facebook page, Taylor met Evan Hafer, a former CIA contractor and entrepreneur. The first time they spoke, “We ended up staying on the phone pretty much from 11 to 1 o’clock — two hours,” Taylor said. “We just went down this rabbit hole.”
(Photo courtesy of Black Rifle Coffee Company.)
Taylor, Best, and Hafer began collaborating on multiple projects, and when Hafer suggested starting a coffee company, Taylor and Best were very interested. “Mat and I went chips in on Black Rifle with Evan,” Taylor recalled, “and said, ‘Okay, this is the future. This is going to be the big one that we’re always talking about, so let’s roll with it.'”
“I’m our business development guy,” said Taylor, who’s official BRCC title is Executive Vice President, Partnerships. “Evan points at things that he wants in different markets, anything that’s out there in the realm of where coffee drinkers that generally think like us, and then I go out and find the people and the influencers and the partnerships that can benefit us. I get them to jump on the Black Rifle train.”
But things weren’t always that clear cut. Taylor said he, Best, and Hafer started by running the entire operation by themselves — including “standing there with Evan while he’s roasting coffee, grinding it, and putting it in a bag, putting it in a box, putting a label on it, shipping it.”
Taylor credits much of the company’s success to the relationship he has with Hafer and Best. “We’ve spent more time with the three of us than any of us have spent with anybody else in our entire lives,” he said. “And we still are the focal point of all the big ideas for the company. It’s still coming from the three of us, in a room together making fun of each other until we find something that’s the next thing.”
The US Navy amphibious assault ship USS Wasp was recently seen sailing in the South China Sea on its way to the Philippines with an unusually heavy configuration of F-35s.
The Wasp was carrying at least 10 F-35B Lightning II stealth fighters, more than the usual load of six of these hard-hitting fifth-generation jet fighters, The National Interest first reported, adding that the warship may be testing the “light carrier” warfighting concept known as the “Lightning carrier.”
Sailors on the Wasp.
(U.S. Navy photo by Mass Communication Specialist 1st Class Daniel Barker)
The amphibious assault ship is participating in the Balikatan exercises, during which “US and Philippine forces will conduct amphibious operations, live-fire training, urban operations, aviation operations, and counterterrorism response,” the US Navy said in a statement over the weekend announcing the Wasp’s arrival.
The annual exercises prepare troops for crises in the Indo-Pacific region. 2019’s exercises are focused on maritime security, a growing concern as China strives to achieve dominance over strategic waterways.
It’s the first time the Wasp and its Marine Corps F-35B fighters have participated in the Balikatan exercises.
The ship and its fighters “represent an increase in military capability committed to a free and open Indo-Pacific region,” the Navy said, using rhetoric consistent with US military freedom-of-navigation operations and bomber flights in the South China Sea, intended to check China.
The F-35B is the Marine Corps’ variant of the Joint Strike Fighter. The Air Force and Navy are also fielding versions of the fighter, the F-35A and the F-35C, the latter of which is designed to operate on full-size carriers.
The F-35B, which was declared combat-ready in 2015, can perform short takeoffs and vertical landings and is suited for operating on amphibious assault ships.
In addition to at least 10 F-35s, the configuration on the Wasp reportedly included four MV-22 Osprey tilt-rotor aircraft and two MH-60S Seahawk helicopters. Typically, there would be fewer fighters and more rotor aircraft, The War Zone reported.
Deploying with more F-35s than usual could be a first step toward fielding of light carriers, an approach that could theoretically boost not only the size of the carrier force but its firepower.
Marine Corps F-35Bs and MV-22 Ospreys on the flight deck of the Wasp.
(U.S. Navy photo by Mass Communication Specialist 1st Class Daniel Barker)
The concept is not without precedent. During the US-led invasion of Iraq in 2003, amphibious assault ships sailed with up to 20 AV-8B Harriers, becoming “Harrier carriers.”
The concept has been rebranded as the “Lightning carrier,” a reference to the fifth-generation fighters the warships would carry into battle.
The War Zone said an America-class amphibious assault ship — successors to the Wasp class — could carry 16 to 20 F-35s in a light-carrier configuration.
F-35Bs chocked and chained on the flight deck of the Wasp.
(U.S. Navy photo by Mass Communication Specialist 3rd Class Benjamin F. Davella III)
Hanson at the GI Film Festival San Diego. Photo credit BH.
Brian Hanson has lived a few lives and succeeded in some of the harder endeavors known to man: earning a Ranger tab and making a movie. He grew up in Southern California, worked in Hollywood for awhile and then felt called to serve in the U.S. Army. He left Hollywood and became a Ranger serving on multiple deployments to Afghanistan. Upon returning from his service he fulfilled his dream by writing, directing and producing his first film, The Black String, starring Frankie Muniz.
WATM: Can you share about your family and your life growing up?
I was born in Detroit then my parents moved to San Diego. They were tired of the snow and wanted a new lifestyle on the West Coast. My father has always been a huge TV, film and history buff. I grew up in Escondido which is a suburb of San Diego. I had a sister that unfortunately was killed in a car accident when she was sixteen so that was a life changing moment in our lives. It was a paradigm shifter. My parents worked hard, and my youth was in many ways the normal SoCal life — riding bikes with friends, enjoying summers and playing sports. I had a real fascination toward movies and telling stories. It was always in me. I played football and baseball in high school. I also did student government. We did a field trip when I was a senior in high school to see a talk show at Paramount Studios to see The Kathy Lee Gifford Show. Seeing the stage, PAs and cameramen showed me that showbiz was a real industry and that I could do it. Even though I did (short) films with my friends it made me aware that I could direct myself toward the industry. It is a real thing.
I graduated that summer and my sister died, so all bets were off on going into the industry at that time. I did one year at San Diego State and then decided to travel abroad with a friend. We worked as bartenders and lived in the United Kingdom. It is what 18 year olds should do— go see the world. I started reading Syd Field books and Robert Rodriguez books like Rebel Without a Crew, watching El Mariachi, Swingers, Reservoir Dogs, Clerks, Blair Witch, The Following…I was really into the big studio movies (Saving Private Ryan, Back to the Future, The Matrix) and the independents. It was like you can do this, get a camcorder and you can do it. I knew I wanted to join the military, but not at that moment in my life so I came back from Europe and transferred up to Cal State Northridge. I graduated and got my proper film school bachelor’s degree. I knew I wanted to be a Writer/Director. My parents were very supportive of my endeavor in making it in Hollywood and telling stories.
Once US Forces entered Iraq in 2003, I had read voraciously about 9/11 and the invasion of Afghanistan. I knew I was going to join the military at some point, but when? I would be pouring drinks for young, good looking Hollywood people at a bar making hundreds of dollars a night where over their shoulder would be a TV on reporting the Battle of Fallujah. I started to not feel right about that, and I wanted to be an honest storyteller. I would like to be a storyteller that speaks truthfully and authentically and didn’t want to be the person that imitates. I didn’t want to be an imitator of Goodfellas or Full Metal Jacket. I knew I needed that life experience to be an authentic storyteller. I did a TV Pilot with some friends that we raised money for, and Brandon Routh was in it. This was right before he was cast as Superman in Superman Returns. Brandon and I bartended together at that time. He was a great guy to work with. I was also bartending at the Playboy mansion during the end of the glory days for Hefner and the Mansion. It’s tough to just walk away from all of that and you are making decent money in Hollywood. You are just one step or script away from “it” happening.
After not much happened with the TV Pilot I started to realize that Hollywood and LA are still going to be here. I wrestled a year or two of how to leave it behind after I had started a life. As I approached 30, I looked in the mirror and decided to join the Army because if I waited longer, the military wouldn’t let me join – I’d be too old. I would have regretted to my dying day if I did not serve. There were no questions in life. I knew joining as an older guy would be different when compared to most recruits. But I wanted to volunteer my time and some of the years of my life to serve my country, but I had to step up and go do it. I gotta do this and gotta do it now. I knew my goal was to come back to LA with this accomplishment and service to my country being complete.
Hanson at Fort Benning. Photo credit BH.
WATM: What made you want to become a Ranger and what was your experience like?
I didn’t know all the details when I enlisted as an 11Bravo (infantry), but I knew that Rangers and Green Berets were the high-speed special-operations units. One day in Basic Training at Fort Benning, the Ranger recruiters came out to ask for volunteers and my Drill Sergeant SFC Metcalfe looked at me and said, “Hanson, you better f’n volunteer.” So, I volunteered on the spot and a few months later I was reporting to Ranger Assessment Selection Program. Unfortunately, SFC Metcalfe was killed in action a year later when he deployed to Afghanistan with the 173rd. I thank SFC Metcalfe for pushing me to go Ranger.
I was stationed at Fort Benning with 3rd Ranger Battalion where it is a high-speed training cycle. You train for six months and then deploy for about 3 to 4 months. There is always a Ranger Battalion deployed. Just operating at that tempo, at all times, is exciting and inspiring to see your NCOs, squad leaders and platoon sergeants are on their sixth or tenth deployment. It was very inspiring to see their commitment to the unit at the cost of their family and personal time. When you are a single young, enlisted person it is very inspiring to see that level of motivation. Rangers hold themselves up to the highest standard of leading the way. You are always being tested. It is uncomfortable and you never have a chance to relax. It is a great way to stay sharp. It is a tough head space to always be in. You are always being watched. The young (new) guys compete like professional athletes to deploy, like trying to make the starting roster. Once you deploy you want to be on that mission every time. I deployed to FOB Salerno in Afghanistan on the border real close to Pakistan. My second deployment was at Camp Leatherneck/Camp Bastion and then my last deployment I was at FOB Shank aka “Rocket City”. That place was hit like all day with nonstop rockets. It’s funny how used to it you get.
The Taliban used a lot of ingenious guerrilla tactics like setting ice on the mortars to eventually melt and then go off at some point during the day. Apaches would launch to try and find the culprits however they were not there. We ran the night shift out there for High Value Targets (HVT) where we went on night raids. To see how targets were acquired and track and intel was gathering where the strike force commander was the CO. From top to bottom the whole thing was a collection of assets. We worked with the Air Force, Navy, Marines, big Army, DIA and had civilians running the drones. It is amazing to see people come together for these task forces where all of these people work together on the fly. Being 30 and seeing this strike force run by young soldiers/civilians is amazing because in Hollywood most 23-year olds close to me are up and coming bartenders/actors/writers/directors. In Afghanistan we had 23-year-old Forward Observers bringing in Chinook helicopters into dangerous LZs to pick us up for a night raid. 24-year-old squad leaders are ensuring that everyone is accounted for and that no one is left behind on the side of a mountain in Afghanistan. It is amazing to see what young people can do where they have been trained at such a high level and have high expectations. They achieve and are motivated. I think Hollywood is an amazing place where things get done, but I think a lot of it is a 10-year delay. It is a bit of an arrested development sometimes.
In a training incident I was a towed jumper. We were doing our yearly training for airfield seizures which is an entire battalion operation to seize an airfield. I was the last guy to jump out of a C-17 at night with a full combat load and got hung up on the plane which made me a towed jumper. I was hanging outside of a C-17 at 1000 to 1500 feet circling Fort Benning banging against the side of the plane and fully conscious. Thinking that I might die at any moment and this is not a normal thing to happen to people. My static line wrapped around my weapons case where when you are jumping your weapons case is attached to your thigh and your harness. Somehow there was too much slack in the static line to where it wrapped around the weapons case so it wouldn’t release me. The static line stays clipped inside the plane and it is supposed to pull the back of the pack tray. You jump and it pulls it out, but it got wrapped around and it pulled me.
I was okay with a tight body position and covered my reserve chute, so it didn’t release. I was out there for six minutes. I thought they were going to cut me loose to where all I have left is my reserve chute to land on some trees at night next to the Chattahoochee River. Then I started looking at my boots flying through the air and thought this is what parasailing must be like. Then I thought, did they forget about me and is the C-17 going to try to land? Do they not know I am out here, and I am going to do some high-speed combat roll on a tarmac as the C-17 lands? You are trained to keep a tight body position out there, so they know you are not unconscious. I kept slamming against the side of the C-17 behind a gigantic turbine engine. I hit the plane and stayed there where I started to get dragged across the skin of the plane. I felt hands underneath my arms and they pulled me in. Everybody was so glad to see I was alive and in one piece. I was just relieved as I was out there so long, I went beyond any initial shock, concern to just cut me loose guys so I can land on a tree with my reserve shoot.
They pulled me in and did a great job making sure I was okay. I had to retell the story for weeks to a lot of soldiers, especially Sgt Majors at the DFAC wanted to hear the story of a towed jumper. It was a very bizarre story because no one wants to be a towed jumper. It is a total nightmare scenario short of both chutes failing. It all ended well and twelve stitches in my chin was it. After all of that my 1stSgt checked on me and made sure I was alright. He then told me, “Get ready you are jumping tomorrow.” We had another jump the next day. The 3rd Ranger Battalion was like you are jumping tomorrow to get over any fear of jumping again. Just get out there and do it. I jumped not 24 hours later and believe me I was concerned. I said, “There is no way that can happen twice.” I got out the door and was fine. There is not a lot of pity or sympathy it is like get back up and do it again unless you are truly hurt, alright get up and do it as there is no time to think about. That is something I take with me to this day.
All of the pre-jump training you do these repetitive and boring things you already know, and I did one of those things without even thinking about it. It dawned on me why I do this training every single time. When that one time does happen, you are ready and have gone over the worst-case scenario. You will be that much quicker to save your own life or someone else. It seems so mundane and so repetitive and a waste of time until you need it. That repetitive action like weapons malfunctions….but when you need that instantaneous second nature habit it is the most important thing you could have known at that point.
Hanson at Camp Leatherneck. Photo credit BH.
Hanson on his last mission at FOB Shank. Photo credit BH.
Paratroopers jumping from C-17 Globemasters.
View of Camp Salerno. Photo credit wikipedia.com.
WATM: What are you most proud of from your service in the Army?
I am proud I stepped up to the challenge of 75th Ranger Regiment (thank you SFC Metcalfe) and made the team. Severing with my Ranger buddies was like the saying goes: “I was no hero, but I walked amongst a few.” I did my part and I know guys that are still out there doing it. I know squad leaders that are now getting their own platoons. Some guys have gone into elite units like Delta Force and the 160th Special Operations Aviation Regiment. I still think about them often and stay in touch. I want to make them proud because of the work they are still doing…I try to keep pushing myself in a way that would do right by the effort they are putting on…I am proud to have been on a team with those guys and seen what leadership means…and at such a young age and for so many people. I am proud to have seen it and been associated with that level of person.
Frankie and Paige Muniz, Kayli, Chelsea and Brian at Dances with Films. Photo credit BH.
WATM: What values have you carried over from the Army into Hollywood?
One thing that you see among some twenty something bartenders or Hollywood newbies that is unacceptable in the Ranger Regiment and also unacceptable in the Army are excuses. It is the same on production, there are no excuses. There are just no excuses. I don’t want to hear it other than a solution. Maybe an, “I’m sorry,” and that is it where I don’t even want to hear an excuse. Unless there is something disastrous you need to untangle. No excuses, just solutions. The high-level professional types of productions have that mentality where I really appreciate it. I do see the correlation between military units and productions. You have one mission where everyone comes together to accomplish it.
Also, you see this in the military and it is a career everything, keep moving forward just like a twenty-mile ruck march. You worry about the next step, then the next phone pole, then the next quarter mile where they will all add up. You can be overwhelmed by all of it if you look at it all at once where if you do it one step at a time you see that you can do it. Those are two crucial lessons I learned in the Army.
Hanson, Frankie and crew at Dances With Films. Photo credit BH.
WATM: What was one of the toughest lessons to learn coming from the service to Hollywood?
Even though I had worked in Hollywood before leaving, I came back a veteran, and still had to learn that there is a system in Hollywood. The system is not as rigid perhaps as the military. It isn’t just this artistic endeavor where you get to be a genius and be Quentin Tarantino or you are Steven Spielberg because you say you are. There is a hierarchy and there is a smart way to navigate. There is a way to get oriented and to a very real map of how this town works and have very realistic expectations. I think that veterans and others think of their prior accomplishments, whether a lawyer or a company commander of an infantry company, where you are not going to be a 1st AD. That is a ten-year path that is very regimented. The biggest challenge is understanding what the path to success is and how to realistically pursue those things. Know that they all take time and embrace that.
***Since leaving the Army I have learned so much by working as a Production Assistant on HBO’s Barry, Silicon Valley, Room 104 and worked as Assistant to Matthew Rhys on Perry Mason. Being on set and working for top level professionals has been an incredible learning experience and given me insight to become a better filmmaker on my own projects. I also greatly appreciate the film/tv mentorships, education and opportunities I was given through Veterans in Media Entertainment (VME), USVAA and WGF. It has been very important to find mentors and work for professionals.
Hanson with members of the cast and production staff at the Austin Film Festival. Photo credit BH.
WATM: What was it like writing, producing and directing your own feature film, The Black String?
The story was percolating for a long time before making the film such as Donnie Darko, Repulsion, Jacobs Ladder, which does a great job of blending horror and military, and Rosemary’s Baby. It was conceived with my bartending buddy Andy Warrener before I joined the Army. We wanted to explore in that story what it is like to be on that edge where you are experiencing something and no one else believes. It is you against the world. How do you convince someone of something that crazy of a witch conspiracy or a coven of witches? Or some really wild, evil cabal? The moment you say those words you already sound like you are having mental problems. Doctors will definitely not be going to believe.
The challenge we wanted was for a character to have to convince his family, his friends and his doctors of something that is inconceivable where no one in the real world is going to believe that. We put that in a genre we enjoyed which was horror. Now we thought maybe we would make that movie, but I joined the Army and Andy got married and moved to Florida. The wild thing is that you never know what you write today may be a movie in five or ten years. I lived a whole crazy life in between thinking of the story while tending bar with my buddy and then going into the Army. The difference in the time gap was about seven years. I could not have guessed that would have happened, especially with Frankie Muniz.
The creative part I was very comfortable with in the directing and writing having made many short films. I got an MFA from Mt. Saint Mary’s University with the GI Bill, which is a beautiful thing, loves the GI Bill. I owe so much to the GI Bill. So, I got very comfortable with the directing portion where you get very creative to bring this vision and feeling and this emotion you have to life in a very technical way. It is running the business, the producing part of things, to where you are starting a business, you are an entrepreneur. My producing partner Richard Handley, he is a Navy veteran and was an officer and Physician’s Assistant, he runs a contracting business with the DoD. We ran a business together where many purely creative types don’t understand what that level of dedication and commitment is.
To this day I have had probably had equal amounts of discussions about corporate taxes, LLCs, investor shares and running a business as I have about storyboarding shots. When you are doing an independent film like this, truly a passion project, you are building a team that is not a whole lot different…then opening a small company. You and your business partner are shouldering the burden if not for months, but for years. You have to love it and I do where it has been a great journey to where we had such great crew members and other producers that have helped us along the way. It is a multiple year endeavor when you do something like that in the independent world. You really are from the very beginning of raising money all the way to negotiating with distributors and foreign distributors and how you cut checks to your investors. It’s a true business education and kind of feels like I got this mini MBA education.
That was unexpected but the directing part was just amazing. Working with such talented people and friends that I had before joining the Army…we really were able to bring a lot of relationships such as Ravi Patel I bartended with as well. Cullen Douglas and Ravi and I did a TV pilot in like 2008. It was amazing to be able to reach back to my pre-Army friends that are so talented and my post Army, new team of filmmaking friends and bring everybody together. We called on so many favors. We had such great support from Mt. Saint Mary’s, VME and Vega Baby. We called in every favor where it is such a positive experience. When we landed in Frankie Muniz where he is a champ.
He brought his “A game” even for the tiny movie it was. He loved the character and the chance to do something different. He gave everything to our tiny project as he would have to our multi-million-dollar project. He treated us with respect, and he treated the script with respect. He came to set daily with a big folder of his personal notes. He was meticulous like a pro and his level of preparation and how he kept track of everything and what he brought was just amazing. He took that movie and made it really something different than perhaps something we thought. Frankie made it his Breaking Bad character. Like his Malcolm in the Middle dad, Bryan Cranston did on Breaking Bad. He was still kind of that funny person but had a much darker take on it. It is a dark twist on that guy you already know. Frankie imbued the role in the film with his Malcolm in the Middle persona, but whoa that is the dark side of it. What happened? Like Breaking Bad, what went wrong? To work with a pro, I learned.
To be able to work with actors like Ravi, Frankie, Cullen, Oded and Chelsea where they are people that do this for a living to be able to work with people like that and be creative partners with them for my first feature was inspiring. To see how a team can really work with everybody really contributing some high-level creativity. Everyone on the team had so much to add. You have to shepherd the project to where everyone stays on track, but still allow personal creative contributions from cast members. A director is like a manager of a company. You have to work with the talent, resources and the money of your company. You still have to get to the goal, but you can’t be resistant to some things that are great new ideas.
Poster for The Black String. Photo credit IMDB.com.
Screen capture of The Black String. Photo credit BH.
Rich and Mari Handley with Yani and Brian. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Hanson and Handley on stage at the GI Film Festival. Photo credit BH.
WATM: What leadership lessons in life and from the Army have helped you most in your career?
“No excuses” and intense preparation for a project. It is preparing like you are the best and spending hours a day preparing. Don’t assume, always do pre-combat inspections. It is having everything truly ready to go. Because once you arrive on set and once you arrive at that location it needs to be ready and needs to be operational. If not you, need to have a back-up plan. Research and having contingency plans. Checking your equipment and your team. It can be seen as micromanaging, but it doesn’t have to be that bad. In the military everybody checks their troops. It’s just how it is to make sure your guys and your buddies are ready to go. I think that can be transferred to the civilian world and film production.
Frankie Muniz and Richard Handley in The Black String. Photo credit IMDB.com.
More of Muniz in The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
WATM: As a service, how do we get more veteran stories told in the Hollywood arena?
We need support from great organizations to promote veteran voices and veteran creators. Such organizations as We Are The Mighty, Veterans in Media and Entertainment (VME), of which I volunteer heavily with, the USVAA, United States Veteran Artistic Alliance, and the WGA Writer’s Guild Foundation do support veterans. We need the support from industry professionals and organizations. They are out there, and they are growing. I think that with the people in the position in power right now, the producers and executives that can green light things, I do think they do a really good job where there is always a presence of the military and law enforcement. There are always more and different perspectives. To keep in mind and do the rote, stereotypical type of story lines. There are a lot of really nuanced, interesting and unexpected perspectives that veterans can bring to the time-honored tradition of military inspired entertainment. The producers, executives and showrunners should be open to finding those unexpected angles to veteran stories.
Hanson with Steve Fiorina and Handley at the GI Film Festival. Photo credit BH.
WATM: What would you like to do next in your career?
I plan on directing my second film in 2021. My first one was the horror genre where my next one is likely going to be a thriller with a military character. I always want to do things that are thought provoking. I definitely want to challenge viewers and explore philosophies. …Christopher Nolan makes great entertainment and with challenging ideas and philosophies. He is an independent filmmaker making giant movies, which is something to strive for. Since I have completed my first film…I have been working to get on great television shows as a writer. There are so many stories to tell and I joined the Army and lived this life to help tell authentic stories. I would love to be in day in and day out be in a room with other story tellers creating an amazing show. Creating stories with a team. I will continue directing but would love to be in that writer’s room doing innovative television.
Brian Matthew Rhys on “Perry Mason”. Photo credit BH.
WATM: What are you most proud of in life and your career?
I am most proud of serving in the 75th Ranger Regiment. In a sense in my career I may never do anything as meaningful as that even if I make ten more movies or even if nominated for an Academy Award. I don’t think that I’ll ever be prouder than spending those days with my Ranger buddies in Afghanistan or sweating in Fort Benning. I am also proud of making that first movie and everyone that contributed to that colossal effort from nothing. Rich Handley and I being these recent film graduates decided to make a movie where we built that coalition from the ground up. It is an effort we are very proud of and what we did and everybody that was able to help us achieve that.
On the back end we got distribution through Grindstone and Lionsgate to where we had to find everything from scratch. The studio didn’t fund this. Movie making is a risky endeavor and long commitment over many years. The movie has been out now over a year and we are still making producer phone calls and receiving emails four years later. When you divide the money, you might make on the back end of an indie film and divide the hours by what you put in it, there might not be much money so that passion that drives you to keep working. There is a bond between people that have that level of passion to work 15-hour days. You are not really thinking about the paycheck where you are there to get the job done because you believe it is similar to the military mindset.
My wife Yani Navas-Hanson is from Venezuelan; she left the country and I met her in Atlanta when I was at Fort Benning and she was studying at Georgia Tech. She was the accountant by trade and then was our accountant on the movie. She left her country, learned English here in the US and transitioned from corporate accounting to entertainment accounting and from taking on the challenges of an independent film. What someone like her can accomplish if they are driven and keep pushing forward and to be able to accomplish that in a few years is amazing. People do have to surround themselves with the right people. If you are in a relationship with someone who is not supportive with this career path or your family is not supportive, then you might have a tough time during the ups and downs. Family and friend support is crucial. I have fantastic and supportive friends and family.
Brian and Yani at Sitges Film Festival. Photo credit BH.
Service members are awesome people — they really are. But sometimes, they can do some pretty wild sh*t. Of course you’ve heard of your unit’s token boot who bought a Mustang with an insane interest rate (you know who I’m talking about) and you’ve probably heard about the guy who creates elaborate, phallic murals in the port-a-johns, but have you heard of the soldier who legally changed his name to Optimus Prime?
That’s right — the leader of the Autobots from Hasbro’s famed line of toys served in the United States Army National Guard. During the ’80s, when the Transformers animated series and toys were very much in vogue, I’m sure a lot of kids out there felt like Optimus Prime was their daddy — and it’s very much possible that one of those kids ended up raising their right hand after 9/11.
This is his story:
Generation One Optimus Prime as showcased in 2018’s ‘Bumblebee.’
The Transformers, the animated series, premiered the same year as the first line of Transformers toys (referred to as “Generation One” or “G1”), and it garnered a strong following. Kids spent their afternoons glued to the television sets, watching their favorite toys turn from robot to vehicle and back again as they fought against (or for, depending on the robot) the powers of evil.
Plenty of the boys tuning in didn’t have father figures around, and they turned to the show’s strong protagonist, leader of the leader of the Autobots (the definitive “good guys”), Optimus Prime, for guidance.
Born in 1971, Scott Edward Nall was about 13 when the show premiered. As a boy who had lost his father only a year earlier, he admired the leadership qualities and unwavering morality of Optimus Prime.
“My dad passed away the year before and I didn’t have anybody really around,” said Nall. “So, I really latched onto him when I was a kid.”
Soldiers with the 761st Firefighting Team prepare to fight a fire during an annual training exercise at the Alpena Combat Readiness Training Center in June 2016.
(U.S. Army National Guard photo by Capt. Matthew Riley)
Later, Nall joined the Army and become a member of Ohio’s National Guard under the 5964th Engineer Detachment with the Tactical Crash Rescue Unit as a firefighter. In May, 2001, on his 30th birthday, he had his name legally changed to match that of the Autobots’ fearless leader, Optimus Prime.
Prime later got a letter from a general at the Pentagon stating that it was great to have the commander of the Autobots in the National Guard. His fellow soldiers, however, may not have had the same opinion.
After he changed his name, of course, he had to update all of his forms, nametags, IDs, and uniforms. As one might expect, his friends couldn’t let it go without giving him some sh*t. According to Prime,
“They razzed me for three months to no end. They really dug into me about it.”
The resemblance is uncanny.
Optimus Prime would go on to deploy to the Middle East in 2003 and continue to serve his country.
The Army was on track to meet or exceed its recruiting goals again this year, with help from an unexpected boost of enlistments in the traditionally difficult northeast region, Army officials said Wednesday.
“The whole East Coast, from Richmond north, is really taking off,” Army Maj. Gen. Frank Muth, commander of Army Recruiting Command, said at a Pentagon roundtable with defense reporters.
He didn’t have specific numbers at the ready, but said Army recruiters had met 100% of their goals in New York City and Boston, where recruiting has normally lagged behind the South and Southwest.
Muth and Dr. Eugene “Casey” Wardynski, assistant Army secretary for manpower and reserve affairs, also said that the surging economy, with unemployment at 3.6%, was not having the usual effect of discouraging enlistments.
“We want to be great in a great economy,” Wardynski said. “We’re in a position to do great when America is doing great.”
Muth said the Army fell short of its goal in fiscal 2018, when about 70,000 were recruited, compared to the goal of 76,000. Last year, the Army met its goal of 68,000 new recruits. And so far this year, the service is pacing 2,026 recruitments ahead of the same period last year, Muth said.
The plan was to have the end strength of the Army at 485,000 by the end of this fiscal year on Sept. 30, Wardynski said. With recruitments currently going well, the Army already has plans for a late entry pool for recruitments in excess of 485,000, he said.
Both Wardynski and Muth attributed the improving recruiting numbers to a new marketing campaign called “What’s Your Warrior,” begun last November to highlight opportunities in the Army for today’s youth.
They also emphasized a switch to focus more on 22 major cities for recruiting, and a targeting of so-called “Generation Z,” those born between the mid-1990s and mid-2000s.
Under Brig. Gen. Alex Fink, chief of Army Enterprise Marketing, the Army marketing team moved from its headquarters near the Pentagon to Chicago last fall to get closer to private-sector expertise. That includes DDB Chicago, which has a billion contract as Army’s full-service ad agency until 2028.
Fink said the effort to connect with Generation Z through such innovations as virtual recruiting stations and more creative uses of Instagram and YouTube were already paying off. In December, the Army logged 4.6 million visits to GoArmy.com, Fink said.
There are some things we can’t bear to part with. This holds especially true of items with sentimental value, those which spark memories or are a piece of family history. However, those items often remain tucked away in a box, a chest of drawers, attic or basement as we carry them from duty station to duty station.
It’s those special items that inspired Cameron Cruse and Lisa Bradley, co-founders of the military-spouse owned handbag company R. Riveter, to come up with its one-of-a-kind Heirloom Collection earlier this year.
“Most of us have things in our homes that have been passed down from generation to generation and mean a great deal to us but we struggle to find a way to showcase them every day,” Bradley said.
The R. Riveter project allows customers to transform their well-loved and sentimental materials like old military uniforms, jackets and duffle bags into one-of-a-kind handbags and accessories.
For Mary Schmid Carter, the launch of the Heirloom Collection was fortuitous after finding her 93-year-old grandfather’s military uniform from his time serving during World War II.
“We’d always heard about his time serving in the South Pacific, and what else would you do with a uniform that’s at least 70 years old?” she said.
Charles Feigl received his draft letter in January of 1944, just one month after his 18th birthday. He enlisted in the Navy and packed his bags for training. After learning morse code, ship steering and how to prepare nautical charts, the young man from Buffalo, N.Y. boarded a newly commissioned ship on a journey to see more of the world than he could have ever imagined.
“Our Heirloom Collection is a great way to honor our veterans and create something truly unique that is useful and beautiful,” Cruse said.
Crafted by military spouses like the rest of R. Riveter’s handbags and accessories, pieces created through the Heirloom Project range in price between $65-$500 depending on the size of the product and materials used.
When she took the uniform into R. Riveter’s flagship store in Southern Pines, N.C., the R. Riveter team discovered it was a Coast Guard uniform, even though Feigl served in the Navy.
Turns out, that discovery was part of Feigl’s story.
After the war was over in 1945, he made the long journey home from the Pacific to be discharged. On his last night of active duty service, Feigl was assigned an overnight watch on an empty English ship in New York Harbor. He returned to base the next morning to discover his belongings ransacked. His uniform, badges and memorabilia were all stolen.
“He had to buy a uniform just to be discharged,” Schmid Carter said.
Her goal was to have handbags made for each of the women on that side of the family, including her mother, aunts and cousins.
“I knew it would be a challenge to get ten handbags made from just one uniform, but the team at R. Riveter was determined to make it happen,” she added.
Schmid Carter expects the handbags to arrive just in time for Christmas.
“I think it will be a really special moment, an opportunity to honor [Feigl] while we still have him here. Rather than his uniform collecting dust, each of us can carry a piece of our family history with us,” said Schmid Carter.
Those interested in creating their own heirloom handbags can visit the R. Riveter flagship store in Southern Pines, or take a style survey on the R. Riveter website. There, the process is simple. Just upload photos of the item(s) and begin creating a one-of-a-kind piece. Customers select the leather color used, size of bags, and what aspects of the material they provide they want to be featured in their customized heirloom bag. The average bag takes approximately 6-10 weeks to craft.
Schmid Carter raves about the experience.
“It was wonderful. If I can get my hands on my other grandfather’s military uniform, I’d love to have handbags created for the other side of my family.”
A U.S. intelligence worker who pleaded guilty to sending a secret report on Russian election cyberattacks to a news website was sentenced on Aug. 23, 2018 to five years in prison by a federal court in Georgia.
Reality Winner, 26, a U.S. Air Force veteran with a top-secret clearance who was working for an intelligence contractor, admitted to leaking secrets to The Intercept, which published details of the National Security Agency document in June 2017.
The revelation dealt with Russian hacking targeting a company that supplies election technology.
The U.S. Justice Department said Winner printed out and mailed the report in May 2017 to the website, which specializes in investigative reporting on national security topics.
She was arrested in June 2017 and reached a plea agreement two months ago, admitting one count of unlawful retention and transmission of national defense information.
A federal judge in Augusta, Georgia, accepted the plea agreement and sentenced Winner to five years and three months in federal prison, followed by three years of supervised release.
The sentence is the longest ever given to someone for illegally disclosing government information, Winner’s attorneys said, and it comes amid efforts by the White House to crack down on leaks to the press.
John Demers, assistant attorney general for national security, said Winner’s leaks “put our nation’s security at risk” and he hoped that her jail sentence “will deter others from similar unlawful action in the future.”
Betsy Reed, editor in chief of The Intercept, said that Winner should be honored and that her sentencing and other prosecutions of whistle-blowers are attacks on freedom of speech and of the press.
“Instead of being recognized as a conscience-driven whistle-blower whose disclosure helped protect U.S. elections, Winner was prosecuted with vicious resolve by the Justice Department,” Reed said.
Featured image: Reality Winner is seen in a photo released by the Lincoln County Sheriff’s Office in the U.S. state of Georgia.
In films and in comics, combat robots have caught our imaginations for years. Whether it’s the Terminator, Optimus Prime, or giant Gundams, robots with serious firepower draw big crowds to the box office. But such mechanical marvels haven’t yet emerged on the real battlefield.
That may soon change — at least for Russia, who recently demonstrated the Uran-9 unmanned ground combat vehicle (UGCV) at the 2018 Victory Day Parade on May 8.
Now, this vehicle isn’t some mech out of Robotech. According to Rosoboronexport’s website, this system is designed to provide “remote reconnaissance and fire support to combined arms, recon, and counter-terror units.”
Since it doesn’t need to haul any crew or grunts, the Uran-9 is a very compact vehicle that can hide and ambush the enemy.
The system consists of a control station, a truck, and two remote-controlled tankettes. It might not sound like much, but this small tank (it weighs about 11 tons) can punch way above its weight. In fact, its armament suite is comparable to some full-sized Russian infantry fighting vehicles.
The main weapon on the Uran-9 is a 30mm autocannon, similar to those used on the BMP-2, BTR-90, BTR-80A, and BMP-3 IFVs. It also carries four AT-9 Spiral 2 anti-tank missiles, six RPO thermobaric rockets, and a 7.62mm PKT machine gun.
A look at the 30mm autocannon and two AT-9 Spiral 2 anti-tank missiles used on the Uran-9.
(Vitaly V. Kuzmin)
The Uran-9 is a versatile system and can swap out and add weapons to better suit the mission. For example, it’s capable of using the SA-16/SA-18 man-portable, surface-to-air missiles for stronger anti-aircraft capability. While its diverse arsenal makes it very capable fighter, it also carries sensors and tracking gear to find the enemy.
The United States doesn’t have a similar system, but has used packbots and larger robots for clearing explosives and urban recon.
Learn more about this super-lethal, unmanned Russian tankette in the video below!
It’s important for veterans to follow their dreams after they leave the service. Uncle Sam instilled in us veterans the drive we need to stand on top in this dog-eat-dog world, and it’d be a damned shame to skip out on putting that drive to work. After all, we weren’t told to knock politely on opportunity’s door — we were taught to breach it.
If you want a prime example of what hard work, talent, and dedication gets you, look no further than Gethen Jenkins, a Marine Corps veteran and one of the best damn musicians to break into the outlaw country music scene.
Born to a military family in West Virginia and raised in a rural Indian village in Alaska, Jenkins enlisted in the United States Marine Corps and served honorably for eight years, including a 2003 deployment to Iraq. When he finally left the service, he stayed around Twentynine Palms, California, and began pursuing his dream of playing country music.
Jenkins grew up around country. Ever since he was a kid, he’s been playing the guitar and writing his own music. So, becoming a professional musician was the natural next step for him. And so, he set to be like the great outlaw country stars of the past.
He met the guys that would later join in him becoming The Freightshakers at a bar in Long Beach. As coincidence would have it, they were looking for a singer to complete their outfit. Jenkins got the gig the very next day. Where the Honkytonk Belongs, a song from the album of the same name, was their first hit.
Take a listen.
His style is a unique blend of his inspirations, from bluegrass to honkytonk to outlaw. Since their formation, Jenkins and the Freightshakers have played over 1,000 gigs and have earned a number of accolades, including the 2015 Ameripolitan Music Award for Best Outlaw Group, the 2017 California Country Awards for Best Male Vocalist and Best Album, and LA Weekly even named Jenkins “2018’s Best Outlaw Country Artist.”
And they’re just getting started. Their next album, produced by the legendary Vance Powell, will be called Western Gold. Jenkins wrote or co-wrote every song on the album. It is set to drop sometime next year.
The song, Bottle In My Hand, was released last summer and is the first single off the upcoming album.
And, while we’re at it, go ahead and listen to this cover of Lynyrd Skynyrd’s Simple Man because it’s just too good not to.
The cover works so well because it’s a natural fit. Longtime drummer and songwriter for Skynyrd, Artimus Pyle, also served in the Marines in the late 60s before entering the world of professional musicianship.
That same foundation is what’s going to propels Jenkins’ career, we’re sure of it.
Humans are superstitious. We tend to come up with all kinds of ways to justify certain things we don’t fully understand. That same quality definitely has a home in military service. While some of these may seem ridiculous at first glance, there’s usually some kind of explanation underneath.
The Navy is easily the most superstitious of the branches — since their origins are tied to a history of life at sea, both military-related and otherwise, where imaginations ran wild after spending many months adrift. But, as a whole, the military has a wide array of superstitions that, when you take a closer look, are actually pretty creepy.
You don’t want one of these bad boys to drift right over a cliff.
(U.S. Marine Corps photo by Cpl. Daniel Yarnall)
Don’t carry a white lighter… Ever.
This is a superstition held by a huge number of people, mostly because of the notorious “27 Club” — a club made up of famous musicians and artists (like Jimi Hendrix, Kurt Cobain, and others) that died at the age of 27 while carrying, you guessed it, a white lighter.
In the military, however, this superstition was given legs by a bad experience with an Amphibious Assault Vehicle. Rumor has it, the vehicle lost its brakes and went off a 100-foot cliff while one Marine carried a white lighter and another had a damn horseshoe. That horseshoe might have been good luck, but the lighter’s bad mojo was enough to disrupt the balance.
King Neptune doesn’t want to hear your sh*t.
(U.S. Navy photo by Photographer’s Mate Airman Andrew Betting)
Neptune doesn’t like whistling
It’s a long-held belief in many cultures that whistling, especially at night, is an invitation to the spirits. There’s a home for this superstition in maritime tradition, too. Instead of spirits, however, the idea is that whistling will summon bad weather as it angers the King of the Sea.
So, if you find yourself on ship and you get the urge to whistle — don’t. Neptune seriously hates it.
When you hear the enemy eating apricots.
(U.S. Marine Corps photo)
A Stars Stripes article from 1968 explains a story surrounding Marines at Cua Viet who continuously found themselves under attack by enemy artillery barrages. What they started to notice, however, was that these barrages would start almost immediately after a Marine ate a can of apricots from their C-Rations.
Coincidence? You be the judge.
Maybe the “grandma’s couch” pattern wasn’t the best camouflage idea.
This superstition comes from the U.S. Army. If you look closely, you’ll see a pretty distinct key-shaped blotch within modern camouflage patterns. In what may be coincidence, several soldier took bullets right in the keys. It could just be that — coincidence — or it could be a deeper, like a spiritual omen.
Just don’t do it. Please.
(U.S. Marine Corps photo by Pfc. Nello Miele.)
Saying the “R” word
You know the word. “Rain.”
Marines, soldiers, and anyone who has a job in the military that requires going outside believe that using the term will change the weather from anything to pouring rain. Infantry Marines will tell you that a bright and sunny day changes almost instantly when someone utters this word.
What’s worse is that it won’t stop until you head back to the barracks.
The Philadelphia Experiment is one of the most grotesque military urban legends ever — and it has endured as an infamous World War II conspiracy theory. But is there any truth to it? Let’s take a look.
According to legend, on Oct. 28, 1943, the USS Eldridge, a Cannon-class destroyer escort, was conducting top-secret experiments designed to win command of the oceans against the Axis powers. The rumor was that the government was creating technology that would render naval ships invisible to enemy radar, and there in the Philadelphia Naval Shipyard, it was time to test it out.
Witnesses claim an eerie green-blue glow surrounded the hull of the ship as her generators spun up and then, suddenly, the Eldridge disappeared. The ship was then seen in Norfolk Naval Shipyard in Virginia before disappearing again and reappearing back in Philadelphia.
The legend states that classified military documents reported that the Eldridge crew were affected by the events in disturbing ways. Some went insane. Others developed mysterious illness. But others still were said to have been fused together with the ship; still alive, but with limbs sealed to the metal.
That’ll give you nightmares. That’s some Event Horizon sh*t right there.
I’ll never sleep again.
(Event Horizon | Paramount Pictures)
Which is actually a convincing reason why the Eldridge’s story gained so much momentum.
But before we break down what really happened that day, let’s talk about the man behind the myth: Carl M. Allen, who would go by the pseudonym, Carlos Miguel Allende. In 1956, Allende sent a series of letters to Morris K. Jessup, author of the book, The Case for the UFO, in which he argued that unidentified flying objects merit further study.
Jessup apparently included text about unified field theory because this is what Allende latched onto for his correspondences. In the 1950s, unified field theory, which has never been proven, attempted to merge Einstein’s general theory of relativity with electromagnetism. In fact, Allende claimed to have been taught by Einstein himself and could prove the unified field theory based on events he witnessed on October 28, 1943.
Allende claimed that he saw the Eldridge disappear from the Philadelphia Naval Yard, and he further insisted that the United States Military had conducted what he called the Philadelphia Experiment — and was trying to cover it up.
This is one of the weirdest details. The annotations were designed to look like they were written by three different authors – one maybe extraterrestrial? According to Valle’s article for the Journal of Scientific Exploration, Jessup became obsessed with Allende’s revelations, and the disturbed researcher would take his own life in 1959. It wasn’t until 1980 that proof of Allende’s forgery would be made available.
Inexplicably, two ONR officers had 127 copies of the annotated text printed and privately distributed by the military contractor Varo Manufacturing, giving wings to Allende’s story long after Jessup’s death.
So, what really happened aboard the USS Eldridge that day?
Somewhere in Delaware there are secret military canals that have all the answers…
According to Edward Dudgeon, who served in the U.S. Navy aboard the USS Engstrom, which was dry-docked in the Philadelphia Naval Yard while the Eldridge was, both ships did have classified devices on board. They were neither invisibility cloaks nor teleportation drives designed by aliens, but instead, they scrambled the magnetic signatures of ships using the degaussing technique, which provided protection from magnetic torpedoes aboard U-boats.
How Stuff Works suggested that the “green glow” reported by witnesses that day could be explained by an electric storm or St. Elmo’s Fire which, in addition to being an American coming-of-age film starring the Brat Pack, is a weather phenomenon in which plasma is created in a strong electric field, giving off a bright glow, almost like fire.
Finally, inland canals connected Norfolk to Philadelphia, allowing a ship to travel between the two in a few hours.
The USS Eldridge would be transferred to Greece in 1951 and sold for scrap in the 90s, but Allende’s hoax would live on in our effing nightmares forever.