It’s peak hurricane season, as Hurricane Dorian has been reminding us.
But Dorian isn’t the only strong storm swirling: Four cyclones churned over the oceans this week. On Sep. 4, 2019, they lined up for a satellite camera.
The GOES 16 satellite, operated by that National Oceanic and Atmospheric Administration (NOAA) with help from NASA, captured the above image of the Western Hemisphere on Sep. 4, 2019. It shows Hurricane Juliette, Tropical Storm Fernand, Hurricane Dorian, and Tropical Storm Gabrielle lined up across the globe.
At the time the photo was taken, Juliette in the East Pacific and Dorian in the Atlantic were Category 2 hurricanes. Fernand and Gabrielle were tropical storms with sustained wind speeds 45 mph and 50 mph, respectively.
Labeled image of the chain of tropical cyclones lined up across the Western Hemisphere on Sep. 4, 2019.
The image shows 2 hurricanes and 2 tropical storms
Dorian made a record-tying landfall in the northwestern Bahamas on Sep.1, 2019, as a Category 5 hurricane with 185-mph sustained winds. It ground to a halt on Sep. 2, 2019, flooding islands with a wall of water up to 23 feet high, ripping buildings apart with wind gusts as strong as 220 mph, and killing at least 23 people.
In the NOAA image, Dorian can be seen traveling north along Florida’s east coast, towards Georgia and the Carolinas. Since then, it has brought heavy rains and flash floods, lashed the southeastern US coast with powerful winds, caused tornadoes, and even caused bricks of cocaine to wash up on a beach. One man was reported dead in North Carolina after falling off a ladder while preparing for the storm.
Tropical Storm Fernand, meanwhile had just made landfall over northeastern Mexico at the time of this satellite image. The storm caused heavy rainfall, with a threat of flash flooding and mudslides, but it has since dissipated.
Hurricane Juliette has stuck to the open ocean in the East Pacific, and is expected to weaken over the next few days.
Tropical Storm Gabrielle has wandered harmlessly through the open Atlantic, and on Sep. 5, 2019, was “struggling to maintain thunderstorms near its center,” the National Hurricane Center (NHC) reported.
Hurricane Dorian moves slowly past Grand Bahama Island on Sep. 2, 2019.
An above-average hurricane season in the Atlantic
NOAA recently revised its forecast for this year’s Atlantic hurricane season — it now projects a 45% chance that this year will see above-average activity. That could mean five to nine hurricanes in the Atlantic, with two to four of those expected storms becoming major hurricanes (defined as Category 3 or above, with winds greater than 110 miles per hour).
On average, the Atlantic sees six hurricanes in a season, with three developing into major hurricanes (defined as Category 3 or above). Hurricane season peaks in August through October, with especially high activity around September 10. The season ends November 30.
Hurricane category numbers don’t necessarily indicate the full destructive power of a storm, however, as they’re based solely on wind speeds. In Hurricane Dorian’s case, the storm has traveled slowly, so its effects have been prolonged.
Slower, wetter storms like this are becoming more common as the planet warms. Over the past 70 years or so, the speed of hurricanes and tropical storms has slowed about 10% on average, a 2018 study found.
Dorian is now the fifth hurricane to reach Category 5 over the past four hurricane seasons in the North Atlantic. In the last 95 years, there have been only 35 Category 5 hurricanes in the North Atlantic, so this frequency of strong storms is far above average.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
Know what’s a great tool in combat? Planes. They were the ultimate high ground until the Space Race began; they can carry heavy weapons like large machine guns, bombs, and missiles; and they’re fast, allowing them to cross the battlefield quickly. But they also have big infrastructure needs like entire airstrips. Unless they’re vertical take-off, a technology that took decades to make work.
Vertical take-off aircraft like the Harrier and F-35B use vertical take-off to achieve one strategic goal: allowing pilots to support Marines from ships or forward landing areas that cannot support planes conducting conventional takeoffs and landings.
Planes need quite a bit of runway, and even carrier catapults have limits when it comes to rapidly accelerating an aircraft. So when Marines are fighting to take a beachhead or press inland or just doing patrols in the desert, there’s always the chance that they might press ahead into an area that a carrier can’t get to, and that doesn’t have a suitable airport or enemy airbase which they can capture to ensure they get timely air support.
But Harriers, and now the F-35B, can operate from certain amphibious assault ships and many forward positions on land. All they need is a large open area, preferably without much dust and debris, that Marines on the ground can secure and carry fuel and ammo to.
(U.S. Marine Corps Lance Cpl. Dylan Hess)
But it’s hard to make planes fly when they aren’t moving horizontally. Most planes only achieve lift by moving forward through the air. The air flowing over the wings generates the lift, and if the plane starts moving too slowly, it will stall and, potentially, fall out of the sky.
The Harrier got around this by creating four columns of air that supported the plane when it needed to takeoff and land. These columns overcame the weight of the Harrier and allowed it to fly. But the columns were unstable, and it took a lot of computer power to make all the fine adjustments necessary to prevent crashes.
The new F-35B is more stable and has much more computer power, allowing it to create its columns of air more safely. And, the F-35B uses its vectored thrust to create one of these columns, allowing it to transition to forward flight by simply re-vectoring that thrust after takeoff.
Check out the video above to learn more about how this whole process works.
The military community is huge on rivalry and houses some of the most inventive d*ck measuring contests you can think of. Each branch is currently and forever waging a friendly war with one another that has no signs of stopping — not that we’d want it to.
We hate on each other for various reasons, but at the end of the day — we’re still on the same side.
Now, when Marines think about the men and women of the Air Force, they automatically think of them being hardcore.
We’re kidding. Marines don’t remotely think that and constantly hate on airmen for various reasons.
So check out these six reasons why Marines hate on the Air Force. Shots fired (but all in good fun).
6. Marines have it tougher.
Air Force boot camp is slightly less than eight-weeks long; Marine Corps boot camp, however, is about 13 grueling weeks long. Recruits tend to join the Air Force either because they feel the Corps’ boot camp is too tough, or the Marine recruiters “just weren’t in the office that day” (cough, bullsh*t, cough).
5. The Air Force has the best chow halls in the military. But why? Because they need all their energy to fight fly drones?
That does look glorious, though…
4. Even celebrities who visit airmen wear Marine Corps issue.
Chuck Norris, Bugz Bunny, and Bob Hope are just a few honorary Marines. How many cool celebrities are honorary airmen? Go ahead — name one!
3. They get cute little command coins when they graduate vs. the beloved Eagle, Global, and Anchor after completing the “Crucible.”
Need we say more?
2. Their living conditions are considered five-star compared to the Corps’.
We love the teddy bear and string light additions. It really makes the room pop.
Being a West Point cadet isn’t for everyone, and that’s not a bad thing if you’re a poet or an LSD pioneer.
Not everyone can make it through the famed U.S. Military Academy that has been training Army leaders for more than 200 years. The academy has had its fair share of famous graduates, of course, but we looked back at a few who didn’t make it all the way through.
Edgar Allen Poe
Edgar Allen Poe, the poet best known for “The Raven,” served as a non-commissioned officer in the U.S. Army 1827-1829. He was a member of West Point’s Class of 1834 and excelled in language studies, but he was ultimately expelled for conduct reasons. (Wikipedia)
Before he played in the NFL, Chris Cagle was part of West Point’s Class of 1930. He played for the Black Knights during the 1926–1929 seasons. Right before his commissioning, he was forced to resign in May 1930 after it was discovered he had married — a breach of the rules for cadets — in August 1928. (Wikipedia; Photo: Amazon.com)
Timothy Leary, counterculture icon and LSD proponent, was part of West Point’s Class of 1943 before dropping out to “drop out, tune in, and turn on” – his motto during the ’60s.
Richard Hatch was part of West Point’s Class of 1986 before he dropped out to eventually become the original reality show bad boy and winner of the first season of Survivor. (Photo: People.com)
Maynard James Keenan
Maynard James Keenan is well known in rock music circles as the front man of art metal bands Tool and A Perfect Circle. Keenan would have been part of the Class of 1988 but instead of accepting his appointment to West Point in 1984 (while he was attending United States Military Academy Preparatory School) he decided to skip cadet life and instead complete his term of active duty enlistment. (Photo: Karen Mason Blair/Corbis)
Adam Vinatieri is well-known to NFL fans as a placekicker for the New England Patriots and Indianapolis Colts. His stint as a cadet didn’t last very long. He left the Academy after two weeks of plebe life. (Photo: Colts.com)
Dan Hinote dropped out of West Point in 1996 – his plebe year – when he was picked up by the Colorado Avalanche, which made him the first NHL player ever drafted from a service academy. He is currently an assistant coach for the Columbus Blue Jackets. (Photo: NHL.com)
Credible sources have confirmed that it’s all over. The Apocalypse is nigh. The End Times are upon us. The trouble started when Army Chief of Staff Mark A. Milley announced that soldiers at Fort Hood were going to be allowed to roll their sleeves for a 10-day trial period. But rolled up sleeves would be a grave mistake. While the Army publically stated in 2005 that it was getting rid of rolled sleeves to prevent sunburn and insect bites, it’s widely known that the real reason was to keep the world from going all topsy-turvy.
Here are 5 things to look forward to if this dreadful uniform change is allowed to stand:
1. Privates will lead sergeants
The first consequence will be a complete breakdown in the natural order of military bases, and privates will begin leading sergeants instead of vice versa. This will be truly disastrous since modern privates typically can’t read paper maps and will likely rule by committee. The E-4 Mafia has signaled that it would be willing to work with privates if they usurped the NCOs.
2. Civilians will become colonels
Since the NCO corps will be busy fighting against these challenges from bare-forearmed privates, there will be no one to prevent officers from promoting their golf buddies into the Army. Expect a surge of “lateral entry” officers into ranks as high as colonel or general.
3. Russia will transform back into the Soviet Union
With the U.S. Army wrestling to re-establish some semblance of order in the “Rolled Sleeves” world, Russian President Vladimir Putin will no longer have to fear reprisals from the West if he goes too far. He will quickly send forces into the rest of Ukraine as well as NATO states bordering Russia.
Once he has reclaimed enough territory, he will declare the rebirth of the Soviet Union and grow a new, Stalin-esque mustache.
4. Blood will no longer make the green grass grow
Perhaps the most damaging result of the Army abandoning its extended sleeves policy will be the fact that it will change basic organic chemistry and stop the growth of grass watered with blood. Water will have to be piped or trucked in to keep plant life going.
This will be an especially big problem for desert bases like Fort Hood that have limited access to water.
5. Actually, it’s going to be fine
Look, besides the annoying fact that the modern uniform has little sleeves for pens and big velcro patches that make the uniform hard to roll, this isn’t a big deal. Soldiers will wear more sunscreen and bug spray again, and everyone can go back to work. Congrats, Fort Hood. And thank you, Dailey and Milley, for trusting soldiers to remain professionals even with rolled sleeves.
There is a very robust veteran community within the entertainment industry. Veterans in Media and Entertainment is a nonprofit networking organization that unites current and former members of the military working in the film and television industry. The Writers Guild Foundation has a year-long writing program for veterans. And hey, We Are The Mighty is a company founded on a mission to capture, empower, and celebrate the voice of today’s military community.
The military community makes up a small percentage of Americans, but plays a global — and exceptionally challenging — role. It makes sense that many veterans have stories to tell. Not all of those stories are about their military experiences, but many are. Hollywood loves a good hero story, but there’s more to the military than those few moments of bravery.
The military is a mind f*** unique lifestyle, one that does involve war and sacrifice, but also really weird laws and random adventures — and in a Post-9/11 world, we are now seeing an influx of veterans ready to dissect that world.
Enter Xanthe Pajarillo.
“Veteran narratives are begging for more diversity. When our representation in the media is limited to war heroes or trauma victims, it creates a skewed portrait of who service members are,” said Pajarillo, the creator of Airmen, a web series that explores the dynamics of queerness, romantic/workplace relationships, and being a person of color in the Air Force during peacetime operations. It emphasizes the unshakable bonds and relationships that veterans make during their time in service.
U.S. Marine Corps veteran Chloe Mondesir, who will play Airman 1st Class Mercedes Magat.
It’s important to recognize that there is much more to military service than what is traditionally portrayed in film and television (which tends to be the rare stories of heroism in battle and/or the traumatic effects of war).
American society has placed heroes on a pedestal, which is a very high standard to meet for our troops — and one that often involves a life-threatening circumstance. Not every troop will see combat (this is a good thing… but we don’t always feel that way when other members of our team are shouldering the burdens of war), and even those who do engage in battle but live when others die experience survivor’s guilt and symptoms of trauma.
It’s time to tell the reality of military service: the warrior’s tale, yes, but more importantly, the stories of the humans living their lives while wearing the uniform.
“Ultimately, I created Airmen to help bridge the gap between civilians and veterans. The characters are active duty, but their experiences are universal. We are complex individuals with successes, failures, and insecurities just like everyone else. I hope when someone watches the show – civilian or veteran – they’ll feel less alone in the world,” says Pajarillo.
Which is exactly what Airmen is setting out to do — and now the series is ready for the next stage of production, beginning with a campaign at SeedSpark, a platform designed to change the entertainment industry to reflect the world we actually live in.
Since the Cold War, the US and Russia have drawn up plans on how to best wage nuclear war against each other — but while large population centers with huge cultural impact may seem like obvious choices, a smarter nuclear attack would focus on countering the enemy’s nuclear forces.
So while people in New York City or Los Angeles may see themselves as being in the center of the world, in terms of nuclear-target priorities, they’re not as important as places in states like North Dakota or Montana.
This map shows the essential points Russia would have to attack to wipe out the US’s nuclear forces, according to Schwartz:
Skye Gould/Business Insider
This map represents targets for an all-out attack on the US’s fixed nuclear infrastructure, weapons, and command and control centers — but even a massive strike like this wouldn’t guarantee anything.
“It’s exceedingly unlikely that such an attack would be fully successful,” Schwartz told Business Insider. “There’s an enormous amount of variables in pulling off an attack like this flawlessly, and it would have to be flawless. If even a handful of weapons escape, the stuff you missed will be coming back at you.”
Even if every single US intercontinental ballistic missile silo, stockpiled nuclear weapon, and nuclear-capable bomber were flattened, US nuclear submarines could — and would — retaliate.
According to Schwartz, at any given time, the US has four to five nuclear-armed submarines “on hard alert, in their patrol areas, awaiting orders for launch.” Even high-ranking officials in the US military don’t know where the silent submarines are, and there’s no way Russia could chase them all down before they fired back, which Schwartz said could be done in as little as five to 15 minutes.
But even a strike on a relatively sparsely populated area could lead to death and destruction across the US, depending on how the wind blew. That’s because of fallout.
The US has strategically positioned the bulk of its nuclear forces, which double as nuclear targets, far from population centers. But if you happen to live next to an ICBM silo, fear not.
There’s a “0.0 percent chance” that Russia could hope to survive an act of nuclear aggression against the US, according to Schwartz.
So while we all live under a nuclear “sword of Damocles,” Schwartz said, people in big cities like New York and Los Angeles most likely shouldn’t worry about being struck by a nuclear weapon.
Images courtesy of the Instagram accounts 18disaster_ hoodlumsandbrigands.
Feed the Rangers.
It’s hard to imagine that one of the U.S. military’s premier Special Operations units would fail to sufficiently feed its troops during an extraordinary time. And yet that’s exactly what is been happening in the 1st Battalion, 75th Regiment, which is based at Fort Steward, Georgia.
Last week, approximately 300 Rangers were notified by their leadership that they would be moving to another barracks and undergo a two-week quarantine to prevent the spread of COVID-19. The barracks that they relocated to, however, wasn’t prepared to receive them. The main issue with the new housing arrangement was that it didn’t have an adequate Dining Facilities Administration Center (DFAC) that could properly feed the Rangers.
SOFREP understands that in the first days the quarantined troops, several of which have tested positive for the Coronavirus, were being fed twice a day with extremely low quantities and quality of food. The following pictures speak for themselves.
To alleviate the quarantined Rangers’ predicament, a support group was set up in order to supplement their nutrition. Word quickly spread via social media, and in just a few days, the support group has managed to raise over ,000 and deliver food to the troops in need.
One of the quarantined troops reached out to those organizing the Ranger version of the Berlin airlift and said, “I’m one of the guys who unfortunately tested positive [for COVID-19] from 1/75, just wanted to reach out and personally say we all appreciate what you guys have done for us. . . before y’all showed up, we would all just get the scraps of whatever came through for food, but now man, that is definitely not the case anymore. We all really do appreciate it!”
The guys who are organizing and running the support service are clear that what they are doing is only to supplement the nutrition of the quarantined Rangers. They don’t have an issue with the leadership.
The whole issue signals a breakdown in communications. Broken down, the core duties of a leader are to achieve the mission and take care of his troops. You can easily discern good officers and non-commissioned officers from their actions. Are they last to eat or sleep while in the field? Do they help clean up after a long day at the range? If yes, then that’s a sign that they put their troops before their welfare and comfort. Good and timely communication is also important. You can honestly care about your troops but if you don’t communicate it or, reversely, encourage productive feedback, then your good intentions will fall short.
Furthermore, the situation suggests that the Army is still having trouble in addressing COVID-19 and potential quarantines. It seems like units just hope it won’t reach them rather be proactive about it and sufficiently prepare. As a consequence, they are forced to such hodgepodge reactions that result in troops not being fed enough.
The 75th Ranger Regiment is the premier direct action Special Operations unit of the U.S. military. It is comprised of three infantry battalions (1/75, 2/75, 3/75), a special troops battalion, and a military intelligence battalion.
This event is sure to produce second-order effects. With such poor treatment during a time of need, several Rangers will be looking to either move to other Special Operations units, such as the Special Forces Regiment or Delta Force, or leave the force altogether.
The quarantine is expected to last for approximately ten more days.
You can help out by visiting the GoFundMe page that has been set up by the members of the community.
It was Charles Dickens’ Oliver Twist that said “Please, Sir, I want some more,” but it’s the quarantined Rangers who are living it.
Rare Limited’sGoldeneye 007 was released for the Nintendo 64 on August 25, 1997. Despite being 21 years old, this game still sits near the top of many, many older gamers’ top ten video games lists. It was glitchy, had several design flaws (like the extremely unbalanced Oddjob), and featured a control scheme that hasn’t aged gracefully — but none of that really matters.
The game will always hold a spot in our hearts. For many people, it was their first time getting their hands on a first-person shooter game. For others, it was the first time staying up all night long competing against a living room full of friends. Shooters might be a dime a dozen these days, but this game is a legend.
Here’s why it remains a hallmark title in the industry.
Or, you know, using to extreme DIY measures to prevent “screen cheating.”
(Photo via Reddit u/thx316)
Goldeneye 007 was one of the first major games to incorporate multiplayer into the first-person shooter genre for the home console. While there are multiplayer mods for Doom on the PC that predate Goldeneye, there weren’t any games that brought groups of friends together into the same living room, playing on the same console, and splitting the same TV into four different sections.
This laid the groundwork for a long lineage of other successive franchises, like Halo and Call of Duty, that later incorporated the same multiplayer mechanic into their games. This kind of high-octane, social experience was fun for all, and downright formative for some.
Of course, split-screen multiplayer also means that your sibling’s looking at your portion of the screen, but let’s be honest, everybody did it and that was part of what made the game so great. Once you understood that “screen cheating” was a given, it became part of the game — you could punish someone for looking away from their screen or lure them into a remote mine or two.
‘Goldeneye’ — “It’s not a bug, it’s a feature!”
The game also sported several minor features that were mind-blowing back then, but have since become standard practice. There was a huge variety ofweapons available foruse, like shotguns, rifles, snipers, and handguns, but it also had offbeat selections, likesilenced weapons, lasers, insta-kill golden guns, and plenty of gadgets featuredthroughout the iconicfilm series.
The “cheats” in the game were also memorable for being just hilariously fun. Everyone, at some point, wouldtry out “big head mode” and “paintball mode,” just to experiencesomething new. Unlike modern games, where cheat codes are mostly offered as paid DLC, you earned these goofy rewards in-game by beating single player levels on a increasingdifficulties within a certain amount of time.
Today, Goldeneye 007 still holds a dear place in the hearts of many gamers. Computer and Video Games Magazine gave it the top spot on their “top 100 games of all time” back in 2000 and you’ll still find it ranking highly today.
The love for Goldeneye is universal. The game has been included in the Smithsonian American Art Museum for being “culturally and artistically significant.”
A Russian naval research team has claimed to have discovered five islands in the Franz Josef Land archipelago in the Kara Sea area of the Arctic Ocean.
Russian news agency RIA Novosti on Aug. 27, 2019, quoted Russia’s Northern Fleet as saying the islands range in size from 900 to 54,500 square meters.
The land areas are located in Vise Bay, west of Severny Island in the area of the Vylki Glacier, the report said.
It added that the islands were first sighted during an analysis of satellite photos three years ago.
The expedition to confirm the existence of the islands began on Aug. 15, 2019, and is expected to run through the end of September 2019.
Russian-owned Franz Josef Land is an archipelago of some 192 islands inhabited only by military personnel.
Severny Island in the Kara Sea.
The Arctic region has gained importance in recent years as rising temperatures have made the waters navigable for longer periods and because of the vast reserves of natural gas and minerals.
Russia has beefed up its military presence in the Arctic region, modernizing its Northern Fleet and reopening bases that were abandoned following the collapse of the Soviet Union in 1991.
In March 2017, Russian President Vladimir Putin traveled to the Arctic archipelago, saying he had ordered the government to step up development of the region and calling for “large infrastructure projects, including exploration and development of the Arctic shelf.”
Other countries, including the United States, China, Canada, Denmark, Finland, Iceland, Norway, and Sweden, have also been looking to increase their activities in the Arctic.
Bishop and motion capture actors for EA’s Battlefield4 video game.
Greg Bishop advanced from private in the Army to Lieutenant Colonel, across a spectrum of specialties from Infantry to the Signals Corps and finally to Public Affairs. He had a dream to work in Hollywood when he was young which he fulfilled through his military service. Bishop runs MUSA Consulting now for the entertainment industry advising on different projects. Bishop has produced his own feature Ktown Cowboys and worked on projects such as Transformers: Revenge of the Fallen, The Day the Earth Stood Still, GI Joe: The Rise of Cobra, Battlefield4 and Snitch.
1. Can you share about your family and your life growing up?
I grew up in the suburbs of Louisville, KY, in a normal, all-American, middle-class family and experience. I was the third of four boys, I had loving parents who are still married today. My father, who was a Marine Corps officer and Vietnam Veteran, was tough but a great role model. My mother took great care of us boys and she was our superhero. We grew up in the pre-home-video game era, so we spent most of our time outside, playing sports, riding bikes, chasing girls and getting into normal boyhood trouble complete with skinned knees and elbows, broken bones and hearts.
2. What values were stressed at home?
With my father being a Marine, and having four boys within six years of one another, discipline, hard work and personal responsibility were paramount in the Bishop household. A strong work ethic was instilled in all of us, so all of the Bishop Boys worked as soon as we were big enough to rake leaves, shovel snow, or cut grass. Our family also pretty much had a newspaper delivery dynasty in the neighborhood for several years. All of us delivered papers until we were old enough to have a regular job, and that was back in the days when newspapers were delivered two times a day. Once old enough, we all had after school jobs washing dishes, busing tables, working in fast food, or whatever we could do to make money legally.
We all went to private Catholic high schools and we were expected to pay half of our tuition for the first three years; our parents covered all of it in our senior year. At the time it was tough. My friend’s parents were giving them money for their hobbies and entertainment while I had to work to pay for the things I wanted or wanted to do. My Mom would slide us a couple bucks if she knew we were tight on cash, but for the most part if I wanted to go to the arcade and play video games, those were my quarters going in the machine. I bought my first car at 15 before I even had a driver’s license. It was a lot of work for a kid, but in the end, my parent’s lessons paid off. All of my brothers currently work for themselves in one capacity or another.
3. What made you want to become a soldier and what was your experience like?
I wasn’t the best student in high school. I had to go to summer school my freshman year, and I think I only had two A’s in my four years…one in Physics and one in Film Appreciation. Don’t ask me to explain that. In my junior year I was cast as an actor in a local educational video on teen suicide. The director allowed me to tag along throughout the production and post-production process. That was my first taste of video production and I really loved it. My senior year, in the film appreciation class, I made a Super-8 movie as the final project, and that’s when I really fell in love with film and video production. I loved the process and everything about it. I knew I needed to go to film school.
Now, there were no film schools in Louisville, so I attended a couple regional colleges for a couple of years, but it wasn’t really doing anything for me. I desperately wanted to go to film school. Then one day I saw an Army commercial promoting the GI Bill and the Army College Fund which just so happened to be the amount of money I needed. I went to see a recruiter; told him I wanted the college money and if I was going to join the Army, I also wanted to paint my face green and run through the woods with a gun. I signed up for the infantry and I shipped off to Basic Training February 27, 1989. While at Fort Benning, I was offered the opportunity to apply for Army OCS (Officer Candidate School). I was accepted and made it through OCS. I was commissioned a year and a day after I arrived at Basic Training and spent the first half of my career as an Army Signal Officer serving in Korea, Fort Campbell and Germany. I wasn’t really thrilled with being a Signal Officer.
While at Fort Campbell I met, fell in love and married my amazing wife, and then the Army let me finish my degree through their Degree Completion Program. I got my bachelor’s degree from Austin Peay State University, which is right outside of Fort Campbell. I studied public relations there and did a summer internship in an advertising firm. At this point the film school dreams began to dwindle, but I enjoyed advertising because it was still very creative. So while still serving I took the GMAT, applied for MBA programs, all with the intention of getting out of the Army and going to work in advertising.
I still owed the Army a few years because of the time they gave me to finish my degree, so fast forward a couple of years, in the mid-90’s, I was stationed in Germany and deployed to Bosnia. One day I stumbled on an article in the Stars and Stripes, about Army Advertising, that changed my life. I learned that I could do advertising IN the Army. I loved being a Soldier, I just didn’t like the Signal Corps. I learned I needed to become a public affairs officer to get that job, so after my company command time in the Signal Corps, I transitioned over to Army Public Affairs, and my first job in that career field was with Army Recruiting Command’s Advertising Directorate at Fort Knox.
While stationed at Fort Knox I was accepted into the Army’s Advanced Civil Schooling program and I went to USC (University of Southern California) where I got my MA in Strategic Public Relations. While there, I learned about this awesome job in LA where a Public Affairs Officer served as the Army’s liaison to the entertainment industry. I really wanted THAT job one day.
While at USC, OIF and OEF started, so after graduating I was assigned to Fort Campbell and deployed to Iraq with the 101st Airborne Division from ’05-’06. I was one of the first brigade combat team PAOs during the Army’s “Transformation” period. I had a great team, an important mission, and was part of one of the best divisions in the Army. It was a tough but rewarding year.
After Iraq I was assigned as the Deputy PAO for the Headquarters of the U.S. Army Corps of Engineers in downtown DC. After serving there for a couple of years it was again time for a reassignment. I learned an important lesson from a senior officer once and it was to not just accept any assignment the Army offers you. If you want something, you have to fight for it. I fought very hard to get the PAO job in Hollywood. My branch manager told me that the entertainment office position was open, but he would not fill the slot because the Chief of Public Affairs (2-star general) believed it didn’t need to be filled. I told my branch manager that that position was one of the most important public affairs jobs in the Army, but he assured me the general had made his decision, and it was “final.” I told him that I was going to write a white paper on why it was such a critical position and why I was the right guy for it…I asked him to promise me that he’d read it. He did, and he agreed, but now had to go change the mind of a 2-star general to put me into that position.
The general called me into his office a couple weeks later, told me my white paper made sense and he thanked me for keeping him from making a mistake. I admired him for his humility. He told me to pack my bags, you’re going to Hollywood. A few months later, I was on the set of Transformers: Revenge of the Fallen and I thought to myself, “Holy shit, the Army got me to Hollywood.” It was a surreal experience. I retired from the Army about 10-years ago and have been working in the entertainment industry ever since.
Bishop with his Drill Sergeant on Basic Training graduation day.
4. What are you most proud of from your service in the Army?
I am most proud of just being a soldier and serving. I am proud to represent our country. I’m proud that I began my Army career as a Private First Class with no degree and finished as a Lieutenant Colonel with a master’s degree. My proudest achievement in service was the year I spent in Iraq where I like to say we fought the information war. Serving as a PAO doing media relations with major news agencies was interesting but working with the Iraqi people to set up their own newspapers and media outlets was the most rewarding. I helped Iraqi citizens run their own businesses, instructing them on how to create a revenue model for their newspapers, radio and TV stations. I also helped my two interpreters create a market research company that helped the local government, the U.S. Army and the U.S. State Department understand the concerns and opinions of local Iraqi citizens. We advised the police, fire and government public affairs of what it means to tell their citizens the truth. We were there for the first election in Iraq and I got to be a small part of it. It was an incredible experience.
Bishop (top left) deployed in Bosnia.
5. What values have you carried over from the Army into Hollywood?
The military and entertainment business are very similar. I told Michael Bay once that, “you shoot film and we (the Army) shoot bullets, everything else is the same.” People in entertainment might be shocked to hear this, but both industries require teamwork, leadership, planning, and even OPSEC. You deal with fiefdoms, budgets and timelines. Hard work and discipline are key. Understanding the commander’s intent, or the director’s vision, it’s the same. Neither culture suffers fools for very long. Both are meritocracies for the most part. I think it’s more so in the military than in Hollywood, and Hollywood is more nepotistic that the military, even though that exists in both worlds. But if you’re good at what you do, you’ll succeed. I knew the Army trained me to be a producer, I just needed to learn the entertainment industry language.
6. What project did you most enjoy doing while working in Hollywood?
I worked in Hollywood as a soldier and as a civilian. As a soldier, Transformers: Revenge of the Fallen was the most fun. It was a Michael Bay movie, so we blew things up and we fired thousands of rounds on set. We had nearly everything in the Army inventory in that movie. There were so many explosions. We shot live rounds from Abrams tanks and Bradley Fighting Vehicles on set. The set caught on fire a couple times. Everybody was out there putting the fire out. Even Michael Bay had a hose in his hand putting out the fire. Every day was just a blast.
As a civilian, it has to be producing my first movie Ktown Cowboys with my business partner Brian Chung. We took it from script all the way to distribution. It premiered at SWSX (South-by-Southwest) in 2015 and it was a nerve-racking experience having so many strangers watching our film. But there’s nothing more rewarding than watching an audience laugh and enjoy a film that your team made. Finishing a movie is very tough. Making a bad movie is hard, making a great film is almost impossible. The military trained us to face challenges and solve difficult situations. That’s true in a military operation and it’s true in the film business.
MLRS from the Army in Transformers Revenge of the Fallen. Photo credit Paramount Studios.
MLRS from the Army in Transformers Revenge of the Fallen. Photo credit Paramount Studios.
The film that Greg produced. Photo credit IMDB.com
7. What was it like transitioning to Hollywood?
Even though I had worked in the Entertainment industry for the Army it was harder than you may think. The industry doesn’t have the time to help anybody else achieve their dreams unless it’s a family member. Most people stop returning my phone calls once I no longer “had the keys” to Army helicopters, troops, vehicles, locations, etc.
I knew some people at Electronic Arts who worked on the Battlefield franchise. Working with them was one of our first gigs. One of the early challenges we had was knowing how much to charge for our services. As a Soldier, you work as long as it takes to accomplish the mission and your pay is the same regardless of outside circumstances. There’s really no relationship between pay and time in the military. I remember in one of our early phone calls with EA one of the producers asked us how much we charge for our services. At the time we had no idea what our time and expertise was worth. We threw out a number and the EA guys laughed at us. They literally said, “We can pay you more than that!” Lesson learned.
We probably wasted a lot of money and time starting a business immediately after retirement because we were career military guys and not trained businessmen. We made some mistakes, learned a lot, but we’ve been doing this for more than 10-years now.
One other similarity between Hollywood and the military is both cultures tend to slap labels on people. In the military we literally wear those labels on our uniform. That’s one of the things that always bothered me about the military culture. Promotions and career paths tend to be very rigid and bureaucratic. In the civilian world there are 25-year old CEOs and they’re judged on performance of their leadership and the company. There aren’t any 25-year-old generals. The entertainment industry is similar though because if you’re a consultant, in their mind you’ll always be a consultant. It’s tough to use that role as a stepping stone into something bigger like acting, or directing, or producing.
Our consulting company was essentially our film school. It helped us learn the language of the industry. In 2012 we created our production company, and while our consulting company is still operating and growing, our production company is our primary focus these days.
Bishop working with Norman Lear on Netflix’s reboot of “One Day at a Time”.
Keanu Reeves in The Day the Earth Stood Still. Photo credit IMDB.com
A screenshot of Battlefield 4. Photo credit imdb.com.
GI Joe: The Rise of Cobra released in 2009. Photo credit IMDB.com.
8. What leadership lessons in life and from the Army have helped you most in your career?
I have a few leadership lessons.
For big challenges, eat the elephant one bite at a time. Don’t let the scope of the challenge intimidate you. Take it on incrementally.
You have to do the work. A lot of young people think accomplishing something is as easy as Googling it. It isn’t. You have to do the work, and oftentimes the work is more difficult than you imagine.
Don’t take “no” for an answer. Write the white paper telling the two-star general he is making a mistake.
Teamwork. It’s critical that you come together to achieve a common mission or objective. You won’t do it alone.
For those getting out of the military soon, I recommend that you find and do something you’re passionate about. Do something that excites you. Do something that will make you look at weekends as a distraction and look forward to Monday mornings. Whatever you are passionate about and love doing, find a way to do it and make money from it. If it doesn’t work, you can always get a government job or contracting job or whatever job other retired military people do.
9. As a service, how do we get more veteran stories told in the Hollywood arena?
In 1927 the first Academy Award for Best Picture went to the Army for a movie called Wings. The military has been part of Hollywood ever since and military stories have always been a part of the DNA of filmmaking and storytelling in Hollywood. For decades Hollywood was patriotic and told mostly pro-American stories portraying our troops against foreign enemies. Yes, it was probably borderline propaganda, but it was a unifying effort from people who loved their country. After the Vietnam War, and even more so after 9/11, most films and television programs about our troops were about fighting their own government, their chain of command or themselves. The politics in the industry shifted along with the way Hollywood portrayed our military. Hollywood struggles with telling authentic stories about our military. It seems we’re mostly portrayed as superheroes or broken mental patients. To answer your question, the only way we can change Hollywood is to do it ourselves. That is the only way it is going to get done authentically. We need to work to become the writers, or producers, or financiers to fund our own content. It’s easier to do that today than it’s ever been, but it’s still extremely difficult.
A scene from Wings in 1927 that won the first Oscar for Best Picture. Photo credit Paramount Studios.
10. What are you most proud of in life and your career?
Personally, I am most proud of my marriage to my wife of 25 years. She is my life’s purpose. Career wise, building three businesses with my business partner Brian Chung. But I am not done yet, so we will see what comes next.
The text that precedes every opening crawl for a “Star Wars” film reminds us that the events we are about to witness take place a long time ago in a galaxy far, far away, but that’s not entirely true. The fictional events may not have occurred recently or nearby, but the films were largely shot on location somewhere on Earth, which means that you can actually visit them in real life.
From national parks in the United States to islands off the coast of Ireland, here are some iconic Star Wars locations you should add to your travel bucket list.
There are even tours.
(Photo by Veronique Debord)
1. Tunisia is one of the most-prolific “Star Wars” locations.
Tunisia has served as the sand-covered backdrop to scenes in several “Star Wars films.” Shubiel Gorge, Chott el Jerid, Matmata, Djerba, and other areas in the north African country are the real-world stand-ins for the planet Tatooine where we were first introduced to Luke Skywalker in “A New Hope” (as well as his Aunt Beru, Uncle Owen, Old Ben Kenobi, and the Jawas).
The name of the fictional planet was borrowed from a real Tunisian town called Tataouine. There are tours that take you around abandoned sets and notable landmarks seen in the films, and there is even the option to stay in the former Owen/Beru Lars residence, now called Hotel Sidi Driss.
Death Valley National Park.
2. Death Valley has a few locations, too.
Some outdoor Tatooine scenes were also filmed in Death Valley, a US National Park situated in California and Nevada. The National Park Service website lists Golden Canyon, Dante’s View, Desolation Canyon, and other key areas for “A New Hope” fans venturing to stand where our heroes once stood.
3. Grizzly Creek Redwoods State Park is one of the many forests they filmed in.
Grizzly Creek Redwoods State Park in California is one of the lush filming locations used in “Return of the Jedi” as the Forest Moon of Endor. Fans of the saga will want to visit the park’s Owen R. Cheatham Grove in particular because it is where George Lucas and his crew shot the iconic speeder bike chase. Watch out for those completely stationary trees.
(Photo by Svein-Magne Tunli)
4. Reenact the Battle of Hoth in Finse, Norway.
Finse, Norway is the real, very cold, icy landscape that the filmmakers chose when they needed to shoot the fake, but still very cold and icy landscape surrounding the rebel base on the planet Hoth in “The Empire Strikes Back.”
According to Starwars.com, the pretty much the only way to reach the crevasses and plateaus of Finse is by train (4-5 hours) from Oslo or Bergen. The long, scenic route will give you plenty of time to plan the Battle of Hoth reenactment of your dreams.
5. You can live like Luke Skywalker on Skellig Michael.
Skellig Michael is an island off the coast of Kerry, Ireland where Rey and Chewbacca finally tracked down Luke Skywalker at the end of “The Force Awakens.” Called Ahch-To in that film and featured more prominently in “The Last Jedi,” the rocky island does not have a Jedi temple but you can climb the many stone steps up to the ruins of a real ancient monastery.
6. Laamu Atoll in the Maldives will remind you of “Rogue One.”
The islands of the Laamu Atoll in the Maldives are where the battle scenes on Scarif took place in “Rogue One: A Star Wars Story,” though the explosions were filmed in a studio in England. It may not be one of the episodic films, but that daring mission to get the Death Star plans and the devastating battle that ensued are what led to events of “A New Hope,” so seeing it in person is a must for hardcore fans.
7. Fans of the prequels will love Lake Como, Italy.
Are you a fan of the prequels? Lake Como, Italy has the distinction of being the real-world location used during the filming of “Attack of the Clones.” You and your significant other can pretend you’re Anakin and Padme on Naboo while viewing the lake from Villa del Balbianello or taking a stroll through the Tremezzo public gardens.
8. You may run across Jar Jar Binks in the Whippendell Woods.
Speaking of the prequels, the Whippendell Woods near Watford, England is where Qui-Gon Jinn and Obi-Wan Kenobi first met the controversial “Star Wars character” Jar Jar Binks, in “The Phantom Menace.” The odds of seeing a Gungan in the forest are slim, but you can snap selfies with the trees and quote a few lines of dialogue in Gunganese.
9. You can visit the fictional planet Crait in Bolivia.
The world’s largest salt flat, Salar de Uyuni in Bolivia, became the site for an abandoned rebel base in “The Last Jedi.” As the mineral planet Crait, the unique terrain was the stage for the film’s final battle between Kylo Ren and Luke Skywalker. There is no massive metal structure, ice foxes, or ski speeders to speak of, but the photo ops provided by the vast flat landscape is worth the price of the flight.
10. Rub’ al Khali makes up one of the franchise’s most iconic locations.
Rub’ al Khali is the desert in Abu Dhabi that Rey calls home (Jakku) in “The Force Awakens.” You’ll have to use your imagination if you want to see the Millennium Falcon parked in the sand, but for some fans just being there counts as a win.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
Russian authorities say they have finished building a barrier dividing the Crimean Peninsula, which Moscow forcibly seized in 2014, from mainland Ukraine.
The Border Directorate of the Federal Security Service (FSB) branch in Crimea said on Dec. 28, 2018, that construction of the “engineering and technical complexes” — as it calls the barrier — was complete.
In a statement reported by Russian news agencies, the Border Directorate said the 60-kilometer-long barrier was equipped with sensors and CCTV cameras.
The purpose of the barrier, begun in 2015, is “to prevent sabotage activities” and “attempts by criminal groups to smuggle weapons, ammunition, tobacco, alcohol, gasoline, drugs” and other items, it said.
Russia moved swiftly to seize control over Crimea after Moscow-friendly Ukrainian President Viktor Yanukovych was pushed from power in Kyiv by the pro-European Maidan protest movement in February 2014.
President Vladimir Putin’s government sent troops without insignia to the peninsula, seized key buildings, took control of the regional legislature, and staged a referendum denounced as illegitimate by at least 100 countries at the UN.
Russia also fomented unrest and backed opponents of Kyiv in eastern Ukraine, where more than 10,300 people have been killed in the ensuing conflict since April 2014.
Since the takeover of Crimea, Russia has beefed up its military presence on the peninsula, already home to the main base of the Russian Black Sea Fleet.
Moscow moved more than a dozen fighter jets to Crimea.
Moscow denies interfering in Ukraine’s affairs, but the International Criminal Court ruled in November 2016 that the fighting in eastern Ukraine is “an international armed conflict between Ukraine and the Russian Federation.”