Serving in the military requires us to be in top physical shape so we spend long hours carrying heavy equipment and kicking down the bad guy’s door. Being physically fit ensures that we can take the fight to the enemy and outlast them in any combat situation. It’s one of our strongest battlefield advantages.
Unfortunately, when we transition out the service, many of us trade out those brutal workouts in favor of spending more time relaxing on the couch. Those six-pack abs we used to sport at the beach have now gone AWOL. In fact,
“Veterans have a 70-percent higher chance of developing obesity than the general public,” Army veteran and fitness expert Jennifer Campbell says.
One reason for this statistic is the dramatic change in a veteran’s daily routine once they’re out of service. Where once a troop was expected to gear up and get out there for PT every morning, there’s no such demand on a veteran. This huge shift away from daily activity makes an equally huge impact on a veteran’s body. And, after reaching a certain point of inactivity, a lot of veterans just give up on their physique. Unfortunately, we’re not taught how to properly step back into the routine and achieve that lean look you had while serving.
Let’s fix that. Here are a few simple few steps that will ease you back into maintaining a healthy lifestyle.
Ease back in it
We’ve seen it time-and-time again: Amateur gymgoers start hitting the weights hard right out of the gate and, by the next day, they’re so freaking sore they stop altogether. Mentally, we want to hit the ground running and make a big impact, but slow and steady wins this race.
Start out with something relatively low-impact and gradually work your way up. It’s just that simple.
We’re not superhuman, even if we tell ourselves otherwise. Setting achievable goals, like losing a few pounds over a couple of weeks, is a surefire way to boost your morale. Continually update your goals based on the ones you’ve already smashed.
Track your calories today and cut a few hundred of them tomorrow
We love to eat good food. Let’s face it, who doesn’t enjoy chowing down on a delicious piece of cake or a juicy cheeseburger? Unfortunately, those foods are super high in calories. So, we challenge you to record all the calories you’ve eaten today, and, by this time tomorrow, cut the number down by a few hundred.
At the end of the day, losing weight and getting in shape is about achieving a calorie deficit. You must expend more calories than you take in.
Senior Master Sgt. Lawrence Greebon, Airey Non-Commissioned Officer Academy Director of Education, performs a crunch in the correct form according to the new Physical Training standards while participating in a new-standards PT test
(Photo by Airman 1st Class Veronica McMahon)
Conduct a PFT
While serving, your fitness was tested by measuring how fast you ran and how many sit-ups and push-ups you could perform in two-minutes (pull-ups if you were in the Marine Corps). Now that you’re out, consider re-testing yourself to better understand where your strength and endurance is at now.
You might not score as high as you once did, but it’ll give you a solid goal to work toward.
Once you’re back on track, things get easier.
The hardest part of any fitness program is getting started. As we stated earlier, many people start out strong and quit after a few workout sessions. No one said working out was easy — because it’s not — but there is a light at the end of the long dark tunnel.
After you get into the groove of hitting the weights and slimming down, you’ll start to notice results. Then, hopefully, what you see in the mirror will inspire you to move forward and continue achieving your fitness goals.
The photograph in this post shows a U.S. Navy Lockheed Martin F-35C Lightning II of Air Test and Evaluation Squadron 23 (VX-23) “Salty Dogs” during a test flight. Released by the Naval Air Warfare Center Aircraft Division, the image was taken as the stealth aircraft, carrying external AIM-9X Sidewinder AAMs (Air-to-Air Missiles), flies transonic: indeed, what makes the shot particularly interesting are the schlieren shock waves that flight test photographers captured as the JSF transitioned from sub-sonic to supersonic.
Schlieren imagery is a modern version of a 150-year-old German photography technique, used to visualize supersonic flow phenomena: a clear understanding of the location and strength of shock waves is essential for determining aerodynamic performance of aircraft flying at supersonic speed in different configurations, for improving performance as well as designing future jets.
“Schlieren imaging reveals shock waves due to air density gradient and the accompanying change in refractive index,” says the NASA website that published an extensive article about this particular kind of photography few years ago. “This typically requires the use of fairly complex optics and a bright light source, and until recently most of the available schlieren imagery of airplanes was obtained from scale model testing in wind tunnels. Acquiring schlieren images of an aircraft in flight is much more challenging. Ground-based systems, using the sun as a light source, have produced good results but because of the distances involved did not have the desired spatial resolution to resolve small-scale shock structures near the aircraft.”
This schlieren image of a VX-23 F-35C flying transonic shows the shock waves generated by the stealth aircraft.
(US Navy photo by Liz Wolter)
Noteworthy, while schlieren imaging dramatically displays the shock wave of a supersonic jet (image processing software removes the background then combines multiple frames to produce a clear picture of the shock waves) change in refractive index caused by shock waves can also become visible when aircraft move at speed much lowen than transonic, as shown in photographs taken in 2018.
A T-38C passing in front of the sun at supersonic speed, generating shockwaves.
Here what I wrote last year about a crazy cool image of an F-35 flying through the famous Star Wars canyon taken by photographer Jim Mumaw:
At speed lower than the transonic region, air flows smoothly around the airframe; in the transonic region, airflow begins to reach the speed of sound in localized areas on the aircraft, including the upper surface of the wing and the fuselage: shock waves, generated by pressure gradient resulting from the formation of supersonic flow regions, represent the location where the air moving at supersonic speed transitions to subsonic. When the density of the air changes (in this case as a consequence of shock waves) there is a change in its refractive index, resulting in light distortion.
Generally speaking, shock waves are generated by the interaction of two bodies of gas at different pressure, with a shock wave propagating into the lower pressure gas and an expansion wave propagating into the higher pressure gas: while the pressure gradient is significant in the transonic region, an aircraft maneuvering at high-speed through the air also creates a pressure gradient that generates shock waves at speed much lower than the speed of sound.
This article originally appeared on The Aviationist. Follow @theaviationist on Twitter.
Imagine you’re a Navy torpedo pilot in World War II. Your life is exciting, your job is essential to American security and victory, but you spend most days crammed into a metal matchbox filled with gas, strapped with explosives, and flying over shark-filled waters of crushing depths. But your Navy wants to get you back if you ever go down, so it came up with a novel way of rescuing you: ice cream bounties.
The wake coming off this thing could easily drown even a strong swimmer.
(U.S. Navy History and Heritage Command)
Before helicopters were stationed on carriers after World War II, those massive ships had few good options for rescuing pilots who had to bail out over the sea. It’s not like they could just pull the floating city up alongside the swimming pilot and drop him a line. After all, carriers displace a lot of water and could easily swamp a swimmer. And rescuing a pilot like that would restrict or temporarily stop aircraft launches and recoveries.
So, carrier crews came up with a silly but effective way of rewarding boat crews and those of smaller ships for helping their downed pilots out: If they brought a pilot back to the carrier, the carrier would give them gallons of ice cream and potentially some extra goodies like a bottle or two of spirits.
I told the captain (Hickey) that it was customary to award the DD with 25 gallons of ice cream for the crew and two bottles of whiskey for the Capt. and Exec. We ended up giving 30 gallons of ice cream because it was packed in 10-gallon containers. This set a new precedent for the return of aviators.
Carriers could rarely swing about, slow down, and pick up their own pilots, especially in the heat of battle. But a small destroyer or PT boat could fire a salvo of torpedoes at enemy subs and ships and then swing around and try to get a swimming pilot aboard.
Obviously, sailor to sailor, these rescues would’ve happened anyway. But the carriers figured that any goodwill they could foster in the other crews to rescue their pilots might help the aviators’ chances in the water. And while some submarines and other vessels had their own ice cream, it was a rare treat in most of the deployed Navy and Army. But carriers had massive freezers and stockpiles.
Destroyers like the USS Yarnall could look forward to some well-earned desert if they were the ones to pass an aviator back to his carrier.
“We’d get 10 gallons of ice cream every time we picked up a pilot, which was a real treat. So we started joking, ‘Let’s shoot one down.”‘
For the pilots, this could feel a bit reductive. Lt. Cmdr. Norman P. Stark was a Hellcat pilot in World War II, and he was shot down while attacking Japanese positions on Okinawa. After a controlled dive and crash into the ocean, his fellow aviators marked his location and called for rescue. A floatplane from a battleship pulled him out.
Coast Guard pilot Lt. John Pritchard helped rescue air crews in Greenland and surrounding waters, eventually disappearing while rescuing crewmembers from a lost bomber. Small planes like his could land in the water, pick up pilots, and return to a cutter or other ship.
(U.S. Coast Guard)
But then the battleship transferred him to a destroyer, and the destroyer crew was happy to have him … because of the ice cream:
After disembarking from the canvas bag, I was greeted like a long lost brother. What I didn’t realize at the time, was that they weren’t seeing me, but what I was worth to them–10 gallons of ice cream. Destroyer crews loved to rescue pilots. A pilot returned to his carrier was exchanged for 10 gallons of ice cream.
The Yarnall came alongside the Wasp, shot a line which was made fast, and I was transferred back to my Carrier. This was a dry trip. The 10 gallons of ice cream was passed to the Yarnall, and as they pulled away, I saw grins, from ear to ear. At least I had finally ascertained my true value–10 gallons of ice cream.
Does the carrier greet the rescue crew with special treatment when a pilot is saved, like the old practice whereby a carrier gave a destroyer five gallons of ice cream for returning a downed pilot? “You kidding?” a pilot asks. “They give us a hard time for delaying operations!”
But the first helicopter rescue of a carrier pilot was actually effected by a civilian crew from Sikorsky there to sell the Navy on the value of rescue helicopters in 1947. Since the helicopter pilot was a Sikorsky employee and not a member of the carrier crew, the carrier ponied up 10 gallons per pilot rescued.
The Sikorsky crew had picked up three downed pilots and so was lined up for a 30-gallon bounty which the carrier gave them all at once on their last day aboard. The Sikorsky pilot had to quickly gift the ice cream back to the carrier crew in an impromptu ice cream social since he couldn’t possibly eat 30 gallons in mere minutes.
Few actors play a salty old veteran better than Clint Eastwood. Eastwood was drafted into the Army during the Korean War, but never quite made it over to the Korean Peninsula. He was a swimming instructor at Fort Ord and survived a plane crash where he had to swim to safety. Four years later, the onetime soldier was one the silver screen, in 1955’s Never Say Goodbye. Ever since, the veteran’s life has been a critical aspect of many of his onscreen characters, of which there have been many.
Mitchell Gant, “Firefox”
Clint Eastwood plays Gant, a Vietnam veteran and pilot who’s assigned to sneak into the Soviet Union and steal the most advanced fighter aircraft ever built. Part action-adventure, part spy thriller, Firefox may not wow you today, but the character of Mitchell Gant is a fun one. He is a former USAF prisoner of war who was held captive in Vietnam, but now, because he speaks Russian (his mother was Russian), he gets to embark on a top-secret spy mission to infiltrate the USSR.
Frank Corvin, “Space Cowboys”
Space Cowboys doesn’t just have Clint Eastwood, it has a digitally young version of Eastwood as Frank Corvin shows his disappointment with the Air Force for abandoning his crew’s mission to go into space. After 40 years and the crew much aged, Eastwood’s Corvin, along with Tommy Lee Jones, James Garner, and Donald Sutherland, get their chance to show off the right stuff. There aren’t many movies about the USAF test pilots’ glory days, and Space Cowboys is a great example.
Walt Kowalski, “Gran Torino”
Clint Eastwood plays Walt Kowalski, a Korean War veteran who is very content with the way things are, even as the rest of his world is crumbling around him. Kowalski is very much prejudiced against Koreans, long after the war ended. This fact is only highlighted when a Korean family moves in next door, and the youngest son attempts to steal his well-kept 1972 Gran Torino. Gran Torino features at least one of Eastwood’s most badass lines: “Ever notice how you come across somebody once in a while you shouldn’t have f**ked with? That’s me.”
Josey Wales, “The Outlaw Josey Wales”
Josey Wales is a farmer turned Confederate bushwhacker who ends the Civil War on the run from Union soldiers, but Josey Wales wasn’t fighting for the Confederacy, not really. He was fighting to avenge the murder of his family by pro-Union militias. With a bounty on his head, Wales is joined by a group of extraordinary adventurers who help Josey Wales on his quest to stay alive, stay free, and escape to Mexico. He gets revenge against the man responsible for his family’s death, but his escape is a lot less of a shootout than expected.
Way before that, though, Josey Wales wipes out a whole unit with a Gatling gun.
Pvt. Kelly, “Kelly’s Heroes”
In the closing days of World War II, Private Kelly – once a Lieutenant Kelly, who ended up court-martialed for a failed infantry attack – gets wind of million in gold bars hiding just behind enemy lines. While his unit is halted near the town of Nancy, Kelly enlists some of his men to go AWOL and make a dash for the gold. They fight their way to the gold against overwhelming odds. When they can’t fight anymore, they offer the Germans a cut of the action.
Luther Whitney, “Absolute Power”
Luther Whitney is a Korean War veteran who left the military and became one of the world’s best and most formidable cat burglars. While robbing the home of a wealthy industrialist, he witnesses the President of the United States attempt to sexually assault the rich man’s wife. She fights him off until she’s killed by the Secret Service, who attempt to cover up the episode. After being framed for the killing, Luther decides to use his skills, along with evidence he took from the crime scene to re-frame the President.
With Ed Harris, Gene Hackman, Scott Glenn, and Dennis Haysbert, there’s so much testosterone in this movie, it might as well be a war film.
Gunnery Sgt. Thomas Highway, “Heartbreak Ridge”
When Gunny Highway stands up to his Major and says “with all due respect, sir, you’re beginning to bore the hell out of me” while smoking a cigar, it was the one time I wanted to join the Marine Corps.
Harry Callahan, “Dirty Harry”
All badass characters who came before and after are all trying to live up to one character: “Dirty” Harry Callahan. A hard-boiled cop who operates using his own set of rules, Harry Callahan remains cool under fire but gets heated when the bad guys win. Not much is known about Dirty Harry, and you pretty much have to watch the whole series to get a picture of the character. We don’t even find out he was a Marine until the second Dirty Harry movie, Magnum Force, when we learn Harry didn’t finish his 20 years. In the final film, The Dead Pool, Harry drinks from a Marine Corps mug.
A Rasmussen poll released at the end of June 2018 revealed a fear among voters that political violence is on the rise, with one in three concerned a second US Civil War is on the horizon. The poll was conducted among likely American voters who were asked via telephone and online survey how likely that war would be.
The poll also revealed that 59 percent of voters are fearful that those opposed to President Trump will resort to violence to advance their cause and another 33 percent were very concerned. A similar poll was conducted in the second year of Barack Obama’s presidency that revealed similar fears in similar numbers.
The difference this time around lies in the recent public confrontations of Trump Administration officials, something neither Obama nor Bush officials faced during their Presidents’ tenures. Media outlets posture that the public pressure is backlash from this administration’s “Zero Tolerance” policy that pulled migrant children from their parents at the U.S.-Mexico border.
By no means did civility rule the day for Obama officials. By this time in President Obama’s presidency, South Carolina Representative Joe Wilson interrupted the President’s speech to a joint session of Congress with a shout of, “You lie!” The heretofore unheard of interruption earned him a public rebuke in the House, and also led to his constituents chanting the same at him less than a decade later.
Obama’s first two years as President dealt largely with the global financial crisis of 2008, automaker bailouts, and financial regulations. As the Brookings Institution points out, no one in power thrives when the economy suffers and the Democrats lost their Congressional majority in the 2010 midterms.
A Second American Civil War would not be as clean cut as the pro-slavery vs. anti-slavery arguments or the federal authority vs. states’ rights arguments of the actual Civil War. The United States is now almost three times the size it was in the 1860s and belief systems and population are very different than they were back then. The issues facing the country are also much different, separated by more than 150 years.
The solution to this is to simply let your vote speak for your beliefs instead of your fists, or worse, a weapon. The peaceful transition of power ensures American democracy will endure, no matter who wins in 2020. The only Civil War sequel America needs is another Captain America movie.
“Six months ago, Bob’s testicles were removed. Then hormone therapy. He developed bitch tits because his testosterone was too high and his body upped the estrogen…”
Bob only made it about 105 minutes into the 151-minute masterpiece that subverted modern male culture, hence the past tense. You probably knew it by its Christian name Fight Club. There are those of us that know it simply by the way it makes us squint our eyes into the future of what “could be,” we call it The Light.
In that future, men can be men, materialism holds no grasp on our testes, and no men have bitch tits (roids or no roids). That begs the question, is there soy in my utopian view of the future?
Was it really the steroids?
Seriously, does soy make men more feminine in the same way that hormone therapy made Bob a big lactating moosie?
The majority of this anecdotal hype comes from a story about some 60-year-old dude who drank 3 quarts of soy milk a day.
I’m going to be blunt here. If you drink three quarts of anything other than water per day, there will be negative side effects. This is for a few very simple reasons.
The body is something like 60% water NOT SOY MILK
When you drink nutrients, they generally flood your bloodstream very quickly because they don’t need much processing. This is why sugary drinks spike your blood glucose levels much more dramatically than other forms of sugar.
A woman in Arizona died from drinking too much water. Yeah…even too much of the thing that makes up 60% of your composition will harm you. Ever hear of a Tsunami?
Or…the things you eat end up composing (or destroying) you.
But soy has estrogen in it…?
Yeah, Phytoestrogens… sounds scary. Phytoestrogens are found in soy products, NOT actual estrogen.
So if you eat soy, you’ll get phytoestrogens in your body. It’s only a matter of time until you get bitch tits….Right? NO.
Phytoestrogens (also sometimes known as isoflavones) aren’t estrogen and really aren’t the same as naturally produced estrogen.
It’s not uncommon that consuming a certain molecule has an entirely different effect on the body than when it is naturally produced, or no effect whatsoever. Kind of like how many collagen protein supplements do nothing but waste your money when you eat them even though you need collagen to build strong connective tissue like ligaments and tendons (stick to hydrolyzed powders if you don’t want to waste your money.)
The thought originally was that the phytoestrogens in soy will make the body worse at producing testosterone. This hasn’t been seen in 15 studies on this very topic.
The only times that there have been issues is when soy products have been consumed in what I’ll call an ex-soy-bitant amount like our 60-year-old friend above or in a 19-year-old vegan that was getting his protein basically from only soy.
Well, depending on your diet…
Your diet should not solely revolve around one food or food group.
The point of talking about soy isn’t to demonize or convince you that soy is safe for consumption. It’s about the dangers of relying solely on one food to get your nutrition.
You can find a story of someone over-consuming just about everything on planet earth. Don’t join that club.
If you don’t, you’ll hear me say something like, “I am Jack’s complete lack of surprise,” when I read about you on Reddit in some comment thread about the dangers of nightshades, or legumes, or mTORC1 (not a typo).
You always have the option to do anything. You just have to decide…
His name is Robert Paulson
Bob had bitch tits. They were from horse tranquilizers, not soy. Eat a lot of varied protein sources to build muscle, a good portion of that can be soy, and you won’t see any adverse effects. If you are only eating soy products, stop and reassess. It’s that simple.
Tyler Durden had a dream of turning a bunch of lost, dejected men who were raised by women and scared of commitment into a thinking and breathing apparatus for real social change (Sound familiar…? *cough cough* military *cough cough*). Putting his methods aside, that’s a worthy pursuit.
I have a similar dream, to help men who feel like society has left them in a perpetual state of boyhood or at least left their body soft and doughy while they conquered other professional pursuits.
Hanson at the GI Film Festival San Diego. Photo credit BH.
Brian Hanson has lived a few lives and succeeded in some of the harder endeavors known to man: earning a Ranger tab and making a movie. He grew up in Southern California, worked in Hollywood for awhile and then felt called to serve in the U.S. Army. He left Hollywood and became a Ranger serving on multiple deployments to Afghanistan. Upon returning from his service he fulfilled his dream by writing, directing and producing his first film, The Black String, starring Frankie Muniz.
WATM: Can you share about your family and your life growing up?
I was born in Detroit then my parents moved to San Diego. They were tired of the snow and wanted a new lifestyle on the West Coast. My father has always been a huge TV, film and history buff. I grew up in Escondido which is a suburb of San Diego. I had a sister that unfortunately was killed in a car accident when she was sixteen so that was a life changing moment in our lives. It was a paradigm shifter. My parents worked hard, and my youth was in many ways the normal SoCal life — riding bikes with friends, enjoying summers and playing sports. I had a real fascination toward movies and telling stories. It was always in me. I played football and baseball in high school. I also did student government. We did a field trip when I was a senior in high school to see a talk show at Paramount Studios to see The Kathy Lee Gifford Show. Seeing the stage, PAs and cameramen showed me that showbiz was a real industry and that I could do it. Even though I did (short) films with my friends it made me aware that I could direct myself toward the industry. It is a real thing.
I graduated that summer and my sister died, so all bets were off on going into the industry at that time. I did one year at San Diego State and then decided to travel abroad with a friend. We worked as bartenders and lived in the United Kingdom. It is what 18 year olds should do— go see the world. I started reading Syd Field books and Robert Rodriguez books like Rebel Without a Crew, watching El Mariachi, Swingers, Reservoir Dogs, Clerks, Blair Witch, The Following…I was really into the big studio movies (Saving Private Ryan, Back to the Future, The Matrix) and the independents. It was like you can do this, get a camcorder and you can do it. I knew I wanted to join the military, but not at that moment in my life so I came back from Europe and transferred up to Cal State Northridge. I graduated and got my proper film school bachelor’s degree. I knew I wanted to be a Writer/Director. My parents were very supportive of my endeavor in making it in Hollywood and telling stories.
Once US Forces entered Iraq in 2003, I had read voraciously about 9/11 and the invasion of Afghanistan. I knew I was going to join the military at some point, but when? I would be pouring drinks for young, good looking Hollywood people at a bar making hundreds of dollars a night where over their shoulder would be a TV on reporting the Battle of Fallujah. I started to not feel right about that, and I wanted to be an honest storyteller. I would like to be a storyteller that speaks truthfully and authentically and didn’t want to be the person that imitates. I didn’t want to be an imitator of Goodfellas or Full Metal Jacket. I knew I needed that life experience to be an authentic storyteller. I did a TV Pilot with some friends that we raised money for, and Brandon Routh was in it. This was right before he was cast as Superman in Superman Returns. Brandon and I bartended together at that time. He was a great guy to work with. I was also bartending at the Playboy mansion during the end of the glory days for Hefner and the Mansion. It’s tough to just walk away from all of that and you are making decent money in Hollywood. You are just one step or script away from “it” happening.
After not much happened with the TV Pilot I started to realize that Hollywood and LA are still going to be here. I wrestled a year or two of how to leave it behind after I had started a life. As I approached 30, I looked in the mirror and decided to join the Army because if I waited longer, the military wouldn’t let me join – I’d be too old. I would have regretted to my dying day if I did not serve. There were no questions in life. I knew joining as an older guy would be different when compared to most recruits. But I wanted to volunteer my time and some of the years of my life to serve my country, but I had to step up and go do it. I gotta do this and gotta do it now. I knew my goal was to come back to LA with this accomplishment and service to my country being complete.
Hanson at Fort Benning. Photo credit BH.
WATM: What made you want to become a Ranger and what was your experience like?
I didn’t know all the details when I enlisted as an 11Bravo (infantry), but I knew that Rangers and Green Berets were the high-speed special-operations units. One day in Basic Training at Fort Benning, the Ranger recruiters came out to ask for volunteers and my Drill Sergeant SFC Metcalfe looked at me and said, “Hanson, you better f’n volunteer.” So, I volunteered on the spot and a few months later I was reporting to Ranger Assessment Selection Program. Unfortunately, SFC Metcalfe was killed in action a year later when he deployed to Afghanistan with the 173rd. I thank SFC Metcalfe for pushing me to go Ranger.
I was stationed at Fort Benning with 3rd Ranger Battalion where it is a high-speed training cycle. You train for six months and then deploy for about 3 to 4 months. There is always a Ranger Battalion deployed. Just operating at that tempo, at all times, is exciting and inspiring to see your NCOs, squad leaders and platoon sergeants are on their sixth or tenth deployment. It was very inspiring to see their commitment to the unit at the cost of their family and personal time. When you are a single young, enlisted person it is very inspiring to see that level of motivation. Rangers hold themselves up to the highest standard of leading the way. You are always being tested. It is uncomfortable and you never have a chance to relax. It is a great way to stay sharp. It is a tough head space to always be in. You are always being watched. The young (new) guys compete like professional athletes to deploy, like trying to make the starting roster. Once you deploy you want to be on that mission every time. I deployed to FOB Salerno in Afghanistan on the border real close to Pakistan. My second deployment was at Camp Leatherneck/Camp Bastion and then my last deployment I was at FOB Shank aka “Rocket City”. That place was hit like all day with nonstop rockets. It’s funny how used to it you get.
The Taliban used a lot of ingenious guerrilla tactics like setting ice on the mortars to eventually melt and then go off at some point during the day. Apaches would launch to try and find the culprits however they were not there. We ran the night shift out there for High Value Targets (HVT) where we went on night raids. To see how targets were acquired and track and intel was gathering where the strike force commander was the CO. From top to bottom the whole thing was a collection of assets. We worked with the Air Force, Navy, Marines, big Army, DIA and had civilians running the drones. It is amazing to see people come together for these task forces where all of these people work together on the fly. Being 30 and seeing this strike force run by young soldiers/civilians is amazing because in Hollywood most 23-year olds close to me are up and coming bartenders/actors/writers/directors. In Afghanistan we had 23-year-old Forward Observers bringing in Chinook helicopters into dangerous LZs to pick us up for a night raid. 24-year-old squad leaders are ensuring that everyone is accounted for and that no one is left behind on the side of a mountain in Afghanistan. It is amazing to see what young people can do where they have been trained at such a high level and have high expectations. They achieve and are motivated. I think Hollywood is an amazing place where things get done, but I think a lot of it is a 10-year delay. It is a bit of an arrested development sometimes.
In a training incident I was a towed jumper. We were doing our yearly training for airfield seizures which is an entire battalion operation to seize an airfield. I was the last guy to jump out of a C-17 at night with a full combat load and got hung up on the plane which made me a towed jumper. I was hanging outside of a C-17 at 1000 to 1500 feet circling Fort Benning banging against the side of the plane and fully conscious. Thinking that I might die at any moment and this is not a normal thing to happen to people. My static line wrapped around my weapons case where when you are jumping your weapons case is attached to your thigh and your harness. Somehow there was too much slack in the static line to where it wrapped around the weapons case so it wouldn’t release me. The static line stays clipped inside the plane and it is supposed to pull the back of the pack tray. You jump and it pulls it out, but it got wrapped around and it pulled me.
I was okay with a tight body position and covered my reserve chute, so it didn’t release. I was out there for six minutes. I thought they were going to cut me loose to where all I have left is my reserve chute to land on some trees at night next to the Chattahoochee River. Then I started looking at my boots flying through the air and thought this is what parasailing must be like. Then I thought, did they forget about me and is the C-17 going to try to land? Do they not know I am out here, and I am going to do some high-speed combat roll on a tarmac as the C-17 lands? You are trained to keep a tight body position out there, so they know you are not unconscious. I kept slamming against the side of the C-17 behind a gigantic turbine engine. I hit the plane and stayed there where I started to get dragged across the skin of the plane. I felt hands underneath my arms and they pulled me in. Everybody was so glad to see I was alive and in one piece. I was just relieved as I was out there so long, I went beyond any initial shock, concern to just cut me loose guys so I can land on a tree with my reserve shoot.
They pulled me in and did a great job making sure I was okay. I had to retell the story for weeks to a lot of soldiers, especially Sgt Majors at the DFAC wanted to hear the story of a towed jumper. It was a very bizarre story because no one wants to be a towed jumper. It is a total nightmare scenario short of both chutes failing. It all ended well and twelve stitches in my chin was it. After all of that my 1stSgt checked on me and made sure I was alright. He then told me, “Get ready you are jumping tomorrow.” We had another jump the next day. The 3rd Ranger Battalion was like you are jumping tomorrow to get over any fear of jumping again. Just get out there and do it. I jumped not 24 hours later and believe me I was concerned. I said, “There is no way that can happen twice.” I got out the door and was fine. There is not a lot of pity or sympathy it is like get back up and do it again unless you are truly hurt, alright get up and do it as there is no time to think about. That is something I take with me to this day.
All of the pre-jump training you do these repetitive and boring things you already know, and I did one of those things without even thinking about it. It dawned on me why I do this training every single time. When that one time does happen, you are ready and have gone over the worst-case scenario. You will be that much quicker to save your own life or someone else. It seems so mundane and so repetitive and a waste of time until you need it. That repetitive action like weapons malfunctions….but when you need that instantaneous second nature habit it is the most important thing you could have known at that point.
Hanson at Camp Leatherneck. Photo credit BH.
Hanson on his last mission at FOB Shank. Photo credit BH.
Paratroopers jumping from C-17 Globemasters.
View of Camp Salerno. Photo credit wikipedia.com.
WATM: What are you most proud of from your service in the Army?
I am proud I stepped up to the challenge of 75th Ranger Regiment (thank you SFC Metcalfe) and made the team. Severing with my Ranger buddies was like the saying goes: “I was no hero, but I walked amongst a few.” I did my part and I know guys that are still out there doing it. I know squad leaders that are now getting their own platoons. Some guys have gone into elite units like Delta Force and the 160th Special Operations Aviation Regiment. I still think about them often and stay in touch. I want to make them proud because of the work they are still doing…I try to keep pushing myself in a way that would do right by the effort they are putting on…I am proud to have been on a team with those guys and seen what leadership means…and at such a young age and for so many people. I am proud to have seen it and been associated with that level of person.
Frankie and Paige Muniz, Kayli, Chelsea and Brian at Dances with Films. Photo credit BH.
WATM: What values have you carried over from the Army into Hollywood?
One thing that you see among some twenty something bartenders or Hollywood newbies that is unacceptable in the Ranger Regiment and also unacceptable in the Army are excuses. It is the same on production, there are no excuses. There are just no excuses. I don’t want to hear it other than a solution. Maybe an, “I’m sorry,” and that is it where I don’t even want to hear an excuse. Unless there is something disastrous you need to untangle. No excuses, just solutions. The high-level professional types of productions have that mentality where I really appreciate it. I do see the correlation between military units and productions. You have one mission where everyone comes together to accomplish it.
Also, you see this in the military and it is a career everything, keep moving forward just like a twenty-mile ruck march. You worry about the next step, then the next phone pole, then the next quarter mile where they will all add up. You can be overwhelmed by all of it if you look at it all at once where if you do it one step at a time you see that you can do it. Those are two crucial lessons I learned in the Army.
Hanson, Frankie and crew at Dances With Films. Photo credit BH.
WATM: What was one of the toughest lessons to learn coming from the service to Hollywood?
Even though I had worked in Hollywood before leaving, I came back a veteran, and still had to learn that there is a system in Hollywood. The system is not as rigid perhaps as the military. It isn’t just this artistic endeavor where you get to be a genius and be Quentin Tarantino or you are Steven Spielberg because you say you are. There is a hierarchy and there is a smart way to navigate. There is a way to get oriented and to a very real map of how this town works and have very realistic expectations. I think that veterans and others think of their prior accomplishments, whether a lawyer or a company commander of an infantry company, where you are not going to be a 1st AD. That is a ten-year path that is very regimented. The biggest challenge is understanding what the path to success is and how to realistically pursue those things. Know that they all take time and embrace that.
***Since leaving the Army I have learned so much by working as a Production Assistant on HBO’s Barry, Silicon Valley, Room 104 and worked as Assistant to Matthew Rhys on Perry Mason. Being on set and working for top level professionals has been an incredible learning experience and given me insight to become a better filmmaker on my own projects. I also greatly appreciate the film/tv mentorships, education and opportunities I was given through Veterans in Media Entertainment (VME), USVAA and WGF. It has been very important to find mentors and work for professionals.
Hanson with members of the cast and production staff at the Austin Film Festival. Photo credit BH.
WATM: What was it like writing, producing and directing your own feature film, The Black String?
The story was percolating for a long time before making the film such as Donnie Darko, Repulsion, Jacobs Ladder, which does a great job of blending horror and military, and Rosemary’s Baby. It was conceived with my bartending buddy Andy Warrener before I joined the Army. We wanted to explore in that story what it is like to be on that edge where you are experiencing something and no one else believes. It is you against the world. How do you convince someone of something that crazy of a witch conspiracy or a coven of witches? Or some really wild, evil cabal? The moment you say those words you already sound like you are having mental problems. Doctors will definitely not be going to believe.
The challenge we wanted was for a character to have to convince his family, his friends and his doctors of something that is inconceivable where no one in the real world is going to believe that. We put that in a genre we enjoyed which was horror. Now we thought maybe we would make that movie, but I joined the Army and Andy got married and moved to Florida. The wild thing is that you never know what you write today may be a movie in five or ten years. I lived a whole crazy life in between thinking of the story while tending bar with my buddy and then going into the Army. The difference in the time gap was about seven years. I could not have guessed that would have happened, especially with Frankie Muniz.
The creative part I was very comfortable with in the directing and writing having made many short films. I got an MFA from Mt. Saint Mary’s University with the GI Bill, which is a beautiful thing, loves the GI Bill. I owe so much to the GI Bill. So, I got very comfortable with the directing portion where you get very creative to bring this vision and feeling and this emotion you have to life in a very technical way. It is running the business, the producing part of things, to where you are starting a business, you are an entrepreneur. My producing partner Richard Handley, he is a Navy veteran and was an officer and Physician’s Assistant, he runs a contracting business with the DoD. We ran a business together where many purely creative types don’t understand what that level of dedication and commitment is.
To this day I have had probably had equal amounts of discussions about corporate taxes, LLCs, investor shares and running a business as I have about storyboarding shots. When you are doing an independent film like this, truly a passion project, you are building a team that is not a whole lot different…then opening a small company. You and your business partner are shouldering the burden if not for months, but for years. You have to love it and I do where it has been a great journey to where we had such great crew members and other producers that have helped us along the way. It is a multiple year endeavor when you do something like that in the independent world. You really are from the very beginning of raising money all the way to negotiating with distributors and foreign distributors and how you cut checks to your investors. It’s a true business education and kind of feels like I got this mini MBA education.
That was unexpected but the directing part was just amazing. Working with such talented people and friends that I had before joining the Army…we really were able to bring a lot of relationships such as Ravi Patel I bartended with as well. Cullen Douglas and Ravi and I did a TV pilot in like 2008. It was amazing to be able to reach back to my pre-Army friends that are so talented and my post Army, new team of filmmaking friends and bring everybody together. We called on so many favors. We had such great support from Mt. Saint Mary’s, VME and Vega Baby. We called in every favor where it is such a positive experience. When we landed in Frankie Muniz where he is a champ.
He brought his “A game” even for the tiny movie it was. He loved the character and the chance to do something different. He gave everything to our tiny project as he would have to our multi-million-dollar project. He treated us with respect, and he treated the script with respect. He came to set daily with a big folder of his personal notes. He was meticulous like a pro and his level of preparation and how he kept track of everything and what he brought was just amazing. He took that movie and made it really something different than perhaps something we thought. Frankie made it his Breaking Bad character. Like his Malcolm in the Middle dad, Bryan Cranston did on Breaking Bad. He was still kind of that funny person but had a much darker take on it. It is a dark twist on that guy you already know. Frankie imbued the role in the film with his Malcolm in the Middle persona, but whoa that is the dark side of it. What happened? Like Breaking Bad, what went wrong? To work with a pro, I learned.
To be able to work with actors like Ravi, Frankie, Cullen, Oded and Chelsea where they are people that do this for a living to be able to work with people like that and be creative partners with them for my first feature was inspiring. To see how a team can really work with everybody really contributing some high-level creativity. Everyone on the team had so much to add. You have to shepherd the project to where everyone stays on track, but still allow personal creative contributions from cast members. A director is like a manager of a company. You have to work with the talent, resources and the money of your company. You still have to get to the goal, but you can’t be resistant to some things that are great new ideas.
Poster for The Black String. Photo credit IMDB.com.
Screen capture of The Black String. Photo credit BH.
Rich and Mari Handley with Yani and Brian. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Hanson and Handley on stage at the GI Film Festival. Photo credit BH.
WATM: What leadership lessons in life and from the Army have helped you most in your career?
“No excuses” and intense preparation for a project. It is preparing like you are the best and spending hours a day preparing. Don’t assume, always do pre-combat inspections. It is having everything truly ready to go. Because once you arrive on set and once you arrive at that location it needs to be ready and needs to be operational. If not you, need to have a back-up plan. Research and having contingency plans. Checking your equipment and your team. It can be seen as micromanaging, but it doesn’t have to be that bad. In the military everybody checks their troops. It’s just how it is to make sure your guys and your buddies are ready to go. I think that can be transferred to the civilian world and film production.
Frankie Muniz and Richard Handley in The Black String. Photo credit IMDB.com.
More of Muniz in The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
WATM: As a service, how do we get more veteran stories told in the Hollywood arena?
We need support from great organizations to promote veteran voices and veteran creators. Such organizations as We Are The Mighty, Veterans in Media and Entertainment (VME), of which I volunteer heavily with, the USVAA, United States Veteran Artistic Alliance, and the WGA Writer’s Guild Foundation do support veterans. We need the support from industry professionals and organizations. They are out there, and they are growing. I think that with the people in the position in power right now, the producers and executives that can green light things, I do think they do a really good job where there is always a presence of the military and law enforcement. There are always more and different perspectives. To keep in mind and do the rote, stereotypical type of story lines. There are a lot of really nuanced, interesting and unexpected perspectives that veterans can bring to the time-honored tradition of military inspired entertainment. The producers, executives and showrunners should be open to finding those unexpected angles to veteran stories.
Hanson with Steve Fiorina and Handley at the GI Film Festival. Photo credit BH.
WATM: What would you like to do next in your career?
I plan on directing my second film in 2021. My first one was the horror genre where my next one is likely going to be a thriller with a military character. I always want to do things that are thought provoking. I definitely want to challenge viewers and explore philosophies. …Christopher Nolan makes great entertainment and with challenging ideas and philosophies. He is an independent filmmaker making giant movies, which is something to strive for. Since I have completed my first film…I have been working to get on great television shows as a writer. There are so many stories to tell and I joined the Army and lived this life to help tell authentic stories. I would love to be in day in and day out be in a room with other story tellers creating an amazing show. Creating stories with a team. I will continue directing but would love to be in that writer’s room doing innovative television.
Brian Matthew Rhys on “Perry Mason”. Photo credit BH.
WATM: What are you most proud of in life and your career?
I am most proud of serving in the 75th Ranger Regiment. In a sense in my career I may never do anything as meaningful as that even if I make ten more movies or even if nominated for an Academy Award. I don’t think that I’ll ever be prouder than spending those days with my Ranger buddies in Afghanistan or sweating in Fort Benning. I am also proud of making that first movie and everyone that contributed to that colossal effort from nothing. Rich Handley and I being these recent film graduates decided to make a movie where we built that coalition from the ground up. It is an effort we are very proud of and what we did and everybody that was able to help us achieve that.
On the back end we got distribution through Grindstone and Lionsgate to where we had to find everything from scratch. The studio didn’t fund this. Movie making is a risky endeavor and long commitment over many years. The movie has been out now over a year and we are still making producer phone calls and receiving emails four years later. When you divide the money, you might make on the back end of an indie film and divide the hours by what you put in it, there might not be much money so that passion that drives you to keep working. There is a bond between people that have that level of passion to work 15-hour days. You are not really thinking about the paycheck where you are there to get the job done because you believe it is similar to the military mindset.
My wife Yani Navas-Hanson is from Venezuelan; she left the country and I met her in Atlanta when I was at Fort Benning and she was studying at Georgia Tech. She was the accountant by trade and then was our accountant on the movie. She left her country, learned English here in the US and transitioned from corporate accounting to entertainment accounting and from taking on the challenges of an independent film. What someone like her can accomplish if they are driven and keep pushing forward and to be able to accomplish that in a few years is amazing. People do have to surround themselves with the right people. If you are in a relationship with someone who is not supportive with this career path or your family is not supportive, then you might have a tough time during the ups and downs. Family and friend support is crucial. I have fantastic and supportive friends and family.
Brian and Yani at Sitges Film Festival. Photo credit BH.
If there was a real weakness in the system of the early United States, it was slavery. The practice of slavery kept a lot of American ideals just out of reach and was used against the young country on multiple occasions. During the War of 1812, the British attempted to exploit this weakness by training a group of former slaves to fight for a country that needed them to fight as free men.
War of 1812 re-enactors, bring the Battle of Pensacola back to life, using the British Colonial Marines.
These days when we think of Colonial Marines, we’re thinking of the gung-ho Space Warriors from the movie Alien. But back when Lord Cochrane decided to resurrect his Corps of Colonial Marines, he was set on fighting the Americans on their home turf.
Cochrane first formed his Colonial Marines in response to a lack of proper Redcoats on British-held Caribbean territories. He believed a fighting force made up of men born and raised in the islands of the Caribbean would be hardier than importing British regulars from overseas. Having grown up around the tropics (and the diseases that come with the region) the men would be less prone to illness, a major problem with armed forces of the time.
For the slaves, enlistment meant instant freedom. Cochrane’s Marines served admirably from 1808 until they were disbanded two years later.
It was during this time Great Britain was fighting one of her greatest wars, the war against French Emperor Napoleon. Napoleon was considered by many in the British service to be an existential threat to the home islands, and as such, Britain drew on a large number of imperial troops, manpower, and resources to fight Napoleon in Europe. The problem was they also drew on resources that didn’t belong to the Empire, namely, American sailors. Since many of the American sailors were born in Britain, they rationalized, they could be impressed into the Royal Navy from American merchant ships.
This didn’t sit well with the Americans. For that (and a host of other reasons, many of which were less than noble) the United States declared war on its old mother country. For Cochrane, Britain was now fighting a world war. When appointed commander of the North American station, Cochrane realized the immediate need for more men, so he resurrected his Colonial Marines.
Cochrane, creator of the Colonial Marines, also masterminded the burning of the White House.
Cochrane raised his new Colonial Marines in Florida, which served a strategic purpose, being so close to the former colonies. There, the unit was able to bolster the strength of British positions so close to Georgia and South Carolina. Its proximity to the land border of the U.S. also served to help raise men for the unit, taking in as many escaped slaves as it could train. The idea of an armed band of former slaves so close to the slaveholding South alarmed many in the former colonies.
The former slaves were lauded for their performance in combat by the Admiralty, who marveled at their discipline and ferocity. Colonial Marines participated in the Chesapeake Campaign during the War of 1812, which saw some of the heaviest fighting between the British and the Americans. This campaign included the Battles of Bladensburg, Baltimore, and Fort McHenry, as well as the burning of Washington. The Colonial Marines fought so well, it was said that Admiral George Cockburn preferred the Colonial Marines to regular Royal Navy Marines.
Francis Scott Key may have made references to Britain’s Colonial Marine force at Fort McHenry in “The Star-Spangled Banner.”
The Colonial Marines were largely disbanded after the war’s end, but they weren’t abandoned. Some were still in the King’s service, being sent back to Britain or to Canada. Those who opted to leave the continental United States with the British forces were either in service on the island of Bermuda, or became civilian farmers, maintaining their status as free men.
For those who stayed in Florida after the war, the British allowed them to keep their fortifications and their arms, along with a substantial sum of money. But now that the war was over, Southern American slaveholders, still unhappy about the presence of a trained military force of armed former slaves so close to their homes decided to move on them. Under the command of Gen. Andrew Jackson, the Americans invaded Spanish Florida and burned the fort.
It was a cold February in 2014 when I was staying at a tiny U.S. Army installation right near the Demilitarized Zone in South Korea with the rest of my company. We hadn’t been there long before we got our first mail drop, right before Valentine’s Day. Some of us got care packages, but everyone in my platoon got a letter.
These letters were sent by elementary school kids back in the States — probably around third grade — and they were just as you’d expect: immaculate spelling, artwork that rivaled the classic greats, and fine calligraphy. Jokes aside, receiving that letter put me in an interesting head-space.
At that point, the war in Iraq had mostly died down. Marines were still being sent to Afghanistan, but just a handful of months prior, we were reflecting upon the 12th anniversary of the September 11th, 2001 terrorist attacks that kick-started the whole shebang.
1st platoon, Golf Company, 2nd Battalion, 3rd Marine Regiment in South Korea. C. 2014.
What I realized then and there is that, just a decade earlier, I was the elementary school kid writing a letter to some service member who was, at that time, fighting in Iraq or Afghanistan. In fact, I was even younger than whoever penned my letter when I saw the events of that fateful September day repeated on the news. The kid who wrote the letter in my hands now wasn’t even around in 2001.
It never occurred to me, especially back at the turn of the century, that I would one day enlist to fight in the same war that started when I was a kid.
When I was growing up, you’d hear this left and right: “Don’t join the military, you’ll go to war and die.” I always dismissed it as ignorant. After all, my father fought in the war before this one and he came back, didn’t he? But, at the time, half of that statement was true. If you enlisted immediately after 9/11, there was a near guarantee you’d go to war.
That sentiment followed me through boot camp.
I joined the Marine Corps at the age of 17 and I was still sure I’d go to war. But, with time comes change — and that’s exactly what happened. From the time I went to MEPS and had an old guy tell me to turn my head and cough to the time I walked across the parade deck at Marine Corps Recruit Depot San Diego, everyone said I would go to war. My recruiter, my drill instructors, everyone.
But once I got to the School of Infantry, things had mellowed out a bit.
I never went to war. In fact, a lot of people I served with never did. The crazy thing is that it was the reason we enlisted. We were kids when 9/11 happened and we grew up during the war that it spawned. We had time to grow angry about what had happened and we enlisted for a lot of the same reasons as our predecessors.
Marine Corps Ball in 2014. That’s me on the left.
What blows my mind the most, however, is that I completed my service over two years ago and that war is still going on, even if the Marine Corps infantry isn’t actively involved. Meanwhile, that kid who wrote me the letter is probably sitting in a high school classroom learning about 9/11 as a historical event — not as something that happened to them.
Russia’s new Star Wars-like combat suit is apparently getting a nuclear-resistant watch, according to Newsweek, citing Rostec, the Russian defense contractor building the suit.
The third-generation Ratnik-3 suit “comprises five integrated systems that include life support, command and communication, engaging, protection and energy saving subsystems,” according to Tass, a Russian state-owned media outlet.
In total, the suit comes with 59 items, Tass said, including a powered exoskeleton that supposedly gives the soldier more strength and stamina, along with cutting-edge body armor and a helmet and visor that shields the soldier’s entire face.
The suit also has a “pop-up display that can be used for tasks like examining a plan of the battlefield,” Andy Lynch, who works for a military company called Odin Systems, previously told MailOnline.
Now it’s apparently being fitted with a watch that “retains its properties upon the impact of radiation and electromagnetic impulses, for example, upon a nuclear blast,” according to Rostec’s chief designer of the suit, Oleg Faustov.
The first-generation Ratnik suit was reportedly given to a few Russian units in 2013, and some pieces of the suit were spotted on Russian troops in Crimea, according to The New York Times.
The third-generation Ratnik suit will supposedly be ready for service in 2022, according to Russian Col. Gen. Oleg Salyukov.
Russia even unveiled a video of the suit in late June, but it only showed a static display of the suit, so it’s unknown if it actually has any of the capabilities that are claimed.
Russia is also not the only country developing such technology, Sim Tack, a Stratfor analyst, previously told Business Insider.
The US hopes to unveil its own Tactical Light Operator Suit, also known as the “Iron Man” suit, in 2018. France is working on one too, the Integrated Infantryman Equipment and Communications system, or FELIN.
Nevertheless, many problems still exist with these suits, such as bulky batteries that power the exoskeletons, Tack said.
And while Salyukov recently said that they’ve been able to reduce the Ratnik-3’s weight by 30%, Russia is known to make wild claims about its military equipment that it doesn’t back up.
NATICK, Mass. (May 30, 2013) — If you’re familiar with the phrase “rock or something,” then you’ve probably used a Flameless Ration Heater to warm up a Meal, Ready-to-Eat.
To this day, the phrase remains part of a pictogram on the package of the heater, known as the FRH, which was developed at Natick Soldier Research, Development and Engineering Center’s Department of Defense Combat Feeding Directorate and is celebrating its 20th anniversary in 2013. It refers to directions that advise warfighters to place the FRH at an angle when heating up a Meal, Ready-to-Eat, commonly known as an MRE.
“The term ‘rock or something’ has now reached cult status,” said Lauren Oleksyk, team leader of the Food Processing, Engineering and Technology Team at Combat Feeding. “It’s just taken on a life of its own.”
Oleksyk was there at the beginning with colleagues Bob Trottier and now-retired Don Pickard when the FRH and that memorable phrase were born in 1993.
“We were designing the FRH directions and wanted to show an object to rest the heater on,” Oleksyk recalled. “(Don) said, ‘I don’t know. Let’s make it a rock or something. So we wrote ‘rock or something’ on the object, kind of as a joke.”
The joke has legs. As Oleksyk pointed out, there now are T-shirts and other items for sale that bear those words. “Rock or something” even has its own Facebook page.
Introduced to the heater years ago, famed chef Julia Child insisted on following the package directions and activating it by herself. With no rock handy, she decided to employ a wine glass stem.
“Which is so classic Julia,” Oleksyk said, laughing. “So there have been many things other than the rock or something that have been used. There are many, many Soldiers over the years that have their own personal joke about what they might use in place of a rock.”
The FRH is no joke, however. Adding an ounce and a half of water to the magnesium-iron alloy and sodium in the heater will raise the temperature of an eight-ounce MRE entrée by 100 degrees in about 10 minutes.
“Some of the challenges were keeping it lightweight and low volume, and not requiring a lot to activate it,” Oleksyk said.
The heater’s arrival gave warfighters the option of a hot meal wherever they went and whenever they wanted.
“I’ve heard more feedback on this item than any other item I’ve ever worked on in my career here,” said Oleksyk, who has been at Natick nearly 30 years. “They’re so grateful to have this heater in the MRE. It’s almost always used whenever they have 10 minutes to sit down for lunch.”
Prior to the FRH, warfighters used Trioxane fuel bars with canteen cups and cup stands to heat their MRE entrees. As Oleksyk pointed out, the fuel bars couldn’t be packed alongside food in the MRE package.
“So if the fuel bar and the MRE didn’t marry up in the field,” said Oleksyk, “they really had no way to have a hot meal.”
The FRH has remained essentially the same over the past two decades because, as Oleksyk put it, “it’s tough to find a better chemistry that’s lighter in weight, lower in volume and that heats as well.” A larger version has been developed, however.
“We’ve expanded it to a group ration,” Oleksyk said. “So now we have a larger heater that is used to heat the Unitized Group Ration-Express. We call that ration a ‘kitchen in a carton.’ It serves 18 Soldiers.”
The next-generation MRE heater is being tested now, and it will eliminate the need to use one of the most precious commodities in the field.
“The next version of this is a waterless version,” Oleksyk said. “It’s an air-activated heater, so you wouldn’t have to add any water to activate it at all, but that’s still in development and will have to perform better than the FRH overall if it’s ever to replace it.”
Oleksyk remembered sitting on a mountain summit one time during a weekend hike with friends. Suddenly, she heard laughter behind her.
“I hear a guy — sure enough, he says, ‘Yeah, I need a rock or something,'” said Oleksyk, who turned to see him wearing fatigues, holding a Flameless Ration Heater, and telling his buddies how great it was.
“So it’s far reaching,” Oleksyk said. “It really had an impact on the warfighter.”
Mike Griffin, the undersecretary of defense for research and engineering, made some worrying admissions about China’s growing military capabilities, and the US’ decline in technological advances.
“Our adversaries have taken advantage of what I have referred to as a holiday for the United States,” Griffin said April 18, 2018, referring to the West’s victory over its communist rivals in the Cold War. The Pentagon official was speaking at a hearing for the Senate Armed Services Subcommittee on Emerging Threats and Capabilities.
“China has understood fully how to be a superpower,” Griffin said. “We gave them the playbook and they are executing.”
One problem discussed was anti-access/area denial through the use of hypersonic weapons— missiles or glide vehicles that fly at mach 5 or above, making them so fast that they can bypass almost all current missile defense systems.
“China has fielded or can field … hypersonic delivery systems for conventional prompt strike than can reach out thousands of kilometers from the Chinese shore, and hold our carrier battle groups or our forward deployed forces … at risk,” he said.
He also added that the US does not have a weapon that can similarly threaten the Chinese, and that the US has no defenses against China’s hypersonic missiles.
(U.S. Air Force graphic)
“We, today, do not have systems which can hold them at risk in a corresponding manner, and we don’t have defenses against those systems,” Griffin said, adding that “should they choose to deploy them we would be, today, at a disadvantage.
The statements echo similar warnings that Griffin told the House Armed Services Committee a day before. In that hearing, Griffin said that hypersonic weapons were “the most significant advance” made by the US’ adversaries.
“We will, with today’s defensive systems, not see these things coming,” he said April 17, 2018.
China has already made huge gains over the US when it comes to hypersonic glide vehicles. Russian President Vladimir Putin has also said that Russia successfully tested an “invincible” hypersonic cruise missile.
Months after Putin’s announcement, the US Air Force awarded Lockheed Martin with a $1 billion contract to create what is calls “hypersonic conventional strike weapon.”
Boeing made a hypersonic vehicle similar to a cruise missile called the X-51 Waverider which first flew in 2010. The device flew mach 5.1 for 6 minutes during one test.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Care packages are how troops stay connected with the ones they love back home. Most troops will have their family send them little trinkets or mama-made cookies to make things better while troops without families have their day brightened by a sweet, heartfelt thank-you card sent by a grade schooler.
These packages are the one constant that every troop, regardless of where or when they served, can depend on. But on January 21st, 2018, the shipping costs for postage to and from all APO/FPO/DPO addresses increased substantially. Thankfully, this increase can be reverted and the rate for shipping can be permanently fixed, benefiting the troops.
Nothing can bring joy to troops like a care package from home.
(U.S. Army National Guard photo by Sgt. Eddie Siguenza)
The increases in shipping costs to APO/FPO/DPO addresses were part of an overall increase in the price for all mailing services, across the board. Rates for APO/FPO/DPO mailing addresses were hit hardest — almost doubled. In the defense of the United States Postal Service, the APO/FPO flat-rate box was only increased by five cents and they’ve always supported the troops, but a recently proposed bill can take that support further.
If there were a separate, fixed rate for all postage going to and from troops at APO/FPO addresses, it would be classified as Zone 1/2 postage from any CONUS location. Meaning, that if you were to ship a big ol’ care package not in a APO/FPO flat-rate box, it would cost the same as sending a letter to a soldier stationed in Germany.
But mainly, you don’t want to screw over the nice people who just want to help support the troops.
(U.S. Air National Guard photo by Master Sgt. Vincent De Groot)
In addition to offering a single, fixed rate for those who want to send a care package abroad that might not fit within a fixed-rate box, this could also open up companies to more readily offer online shopping opportunities to deployed troops.
This also means that troops would be more able to ship things from deployed environments back to the States. So, a deployed parent could pick up souvenirs at a local bazaar for their kid while crafty troops could ship certain personal belongings home before they return stateside so don’t need to wait for the connex to return months later.
The bill would apply to all troops everywhere, even if they’re sailing in the middle of nowhere.
(U.S. Navy photo by Lorenzo J. Burleson)
The bill that includes this fixed cost, H.R.6231 – Care Packages for Our Heroes Act of 2018, has been introduced to Congress by Rep. Thomas MacArthur. It would permanently establish a single rate for mail and packages being sent to and from at APO/FPO/DPO addresses.
Congressman MacArthur has championed veteran issues since his assignment to the Armed Services Committee and its two subcommittees, the Subcommittee on Tactical Air and Land Forces and the Subcommittee on Military Personnel. He also introduced the Veterans’ Mental Health Care Access Act, which would have allowed veterans to access any mental health care facility and eligible for reimbursement — but it failed to garner approval.
To help make sure that this bill makes it through Congress, contact your representative and let them know how you feel. Let them know that this bill will greatly benefit the morale of our fighting men and women. According to Skopos Labs, the bill only has a 3 percent chance of being enacted, so if you feel passionately about it, don’t wait; act.
If you’re unsure of who your representative is, you can use this tool right here and let them know you support H.R.6231 — the Care Packages for Our Heroes Act of 2018.