A huge new “Star Wars” game is on the verge of being fully revealed: “Star Wars Jedi: Fallen Order” is expected to arrive later this year on Xbox One, PlayStation 4, and PC.
Even better: The game is being made by Respawn Entertainment, the same studio behind the excellent “Titanfall” series and recent blockbuster “Apex Legends.”
So what is it? Here’s everything we know so far:
No, not this Jedi — “Star Wars Jedi: Fallen Order” takes place long before Rey was born.
1. “Star Wars Jedi: Fallen Order” is a third-person action game starring a Jedi as the playable character.
Given the naming convention, you probably already guessed it: “Fallen Order” stars a Jedi.
That means, unlike “Star Wars Battlefront 2,” this game is no shooter. Instead, it’s a third-person action game that focuses on lightsaber-based combat.
2. It takes place between the events of “Episode 3” and “Episode 4.”
Spoilers for “Episode 3” ahead! In “Star Wars: Revenge of the Sith” (“Episode 3”), a very moody Anakin Skywalker — before turning into everyone’s favorite cyborg, Darth Vader — sets out to destroy the Jedi Order.
It’s part of a bigger jedi purge, known as “Order 66.” Few Jedi survive the purge, but apparently the main character in “Star Wars Jedi: Fallen Order” is one of those few.
The game follows “a young Padawan’s journey in the Dark Times following Order 66,” according to Disney.
3. It’s likely to involve stealth gameplay.
In a tweet this week, the official “Star Wars” gaming account from Electronic Arts published the image above with the text, “Don’t stand out.”
Given the time period of the game, it’s very likely that the main character — a Jedi — is trying to stay out of sight. When the game was announced in June 2018, Respawn Entertainment head Vince Zampella referred to its setting as “dark times.”
What that means for gameplay is that stealth is almost certainly involved. After all, even the most adept Jedi couldn’t withstand the collective force of the Imperial Clone army.
4. It’s scheduled to arrive in “holiday 2019.”
When the game was announced in June 2018, it was given a “holiday 2019” release window by Respawn Entertainment head Vince Zampella. Given that the next major “Star Wars” movie is set to arrive on Dec. 20, 2019, we’d guess that “Star Wars Jedi: Fallen Order” will arrive somewhere in the vicinity of December or November 2019.
The image above leaked ahead of the official reveal, and it offered fans an early look at what to expect from the upcoming game.
5. There appears to be a droid of some form alongside the main character.
As you may have noticed in the image above, next to the Jedi is an adorable little droid. It appears as though that droid will star alongside the game’s main character — perhaps as an assistant? Or maybe it offers help in puzzle-solving situations? We’ll see!
(Apex Legends/Electronic Arts)
6. It’s being made by the folks who made “Apex Legends” and “Titanfall,” Respawn Entertainment.
Respawn Entertainment, an EA-owned game studio, has only produced excellent games. Starting with “Titanfall” and, most recently, “Apex Legends,” Respawn Entertainment has a near-perfect record.
That said, Respawn Entertainment is known for creating first-person shooters — before Respawn, many of the studio’s employees developed the most iconic “Call of Duty” games. “Star Wars Jedi: Fallen Order” is the studio’s first attempt at character action.
7. The game is getting detailed during a panel at Star Wars Celebration in Chicago on April 13, 2019.
Ready to learn more? Good news: Disney’s about to tell everyone a lot more about “Star Wars Jedi: Fallen Order” on April 13, 2019!
During a panel at the Star Wars Celebration 2019 in Chicago, Disney is scheduled to reveal many more details about the upcoming game.
Here’s the full panel description:
“Join the head of Respawn Entertainment, Vince Zampella, and Game Director, Stig Asmussen, along with many special guests, to be the first to learn about this holiday’s highly anticipated action adventure game, ‘Star Wars Jedi: Fallen Order.’ Hear how Respawn and Lucasfilm collaborated on this original Star Wars story, following a young Padawan’s journey in the Dark Times following Order 66. And of course, we’ll have a few surprises in store.”
Your knee creaking is just its way of saying “Hi.”
We’re surrounded by machines: computers, cars, HVAC systems, TV’s, lawnmowers, airplanes, etc. It’s not crazy to start viewing our bodies in the same way that we view those machines. Mainly, if there is a noise, a weird vibration, or a “creak,” or “pop” we’ve got a problem.
It turns out, you aren’t a machine, and the research agrees that periodic or even reliable creaks and pops of the joints aren’t death sentences or even guaranteed arthritis waiting to happen.
Medical personnel have been interested/concerned about the sounds our bodies make since before the invention of the automobile. If that “pop” your knee makes when you fully straighten it is on your mind, rest assured it’s also on the mind of your doctor.
That’s just it though; it may only be in your mind. In this study, researchers asked people with crepitus (that’s the nefarious name given to your body’s “pops” and “creaks”) their perception of what the sound meant.
Patients often felt that they were weaker in that specific joint or capable of less activity. BUT, when actually tested for strength and range of motion, researchers found no difference between those with the “condition” and people who reported no “creaks” or “pops.”
All that kneeling may not be as bad for your knees as you think. Take a knee and listen up.
(U.S. Army photo by SFC Claudio Tejada/Released)
In this other study, when researchers looked at individual’s perceptions on their joint noise, they found that people often thought the noise meant that they were:
On the verge of a serious medical condition
The great news is that you aren’t alone. If you have a “creak” or “pop” that keeps you awake at night, the sound isn’t uncommon. 99% of all people evaluated in this study, whether they thought they had crepitus or not, had an audible noise in one of their joints.
You read that last one right: 99% of people have a noisy joint.
“It’s a boy!”….ummm I think that’s a knee.
(U.S. Navy photo by Jacob Sippel, Naval Hospital Jacksonville/Released)
How perceptions form
We don’t catastrophize on our own. We get these dreadful, anxiety-inducing fears about how our bodies are going to let us down from the world we live in. Particularly two places.
Doctors: There are two scenarios that tend to happen in the doctor’s office that leads people to believe that their joint is going to explode.
In scenario A, your doctor says something like: “Hmmm, that’s not normal.” or, even worse, “Aren’t you in a lot of pain?”
In scenario B, the exact opposite happens, but it results in the same outcome. Your doctor may say something like, “That’s nothing; don’t worry about it.” If you aren’t a fan of your doctor, though, or if they’ve been wrong before you will just assume that he/she is just stupid or lazy and in fact you are doomed!
REMEMBER: Your doctor, although a trained professional, is human. Everything they say or do may not be a direct reflection on you. He/she might just be having a bad day. Go into every visit open-minded but skeptical and get a second opinion before you decide to label yourself as broken.
Family and friends: Just because Aunt Becky has bad knees doesn’t mean your elbow “pop” is the first stage of osteoarthritis.
I’ll leave this one at that.
Gather your own information, experiment on yourself, and measure your performance in the gym. Those are the only ways you’ll be able to make the best decision for your body.
Aunt Becky is a pessimist anyway. Don’t paint yourself into the same sh*t-colored corner she’s been in for the last 47 years.
It’s been well over six months since Star Wars: The Last Jedi came out and audiences have gone through the full cycle of liking it on opening night and disliking it the longer they spend thinking about it. Now, it’s been released for viewing in homes across America and leaking potential spoilers is no longer a crime punishable by death.
That being said, this is your official spoiler alert. We are going to talk about Star Wars: The Last Jedi ahead.
And my personal question: If that was such an effective tactic, why not just attach hyperspace drives onto asteroids and use them to bombard enemies?
Still with us? Okay, here we go.
In the second act of the film, the First Order has the Resistance cornered. Vice Admiral Haldo orders her people to board the transport ships and evacuate to the nearby planet, Crait. She then pilots the Raddus and aims it right at the First Order fleet and their flagship, the Supremacy.
She floors the Raddus into near hyperspeed and smacks right into the bad guys in what was one of the coolest moments of the film. Pieces of the shattered Supremacy then domino-effect outward, into the other ships, destroying them as well.
As awesome as this moment was, it opens up many questions for the fans that could be better understood with some science. Like, is that even possible? What kind of force (not that kind) would be required to pull that off?
Everything always comes back to science.
The filmmakers behind the Star Wars universe have taken many creative liberties with the franchise, telling elaborate storiesat the expense of scientific reasoning— and that’s fine.The series is literally about magical space samurai that befriend countless alien species without translators and everyone seems to be just fine walking on random planets without wearing space suits.
In this one particular instance — the hyperspace Kamikaze move — everything seems to be perfectly in order. This all comes down to Albert Einstein’s famous mass-energy equivalency formula, otherwise known as E = mc2.
Even though many people see that formula and think it’s just some smart guy’s way of proving he’s smart, it’s actually the fundamentals of energy. It means, in basic terms, that energy and mass are interchangeable.
Cut the movie some slack. It’s far more interesting than reading science textbooks.
With a little algebra, however, this same formula can be rearranged to explain that achieving the speed of light would be nearly impossible because everything within the universe with mass would require a incalculable amount of energy to achieve such a speed. It’s challenging to send even a single atom at a fraction of light speed, let alone a massive frigate.
In the real world, achieving hyperspeed is near impossible for anything other than massless photons. But this is the universe with tiny green muppets teaching farmboys how to move rocks with their minds. Let’s pretend that the hyper-drives hand wave that all away and moving faster than the speed of light is possible and it can be achieved by things with mass.
It’s basically the idea behind the “Rod from God” that never happened.
Thankfully for the audience, the next scientific laws that apply to this scene are also very well-known: Newton’s First and Second Laws of Motion. The first says that every object in a state of uniform motion will remain in that state of motion unless an external force is applied to it. The second states that the rate of change of momentum of a body is directly proportional to the force applied, and this change in momentum takes place in the direction of the applied force.
In normal-people words, this means that since the Raddus was extremely massive and was working up to light speed (which meant that it still had mass at that point), it had an unfathomable amount of energy behind it’s punch that could, theoretically, shred through anything with ease.
This is a magnified version of a rail gun on planet Earth. You take something heavy, use magnets to send it extremely high speeds, and crash it into something. Boom. No more enemy.
Then again, this could also explain why two missiles could destroy a Death Star and a couple of laser blasts destroy the second one.
The real question is why don’t they use it more often in the Star Wars universe? We’ve accepted that, for the sake of storytelling, that hyper-drives really work, but this Kamikaze strategy hinges on how the fictional hyper-drive works. If achieves immense speeds by reducing a spacecraft’s mass to zero — similar to that of a photon — then the spacecraft couldn’t destroy something unless it was in the process of picking up speed. This version is more in line with the destruction we saw in the film.
The problem with this option is that if the ship doesn’t have enough speed, it’ll simply bump off the target’s shields. If it has too little mass, it’ll simply squash like a fly on a windshield. The conditions would have to be near perfect to make a serious impact.
The other way a hyper-drive could work is if it creates the insane amount of energy required to bring an object past light speed. If that’s the case, then the hyper-drive would be destroyed with the collision. For scale, the energy needed to send a Ford Mustang into hyper-speed would be more than a star going supernova. When a spacecraft containing an entire military crashes and the hyper-drive that powers it blows it, it’d let off enough energy to snuff out the entire galaxy in an instant. So, it probably wasn’t that.
“Leatherneck,” “Jarhead,” and “Devil Dog” are just a few of the names Marines have had labeled with throughout the years. “Leatherneck” came from the first Marine Corps’ uniform that had a high leather collar while “Jarhead” represents the shape of a Marine’s haircut.
But there is one name that stands out all above the rest: “Devil Dogs.” The accepted mythology is that Marines earned the unique nickname”Teufel Hunden” or “Hell Hounds” after bravely fighting the Germans at the Battle of Belleau Wood. This name then became “Devil Dogs.”
Although Marines focus on the warfighting, Corpsmen have been right next to them, manning the frontlines. Sometimes they would meet the same fate as their ferocious counterparts. The “docs” who receive their training from Marines can be as deadly as the Marines who trained them.
To earn this unofficial title of “Devil Doc,” a Corpsman must show that he is as dangerous as his fellow warfighters. There are only two ways for a Corpsman to earn the title.
The first way is passing the Fleet Marine Force test and earning the FMF pin.
During this test, Navy Corpsmen will meet requirements on Marine Corps history, traditions, weapon systems, employment of said weapon systems, and much more. Many Corpsmen don’t agree with this method. Some older Corpsmen feel that the FMF pin route has washed away in its significance. They feel when the Navy made it mandatory for all Corpsmen to earn this pin, it lost its meaning.
“I never received my FMF pin… it became meaningless chest candy when they made it mandatory,” former Hospital Corpsman HM3 Nathan Tagnipez states.
The second way to earn the title is harder, but it comes with a great level of respect from Marines. A Corpsman must take part in a deployment with Marines and earn a Combat Action Ribbon (CAR). The CAR itself is not what earns the title — the ribbon just communicates to future Marines that the Corpsman has “been there and done that.”
No, it is the Marines themselves that give the Corpsman the title of “Devil Doc.
“The thing that made me worthy of being a devil doc was the respect of the Marines that I served,” HM3 Nathan Tagnipez says.
Similar to the tradition where Marines earn their Shellback status by crossing the equator — and surviving the hazing fest bonding exercise that follows — Corpsmen earn this unofficial title in a trial by fire.
Marines and Corpsmen will always share a history together. It is a symbiotic relationship. Marines need the Corpsmen for medical aid and the Corpsmen need the Marines to win battles.
When they come together, no one can tell the difference between the two on the battlefield. To be a “Devil Doc,” Corpsmen must prove they have the conviction and determination to be a “Devil Dog.”
The favoured instrument of the likes of Lisa Simpsons, former President Bill Clinton, and the co-author of this article and founder of TodayIFoundOut, the saxophone has variously been described as everything from “the most moving and heart-gripping wind instrument” to the “Devil’s horn.” Rather fittingly then the instrument’s inventor, Adolphe Sax, was a similarly polarising figure and led a life many would qualify as fulfilling all of the necessary specifications to be classified as being “all kinds of badass.”
Born in 1814 in the Belgian municipality of Dinant, Sax was initially named Antoine-Joseph Sax but started going by the name Adolphe seemingly almost from birth, though why he didn’t go by his original name and how “Adolphe” came to be chosen has been lost to history.
The son of a carpenter and eventual master instrument maker Charles Sax, Adolphe Sax was surrounded by music from an early age, becoming especially proficient at playing both the flute and clarinet. Sax’s affinity for wind instruments quickly became apparent in his early teens when he began improving upon and refine the designs of these instruments, as well as coming up with many more. But we’re getting ahead of ourselves because Sax was immeasurably lucky to even make it to adulthood given what he went through as a child.
Described as chronically accident prone, throughout his childhood Sax fell victim to a series of increasingly unusual mishaps, several of which nearly cost him his life. Sax’s first major incident occurred at age 3 when he fell down three flights of stairs and landed unceremoniously at the bottom with his head smacking on the stone floor there. Reports of the aftermath vary somewhat, from being in a coma for a week, to simply being bedridden for that period, unable to stand properly.
A young Sax would later accidentally swallow a large needle which he miraculously passed without incident or injury. On that note, apparently keen on swallowing things that could cause him harm, as a child he drank a concoction of white lead, copper oxide, and arsenic…
In another incident, Sax accidentally fell onto a burning stove reportedly receiving severe burns to his side. Luckily, he seemingly avoided severe infection that can sometimes follow such, though part of his body was forever scarred.
Perhaps the closest he came to dying occurred when he was 10 and fell into a river. This fact was not discovered until a random villager observed Sax floating face down near a mill. He was promptly plucked from the river and later regained consciousness.
But wait, we’re not done yet, because in another incident he got blown across his father’s workshop when a container of gunpowder exploded when he was standing next to it.
Yet again courting death, a young Sax was injured while walking in the streets when a large slate tile flew off a nearby roof and hit him right on the head, rendering him temporarily comatose.
All of these injuries led Sax’s understandably worried mother, Maria, to openly say her young son was “condemned to misfortune”, before adding, “he won’t live.” Sax’s numerous brushes with death also led to his neighbours jokingly referring to him as “the ghost-child from Dinant.”
Besides apparently giving his all to practicing for a future audition in a “Final Destination film,” on the side, as noted, Sax made musical instruments.
In fact, he became so adept at this that when the young man grew into adulthood and began submitting his instruments to the Belgian National Exhibition, for a few years running he was recommended by the judges for the Gold Medal at the competition, only to have the Central Jury making the final decision deny him such because of his age. They explained to him that if he won the gold, he would then have already achieved the pinnacle of success at the competition, and thus would have nothing to strive for in it the following year.
In the final of these competitions he entered at the age of 27 in 1841, this was actually to be the public debut of the saxophone, but according to a friend of Sax, Georges Kastner, when Sax wasn’t around, someone, rumored to be a competitor who disliked the young upstart, kicked the instrument, sending it flying and damaging it too severely to be entered in the competition.
Nonetheless, Sax was recommended for the Premier Gold Medal at the exhibition thanks to his other submitted instruments, but the Central Jury once again denied this to him. This was the final straw, with Sax retorting, “If I am too young for the gold medal, I am too old for the silver.”
Now a grown man and having seemingly outgrown what it was possible to achieve in Dinant, Sax decided a move was in order, choosing Paris as is destination to set up shop. As to why, to begin with, in 1839 he had traveled to Paris to demonstrate his design for a bass clarinet to one Isacc Dacosta who was a clarinet player at the Paris Academy of Music. Dacosta himself also had created his own improved version of the bass clarinet, but after hearing and playing Sax’s version was quickly impressed by it and Sax himself. He then subsequently introduced Sax around town to various prominent musicians, giving Sax many notable connections in Paris to start from.
Further, not long after he was snubbed at the Exhibition, Sax had learned that certain members of the French government were keen on revitalizing the French military bands and were seeking new and improved instruments to do so. After mulling it over for some time, he decided to try his hand in the big city.
Upon arriving in Paris in 1842, supposedly with a mere 30 francs in his pocked, Sax invited noted composer Hector Berlioz to come review his instruments, resulting in an incredibly glowing review published on June 12, 1842 in the Journal des debats.
Unfortunately for him, this was the start of an issue that would plague Sax for the rest of his life — pitting himself up against the combined might of the rest of the musical instrument makers in Paris who quite literally would go on to form an organization just to take Sax down.
But we’re getting ahead of ourselves.
As for Berlioz’s review of Sax’s work, he wrote,
M. Adolphe Sax of Brussels… is a man of penetrating mind; lucid, tenacious, with a perseverance against all trials, and great skill… He is at the same time a calculator, acoustician, and as necessary also a smelter, turner and engraver. He can think and act. He invents and accomplishes… Composers will be much indebted to M. Sax when his instruments come into general use. May he persevere; he will not lack support from friends of art.
Partially as a result of this piece, Sax was invited to perform a concert at the Paris Conservatoire to much fanfare and success. This, in turn, along with his former connections from his 1839 visit, ended up seeing Sax making many friends quickly among certain prominent musicians and composers impressed with his work. All this, in turn, saw Sax have little trouble acquiring the needed funds to setup the Adolphe Sax Musical Instrument Factory.
Needless to say, this young Belgian upstart, who was seemingly a prodigy when it came to inventing and improving on existing instruments, threatened to leave the other musical instrument makers in Paris in the dust.
Said rivals thus began resorting to every underhanded trick in the book to try to ruin him, from frequent slanderous newspaper articles, to lawsuits, to attempts to have his work boycotted.
For example, in 1843, one Dom Sebastien was composing his opera Gaetano Donizetti and had decided to use Sax’s design for a bass clarinet which, as noted, was significantly improved over other instrument makers of the day’s versions. Leveraging their connections with various musicians in the opera, many of whom worked closely with various other musical instrument makers around town, the threat was made that if Sebastien chose to have Sax’ bass clarinet used in the opera, the orchestra members would refuse to play. This resulted in Sebastien abandoning plans to use Sax’ instrument.
In the past, and indeed in many such instances where his instruments would be snubbed or insulted by others, Sax had been known to challenge fellow musicians besmirching his name to musical duels, pitting their talents against one another in a very public way. Owing to his prodigious skill at not just making extremely high quality instruments, but playing them, Sax frequently won such “duels”. In this case, it is not clear if he extended such a challenge, however.
Whatever the case, as one witness to the harassment, the aforementioned composer Hector Berlioz, would write in a letter dated Oct. 8, 1843,
It is scarcely to be believed that this gifted young artist should be finding it difficult to maintain his position and make a career in Paris. The persecutions he suffers are worthy of the Middle Ages and recall the antics of the enemies of Benvenuto, the Florentine sculptor. They lure away his workmen, steal his designs, accuse him of insanity, and bring legal proceedings against him. Such is the hatred inventors inspire in rivals who are incapable of inventing anything themselves.
His audacious plans didn’t help matters. As noted, when he got to Paris, one of the things he hoped to accomplish was to land a rather lucrative contract with the French military to see his instruments alone used by them. A centerpiece of this, he hoped, was his new and extremely innovative saxophone.
While it seems commonplace today, in a lot of ways the saxophone was a revolution at the time, effectively combining major elements of the woodwind families with the brass. As Berlioz would note of the saxophone in his review of it, “It cries, sighs, and dreams. It possesses a crescendo and can gradually diminish its sound until it is only an echo of an echo of an echo- until its sound becomes crepuscular… The timbre of the saxophone has something vexing and sad about it in the high register; the low notes to the contrary are of a grandiose nature, one could say pontifical. For works of a mysterious and solemn character, the saxophone is, in my mind, the most beautiful low voice known to this today.”
Exactly when Sax first publicly debuted the saxophone to the world isn’t clear, with dates as early as 1842 sometimes being thrown around. However, we do know that during one of his earliest performances with the instrument at the Paris Industrial Exhibition in 1844, Sax played a rousing solo from behind a large curtain. Why? Well, Sax was paranoid about his instrument’s design being copied and, as he hadn’t patented it yet, decided that the best way to avoid this was to simply not let the general public see what it looked like.
This brings us to the military. As previously noted, the French military music was languishing in disgrace. Thus, keen to revitalize it in the name of patriotism, the French government created a commission to explore ways to reform the military bands in innovative ways. Two months after announcing this to the world and inviting manufacturers to submit their instruments for potential use by the military, a concert of sorts was put on in front of a crowd of 20,000 in Paris on April 22, 1845.
Two bands would perform in the concert, with one using more traditional instruments and the other armed with various types of saxophones and other modifications on existing instruments by Sax. Both bands played the same works by composer Adolphe Adam.
The band using Sax’s instruments won by a landslide. Several months later, on Aug. 9, 1845, they awarded Sax the lucrative military contract he’d set out to get when he first moved to Paris.
This was the last straw — when Sax, a Belgian no less, secured the contract to supply the French military, his rivals decided to literally form an organization who might as well have called themselves the “Anti-Sax Club”, but in the end went with — L’Association générale des ouvriers en instruments demusique (the United Association of Instrument Makers). This was an organization to which the most prominent and talented instrument maker in France at the time was most definitely not welcome to join.
Their principal order of business throughout Sax’s lifetime seemed to be to try to ruin Sax in any way they could. To begin with, adopting the age old practice of “If you can’t beat ’em, sue ’em,” a long running tactic by the organization was simply to tie up Sax’s resources, time, and energy in any way possible in court.
The first legal action of this group was to challenge Sax’s patent application on the saxophone, initially claiming, somewhat bizarrely, that the instrument as described in the patent didn’t technically exist. When that failed, they claimed that the instrument was unmusical and that in any event Sax had simply modified designs from other makers. They then presented various other instruments that had preceded it as examples, none of which the court agreed were similar enough to the saxophone to warrant not granting the patent.
Next up, they claimed that the exact design had long existed before, made by other manufacturers in other countries and that Sax was falsely claiming it as his own. To prove this, the group produced several literally identical instruments to Sax’s saxophone bearing foreign manufacturing markings and supposedly made years before.
The truth was that they had simply purchased saxophones from Sax’s company and sent them to foreign workshops where Sax’s labeling had been removed and replaced with the shop owner’s own.
Unfortunately for the United Association of Instrument Makers, this ruse was discovered and they had to come up with a new strategy.
They then claimed that since Sax had very publicly played the instrument on several occasions, it was no longer eligible for a patent.
At this point, fed up with the whole thing, an infuriated Sax countered by withdrawing his patent application and giving other instrument makers permission to make a saxophone if they had the skill. He gave his rivals a year to do this, in which time nobody was able to successfully replicate the instrument with any quality. Shortly before the year was up, with no challenger apparently capable, he then re-submitted his patent application and this time it was quickly granted on June 22, 1846.
Apparently not content with just trying to metaphorically ruin his life and business, at one point Sax’s workshop mysteriously caught fire and in another an unknown assassin fired a pistol at one of Sax’s assistants, thinking it was Sax, with it being rumored that the United Association of Instrument Makers was behind both of these things.
Whether true or not, things took a turn for the worse for Sax after King Louis-Philippe fled the country in 1848. In the aftermath of the revolution, and with many of Sax’s high placed friends now ousted, the United Association of Instrument Makers were able to simultaneously petition to have Sax’s contract with the military revoked and, by 1849, were able to have his patents for the bugles-a-cylindres and saxotromba likewise revoked, freeing his rivals up to make the instruments themselves. They also attempted to have his patent for the saxophone squashed, but were unsuccessful on that one.
Sax, not one to take this sitting down, appealed and after a five year legal battle, the Imperial Court at Rouen finally concluded the matter, siding with Sax and reinstating his patents, as well as ordering the Association to pay damages for the significant loss of revenue in the years the legal battle had raged.
Nevertheless, before this happened, in 1852, Sax found himself financially ruined, though interestingly, his final downfall came thanks to a friend. During this time, as noted, Sax was fighting various legal battles, had lost his military contract, and was otherwise struggling to keep his factory afloat. That’s when a friend gave him 30,000 francs to keep things going. Sax had originally understood this to be a gift, not a loan. Whether it was or wasn’t isn’t clear, but when said individual died a couple years later in 1852, his heirs certainly noticed the previous transaction and inquired about it with Sax, demanding he repay the 30,000 francs and giving him a mere 24 hours to come up with the money.
Unable to do so, Sax fled to London while simultaneously once again finding himself embroiled in yet another legal drama. In this case, the courts eventually demanded Sax repay the 30,000 francs, causing him to have to file for bankruptcy and close down his factory.
But this is Adolphe Sax we’re talking about — a man who had survived major blows to the head, drowning, explosion, poisoning, severe burns, beatings by thugs presumably hired by the United Association of Instrument Makers, an assassination attempt, and literally the combined might of just about every prominent instrument maker in his field in Paris leveled against him.
Adolphe Sax in the 1850s.
Fittingly for a man who is quoted as stating, “In life there are conquerors and the conquered; I most prefer to be among the first”, Sax wasn’t about to quit.
And so it was that continuing to work at his craft, in 1854, Sax found himself back on top, appointed Musical Instrument Maker to the Household Troops of Emperor Napoleon III. His new benefactor also helped Sax emerge from bankruptcy and re-open his factory.
It’s at this point, however, that we should point out that, as indicated by his childhood, it clearly wasn’t just other instrument makers that were against Sax, but the universe as well.
A year before his appointment by Napoleon III, Sax noticed a black growth on his lip that continued to grow over time. By 1859, this tumor had grown to such a size that he could not eat or drink properly and was forced to consume sustenance from a tube.
Just to kick him while he was down, shortly before this, in 1858, Sax’s first born child, Charles, died at the age of 2.
Going back to the cancer, his choice at this point in 1859 was to be subjected to a risky and disfiguring surgery, including removing part of his jaw and much of his lip, or submit himself to experimental medicine of the age. He chose the latter, ultimately being treated by an Indian doctor by the name of Vries who administered some private concoction made from a variety of herbs.
Whether the treatment did it or Sax’s own body simply decided that it would not let something trivial like cancer stop it from continuing to soldier on, within six months from the start of the treatment, and after having had the tumor for some six years at this point, Sax’s giant tumor began to get smaller. By February of 1860, it had disappeared completely.
The rest of Sax’s life went pretty much as what had come before, variously impressing the world with his talents in musical instrument making, as well as fighting constant legal battles, with the United Association of Instrument Makers attempting to thwart him in any way they could, while simultaneously the musical instrument makers behind it profited from Sax’s designs as his patents expired.
Finally fed up with everything, a then 72 year old, near destitute Sax attempted to get justice outside of the courts, with an aptly titled article called “Appeal to the Public”, published in the La Musique des Familles in 1887. The article outlined the many ways in which Sax had been wronged by the United Association of Instrument Makers and the near constant, often frivolous, legal battles he fought throughout his time in Paris with them. He summed up,
[B]efore me, I am proud to say, the musical instrument industry was nothing, or next to nothing, in France. I created this industry; I carried it to an unrivaled height; I developed the legions of workers and musicians, and it is above all my counterfeiters who have profited from my work.
While none of this worked at getting the general public to rally to his defense, it did result in many prominent musicians and composers around Paris petitioning that Sax, who had indeed contributed much to the French musical world, should be given a pension so that he could at least be comfortable in the latter years of his life. The results of this was a modest pension ultimately granted towards this end.
On the side when he wasn’t fighting countless legal battles and inventing and making instruments, Sax also had a penchant for dreaming up alternate inventions, such as designing a device that could launch a 500 ton, eleven yard wide mortar bullet, he called — and we’re not making this up — the Saxocannon. He also designed a truly massive organ intended to be built on a hillside near Paris, capable of being heard clearly by anyone throughout the city when it was played.
In the end, Sax died at the age of 79 in 1894 and was buried in the Montmartre Cemetery in Paris.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
When the Continental U.S. North American Air Force Aerospace Control Alert Maintainer of the Year for 2020 was announced, there was some shock. The prestigious Air Force award went to … a coastie.
The Continental Division of the North American Aerospace Defense Command is comprised of the United States Air Force, Air National Guard, Army National Guard, Canadian Air Force and to the surprise of many – the Coast Guard.
The National Capital Region Air Defense Facility of the Coast Guard is housed under the command of NORAD in Washington, D.C and is their only permanent air defense unit. Operating simultaneously as both a military branch and law enforcement within the Department of Homeland Security allows the elite Coast Guard unit the ability to respond to potential threats on a moment’s notice. One of their most vital missions is protecting the restricted air space around the White House.
When a threat to the capital is detected, coasties are the first on deck to respond.
(Photo: USCG PA1 Tara Molle)
Avionics Technician First Class Andrew Anton is a member of the small crew of coasties tasked with protecting America’s capital and the only coastie to have ever been selected for the Maintainer of the Year award. “It was a surprise to me. I didn’t see it coming and it’s very humbling,” he said. Anton continued, “We don’t fly the helicopter by ourselves. This is a team award and a Coast Guard win.”
Anton is responsible for managing, scheduling and maintaining all of the helicopters at the unit. “We are the only rotary wing air intercept entity under the NORAD structure. We are Coast Guard but we work for the Air Force,” he explained.
Working within aviation is not without risk, which is why Anton feels his award is attributed to the team and not just him. A day in the life of a coastie working aviation involves dangerous chemicals, heavy parts and working in high lifts. Then, there’s the inherent risk of simply being up in the air in flight. “At the end of the day, there has to be a human factor in this. We all live and die together. This is a very dangerous job,” Anton shared. “This unit applies the best amount of leadership that I have ever seen. Although this is an individual award, it is a team. No one can be successful if the ones around you can’t do their jobs.”
(Photo: USCG PA1 Tara Molle)
Military service has been ingrained into Anton his entire life as his family has served in the Armed Forces for generations. “I have had a passion for aviation since I was very young. Every male in my family since World War II was a pilot, I am the only mechanic in my family. I love flying but I prefer to work with my hands,” he explained. When he finished college, he knew he wanted to join the Coast Guard.
“I work for Aviation Engineering and I am a maintainer, a mechanic,” Anton said. But he’s much more than that. Anton is a Coast Guard Rotary Wing Aircrew Member, an Enlisted Flight Examiner, Flight Standards Board Member, a facility Training Petty Officer and is responsible for primary quality assurance.
Since his unit is a part of NORAD and works alongside the Air Force, they have unique protocols to follow. “The Coast Guard regulations are one thing, but we also have to abide by the Air Force Regulations because we are an Air Combat Alert unit,” Anton explained.
Anton shared that when the Air Force completes the inspections for their Coast Guard unit, they are often left baffled. When they realize that only one Coast Guard maintainer does the job that it takes eight separate Air Force members to do, they’re shocked. “When they come for these assessments, it’s kind of funny to hear them ask, ‘I’d like to talk to your refueler’ or ‘I’d like to talk to your tool manager’ and I’m like – still here, all me. They’ll do that for everything. We take pride in our workload and what we are able to accomplish,” he said.
(Photo: USCG PA1 Tara Molle)
They maintain their high level of efficiency with just six maintainers on a daily basis.
“As coasties, there’s just so many hats that we take off and put on, but we do it well. We’re so accustomed to being adaptable,” Anton shared. Many may find themselves shocked at what the Coast Guard accomplishes in a single day and probably didn’t realize they are a vital part of protecting the President of the United States.
“We don’t have Coast Guard signs out front and this mission isn’t as heavily publicized because we are following POTUS around. It’s a way to mitigate risk,” Anton shared. The members of this unit are not allowed to wear their Coast Guard uniforms outside of the facility and much of what they do still remains shrouded in secrecy, as a matter of national security.
While this unit is lending vital support to Operation Noble Eagle, the Coast Guard as a whole is also engaging in Rotary Wing Air Intercept nationwide for the U.S. Secret Service. They guard the skies above National Special Security Events and the president, wherever he or she goes.
Receiving this award showcases the important role that the Coast Guard plays in not only guarding America’s waters, but her sky as well. Their missions are accomplished with pride and devotion, despite the challenges they encounter within their budget. “It’s important to know that these guys and this team manage it all. You don’t hear about it because they do it so well,” Anton said. “The Coast Guard is such a small branch that it must be that good.”
In the early 1800s, the iconic trouser’s front flap (crotch area) or “broadfall” had 15 buttons before it was modified 90-years later to have just seven, allowing the manufacturer to reduce the amount of material.
At least, that’s what Navy recruits tell each other during basic training — but that wasn’t the real intention.
In the early 1800s, the iconic trouser’s front flap (crotch area) or “broadfall” had 15 buttons before it was modified 90-years later to have just seven, allowing the manufacturer to reduce the amount of material.
Reportedly years later, the broadfall was enlarged for various reasons including that many sailors didn’t have enough room down there, so the Navy listened and added the extra material and six buttons.
Pro tip: Many sailors have their trousers tailored to remove all the buttons and replace them with Velcro strips to grant easier access to the goods. They then resew the buttons to the outside flap, with uniform inspectors being none-the-wiser.
Artillery fires are the kind of big, thundering fireworks shows that look awesome in movies. That being said, there’s always that crazy scene where Nicholas Cage (or some another action hero) runs through multiple explosions from mortars and artillery, remaining miraculously unscathed as every extra around them is cut down instantly.
So, which is real? Does artillery slaughter indiscriminately or can you get lucky and walk through a storm unscathed?
Marines carry rounds for an M777 howitzer during an exercise in Australia on August 8, 2018.
(U.S. Marine Corps photo by Staff Sgt. Daniel Wetzel)
Well, the actual story is much more complicated. It is possible, even on flat, featureless ground, to survive an artillery strike with little visible injury. But it’s nearly just as possible that you’ll be killed even with an inch of steel between you and the blast when one goes off.
It actually all comes down to fairly basic physics, and the British did extensive research during World War II to figure out how this plays out on the battlefield.
There are three ways that artillery most often claims its victims. The most common is through fragmentation of the shell, when the metal casing is split into many smaller bits and hurled at high speed in all directions. The next most common cause of death and injury is the blast wave; the sudden increase in pressure can damage soft tissue and shatter buildings and vehicles if the round is close enough.
A white phosphorous round busts far over the earth as artillerymen create a screen during an exercise at Fort Stewart, Georgia, on May 22, 2016.
(U.S. Army photo by Spc. Scott Linblom)
The least common cause of death and injury is the heat wave, where the sudden increase in temperature causes burns on flesh or starts fires.
Whether a given soldier will survive or not is basically a question of whether they are seriously affected by one or more of these lethal effects. So, let’s look at them one by one.
First, the fragmentation, also commonly known as shrapnel. Most artillery rounds are designed to create some kind of shrapnel when they explode. Shrapnel works kind of like a bullet. It’s a piece of metal flying at high speed through the air, hopefully catching an enemy soldier along its path.
An M109 Paladin fires a 155mm high-explosive round during a combined armslive fires exercise on September 9, 2018.
(U.S. Army photo by Staff Sgt. Matthew Keeler)
When it hits flesh, the shrapnel shreds the tissue it passes through, just like a bullet. But, also like a bullet, the biggest factor in lethality is the amount of energy imparted by the munition into the flesh.
Basically, physics tells us that no energy or mass is created or destroyed except in nuclear reactions. So, a piece of metal flying at high speeds has a lot of energy that is imparted to the flesh it passes through, causing cell death and destroying tissue in a larger area than just what the piece of metal actually touches. According to the British estimates, approximately 43 percent of the front of a human (or 36 percent of a human’s surface area in total) accounts for areas in which shrapnel is likely to cause a lethal wound.
So, if a piece of shrapnel hits any of those spots, it will likely cause cell death and then human death. But, shrapnel dispersion is its own, odd beast. When an artillery shell goes off, it’s easy to imagine that the shrapnel explodes in 360 degrees, creating a sphere of destruction.
Lance Cpl. Miguel Rios, field artillery cannoneer with Mike Battery, 3rd Battalion, 11 Marine Regiment, 1st Marine Division, arms 155mm rounds for an M777 Howitzer in preparation to fire during training Aug. 9, 2018, at Mount Bundey, Northern Territory, Australia.
(U.S. Marines Corps photo by Staff Sgt. Daniel Wetzel)
But shrapnel still carries a lot of momentum from its flight. As the round explodes, the force of the explosion propels the shrapnel out, but the metal fragments still carry a lot of the momentum from when they were crashing down towards the earth.
So, if the artillery round was flying straight down, the shrapnel would hit in a near-perfect circle, as if a giant had fired directly downwards with a shotgun. But the rounds are always flying at some sort of angle, sometimes quite shallow, meaning they’re still flying across the ground as much as falling towards it.
In that case, the shrapnel takes on a “butterfly wing” pattern, where a little shrapnel lands behind the round and a little shrapnel lands ahead of the round, but the vast majority lands on the left and the right.
A howitzer crew with 2nd Battalion, 12th Field Artillery Regiment, Alpha Battery, 2nd Platoon fires artillery in Afghanistan in support of Operation Freedom Sentinel, July 23 2018.
(U.S. Army photo by Sgt. Elliot Hughes)
The momentum of the round and the force of the explosion combine to form what’s referred to as a “butterfly wings” pattern where shrapnel is flying at high speed as it hits people and the ground. But, in a likely surprise to most people, even this most lethal area typically only injures or kills just over half the time..
That’s right, even if you’re standing under an artillery round as it goes off, you still have a chance of surviving (but we still don’t recommend it).
But what if you have a nice thick steel plate or concrete wall protecting you? Well, that’ll protect you from most of the effects of shrapnel, but an artillery round that detonates closely enough to your concrete or steel will kill you a different way: the blast wave.
An artillery crewman from Alpha Battery, 2nd Battalion, 114th Field Artillery Regiment, 155th Armored Brigade Combat Team, Task Force Spartan, uses a tool to secure the fuse to the 155mm round during a combined arms live fire exercise on September 11, 2018.
(U.S. Army photo by Staff Sgt. Matthew Keeler)
See, the explosion at the heart of the an artillery round creates lots of shrapnel because of the sudden expansion of air as the explosive is consumed. But, the blast wave keeps going and can break apart other things, like the concrete or steel protecting you, or even your own body. After all, a blast wave that hits you hard enough will crush your skull much more easily than steel.
The blast wave is most effective at extremely close ranges, measured in feet or inches, not yards. This is what is likely to kill a tank or destroy a bunker, both of which typically require a direct hit or multiple direct hits.
The final lethal effect, the heat wave, is most effective at short ranges and against flammable materials. Think thin-skinned vehicles filled with gas or the flesh of your enemies.
So, if nearly all artillery shells kill you with the same three mechanics, why are there so many types and why are artillerymen so into things like fuses and powder?
Well, remember that quick note about “angles” when it came to shrapnel patterns? Different targets are susceptible to different artillery effects. And changing out fuses and changing the gun’s angle and number of powder bags allows an artilleryman to change how the round flies and where it explodes.
Troopers from the Field Artillery Support Squadron “Steel,” 3d Cavalry Regiment “Brave Rifles,” support Iraqi army operations with artillery fires from their M777A2 Howitzers, Aug. 12, 2018
(U.s. Army photo by 2nd Lt. Jamie Douglas)
For vehicles, especially armored ones, the best way to kill them is to get the explosive to happen as close to the vehicle as possible, preferably while the round is touching the target. That requires an impact fuse that cases a detonation when the round reaches the target or the ground.
But, if you want to cut down hordes of infantry or shred tents and wooden buildings, you want to maximize lethal shrapnel dispersion. The British studied the problem and recommended the rounds go off at 30 feet above the surface. This was traditionally accomplished with timed rounds; the fire direction center did all the math to figure out how long it would take the round to fly and then set the times for when the rounds was near 30 feet off the ground.
But the fuses were imperfect and the math was tricky, so the U.S. eventually figured out proximity fuses, which detonated a set distance from an object or surface.
So, how do poor Joe and Josephine Snuffy try to survive the steel rain? Well, by minimizing their susceptibility to the three effects.
Even just laying down in the dirt reduces the chances that you’ll catch lethal shrapnel — face down is best. That’ll cut your chances of death or major injury down by over 60 percent. Firing from trenches or fox holes can take your chances down to under 5 percent, and lying or crouching in those same trenches or foxholes can get you into the 2-percent range.
Dig some tunnels into the mountain, and you’ll be nearly impossible to kill. That’s why so many troops were able to survive on Japanese islands despite hours or days of bombardment.
If you’re stuck on the move, opt for cover and concealment. Walking or driving through the trees can drastically increase your chances of survival since most shrapnel can make it through one inch of wood or less — but watch out for falling limbs. The blast waves and shrapnel damage can knock massive branches off of trees and drop them onto troops.
If you’re in a vehicle, reduce the amount of flammables on the outside.
This is actually why artillerymen try to hit with as many rounds as possible in the first blast, using methods like “time on target” to get all of their first wave of rounds to land at the same moment. This maximizes the amount of destruction done before the targets can rush for cover or hop into trenches.
Thousands of cryptocurrency enthusiasts are taking part in an international scavenger hunt to find clues that promise to lead the winners to a prize of $1 million in bitcoin.
It’s called Satoshi’s Treasure, and it’s a game that’s part logic puzzle and part scavenger hunt, with clues found in both the digital and physical worlds. Each clue will reveal a fragment of the digital key used to access the game’s bitcoin wallet, and the winner will be the first person or team to put together at least 400 of these fragments to be able to claim the $1 million worth of bitcoin, according to cryptocurrency news site CoinDesk.
Nearly 60,000 people have signed up on the Satoshi’s Treasure website to receive notifications about new clues and game updates, CoinDesk reported May 12, 2019.
The game is being run and funded by a group of crypto investors. One of the co-creators of Satoshi’s Treasure, crypto investor Eric Meltzer, told CoinDesk that no single person knows all the locations of the clues or all of the key fragments.
“There are so many unknowns in this game that we kind of just want to see what happens,” said Meltzer, founding partner of crypto investment firm Primitive Ventures. “Part of the meta game that I think people are going to like is trying to figure out who is behind this.”
Game organizers say that since the first clues were released on April 16, 2019, many teams have been formed to work together toward finding key fragments and solving the game. A team organizing tool called Ordo has already been created, which will help to properly credit those who solve clues, and fairly divide up the id=”listicle-2637018554″ million prize at the end for the winning team.
According to the Satoshi’s Treasure website, the hunt is intended to “test the mettle of anyone who wishes to add some excitement to their lives.” The game has a simple set of rules that revolve around the tenant of “do no harm” — keys will not be hidden on private properties, no clues will require any destruction, and participants need to “always show respect” for fellow hunters.
CoinDesk reports that teams comprise of not only veteran crypto users, but also those new to bitcoin and those who are in it for the thrill of the hunt. The game’s creators say Satoshi’s Treasure prioritizes accessibility to anyone who wants to participate. For example, the latest clue was found on physical business cards distributed at the Magical Crypto Conference this weekend in New York.
“I’d say Satoshi’s Treasure is so exciting because it’s the pure joy of a treasure hunt,” crypto investor Nic Carter told CoinDesk. “It’s global and anyone can participate.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Recently, the Afghan Air Force grabbed headlines by dropping its first laser-guided bomb. From here, that might not seem so impressive — the U.S. dropped laser-guided Paveways in Vietnam as early as 1968. But, considering the fact that their military force was decimated by a civil war that began after the Soviets left in 1989, Afghanistan’s military modernization is quite the shock.
Today, as World Air Forces 2018 notes, the Afghan Air Force has 12 A-29 Super Tucanos (with six more on order) as well as 28 MD530Fs (with 154 on order) and ten UH-1H Iroquois utility helicopters. The Afghan Air Force is also acquiring almost 160 UH-60A Blackhawk helicopters, four of which have already been delivered. These aircraft are set to replace a fleet of Russian-designed Mi-8/Mi-17 Hip transport helicopters and Mi-25 Hind attack helicopters.
Afghan Air Force MD-530F Cayuse Warrior helicopter fires its two FN M3P .50 cal machine guns
(U.S. Air Force Photo by Staff Sgt. Perry Aston)
The Super Tucano is currently a finalist in the OA-X competition (alongside the Beechcraft AT-6B). The UH-60A Blackhawk helicopters are second-hand, but will be upgraded with a newer engine and rocket pods before delivery. Afghanistan is also going to acquire Cessna 208 Caravan light transport aircraft armed with AGM-114 Hellfire missiles.
But did you know that, thirty years ago, the Afghan Air Force packed a lot of punch? An inventory of older equipment shows a lengthy list of Soviet designs were once in service, ranging from the Il-28 Beagle and MiG-17 Fresco to the MiG-23 Flogger. But 12 years of civil war wore that force down substantially. By the time Operation Enduring Freedom began, less than 20 planes were flyable. After Operation Enduring Freedom, there simply wasn’t an Afghan Air Force.
One of what will be up to 160 UH-60A Blackhawks for the Afghan Air Force.
(U.S. Air Force photo by Staff Sgt. Jared J. Duhon)
We’ve got a long way to go before the Taliban, al-Qaeda, and ISIS are defeated in Afghanistan, but the new Afghan Air Force should help speed that process along.
Chris Pratt hasn’t been a series regular on television since his breakout role in Parks and Recreation. Since then, he’s transformed himself from goofy sidekick to leading man. From Zero Dark Thirty to Guardians of the Galaxy to Jurassic World, Pratt has proven that he can play a badass with specialized training and skills, and now he’s putting them to good use.
Returning to the role of Navy SEAL, Pratt will star as James Reece in former Navy SEAL Jack Carr’s The Terminal List, a conspiracy thriller with a straight-to-series order on Amazon.
Perhaps even more exciting is that, according to The Hollywood Reporter, “Producers plan to assemble a writing staff where half the scribes are either veterans themselves or have veterans in their families. [They’ll also have] vets and their families as part of multiple aspects of the show.”
Based on a novel by the same name, The Terminal List follows James Reece after his team was ambushed during a covert operation and he uncovers a conspiracy that runs to the highest levels of government.
Pratt partnered with executive producer and director Antoine Fuqua (Training Day, The Magnificent Seven, The Equalizer) to pitch the series, with David DiGilio (Strange Angel, Traveler, Eight Below) currently primed for writing.
Pratt took to Twitter to acknowledge the announcement:
Such a misleading picture to announce what is guaranteed to be the most intense and violent character I’ve ever played. Careful TVguide or you’ll end up on James Reece’s List.https://twitter.com/tvguide/status/1257816640839995393 …
Author Jack Carr pictured Pratt for the role of James Reece even before Pratt’s film career took off. “The crazy part is, usually you think of Mark Wahlberg or somebody who’d done these kinds of [roles] before but I thought of Chris Pratt. All he’d done is Parks and Rec. He had a small role in Zero Dark Thirty where he plays a SEAL…and for some reason I thought, ‘That’s the guy.’ It wasn’t the obvious choice back then…but I thought ‘this seems like a likeable guy,'” Carr shared on the Joe Rogan Experience.
Carr goes on to talk about a fellow SEAL who reached out to get an early copy of the book specifically for Pratt, who read it and optioned it right away. Years later, the adaptation is becoming a reality.
“Usually they want to get rid of the author right away when they option something but Chris wanted me involved so I got to help out on the pilot script — and it is so good,” Carr gushed.
Check out Carr’s conversation with Joe Rogan in the video below:
How Navy SEAL Author Jack Carr Got Chris Pratt’s Attention
Almost everyone in the world has a favorite soda that they enjoy whenever they get the opportunity. But, is your favorite tasty drink worth giving up a military arsenal big enough to stock a whole country? Well, at one point in history, the Russians thought so.
In 1959, then-President Dwight Eisenhower wanted to bring our America culture to citizens of the Soviet Union and show them the benefits of capitalism.
To showcase their ideologies, the American government arranged the “American National Exhibition” in Moscow and sent then-Vice President Richard Nixon to attend the opening — but things were about to take a turn for the worse.
Nixon and Soviet leader Khrushchev got into an argument over the topic of capitalism versus communism. Their conversation got so heated that the vice president of Pepsi intervened and offered the Soviet leader a cup of his delicious, sugary beverage — and he drank it.
Years later, the people of the Soviet Union wanted to strike a deal that would bring Pepsi products to their country permanently. However, there was an issue of how they would pay for their newest beverage, as their money wasn’t accepted throughout the world.
So, the clever country decided to buy Pepsi using a universal currency: vodka!
In the late-1980s, Russia’s initial agreement to serve Pepsi in their country was about to expire, but this time, their vodka wasn’t going to be enough to cover the cost.
So, the Russians did what any country would do in desperate times: They traded Pepsi a fleet of subs and boats for a whole lot of soda. The new agreement included 17 submarines, a cruiser, a frigate, and a destroyer.
The combined fleet was traded for three billion dollars worth of Pepsi. Yes, you read that right. Russia loves their Pepsi.
The historical exchange caused Pepsi to become the 6th most powerful military in the world, for a moment, before they sold the fleet to a Swedish company for scrap recycling.
Every combat arms branch within the United States Army comes with a long legacy. And with that legacy comes an accompanying piece of flair for their respective dress uniforms. Infantrymen rock a baby blue fourragere on their right shoulder, cavalrymen still wear their spurs and stetsons, and even Army aviators sport their very own badges in accordance with their position in the unit.
But long before the blue cords and spurs, another combat arms branch had their own unique uniform accouterment — one that has since been lost to time. Artillerymen once had scarlet red piping that ran down the side of their pant legs. In fact, these stripes were once so iconic that it gave rise to a nickname for artillerymen: “redlegs.“
Due to wartime restrictions, artillerymen stopped wearing the red piping during WWI — and it never made a comeback.
If you ask any young artilleryman at Fort Sill why they’re called “redlegs,” they’ll probably just look at you funny.
(Department of Defense photo by Margo Wright)
This fact is especially tragic because artillerymen wearing red stripes is one of the oldest military traditions of its kind. The blue cord of the infantry can only be traced as far back as the Korean War and cavalry’s stetson wasn’t invented until 1865. Meanwhile, artillerymen were rocking that red piping as far back as the 1830s.
During the 1800s, the role of the artilleryman was much more complex than most other roles in the Army at the time. Not just any bum off the street could walk into a job that required precise calculations to load the proper amount of gunpowder and fire the cannon at the perfect angle to hit the intended target.
While cannons were way too massive to carry into many fights, seeing the arrival of artillerymen meant that the U.S. Army meant business. Just seeing that red piping as artillerymen arrived on the scene during the Civil War was enough to inspire friendly troops and strike fear into enemies. The role of the artillerymen was crucial in the battles of Buena Vista, Bull Run, Palo Alto, and San Juan Hill.
I guess the only real debate here is if you give it to ADA as well or exclusively to field artillery.
Today, the role of the artilleryman has been reduced greatly. It’s not uncommon for artillerymen who were deployed to Afghanistan or Iraq to have more stories about their time on dismounted foot patrols with the infantrymen than ones about removing grid squares from the face of the Earth — after all, counter insurgency mostly forbids that level of wanton destruction.
Don’t get me wrong. There are still many artilleryman who’ve conducted fire missions into actual combat, but that number grows smaller and smaller with each passing year.
As field artillery units grow less common, their heritage is put at risk. At the same time, it seems as though the Army is increasingly leaning onto its historic roots for uniform ideas — as seen with the reintroduction of Army Greens.
Bringing back the distinctive red piping for artillerymen’s dress blues wouldn’t be that drastic of a change — or even that expensive — but it would be fitting. Dress blues are meant to honor the legacy of the soldiers of the American Revolution and Union Armies. What better way to do that than with an homage to the classic?