The United States Marine Corps Women’s Reserve was authorized by Congress and signed into law by President Franklin Roosevelt on July 30, 1942. Like their female counterparts servicing in other branches of the military, the primary function of the Marine Corps Women’s Reserve was to release men for combat duty. The jobs available to them were also very similar. Members served in occupations classified as professional, semi-professional, clerical, skilled trades, services, and sales. While over 200 job categories were made available to members of the Women’s Reserve, over half of members worked in clerical positions. Only Caucasian and Native American Women were accepted into service, the Marine Corps barred African American and Japanese American women from its ranks.
At its height, the Women’s Reserve had recruited more than 17,000 members. As was discussed in Part I, the military used a variety of tactics to recruit female members. Films such as Lady Marines, were used to provide a look at the life of a female military recruit in an effort to make new recruits more comfortable with the process. The film, shot at Camp Lejeune, North Carolina, follows a class of recruits from their arrival, to graduation, highlighting their training and job opportunities.
The United States Navy also recognized the importance of allowing females to serve in their ranks. The United States Naval Reserve (WAVES), was established and signed into law by President Franklin Roosevelt on July 30, 1942, the same day the Marine Corps Women’s Reserve. Women were accepted into the WAVES as commissioned officers as well as at the enlisted level in order to release men for sea duty. They served at 900 shore stations in the United States and included over 85,000 members. While primarily comprised of white women, 74 African-American women were allowed to serve during the program’s existence.
The color film, WAVES at Work, highlights the variety of jobs made available to members of the WAVES. Women wanting to serve in the medical, clerical, communication, and culinary fields were able to do so as a member of the WAVES. One of the most interesting jobs highlighted in the film is that of the Air Controlman. Those serving in this capacity would direct planes and ground crews from a control tower at naval air stations.
Both films, Lady Marines and WAVES at Work, touch on the values discussed in Part I femininity, benefits of joining the military, and the importance of the work needing done. These films also make it a point to highlight the opportunities made available to women in the military. Female recruits were provided with job training in non-traditional areas, training that was not widely available to their civilian counterparts . You can view both films in their entirety below.
Deep underwater, on submarines equipped with nuclear missiles, British crews are constantly prepared to fire their weapons, and potentially play a part in bringing about the end of the world.
Sailors on the four Vanguard-class submarines which patrol the waters and hold the UK’s nuclear deterrent operate under strict protocol for working out when to act and what to do — part of which is said to include listening to BBC radio.
According to a prominent British historian, the broadcast of BBC Radio 4’s “Today” programme is one of the official measures the Royal Navy uses to prove that the United Kingdom still exists. “Today” has been broadcast at around breakfast time since 1958 and is the highest-profile news programme in British media.
Lord Peter Hennessy, a history professor who joined the UK’s House of Lords in 2010, said that if it can’t be heard for three days in a row, then it could signify Britain’s demise, and trigger their doomsday protocol.
According to Politico, Hennessy says: “The failure to pick up the BBC Today program for a few days is regarded as the ultimate test.”
If no sign comes through, the commander and deputy will open letters that contain instructions from the prime minister and execute their final wishes.
These letters, each known as a “Letter of Last Resort’ are secret instructions, written when a prime minister enters the office and sealed until an apocalypse. They tell the UK’s submarine commanders what to do with the country’s nuclear weapons if the country has been destroyed.
HMS Victorious photographed in the Clyde estuary
(LA(phot) Mez Merrill/MOD photo)
Writing these letters is one of the first tasks undertaken by any new prime minister. They are locked inside a safe inside another safe, and placed in the control rooms of the nation’s four nuclear submarines, Politico reports. The safes will only be accessible to the sub’s commander and deputy.
Matthew Seligman, Professor of Naval History at Brunel University,told BBC Newsbeat that there are “only so many options available.”
“Do nothing, launch a retaliatory strike, offer yourself to an ally like the USA, or use your own judgment.
“Essentially, are you going to use the missiles or not?”
The UK has four submarines that are capable of carrying the country’s Trident nuclear missiles. At least one of these has been on patrol at all times since 1969, the government says.
There are 40 nuclear warheads and a maximum of eight missiles on each submarine.
Only the prime minister can authorize the launch of the country’s nuclear weapons.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Scientifically known as the trapezius, this incredible fibrous structure is attached to the lower portion of your occipital bone (at the base of the skull) and extends toward your thoracic spine. Too much medical mumbo-jumbo? Okay, it’s the muscle that makes you look like a King Cobra and tells everyone not to f*ck with you.
Some people are genetically blessed with prominent, defined traps, while the rest of us do standing shoulder shrugs in hopes of getting ours to grow just a little bit. But did you know that shoulder shrugs aren’t the only exercise that can develop these alpha-looking muscles?
In fact, there are a few ways to treat your traps — and they all start with isolation movements and heavy weights.
Usually, shrug rows are great exercises for toning your back but, with a slight change in positioning, they can help you nail that King-Cobra. By laying face-forward on the incline bench, you can greatly stimulate your traps with an isolated shrug movement.
What’s nice about this exercise is that you can use horizontal resistance bands to build those traps. The key here is to squeeze those muscles in a controlled manner throughout the entire motion. The traps aren’t often worked out on their own — be sure to remain mindful throughout the exercise and try to activate only the targeted muscle group.
Most of us are familiar with doing military presses to get buff shoulders. To really target your trap muscles, consider laying flat on your face — no, really. Prone presses may look kind of odd, but they are a great way to get blood to those muscles and bulk them up.
Unfortunately, most gymgoers do shoulder shrugs completely wrong. When they pull up on the weight, they tend to use their legs to bounce, giving themselves an extra boost. To get your traps to grow, you have to stimulate the muscles, which means isolating the movement. So, sit before you shrug.
This helps remove the bounce and makes the exercise tougher — which is what you want.
What happens when the two sides of a war fundamentally disagree?
“Uh…well,” you’re thinking, “that’s pretty much the definition of war and you’re kind of a donut for asking, aren’t you?”
Yes, but hang with me. What I mean is, what happens when the disagreement goes beyond politics or ideology or territorial dispute, when the two sides disagree, on a basic level, about what the war they’re fighting is even about? And as a result, fail to agree on how the war will be fought?
Such cases produce quagmires of horrifying scope and duration.
One such case was the Vietnam War.
For America, Vietnam began as an earnest attempt to free a small country from unwanted and undesirable Communist conscription. As the war ground on, however, idealism gave way to a more basic agenda, to prove the rightness and righteousness of America as a function of its overwhelming military power.
For the North Vietnamese, and the Viet Cong guerrillas who aided them, the war was about finally shaking off the yoke of western colonialism. After years of occupation by the French, American military presence seemed merely the heavy hand of a new foreign master. They were fighting to reunify North and South Vietnam under the ideology of their choice, which happened to be communism.
In 1956, then Congressman John F. Kennedy was a wholehearted champion of the Cold War-era clarion call to Stop the Spread of Communism.
Vietnam represents the cornerstone of the Free World in Southeast Asia, the keystone to the arch, the finger in the dike.
But after an extensive fact-finding tour through the Middle and Far East, he returned to the U.S. convinced that preventing the threat of a new communist colonialism in Indo-China would require more than simply offering — by friendship or force — an American colonialism as the superior alternative. Much better to promote the nationalistic aspirations of the region’s native peoples, so long as those aspirations tended toward an American-style love of liberty.
But as the stakes were raised on his own Presidency by the Cuban Missile Crisis and the raising of the Berlin Wall, Kennedy felt an increasingly dire need to prove democratic righteousness and might (Mighteousness?). It was a terrifying time. The nuclear prerogative, which had once been ours alone, was now in the hands of nations whose ideals seemed to us not so much foreign, as alien. Vietnam would have to be, for the American Way, a definitive demonstration. Kennedy again:
…we have a problem making our power credible and Vietnam looks like the place.
Had he lived to serve his full term in office, who knows if Kennedy might have have been able to carry out a nuanced foreign policy in Vietnam. He was assassinated in Nov. 1963 and the Vietnam War would become the problem of two more successive administrations. The practical result was a strategy of force, bombardment and attrition that floundered in the face of an enemy who refused to fight by those rules.
The facts on the ground in Vietnam made it clear to American servicemen that there was a grave disconnect between what we thought we were doing there (and the strategy we’d devised for achieving those goals) and how the Vietnamese — allies, enemies, and civilians in between — saw things.
A 1965 skirmish near Danang in which U.S. Marines killed 56 Viet Cong guerrillas put a very fine point on the issue. Among the Vietnamese dead was a 13-year-old boy who, just a day earlier, had been hospitably selling drinks to the Marines. Found on his body were hand-drawn maps of the Marine’s positions and defenses, intelligence for the Viet Cong.
It’s a hard pill to swallow for soldiers who view themselves as a liberating force, to realize that the people they’ve been sent to help view them as the enemy, as occupiers, as aliens. It’s an issue our troops have faced every day in Afghanistan and on the fronts of the War on Terror. Righteousness is a delicate stance and a dangerous dance.
Over the past eight years, we’ve seen two reboots of some of our favorite T.V. shows from the last century: Hawaii Five-O and MacGyver. In September of this year, we’re getting another, Magnum, P.I., and we think the veteran community is going to appreciate it, just like they did the original, which ran from 1980 to 1988.
Unfortunately, this time around, it looks like we’re going to enjoy less mustache.
For those who need a quick refresher before they jump back into the world of Thomas Magnum IV in September, the show follows a former Navy SEAL turned private investigator as he lives the good life on the island of Oahu, Hawai’i. As he solves his cases, he’s assisted by his friends Orville “Rick” Wright and Theodore “TC” Calvin, both of whom are former U.S. Marines.
The fact that all of the central characters are veterans is almost reason enough to be exciting, but after getting a sneak peek at the pilot during 2018 Comic-Con International: San Diego, we’re even more excited.
This reboot allows people to see the true, human side of all of us.
(U.S. Marine Corps photo by James H. Frank)
It depicts combat veterans in a positive light
All too often, veterans are made to look like violence-hungry, damaged goods. Much like the original, the intent of the show is to depict veterans in a more human way. We’ve gotten a lot better at doing this over the years, but we’re not quite there yet. Magnum P.I. is going to give us a story that revolves around veterans. It’ll showcase the characteristics that make us veterans, without all of the unnecessary drama.
You’ll love it, trust us.
There’s plenty of action
Based on the pilot alone, we can be certain thatthe stories will featureaction throughout. Get ready for a show that deliverstons of high-octane excitementwithout too much overt cheesiness.
Just like the original — minus the sweet ‘stache.
The main characters are veterans
As mentioned above, the Thomas Magnum and his friends are all veterans — and they show it. More than just simply talking about their service, the characters act and carry themselves in a way that genuinely feels like they are who they claim to be. The Marines have attitudes that are very reflective of real Marines.
Chances are, if you’re not already a fan of the original, you didn’t know it featured so many veterans. That’s because the show isn’t trying to use it as a selling point, but rather as a real, authentic-feeling character trait.
The dogs are actually a really funny piece of the show.
It’s going to be hilarious
With so many veteran characters, you can expect a hefty dose of witty banter. There’re plenty of light moments that provide an opportunity to laugh, whether it’s the veterans talking trash or Magnum getting chased by Doberman Pinschers.
Don’t worry, there’re plenty more where that one came from.
Although modern, the reboot intends to keep with the original feel from the 1980s series. As such, they’re keeping the Ferraris.
But if you’re a car enthusiast with a particular fondness for Ferrarris, be prepared to watch a few get destroyed.
While marching back and forth on a hot Kentucky asphalt parade field in the spring of 1967, musical lyrics began to dance around inside John Fogerty’s head —
“It’s been an awful long time since I been home …”
What he recently described as a kind of transcendental meditation, or delirium, would sweep over him during those long hours marching at Fort Knox, a delirium that afforded him time to think about his life, and his dreams —
“But you won’t catch me goin’ back down there alone …”
More than 50 years later, Fogerty is celebrating a half-century of powerful rock music he has created, music that critics often agree helped shape the mindset of many young men and women during and after the Vietnam War era. Before there was Credence Clearwater Revival, however, there was a 20-year-old man trying to make his way on a very different path.
Quite possibly his only military photo, rocker John Fogerty poses in his Army uniform in 1967 prior to becoming a supply clerk.
(U.S. Army photo courtesy of Melissa DragichCordero)
“I was internationally unknown back then,” said Fogerty earlier this month, during a short break in his “John Fogerty: My 50-Year Trip” North American tour, including a stop in Louisville Sept. 20 to perform in the Kentucky Fair and Expo Center at Bourbon Beyond 2019.
As a war in Vietnam was beginning to ramp up in 1966, Fogerty walked into a recruiter’s office around the same time his draft number came up. Whether as a draftee or volunteer, he expected that he would be joining the military. When he left the recruiter’s office, he signed on with the U.S. Army Reserve as a supply clerk.
“I was on active duty for six months, but I was in the Reserves between 1966 and 1968,” said Fogerty.
Soon after enlisting, he went through basic training at Fort Bragg, North Carolina.
Between his time at Fort Bragg and advanced individual training at the Quartermaster School in Fort Lee, Virginia, he found himself stationed at Fort Knox.
“It was pretty intense because this was right at the height of the Vietnam War,” said Fogerty. “Every young man’s clock was running pretty fast.”
As he talked about his time at Fort Knox, memories bubbled up to the surface.
“At various times, we had a kind of special guard duty for 24 hours straight,” said Fogerty. “We had to polish all our brass and our boots were highly spit-shined. Your uniform had to be perfect. We went to a different place where we were on for two hours and then off for about eight.”
He said one particular guard duty shift left a mark on him.
“After I had been there only about five or 10 minutes, I had just walked in, there were two or three guys crowded around this one wall. They were looking at Elvis Presley’s signature — It said, ‘Elvis Presley ’58,'” said Fogerty. “I wish I’d had a camera. Back in those days, we didn’t have phones with cameras in them.”
While on tour with Credence Clearwater Revival sometime between 1968 and 1972, John Fogerty wows the crowds at a concert.
(Baron Wolman photo courtesy of Melissa DragichCordero)
He remembered another time when he decided against going into Louisville on a weekend pass. That same weekend was Kentucky Derby weekend, and he gave a friend of his money to place a bet on a horse in the race — a horse named Damascus.
“I had given my friend but I was always conservative, so I wanted him to make the safest bet, which was for the horse to come in third,” said Fogerty.
Damascus did come in third, but Fogerty didn’t receive any prize money.
“He had bet on that horse to win,” said Fogerty, laughing.
Fogerty shares the Fort Knox alumni stage with another musical great — 1950s rocker Buddy Knox. While stationed at the installation in 1957, Knox was sent to the Ed Sullivan Show to perform two of his big hits at that time.
Fogerty remembered watching that show.
“I saw him on TV wearing his military uniform. He had a heck of a year in ’57. He was part of three different singles that each sold a million,” said Fogerty. “He was with a guy named Jimmy Bowen. On Jimmy Bowen’s record it reads, ‘Jimmy Bowen and the Rhythm Orchids,’ and you assume that was some backing band.
“Well, on Buddy Knox’s record, it reads, ‘Buddy Knox and the Rhythm Orchids,’ and that meant the other person was Jimmy Bowen. [Buddy Knox] had one of the biggest careers of anybody, all in that year.”
While music has played a big role throughout Fogerty’s life, he said no matter how far he travels to perform for others, he is never far away from his military identity.
“Sometimes it shows up in ways you can identify, and you’re really proud of that, especially personal discipline,” said Fogerty. “At other times, it’s just part of what makes you you. I think almost anybody who’s been in the military realizes that there’s a certain amount of maturity you have. You can’t help it; you either shape up or ship out — most of us choose to shape up.”
John Fogerty takes a break to wipe down his guitar. He attributes his brief military service with teaching him about discipline and teamwork as well as influencing some of the music he has written over the past 50 years.
His military experience is not one he shies away from admitting.
“Life is what it is so you can’t change it, but I certainly am proud of that time,” said Fogerty. “There’s a lot of insight that you learn about getting along with people and what is the mindset inside the military, and I’m not talking about people who make policy. I mean grunts like who I was who are cogs in the wheel.
“You really do learn how to discipline yourself and be part of a team that helps make things flow because that’s part of your job.”
Fogerty said his military identity also comes out from time to time in his songs. While the most famous of these is the hit “Fortunate Son,” there are others.
“I have a song called ‘Wrote a Song for Everyone.’ It’s a bit mysterious, but it comes from a guy who went through the military at a very emotional and volatile time in history,” said Fogerty. “And a lot of the songs that talk about, or are reflective of my personality — taking note of class structure or the inequality of the way society works — certainly, those are references to my time in the military.”
Some of the songs have a more direct tie to his military background —
“They came and took my dad away to serve some time, but it was me that paid the debt he left behind …”
A lesser-known hit penned by the man Rolling Stones magazine named the 40th Greatest Guitarist and 72nd Greatest Singer of all time, “Porterville” became the first song the Golliwogs released after they changed their name to Credence Clearwater Revival.
The song was conceived in the heat of central Kentucky, according to Fogerty, forged by a young soldier marching for countless hours on a 1-mile square asphalt parade field, dreaming of someday becoming a rock star.
During World War II, the Army had a unit of special forces known as the “Ghost Army.” Officially called the 23rd Headquarters Special Troops, the unit used theatrical and deceptive techniques to fool the enemy. It was soldiers putting on a show with special effects like speakers, inflatable tanks, fake radio transmissions and more.
Made up of 1,100 soldiers, the team used these illusion methods to deceive Axis intelligence–specifically, creating false targets, and faking a much larger force than was actually present.
Their ghost-like tactics
The Ghost Army’s mission was clear: to impersonate Allied Army units. They remained near the front lines of the war, hiding in plain sight, creating fake battle scenes and camps. They did this by remaining unseen until they wanted to be, and only letting Germans see what they wanted them to see.
Their “traveling road show” was taken to France shortly after D-Day.
Inflatable tanks, planes, Jeeps and trucks were all used, courtesy of the 603rd Camouflage Engineers. Inflating the items with an air compressor, the soldiers would hide the fake vehicles — poorly — with branches and trees, so they could still be seen from far away. They also created false airfields and bivouacs — the latter had laundry drying in plain sight. Motor pools and tank formations were also formed, all of which could be done within a few hours of work. Their “show” was a well-choreographed routine.
It’s worth noting that soldiers in the 603rd were mostly artists and recruited from schools in the Northeast. After the war, many of its former members went on to become known for their artwork.
In addition to visual deceptions, the Ghost Army used sound and light effects. With the help of sound engineers, they played recordings from real Army units. They would adjust the recording based on the current scene they were created, played with high-tech equipment and amplifiers. The sounds were so projected that they could be heard as far as 15 miles away.
False radio transmissions were also played, known as “spoof radio.” By pretending to be soldiers from real units, they employed different communication styles to even further mislead the enemy.
Finally, when the unit did receive real vehicles, they used tactics that they called atmosphere. For instance, driving a few tanks in a circle to create the appearance of a convoy. They would also place dummy Military Police, and painting various insignia on false headquarters to make the scene even more realistic.
The unit’s inception
The Ghost Army came to be after a similar tactic was used by the British military just a few years prior. Soldiers were recruited for their talents in creativity, artistry, and theatrics. In addition to recruiting from art schools, the Army found members at ad agencies, engineering and architecture firms, and they heavily recruited actors.
Together, the efforts of 1,100 were able to create the false presence of two units with more than 30,000 soldiers. Their efforts are credited for moving German forces away from actual Allied units in more than 20 locations.
Their mission was classified until 1996, when the records were finally unsealed. There was also a PBS documentary, The Ghost Army, released in 2013.
You’ve covered the kids, your spouse, neighbors, your in-laws, and even snagged a little something for the mailman and school principal. As you’re making your list and checking it twice this holiday, don’t forget a favorite military pet!
The best gifts for pets are useful and practical items that might also benefit the pet owner in some way (think: hours of entertainment for an energetic pup or frisky feline). Here are the best gifts for pets this year:
This top-rated toy uses a cat’s natural hunting instincts to captivate their attention using a feather. Battery powered, the device mimics prey and mixes it up to keep pets engaged and anti-skid feet help to keep the gadget in place for any cat owners who might be worried about forceful felines.
Make fetch more fun with this LED light-up ball that promises hours of fun for your dog, even after the sun goes down. One bounce activates the color-changing toy and an easy-to-replace battery ensures playtime longevity.
As it turns out, your pet can also be a military member….sort of. Crown Paw allows users to submit a headshot of their pet and then customize it into a regal portrait. All pets are welcome and users can choose from canvas themes like “The Admiral” or “The Colonel.” More than one animal in your house? Multi-pet themes like “The Officers” make gifting easy.
4. Rawhide-free chews
Skip the rawhide for your pup this year and pick up some SmartBones, which are made from whole ingredients like vegetables and chicken. Enriched with vitamins and minerals, these treats not only taste delicious to a dog, but the natural motion of chewing helps to maintain healthy teeth and gums.
5. Stylish beds
Help your pet get the best sleep of their lives without sacrificing your interior design style. These woven beds (and specialty pods for feline friends) are made from natural Elephant Grass and are handcrafted using traditional Ghanian craft techniques. Each basket comes with a fitted cushion and are available in a range of sizes.
The whole family will enjoy this wifi-enabled camera that allows you to drop in your pet when you aren’t home. Using an HD, wide-angle lens, the device allows users to see, talk to, and even dole out treats, to pets using an app on their phone. The bonus? A built-in sensor alerts pet parents to animal and human movement, so you’ll never wonder what your pet is up to all day again.
Alright, this one might be a gift for the pet parents and not the pet, but 10,000+ reviews speak to the power of this enzyme-powered stain and odor remover. Created to work for both cats and dogs, this formula is chlorine-free, color safe and promises to work or you’ll get a full refund. You will never stress about pets and rental carpets again!
Still at a loss on what to gift your favorite military pet? Quality time still ranks pretty high on their list — and maybe a few extra treats, too.
This article originally appeared on Military Spouse. Follow @MilSpouseMag on Twitter.
It’s easy to forget that, even in the midst of World War II, the Army’s administrative requirements marched on. Officers were quickly moved between billets, units were slotted into or pulled out of operational plans, and leaders had to be re-appraised often.
So it’s perhaps not surprising that even men like Lt. Gen. George S. Patton had to take breaks from whooping butt in order to rate other legends like Lt. Gen. Omar Bradley.
The September 1943 “Efficiency Report” is remarkably brief. At the time, the Army didn’t have such strict form for evaluation reports. It’s basically a two-page memorandum with only a couple hundred words of text.
But Bradley had helped make 1943 a great year for the Army. He spent much of the year unsticking problems at the front in North Africa. And, after the defeat of II Corps at the Battle of Kasserine Pass, he pushed for an overhaul of the corps and later took command of it from Patton. It was Bradley who led the corps during the invasion of Sicily.
Patton and Eisenhower both wanted Bradley for their own commands, so it’s probably not surprising that he would receive a good rating from Patton.
And, indeed, when Patton rated Bradley on Sept. 12, 1943, he said that Bradley was “superior” in manner of performance, physical activity, physical endurance, and knowledge of his profession. Four for four at the time. Bradley was a corps commander and Patton recommended him for command of an army.
But the most impressive endorsement of Patton came in question 10 “Of all general officers of his grade personally known to you, what number would you give him on this list and how many comprise your list?”
Patton responded “Number 1. I know all of them.”
The Army gets fairly small at the top, after all.
Gen. Dwight D. Eisenhower, the North African Theater of Operations, United States Army, commander at the time, concurred with the report.
Thanks in part to the brief but strong recommendations of Patton and Eisenhower, Bradley received command of the U.S. First Army in time to command it against Utah and Omaha beaches and then the breakout into the rest of France. Despite some mistakes, he would take command of an Army Group and take the first major hits of the Battle of the Bulge.
He was a four-star general before the war ended and would later rise to lead the Veteran’s Administration and serve as Army Chief of Staff. He was the last person to be promoted to General of the Army, an Army five-star rank.
The entire September 1943 assessment of him by Patton and Eisenhower is available below:
Though women have made a lot of progress in recent years, especially in the military and defense sectors, there are still very few women in senior positions in the U.S. military-industrial complex. Only a third of the senior positions at the Department of State are women, and less than a fifth hold such positions at the Defense Department.
Alexis Visser is a 19-year-old international relations student and Army Reservist who helped game the South Korean and American forces.
(Dori Gordon Walker/RAND)
The RAND Corporation, a global, nonprofit policy research center created in 1948, wanted to bring a much-needed female perspective to the fields of defense policy and national security. The group of women are in age groups ranging from their late teens to early 20s, and most have never had any kind of wargaming or strategy experience before. Still, they are leading command discussion about scenarios facing troops in a war with North Korea in a conference room overlooking the Pentagon.
In the scenario, the Democratic People’s Republic of Korea has a long-range missile that can target locations on the U.S. West Coast. The North threatens “grave consequences” if the United States and South Korea conduct their annual joint exercises to practice their responses to a North Korean invasion. The warning from the DPRK is the same the Stalinist country gives the Southern Allies every year. This time, when the allies begin their drills, the North fires an artillery barrage into Seoul. South Korea responds with missile strikes. The new Korean War is on.
(Photo by Dori Gordon Walker/RAND Corporation)
RAND uses wargames like this one to study almost every national security scenario and has since the earliest days of the Cold War. It was the RAND Corporation who was at the center of the 1967 Pentagon Papers case that determined why the United States had not been successful in Vietnam. It’s very unlikely this is the first time RAND has wargamed a war between North and South Korea, but it’s the first time young girls were given command of the allied forces.
That isn’t to say no women have wargamed at the Pentagon. Many of the women who have participated in wargames at the highest levels of the U.S. government, including in the Pentagon, often admit to being the only woman in the room. RAND wants to create a pipeline for young women to be able to participate in such wargames – as professionals.
In the game, the women determine where to deploy infantry, how to stop North Korean advances, and even when to use tactical nuclear weapons, all under the advice and counsel of RAND’s expert and veteran women advisors.
Samina Mondal, right, listens as RAND’s Stacie Pettyjohn reviews the blue team’s tactics.
(Dori Gordon Walker/RAND)
The game is working, and not just against North Korea. History majors decide to turn their attention instead to National Security Studies. Eighteen-year-olds decide on careers in nuclear security. Soon, women will begin to change the way we look at the defense of the United States.
In the modern world, most nations cultivate a variety of martial arts disciplines within their borders, not as a formal effort of the government, but rather as a byproduct of public interest. Here in the United States, motivated students can find places to study anything from Japanese Karate to Israeli Krav Maga at their local strip mall, so it should come as no surprise that the military has also come to adopt a variety of disciplines into its own approach to martial arts-based combat.
The Marine Corps Martial Arts Program, as one example, borrows from no fewer than 17 distinct martial arts disciplines, ranging from Brazilian Jiu-Jitsu to Kung Fu, to ensure Marines are as capable in hand-to-hand combat as they are with their rifles.
Iran has also placed an emphasis on martial arts for the sake of defense, though like the nation’s military apparatus itself, their approach has been heavily informed by their culture, internal politics, and unusual military hierarchy, resulting in less than stellar results.
Iran has allegedly forced martial arts instructors to work as assassins
According to a cable sent from the U.S. embassy in Azerbaijan’s Baku Mission that was revealed by WikiLeaks, the Iranian government expects martial arts schools and clubs to serve in the role of “enforcers” when it comes to stemming public dissent, but that’s far from the worst that’s been pressed upon martial arts instructors.
The wire, which came with the decidedly metal headline of, “IRAN: NINJA BLACK BELT MASTER DETAILS USE OF MARTIAL ARTS CLUBS FOR REPRESSION,” goes on to claim that the “ninja black belt master” in question knew of at least one instructor that “was used by the Intelligence service to murder at least six different individuals over the course of several months.” These alleged victims were referred to as “young intellectuals” and “pro-democracy activists.”
The Iranian government built an all-female, 3,500 strong ninja-army
Women in Iran may not enjoy the same rights or parity that can be found in Western nations like the United States, but that’s not to say that the Iranian government doesn’t occasionally recognize a woman’s ability to kick ass for their benefit. Most women may not be allowed to travel outside of their homes without a male escort, but some are trained in Japanese Ninjutsu to become stealthy assassins for their government.
In 2012, 3,500 women were registered to begin their training to become ninjas, according to a segment produced for Iran’s state-run media. Some in the United States have opined that Iran permits this training as a means to appease their stifled female population, but it seems more likely that Iran’s government believes it has a use for women that can fight.
The video of these women training may seem cheesy, but their form actually looks a lot better than some of Iran’s highly trained Special Operations troops…
Iran’s Special Operators were defeated by pottery
Every nation occasionally releases motivational videos of their highly trained troops executing unusual techniques. The U.S. does insertion and extraction demonstrations with special operators at SOFIC in Tampa, Florida each year. Russia releases footage of their troops shooting live rounds at each other, and Iran… well, Iran’s special operators can be seen in this video losing a fight to a vase.
In the video, Iranian officials are shown looking on as men that have been referred to by a number of news outlets as Special Operations troops execute a series of dramatic spin kicks and even spinning back-hands to a vase that simply refuses to break. Eventually, the troops set the intact vase down and bow as their clearly disappointed superiors look on. It wouldn’t be fair to say that this demonstration characterizes all of Iran’s military martial arts efforts, but if these generals were smart, they probably forgot about the demonstration and went straight to the guy that made that vase to see if he was interested in getting into the tank business.
Late Tuesday night, June 5th, 2018, 1st Lt. Joshua Philip Yabut was charged with driving under the influence of drugs, felony evasion, and a felony count of unauthorized use of a military vehicle. He stands accused of stealing an M577 armored command vehicle from Fort Pickett and driving it into downtown Richmond, Virginia before surrendering to authorities.
The alleged joyride began around 7:50pm and ended at roughly 9:40pm. While these are serious crimes that will have serious consequences, the fact that there have been no reports of damage or injury to any civilians or property makes this okay to point out that this whole ordeal is actually really funny.
(Meme via Artillery Moments)
Yabut is the company commander of Headquarters Company, 276th Engineer Battalion and has served over 11 years in the military. He deployed to Afghanistan in 2008 with the Illinois National Guard.
This gives Yabut the perfect opportunity to not only crack jokes about him putting the “LT” in “LosT” and we’re certain that his zero-f*cks-given attitude can be traced back to his E-4 days.
Then there’s the actual act itself. The reason why many people are describing what was going on as a “joy ride” is because he was live tweeting the entire time, starting off the night with a tweet that (poetically) reads, “wutang clan ain’t nothin to f*ck wit booiiiiiiii.”
The day of, he also posted, “thinking about putting my packet in tbh.” And just a day earlier, he tweeted, “all i wanna do is get an anime wife.”
Already, there are many misconceptions floating around the case. Firstly, he was charged with driving under the influence of drugs, but it hasn’t be clarified exactly what he was on. He did have an M9 pistol, but it was his personally-owned weapon and there was no ammunition. And just to clarify things for civilians, the M577 is an armored, tracked vehicle — but it isn’t a tank.
“The Boys” is a hit for Amazon Prime Video, which announced earlier this month that the series is one of the platform’s most watched shows ever. But the new superhero TV series wouldn’t exist if its source material hadn’t been saved from an early cancellation.
“The Boys” comic book ran for 72 issues from 2006 to 2012. It was created by writer Garth Ennis and artist Darick Robertson, who had previously collaborated on “The Punisher Max” and had made names for themselves individually in the industry with such works as “Preacher” and “Transmetropolitan,” respectively.
Robertson told Business Insider during an interview Aug. 19, 2019, that “The Boys” was originally going to be set within the DC Comics universe that includes Superman, Batman, Wonder Woman, and more.
But the book’s irreverent premise — a group of government operatives keep a check on superheroes who abuse their powers — didn’t quite mesh with the colorful and heroic adventures at DC. So Ennis and Robertson created their own group of “heroes” that satirized preexisting ones, such as the alien Homelander (think Superman) and the super-speedster A-Train (think The Flash).
The superhero team The Seven from “The Boys.”
(Dynamite Entertainment/Darick Robertson)
“We decided that it wouldn’t work if we tried to be too subtle about what the gag would be,” Robertson said. “I like the DC characters very much. I see a very distinct line between our characters and theirs. If you have the costume and the power but none of the character, you still don’t have Superman’s greatest power, which is self control. Homelander doesn’t even take the costume off. And that reveals a lot.”
“The Boys” launched at Wildstorm, a DC Comics imprint founded by DC’s now-copublisher Jim Lee that was set outside of the normal DC universe. Ennis and Robertson could tell their own story without sullying the reputation of DC’s flagship characters.
When the series was released, though, things changed.
“The problem was that Wildstorm was still a sub-company of DC Comics,” Robertson said. “If you look at the original first issue of ‘The Boys’, it was peppered with ads for Batman and other stuff. I don’t think they realized just how hard of a punch Garth and I we’re going to land … I think it made people nervous that we were doing such a raunchy book that was advertising other DC properties.”
And it was indeed raunchy. The first issue of “The Boys” featured graphic language, sex, and violence that would become hallmarks of the series.
The cover to “The Boys” issue 1, released in 2006.
The Boys are saved
“The Boys” was canceled six issues into its run, despite strong sales.
“The comic was as big a hit as the show is now,” Robertson said. “For the world of comics, we were doing quite well. It was selling out. It was a weird time in the industry where it would sound like a laughable number now, but it was good then, especially for a creator-owned, mature book.”
Robertson said that DC would continue publishing the book if the subject matter were toned down, or it would offer it back to Ennis and Robertson for them to take it somewhere else.
Toning it down wasn’t an option.
“It was a gracious way to solve the problem,” Robertson said. “In another scenario, it could have been a nightmare and the book could have died.”
Robertson said that Ennis knew from the beginning how the series would end and had a five-year plan. But they suddenly had nowhere to go with their story.
“I had just bought a home, I had two children,” he said. “I had set up the next five years just to do this book, so I didn’t know what to do.”
(Dynamite Entertainment/Darick Robertson)
The feeling didn’t last long. Living in California and now out of work, Robertson took his family to Disneyland for a weekend after the cancellation in January 2007. The following Monday, his phone blew up.
“Everyone had found out we were canceled and every publisher I knew in the business was calling us saying they wanted the book,” Robertson recalled. “It was amazing. We just wanted to make sure we ended up at the place where we had the most control.”
Dynamite Entertainment ended up being that place. Mere weeks after the cancellation, the company announced it would renew “The Boys.” It returned that May with issue seven and Dynamite quickly released a collection of the first six issues.
“That’s another reason we parted with DC was because they were reluctant to publish the trade paperback, and that’s where the bread and butter is,” Robertson said. “Dynamite got that out immediately and it was the number one trade paperback as soon as it hit. It sold out and immediately went to a second printing.”
That’s when Hollywood came calling.
‘The comic and the film property followed similar lives’
By 2008, producer Neal Moritz, known for the “Fast and Furious” franchise, took notice of the book’s popularity. Robertson said Mortiz championed a film adaptation and shopped the project around to studios for years.
“I learned the hard way that getting an option is easy and getting something made is not,” Robertson said. “It’s the way Hollywood works. Having an option is lovely, but it doesn’t mean a project will go forward. So we got our hearts broken a few times, especially because the people that were coming on board were wonderful.”
One of those people was Adam McKay, who was then known for directing “Anchorman” and has since directed Oscar-nominated movies “The Big Short” and “Vice.”
Columbia Pictures was originally on board and then ditched the project. Paramount picked it up in 2012, but it never went forward there, either. A big-budget R-rated deconstruction of the superhero genre proved to be a hard sell.
“Everyone was terrified of it,” Robertson said. “It’s funny, because the comic and the film property followed similar lives. McKay was on board and we were sure it would happen any day, but we just couldn’t get any studio to give the green light. For me it would be life-changing so I just kept hoping it would happen, and it never did.”
Karl Urban and Jack Quaid in “The Boys.”
(Amazon Prime Video)
Flash forward seven years and “The Boys” has finally found a new home at Amazon, just on the small screen instead of the big screen. But even the TV series faced a climb.
“There’s a lot of production value, but in the same respect, there’s never enough money,” Kripke said. “We didn’t have anything close to a ‘Game of Thrones’ budget or anything like that. We’re not even half of what that number would be. But when you don’t have all the money in the world, you get there through blood and tears.”
And “The Boys” TV show has already avoided the temporary fate of the comic. There will be no early cancellation. Amazon renewed the series for a second season before season one even debuted.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.