Remember the collective crushing disappointment we all felt as we got settled in to watch Pearl Harbor in 2001, expecting a Saving Private Ryan-level war movie on a grander scale and suddenly realizing it was a love story and that the attack on Pearl Harbor was actually just part of the backstory? The bad news is that Pearl Harbor is still on television.
The good news is that the director of Independence Day just made a movie about the World War II Battle of Midway. And he even remade the attack on Pearl Harbor to get started.
All this and Woody Harrelson as Chester Nimitz? I’m interested. This still is from Planet of the Apes, but we all wish Nimitz shaved his head like this before combat. I do, anyway.
For the uninitiated, the Battle of Midway may have well been the turning point in the Pacific War of World War II. While the Doolittle Raid featured in Pearl Harbor showed American resolve and boosted morale, it did little to really hurt the Japanese in the Pacific (the Doolittle Raid appears to be in the Midway movie as well). Two months later in 1942, the U.S. Navy struck a decisive blow, delivering a devastating punch to the face of the Japanese Empire at the height of its power – just six months after the U.S. Navy was supposed to be knocked out of the war at Pearl Harbor.
The Americans had a complete intelligence advantage at Midway, having broken the Japanese radio codes and determining they were on their way to attack an island code-named “AF.” In order to figure out what objective “AF” was, American intelligence sent an uncoded message that the water purification system on Midway was down, they heard Japanese radio operators reporting objective “AF” was low on water. The target was Midway, and the Navy laid a trap for the oncoming Japanese fleet.
The United States ended up with the Japanese objective, the days the Japanese fleet would arrive, and the entire Japanese order of battle. What’s more, the Japanese were unaware of the Americans’ positions or that the Navy had broken their codes, so the Japanese Navy took the further steps of so dividing their forces into four subgroups, that they were unable to support each other. This might have been a great tactic in a surprise, but not so much when the Americans knew exactly where every ship would be and when they would be there. The result was, not surprisingly, a complete rout that could only be described as a major ass-kicking.
Japanese forces took massive losses. The Imperial Japanese Navy lost ten times the number of men, along with four aircraft carriers it could not replace, two heavy cruisers, and almost 250 aircraft. The Americans lost just 307 men, 150 planes, the carrier USS Yorktown and the destroyer USS Hammann.
Not bad for the first American victory in the Pacific.
The creator of the military counter-culture comic strip “Terminal Lance”—Max Uriarte—is the guest for this week’s podcast.
Max leads a busy life these days. He just published his much anticipated graphic novel “The White Donkey,” he’s working on building an animation studio, and he continues to publish his wildly popular comic strip.
This episode delves into the origins of the Terminal Lance universe, Max’s film aspirations, and his reasons for getting serious in the “White Donkey.”
We regularly read about wars both past and present. Yet there are few of us who truly know what it’s like to be there. The accounts below are told by the brave men and women who fought on the front lines, as well as those intrepid reporters who documented war in person. From World War II to the battlefields of Vietnam, these seven works provide insight into the triumphs and terrors of armed conflict.
7. We Were Soldiers Once… and Young
We Were Soldiers Once… and Young examines Ia Drang, one of the most significant and brutal battles of the Vietnam War. Written by Lt. Col. Harold Moore, with the help of journalist Joseph L. Galloway—the only journalist on the ground at la Drang—the book tells the harrowing tale of the American soldiers who never gave up, despite the devastation that surrounded them.
6. This Kind of War
The book that Defense Secretary James Mattis recently recommended in response to rising tensions in North Korea, This Kind of War analyzes the Korean War—as told by a man who was there. Often referred to as “the forgotten war,” Fehrenbach, who served as a U.S. Army officer during the war, provides a powerful reflection on its destruction and how unpreparedness led to the loss of so many lives.
5. Valor in Vietnam
Looking at the Vietnam War through the lens of those who were there, Valor in Vietnam offers 19 different stories of triumph and tragedy. Presented in chronological order, the accounts are emotional, intense, and personal.
4. Goodbye Vietnam
William Broyles’ memoir covers his life from the time he was a college student—hoping not to be drafted—to his service in Vietnam and his return to the country years later, in an attempt to come to terms with the bloody war. Though he was enrolled at Oxford when the Vietnam War began, Broyles realized he could not let his class or education stand in the way of his civic duty. He subsequently enrolled in the marines. And while he survived, he wasn’t able to move on until he confronted his past and returned to the former battlefields of Vietnam.
3. Eyewitness to World War II
This military bundle includes three books from Richard Tregaskis, a World War II reporter who bridged the gap between the soldiers on the front lines and those waiting at home. Including Guadalcanal Diary, Invasion Diary, and, John F. Kennedy and PT-109, Tregaskis, who travelled with the Allies during WWII, recounts the bravery and sacrifice he witnessed.
2. Special Ops
Orr Kelly, a journalist who served as a war correspondent in Vietnam, tells the stories of the military’s elite forces. The bundle includes Brave Men, Dark Waters; Never Fight Fair!; Hornet; and, From a Dark Sky. From the Navy SEALs to the US Air Force Special Operations, Kelly details the courage and resilience of these unique fighters. In Never Fight Fair!, the Navy SEALs tell us, in their own words, about the history of their special force and what it takes to be one of the elite.
1. In Pharaoh’s Army
A National Book Award finalist, In Pharaoh’s Army chronicles Tobias Wolff’s experiences as an army officer in the Vietnam War. Present during the Tet Offensive, one of the largest military campaigns that took place during the war, Wolff tells his story and how it has affected him both in and out of Vietnam.
If you enjoy one of the saddest best shows currently on broadcast television, then you’re in for a good cry treat — NBC’s This Is Us is exploring the background of one of its central characters, Jack Pearson, a Vietnam veteran. But to tell the story about Jack’s enlistment, producers and writers on the show needed the perspective that only an enlisted Vietnam veteran could give them.
They got it from one of the war’s most famous veterans.
The show follows the lives of three family members — one adopted — and the history of their mother and father. The family’s patriarch, Milo Ventimiglia’s Jack, died when the show’s three siblings (now in adulthood) were 17 years old. The history of the family’s mother and father is shown mainly through flashbacks. This season is exploring Jack’s service in Vietnam.
Not only did This Is Us put the actors in the show through a boot camp, they sent camera crews to Ho Chi Minh City — the city, as some Vietnam veterans remember, that used to be called Saigon. Most importantly, they wanted to give Jack and his brother Nicky as realistic a Vietnam experience as possible.
Warning: Spoilers ahead.
Ventimiglia in NBC’s This Is Us. His character is a Vietnam veteran.
Milo Ventimiglia’s character, Jack Pearson, deployed to Vietnam in 1971. He enlisted to follow his little brother, Nicky (as played by Michael Angarano), who was drafted into the Army. In reality, Ventimiglia’s Jack would have been rejected by a draft board for a heart condition. While the reason for Jack’s enlistment is a work of fiction, his experience in Vietnam may not have been.
In order to add to the realism of the show and to Jack’s tour of duty, This Is Us producers hired Vietnam veteran and author Tim O’Brien as a consultant. O’Brien, a draftee himself, wrote the seminal Vietnam war story, 1990’s The Things They Carried.
Author and Vietnam veteran Tim O’Brien
(Photo by Darren Carroll)
O’Brien told Variety he was pleasantly surprised by how well the show portrayed realistic Vietnam War firefights while playing up the dread felt by soldiers who were on jungle patrols in the country.
“You’d think you’d be afraid of dying, but you were afraid of your reputation being sullied, am I brave enough, can I stand up under fire? And the alternative is guys lost it, and you’d almost be insane if you didn’t lose it,” O’Brien told Variety.
For medics, like Angarano’s Nicky Pearson, O’Brien says there was very little protection for them — the best they could hope for was to not get killed while getting all their wounded onto helicopters and out of the fighting.
Tim O’Brien in Vietnam
O’Brien’s 1990 book is a collection of autobiographical short stories and essays inspired by his service in Vietnam. The author was drafted into the 23rd Infantry Division – the Americal Division – from 1969 to 1970. His unit operated in the area around Mai Lai, where a massacre was perpetrated the year before O’Brien arrived in country. O’Brien describes the lives of Vietnam War medics well.
“There wasn’t much you could really do. And watching people die and die on you day after day and lose feet and legs, you could expect how a guy could lose it,” the author says.
Jack Pearson in Vietnam, from NBC’s ‘This Is Us.’
The Things They Carried is routinely listed as one of the top books on Vietnam ever written, is listed as one of the 22 best books of the last 25 years by the New York Times, and was a finalist for the Pulitzer Prize. O’Brien himself is the recipient of numerous awards for The Things They Carried and his other works. Most recently, he received the Mark Twain Award in literature. For the show’s producers, collaborating with the Vietnam veteran was a rare treat.
“Tim has been a writing hero of mine since college,” the shows’ creator and executive producer Dan Fogelman told Deadline. “It was incredibly intimidating bringing him into our room to discuss a Vietnam plot line – and it was even more rewarding.”
We are more than halfway through the final season of Game of Thrones and with only two episodes left, there’s a lot of questions that need to be answered. But while season 8, episode 4, “The Last of the Starks” established the clear endgame for the beloved show, it did ignore what is arguably largest remaining questions in all of Westeros: What is the point of Bran Stark? Seriously, for eight seasons we have been watching this kid learn to harness magical powers only for none of it to have any payoff and if he doesn’t start doing something useful ASAP, he may turn out to be the most pointless character on a beloved TV show since Cousin Oliver managed to ruin The Brady Bunch.
Spoilers ahead for Game of Thrones, season 8, episode 4, “The Last of the Starks.”
“The Last of the Starks” was a classic “setting the table” episode of Game of Thrones, as the fourth episode of season 8 allowed characters and viewers paused to briefly look back on what just happened (Arya fucking up the Night King) while also establishing the conflicts that will surely define the remaining two episodes. Dany struggled with her Mad Queen impulses while her two most trusted advisors discussed the merits of committing treason. Cersei told Euron she was pregnant with their baby approximately 48 hours after they fucked and the steampunk pirate seems dumb enough to believe it, even with Tyrion accidentally showing the obvious holes in the timeline. And Jaime finally had sex with someone he wasn’t related to before breaking her heart and heading south to play a high-stakes game of Fuck, Marry, Kill with his twin sister.
But, for a moment, let’s forget about all the heavy-handed foreshadowing and the baffling logistics of travel in Westeros to focus on Bran. More specifically, let’s focus on the sincere question of whether or not Bran is actually going to do anything. Since he was pushed out of the Winterfell Tower by Jaime in the first episode, the last remaining son of Ned Stark has been on a unique journey, mostly avoiding the politics and wars of the realm in favor of becoming the Three-Eyed Raven by watching memories whilst sitting in a tree. And once he finally became the Three-Eyed Raven, he was suddenly an emotionless, all-knowing demigod whose only real weakness was lacking social decorum.
Curb Your Game of Thrones – Jaime reunites with Bran
Of course, Bran’s exact powers and purpose remained a mystery to viewers and characters alike, leading to a wide array of internet speculation about Bran’s unspecified motivation. Many have pointed to him becoming the true hero of the show, while others have said he is Westeros’ Gepetto, secretly pulling all of the strings of the less enlightened. Many insisted that he was secretly the Night King. Others have said that he only defeated the Night King because he’s actually the show’s true villain. Some people still think he’s going to be responsible for Dany becoming the Mad Queen while also making her father the Mad King.
Point is, there were a lot of theories and while it was never really clear what role Bran had to play in the Game of Thrones, it seemed obvious that whatever he was going to do was going to be pretty massive. After all, the entire reason the Night King was heading south was to kill Bran, so it stood to reason that Bran was going to have some epic trick up his sleeve to undo his would-be killer. However, Bran ended up playing virtually no part in taking down his longtime rival, as Arya was the one who delivered the final blow.
Bran’s lack of involvement or scheming in the battle left many fans confused and underwhelmed. But Game of Thrones has long been a show that specialized in undermining and subverting expectations, so while Bran was essentially a glorified bench-warmer in the Battle of Winterfell, perhaps he would reveal his true masterplan in the Battle for King’s Landing. Except, with only two episodes left, none of this has actually happened and we are quickly running out of time. As Jon and Dany prepare to face-off against Euron and Cersei, Bran continues to speak in haikus and not actually contribute in any meaningful way. And, at this point, it’s hard to even imagine what he could do because we still don’t really know what Bran’s whole deal is.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
So check out our list of kids who stood out in the crowd for their bravery.
1. Jamie Graham (Empire of the Sun)
Christian Bale plays a young British schoolboy living with family in Shangai, China, when he gets separated from his parents and now must fight to stay alive during the Japanese occupation in World War II.
2. Sacha Filipov (Enemy at the Gates)
Played by Gabriel Thomson, this young Russian character feeds bad information to a German sharpshooter to aid in the victory of his hero, legendary sniper Vassili Zaitsev.
3. O.D. / Chicken Boy (Schindler’s List)
Played by Adam Siemion, this intelligent and quick-thinking child managed to help Jews get into the “good lines,” lied to German soldiers about clearing a building and saved about a dozen others by blaming a newly murdered Jew for killing a Nazi-owned chicken.
Played by Oliwia Dabrowska, this young girl donned the famous red coat and courageously walked her way through the dangerous streets of a Polish ghetto as Nazi soldiers raided and tossed the area. She made it completely unnoticed to safety.
5. Leon (The Boy in the Striped Pajamas)
Played by Zac Mattoon O’Brien, this brave youngster lives in a concentration camp but sneaks out regularly for small periods of peace. Leon ends up befriending a young German boy who just happens to be the son of camp’s commandant but never uses that against his newly made friend.
Emmy-Award winner Alec Baldwin will be playing Colonel Jessep in NBC’s live production of “A Few Good Men.” The role was played iconically by Jack Nicholson in the 1992 film of the same name.
According to a report by Variety, Baldwin, along with Aaron Sorkin, Craig Zadan, and Neil Meron, will be credited as executive producers of the live telecast. Sorkin, who wrote the 1992 film and the 1989 play it was based on, is writing the teleplay adaptation.
“Alec is one of our greatest actors. Having him play this role — live onstage for a television audience — is a dream come true. This will be a brand new take on Nathan Jessep and I expect that Alec is going to bust through TV screens and right into living rooms,” Sorkin, also known for producing the television series “The West Wing,” told Variety.com in response to the casting announcement.
Baldwin has played other roles in military-related projects, including Jack Ryan in “The Hunt for Red October,” and Jimmy Doolittle in “Pearl Harbor.” He also has extensive live television experience, being a 17-time host of “Saturday Night Live.”
Growing up, my stepdad kept a series of paperback books high up on the shelf. They were novels by an author named John MacDonald with distinctive color-based titles like The Green Ripper and The Scarlet Ruse. They featured a unique sort of private investigator named Travis McGee. When I was old enough to reach them, they became my entry point into the mystery genre.
Travis McGee was a departure from the hardboiled detective stories of an earlier era. The classic noir private investigator was a world-weary gumshoe navigating dark streets and negotiating femme fatales, corrupt cops, and mobsters to close the case. Mcgee was different. Travis was a bon vivant and knight-errant, a handsome man who saw life as something to be enjoyed rather than endured as he cut a swath through both Florida’s prettiest women and its most colorful villains to close cases. Think 1980’s Magnum PI set in Fort Lauderdale and you get the picture.
All of this is my way of saying I was feeling a little bit of that MacDonald vibe when I read Peter Colt’s debut novel, The Off-Islander.
For sure, Colt’s Andy Roark is a different character than MacDonald’s McGee. Andy is a good bit rougher than McGee due to his military and cop background and as he describes himself, ‘doesn’t always conform to rules and regulations’. But Roark, much like McGee has a sensitive core with an appreciation for books and music, good food and drink, and a preference for educated women who appreciate art. He even partakes of marijuana though he rather stick to beer and bourbon.
The plot of the novel isn’t a complex one. It is a missing person case, which sees Andy travel through Boston and Nantucket Island looking for someone who obviously does not want to be found. Like most mystery novels, there are some complications as Andy works the case. Only some of those complications are resolved by the end of the novel but the loose strings do not otherwise affect the resolution of this procedural.
That is not to say I did not enjoy this novel. I enjoyed it very much. The plot is dripping with New England atmospherics. Where McGee’s novels were all Florida sun, Colt sets his story in the bleak windswept bogs and shores of Massachusetts. Andy’s investigation takes him from the gray environs of Boston to charming Cape Cod store fronts besieged by whipping rain and wind. It is the perfect setting for hard-edged people with secrets they’re willing to kill to keep. The book is also informed by Peter Colt’s real life experience as a veteran, police officer, and former resident of Nantucket Island. This lends the text an added layer of authenticity and intimacy in his description of the setting and Roark’s detective deductions.
In addition, notable in this book was Andy’s military past. Though McGee was also a veteran, MacDonald left McGee’s service ambiguous and it never really played much of a role in how portrayed his character. Colt on the other hand keeps coming back to Andy’s service in Vietnam in just about every chapter of the book. Roark is still clearly dealing with his unresolved feelings towards his service and in a melancholic touch, it seems to be the shadow that ruins his relationships with the women in his life. The title of the book, ‘The Off-Islander’ is not just descriptive of Andy’s alienation from the closed community of Nantucket Island – it also speaks to his personal post-war isolation from polite civil society.
Ultimately, this is a good debut novel which launches what I help to be a great series of adventures featuring an appealing private investigator. It was an easy afternoon and evening read set in the part of the country which I reside and love. I enjoyed my time sleuthing with Andy. I ended the novel hoping to see him get a Vietnam-free night of sleep, a good stiff drink, and a healthy relationship with a good woman in the second book.
There’s nothing in this world that makes a deployed troop happier than opening a care package from the folks back home. Some of momma’s cookies, hygiene stuff, and little sentimental things are always appreciated. But everyone gets hyped the moment the MWR gets some new video games.
One of the unspoken realities of deployment life is, between missions, there’s almost nothing to do. Boredom causes complacency — and complacency is cause for concern. This is where Operation Supply Drop comes in.
Since 2010, Operation Supply Drop has impacted 471 deployed units, supporting over 361,271 troops. The care packages include some of the top video games that troops miss while overseas, consoles to play them on, peripherals to enjoy them, and some coffee to help work gaming into their schedule.
Glenn D. Banton, Sr. CEO & Executive Director of Operation Supply Drop, tells We Are The Mighty “Being able to provide a positive impact and morale boost to our troops at this scale is a huge driver for OSD. What really keeps us going is that many of these men and women then become active members in our community programs when redeploying back home. OSD provides relevant services to the military community during service, through transition, and into civilian life.”
(Photo by Maj. Erik Johnson)
While this is their most well-known program, it’s only about half of their mission statement. They’re also making great things happen in a program they call Respawn, through which they supply injured troops at military medical centers around the world with video games. There have been many studies conducted on the physical and mental health benefits of playing video games. Mentally-challenging and thought-provoking games have been instrumental in assisting those who sustain traumatic brain injuries.
(Photo by Mr. Steven Galvan)
Other amazing programs run through Operation Supply Drop include Heroic Forces, which provides one-on-one professional development support to troops leaving the service; Thank You Deployments, where the community nominates fellow veterans for VIP events, like attending the E3 Expo or meeting sports legends; and an awesome, recent addition in Games to Grunts, which gives free game codes to veterans. There’s no catch: Just sign in with a verified account from ID.me and you get some pretty sweet games.
While it’s the rides and souvenirs that have garnered much of the attention to date, Star Wars: Galaxy’s Edge will also have a bunch of different themed food and drink options. Notably, you’ll be able to buy blue and green “milk” at the park. But be warned: it’s not cheap.
Blue Milk was first seen in A New Hope when Luke Skywalker drank some during a meal at his home on the moisture farm on Tatooine. Green Milk debuted in The Last Jedi when Luke milked a Thala-Siren on Ahch-To.
Disney’s versions of these beverages won’t contain any milk from an animal. Instead, they’ll be frozen blends of flavors and coconut and rice milks. Blue Milk will taste of dragon fruit, pineapple, watermelon, and lime while Green Milk has Mandarin orange, passion fruit, orange blossom, and grapefruit flavorings.
Each will run you .99, a lot to pay for something that doesn’t even have booze.
Speaking of not having booze, Oga’s Cantina, which we assume will be reminiscent of the Mos-Eisley Cantina, will have a non-alcoholic cocktail inspired by the Blue Milk recipe. The chilled plant-based beverage will be topped with a fondant Bantha horn-iced Rice Krispie treat cookie. It’s price isn’t known, but expect it to be more than milks from the Milk Stand.
The only real comparison we have to these drinks is Butterbeer, the trademark beverage at The Wizarding World of Harry Potterwhich, like Galaxy’s Edge, has outposts in both Orlando and southern California.
Butterbeer costs .99 in Orlando and .49 in California, so Disney’s concoction is a bit pricier. But if you’ve spent decades wondering just what the hell Aunt Beru was feeding her nephew, the chance to finally have a taste will be well worth it.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
‘A War’ is an Oscar-nominated Danish film that deals with what happens in the field and on the homefront when warfighters are made to fight with restrictive rules of engagement. As much as the film is a story about one officer’s experience (and how his choices under fire potentially affect his family) it is also a commentary on the nature of the limited wars that members of NATO and ISAF have found themselves involved in since 2001.
The war in Afghanistan has been specifically challenging with respect to ROE. The enemy isn’t another nation-state. Some areas are more secure than others, but overall there are no front lines. Add to that the overall mission of convincing the local populace that modernity and following a western model of rule of law is the better choice over the savage and unmerciful nature of Sharia law and the draconian elements that come with it. The ability to win “hearts and minds” is heavily leveraged against avoiding collateral damage while attacking the enemy.
All of that distills down into an ROE matrix that requires the warfighter in the field to accept risk. This primary mission is keep the locals safe; it’s not keep your troops safe. And it’s not kill the enemy at all costs.
In all-out warfare unflinching ROE can be established, stuff like “if it flies it dies” and “everything east of this longitude is hostile.” In limited war the steps are complex and nuanced, almost like trying to build a case in a courtroom. Only a battlefield is no courtroom.
In limited war the fact your unit is under attack doesn’t give you carte blanche to defend yourself. “Positive ID” must be established. You have to be able to prove you know where the bullets are coming from before returning fire rather than destroying whole city blocks. You have to be able to tell “the pepper from the fly shit,” as they say.
Complying with this PID methodology gets harder when troops start dying around you. At that point you’re apt to do whatever it takes to make it stop.
And once the shooting does stop and you’re back in the antiseptic light of day, you will be judged on your conduct. You’ll be judged by those who weren’t there, and who probably never have been or ever will be there.
Such is the essence of the Post-9/11 conflicts. The harm into which we’ve sent our most recent generation of warriors is distinct from those who fought before them, and the respect they’re due is unique and equal.