Most members of the military will be familiar with the HBO miniseries Band of Brothers, which follows the story of the men of Easy Company, 506th Parachute Infantry Regiment, 101st Airborne Division in WWII. Produced by Steven Spielberg and Tom Hanks after their 1998 success, Saving Private Ryan, the miniseries has been praised for its drama and storytelling.
Using leftover props and costumes from Saving Private Ryan, and with the consulting help of surviving Easy Company veterans, Hanks and Spielberg strove to bring the stories of Easy Company to life. However, Band of Brothers did take some artistic license for the sake of storytelling and presented some glaring historical inaccuracies as a result.
A serious WWII history buff could point out dozens of small mistakes in Band of Brothers like the inaccuracies of a German Jagdpanther at Bloody Gulch, the wearing of the 101st Screaming Eagle patch during the Battle of the Bulge, or the anachronistic headset worn by a C-47 pilot taking off from England. However, this article will focus on 6 inaccuracies that actually changed important historical details or rewrote a person’s story.
A German Gebirgsjäger officer with his Edelweiss badge displayed on his headgear. (Photo posted by user SprogCollector via wehrmacht-awards.com)
Edelweiss – Part Three Carentan
During this episode, Private Albert Blithe is sent forward of Easy Company to re-establish contact with Fox Company during a night movement. Moving quietly through the darkness, he rounds a tree and is startled by a German soldier behind an MG42 machine gun. Lt. Dick Winters emerges from the darkness, further startling Blithe, and informs him that the German is dead. Lt. Lewis Nixon joins them and identifies the German as a Fallschirmjäger, a paratrooper. He further identifies a flower on the German’s uniform as Edelweiss, saying that it only grows high up in the Alps and is meant to be the mark of a true soldier.
Gebirgsjäger, German and Austrian mountain troops, wore Edelweiss badges, not flowers, on their uniforms as a symbol of pride in their mountaineering and soldiering skills. As such, it is highly unlikely that a paratrooper would adopt a symbol that held so much importance to mountain soldiers. It can be likened to U.S. paratroops taking great pride in their distinct bloused jump boots. Later in the 20th century, many a nose was broken at Fort Benning by paratroopers who caught a non-paratrooper wearing bloused jump boots.
Shooting POWs – Part Two Day of Days
This episode serves as the catalyst for the many rumors about Ronald Speirs shooting German POWs on D-Day. In it, Don Malarkey jogs away from a group of prisoners being watched over by Lt. Speirs and another Dog Company paratrooper when he hears automatic gunfire from behind him—the implication being that Speirs executed the prisoners. In later episodes, the rumors evolve from Speirs shooting a few prisoners, to shooting eight, shooting twenty, and even shooting a drunk sergeant for refusing to go out on patrol.
In a video interview, former Dog Company trooper Private Art Dimarzio recalled capturing three Germans on D-Day with Speirs and a sergeant. “The LT called us together in a bunch and he said, ‘…you take one,’ they were all laying in a ditch, ‘I’ll take this one, and sarge you take that one.’ And we paired off and we shot the three of them.” DiMarzio also noted that, a few hours later, they came upon another group of Germans, all of whom Speirs shot. This account is entirely plausible given the orders issued to the paratroopers by General Maxwell Taylor, commander of the 101st Airborne Division.
“Take no prisoners,” Malarkey recalls General Taylor telling them. “If you were to take prisoners, they’d handicap our ability to perform our mission.”
Hitler’s suicide – Part Nine Why We Fight
The episode opens stating that it is April 11, 1945 in Thalem, Germany. A string quartet of German civilians plays Beethoven’s String Quartet No. 14 in C-sharp Minor. Around them, other civilians clear up the rubble of their battered city under the supervision of U.S. soldiers while Easy Company soldiers look down from a damaged apartment building. The rest of the episode flashes back to Easy Company’s initial invasion of Germany before returning to the Thalem apartment where Captain Nixon informs the men that Hitler is dead.
Assuming the men have not been sitting in the same apartment listening to the same string quartet for nineteen days, this scene is anachronistic as Hitler committed suicide on April 30, 1945. It is unclear why this error was made or why it persisted from the HBO television release to the home video release, since a simple edit to the opening statement could make it April 30, 1945. This is an extreme oversight for such a big budget production.
Lt. Dike – Part Seven The Breaking Point
Part Seven focuses primarily on Easy Company First Sergeant Carwood Lipton as he works to maintain the unit’s morale and combat effectiveness during the Battle of the Bulge. However, his efforts are hindered by their new commander, Lt. Norman Dike. Dike is rarely seen around the men, leaving them to go on walks or make phone calls at Battalion HQ. His behavior earns him the nickname “Foxhole Norman”. During the attack on Foy, Dike becomes paralyzed by fear and panics under pressure, sending a single platoon exposed on a doomed flanking mission. His poor leadership results in the deaths of many Easy Company men before he is relieved by Lt. Speirs and is eventually killed during the attack.
Firsthand accounts show that Dike was not a well-liked officer during his command of Easy Company, but he was by no means the cowardly and ineffective officer that was portrayed on screen. During the attack on Foy, Easy Company trooper Clancy Lyall saw Dike get shot in his right shoulder. Omitted from the on-screen depiction, this wound inhibited Dike’s decision-making and caused him to panic. Furthermore, Dike won two Bronze Star Medals for valor earlier in the war; one in Holland for organizing a hasty defense against, “superior and repeated attacks”, and another at Bastogne where, “…he personally removed from an exposed position, in full enemy view, three wounded members of his company, while under intense small arms fire.”
Finally, Dike was not killed at Foy. He survived his wound and became the aide to General Taylor. Dike remained in the Army for the remainder of the war, served in Korea, and eventually attained the rank of Lieutenant Colonel in the Army Reserves. He also went back to Yale and earned his law degree. He worked as a U.S. Commissioner in Japan, practiced law in New York City and Washington D.C., and was even employed by the CIA for a time. He died in Rolle, Switzerland on June 23, 1989.
Master Sergeant Albert Blithe and his wife Kay. (Photo from findagrave.com)
Private Blithe — Part Three Canretan
Episode three begins with Private Albert Blithe just after D-Day when he rejoins Easy Company after the confusion of the drop. Following the fight to take Carentan, he is struck with a case of hysterical blindness. After recovering, Blithe returns to Easy Company. Following his encounter with the dead German, Blithe admits to Lt. Speirs that he didn’t try to find his unit on D-Day; instead, he hid in a ditch out of fear. Speirs tells him that he’s already dead and that he must accept that in order to function as a soldier should, “without mercy, without compassion, without remorse.”
Blithe follows Speirs’ advice and fights ferociously during the German counterattack at Bloody Gulch. After the battle, Blithe finds a dead German that he shot and removes the Edelweiss on the German’s uniform. Blithe takes the Edelweiss for himself and places it on his uniform, completing his character arc. A few days later, he volunteers to investigate a farmhouse during a patrol where he is shot in the neck by a German sniper. The episode ends saying that Blithe died from his wounds in 1948.
Blithe’s depiction is mostly true. He was stricken with hysterical blindness and he was shot by a sniper whilst investigating a farmhouse. However, Blithe was shot in his collarbone. He recovered from his wounds and was sent back to the states. He remained in the Army and fought with the 187th Airborne Regimental Combat Team in Korea. After his second war, Blithe was assigned to the Military Assistance Advisory Group in Taiwan. In December 1967, while on active duty in Germany, Blithe attended a ceremony in Bastogne commemorating the Battle of the Bulge. Upon his return to Germany, Blithe felt nauseous and was taken to the ER at Wiesbaden Hospital. He was diagnosed with a perforated ulcer and died in the ICU on December 17 after surgery. Blithe had attained the rank of Master Sergeant and was buried with full honors at Arlington National Cemetery.
The other men of Easy Company never found out what happened to Blithe after he was wounded at the farmhouse. They assumed he succumbed to his wounds and the producers of the show did no further research. Having spent more than 20 years in the Army over the course of three wars, Blithe deserves more credit than he is given in Band of Brothers.
Winters displays the surrendered sidearm of the German Major. (Photo from We Stand Alone Together, Credit to HBO)
The surrender — Part Ten Points
The last episode of the miniseries follows Major Dick Winters and Easy Company during the last few months of the war. After the official German surrender, Winters meets with a German Colonel who offers Winters his Luger pistol as his formal surrender. Out of respect for a fellow soldier, Winters allows the Colonel to keep his sidearm. The German is surprised by Winters’ gesture and gives him a crisp salute in return.
In reality, the surrendering German was a Major like Winters. The sidearm that he offered as his formal surrender was a Walther PP (a long-barreled version of James Bond’s famous Walther PPK), which Winters accepted and kept until his death in 2011. In an interview for HBO, Winters showed the pistol and recounted the German’s surrender:
I was assigned this Major and when he walked in, he presented me this pistol and offered his personal surrender, which naturally I accepted gratefully. So that would be the end of the war for his men and this is basically the end of the war for my men. And the significance is that, it wasn’t until later when he had given me this pistol and I got a chance to look at it carefully that I realized, this pistol had never been fired. There was no blood on it. That’s the way all wars should end: with an agreement with no blood on it. And I assure you this pistol has never, never been fired since I’ve had it and it will not be fired.
Winters’ powerful and insightful words about the surrender make the scene in Band of Brothers feel like a missed opportunity. The real-life exchange between the two Majors and the impression that the symbolic pistol left would have been more impactful than the surrender shown on screen.
After the series premiere, Winters told Hanks that he wished the production had been more authentic, hoping for an “80 percent solution.”
Hanks responded, “Look, Major, this is Hollywood. At the end of the day, we will be hailed as geniuses if we get this 12 percent right. We are going to shoot for 17 percent.”
Band of Brothers is a well-made and fitting tribute to (most of) the men who fought in Easy Company during WWII. As with most Hollywood productions, the history was adapted for dramatic effect and series structure. Certain stories and experiences were modified or folded into other characters for the sake of storytelling, but the show as a whole is still one of the best portrayals of WWII to date. In the case of the aforementioned stories and experiences however, their true history deserves to be told, learned, and remembered.
Nevertheless, 2018 does have some upcoming titles worth a look.
All these film titles and release dates are subject to change.
1. “The Last Full Measure”
Directed by Todd Robinson, the film showcases a Pentagon investigator who teams up with a few veterans of “Operation Abilene” to persuade Congress to award deceased Air Force medic, William Pitsenbarger the Medal of Honor 35 years later.
Pitsenbarger is accredited with saving over 60 ambushed service members in one of the bloodiest campaigns of the Vietnam War.
Release date: Sometime in 2018.
2. “12 Strong”
Directed by Nicolai Fuglsig, the film chronicles one of the first Special Forces teams to deploy to Afghanistan after the attacks on 9/11. The SF team joins forces with the Afghan resistance and rides into battle against the Taliban on horseback.
The film stars WATM friend Rob Riggle, Chris Hemsworth, Michael Pena, and Michael Shannon.
Release date: 19 Jan. 2018.
3. “Tough As They Come”
Starring and directed by Sylvester Stallone, the film tracks Travis Mills (played by Marine veteran Adam Driver), a quadriplegic soldier returning from Afghanistan after his horrific injury. Back in the U.S, Mills has to reconcile with his stepfather while coping with his new life using prosthetic legs and arms.
Directed by Hollywood icon Clint Eastwood, the film focuses on the American soldiers who discover a terrorist plot on a train headed to Paris. Reportedly, the three Americans who thwarted a terrorist attack will be playing themselves in the film alongside actress Jenna Fischer.
Directed by Justin Kurzel, the film chronicles a nameless ex-Nazi captain who navigates the ruins of post-WWII Germany to atone for the crimes he committed during the war by hunting the surviving members of his former SS Death Squad.
Gal Gadot is rumored to have a role, but additional information hasn’t been released. So until then, here’s a hot photo of her in a skimpy bikini.
Disney’s “The Finest Hours” tells the story of a Coast Guard motorboat crew dispatched into an Atlantic storm after two 500-foot tankers break apart in 1952.
The crew is led by Boatswain’s Mate Bernard Webber, played by Chris Pine. Webber is second string, the junior ranking boatswain assigned to Chatham lifeboat station in Massachusetts.
The senior boatswain leads the rescue effort to the first tanker reported broken in the storm, the Fort Mercer. So when a Coast Guard plane spots the broken Pendleton, it falls to Webber and a few volunteers to attempt to rescue the 33 survivors in a small motorboat.
The movie does a good job of showing the perils of a rescue at sea in a severe winter storm. The waves crash onto a deadly sandbar with ominous booms, the boat is flipped in the waves, and the compass is ripped from the boat by a severe wave crash.
Crossing the sandbar was one of the most dangerous parts of the mission. Attempts to cross it could have easily destroyed the boat and left the crew drowning in the icy waters.
These details and others come from the factual book the movie is based on, and they’re brought to life by Craig Gillespie, the film’s director who spent his young life near the ocean.
“I grew up on the water in Australia, and I have a lot of respect for the ocean,” Gillespie told We Are The Mighty. “I sailed, I grew up surfing.
“When there’s a huge swell, you can hear it a mile and a half from the ocean, and it’s scary,” he said.
While the movie depicts the events on the boat and the Pendleton largely right, it takes more liberties with the story of Webber’s girlfriend, Miriam. During the real rescue, Miriam and Bernard were already married and Miriam was too ill to comprehend when told of Bernard’s mission.
But the movie Miriam is healthy and attempts to aid Bernard from the shore. She first argues with his commanding officer. When that doesn’t help, she seeks ways of ensuring that Bernard, if he’s successful in the rescue, will be able to make it home without a compass or any visible stars to follow.
Actress Holliday Grainger shaped her portrayal of Miriam after speaking to the Webber family and spending time at Chatham lifeboat station that the Coast Guard still operates.
She said that Miriam’s journey in the movie is about learning what it takes to be a Coast Guard wife.
“He will always be in danger,” Grainger told We Are The Mighty when discussing Miriam’s attitude toward Bernard, “and if she wants to be with him, she has to live with that, because he does it for the greater good. He can’t always put their family first. He has to put others lives first.”
“The Finest Hours” deftly weaves Bernard and Miriam’s stories, breaking up the chaos at sea with the tension on the coast.
“The Finest Hours” opens in theaters nationwide on Jan. 29.
With a $716 billion budget and the mission to be the best at everything, the Pentagon finds some pretty creative ways of going about it. No, they didn’t have an actual underground boxing club among the military’s highest-ranking chiefs at the Pentagon (that we know of), but they did have some experiments that could have proven fruitful in giving America’s enemies a black eye.
The only problem is that Congress found out about it. That’s why the first rule is not to talk about it.
The Mantis Shrimp, club cocked (more on that later).
In 2015, Arizona Sen. Jeff Flake decided he was going to take on wasteful spending, releasing a “Wastebook” that detailed what he believed was government spending run amok.
Quoting the movie Fight Club, Flake says,“We buy things we don’t need with money we don’t have,” in the Wastebook, which is titled The Farce Awakens. Flake is referring to a 6,800 research grant given to Duke University researchers, who allegedly used it to pit 68 Panamanian mantis shrimp against each other to see who would win and why.
“To see so much money so outlandishly wasted, it’s clear that Washington’s ballyhooing over budget austerity is a farce,” Flake said. “Hopefully, this report gives Congress – which only ever seems to agree when it comes to spending money – something to Chewie on before the taxpayers strike back.”
This is the cover of the wastebook, no joke.
But the study wasn’t really useless, as it turns out. In fact, there’s an entire field of science called biomimetics dedicated to the idea of solving human problems with abilities and designs from animals found in nature. Duke University was doing research in just that vein. So far, they’ve been able to harness the mantis shrimp’s weapons and armor for human needs. It turns out the mantis shrimp (neither mantis nor shrimp) is one of the ocean’s premier brawlers.
The study didn’t really spend 0,000 on a fight club of shrimp. The grant covered the entire span of research on the mantis shrimp. What they discovered is a roving tank on the ocean floor. Its two main appendages act as underwater clubs to knock its prey out in a single punch – and that punch is what had the researchers so fascinated.
Did you see that? I doubt it. Read on!
The mantis shrimp punch goes from an underwater standing start to 50mph in the blink of an eye. It generates 1,500 newtons of force, the equivalent of a 340-pound rock hitting you in the face. If a human could manage 1/10th of that force with its arms, we’d be chucking baseballs into low Earth orbit. To top it all off, those clubs pop out with the velocity of a .22-caliber bullet (one that isn’t underwater) and the sudden change in water pressure causes the water around them to boil at several thousand degrees Kelvin. If the punch doesn’t kill the prey, the punch’s shockwave still can.
But wait, there’s more.
The researchers also wanted to know how mantis shrimp defend against this kind of attack – how their natural armor protects them from other mantis shrimp super weapons. This punch goes right through the shells worn by crabs and clams as well as the natural protections of some species of fish (and aquarium glass, FYI. In case you’re thinking you want one). The clubs themselves are also intensely durable, maintaining their performance throughout the mantis shrimp’s lifespan.
Its primary weapon is a complex system of three main regions, all lightweight and durable, tougher than many engineered ceramics. Civilian applications could improve the performance of cars and airplanes while military applications include body armor and armor for vehicles and potentially aircraft.
“That’s the holy grail for materials engineers,” said University of California professor and researcher David Kisailus, who is pioneering such studies these days.
Legendary retired Army Lt. Gen. Harold “Hal” Moore of “We Were Soldiers” fame died Feb. 10. The commander of 1st Battalion, 7th Cavalry Regiment at the Battle of Ia Drang was days short of his 95th birthday.
According to a report by the Opelika-Auburn Tribune, Lt. Gen. Moore had suffered a stroke on the evening of Feb. 9 and was “hanging tough,” according to a family member.
Moore gained immortality from the book, “We Were Soldiers Once, and Young,” co-written with reporter Joe Galloway, about the battle of the Ia Drang Valley in Vietnam. The book was used as the basis for the 2002 film “We Were Soldiers,” in which Academy Award-winning actor Mel Gibson portrayed Moore.
Moore served 32 years in the Army after graduating from West Point, and his decorations included the Distinguished Service Cross and four Bronze Stars.
According to an official after-action report, the three-day battle left 79 Americans killed in action, and another 121 wounded. None were left behind or missing after the battle. American forces killed 634 enemy troops, and wounded at least 1,200.
While preparing to film the epic movie — which made over $78 million at the United States box office, according to Box Office Mojo — Gibson would develop a deep friendship with Moore. This past summer, while headlines noted that Gibson and Vince Vaughn had eaten at Hamilton’s, an Auburn-area restaurant, what hadn’t been known then was that Moore’s family had recommended the eatery to the A-list superstars.
Below, here are some of the more iconic moments from “We Were Soldiers,” starring Mel Gibson as Hal Moore.
Clifton Hoffler is an Army veteran and alumnus of the Armed Services Arts Partnership (ASAP) Comedy Bootcamp program. ASAP is an organization based in Virginia that builds communities for veterans, servicemembers, and military families through classes, performances, and partnerships in the arts. As part of their mission, ASAP offers a Comedy Bootcamp for veterans to explore and develop their comedic abilities.Clifton is a minister, chef, and Army veteran who served more than twenty years – including multiple deployments to Iraq and Afghanistan. Now, with the help of ASAP’s Comedy Bootcamp program, he’s adding standup comedian to his resume. For Clif, getting up on stage is another opportunity to adapt and overcome. It’s an important form of therapy and a way to better his health, and he encourages other veterans to learn to laugh because laughter “is the best medicine that’s out there.”
At the end of June 2019, a new version of Avengers: Endgame will hit theaters, with a post-credits scene and new “surprises.”
On June 19, 2019, Insider reported that during a press junket for Spider-Man: Far From Home, Marvel president Kevin Feige confirmed the “rerelease” will happen on June 28, 2019, right before Far From Home hits theaters the following week. Feige made it clear that this wasn’t an extended cut but that “there will be a version going into theaters with a bit of a marketing push with a few new things at the end of the movie.” He continued: “If you stay and watch the movie, after the credits, there’ll be a deleted scene, a little tribute, and a few surprises. “
The Marvel Cinematic Universe has a long history of including post-credits scenes, with mixed results. In April 2019, audiences who were excitedly anticipating the post-credit scene after Endgame were treated to a trailer for Spider-Man: Far From Home instead. Chris Hemsworth later teased a “deleted scene” from the film on Jimmy Fallon. However, the “scene” ended up being a clip of the Australian actor singing a few lines of “Hurt” by Nine Inch Nails.
The point is when it came out in April 2019, Endgame was unique because it was the first MCU film that didn’t have a post-credits scene setting up what would happen in future installments. Now, apparently, that will no longer be the case.
As for the “surprises,” that’s anyone’s guess. Maybe one deleted scene will help explain what the hell happened to Loki and how he has his own time-traveling TV show?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Prior to filming Raiders of the Lost Ark in 1980, director Steven Spielberg and writer George Lucas really, really didn’t want to cast as Harrison Ford as Indy. Instead, they wanted that guy who your mom thought was hot in the ’70s, Mr. Magnum P.I. himself, Tom Selleck. Selleck famously screen-tested for the character of Indiana Jones, but because he was locked into a contract with Magnum P.I., he couldn’t take the role! Spielberg and Lucas brought in Harrison Ford just a few weeks before filming. (Lucas didn’t want to, because he’d already cast Ford in the Star Wars movies.) The rest is history, and Harrison Ford’s (other) famous franchise was born.
But what if Selleck had been cast? A new “deepfake” video created by YouTube user Sham00K is answering that question and making the rounds on the internet. It digitally plasters Selleck’s ’80s face — including the famous mustache — over Harrison Ford’s. It’s basically a way to see (but not hear, Ford’s voice is still audible) an alternate dimension in which Selleck played Indy.
If Tom Selleck had said yes to ‘Indiana Jones’ instead of Harrison Ford
You can also watch Selleck’s screen test for Raiders with actress Sean Young below. This has been around for a while and is relevant to this thought experiment because Tom Selleck’s voice is super-distinctive in a way that is totally different than Harrison Ford. (It’s also interesting because though Karen Allen, not Sean Young, ended up playing Marion, Young did star opposite Harrison Ford in Blade Runner a few years later in 1982. So many roads not taken in these ’80s movies!)
The new “deepfake” video also assumes that there would have been Indiana Jones movies after Raiders of the Lost Ark; it features digitally altered scenes of Tom Selleck in both Temple of Doom and The Last Crusade. But, let’s get serious. Tom Selleck is fine, but the reason there were sequels to Raiders of the Lost Ark is because of the singular charm and deadpan coolness of Harrison Ford. Meaning, the idea of digitally inserting Selleck into Temple of Doom and Last Crusade is anachronistic, twice.
We’re still a long way out from a new Indy movie, but most of the old ones are still on Netflix!
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
No action-thriller films in recent memory have received as much acclaim from both critics and audiences as the John Wick series. Ever since the credits rolled on the second film, fans have been speculating and eagerly waiting to see what will happen to the action genre’s newest beloved badass.
On the surface, it’s a very simple plot to follow. Bad guys kill a man’s dog, so (spoiler alert) man brutally kills the bad guys — but it’s so much deeper than that. The first and second films brilliantly weave in minor references to the grander world of the former-assassin-turned-world’s-most-wanted-dog-avenger. It’s fair to assume that the third film will follow in the same vein.
Throughout the series, there is only one established rule that few characters dare to break: No criminal business, especially killing, is allowed in the Continental Hotel, which serves as a neutral hub for the underworld. Nearly every hardened killer in the series is willing to obey this rule, with the exception of Ms. Perkins (portrayed by Adrianne Palicki) in the first film. For breaking this rule, she’s killed, executioner-style, by a collection of underworld bosses.
John Wick: Chapter 2 ends with John killing the man who was blackmailing him back into assassin work at that very hotel. Instead of sharing the fate of Ms. Perkins, John has a million bounty placed on his head and is given a marker, a coin that can be turned in for a favor, and an hour-long head start. Every killer in the world checks their phones and is informed of the bounty — roll credits.
It can be assumed that the next film will take place moments after the order is given.
It just feels right knowing that the same creative team gets to tell their complete, unedited story.
Details surrounding the next installment in the series remain very closely kept secrets, which doesn’t point to things faring well for our legendary assassin, but we’ve dug up a few clues.
First, we look toward the film’s IMDb page. According to the credits, several of the still-living characters are set to reappear. John Wick is still played by Keanu Reeves. Ruby Rose, Common, Laurence Fishburne, and Ian McShane are all set to reprise their respective roles. Newcomers to the series include Halle Berry and Jason Mantzoukas, both playing assassins.
Director of the first two films, Chad Stahelski, and Derek Kolstad, writer, are also taking up their former roles. Fans of the series can rejoice because this means that the tone and feeling of the third chapter will be consistent with the first two.
According to a leaked set photo, he’s somehow going to steal a Central Park horse… and for some strange reason I’m excited about that.
Principal photography is currently underway and set photos are surfacing that showcase scenes in New York City. Since the previous film ends there, it’s safe to assume that these sets will be the backdrop of Wick’s escape from New York. In an interview with Fandom for the second film, Reeves admitted that he’d love for the series to go to Jerusalem to continue with the historic feeling of the missions.
The title of the upcoming film, John Wick 3: Parabellum, is a clever nod to the Latin phrase, “si vis pacem, para bellum,” which means, “if you want peace, prepare for war” (Not to go on at length, but this is also further proof of his Marine-ness). It’s also a reference to the 9mm Luger handgun cartridge — the 9mm Parabellum round. In terms of John Wick, this means he’ll have to do a lot of shooting if he wants to find that peace.
Another interesting tidbit of information, courtesy of IMDb, is the tagline for the film: “No shout, no scream, no shoot, no fear, no fire, no sign. Just one pencil.” Fans of the series learned early on that the legends of John Wick killing two men with just a pencil weren’t exaggerated. Maybe he’ll up his tally with even more men with the very same pencil. We’ll see.
The film is scheduled for release on May 19th, 2019 — two weeks after the climactic fourth Avengers film. Here’s to hoping both films crush it at the box office.
In 2001, DreamWorks and HBO Films released one of the most critically acclaimed miniseries. Band of Brothers follows a group of well-trained Army Paratroopers as they go from grueling training to being thrust into the hell that is World War II. The story chronicles the unique bond of the brave men of Easy Company, 506th Parachute Infantry Regiment, 101st Airborne Division.
Spielberg proved his ability to faithfully capture the intensities and personalities of World War II in his 1998 blockbuster, Saving Private Ryan. This time around, Spielberg took the executive producer’s chair.
Although many people are familiar with this amazing piece of film, there are a few facts about the classic miniseries that even the most die-hard fans don’t know.
The actors went through a tough, 10-week boot camp
To get the actors to appear like real paratroopers, the producers turned to decorated Marine veteran Capt. Dale Dye to get the on-screen talent up-to-speed on World War II-era infantry tactics. Capt. Dye was on a mission to not only educate the talented cast on how to maneuver and communicate, but to expose the actors to the real exhaustion that paratroopers endured in combat.
This way, the actors would get an emotional understanding. When it was time to film a tough scene, they had their own personal references to draw from, making their reactions organic and realistic.
Since the miniseries covers multiple characters from different countries, the costume designers had to come up with 2,000 authentic German and American combat uniforms — including approximately 500 pairs of era-appropriate jump boots.
In order to get the details just right, the costume designers spent countless hours researching materials, manufacturing techniques, and design choices.
Tom Hanks watches as dozens of extras fall in line and head to the set
The massive production took a total of three years and cost over 0 million. The scenes were shot primarily on a 1,100 acre back lot located in Hatfield, England. 12 acres of land were continuously modified in order to work for 11 different on-screen locales.
“It’s about five things bigger than what we had on Saving Private Ryan,” executive producer Tom Hanks reported.
Nearly every fan of film has seen 1998’s Saving Private Ryan. Aside from the powerful performances from talented actors, the audience enjoyed incredibly lifelike explosions and gunshots. By the time the crew had finished filming the third episode of Band of Brothers, they’d already surpassed the number of explosions and squibs used in entirety of Saving Private Ryan.
While setting to film TheBattle of the Bulge,the production department constructed a massive forest inside an airport hangar. To make the scene feelrealistic, they neededvegetation. So,the production turned to the special effect department whobuilt nearly250 hollowed-out trees,made from fiberglass, hemp, and latex.
When a tree exploded on set, most of the debris fell on top of the actors,helping them deliver an authenticon-screen performance.
There’s a widespread belief that MPs will look the other way for other MPs in certain situations. Now, I am in no way saying that there should be unfair advantages given when it comes to the law. That being said, there is no denying that this practice exists in various ways.
MPs hold one another to a standard that is often a few pegs above the written, established standard. So, a lot of times the “looking out” comes in the form of keeping other MP to task and up to snuff when the human element rears its head. Sometimes, “looking out” means offering just a ride home — it depends on the variables.
4. People want to be cool with you… when they don’t hate you
Everyone wants to be cool with MPs. It means they’ll probably get through the gate on personal recognition a little more frequently and, if they have an encounter with an MP, it’ll likely be pleasant.
This rapport is typically built through politeness, a few well-timed store runs, and some glazed pastries.
3. Face of the base
These days, we hear a lot of references to the ‘tip of the spear.‘ The expression is typically reserved for those special few among us who are truly and undeniably badass.
As a Military Policeman, not only are you the first face to greet every single visitor and vehicle to enter the base, you are, by definition, the tip of that extremely local spear. Not to pat ourselves on the back too much, but hey, that is a pretty big deal.
2. Rapid maturity
Having an authority that supersedes rank can be a lot to handle. With young MPs, you typically get one of two types:
Type A is someone who has walked with a big stick for most of their life and now they have some actual weight behind their actions. They are likely to push the limits of their authority a bit further than most until they learn better.
Type B is someone who is timid and unsure of how to impose their authority the right away. They’re more likely to tiptoe towards competence with fewer mistakes along the slower road.
Both of these guys are going to have to make their way through the gauntlet fast if they hope to survive through their enlistments.
Project Blue Book is a mystery series about U.S. Air Force-sponsored investigations into UFOs from the early 1950s to the late 1960s. Dr. Allen Hynek teams up with Captain Michael Quinn to gather evidence to explain a plethora of phenomenons happening across the United States. I had the opportunity to sit down with the Creator of the series, David O’Leary, for an interview.
UFOs have been a lifelong passion for me, to be honest. I grew up in New York City and I remember going to E.C.E.T. as a little kid and leaving Reese’s Pieces on my window sill. When I was nine years old, I dragged my father to see this famous UFO encounter movie called Communion, [which is] a book that they turned into a movie starring Christopher Walken. I dragged my father to this scary, real-life abduction movie when the it came out in 1989.
Given the fact that, in many cases, people are embarrassed or reluctant to talk about [their experiences,] I very quickly came to assess, these are not attention-seekers looking a weird form of fame, but they genuinely encountered something strange and they’re trying to make sense of it.
My focus, initially, was sort of present day, what was happening with UFOs in the 80s and 90s — that’s when I really started to educate myself. America has this sort of strange and mysterious history in regards to this phenomenon. You can’t look at that without looking at the premier official investigation into UFOs, which was of course, Project Blue Book.
It baffled me that, for 17 years, between 1952 and 1969, the U.S. Air Force was officially looking into these matters and going out there and investigating cases. What baffled me even more was the fact that the chief scientific adviser of Project Blue Book, a civilian astrophysicist who is a complete UFO skeptic with a trained eye, tries explain what people are seeing in the sky and emerges on the other side as a believer. Not only in the notion that UFOs represent an intelligence in our skies that we have yet to understand, but also in the fact that Project Blue Book was, in part, a disinformation campaign.
He spent the rest of his life going out there and investigating cases and wrote several books on the subject.
I thought, what if we did a television show rooted in fact, where every week we looked into these different cases that happened and examine them just like Hynek examined them in Project Blue Book?
The cast includes many high-ranking officers who deny Hynek’s findings. How true-to-life are these responses from the military?
Very accurate. One of the people I was able to meet was the last living director of Project Blue Book, his name is Lt. Colonel Robert Frend. He was a Tuskegee Airman in World War II and he’s 98 years old. He worked with Hynek and Project Blue Book. He was instrumental in the information on a day-to-day basis — what did Project Blue Book look like? How did it function? How did they get reports? How did it work when they went to examine cases? How did cases come in?
He spoke to high-ranking men who could come and go as they please that would take their files, examine their files, and change their files. [On one hand,] there was the public face of Project Blue Book and then there were the generals who controlled Project Blue Book with their own agenda. Our main characters are the men stuck in the middle.
These sightings began at the start of the Cold War. Did our deadlock between the Soviet Union influence the decisions to keep the investigations classified?
Oh yeah, majorly. UFOs, even during World War II — they would call them “foo fighters” then — both sides of the conflict were seeing things in the sky. Each side was convinced that the other side had some sort of technology that would emerge once the war was over. The war ended and nobody claimed responsibility for what they were seeing. Certainly, as we move into the 50s, five or six years after World War II, most historians believe that that’s when the modern UFO era began — Roswell, Kenneth Arnold, “flying saucers” was coined, all that. It became again this notion of: Is what we’re seeing in our sky some sort of weaponry? Aircraft? Intelligence-gathering device that the other side has that we’ve miscategorized?
A lot of sightings would occur over military bases and weapons tests and that was a genuine fear. “Oh my gosh, the Russians have a technology that is surveying our bases!” UFO sightings were also happening in Russia, but they were not as well known. The U.S. Government was the only one that launched an official investigation into these matters, at least at first.
It became this idea that flying saucers might be man-made technology that we couldn’t fathom yet, and that they were built by our enemies. That was just as scary as anything. On the show, we tried to remain true to that aspect of it. Are we dealing with the Russians or not?
US Fighter Jets Encounter Unknown Flying Object [UFO] – With Pilots Audio
I’ve worked for the government before and it is incredibly hard for them to admit to investigations, even if they’re declassified. Were there any barriers in your way when you were gathering research for this project?
Fortunately, through the Freedom of Information Act, the Project Blue Book files are now in the National Archives and are searchable online. Although this was not always the case. It used to be, for many many years, the only way to access these files was to literally go to Washington D.C. and ask for them, one at a time.
Another barrier that I think is sort of interesting is that the official [statement] from our government is Project Blue Book. The official answer today is, “Listen, we’ve looked into this matter for 17 years, from 1952 to 1969, until Project Blue Book was closed after it was deemed that UFOs do not pose a threat to National Security.” The Truth is, that’s not when the government stopped investigating UFOs. The New York Times did this incredible piece on the -million-per-year program where they were researching UFOs. It became clear that the seriousness with which the military takes UFOs has never gone away, it’s just been removed from the public sphere all together.
Now they claim that that program is closed as well, but what can you believe if they said this matter was put to rest in 1969 and then you find out as recently as a couple of years ago, there’s another program looking into the matter, too. They were willing to spend million of taxpayer money researching this — and that’s just what we know about. I’m sure there are many others.
(Wright-Patterson Air Force Base)
There’s a good probability some of our audience may have had grandparents stationed on bases that appear during the show’s timeline. What locations can we expect to see in the arc of the show?
We go to Fargo, North Dakota, to look into a famous case that happened near a military base there. We to go to Texas, West Virginia… I don’t want to give them all away because I want people to be surprised by the cases we examined. Even if we give some of them away in the trailer, we still travel the country. We wanted to showcase the totality of this phenomenon across the country, and we go to Washington D.C. itself at one point.
What I think is nice about each episode is that they end up having a particular flavor to it. If we’re going into the South, you feel it. If we’re in the Pacific North West, you feel it. If we’re in the middle of the country or a big city like D.C., each episode has a different vibe.
Of course, Wright-Patterson Air Force Base, plays a huge role [because] that’s where Project Blue Book was based in Dayton, Ohio.
Do you personally believe that we are not alone in the universe?
I do, I 100% believe we are not alone in the universe. I think the fact that we’re one planet, orbiting in one solar system, amongst many solar systems, in one galaxy amongst many galaxies says enough. There is a line on the show that I wrote,
“The probability of us being alone in the universe is zero.”
That is something I certainly believe.
[However,] in regards to what UFO themselves are, I keep an open mind. I’m in the Dr. J. Allen Hynek camp of thought. I really do believe that UFOs are real and that they do represent an intelligence in our skies that we have yet to understand. I’m as open to [the idea] as he was, but he never explicitly said “aliens.”
He expresses an extraterrestrial hypothesis among others, such as inter-dimensional phenomenon, time travel, suggesting that UFOs are a life form that evolved on the planet that we are yet to understand, or extraterrestrial artificial intelligence. He lays out all these different theories.
Is there anything you’d like to say to our service members and veterans?
I’m so happy and feel so fortunate that we can talk to you guys as a military representation in film and media. There’s so much show content written [in that area], and I know our actors did a ton of research, especially Michael Malarkey, who plays the young Air Force Captain. He really wanted to understand what it was like being in the Air Force back then — he actually grew up in Ohio and had a friend stationed at Wright-Patterson Air Force Base. He asked if he could hop into a plane because he needed to know how it feels to really fly and be one of those guys.
I’ve gotten close with Michael Harney, who plays one of our generals on the show. His character was originally inspired by a few different generals and General Hoyt Vandenberg. He went down the rabbit hole: Who are these men? What is it like to be that high-ranking of an official? What kind of weight of the world do they hold?
To the viewers and the readers of We Are The Mighty, we really do make the effort to get the military aspects of the show correct. I’m sure there’s going to be something we failed at, but we did have military advisers.
There are plenty of skeptics, believers, and people in between. The show walks that fine line. Even if people say we went deep into X-Files territory or something like that from the trailer, they will be pleasantly surprised to see not everything is as it seems. There are always two answers to every story because the truth is, simply, we don’t know. The show tries to keep an open mind while rooted in real-life findings.
The third episode of the hit series, Project Blue Book, premieres on HISTORY on January 22 at 10PM PST, 9 central. Be sure to catch new episodes each week as they’re released!