The Mandalorian is a big hit for Disney+, largely because of the popularity of “The Child,” better known by the malapropism Baby Yoda. It’s the cutest, most memorable thing we’ve seen in a while, but the need to keep it a secret (Baby Yoda is revealed at the end of the first episode) meant Disney couldn’t have Baby Yoda toys ready to go from day one.
The only Mandalorian Lego set is the AT-ST Raider from episode four, which sadly does not come with a Minifigure of “The Child.” Thankfully, Reddit user u/hachiroku24 stepped in to fill the void with an impressive custom-designed and built Baby Yoda model (complete with a floating carriage!) that’s so accurate that it’s actually pretty damn cute.
Every piece is 100 percent unaltered Lego, even the cloth (from a posable Obi-Wan buildable figure released in 20TK) and Baby Yoda’s signature ears (from a Goblin-themed set released in 2017).
Hachiroku24 also posted a video to YouTube showing the build process.
Reddit being Reddit, another user, u/00squirrel, modeled the build in Bricklink Studio, an online 3D modeling software for Lego designers. It also has Easy Buy, a feature that makes it simple to order all of the necessary pieces from Lego parts purveyors around the world, which definitely beats buying whole sets just for one or two esoteric pieces.
That’s kind of pricey for a 123-piece set, for sure, but considering the DIY origins and lack of any kind of official Baby Yoda set, it’s a great option for builders who just can’t wait to bring “The Child” to life in brick form.
And once you have all of the necessary pieces, the software also has step-by-step building instructions that are as easy to follow as anything Lego has ever printed.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In our galaxy, most parents worry about their children’s safety and the future of the world in which they live. But, in the Star Wars galaxy, parents generally are absent, not going by their real names, or walking around dressed in a black cape and a creepy mask. In this way, Star Wars is 100 percent relatable to kids and parents alike: being a parent is scary; either you’re afraid your kids will think you are Darth Vader, or you worry your kids will end up seeing you like Han Solo; a burnt-out loser who needs to get pushed into a pit ASAP! And the current Star Wars hero, Rey, has classic Star Wars parent problems of her own. In The Last Jedi, Kylo Ren reminded her that her parents were “filthy junk traders,” who sold her off for “drinking money.” But now, there’s a new rumor that suggests we already know Rey’s dad; and that his identity will be revealed in The Rise of Skywalker. And it’s someone we’ve all met before.
A new rumor surfaced on both Reddit and the fan-run site Making Star Wars that suggested that the next big Star Wars movie — The Rise of Skywalker — will feature the return of Han Solo in flashbacks. Apparently, these flashbacks will finally explain that Han is Rey’s father, but Leia is not her mother. This would make her Kylo Ren’s half-sister, which as many have pointed out, is kind of creepy considering all the flirting in The Last Jedi. (Though it would make Kylo and Rey kind of like Luke Wilson and Gwyneth Paltrow in The Royal Tenenbaums, which would allow J.J. Abrams to use that great Nico Song, “These Days” when Kylo and Rey get reunited. ANYWAY. Just an idea.)
So, what’s the deal? How realistic is this rumor? Well, the idea that Han Solo will appear in The Rise of Skywalker in flashbacks seems pretty realistic. There’s still a lot of backstories from The Force Awakens left over to explain in this movie. Plus, the recent Vanity Fair Star Wars piece from Lev Grossman seemed to indicate aspects of the larger backstory Skywalker backstory would be explained in the new movie. And, that Han Solo flashback rumor has been around for a while, too.
Everything We Know About Star Wars Episode 9 | Vanity Fair
Apparently, in The Rise of Skywalker, a new scene featuring Lando, Finn, and Poe sitting down for a drink, will totally spell out Rey’s background. (Lando knows everything, right?) In The Force Awakens, there was a similar hint at a scene in a bar. When Maz Kanata meets Han Solo, she asks, “Who’s the girl?” Han appears to know, but the scene cuts before he can answer.
If Rey is Han’s daughter, some people might freak out. Others might love it. Either way, if Han was a bad dad to both of his children, then the Star Wars saga will continue to be a cautionary tale for good dads struggling to restore sanity and good parenting to the galaxy…
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
After a century, World War I is finally getting the treatment in American cinema it so richly deserves. While some of the best war movies were World War I movies, Paths of Glory, All Quiet on the Western Front, and Lawrence of Arabia, there were also many misses. What’s surprising is that there are relatively few WWI movies, when compared to those depicting other wars.
No longer. 1917 is a new movie based on the Great War, coming in December. And it looks like it could be the definitive WWI movie.
The film takes place during the Third Battle of Ypres, where a British contingent of 1,600 men is due to walk into a German trap. Two Tommies are given the assignment to proceed on foot to warn the unit about their orders – the ones that take them directly into an ambush. Their mission takes them across the Ypres battlefields and through the deadly trench warfare that is now synonymous with the Great War.
What’s more remarkable about 1917 is that it’s based on a true story, one told to director Sam Mendes by his own grandfather, Alfred. Alfred Mendes received the Military Medal for “acts of gallantry and devotion to duty under fire” during the war. The Military Medal was replaced by the Military Cross in the UK armed forces in 1993, and would be the fifth-highest medal awarded by the United Kingdom today.
Relentless rain, mud, and death marked the Battle of Ypres.
The elder Mendes ran through snipers, trenches, moving artillery barrages, and machine-gun fire to deliver messages for two full days during the Battle of Poelcappelle. Mendes’ grandfather was raised on the Caribbean island of Trinidad but left to join the fight against Germany, joining the British Army in 1916, at the age of 19. He saw action at the WWI Battles of Passchendaele (Ypres) and Poelcappelle. He was sent to go find survivors of a failed attack during Poelcappelle. It was a dangerous assignment, one his commander said he might not return from.
Despite encountering all of World War I’s signature death traps, he still managed to find survivors while surviving himself. He made it back to his company’s shell hole intact.
“In spite of the snipers, the machine-gunners and the shells, I arrived back at C Company’s shell hole without a scratch but with a series of hair-raising experiences that would keep my grand and great-grandchildren enthralled for nights on end,” he would later write in his autobiography.
1917 is based on Medes’ experiences on this mission. The film is set to release on Dec. 25, 2019.
“Hobbs & Shaw,” the Fast & Furious spin-off film starring Dwayne “The Rock” Johnson and Jason Statham, came strong out of the gate Aug. 2, 2019, earning $60 million at the box office. The movie was filled with quippy dialogue, badass action, and a few surprise cameos, including Ryan Reynolds playing Locke, a CIA agent who recruits Hobbs (Johnson) to help takedown the semi-superpowered Brixton (Idris Elba). Reynolds’ performance has been met with praise (and a few fan theories), however, a few fans are upset that his character gave a major “Game of Thrones” spoiler at the end of the movie.
Warning: This post obviously features spoilers about “Game of Thrones.”
Throughout the movie, Hobbs is shown discussing “Game of Thrones” with his daughter, including making a reference to the show’s most iconic catchphrase (you know nothing, Jon Snow). Later, in the post-credits scene, Hobbs receives a call from Locke, who ends up spoiling the ending of the show in a very Reynolds-esque way.
Hobbs & Shaw Final Trailer (2019) | Movieclips Trailers
“Jon Snow had sex with his aunt and then he killed her!” Locke says.
It’s a throwaway joke but it’s also accurate, as Snow does end up killing Daenarys in the series finale after she unleashes her dragon on civilians. Of course, we live in the age of post-spoilers, so it’s hard to imagine anyone getting too worked up about the show’s ending getting spoiled months after the series finale aired.
Still, if you know someone who has been holding off watching the divisive finale, you may want to give them a heads up before they watch “Hobbs Shaw.” Otherwise, they may end up holding a life-long grudge against Reynolds.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The creator of the military counter-culture comic strip “Terminal Lance”—Max Uriarte—is the guest for this week’s podcast.
Max leads a busy life these days. He just published his much anticipated graphic novel “The White Donkey,” he’s working on building an animation studio, and he continues to publish his wildly popular comic strip.
This episode delves into the origins of the Terminal Lance universe, Max’s film aspirations, and his reasons for getting serious in the “White Donkey.”
John Wick’s backstory has never been explicitly explained in the films or accompanying comic series. Though the third film or prequel TV series may give us more concrete evidence, we’ve been given enough puzzle pieces to confidently say he served in the U.S. Marine Corps.
Given his extreme handiwork with firearms, hand-to-hand combat proficiency, cold demeanor, proper posture, and dispensation of absolute wrath towards anyone who harms the things he loves, it’s not too much of a stretch to say that he once was a Marine. No single point is definitive proof but it’s fun to speculate.
Chad Stahelski, the director of the franchise, was asked by Collider in a 2017 interview about John Wick’s backstory. He said that the series isn’t about overloading the audience with dry exposition, but rather shows the audience little things. Stahelski said,
“We’re giving you the pieces and I think it’s always good… Hopefully in five years, you and your buddies will talk about how ‘he’s this or he’s that.’ We’ll give you a couple more pieces and let you stitch it together.”
It’s the minor details that give one troop away to another in the civilian world and, right about now, our veteran radars are going off.
The most obvious indicators of military service are his tattoos. While most point to his faith, the Latin phrase on his shoulders is a dead giveaway.
John’s tattoo reads, “Fortis Fortuna Adiuvat,” or “fortune favors the brave” in Latin. This is also a lose translation of the motto of the 2nd Battalion, 3rd Marines — although their spelling is “Fortes Fortuna Juvat.” This is common enough that it’s not conclusive evidence alone, but it’s definitely a starting point.
Another blink-and-you’ll-miss-it detail almost exclusive to the military community is the style of his watch and how he wears it. It’s got a leather band and he wears it on the inside of the wrist of his non-dominant hand.
War fighters chose not to wear anything reflective as to not give away their position and, by wearing it on the inside of the wrist, it’s easy to keep from breaking. This, however, would also be common among professional hitmen.
His relationship with Marcus
It is strongly hinted at that Marcus was a mentor to John in the past — he taught him everything he knows about firearms and helped bring him into the world of underground wetwork. Given that their age difference isn’t too extreme, it would make sense that Marcus was once his NCO. This would also explain why after John walked out on the life of crime, Marcus was able to stay — because he was there before they both became hitmen.
This theory is also backed up by the film’s color palette. Everything in the film is cold or red — except things dear to John. Take, for example, his wife’s gold bracelet, his dog’s tag, and Marcus’ clothing and home decor. There’s definitely a closeness here; it’s up to us to speculate why.
Apperance in ‘Payday 2’
This one should be taken with a massive grain of salt because it involves evidence from Payday 2, not the John Wick franchise. He was a community unlock in 2014 and had more DLC added during the second film’s theatrical release.
The game doesn’t hold back on explicitly saying that John was a Marine and was brought into the Payday Gang by a series regular, Chains, who is very open about his prior military service.
By any measure, the latest installment of the John Wick franchise is a hit. With a $30 million opening and about $158 million in global box office as of mid-March, “John Wick: Chapter 2” is riding high.
The flick is packed with action, badassery and edge-of-your-seat thrills. But what really stands out about the movie — and what might give it its 90 percent Rotten Tomatoes rating — is the Delta Force-esque gunplay.
The leaked video of “John Wick: Chapter 2” lead man Keanu Reeves punching some paper with tactical training guru Taran Butler in the lead up to the release of the film only helped illustrate how Wick’s got a little Ninja in his blood.
So how do you make the job harder for the assassin of assassins? Ditch the irons and replace them with Nerfs — then see how he does.
Well a YouTube team attempted just that, providing a stand in for Wick and bedecking him with an arsenal of foam and plastic. And what this Nerf John Wick was able to accomplish against 14 assassins will blow your mind.
At the end of June 2019, a new version of Avengers: Endgame will hit theaters, with a post-credits scene and new “surprises.”
On June 19, 2019, Insider reported that during a press junket for Spider-Man: Far From Home, Marvel president Kevin Feige confirmed the “rerelease” will happen on June 28, 2019, right before Far From Home hits theaters the following week. Feige made it clear that this wasn’t an extended cut but that “there will be a version going into theaters with a bit of a marketing push with a few new things at the end of the movie.” He continued: “If you stay and watch the movie, after the credits, there’ll be a deleted scene, a little tribute, and a few surprises. “
The Marvel Cinematic Universe has a long history of including post-credits scenes, with mixed results. In April 2019, audiences who were excitedly anticipating the post-credit scene after Endgame were treated to a trailer for Spider-Man: Far From Home instead. Chris Hemsworth later teased a “deleted scene” from the film on Jimmy Fallon. However, the “scene” ended up being a clip of the Australian actor singing a few lines of “Hurt” by Nine Inch Nails.
The point is when it came out in April 2019, Endgame was unique because it was the first MCU film that didn’t have a post-credits scene setting up what would happen in future installments. Now, apparently, that will no longer be the case.
As for the “surprises,” that’s anyone’s guess. Maybe one deleted scene will help explain what the hell happened to Loki and how he has his own time-traveling TV show?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
A new HBO documentary premiering this month claims the United States, desperate to beat the Soviet Union to the moon, purchased space technology from former Yugoslavia.
But how could an Eastern European Communist country defy the Soviets without their knowledge? The answer starts with Yugoslavia’s longtime leader, Josip Broz Tito.
Tito was drafted into the Austro-Hungarian army during WWI, becoming Austria-Hungary’s youngest Sergeant Major ever. He was captured by the Russians and helped the Red Guard take down the last Czar during the October Revolution. He would later become the leader of the most effective World War II resistance forces fighting Nazi occupation in Yugoslavia. After the war, he became a Communist dictator, but the only one free of Soviet influence.
Very adept at handling the Russians, Tito once wrote to Stalin: “Stop sending people to kill me. We’ve already captured five of them, one of them with a bomb and another with a rifle. If you don’t stop sending killers, I’ll send one to Moscow, and I won’t have to send a second.”
In the early days of the Space Race, capturing the technology took money, power, and meant a large return for the ideology that got to the moon first. Once the USSR put the first satellite and then the man in space, the U.S. felt the sting of that early defeat.
A new film, called “Houston, We Have A Problem” alleges that the former Yugoslavia was a secret third player in the Space Race. The Yugoslavians made great technological leaps, based on the 1929 writings of Slovenian Rocket Engineer Herman Potočnik, whose book “The Problems of Space Travel” marked the first discussion of long-term human habitation in space, the first designs for space stations, and the importance of geostationary orbit. The documentary alleges Werner von Braun, the Nazi inventor of the V-2 Rocket and later the Saturn V Rocket for the United States, which carried the Apollo Program to the moon, received unpublished Potočnik diaries captured by Tito after Potočnik’s death.
Tito found the diaries in 1947. After conflicts with Stalin in 1948 where Tito asserted Yugoslav independence, Tito implemented the Yugoslav Space Program. By 1960, the film alleges, the CIA determined that Yugoslavia had developed operation space flight technology based on these writings. In March 1961, the film says Yugoslavia sold its complete space program to the United States. Just two months later, President John F. Kennedy gave the speech that announce the U.S. goal of reaching the moon within the coming decade.
The burst of growth in Yugoslavia following the 1960’s is supposed to be (from the filmmakers’ points of view) a result of the influx of currency from the sale of the space race technology. There could be other mitigating circumstances behind that rapid growth. One Canadian researcher believes that growth came the $47 billion in war reparations Yugoslavia received from the former Axis powers. The questions don’t stop there, however.
“The trailer draws a lot of links between events that may or may not have happened in some cases and connects the dots between a number of things that aren’t necessarily connected whatsoever,” Bill Barry, NASA’s Chief Historian, told Radio Free Europe. “There’s a lot of coincidence in time, but just because two things sort of happened one after the other does not necessarily mean that there’s causation involved. There’s a very big stretch involved here.” Barry does acknowledge the influence of Potočnik and his work, however.
The film’s evidence also centers around “Object 505,” a secret Yugoslav Army post on the Croatia-Bosnian border that was Top Secret and inaccessible, even to the top Yugoslav Army brass. The film’s crew visits the still-mysterious installation in the film.
“It was very mysterious and one couldn’t enter it easily,” former Yugoslav Army officer and aviation Lieutenant Ivan Prsa told Radio Free Europe. “Only selected people could enter this underground facility and that’s why it is still unknown to the public.”
This is the director’s original trailer:
In an interview with Radio Free Europe’s Balkan Service, the film’s director, Ziga Virc, tried to downplay some of the more incredulous claims that made his film’s trailer an internet sensation.
“We are in the phase of gathering all the facts, but we still need a lot, a lot of confirmation. We still need a lot of documents and archive-gathering so we can confirm,” Virc said. “I would not like to be too sensational about this topic.”
“Houston, We Have a Problem” is listed by HBO as “docufiction… exploring the myth of the secret multi-billion-dollar deal behind America’s purchase of Yugoslavia’s clandestine space program in the early 1960s.” The film was screened at 2016’s TriBeCa film Festival and will be in select theaters in May 2016.
“Make no mistake about it: You guys need to own the fact that we do not have the flag on our shoulders.”
Netflix takes another shot at the big-budget movie game with “Triple Frontier,” opening in select theaters March 6, 2019, and streaming March 13, 2019.
A group of Special Forces veterans find themselves at loose ends after they complete their service. They’re broke and bored. They decide to take down a South American drug lord and keep his $75 million in cash for themselves, doing some good and finally padding their bank accounts at the same time.
Writer/director J.C. Chandor has already made three outstanding movies this decade, none of which got the attention they deserved.
“Margin Call” (2011) is a thriller that unfolds over 24 hours at a financial services company during the 2008 financial crisis. “All is Lost” (2014) features one of the greatest (and nearly silent) Robert Redford performances as a sailor trying to save himself after he collides with a shipping container on the open seas. “A Most Violent Year” (2014) looks at the mechanics of big-city corruption in the early 1980s. None of those descriptions makes the movies sound like thrillers, but they’re all incredibly smart films that never let up in building tension.
That rep has allowed Chandor to recruit an all-star cast for “Triple Frontier.” Ben Affleck is done with Batman and looks happy to be back to making movies for adult men. He’s joined by Oscar Isaac (Poe Dameron in the current “Star Wars” trilogy), Charlie Hunnam (“Sons of Anarchy”), Garrett Hedlund (“TRON: Legacy”) and Pedro Pascal (“Game of Thrones” and “Narcos”).
Chandor wrote the screenplay with Mark Boal, who won a pair of Oscars for “The Hurt Locker” and has collaborated with director Kathryn Bigelow on “Zero Dark Thirty” and “Detroit.” If nothing else, all of us can agree that Boal’s work provokes a wide variety of strong reactions.
We’ll have more on “Triple Frontier” as the release date approaches.
This article originally appeared on Military.com. Follow @militarydotcom on Twitter.
HBO’s “Game of Thrones” had its biggest night ever on April 14, 2019.
The epic fantasy series was watched by 17.4 million viewers across all HBO platforms (linear TV, HBO Go, and HBO Now) during its final season premiere, breaking the show’s previous viewership record of 16.9 million for the season seven finale in 2017. The season seven premiere was watched by 16.1 million viewers.
HBO said on April 15, 2019, that viewership for its standalone streaming platform, HBO Now, grew by 50% from the season seven finale, and by 97% from the season seven premiere. It’s the biggest streaming night for HBO of all time.
The 9 p.m. airing on the premium cable network reeled in 11.8 million viewers, but failed to break the record set by the season seven finale’s 12.1 million viewers. But HBO said this could have been affected by the Dish dispute. HBO became unavailable for Dish subscribers in November 2018, after the two sides failed to land on a deal. Dish urged its subscribers to sign up for HBO Now ahead of the “Game of Thrones” premiere.
“Even though HBO is not available on Dish, you can still watch their content with the HBO NOW app,” a video on Dish’s website explained on April 14, 2019.
Just how big a night did “Game of Thrones” have compared to TV’s top shows?
For comparison, the highest-rated shows of 2018, according to Nielsen, included “Roseanne” (20 million average viewers), “Big Bang Theory” (18.3 million average viewers), “NCIS” (16.3 million average viewers), and “This Is Us” (16.6 million viewers). Nielsen’s “Game of Thrones” ratings, which don’t include streaming data, will be released on April 16, 2019.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.