The BBC released the first trailer for mini-series Watership Down, based on the 1972 Richard Adams novel, and it looks pretty intense. This group of rabbits in Southern England is up against the entire world. When Fiver (Nicholas Hoult) starts having visions of his home being destroyed, all of the rabbits go on a journey to find someplace new to live. It’s terribly dangerous, though. Humans, dogs, foxes, birds, and other rabbits are trying to kill them.
This book was made into an animated movie in 1978, which looked like it was made for kids. It was not and infamously scarred a generation of young children. There’s a lot of brutal death in the novel and it’s a little similar to Lord of the Rings, so don’t be fooled by the adorable rabbits.
The voice cast for this mini-series is stacked. Nicholas Hoult (The Favourite) and James McAvoy (Glass) lead the cast as brother rabbits. John Boyega (The Last Jedi), Olivia Colman (The Favourite), Ben Kingsley (The Jungle Book), Daniel Kaluuya (Get Out) and Peter Capaldi (Doctor Who) also lend their voices to characters in Watership Down. Sam Smith recorded the song “Fire on Fire” for the film as well.
Watership Down‘s story will be told in four parts. It’s going to be released on the BBC in the United Kingdom on Dec. 22 and Dec. 23, 2018, and it’ll come to Netflix on the Dec. 23, 2018. That’s just in time for the holidays, but remember the movie is probably not suitable for young children — unless they can handle a lot of animal death.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
On Sept. 1, 1939, the Nazi war machine rolled into Poland, touching off World War II in Europe. Nazi propaganda would have the world believe Polish cavalry were intentionally charging Nazi tanks, thinking they were no more than the toothless dummies the Treaty of Versailles allowed them. In the aftermath of these battles, the dead horses and cavalrymen appeared to back this claim and the world would believe the myth of the Polish cavalry for much of the war. But in reality, there was a Polish cavalry charge that was a tactical success.
(Laughs in Polish)
The Poles had very little chance of retaining their country during World War II. The Nazis invaded Poland at one of the heights of their military power. The Soviets invaded Poland from the other side. Poland stood little chance of fighting them both off – but that doesn’t mean the Poles didn’t try. The Polish had already fought off the Red Army in the 1919-1921 Polish-Russian War, but this time, things would be different.
Poland has a pretty spectacular military history, even if it wasn’t a country for much of that time. Napoleon recruited Polish troops, as did the Russian Tsar and the Hapsburg monarchy. It was probably Polish forces who kept Eastern Europe from falling to Muslim invaders in the 1600s, as Polish troops were critical to winning the Battle of Vienna. The final death blow to the Ottoman invaders was the now-famous cavalry charge led by the elite Polish Winged Hussars. The Hussars cleared the Ottomans from the battlefield and delivered a rout so hard, Muslim armies would never threaten Vienna or Western Europe again.
So yeah, the Poles are no joke – but time passed, and Poland fell behind in its military development while Nazi Germany famously re-armed in a way that would make any dictator’s mouth water. The Soviet Union had a large army, even if it wasn’t as well-trained or well-equipped. The Poles still fought both valiantly and nowhere was that more apparent than at Krojanty.
On the first day of the Nazi invasion, the Germans broke through the Polish Border Guard very early in the day, which forced the rest of the Polish defenders in the area to fall back to a secondary defensive position. In order to make an orderly retreat and not lose all of the defenders to German infantry, someone had to cover the retreat and force the Germans to slow their advance. That fell to the 18th Pomeranian Uhlan Regiment, a cavalry regiment that saw action fighting the Red Army in the 1919 war with the USSR. They would make one of history’s last great cavalry charges.
No, they weren’t wearing wings but that would have been awesome.
The 18th Pomeranian Uhlan Regiment found the Nazi German 76th Infantry Regiment, comprised of 800 armored reconnaissance vehicles along with 30 heavy guns, waiting to advance on the free city of Danzig. The 76th was actually part of the left wing of the XIX Panzer Corps under Gen. Heinz Guderian, which had been slowed across the line by Polish resistance. In order for the Poles in the area to get to the secondary defense of the River Brda, the 76th would have to take heavy losses, which would cause a delay for the entire motorized division on the Nazi left flank.
What would a cavalry unit do in a situation where the enemy is sitting around, waiting for orders? Charge, of course. The Poles took the enemy by surprise with a heavy cavalry charge of two squadrons, consisting of 250 angry Poles on horseback. They completely disbursed the German 76th. It was a complete tactical success, allowing for the rest of the defenders to make it to the relative safety of the River Brda. The Polish cavalry was quickly disbursed itself, however, by a German counterattack of heavy machine guns from nearby armored vehicles. They lost a third of their cavalry, but the rest of the defenders lived on to fight again.
One of the most uncomfortable things for everyone involved is a urinalysis. Unfortunately, it’s an integral part of how the military tracks the health and welfare of its troops and ensures that no illicit substances damage unit integrity.
Take it from us, the only way to make peeing in a cup while your NCO watches less uncomfortable for you is to actively make them more uncomfortable. Now, this shouldn’t be too hard because nobody wants to be there in the first place, but we’ve got some pro-tips for you.
Some advice, though: If you’re a guy, don’t make size jokes. You’re just setting yourself for a slam like the one in Jarhead.
Eat nothing but beets and asparagus
Fun fact: Eating a bunch of beets turns your pee a bright red color. You’ll probably fool someone into thinking you’ve got medical issues with this trick. Also, asparagus makes your piss smell nasty and unpleasant if you’re looking to make things that much worse.
If you know a urinalysis test is in your future, like after block leave, try it.
Ask for some soothing music
Seriously, the observer doesn’t have any desire to be there either, so they’ll do whatever is necessary to speed up the process. Usually, they’ll turn on a faucet to help get you going. Soothing music wouldn’t seem like an unreasonable request.
That’s when you say, “now I’m in the mood! Let’s do this!”
If they aren’t paying attention, mess with them.
The observer’s job is to ensure that the urine leaves the body. If they’re giving you privacy, they’re doing it wrong.
Keep them on their toes and say, “You wanted a stool sample, right?” Or the classic, “I can’t do this without any magazines…”
Don’t break eye contact
A steady stream of eye contact is sure to make everyone involved very uncomfortable.
Get butt-naked to pee
Technically, the observer is supposed to make sure you’re not using a prosthetic. Yep, that’s right, because that’s a thing that dumb-f*cks have tried to get away with.
So, be extra helpful and make sure there’s no possibility that you’re using a fake by stripping all the way down.
“Stumble” while holding the filled cup in your hand
Just because you’ve finished the act doesn’t mean you have to stop messing with others.
If you pretend like you’re about to trip, everyone’s eyes will jolt open out of fear. You should be clumsier than infomercial people.
Opium production in Afghanistan dropped by 29 percent in 2017, the United Nations anti-drug agency reported, a decrease attributed mainly to a severe drought.
The United Nations Office for Drugs and Crime (UNODC) said in its annual reportreleased Nov. 19, 2018, that the drop — from 9,000 tons to 6,400 tons — coincided with a decrease in the amount of land area being used for cultivating the crop.
The Afghanistan Opium Survey, which is jointly compiled by the UN agency and the Afghan Ministry of Counternarcotics, said a total of 263,000 hectares of land was used for opium cultivation, representing a decline of 20 percent compared to 2017.
“Despite the decreases, the overall area under opium-poppy cultivation is the second-highest ever recorded. This is a clear challenge to security and safety for the region and beyond,” said UNODC Executive Director Yury Fedotov.
Afghan National Police officers, along with U.S. Special Operations Soldiers, discovered 600 pounds of opium May 7, 2009, during a cordon and search operation of a known Taliban safe house, collection center and trauma center in Babaji Village, in Afghanistan’s Helmand province.
(Photo by Cpl. Sean K. Harp)
The report said the farm-gate prices of dry opium — which fell for the second consecutive year to an average of per kilogram, the lowest level since 2004 — may have contributed to less cultivation of opium poppy.
Eradication of opium poppy has also dropped by 46 percent in 2018 to 406 hectares, compared to 750 hectares last year.
Ten of Afghanistan’s 34 provinces are considered poppy free, unchanged from 2017.
Peter with his platoon at Army boot camp. He is third row from bottom, far right. Photo credit Peter Markle.
Peter Markle grew up during a period of intense change for the country with the Civil Rights Movement and the Vietnam War etched into his mind. His father proudly served in WWII in the Pacific where he brought those hard-learned lessons and values back to the family, which greatly impacted Peter. After time in the U.S. Army Reserves and on the USA Hockey Team, Markle decided to become a filmmaker. He has directed many great films, especially military and historical ones, to include Bat 21, Faith of my Fathers, Flight 93, Saving Jessica Lynch, Nightbreaker and Youngblood. Markle has also directed numerous episodes for hit shows including the X-Files, CSI, Without a Trace, Life, NYPD Blue, Burn Notice, Rescue Me, ER and Homicide: Life on the Street.
WATM: Tell me about your family and your life growing up?
I was born in Danville, PA. in the Geisinger Hospital that my mother’s father started. We lived on a farm outside Hazelton, PA. I have vivid memories from my first years there. The barn and particularly the hay loft, the fresh fruit that was picked daily in season, the creek where one of the workers killed a water moccasin one day. In first grade we moved to Minneapolis where my father got a job at a bank and I was introduced to a real winter. And the rink directly across the street in the park where I discovered ice hockey.
When I grew up there was no social media and absolutely no restrictions what you did with your free time when not in school. We had a black lab that left the house in the morning with us, went on his own way when he got bored with our activities which included exploration, sports, fishing etc. My dad hung a huge bell that could be heard
a half a mile away which was rung for lunch and dinner. The dog was always the first one back. Times have changed. We had enormous freedom and there was no temptation to bury our faces in smart phones. All activity was self-created.
I distinctly remember being fascinated the movies and got completely lost in them at the local cinema which is still there today. One of my favorites was Shane with Alan Ladd. Years later his son, Alvan Ladd, Jr. greenlit one of my films (Youngblood).
Markle with Flint Generals (IHL). Photo credit PM.
I continued hockey throughout high school and my senior year was asked to join the Olympic Hockey development program which ran through the summer. I played at Yale, had a tryout after my senior year with Boston, played minor league hockey and then three years with the US National team participating in two World tournaments.
Markle with the USA team. First row second from the right. Photo credit PM.
WATM: What is the most distinct memory of your mother and your father?
My parents were very social and community involved. My dad was one of the founders the youth hockey program in our area which started with one team and expanded in a few years into 500 participants. My mother worked throughout her life for hospitals concentrating on rehabilitation. Her interest in health care no doubt emanated from her father who was first assistant surgeon to Will and Charlie Mayo and at one point in his career became President of the American College of Surgeons. They were both extremely social and the vast majority of their best friends served in some way during WW2, many as Naval pilots. My dad was interested in everyone he met. He was the best listener I’ve known. That did not imply he didn’t have a point of view. His advice was judicious and more than often accepted. My mother was a community organizer. That would include in her community as well as her hospital work. Her friends would call her in the morning for their marching orders for the day.
WATM:What values were stressed at home?
It was the traditional ‘Golden Rule’. It’s a timeless aphorism and sometimes hard to follow in a competitive world like film but being honest and empathetic wins out in the short and long run. My mother also told me that lying not only was reprehensible but far more difficult to keep track of than the truth. Both underscored that failure was the inevitable pathway to success. It all depends on how you react to it.
WATM: What influenced you to join the US Army, what was your experience and what lessons did you take away from your service?
I graduated from college at the height of the Vietnam conflict and joined the rest of my class in deciding what was the next move. A significant number of the class including myself applied for the Naval OCS (officer candidate school) in the language division which was in Monterey, Ca. The sample copy of the test which was based on a made-up language was circulated around the campus. I remember looking at it and getting the gist of the concept. Apparently, the other students there got the gist as not one of several hundred who took it missed a question. There was some sort of investigation by the Navy, but it was dropped. I did not attend OCS and assumed upon graduating I would be drafted. I was playing professional hockey when I was told to report to Fort Snelling where the Minnesota Army Reserve was located. I was with four other players at the end of a 200-person line when our names were called, and we were told to report to the front. We were all inducted into the Reserves and told that we would all get time off when playing for the US National hockey team including world tournaments. A month later I was in Stockholm.
Peter lining up for the action shot even before becoming a director. Photo credit PM.
I did basic training at Fort Leonard Wood in the middle of the summer. It was incredibly hot and humid. I made fast friends in my platoon and had a great drill sergeant. It was a lot like summer football camp but with longer hours. Up at 4am for a 5-mile run in army boots to lights out at 10pm. I was told that you had to learn how to stand in formation while asleep. Done. We had soldiers who gained 80 pounds (never had more than one meal a day) and others who lost 80 (never ran over 10 yards in their lives before). It was a very different mix from my fraternity in college where we had 4 Olympic Swimmers (including Don Schollander who won 5 gold medals and Calvin Hill who was All Pro in the NFL. As a footnote The President of the frat my sophomore year was Fred W. Smith, founder/CEO of FedEx and decorated US Marine in Vietnam, and for my senior year it was George W. Bush who also ended up in the Air Force Reserves.
The harassment was handed out pretty democratically until the PT contest. Parallel bars, low crawl, 100-yard man carry, the 6-minute mile in army boots, push ups etc. I scored the only perfect score in my company (200 men) and was given the weekend off. That would not have happened if my 98-pound roommate, Eddie Pragg, didn’t let me use him for the man carry.
I have to underscore that my boot camp experience on every level was positive. It was tough but extremely well organized. The officers were exacting but fair. The staff was totally professional. It ran like clockwork at a time when so many were going through the turnstile each day. There are some correlations to making a film where it demands a unified front and an ability to make quick adjustments according to the situation at hand. I was just a grunt in the machine but there were numerous examples among the staff on every level as well as my fellow platoon mates that have stayed with me my entire life.
No one knew other than a small handful of reservists as to whether they would end up in Vietnam. I did not have to confront the prospect of being shipped out. I realized that I was uniquely privileged. I did OJT (on the job training) at Fort Ord in Chicago before ending back in Minneapolis for weekend duty once a month at Fort Snelling. Motor pool, clerical work, city public projects. No riots or disasters to contend with. We did summer camp at Fort McCoy in Wisconsin and in addition to my normal duties and drills I was an editor of the camp newspaper distributed the last day. I decided to take a somewhat satirical angle on the experience and was surprised at the reception. There was laughter, soldiers reading bits out loud and fortunately no reprisals from the brass. I was encouraged to write by my freshman English professor in college and never took it seriously until listening to the reception of my version of ‘The Onion’ distributed around camp.
I would be remiss not to mention that it was my father who was the real soldier. He dropped out of the University of Pennsylvania to join the Navy. He got his pilot license at 17 and became one the youngest flight instructors in the armed forces during WW2. He was assigned to the USS Bataan, a light aircraft carrier, and fought in the last years in the Pacific through the surrender which he witnessed being docked next to the Missouri in Tokyo Bay. Because of his flight experience he was put in charge of the CIC (combat information center) directing planes when airborne, spotted bogies (enemy planes) and skunks (unidentified surface ships) basically directing aerial combat operations along with the brass. They were in the middle of the kamikaze blitz and had numerous close calls. He witnessed both the Bunker Hill and the Franklin take direct hits some less than 200 meters away with the loss of over 1000 sailors. During one Kamikaze attack a sister ship got hit and 19 soldiers were thrown overboard. Dad marked his ship’s position using the DTR (dead reckoning system) and he convinced the brass to take 8 ships after dark for a search. They implemented a staggered zig zag course for six hours and miraculously found the sailors within 10 minutes of the search stop order. To be noted as well, his brother, Alvan, landed on Omaha Beach, fought 5 major battles in the Bulge as an artillery captain and was honored the Chevalier of the Legion of Honneur by the French. He attended the 70th Anniversary of Normandy.
Peter’s father (Thomas) during WWII. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
WATM: What values have you carried over from the Army into directing and writing?
It’s a tiresome analogy but it would be teamwork. I’ve been on series where one show had 4 stages in use at the same time. One devoted primarily to build sets designed for a particular episode, another three with sets for shooting a current episode, pickups from previous episodes and for the next one. Well over 100 people will be working to accomplish the same goal. Each department head is crucial to the mission (production; accounting; director and assistant directors; art; camera; casting; catering; construction; costume; lighting; grip; locations; makeup/hair; medic; post-production; property; publicity; research; script supervision; set dressing; sound; special effects; stand-ins; stunts; transportation; video playback; visual effects. The similarity to the chain of command in the military is obvious. Lots of departments. Lots of personnel. And all interdependent with one another. I guess the ‘weakest link in the chain’ is a prevalent dynamic in both film and the armed forces. I was shooting a film in Borneo (Bat 21) and the special effects department head had set a series of explosions along a path through the jungle Gene Hackman and Danny Glover would run by. This was primarily done using a nail-board which each nail represented an explosion. After going hot contacting the individual nails with metal (could be a screwdriver) set off the blast. The department head said that he was going to use a computer program instead of the old system, the ‘eyeball approach’. I questioned whether it made sense to switch now but he said it was safer. I called action and Danny and Gene started running along a riverbank. An explosion (representing a bomb) goes off so close to them that they both instinctively duck and cover their faces but continue running. The second explosion is closer, and we get the same reaction for the talent. I look over at effects and he is white as a ghost. The shot was incredible, but we almost lost two actors. Back to the nail board. We never told Gene or Danny.
WATM: What is the most fulfilling project you have done and why?
I guess it’s always the first one because you actually pulled off the impossible. It was a low budget comedy called The Personals where no one was paid. It got great reviews and a crazy learning experience. Bat 21 was up there for the subject matter, the location and working with Gene and Danny. Flight 93 was the first 9/11 film and it was done for AE TV. It was nominated for and won a bunch of Emmys. It was also a challenge to write because the majority of the account took place on the plane. The 9/11 Commission report had just come out and had a great deal of information that I was able to incorporate into the film. We covered not only the drama on the plane but also the families as well as the air traffic controllers and military involvement on the ground.
WATM: What was your experience like in working with such talents as Gene Hackman, Danny Glover, Senator John McCain, Kiefer Sutherland, Dennis Hopper, Daryl Hannah, Rob Lowe, Patrick Swayze, Keanu Reeves, Cynthia Gibb, John Candy, Jerry Reed, Joe Pantoliano, Ed Lauter and the like?
After a tryout with the New York Islanders and being assigned to a farm team I made the abrupt decision to become a filmmaker. A good friend of my parents told me something that I never forgot – ‘If you do something you love you increase the odds a hundred-fold that you will be happy and successful.’ I gave it a shot. I ended up doing several military related projects including Bat 21 with Gene Hackman, Faith of my Fathers with Scott Glenn and Shawn Hatosy, Saving Jessica Lynch, Flight 93 and Nightbreaker with Martin Sheen and Emilio Estevez.
All were based on true stories. Bat 21 chronicled the rescue of a 52-year-old Air Force Colonel who was flying a mission to identify through electronic surveillance SAM missile sites that would be knocked out by fighter jets prior to a B52 carpet bombing. His plane was hit by a SAM and he ended up in enemy territory with no ground combat experience. He was guided to his rescue by a spotter plane that flew daily missions tracking him. Gene Hackman played the Colonel and Danny Glover the pilot. Both actors were terrific to work with. Gene prepped at night and arrived early in the day to walk the ‘set’ (only locations in our case). I don’t think I ever did more than 3 takes with him in a scene. Danny is a natural and had great insights into his character. All day aerial shooting was done with him in the plane. It was 95 degrees, humid and our takes had to be limited to seconds in some cases. It was major hazard duty, but Danny embraced it. At times he had control of the stick and relied on our stunt pilot in the other seat to let him know when to bank away.
On the set of Bat 21 with Gene Hackman and Peter. Photo credit Peter.
Clayton Rohner and Danny Glover in Bat 21. Photo credit IMDB.com
Faith of my Fathers was based on John’s McCain’s early days at Annapolis through his release from the Hanoi Hilton where he was imprisoned for 5 years. Shawn Hatosy was remarkable as he had to age 20 years over the course of the film in portraying John. Scott Glenn was perfect, giving an understated yet powerful performance as his father who was commander of all U.S forces in the Vietnam theater. McCain himself visited the set in New Orleans where we reconstructed an abandoned brewery into the prison. One day I watched him walk over to a cell by himself and enter. I joined him and asked him what he thought. His reply, ‘it’s identical. But you know at times I actually miss it.’ Perplexed, I asked, ‘miss what?’ John replied, ‘being there. I made some great friends. It was one of those shared experiences that forms you for the rest of your life.’ That summed up John McCain for me.
Peter, Shawn Hatosy and Senator John McCain on the set of Faith of my Fathers. Photo credit Peter.
Saving Jessica Lynch was a jingoistic, short of the facts script when I received it. I did extensive research which included interviewing soldiers who were in Iraq and one we hired as an extra who was part of the actual rescue effort. The final product told the real story: A convoy consisting of essentially non-combat personnel (cooks and clerks) made a couple of bad decisions and ended up driving through a town inhabited by Fedayeen. The New York Times and other reputable news outlets broke stories that our film debunked. Lynch did not shoot back during the attack. Eleven American soldiers died. She was taken to a hospital and was on her back through her rescue. The Times wrote a retraction after the film aired praising the film for its authenticity.
Laura Regan in Saving Jessica Lynch. Photo credit IMDB.com
Pete and Laura on set. Photo credit PM.
A scene from Saving Jessica Lynch. Photo credit IMDB.com.
Peter directing a scene of Saving Jessica Lynch. Photo credit PM.
Just before filming starts on the set of Saving Jessica Lynch. Photo credit IMDB.com
An action sequence from Saving Jessica Lynch. Photo credit PM.
Nightbreaker was a pet project of Martin Sheen. It chronicled the use of army soldiers as guinea pigs to determine the short- and long-term effects of being exposed to a nuclear blast. This was a story from the 50s when nuclear proliferation was at its apex. Emilio plays Martin role as a young man during the actual tests. It tracks the character in middle age trying to come to terms with his involvement. Both actors were terrific to work with and inhabited the pervasive guilt from being involved in the malignant endeavor. Joey Pantoliano played a Sergeant who was in charge of a platoon of guinea pig soldiers and brought the entire range of conflicted emotions to his part.
Peter with Martin Sheen on the set of Nighbreaker. Photo credit Peter.
Joe Pantaliano, Peter and Emilio Estevez on set for Nightbreaker. Photo credit IMDB.com
Peter and Martin on set. Photo credit Peter.
Flight 93 was the first film about 9/11. Obviously, there was a military component as soon as it was discovered that it was a coordinated terrorist attack. I remember someone seeing the film and mentioning that it must have been harrowing to make. I noted that our fuselage (the real interior of a 757) was flying at an altitude of one meter, zero knots and within a 15 second walk to craft services (snacks). The best we could do would imagine how we would have reacted in the situation. Would we have been that heroic? Would we be at the head of the conga line attacking the cockpit or hiding in the bathroom in the back? Maybe somewhere in the middle? The coordination between the military and the civilian air services was impressive even though three of the four targets were hit. The passengers on 93 had more time to gather information and communicate with ground control so enable them to coordinate an attack.
Peter on the set of Flight 93. Photo credit IMDB.com
What the outside of the set looked like. Photo credit PM.
Peter working with the cast on Flight 93. Photo credit IMDB.com
More on set work for Flight 93. Photo credit IMDB.com
93 was an intense journey as are all films. Lots of moving parts, decisions, conflicts and compromises. But ultimately it is teamwork that wins out.
Rob Lowe, Pete and Patrick Swayze on set for Youngblood. Photo credit IMDB.com
Pete (bottom center) with the cast and some crew of Youngblood. Photo credit IMDB.com
Youngblood was a passion project and a blast to make. It was about a young hockey player from the US trying out for an elite Canadian junior team. Rob Lowe, Pat Swayze and Cindy Gibb were the leads. Keanu Reeves played a goalie and it was his first job in a film. Goalies are characters because it’s such an insane position and he was totally quirky in the audition. Rob was great to work with. He had no previous experience skating but progressed quickly enough for us to make it work. He had two doubles who filled in the action scenes who were both elite players.
Pat was a figure skater and quickly adjusted to hockey skates. Rob would agree with me that Pat was a force of nature. He’d be working on 10 other personal projects when not on the set. He composed the song ‘She’s like the Wind’ in his hotel room using a portable mixing setup. We had two scrimmages a week during prep with crew and our hockey extras. Our extras were elite players (two went into the NHL a month after wrap and had huge careers). An executive from MGM came up to make sure I wasn’t participating in the games for obvious reasons and was taken to the rink and just as he sat down, he saw me collide with another player. Pat who knew the exec was there skated over to me and said ‘stay down. He’ll have a heart attack.’
Rob, Peter, Ed Lauter and Ken James. Photo credit PM.
Pete on the ice with his DP Mark Irwin. Photo credit PM.
Tony Danza, Pete, Nick Tuturro and Samuel L. Jackson on the set of Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Frank Vincent, Tony Danza and Pete on Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Danny Glover and Pete sharing a moment. Photo credit PM.
Dayton Callie, Michael Madsen, Pete and Dennis Hopper on the set of The Last Days of Frankie the Fly. Photo credit IMDB.com
Pete on the set of “The X-Files” with David Duchovny. Lily with the poncho, Pete, David and Melinda (Pete’s wife) Photo credit IMDB.com
Peter and Louis Gossett Jr. on the set of El Diablo. Photo credit IMDB.com
Pete and Daryl Hannah taking a break on The Last Days of Frankie the Fly. Photo credit IMDB.com
WATM: As a veteran, how do we get more veteran stories told in the Hollywood arena?
There are so many diverse stories that can be told. The multiple perspectives include what branch of service, when, the mission, the soldiers involved, fact or fiction etc. Like any project it depends on the strength of the narrative and its ability to attract the actors that help finance the project and the studio/production company to green light it. Personally, I think the number is infinite. All conflicts are different just like every individual is different.
Dennis Hopper, Pete and Kiefer Sutherland on The Last Days of Frankie the Fly. Photo credit IMDB.com
Gillian Anderson and Peter on the set of “The X-Files”. Photo credit IMDB.com
WATM: What are you most proud of in life and your career?
First would be having a family which I did at an advanced age. I met my wife, Melinda, while casting a television film. I guess you could call it an acceptable version of the casting couch. That is to say I wasn’t the only one in the room and it wasn’t at the Peninsula Hotel. She was the best actress for the part, and I was immediately attracted to her by her performance and presence. We laughed and argued (about the role) in the room. I knew she was going to be a challenge, but it has made our lives infinitely interesting. And, of course, I’m a guy and like most of our species have not progressed that much from the stone age. We have two kids, Lily and Lucas. As moms and dads know, when children make an appearance, life as you knew it evaporates. But in a good and challenging way. When they got into their teens, I learned so much. Such as I was a horrible dresser and not to yell at basketball or soccer officials. We taught them both to ski and the progression of literally carrying them down the hill to not being able to ski any of their favorite double black runs with them is humbling. You realize that you can give them some direction but that they are on their own paths and need to fumble and fall and learn to pick themselves up again.
Per career I think it would be not willing to quit. To keep trying. I never had a film gross 100 million and did not play one game in the NHL, but I was rewarded in countless ways for my efforts. I have met so many wonderful, dedicated, talented people along the way which is one of the most valid ways to judge one’s life. And I can say that my time spent in the Army was an integral part of the on-going journey.
Oh snap! The first official recruiting ad for the Space Force has finally dropped! Don’t get me wrong. I’m just as hyped as everyone else who joked to their retention NCO that the only way they’d stay in was to reclass as a space shuttle door gunner.
But, like, why do they even need an advertisement at this point? Everyone knows who they are and are already planning on camping out at the recruitment offices when they open. It’s like seeing a commercial for a Ferrari. It’s just a waste of time and money when we’re already sold on the idea.
Whatever. They’re probably going to have a bigger budget than the Air Force – so spend it if you got it, right? Anyway, here are some memes.
1. I don’t care about any of your damn stories from Basic. But you can be damn sure that I’ll play along with whatever BS lie about how badass you are to tell civilians.
2. While we’re in, we all sh*ttalk chief for being OFP. But, he’s literally treating the military like it’s a 9-5 job at that point.
3. North Korean generals got nothing on some of the E-4’s I’ve seen these days…
4. Anyone know if the vehicles in the motorpool are still fine? No one’s been around to kick their tires in ages!
5. All else fails, pocket sand…
6. One makes things go boom. The other prevents things from going boom. See the problem?
7. Largest amphibious landing in military history and it wasn’t conducted by the branch of the military specifically designed for such a task…
(Yeah, I know. They were in the Pacific and Marine generals assisted in the planning. I thought Marines were at least supposed to understand jokes.)
8. “Ah, I see you’re a man of culture as well.”
9. For the Space Force? In a heartbeat. Then again, I’ve been out for a few years, put on a few pounds, have literally no applicable skills needed in space… But I’d do it.
10. Well. Now I’m going to rewatch Band of Brothers this quarantine… for the 101st time…
11. As long as you don’t have flat feet. (Is flat feet still a thing?)
12. f it looks right, it is right.
13. If you didn’t jump up out of your bunk, but forgot that you’re on the lower one, so you smack your head so damn hard it echoes through the bay, did you even go to basic/boot camp?
Joel Lambert spent ten years as a Navy SEAL and is now the star of the Discovery Channel’s “Lone Target” (called “Manhunt” outside the U.S.)
“In China, it’s called ‘Capture the Special Master,’ and that’s awesome,” Lambert says.
“Lone Target” pits Lambert and his survival and evasion skills against some of the world’s best trackers, from Maori warriors in New Zealand to the U.S. Army’s Phantom Recon unit in the Arizona deserts. He is inserted into the “Hunter Force Unit’s” area of control and must reach a designated extraction point within a certain amount of time.
“SERE [survival, evasion, resistance, escape] was something I enjoyed as a SEAL,” Lambert says. “The field craft, SERE, heavy weapons and explosives were the kind of things I gravitated towards and did a lot of training in.”
Before he trained with the Navy, Lambert actually did some acting.
“I had a background in commercials,” Lambert says. “I never thought this would ever be part of my life again. A friend of mine said he was putting a show together, looking for special operations guys with tracking and survival background. I went out there and saw they had guys from [the British] Special Air Service, Recon Marines, all these guys with specific skills sets. I thought, okay maybe this is more than just a guy trying to cobble together a pilot.”
He was right. “Lone Target” is a hit for the Discovery Channel. And what Lambert did next would change his life.
“I ran into the desert, built some booby traps, talked about tracking and tactics, the psychology of being hunted or hunting,” he says. “They offered me the gig and I thought, ‘I don’t want to do this.’ My ego is at stake. I’m going to be wearing that trident on my chest whether I talk about it or not. I’m going to be representing all my brothers. It was a huge risk.”
“Those are exactly the reasons why I had to do it,” he laughs. “It was the most amazing experience.”
Lambert was caught three time out of six in the first season and only once the second.
“It’s a very hard thing, especially doing it in daytime so we can film and I have a camera guy with me,” he says. “All the things that are necessary to making the show handicap me, not the hunter force. At first I thought it was just unfair, but the more I thought about it, I was like, ‘You know what? It makes it even better because when I do get away because then I’ve really pulled some shit off.'”
A show with insurmountable odds each week is the perfect fit for a guy who joined the military just to be a SEAL. When he was ten years old his father introduced him to a friend who had just finished BUDS, and the young lad was taken with the stories about how challenging it was both physically and mentally. That feeling stuck with him until he focused on getting in peak shape at age 22.
“I moved into this crackerbox studio apartment and started doing nothing but training because I wasn’t sure I had it in me physically,” Lambert says. “I woke up five in the morning, out there running five miles in boots, doing hundreds of push ups. I think it was a little over a year that I really dedicated everything in my life to training for BUDS.”
But not everyone can be the subject of their own Discovery Channel show, so Lambert has a little advice for those whose military specialty doesn’t exactly have a civilian counterpart.
“I see these guys like Team Rubicon, they’re moving from swinging the sword to building the city,” he says. “Ryan Zinke, Montana Congressman, he’s moving from kicking in doors to leading and serving. Just because you’re not toting a weapon anymore doesn’t mean your path has ended. It’s there, you just keep moving forward.”
In 1928, the Army asked itself how it could make its rifles, and therefore its riflemen, more lethal in case all those building tensions in Europe and Asia eventually boiled over and triggered a new world war. After years of study and design, they came up with a rifle design that some leaders thought would be capable of tipping battles, but it never saw combat.
This allowed the weapon to fire reliably, and it allowed infantrymen and cavalrymen to maintain a high rate of fire. A demonstration of the weapon pleased senior Army leaders, and they asked when they could take prototypes to the field for testing.
But the Pedersen did have some drawbacks. The weapon was very precisely machined, and even small errors could throw off its operation. Also, its rounds had to receive a thin coating of wax to guarantee that they’d properly feed through the weapon. Finally, its clips could only be fed in one direction into the rifle, meaning riflemen reloading under fire would have to be careful to get it right.
So, other weapon designers thought they had a chance to win the Army’s business. Other .276-caliber designs entered competition, including the Garand.
The Garand could take a beating, was easier to manufacture, and didn’t need lubricated rounds. The Pedersen was still the frontrunner in many eyes, but the Garand posed a real threat to it.
Shooting a .276 Pedersen PB Rifle
An even greater blow to the Pedersen was coming. As the move to a .276-caliber continued, the Army Ordnance Department was putting up fierce resistance. The department didn’t want to have to set up the whole new supply chain, get the new tools, or prepare the new stockpiles of ammunition required to support the switch.
The Ordnance Department argued, successfully, to Army Chief of Staff Douglas MacArthur that the change would be expensive and present logistics challenges. MacArthur ordered that any new rifle had to use the .30-caliber ammunition already in use by the Army.
Most of the competitors, including Pedersen, didn’t think they could re-configure their weapons quickly to accept the larger ammunition, but the Garand team could. They quickly swapped in new parts, and entered a .30-caliber Garand and it won the competition, going on to become the M1 Garand of World War II legend.
But it’s easy to imagine an alternate history where the Pedersen or the .276-Garand went into production instead. The .30-caliber ammunition and older weapons would’ve still seen action, sent forward with Free French, British, and Russian forces under the Cash-and-Carry system and then Lend-Lease.
Meanwhile, American troops would’ve carried a slightly lighter rifle and much lighter rounds, giving them the ability to more quickly draw their weapons and the ability to sustain a higher rate of fire with the same strain on individual soldiers and the logistics chain.
And, best of all, more lethality per hit. The .30-caliber rounds, the same size as 7.62mm, are more likely to pass through a target at the ranges in which most battles are fought. But .276-caliber rounds are more likely to tumble a time or two after hitting a target, dispersing their energy in the target’s flesh and causing massive internal bleeding.
So, if the 1928 Ordnance Board and the modern minds behind 5.56mm and the potential 6.8mm weapons were right, each successful rifle hit by American soldiers was more likely to cause death or extreme wounding.
The F-111 Aardvark didn’t have a lot of air-to-air kills – it just wasn’t designed to be in aerial combat. It was a supersonic nuclear bomber and recon plane. But a fighter it was not. What it did have was an electronic warfare variant that could help the Air Force control the skies in a particular battlespace. Unlike their combat-ready counterparts, these EF-111A Ravens didn’t have defenses if they were attacked in the air.
So when the unarmed variant scored the only aerial kills in the history of the F-111, it was a memorable occasion.
Normally, it’s just dropping bombs. Not this time.
(U.S. Air Force)
When the United States and its coalition allies launched Operation Desert Storm in 1991, it’s safe to say it took Saddam Hussein’s Iraqi Army and Air Force by surprise. The opening minutes surprised a lot of people, and no one more so than USAF pilot James Denton and Electronic Warfare Officer Brent Brandon – as well as the Iraqi Mirage pilot who was trying to shoot their two-seater EF-111A down.
The EF-111A Raven came under attack from an Iraqi Dassault Mirage Fighter in the first minutes of Desert Storm, Jan. 17, 1991. This was troubling for many reasons, most notably because the EF variant of the F-111 didn’t have any means of protecting itself – it wasn’t supposed to be an aerial fighter. But that was going to change, for at least this one and only time.
The EF-111A Raven variant.
(U.S. Air Force)
For the Iraqi, the EF-111A was a great target of opportunity. He had just evaded an F-15C and managed to enter through the screen of F-15 and F-16 fighters that were supposed to be escorting the EF-111A. The Iraqi attempted to shoot the Raven down with missiles, but well-timed chaff and flares took care of the enemy incoming. When missiles didn’t work, the Mirage switched to guns. Brandon switched from countermeasures to piloting skills.
The EF-111A was originally flying just 1,000 feet above the desert floor, so Denton decided to take it lower and use the plane’s terrain-following radar to stay above the desert and not fly into the ground. The Iraqi pilot wasn’t so lucky. As Denton and Brandon tag-teamed their way above the terrain, Denton saw his opportunity, banking hard into a climb that took him well above the desert. The Iraqi, so focused on his target and not the dark terrain below, slammed hard into the ground, exploding into a fireball that lit up the night.
It was the first F-111 aerial kill in the airframe’s history. It would end up being the only aerial kill for the F-111, and it was done without so much as a weapon fired from the American plane.
Managing an infantry squad is similar to a sports coach shifting players around to positions that best fit their strengths and talents. Since Marines aren’t created equal, capitalizing on those strengths and building up weakness is why the U.S. military is such a juggernaut today.
On special occasions, a Marine infantry squad patrol is comprised of a platoon leader (if he decides to go), a squad leader, three fire team leaders, three SAW gunners, and six riflemen.
This all, of course, depends on how your squad is made up — we’re even going to throw in a Company Gunny for sh*ts and giggles.
There you are, happily performing a police call through the training areas and thinking about how great it will be to get off at 1600 when you all are done, just like first sergeant promised. Then, you see something that dooms your whole night.
A single Marine sits in a pile of crayon wrappers and empty Rip It cans. Looks like a lack of Marine oversight just became your problem. Here’s what you do next:
The hat will look like these ones.
(U.S. Marine Corps Lance Cpl. Justin Rodriguez)
First, look for a Marine sergeant
Hopefully, the Devil Dog has a devil master (or whatever they call themselves) nearby who can police him up and bundle him out of there. Marine sergeants can be quickly identified by the loud string of profanities, like an Army sergeant but with a strangely rigid hat on. They will likely punctuate their profanities with, “OORAH!”
Too much running around in the woods, too much beer, not enough showering.
(U.S. Marine Corps Cpl. Antonio Rubio)
Don’t touch it
If you can’t find a Marine sergeant, then, for the love of god, don’t touch the boot. It’s not that the sergeants won’t accept it after it gets some Army on it, it’s that you don’t want to get any Marine on you. Sure, Marines are famous for some of their grooming standards, like haircuts, but there are only so many pull-ups you can do with beer sweating out of your pores before becoming a walking Petri dish.
You can let it pick its own, but remind it that Army MREs have no crayons whatsoever.
(U.S. Marine Corps Lance Cpl. Scott L. Eberle)
Feed it (MREs, not DFAC)
The easiest thing to do with a lost Marine is get it some food while you’re waiting for some embarrassed platoon leader to show up. Don’t give it DFAC food or it’ll spend all day complaining about how bad the food is in their chow halls and kennels. Give it MREs — the older the better. If you have ones with Charms, give them those, but expect them to throw the Charms away and then tell you how cursed they are.
No, it doesn’t matter that the boot is too young to have possibly been deployed, let alone deployed with Charms. They have all seen Generation Kill, just like all soldiers have seen Black Hawk Down and all sailors have seen Down Periscope.
Don’t worry. They won’t drown. They’re super good with water.
(U.S. Marine Corps Master Sgt. Scott Thompson)
Throw it into a pool or small lake — NOT AN OCEAN!
If the Marine has been with you for more than an hour or two, then it probably needs a swim or its pelt will dry out. The trick here is to find a small body of water, nothing larger than a large lake.
If you throw it into an ocean or sea, it will likely try to swim out and find the “fleet.” No one is entirely sure, but the fleet is likely the original Marine spawning grounds. More research is required. But Marines who attempt to swim to the fleet will nearly always drown.
Yeah, these’ll make some booms. The machine gun .50-cals are good as well.
(U.S. Army Spc. Andrew McNeil)
Give it something loud to play with
You can ask the Marine what type it is; artillery, infantry, water purification specialist, etc. Regardless of their answer, know that all Marines like loud noises. If there are any rifle, machine gun, or howitzer ranges going on, that’s ideal. Just dig the Marine a small hole just behind the firing line and let it lounge there. Hearing protection is recommended but not required.
They like being in the cages. It reminds them of home.
(U.S. Marine Corps Cpl. Charles Santamaria)
If it has to stay overnight, build a turducken of cages
If night’s about to fall and there’s still no one there to claim the Marine, you’re gonna have to house it overnight. If your base has a veterinarian unit or working dog kennels, that’s fine. If not, you might have to house it in the barracks. If you do so, you need to have two locks between the Marine and any alcohol. Get a supply cage or dog kennel (large) if need be.
The other Devil Dogs will be happy to see it.
(U.S. Marine Corps Cpl. Jessica Quezada)
If all else fails, ship it back to the nearest Marine base
It’ll probably whine about whether or not it’s a Hollywood Marine or whatever, but address it to whicever Marine installation is closest. Just pack it up with some dip and cigarettes and its mouth will be too busy to complain for a few hours. Don’t worry, you can’t put too much in there. Their tolerance is too high for a lethal dose.
And they’ll be happier back on the Marine farms. They like to be with their own kind.
The men’s All-Army Rugby Sevens team won their seventh straight U.S. Armed Forces Championship at RugbyTown Sevens in Glendale, Colorado, on Aug. 24, 2019, beating the Air Force 33-5.
“To win seven times in a row means everything,” said Mark Drown, the All-Army Rugby Sevens head coach. “Everything we do is about representing the Army and winning that Armed Forces championship.”
The soldier-athletes beat the Navy, the Marines, the Air Force and the Coast Guard, advancing them to the championship game where they won gold over the Air Force.
The Army outscored their opponents 198-22 in five games, similar to last year, 159-2. They also went on to earn the Plate Championship of RugbyTown Sevens over 20 national and international teams for the second year in a row.
Sgt. Dacoda Worth reaching for the ball during a line out while playing the Air Force at the U.S. Armed Forces Rugby Sevens tournament.
(Photo by Brittany Nelson)
After sweeping the competition, the soldier-athletes mentally prepared for the finals.
“These are good teams and these services are representing all their men and women, and you can take nothing for granted ever,” said Drown. “We wanted to spread the Air Force, expose their defensive gaps and then exploit them, and that’s exactly what our guys did.”
The team was composed of Soldiers from all over the country including soldier-athletes in the U.S. Army’s World Class Athlete Program.
The championship team receives support from the entire Army because all soldier-athletes must have permission from their command to compete.
“The fact that we have been able to get the people out and away from their commands for seven straight years and have good enough players to win a championship has been amazing,” said Cpt. William Holder, the team’s captain since 2017. “The support we’ve received from the commands is great.”
Sgt. Dacoda Worth during the Army vs Coast Guard game at the U.S. Armed Forces Rugby Sevens tournament.
(Photo by Brittany Nelson)
A week prior to the tournament, the soldier-athletes meet to train at Camp Williams in Utah.
“We are able to train two-a-days with no distractions of Glendale or any other teams,” said Sgt. Dacoda Worth, an intelligence analyst at Fort Belvoir. “We get to focus on us and rugby.”
Drown, a retired colonel, uses the camp to work toward his two goals: creating a brotherhood-like culture and winning the Armed Forces Championship.
“The first step is for us to become brothers, coach really emphasizes that,” said Worth, a soldier-athlete of the team for three years. “If we can’t become brothers we aren’t going to mesh on the field. We are from all over so we don’t get to practice every day together. Building the team relationship is important.”
Once in Glendale, the team made their annual visit to Children’s Hospital Colorado to spend time with the children.
“It is an amazing experience to see the kids,” said Worth. “For us to go in and share time with them and uplift their spirits is a great time for us.”
Holder said that all of the soldier-athletes directly support Army readiness because of what they bring back to their units after the tournament.
The men’s All-Army Rugby Sevens team won first place at the 2019 U.S. Armed Forces tournament for the seventh time in a row.
(Photo by Brittany Nelson)
“We expect and demand so much from these soldiers,” said Holder. “We hold them to a very high standard. They are able to go back to their units and share what they have learned in the process.”
Holder mentioned that the team meets the Army’s new Chief of Staff’s priorities.
“He has three priorities: winning, which we have showed the past seven years; people, we are constantly looking for the best people; and team, we strive to have the best one,” said Holder.
Holder said the team truly believes in the priorities and appreciates that the team is able to emulate them.
“We have won the Armed Forces championship but we do not want it to stop there,” said Holder, a member of the team since its establishment in 2013. “We have shown that we can compete with the best teams in the world.”
The All-Army Sports program is a part of the Family and Morale, Welfare and Recreation, G9, department of the Installation Management Command. The program is open to soldiers from active duty, Reserve and National Guard to compete in a variety of sports at the highest levels including Armed Forces, USA Nationals and Military World Games.
Editor’s note: This review deals with a graphic, mature-rated game. Some of the imagery in the video above and the GIFs below reflect the violent nature of the game.
The newest game in the “Doom” franchise, named just “Doom” despite coming after “Doom 3,” was released May 13 to great fanfare, and it’s a solid throwback to the shoot-em-up, arcade feel of the original “Doom” games.
Fans of “Doom 3” may be disappointed that Bethesda moved the series away from the survival horror genre, but players of the earliest games in the franchise will love just how overpowered the Doom Marine feels in most situations, shooting his way through dozens of enemies.
The game opens with the Doom Marine chained naked to a table during a demonic ritual. His first move is to smash a hellspawn to death against said table before breaking out.
The combat that follows is loosely wrapped around a story, but it’s hard to follow in-game because you’re far too busy ripping apart demons to pay attention to any sort of plot.
The broad strokes version is that a brilliant scientist found a way to send energy across the solar system and, instead of beaming geothermal energy collected from volcanic vents on other planets, electromagnetic energy harnessed in planetary fields, or solar energy absorbed from the sun, the scientist decided to open portals to Hell from Mars and use Hell’s energy because … reasons.
This plan goes predictably wrong.
One of the scientists at the station, influenced by all of the Hell energy, has decided that a literal Hell-on-Mars might not be such a bad idea and unleashes destruction on the Mars facility. (Guess whose job it is to fix it.)
While the story is a bit weak and there are a few head-scratching moments, they’re all an excuse to mow down demons, which is what we all came here to do. And there are no human survivors to worry about.
This leaves the Doom Marine free to attack the hordes with no qualms about collateral damage, so the player can fire everything from the plasma rifle to the super shotgun to the beloved BFG with abandon and without remorse. For players unfamiliar with the BFG, it’s name is an acronym for “Big F-cking Gun,” and it delivers.
These high-powered weapons can be upgraded and modified. This is necessary since classic monsters like the Hell Knights, the Revenant, and others are back to ruin the rest of the Doom Marine’s life.
To help players take down the soldiers of Hell, the game also offers “Rune Challenges” that allow for character upgrades that last between battles. These upgrades make it much easier to survive and smash through enemies and can be combined with temporary power-ups that grant special abilities.
Players who combine rune upgrades and power-ups can become devastating weapons of war, capable of single-handedly bringing down entire legions.
Rampaging across the maps is pretty fun, but can get repetitive. Players who want a real challenge can select “Nightmare” difficulty. This makes the game significantly tougher but doesn’t fix the “been there, done that” feeling of fighting a room full of demons after fighting a room full of demons after fighting a room full of demons.
To break up the campaign, “Doom” also offers a multiplayer mode with a few new twists on standard fare. The most significant addition to all game types is the ability to play as one of your favorite demons after grabbing a pentagram power-up – players start out with the rocket-wielding Revenant unlocked. There’s also a new version of King of the Hill called “Warpath” with a capture point that rotates around the map on a set circuit, and a new game type called Freeze Tag where, unsurprisingly, instead of dying you freeze in a block of ice until your teammates thaw you out.
Players who want something new with great graphics and plenty of opportunities to massacre bad guys should definitely pick up the newest “Doom.” Gamers who are looking for something new from first-person shooters might think about sitting this one out.