Fans cheered in theaters when Captain America wielded Thor’s hammer in “Avengers: Endgame,” and now the fan-favorite moment from the movie is available to own. That is, if you’re lucky enough to get your hands on it.
The Disney Store is selling a $300 collectible Captain America figure at its biannual D23 Expo convention for fans, and it’s gorgeous.
The 1/6th scale figure from Hot Toys shows Captain America with Thor’s hammer and his own iconic shield.
That’s not all.
The figure also comes with a cracked version of Captain America’s shield, which memorably gets chipped away at by Thanos’ sword in the film.
The full set comes with a few interchangeable hands, Loki’s scepter, Captain America’s shield intact and another one that’s broken and in pieces.
In the year of highly-anticipated sequels, there’s no franchise we’re more excited to see return to the big screen than John Wick, as the dog-loving former hitman is returning for a third round of ass-kicking with John Wick: Chapter 3 – Parabellum. And based on the latest trailer for Chapter 3, it looks like Keanu Reeves may be borrowing a bit from his other leading role in a major action franchise: Neo from The Matrix.
While the trailer reveals a bit more about the plot and characters, including highlighting the tense relationship between Wick and Sofia (Halle Berry), the real takeaway is the several references made to The Matrix trilogy. Most notably, Wick visits Winston (Ian McShane), the evil owner of the Continental Hotel, and when Winston asks what he needs, Keanu redelivers one of the most iconic lines of his storied action career.
“Guns,” Wick tells Winston. “Lots of guns.”
Immediately following this interaction, the trailer seems to further acknowledge Keanu’s action roots by having Wick take on a bunch of faceless assassins in room that has green-tinted lighting that is unmistakably Matrix-esque. All that is missing is Wick declaring he knows Kung-Fu, though don’t be surprised if they’re saving that for the movie.
John Wick: Chapter 3 – Parabellum (2019 Movie) New Trailer – Keanu Reeves, Halle Berry
Besides the Matrix references, the trailer also features The Director giving Wick an ominous warning.
“There’s no escape for you,” She tells Wick. Later in the trailer, she also wonders why Wick is willing to go through all of this for just a puppy but Wick quickly lets her know Daisy “wasn’t just a puppy.”
John Wick has become perhaps the most beloved action franchise of the last decade, with the first and second films both being a hit with audiences and critics alike. And it looks like the third chapter is kicking the action up a notch, with the trailer showing Wick kicking ass while riding a motorcycle and a horse.
John Wick: Chapter 3 – Parabellum comes to theaters on May 17, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
This week, National Geographic will air the first episode of The Long Road Home. The miniseries is a scripted retelling of the beginning of the U.S. Army’s fight in the Siege of Sadr City of April 2004. What began with an uprising against the U.S. occupation forces in the Shia neighborhood of the capital led to a long protracted siege spanning years.
The Long Road Home is the story of an ambushed Army escort convoy from 2nd Battalion, 5th Cavalry Regiment, 1st Brigade Combat Team, 1st Cavalry Division. It’s based on the true story of a platoon forced to hole up in a civilian home and await rescue. With eight American soldiers lost in the initial fighting in the Baghdad neighborhood, the battle came to be known as “Black Sunday.”
Adapted from ABC News correspondent Martha Raddatz’ book of the same name, the show meticulously created what might be the most accurate military story in film or television.
1. The show’s military advisors were in Sadr City that day.
Any military show or movie with an interest in authenticity is going to have veteran technical advisors on hand to tell the director when things are wrong. But in The Long Road Home, you can expect more than infantry badges and rank to be in the right place. You can expect the people and vehicles to be in Sadr City in the right places too.
Showrunner Mikko Alanne hired two veterans from Black Sunday – Eric Bourquin and Aaron Fowler – to be the show’s military advisors. If one of the actors needed to know how to wear a patrol cap, the two veterans could show him. But unlike most shows, if the director needed a minute-by-minute breakdown, he could ask the guys who were there.
“Personally, I like it,” says Fowler. “Because I’m a retired Sergeant First Class, so I have the anal-retentive part down. I’ve got lots of notebooks, and I have access to all the guys. If one of the actors had a question, I could get my phone and hand them the person that did the action they had questions about.”
Jeremy Sisto as Sgt. Robert Miltenberger in The Long Road Home. (National Geographic)
“Eric [Bourquin] was in the platoon that was pinned down on the roof and Aaron [Fowler] was among the rescuers,” says Alanne.
“I’m very proud to be a part of what happened and how it’s been handled. I’ve struggled with having to open up, because having such a wide spotlight cast on a pretty intense part of my life,” says Bourquin. “I learned things I didn’t know transpired. Because the whole time, I was stuck on the roof for four hours. People were out there trying to come in, to get us, so I’d been exposed to a lot of things that I wasn’t aware of and that was healing too. This is honoring them. Now everybody’s gonna always know their story. With that being said, how could I not be involved?”
2. Raddatz’ interviewed everyone close to the fighting.
You don’t get to be the Chief Global Affairs Correspondent of a major network without being addicted to the facts. Martha Raddatz, who literally wrote the book on the events in Sadr City that day, was working for ABC News in Baghdad at the time when she heard about what happened. She ended up talking to everyone from 2-5 Cav that was still in country.
“This story came to me,” she says. “I was covering politics and policy when a general told me about this battle. I had to go talk to these guys. We did pieces for ABC News, for Nightline… I was just so stricken by them. I come from a foreign affairs background and I see presidents make policy and then I went over and saw the effects of that policy.”
She was introduced to the families through the soldiers who fought there that day.
“It will be with me forever,” Raddatz says. “It felt like they could all be my neighbors. One day they’re all in minivans with their kids, and in three days they’re in the middle of a battle. These aren’t a bunch of action figures, these are real human beings.”
3. Mike Medavoy is an executive producer.
If the name of a film producer doesn’t excite you, that’s fine. An executive producer’s name likely doesn’t carry a lot of weight with most of America.
In the case of The Long Road Home, however, the addition of Medavoy puts the miniseries in the hands of a guy who helped make the legendary war movies Apocalypse Now, Platoon, and The Thin Red Line (not to mention non-military films Rocky, Raging Bull, and Terminator 2).
4. The Long Road Home’s depiction of Army families is heartfelt and real.
When the cast arrived at Fort Hood and met the families of 2-5 Cav, they got just a taste of what living in a military family is like.
“I took away an incredible sense of community,” says actress Katie Paxton, who plays Amber Aguero, wife to Lt. Shane Aguero. “You felt that community from the soldiers. When you’re in war covering your sector, you’re covering the guy to your left. You’re covering the guy to your right. And those guys are your family. I never really understood that until I talked to soldiers.”
A still from the opening episode of The Long Road Home. (National Geographic)
“I grew up in the city as a city kid, and this totally dispelled all of my ideas of what the soldier was actually like,” says actor Ian Quinlan, who plays Spc. Robert Arsiaga. “There was a very significant through line between these soldiers – a lot of these guys joined after 9/11. It blew me away because as a New Yorker I didn’t know anyone in my immediate vicinity in New York who would ever think of that.”
“Hearing their stories, you just feel the goosebumps,” says Karina Ortiz, who plays one of the Gold Star Wives. “The soldiers leave and everything is fine at first, but then people start hearing things. Rumors. The waiting. The not knowing. I would get teary-eyed and just feel their pain. Or I’d feel their fear.”
The experience of recreating the events of April 2004 even had an effect on its veterans.
“One of the Gold Star Wives came up to me after the Fort Hood premiere and told me thank you,” Eric Bourquin says. “I don’t know why. Her husband died trying to come rescue us guys that were stuck on the roof. But the more I thought about it I realized everyone watching is going to see what the families and everyone involved goes through when shit happens.”
5. The showrunner’s background is in documentary.
“I was very cognizant from the beginning that real life people were going to be watching this,” says Mikko Alanne. “It was my hope that we would be able to use everyone’s real name, and so Martha and I worked very closely on reaching out to all the families.”
The two were very successful. The show originally premiered in Fort Hood’s Abrams Gym. After the show’s Los Angeles premiere, the veterans and Gold Star Families took the stage with their TV counterparts, to a standing ovation from an elite Hollywood audience. But the realism didn’t stop with cooperation.
A still from The Long Road Home. Sadr City was meticulously recreated on Fort Hood for these scenes. (National Geographic)
“So many of the families sent us their photographs, actual photographs used as props, or photographs of their homes for us to recreate,” Alanne says. “And it was very important to me the cast reached out to their real-life counterparts. Bonds were formed between the actors and the real life families, and everyone became infused with the same mission that Martha really started; that these families and these experiences would not be lost to history.”
6. The Fort Hood scenes are really Fort Hood.
When you see Fort Hood, Tex. depicted on screen, you can be sure that’s what Fort Hood really looks like. The show was shot entirely at Fort Hood. The cast even lived in base housing. More important than that, however, is the exact recreation of Sadr City built on Fort Hood that took the veterans on the base back to April 2004.
“The smell was the only thing that wasn’t exactly recreated,” says Fowler. “We veterans and Gold Star Families got to walk back to the streets of Sadr City that we would never get to go. It was an incredibly healing experience. Exposure therapy plain and simple.”
Eric Bourquin agrees.
“Being able to travel back to your battlespace without fear of being captured and ending up in a YouTube video is a gift that can’t be put into words,” he says. “Just like the guys that go back and visit France, or Korea, or Vietnam — it’s become a reality.”
A candid from behind the scenes of The Long Road Home on Fort Hood. (National Geographic)
The Long Road Home starts Tuesday Nov. 7 at 9pm on National Geographic.
Paramount released the first trailer for Whiskey Tango Foxtrot, the film adaptation of war correspondent Kim Barker’s 2011 book The Taliban Shuffle: Strange Days in Afghanistan andPakistan.
Fey plays Barker, a childless, unmarried reporter who volunteers to go to Afghanistan and Pakistan, including an embedded assignment with U.S. Marines in the region. Joining her is Margot Robbie, who of all people explains the “Desert Queen Principle” to Fey’s Barker once in country.
The film also stars Martin Freeman as a Scottish journalist, Alfred Molina (who is not of Afghan descent) as a local Afghan official, and Billy Bob Thorton as the Marine Corps commanding officer. The trailer makes the film seem like a sort of Eat, Pray, Love for reporters, which the film even outright calls “the most American white lady story I’ve ever heard.”
Barker’s original book depicted her own humorous journey from hapless to hardcore. She covered stories about Islamic militants and the reconstruction efforts in the Af-Pak area, along with her fears about the future of the region.
Journalist Joe Klein, author of Primary Colors and writer for The New Yorker, The New York Times, The Washington Post and Time, (among others) now brings us Charlie Mike: A True Story of Heroes Who Brought Their Mission Home.
The book’s quick description says it’s “the true story of two decorated combat veterans linked by tragedy, who come home from the Middle East and find a new way to save their comrades and heal their country.” But this book is more than that.
Charlie Mike tells the story of Jake Wood of Team Rubicon and Eric Greitens of The Mission Continues along with those who assisted them and helped build these monumental veterans’ service organizations.
“Service” is the key word in this book, and in the cases of Wood and Greitens, the service is from the veterans. Charlie Mike, as the name implies (Charlie Mike is military speak for “Continue the Mission”) is as much about the needs of communities around veterans as it is about veterans. Like a The Mission Continues fellows says, these are challenges, not charities.
Eric Greitens is a Truman Scholar, Rhodes Scholar, and Navy SEAL whose SEAL service was (unofficially) cut short after exposing fellow SEALs drug use on an exercise in Thailand. He was inspired after visiting injured Marines at Bethesda Naval Hospital in Maryland to found an organization which would help veterans heal themselves by continuing to serve, even if they could no longer serve in the military. He founded The Mission Continues with the help of Kaj Larsen, a fellow SEAL whose story is also covered in the book. The Mission Continues gives fellowships to veteran to help “redeploy” them into their communities.
Jake Wood and William McNulty are two former U.S. Marines who were frustrated with the way disaster relief organizations handled enlisting volunteers in the aftermath of the 201o Haiti Earthquake. They decided to just go and do whatever they could, and with a little help and guidance from Jesuits on the ground in Haiti, doctors they met along the way, and their good friend Clay Hunt, they did just that. Their efforts there became the model for Team Rubicon, an non-profit organization that uses the skills and work ethic of American veterans and teams them with experienced first responders to deploy emergency teams to disaster areas. Wood was one of The Mission Continues first fellows.
These organizations, their founders, and the veterans who staff them are prime examples of the attitude of the post-9/11 community of American veterans. The tales of their lives and how these organizations came to be are ones of integrity, personal sacrifice, tragedy, and brotherhood. Their stories are inspiring, and their legacy is already legendary. They represent the newest greatest generation.
Joe Klein does justice to these amazing stories, and that makes Charlie Mike one of the best military books of the year.
The actor Tom Cruise on May 31, 2018, tweeted a teaser for the long-awaited sequel to the movie “Top Gun” — and in doing so, he wandered into one of the most heated debates in modern combat aviation and delivered a savage burn to the F-35.
The original “Top Gun” film was nothing short of a revelation for the US Navy. People around the US and the world saw fighter jets in a whole new light, and naval aviation recruitment shot up by 500%.
A new “Top Gun” movie, now 32 years after the first, could again spike interest in combat aviation at a time when the US military struggles to retain and attract top talent. But for the most expensive weapons system in history, it already looks like a bust.
Here’s the poster for the new “Top Gun.”
Notice anything? The F-35C, the US Navy’s long overdue, massively expensive new carrier aircraft, is nowhere to be seen. Instead, the F-18 Super Hornet, the F-35’s main competitor, can be seen.
The F-35 community was not thrilled.
“Everybody that’s flown a fighter in the last 25 years, we all watched ‘Top Gun,'” retired US Marine Corps Lt. Col. David Berke, who flew F-35s and actually attended the US Navy’s Top Gun school, previously told Business Insider.
“Damn shame,” Berke said in response to the new movie’s choice of fighter. “I guess it will be a movie about the past!”
While experts agree that the F-35’s carrier-based variant, the F-35C, and its vertical-takeoff sister, the F-35B, represent the future of naval aviation, they’re just not ready for the big time yet.
In short, it’s an embarrassment to the F-35 program that mounting setbacks have pushed it out of a potentially massive public-relations boost.
“It’s a capable aircraft,” retired Lt. Gen. David Deptula, the dean of the Mitchell Institute of Aerospace Studies, told Business Insider of the Super Hornet. “It’s just last century’s design.”
He added: “It is a missed opportunity.”
Berke pointed out that the producers of the new “Top Gun” may have gone with the Super Hornet over the F-35 because the Super Hornet has two seats, which could facilitate filming and possibly on-screen dynamics.
The popular aviation blog The Aviationist also pointed out that Cruise is holding an outdated helmet and that the photo does not appear to take place at the US Navy’s Top Gun school. But Hollywood sometimes makes mistakes.
“Hollywood doesn’t build movies around what makes sense — they build movies around what makes money,” Deptula said.
But despite what might have come as a slight sting to F-35 boosters hoping a new film could help usher in what they call a revolution in combat aviation, both Berke and Deptula said they were looking forward to the film.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
It’s been a big week for Paramount’s new film Terminator: Dark Fate, directed by Deadpool’s Tim Miller. A first look was screened at CinemaCon 2019 followed by the release of official cast photos.
Linda Hamilton and Arnold Schwarzenegger return in their iconic roles in the film, which is produced by James Cameron and David Ellison. Dark Fate also stars Mackenzie Davis, Natalia Reyes, Gabriel Luna, and Diego Boneta.
This film will take place after Terminator 2 — as if the last three films didn’t exist, which we can buy into because of time travel in the Terminator universe, but also, as Linda Hamilton put it, the last three “are very forgettable, aren’t they?” (Uhh, her words…not mine…)
Naturally, after the release of anything, the internet had some opinions. Enjoy:
Collider’s Steve “Frosty” Weintraub watched the footage at CinemaCon 2019, and speaks to Collider Video’s Dennis Tzeng about what he saw in the video above, including a play-by-play of the footage and his own excitement: “It looked epic in scale and scope. The action looks immense. It looks like everything you’ve wanted in a Terminator sequel.”
TERMINATOR footage features a fully nude Mackenzie Davis time-travel landing in Mexico City and beating the shit out of a couple of cops. This is precisely as awesome as it sounds.
Ultimately, between Miller’s passion and body of work (we can all agree that Deadpool was great, right?), the reactions all seem optimistic and positive. We’ll see if that holds out when the trailer drops.
Terminator: Dark Fate opens in theaters on Nov. 1, 2019.
In order for a horror film to work, you need to have relatable characters. The more easily the audience can put themselves in the shoes of the cast, the more real the terror. That’s why, when a horror film is geared towards a younger crowd, the characters are primarily teenagers who are made to be as average and generic as possible.
Of course, while veterans come from every walk of life, one thing they all have in common is that they aren’t average. We’re generally brash, crude, and perform well in environments that would freeze your average horror film character.
And to be fair, there have been horror films that feature characters with military backgrounds, like Predator. The problem here is that troops and vets would easily turn any horror film into an action film. In fact, the 2018 sequel to the Schwarzenegger classic seems to be embracing this action/horror dynamic of “vets versus monster.”
But here’s why vets wouldn’t make the best fit in most horror flicks:
We’re not easily scared
Veterans often have a desensitized “fight or flight” reflex. When vets are spooked, it’s rare for them to freeze in place or scream like children. They’re conditioned to hop right into fight mode.
If a twig snaps, vets look in that direction. When someone screams off in the distance, they’re not just going to shrug it off and continue their party in the middle of the woods.
We would organize survivors
Veterans instinctively take control of situations when everyone stands around confused. It doesn’t need to be a life-or-death situation, either. At a kid’s birthday party, for example, vets expertly knifehand their way into getting balloons inflated and cake cut.
Vets would identify who’s useful and smack some sense into the idiots that say, “let’s split up!”
We could make due with few resources
In horror films, survivors often run around looking for supplies. Most would probably settle for finding a pair of safety scissors that they would then inexplicably throw at the unkillable monster.
Meanwhile, the veteran has fashioned a ghillie suit using mud, sticks, and leaves and they’ve found the sturdiest club they could get their hands on — and set it on fire.
We’d probably be carrying
Chances are, the veteran probably doesn’t need to scavenge. The moment the idiot who went skinny-dipping starts screaming bloody murder, a veteran would chamber a round.
Unless the vet is fighting some supernatural force, the credits would start rolling shortly after the knife-wielding clown starts rushing them.
We know how to actually run and start cars
From the most macho grunt to the wimpiest supply guy, everyone has done Land Nav enough times to not trip on their own feet every ten seconds while running through the forest.
If the monster couldn’t be shot to death, the vet probably wouldn’t even bother and, instead, leave. Especially if the monster just comes at them at a walking pace…
We’ve secretly been preparing for this forever
Ask any veteran why they stockpiled arms and supplies and they may joke that it’s for the zombie apocalypse. The moment an actual zombie apocalypse happens, that cache is definitely coming in handy.
We also have at least seven different plans on what to do in every situation. Catching us completely off-guard isn’t a realistic plot point.
*Bonus* The downside to being a veteran in a horror film
But realistically our f*ck-off attitude would get us killed. The masked killer would probably show up, covered in blood, and we’d mock them for whatever reason. That’s maybe not the best idea…
It’s been 45 years since the last U.S. combat troops left Vietnam, but the conflict continues to play an outsized role in American politics and popular culture. From John Wayne’s stern-jawed performance in the 1968 propaganda film The Green Berets to Robert Downey, Jr.’s antics in the 2008 meta-comedy Tropic Thunder (a movie about a movie about Vietnam), the war’s complexity and social impact have made it an irresistible subject for generations of filmmakers and moviegoers. These nine films set the standard for the Vietnam War movie.
Fresh off an astonishing run of success that included The Godfather, The Godfather Part II, and The Conversation, Francis Ford Coppola set out to make a Vietnam War epic based on Joseph Conrad’s anti-colonialist novella The Heart of Darkness. It would turn out to be one of the most arduous productions in the history of cinema, taking over three years to complete and nearly destroying Coppola’s health and career in the process. But the result was nothing short of a masterpiece. With a star-studded cast including Marlon Brando, Martin Sheen, Robert Duvall, Harrison Ford, Laurence Fishburne, and Dennis Hopper, Apocalypse Now added the indelible phrases “I love the smell of napalm in the morning” and “Charlie don’t surf!” to the American vernacular and was ranked 14th on Sight and Sound‘s 2012 poll of the Top 50 Greatest Films of All Time.
Stanley Kubrick’s darkly comic and deeply disturbing portrait of war’s dehumanizing effects follows a group of U.S. Marine Corps recruits from basic training on Parris Island to the Battle of Hue during the Tet Offensive. Adapted from Gustav Hasford’s novel The Short-Timers, the screenplay was co-written by Kubrick, Hasford, and journalist Michael Herr, author of the acclaimed Vietnam War memoir Dispatches. Starring real-life drill instructor R. Lee Emery as the virtuosically profane Gunnery Sergeant Hartmann, Full Metal Jacket met with criticism from some early reviewers who found the film’s second half unequal to the brilliance of the boot camp scenes. It’s now recognized as a classic of the war movie genre and ranked 95th on the American Film Institute’s 100 Years…100 Thrills list.
Winner of five Academy awards, including Best Picture, Best Director, and Best Supporting Actor, The Deer Hunter is the saga of three Russian American steelworkers who leave their working-class Pennsylvania hometown to fight in Vietnam. Written and directed by Michael Cimino and starring Robert De Niro, Christopher Walken, Meryl Streep, and John Cazale (in his final role before succumbing to lung cancer), the film sparked controversy for its famous sequence in which sadistic Việt Cộng soldiers force POWs to play Russian roulette. There were no documented cases of Russian roulette during the war, but critics such as Roger Ebert defended Cimino’s use of artistic license, arguing that the deadly game is a “brilliant symbol” for how the conflict touched the lives of U.S. soldiers and their families.
The first Hollywood film to be written and directed by a Vietnam veteran, Platoon was based on Oliver Stone’s real experiences as an infantryman during the war. Charlie Sheen, son of Apocalypse Now star Martin Sheen, plays a naive college student who volunteers for combat duty in 1967. Assigned to an infantry platoon near the Cambodian border, he is caught up in a bitter rivalry between two veteran NCOs: hard-edged and cynical Staff Sergeant Barnes (Tom Berenger) and the more compassionate and idealistic Sergeant Elias (Willem Dafoe). Winner of four Academy Awards, including Best Picture and Best Director, the film achieved its consummate authenticity by hiring retired USMC Colonel Dale Dye to put the principal actors through an intensive 30-day boot camp before filming started.
A brilliant blend of comedy and drama, this Barry Levinson film is loosely based on the experiences of real-life Armed Forces Radio Service DJ Adrian Cronaeur. Robin Williams, who improvised most of his broadcast scenes, stars as Cronauer, a wild card whose irreverent sense of humor and love of rock and roll infuriated his immediate superiors but made him hugely popular with the enlisted men. Set in Saigon during the early days of the war, the screenplay offered a more nuanced portrait of the Vietnamese people than previous Hollywood films and earned Williams his first Academy Award nomination.
Based on David Morrell’s novel of the same name and starring Sylvester Stallone as a former Green Beret who fought in Vietnam and received the Medal of Honor, First Blood is the opening chapter in the hugely popular Rambo series. Set in the fictional town of Hope, Washington, the plot revolves around John Rambo’s escalating confrontation with a tyrannical local sheriff played by Brian Dennehy. Forced into the wilderness outside of town, Rambo relies on his survival and combat skills to escape capture by hundreds of state troopers and national guardsmen. By turning its veteran hero into a guerrilla fighter like the Việt Cộng, this blockbuster action film played an influential role in America’s reckoning with its first military defeat and helped raise awareness about PTSD.
Oliver Stone’s second film about the war is based on the bestselling autobiography by Ron Kovic, a patriotic Long Islander who enlisted in the U.S. Marine Corps and served two tours of duty in Vietnam before a firefight left him paralyzed from the mid-chest down. Struggling to adjust to life in a wheelchair and haunted by his role in the death of a fellow soldier, Kovic battles alcoholism, depression, and PTSD before eventually finding redemption as a leading activist in the anti-war movement. Tom Cruise received his first Academy Award nomination for his portrayal of Kovic, who thanked the actor by giving him the original Bronze Star Medal he received after the war.
Directed by Brian De Palma, written by Tony Award-winning playwright David Rabe, starring Michael J. Fox and Sean Penn, and based on Daniel Lang’s New Yorker article and follow-up book, Casualties of War is the story of the Incident on Hill 192, a notorious war crime committed by U.S troops in 1966. Penn plays Sergeant Tony Meserve, an experienced squad leader who seeks revenge for his friend’s death by ordering his men to kidnap and rape a Vietnamese girl. Fox is Private First Class Max Eriksson, the only member of the patrol brave enough to stand up to Meserve. Told in flashback, the film has a hopeful ending that resonated with viewers seeking to put the horrors of the war behind them. Quentin Tarantino has called it “the greatest film about the Vietnam War.”
According to Michael Moore, it’s “the best documentary I have ever seen” and the movie that inspired him to pick up a camera. But Hearts and Minds polarized audiences even before it was released. Columbia Pictures refused to distribute it, and an interviewee unhappy with his portrayal obtained a temporary restraining order against the producers. Despite the controversy, Peter Davis’s searing indictment of America’s involvement in Vietnam won the Academy Award for Best Documentary Feature in March 1975–one month before the fall of Saigon brought an end to the war. Featuring interviews with subjects on all sides of the conflict, from General William Westmoreland to Daniel Ellsberg to a Vietnamese coffin maker, and a wealth of archival news footage from the font lines and the home front, this landmark film is a must-see for anyone seeking to understand the meaning and significance of the Vietnam War.
Chapter 16 “The Rescue” absolutely nailed three things: fight choreography, music, and Star Wars lore. It was so good, in fact, that I don’t know how the show will ever be able to top it, but if nothing else, season two showed that creator Jon Favreau is hitting his stride.
Spoilers through season 2 episode 8 ahead.
The hunt for Grogu the Yoda Baby is on.
The episode opens with a successful attack against Dr. Pershing’s transport ship, where Alderaan native Cara Dune faced an Imperial soldier who had proudly been aboard the first Death Star when it destroyed her planet. After exploring so many enslaved Stormtrooper stories in Episodes VII-IX, it’s nice to face an enemy with violent ideals that deserve to be quelled again.
Anyway, he’s dead now.
For Alderaan. #NeverForget (The Mandalorian, Disney+)
With Dr. Pershing (Omid Abtahi) and his ship captured, discovering the location of Moff Gideon (Giancarlo Esposito) becomes easy work. Din Djarin (Pedro Pascal) recruits the help of some old friends, the Mandalorians Bo-Katan Kryze and Koska Reeves (Mercedes Varnado) and they devise their plan: fly the transport ship to Gideon’s cruiser under pursuit by Boba Fett’s Slave II. Once on board, Kryze, Reeves, Dune, and Fennec Shand (Ming-Na Wen) will attack the bridge and subdue Gideon while Djarin shuts down the Dark Trooper activation and rescues the child.
Again I want to iterate, the fight sequences are just plain fun in this episode. The Mandalorian armor means new fight tactics and choreography, and the stunt coordinators really capitalized on each fighter’s different attributes. At one point Dune’s weapon jams and she just starts pummeling Stormtroopers with it like a baseball bat.
When Djarin makes it to the Dark Trooper bay, he’s a heartbeat too late: one Dark Trooper manages to open the blast door. Director Peyton Reed really nailed some of the camera shots here while Ludwig Göransson’s score is better than ever. The Dark Trooper music really is bitchin’ — it almost reminds me of Daft Punk’s Tron: Legacy work.
“Siri, play Dark Trooper music” (The Mandalorian, Disney+)
Here we get to see the full strength of the Dark Troopers. Djarin really struggles to defeat just one — his Beskar armor is the only thing keeping him alive. Meanwhile, the rest of the platoon pounds the blast doors, breaking through at any moment. Finally, Djarin’s Beskar spear destroys the Dark Trooper and he opens the external launch door and sucks the troopers out into space.
The women successfully take the bridge…but no Moff Gideon. Instead, Djarin finds him in Grogu’s cell, holding the Darksaber over the little guy’s head. Djarin fights Gideon and manages to defeat and disarm him before marching him to the bridge.
Here, things get interesting. All Bo-Katan has been wanting is to find Gideon and reclaim Darksaber, which will give her the right to rule the throne of Mandalore. Unfortunately, it turns out that she needed to have won the saber in combat — much like the Elder Wand in Harry Potter. As Djarin was the one who took it from Gideon, Bo-Katan refuses to accept the saber when Djarin yields it back to her.
Put a pin in that.
Cool weapons never get old. (The Mandalorian, Disney +)
This is when the platoon of Dark Troopers returns, boarding the ship and making quick work of the blast doors. Our group of heroes will never be able to take them…but we know from last week’s episode that a Jedi is coming…
…and sure enough, one does. The reveal is as predictable and f***ing satisfying as it could have possibly been. An X-Wing fighter appears outside the ship. Through the security footage we see a robed figure emerge and begin to battle the Dark Troopers. Finally, we see the green blade.
One by one, the Jedi and his lightsaber destroy the Dark Troopers. Little Grogu feels his presence and watches the footage with curiosity. Finally, he enters: Luke Skywalker.
Recently there’s been speculation about Sebastian Stan playing Luke Skywalker — the resemblance is uncanny and Stan (aka Marvel’s Bucky Barnes/The Winter Soldier) is already beloved by Disney audiences. But Favreau decided to go with a CGI version of Mark Hamill — and it’s the best CGI real human to date. Very little uncanny valley detected here.
In a heartwarming scene, Luke promises to protect Grogu with his life and train him to use the Force. Djarin removes his mask and Pascal delivers a fantastic and moving performance (considering there were so few words and he was holding a doll) as he says goodbye.
R2-D2 shows up and is cute as shit. Luke takes the baby. The day is won.
Okay, remember that pin? Let’s talk about it.
The first two seasons have all been about Djarin protecting the child. Now that Grogu is off to Luke’s Jedi Temple, what will Djarin do? Well, I have a feeling he’ll be diving deeper into his Mandalorian roots. Bo-Katan wants to rule and restore the Mandalorians — and she wants to do it with Darksaber. Will she become a nemesis to Djarin? Will they solve the ownership of the Darksaber with a friendly duel? I guess we’ll find out in season three!
Oh, and make sure you check out the post-credits for a fun little revenge scene.
Troops headed into combat know that an entire medical chain exists to keep them alive and as healthy as possible for as long as possible if they’re hit. The goal is to get them out of harm’s way within the “Golden Hour,” the first hour after injury, to maximize their odds of survival and recovery. But while medics and corpsmen are the backbone of that chain, the Air Force has teams of specially trained personnel who exist solely to put their lives on the line to save others in the most dire of combat medical crises.
These Air Force pararescue personnel deploy forward with other elite forces and fly into combat to save troops already under fire. They live by the motto, “that others may live.”
William Pitsenbarger embodied service. He volunteered for service in Vietnam, he volunteered to be lowered into a minefield to save a Vietnamese soldier, and, in April 1966, he volunteered his way into a massive firefight that would claim his life.
Still, he stayed on the ground, running ammo to American positions under fire. Sadly, due to at least two gunshot wounds, he was killed. He was credited with directly saving nine lives and with medical aid and battlefield actions that may have helped save dozens more.
His award was upgraded to the Medal of Honor, making him the first airman to earn the award.
His first Purple Hearts came almost immediately after he arrived in Vietnam. A .30-caliber round struck him in the leg and he got a fellow pararescueman to treat it so he could stay in the fight. He was awarded the Air Force Cross for extracting a downed pilot from a fierce firefight, immediately getting shot out of his helicopter during extraction, and then doubling back to the crashed helicopter to check for survivors before finally evacuating again. He received that award in a ceremony where he also got the Silver Star for bravery during a completely unrelated rocket attack. In short, he’s built one hell of a resume.
Despite surviving a combat tour of Vietnam that started with a Purple Heart and ended with an Air Force Cross, Hackney volunteered to stay for another three years.
(From left to right) Tech. Sgt. Keary Miller, Senior Airman Jason Cunningham and Staff Sgt. Gabe Brown pose for a photo just weeks before March 4, 2002, where Miller and Cunningham would earn the Air Force Cross and Brown would earn a Silver Star.
(U.S. Air Force)
3. Tech. Sgt. Keary Miller
Pararescue specialist Tech. Sgt. Keary Miller was involved in the Battle of Takur Ghar in Paktia Province, Afghanistan. On March 4, 2002, he was inserting with an Air Force Combat Search and Rescue Team to rescue two service members that had become separated after their helicopter was shot up on the ridge. Miller’s team faced heavy fire while landing and was forced down, crashing onto the mountain.
Senior Airman Jason Cunningham was on the same MH-47E helicotper as Tech Sgt. Miller when it was shot down. Cunningham immediately began treating the wounded when they hit the ground and moved injured personnel from the burning helicopter. He was critically wounded while defending patients, but he kept doing everything he could to save others.
He directed the disposition of the wounded and handed their care over to a medic before succumbing to his injuries. He was posthumously awarded the Air Force Cross on Sept. 13, 2002.
(Video Still by Air Force Senior Airman Stephen Ellis)
5. Master Sgt. Ivan Ruiz
On Dec. 10, 2013, pararescue craftsman Master Sgt. Ivan Ruiz was attached to an Army Special Forces and Afghan Commando team for a raid in Kandahar Province, Afghanistan. The nighttime operation met enemy contact almost immediately, and Ruiz’s team took out four insurgents. Ruiz moved forward with two others into a courtyard where the others were hit.
He’s credited with saving their lives and helping to pin down and kill 11 enemy insurgents.
(U.S. Air Force)
6. Staff Sgt. Thomas Culpepper
Pararescueman Staff Sgt. Thomas Culpepper was part of a call to rescue three members of an Army Pathfinder team trapped in an IED belt on May 26, 2011. One Pathfinder was severely injured and the other two were trying to keep him alive, but extracting them from what was essentially a minefield would be tricky.
As Culpepper was raising the second soldier to the helicopter, it suddenly lost power and entered free fall. Culpepper kept control of his casualty and the helicopter came to a stop just a few feet from the ground. They escaped the IED belt and made it home — the injured soldier, tragically, did not survive his wounds.
Although some of our favorite films are pretty “out there” when it comes to pulling off some amazing feats, there are quite a few movie moments that Marines would love to train their asses off for and totally pull off.
In a hostage situation, shooting around the victim and nailing the assailant would come in quite handy — if we could master it. But we doubt we ever could.
How awesome would this be?
2. Shooting out the floor (Underworld)
In many cases, service members have to find clever ways to evacuate from a desperate situation. In 2003’s Underworld, Selene (played by Kate Beckinsale) shoots the floor out in order to escape from vicious werewolves.
This is a great idea; you know, if the physics were possible and humans could handle 20-foot drops.
If it worked for her, it should work in real life.
3. Inverting you fighter jet (Top Gun)
When flying in an aerial dogfight, there’s no better way to send the enemy an FU message like Maverick’s in 1986’s Top Gun. He managed to fly inverted and flip the bird to his rival flying ace.
This feat is near impossible, but “Mav” makes it look easy as hell.
They went ballistic!
4. Putting on a parachute in mid-air (Eraser)
In 1996, director Chick Russell took on a stunt that had audience asking, “How did they do that?” when U.S. Marshal John “The Eraser” Kruger threw a parachute outside of a speeding plane at high-attitude then retrieves the “chute” in mid-air.
We think that’s pretty badass.
Who wants to go skydiving?
5. The backbend bullet dodge (The Matrix)
At times, Marines fight in close quarters combat when charging in enemy territory, and, unfortunately, sometimes they get shot. Wouldn’t it be awesome if they could just dodge incoming rounds like Nero? We think so.
6. Shooting someone through their scope (Saving Private Ryan)
Steven Spielberg knows how to tell an effective story, and he did just that directing 1998’s critically-acclaimed Saving Private Ryan.
After showing the world how American troops stormed the beaches of Normandy, he brilliantly captured the moment when Pvt. Jackson (played by Barry Pepper) takes out a German sniper with a perfectly aimed round right through his scope.
Although it’s reported Marine legend Carlos Hathcock made this historic shot, the myth has been both deemed both “busted” and “plausible” by the same people — the Myth Busters. Regardless, we want to be able to pull it off again, and again. Mostly for bragging rights.
Hobbs & Shaw, the Fast & Furious spin-off film starring Dwayne “The Rock” Johnson and Jason Statham, comes to theaters this weekend, hoping to further solidify F&F as the most bankable franchise that doesn’t involve jedis or superheroes. And once you have enjoyed 136 minutes of watching Johnson and Statham bicker like an old married couple, you will likely find yourself faced with one question: Is there a scene after the credits? After all, sitting around watching the credits roll can be a real bore but it might be worth the wait if the movie ends up giving fans an Easter egg or hints at what the sequel might be about.
Fortunately, this question has already been answered by none other than Johnson himself, who responded to a question about a post-credits scene on Twitter and affirmed that there is a definitely a post-credits scene that will give fans an idea of what is coming next in the Hobbs & Shaw corner of the Fast & Furious universe.
Fast & Furious Presents: Hobbs & Shaw – Official Trailer [HD]
Having seen the film, we can confirm that what Johnson is saying is 100 percent true and while we won’t be sharing any spoilers regarding the scene or the film in general, the scene definitely points to who will be joining Hobbs and Shaw on their next mission to save the world from total destruction.
Of course, this all assumes that there will be a Hobbs Shaw sequel at all. Though, considering that it’s currently projected to make nearly 0 million at the global box office this weekend, we wouldn’t advise betting against the two teaming up again.
Hobbs Shaw comes to theaters August 2.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.