Lionsgate just dropped a trailer for their upcoming sci-fi film Chaos Walking, based on the trilogy by Patrick Ness, who also wrote the screenplay along with Christopher Ford (Spider-Man: Homecoming, Robot & Frank).
Directed by Doug Liman (The Bourne Identity, Edge of Tomorrow), the trailer displays an exceptional representation of the novels’ main McGuffin: the thoughts of men and animals can all be read by anyone.
“We call it the Noise. It happened to all the men on this planet. Every thought in our heads is on display,” intones Mads Mikkelson, ominously.
It takes incredible ingenuity to introduce a unique sci-fi concept — most everything has been done before. Mind-reading, of course, isn’t new either, but usually it is an uncommon gift. In Chaos Walking, it’s not only the default — it’s visually depicted by Liman’s incredible team.
See it for yourself in the trailer:
Dammit this looks cool.
“In the not too distant future, Todd Hewitt (Tom Holland) discovers Viola (Daisy Ridley), a mysterious girl who crash lands on his planet, where all the women have disappeared and the men are afflicted by “the Noise” – a force that puts all their thoughts on display. In this dangerous landscape, Viola’s life is threatened – and as Todd vows to protect her, he will have to discover his own inner power and unlock the planet’s dark secrets.” Official Lionsgate Promotion
“I’m sorry, I’ve never seen a girl before,” revealed Holland’s character upon seeing Ridley.
Not only does the film have a gripping concept, but Casting Directors Nicole Abellera (21 Jump Street, Keanu) and Jeanne McCarthy (Eternal Sunshine of the Spotless Mind, Bill & Ted Face the Music) really nailed their cast list.
Daisy Ridley, hot off her career-launching role as Star Wars’ Rey Skywalker, and Tom Holland, currently on rise to the top as the Marvel Cinematic Universe’s live-action Spider-Man, star in the film alongside Mads Mikkelson (Hannibal, Doctor Strange), David Olylowo (Selma), and Cynthia Erivo (Harriet).
“What happened to all the women?” asked Ridley.
“They’re dead,” replied Mikkelson.
The inherent mystery is intriguing. The implications of such a “Noise” is exciting to explore. Add in that bitchin’ score and honestly I can’t wait to watch this.
Creating a realistic battle scene — whether it’s from World War II or the Napoleonic Wars — demands technical know-how and precise attention to detail.
Paul Biddiss, the military technical adviser on the upcoming World War I movie “1917,” taught the actors everything they needed to know, from proper foot care to how to hold a weapon, “which allows the actor to concentrate on his primary task. Acting!” Biddis told Insider.
Biddiss has worked on projects from a variety of time periods — “large Napoleonic battles through to World War I, World War II, right up to modern-day battles with Special Forces,” Biddiss said.
Read on to learn about how Biddiss prepared “1917” performers for the gruesome, grueling warfare of World War I.
(Air Force photo by Senior Airman Javier Alvarez)
Biddiss spent 24 years in the British military before finding a career in film.
Biddiss, a former paratrooper, started his film career as an extra on the movie “Monuments Men.”
Since then, he has worked on projects like “Mission: Impossible Rogue Nation,” HBO’s “Catherine the Great,” and “The Crown.”
“I always tell people military film advising is 60% research and 40% of my own military experience added in to the mix,” Biddiss told Insider by email.
To prepare for a shoot, Biddiss obtains authentic training manuals appropriate to the conflict.
“I like to first understand the recruitment and training process, the rank structure and attitude between the ordinary ranks and officers,” he said. “This helps me better understand the battles and tactics used by the men and what must have been going through their heads at the time.”
That helps him structure a training program appropriate to the conflict, and safe for the performers — even when he’s short on prep time.
“When tasked to train 500 supporting artists for [the BBC’s] ‘War and Peace,’ I only had three days to research Napoleonic warfare and prepare a safe structured training program before flying out to Lithuania to train the men before a large battle sequence.”
Director Sam Mendes with actors Dean-Charles Chapman and George MacKay on the set of “1917.”
Training on “1917” started from the ground up — literally.
“Foot care was one of the first lessons I taught George [MacKay] and Dean [Charles Chapman], the importance of looking after their feet daily,” Biddiss said, referring to two stars of “1917.” “Basic recruits are taught this still even today.”
Trench foot, a common condition in World War I, is caused by wet, cold, and unsanitary conditions. It can be avoided by keeping the feet dry and clean, but left untreated it can lead to gangrene and amputation.
“The boys were wearing authentic period boots, walking and running in the wet mud all day and if not addressed early would have cause them major problems on set,” Biddiss said. “I taught them how to identify hot spots on the feet where the boots rubbed, taping up those hotspots to prevent blisters and applying talc and clean socks at every opportunity.”
A battle scene in “1917.”
Battle scenes require a lot from performers, but Biddiss said he “would never dream of asking an actor to do something I was not physically able to do myself.”
“I naturally train most days to keep myself in shape” and to instill confidence in his abilities, Biddiss told Insider.
“It’s not a good look if you’re a military adviser and you’re carrying around excess weight” and get winded after a short walk, he said.
Shooting a scene from “1917.”
(Universal Pictures and DreamWorks Pictures)
With hundreds of extras, making sure all the performers were right for the movie was a massive task in itself, Biddiss said.
“We first ran local auditions,” Biddiss said. “I then ran assessments before boot camps to make sure we had the right people who not only looked right, but were coordinated and physically robust to take on the task.”
After the performers were selected, “I started with basic arms drill to test coordination, fitness to test stamina,” he said. “Then to weapon handling, historical lessons, and tactics.”
“There so much attention to detail, like I’ve never seen before on set,” Biddiss said.
Mendes with Chapman and MacKay on the set of “1917.”
Biddiss has to teach the performers how to look and feel both natural and accurate when using their weapons.
Weapons handling is one of the main hurdles in preparing an actor for battle.
“There could [be] over 500 supporting artists on set with bayonets fixed and firing blank rounds,” Biddiss said. “The blanks used are very powerful and can still do permanent damage, so if time is not invested in training it could all go horribly wrong.”
It’s also one of the things he notices other productions often don’t get right. Biddiss said he notices performers never reloading their weapons or always having their fingers on a gun’s trigger.
MacKay in a scene from “1917.”
Throughout the production, the mindset of the performers has to be just like that of a soldier, Biddiss said.
“I like to impress on one aspect,” Biddiss said. “Fear and anger.”
“I tell actors and supporting artists that they need to show both feelings on their faces when about to act a battle sequence,” he said. “Fear of dying, but anger towards the people who have brought them to this situation.”
“There is nothing ninja about soldiering,” Biddiss tells the performers he trains. “You have one job. Close in and kill the enemy.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
“I became a man in the Navy,” he said in a PR.com release. “That’s where I got my first apartment, my first marriage, my first bank account, my first car… it all happened there. That was a good experience.”
“I’ll tell you something bizarre. I was never issued dog tags. It’s part of your uniform, but I never got them. I thought it was for ID. But it’s not to ID you. It’s to ID your corpse. That’s why they make them out of metal,” he was quoted as saying.
After separating from the military, Murphy became the head of security for his little brother, Eddie Murphy, before launching his own career as a writer, actor, and standup comedian. The older Murphy helped write the movies “Vampire in Brooklyn” and “Norbit” which his younger brother starred in.
Charlie also played small parts in “Night at the Museum,” “The Boondocks,” and the 2012 reboot of “Teenage Mutant Ninja Turtles.”
Military movies traditionally focus the lens on the troops fighting overseas while skipping the story of the families at home.
Here are 6 movie scenes that remind viewers how hard the lives of military spouses and children can be:
1. “We Were Soldiers” – Notification of next of kin
Families of deployed service members live with the dread of a casualty notification officer showing up. Families from the Vietnam War and earlier conflicts had the same fear, but it was embodied in taxi drivers who delivered dreaded telegrams. In “We Were Soldiers,” Julia Moore almost loses it when a cabbie walks to her door. Luckily he’s not there for her, just directions to another house.
2. “A War” – Family members are never the only priority
Service members have to juggle the needs of the nation with the needs of their family. In this clip from the Oscar-nominated “A War,” the commander’s wife argues for her husband to say whatever it takes to avoid jail time after an errant airstrike. For Claus Pederson, the commander, the necessity of supporting his family’s needs has to be balanced with the needs of his troops.
3. “American Sniper” – The family never knows when the service member is safe, except when they know they aren’t
Troops usually know whether the current danger level is high or low. They get updated on local threats, know when they’re safe behind walls or in the most dangerous part of the battlefield, and are watching out for enemies.
For family members, the threat is always real and they never know if their soldier is in relative safety or outside the wire. The only exception is when they’re actively speaking to their loved one, in which case every background noise is terrifying.
4. “The Hurt Locker” – The soldier who comes home may not be the one who left
“Hurt Locker” was Oscar gold but hated-on by vets (for good reason). But it got some parts of the military experience right. In this scene, explosive ordnance disposal technician William James is playing with his son while talking through his own scars from deployment. The family will often want to help, but troops may want to talk only rarely or not at all.
For James, the best course of action was apparently to talk to the only family member who can’t possibly understand.
5. “American Sniper” – PTSD can be a tough problem for military families
While most movies overplay the symptoms of PTSD, “American Sniper” earned a lot of credit for portraying a vet afflicted by the disorder as mostly just stuck in their own thoughts, rather than showing them as a caricature of violence.
American Sniper had other good scenes about vets struggling with normal relations at home, including this one from a barbecue and the scene in a mechanic’s shop.
6. “Independence Day” – Military families face national crises without a head of household
While “Independence Day” is hardly a gritty war movie, it contains one scene that reflects a dark reality for military families. When Will Smith’s Capt. Steven Hiller learns that aliens have arrived on earth, he immediately heads to base to get ready for a fight.
When the U.S. was attacked on 9/11, most Americans were reeling from the surprise attack and military families had to recover while their loved ones went to bases to get ready for deployment. President George W. Bush even said in his speech for all Americans with a uniform to get it ready.
Peter with his platoon at Army boot camp. He is third row from bottom, far right. Photo credit Peter Markle.
Peter Markle grew up during a period of intense change for the country with the Civil Rights Movement and the Vietnam War etched into his mind. His father proudly served in WWII in the Pacific where he brought those hard-learned lessons and values back to the family, which greatly impacted Peter. After time in the U.S. Army Reserves and on the USA Hockey Team, Markle decided to become a filmmaker. He has directed many great films, especially military and historical ones, to include Bat 21, Faith of my Fathers, Flight 93, Saving Jessica Lynch, Nightbreaker and Youngblood. Markle has also directed numerous episodes for hit shows including the X-Files, CSI, Without a Trace, Life, NYPD Blue, Burn Notice, Rescue Me, ER and Homicide: Life on the Street.
WATM: Tell me about your family and your life growing up?
I was born in Danville, PA. in the Geisinger Hospital that my mother’s father started. We lived on a farm outside Hazelton, PA. I have vivid memories from my first years there. The barn and particularly the hay loft, the fresh fruit that was picked daily in season, the creek where one of the workers killed a water moccasin one day. In first grade we moved to Minneapolis where my father got a job at a bank and I was introduced to a real winter. And the rink directly across the street in the park where I discovered ice hockey.
When I grew up there was no social media and absolutely no restrictions what you did with your free time when not in school. We had a black lab that left the house in the morning with us, went on his own way when he got bored with our activities which included exploration, sports, fishing etc. My dad hung a huge bell that could be heard
a half a mile away which was rung for lunch and dinner. The dog was always the first one back. Times have changed. We had enormous freedom and there was no temptation to bury our faces in smart phones. All activity was self-created.
I distinctly remember being fascinated the movies and got completely lost in them at the local cinema which is still there today. One of my favorites was Shane with Alan Ladd. Years later his son, Alvan Ladd, Jr. greenlit one of my films (Youngblood).
Markle with Flint Generals (IHL). Photo credit PM.
I continued hockey throughout high school and my senior year was asked to join the Olympic Hockey development program which ran through the summer. I played at Yale, had a tryout after my senior year with Boston, played minor league hockey and then three years with the US National team participating in two World tournaments.
Markle with the USA team. First row second from the right. Photo credit PM.
WATM: What is the most distinct memory of your mother and your father?
My parents were very social and community involved. My dad was one of the founders the youth hockey program in our area which started with one team and expanded in a few years into 500 participants. My mother worked throughout her life for hospitals concentrating on rehabilitation. Her interest in health care no doubt emanated from her father who was first assistant surgeon to Will and Charlie Mayo and at one point in his career became President of the American College of Surgeons. They were both extremely social and the vast majority of their best friends served in some way during WW2, many as Naval pilots. My dad was interested in everyone he met. He was the best listener I’ve known. That did not imply he didn’t have a point of view. His advice was judicious and more than often accepted. My mother was a community organizer. That would include in her community as well as her hospital work. Her friends would call her in the morning for their marching orders for the day.
WATM:What values were stressed at home?
It was the traditional ‘Golden Rule’. It’s a timeless aphorism and sometimes hard to follow in a competitive world like film but being honest and empathetic wins out in the short and long run. My mother also told me that lying not only was reprehensible but far more difficult to keep track of than the truth. Both underscored that failure was the inevitable pathway to success. It all depends on how you react to it.
WATM: What influenced you to join the US Army, what was your experience and what lessons did you take away from your service?
I graduated from college at the height of the Vietnam conflict and joined the rest of my class in deciding what was the next move. A significant number of the class including myself applied for the Naval OCS (officer candidate school) in the language division which was in Monterey, Ca. The sample copy of the test which was based on a made-up language was circulated around the campus. I remember looking at it and getting the gist of the concept. Apparently, the other students there got the gist as not one of several hundred who took it missed a question. There was some sort of investigation by the Navy, but it was dropped. I did not attend OCS and assumed upon graduating I would be drafted. I was playing professional hockey when I was told to report to Fort Snelling where the Minnesota Army Reserve was located. I was with four other players at the end of a 200-person line when our names were called, and we were told to report to the front. We were all inducted into the Reserves and told that we would all get time off when playing for the US National hockey team including world tournaments. A month later I was in Stockholm.
Peter lining up for the action shot even before becoming a director. Photo credit PM.
I did basic training at Fort Leonard Wood in the middle of the summer. It was incredibly hot and humid. I made fast friends in my platoon and had a great drill sergeant. It was a lot like summer football camp but with longer hours. Up at 4am for a 5-mile run in army boots to lights out at 10pm. I was told that you had to learn how to stand in formation while asleep. Done. We had soldiers who gained 80 pounds (never had more than one meal a day) and others who lost 80 (never ran over 10 yards in their lives before). It was a very different mix from my fraternity in college where we had 4 Olympic Swimmers (including Don Schollander who won 5 gold medals and Calvin Hill who was All Pro in the NFL. As a footnote The President of the frat my sophomore year was Fred W. Smith, founder/CEO of FedEx and decorated US Marine in Vietnam, and for my senior year it was George W. Bush who also ended up in the Air Force Reserves.
The harassment was handed out pretty democratically until the PT contest. Parallel bars, low crawl, 100-yard man carry, the 6-minute mile in army boots, push ups etc. I scored the only perfect score in my company (200 men) and was given the weekend off. That would not have happened if my 98-pound roommate, Eddie Pragg, didn’t let me use him for the man carry.
I have to underscore that my boot camp experience on every level was positive. It was tough but extremely well organized. The officers were exacting but fair. The staff was totally professional. It ran like clockwork at a time when so many were going through the turnstile each day. There are some correlations to making a film where it demands a unified front and an ability to make quick adjustments according to the situation at hand. I was just a grunt in the machine but there were numerous examples among the staff on every level as well as my fellow platoon mates that have stayed with me my entire life.
No one knew other than a small handful of reservists as to whether they would end up in Vietnam. I did not have to confront the prospect of being shipped out. I realized that I was uniquely privileged. I did OJT (on the job training) at Fort Ord in Chicago before ending back in Minneapolis for weekend duty once a month at Fort Snelling. Motor pool, clerical work, city public projects. No riots or disasters to contend with. We did summer camp at Fort McCoy in Wisconsin and in addition to my normal duties and drills I was an editor of the camp newspaper distributed the last day. I decided to take a somewhat satirical angle on the experience and was surprised at the reception. There was laughter, soldiers reading bits out loud and fortunately no reprisals from the brass. I was encouraged to write by my freshman English professor in college and never took it seriously until listening to the reception of my version of ‘The Onion’ distributed around camp.
I would be remiss not to mention that it was my father who was the real soldier. He dropped out of the University of Pennsylvania to join the Navy. He got his pilot license at 17 and became one the youngest flight instructors in the armed forces during WW2. He was assigned to the USS Bataan, a light aircraft carrier, and fought in the last years in the Pacific through the surrender which he witnessed being docked next to the Missouri in Tokyo Bay. Because of his flight experience he was put in charge of the CIC (combat information center) directing planes when airborne, spotted bogies (enemy planes) and skunks (unidentified surface ships) basically directing aerial combat operations along with the brass. They were in the middle of the kamikaze blitz and had numerous close calls. He witnessed both the Bunker Hill and the Franklin take direct hits some less than 200 meters away with the loss of over 1000 sailors. During one Kamikaze attack a sister ship got hit and 19 soldiers were thrown overboard. Dad marked his ship’s position using the DTR (dead reckoning system) and he convinced the brass to take 8 ships after dark for a search. They implemented a staggered zig zag course for six hours and miraculously found the sailors within 10 minutes of the search stop order. To be noted as well, his brother, Alvan, landed on Omaha Beach, fought 5 major battles in the Bulge as an artillery captain and was honored the Chevalier of the Legion of Honneur by the French. He attended the 70th Anniversary of Normandy.
Peter’s father (Thomas) during WWII. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
WATM: What values have you carried over from the Army into directing and writing?
It’s a tiresome analogy but it would be teamwork. I’ve been on series where one show had 4 stages in use at the same time. One devoted primarily to build sets designed for a particular episode, another three with sets for shooting a current episode, pickups from previous episodes and for the next one. Well over 100 people will be working to accomplish the same goal. Each department head is crucial to the mission (production; accounting; director and assistant directors; art; camera; casting; catering; construction; costume; lighting; grip; locations; makeup/hair; medic; post-production; property; publicity; research; script supervision; set dressing; sound; special effects; stand-ins; stunts; transportation; video playback; visual effects. The similarity to the chain of command in the military is obvious. Lots of departments. Lots of personnel. And all interdependent with one another. I guess the ‘weakest link in the chain’ is a prevalent dynamic in both film and the armed forces. I was shooting a film in Borneo (Bat 21) and the special effects department head had set a series of explosions along a path through the jungle Gene Hackman and Danny Glover would run by. This was primarily done using a nail-board which each nail represented an explosion. After going hot contacting the individual nails with metal (could be a screwdriver) set off the blast. The department head said that he was going to use a computer program instead of the old system, the ‘eyeball approach’. I questioned whether it made sense to switch now but he said it was safer. I called action and Danny and Gene started running along a riverbank. An explosion (representing a bomb) goes off so close to them that they both instinctively duck and cover their faces but continue running. The second explosion is closer, and we get the same reaction for the talent. I look over at effects and he is white as a ghost. The shot was incredible, but we almost lost two actors. Back to the nail board. We never told Gene or Danny.
WATM: What is the most fulfilling project you have done and why?
I guess it’s always the first one because you actually pulled off the impossible. It was a low budget comedy called The Personals where no one was paid. It got great reviews and a crazy learning experience. Bat 21 was up there for the subject matter, the location and working with Gene and Danny. Flight 93 was the first 9/11 film and it was done for AE TV. It was nominated for and won a bunch of Emmys. It was also a challenge to write because the majority of the account took place on the plane. The 9/11 Commission report had just come out and had a great deal of information that I was able to incorporate into the film. We covered not only the drama on the plane but also the families as well as the air traffic controllers and military involvement on the ground.
WATM: What was your experience like in working with such talents as Gene Hackman, Danny Glover, Senator John McCain, Kiefer Sutherland, Dennis Hopper, Daryl Hannah, Rob Lowe, Patrick Swayze, Keanu Reeves, Cynthia Gibb, John Candy, Jerry Reed, Joe Pantoliano, Ed Lauter and the like?
After a tryout with the New York Islanders and being assigned to a farm team I made the abrupt decision to become a filmmaker. A good friend of my parents told me something that I never forgot – ‘If you do something you love you increase the odds a hundred-fold that you will be happy and successful.’ I gave it a shot. I ended up doing several military related projects including Bat 21 with Gene Hackman, Faith of my Fathers with Scott Glenn and Shawn Hatosy, Saving Jessica Lynch, Flight 93 and Nightbreaker with Martin Sheen and Emilio Estevez.
All were based on true stories. Bat 21 chronicled the rescue of a 52-year-old Air Force Colonel who was flying a mission to identify through electronic surveillance SAM missile sites that would be knocked out by fighter jets prior to a B52 carpet bombing. His plane was hit by a SAM and he ended up in enemy territory with no ground combat experience. He was guided to his rescue by a spotter plane that flew daily missions tracking him. Gene Hackman played the Colonel and Danny Glover the pilot. Both actors were terrific to work with. Gene prepped at night and arrived early in the day to walk the ‘set’ (only locations in our case). I don’t think I ever did more than 3 takes with him in a scene. Danny is a natural and had great insights into his character. All day aerial shooting was done with him in the plane. It was 95 degrees, humid and our takes had to be limited to seconds in some cases. It was major hazard duty, but Danny embraced it. At times he had control of the stick and relied on our stunt pilot in the other seat to let him know when to bank away.
On the set of Bat 21 with Gene Hackman and Peter. Photo credit Peter.
Clayton Rohner and Danny Glover in Bat 21. Photo credit IMDB.com
Faith of my Fathers was based on John’s McCain’s early days at Annapolis through his release from the Hanoi Hilton where he was imprisoned for 5 years. Shawn Hatosy was remarkable as he had to age 20 years over the course of the film in portraying John. Scott Glenn was perfect, giving an understated yet powerful performance as his father who was commander of all U.S forces in the Vietnam theater. McCain himself visited the set in New Orleans where we reconstructed an abandoned brewery into the prison. One day I watched him walk over to a cell by himself and enter. I joined him and asked him what he thought. His reply, ‘it’s identical. But you know at times I actually miss it.’ Perplexed, I asked, ‘miss what?’ John replied, ‘being there. I made some great friends. It was one of those shared experiences that forms you for the rest of your life.’ That summed up John McCain for me.
Peter, Shawn Hatosy and Senator John McCain on the set of Faith of my Fathers. Photo credit Peter.
Saving Jessica Lynch was a jingoistic, short of the facts script when I received it. I did extensive research which included interviewing soldiers who were in Iraq and one we hired as an extra who was part of the actual rescue effort. The final product told the real story: A convoy consisting of essentially non-combat personnel (cooks and clerks) made a couple of bad decisions and ended up driving through a town inhabited by Fedayeen. The New York Times and other reputable news outlets broke stories that our film debunked. Lynch did not shoot back during the attack. Eleven American soldiers died. She was taken to a hospital and was on her back through her rescue. The Times wrote a retraction after the film aired praising the film for its authenticity.
Laura Regan in Saving Jessica Lynch. Photo credit IMDB.com
Pete and Laura on set. Photo credit PM.
A scene from Saving Jessica Lynch. Photo credit IMDB.com.
Peter directing a scene of Saving Jessica Lynch. Photo credit PM.
Just before filming starts on the set of Saving Jessica Lynch. Photo credit IMDB.com
An action sequence from Saving Jessica Lynch. Photo credit PM.
Nightbreaker was a pet project of Martin Sheen. It chronicled the use of army soldiers as guinea pigs to determine the short- and long-term effects of being exposed to a nuclear blast. This was a story from the 50s when nuclear proliferation was at its apex. Emilio plays Martin role as a young man during the actual tests. It tracks the character in middle age trying to come to terms with his involvement. Both actors were terrific to work with and inhabited the pervasive guilt from being involved in the malignant endeavor. Joey Pantoliano played a Sergeant who was in charge of a platoon of guinea pig soldiers and brought the entire range of conflicted emotions to his part.
Peter with Martin Sheen on the set of Nighbreaker. Photo credit Peter.
Joe Pantaliano, Peter and Emilio Estevez on set for Nightbreaker. Photo credit IMDB.com
Peter and Martin on set. Photo credit Peter.
Flight 93 was the first film about 9/11. Obviously, there was a military component as soon as it was discovered that it was a coordinated terrorist attack. I remember someone seeing the film and mentioning that it must have been harrowing to make. I noted that our fuselage (the real interior of a 757) was flying at an altitude of one meter, zero knots and within a 15 second walk to craft services (snacks). The best we could do would imagine how we would have reacted in the situation. Would we have been that heroic? Would we be at the head of the conga line attacking the cockpit or hiding in the bathroom in the back? Maybe somewhere in the middle? The coordination between the military and the civilian air services was impressive even though three of the four targets were hit. The passengers on 93 had more time to gather information and communicate with ground control so enable them to coordinate an attack.
Peter on the set of Flight 93. Photo credit IMDB.com
What the outside of the set looked like. Photo credit PM.
Peter working with the cast on Flight 93. Photo credit IMDB.com
More on set work for Flight 93. Photo credit IMDB.com
93 was an intense journey as are all films. Lots of moving parts, decisions, conflicts and compromises. But ultimately it is teamwork that wins out.
Rob Lowe, Pete and Patrick Swayze on set for Youngblood. Photo credit IMDB.com
Pete (bottom center) with the cast and some crew of Youngblood. Photo credit IMDB.com
Youngblood was a passion project and a blast to make. It was about a young hockey player from the US trying out for an elite Canadian junior team. Rob Lowe, Pat Swayze and Cindy Gibb were the leads. Keanu Reeves played a goalie and it was his first job in a film. Goalies are characters because it’s such an insane position and he was totally quirky in the audition. Rob was great to work with. He had no previous experience skating but progressed quickly enough for us to make it work. He had two doubles who filled in the action scenes who were both elite players.
Pat was a figure skater and quickly adjusted to hockey skates. Rob would agree with me that Pat was a force of nature. He’d be working on 10 other personal projects when not on the set. He composed the song ‘She’s like the Wind’ in his hotel room using a portable mixing setup. We had two scrimmages a week during prep with crew and our hockey extras. Our extras were elite players (two went into the NHL a month after wrap and had huge careers). An executive from MGM came up to make sure I wasn’t participating in the games for obvious reasons and was taken to the rink and just as he sat down, he saw me collide with another player. Pat who knew the exec was there skated over to me and said ‘stay down. He’ll have a heart attack.’
Rob, Peter, Ed Lauter and Ken James. Photo credit PM.
Pete on the ice with his DP Mark Irwin. Photo credit PM.
Tony Danza, Pete, Nick Tuturro and Samuel L. Jackson on the set of Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Frank Vincent, Tony Danza and Pete on Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Danny Glover and Pete sharing a moment. Photo credit PM.
Dayton Callie, Michael Madsen, Pete and Dennis Hopper on the set of The Last Days of Frankie the Fly. Photo credit IMDB.com
Pete on the set of “The X-Files” with David Duchovny. Lily with the poncho, Pete, David and Melinda (Pete’s wife) Photo credit IMDB.com
Peter and Louis Gossett Jr. on the set of El Diablo. Photo credit IMDB.com
Pete and Daryl Hannah taking a break on The Last Days of Frankie the Fly. Photo credit IMDB.com
WATM: As a veteran, how do we get more veteran stories told in the Hollywood arena?
There are so many diverse stories that can be told. The multiple perspectives include what branch of service, when, the mission, the soldiers involved, fact or fiction etc. Like any project it depends on the strength of the narrative and its ability to attract the actors that help finance the project and the studio/production company to green light it. Personally, I think the number is infinite. All conflicts are different just like every individual is different.
Dennis Hopper, Pete and Kiefer Sutherland on The Last Days of Frankie the Fly. Photo credit IMDB.com
Gillian Anderson and Peter on the set of “The X-Files”. Photo credit IMDB.com
WATM: What are you most proud of in life and your career?
First would be having a family which I did at an advanced age. I met my wife, Melinda, while casting a television film. I guess you could call it an acceptable version of the casting couch. That is to say I wasn’t the only one in the room and it wasn’t at the Peninsula Hotel. She was the best actress for the part, and I was immediately attracted to her by her performance and presence. We laughed and argued (about the role) in the room. I knew she was going to be a challenge, but it has made our lives infinitely interesting. And, of course, I’m a guy and like most of our species have not progressed that much from the stone age. We have two kids, Lily and Lucas. As moms and dads know, when children make an appearance, life as you knew it evaporates. But in a good and challenging way. When they got into their teens, I learned so much. Such as I was a horrible dresser and not to yell at basketball or soccer officials. We taught them both to ski and the progression of literally carrying them down the hill to not being able to ski any of their favorite double black runs with them is humbling. You realize that you can give them some direction but that they are on their own paths and need to fumble and fall and learn to pick themselves up again.
Per career I think it would be not willing to quit. To keep trying. I never had a film gross 100 million and did not play one game in the NHL, but I was rewarded in countless ways for my efforts. I have met so many wonderful, dedicated, talented people along the way which is one of the most valid ways to judge one’s life. And I can say that my time spent in the Army was an integral part of the on-going journey.
On February 10, 2021 – Fox Nation will air Walk in My Combat Boots, its newest military special.
The one-hour special will be presented by Best-Selling Author James Patterson and Army First Sergeant (ret.) Matt Eversmann, whose story was featured in Black Hawk Down. The aim of the television special is to give viewers a true look behind the curtain of service to country and what the implications of that service actually mean.
Patterson’s book list is filled page-turning well-known thrillers like the ones featuring character Alex Cross, who was portrayed by Oscar-winning actor Morgan Freeman on the big screen. He recently partnered up with Eversmann to write Walk in My Combat Boots, released February 8, 2021. The new book features stories from veterans across the span of the past fifty or so years and was created after undergoing hundreds of interviews with service members. This collection of stories takes the reader deep into what military service is really like.
One review of the book said it best: “Up close war is a tapestry of individual stories, as painfully raw, improbably funny, and completely human as the soldiers themselves. James Patterson and my former Ranger comrade Matt Eversmann, have brilliantly woven together an image that is as compelling as it is entertaining.” ―Stanley A. McChrystal, General, US Army (Ret.)
It was this groundbreaking book that was the inspiration for the Fox Nation special.
Eversmann himself will share his experiences of war and the jaw-dropping daytime raid he led fellow rangers on back in 1993. It would be those hours that would lead to the world-renowned book and eventual movie, Black Hawk Down. He was awarded the Bronze Star with Valor for his courage and heroism during that battle, which he eventually wrote about in The Battle of Mogadishu: Firsthand Accounts from the Men of Task Force Ranger. Eversmann would go on to teach and eventually live with the Iraqi Army for 15 months during The Surge of the War on Terror. Following his retirement from active duty, he dedicated his life to serving the veteran community.
The reality of the after effects of war is hard to comprehend for the American public who may only read about things that occurred or see it portrayed somewhat realistically on film. This special takes you deep inside what comes after service and it isn’t always the pretty red, white and blue you imagined.
For the special, Patterson and Eversmann bring in Retired Army Sergeants Jason Droddy and Kevin Droddy, who are twins, to recount their experiences before, during and after service. In the clip shown to WATM we hear how the men did everything growing up together and it was no surprise to anyone that they enlisted and served together as well. In fact, they would even be put into the same unit, 3rd Ranger Battalion and deploy together. They’d be doing everything together, except combat. In the special, the viewers will hear the recounting of that experience.
Those watching at home will also hear from retired Sergeant Jena Lewis and Retired Staff Sergeant Jon Eyton, as they tell their stories of loss, combat and coming home.
As America heads towards 20 years at war, this special has never been more relevant and needed. While stories of the troops’ heroism and loss used to dominate the television and newspapers fifteen years ago, they are barely a line or two today. To truly thank a servicemember for their service, you must first recognize and understand what the true cost of war is and what serving the country really looks like.
Walk in My Combat Boots on Fox Nation will show you.
Being on patrol in a war-torn city means there’s going to be plenty of random objects laying on the ground. A cute and cuddly rabbit may appear innocent, but in a combat zone, anything can be rigged to blow.
Although this is an enemy booby trap, it was well placed and constructed.
What are you picking up a stuffed bunny for anyway? It’s creepy. (Source: Warner Bros. /Giphy images)
2. Do: stay low
Staying as low as humanly possible is important as seen in “Enemy at the Gates.”
3. Do: have situational awareness
In the infantry, it’s very important to have a solid 360 degree of security in place so the enemy can’t sneak inside and stab you in the stomach like in 2008’s Ben Stiller-directed “Tropic Thunder.” The movie may have been incredibly goofy, but they make a good case how vital it is to know who is in your area.
In any infantry manual, the importance of taking up a spot that defends you from incoming enemy fire is vital. We’re guessing Cowboy, played by Arliss Howard, skipped that chapter of the book while attending the school of infantry.
“Why didn’t you guys tell meeeeeee?” (Source: Warner Bros. /Giphy images)Can you think of any others? Comment below.
Any attempt to make a network TV show about Marines feels forced. I mean, c’mon, if you’ve ever been around Marines for more than 5 minutes, they will already have: cussed 30 times, tried to talk you into day-drinking, and drawn a penis on something nearby. They can be hilariously fun.
But they’re in a courtroom for this one, so maybe this one will feel… different — right?
Not so fast. Maybe it’s the out-of-regs hair, maybe it’s the hacky love storyline, or maybe it’s the fact that every Marine is portrayed as so serious — but something about The Code feels off, in the same way, many others before it have…
The Code is basically if you put JAG and Law and Order in a blender with flat soda.
There have been a lot of shows about the military. As soon as one is dropped, another cookie-cutter copy is dropped in its place. It’s like one big hair-out-of-regs version of Medusa.
But some have been really good: M*A*S*H, Band of Brothers, JAG (for the first 8 seasons), even the under-appreciated The Unit. More have been not-so-good: The Brave, Valor (which ran walked alongside The Brave for the entirety of their short run walk), Combat Hospital, Last Resort, the last 2 seasons of JAG, and many more.
Some people enjoy the “not-so-good” ones, and that’s fine, too. It would be an awfully boring world if everyone loved the same things.
But the “flyover state” blue collar audience is often overlooked by major networks. There is something irksome about the military shows that are churned out; they’re interchangeable and one-dimensional, and therefore come across as pandering. None of it feels real, it feels like someone giving a book report on something you know they didn’t read—and you can only stand to stomach someone BS-ing the same classroom about Catch 22 for so long.
Yes, the show has to be dramatized for effect. Yes, some things are going to be “Hollywood” for the sake of a wider audience (at one point a judge literally declares “you will be held in contempt of court” like a Saturday Night Live cold open). I’m sure doctors are sick of the medical procedurals where everyone has lupus, but millions of people love and watch them.
But The Code has some inaccuracies that are particularly grating for a military audience that is worthy of something more dynamic.
One is obvious—get that man a damn haircut.
Also, it’s no surprise that the lead is a heartthrob with no discernible personality traits other than being uber handsome. Dude is literally a walking Ken doll. Not exactly an embodiment of the Marines I’ve met, many of whom are some of the zaniest and insanely crass men ever. They’re not a milk-toast copy/pasted trope—they’re fully dimensional people with faults and ambitions and shadows and humor. Reducing every Marine to a simple hardass archetype, (or worse, force an overly polished Marine without specificity) isn’t just hard to believe—it’s boring.
The uniform on the female captain does appear to be short for the military too. And private school. Maybe public school.
You could poke holes in the battle scene of any TV show, but this one is just annoying, you got the fore-grip man, use it! That’s like eating cereal with a fork, it works, but you look like you got some milk on your lip.
And lastly, you may be hard pressed to find someone who refers to the Uniform Code of Military Justice as “the code.”
Compile all of those, and it’s no wonder why it feels “off” to watch. But The Code does have redeeming qualities: it covers the increasingly significant issue of troops with traumatic brain injuries, it translates military-speak to a civilian audience in a seamless fashion, and it sidesteps being “preachy” or political.
So it’s not all bad. It’s just too familiar. We’ve seen this all before, and it leaves you with an itchy deja vu feeling.
Is the latest out-of-regs entry onto the head of Medusa. The Code? I guess we’ll have to wait and see.
Anyone over the age of 25 was likely forever scarred by the combination of a creepy TV theme song and the voice of a classic film actor telling us about how we could be living our normal lives one moment, and then suddenly be abducted by aliens, shot by a stranger, or murdered by ghosts the next. Once you join the military, you might think you’re safe from being a walking potential story on Unsolved Mysteries. But you’d be wrong. The best you can really hope for is a quicker “update” segment.
1. Paul Whipkey
In Season 3, Episode 21, Unsolved Mysteries showed the story of Lt. Paul Whipkey, a promising young officer whose health was affected by the atomic testing projects he worked on. One day, he decided to drive to Monterey, Calif., just one mile from his base at Fort Ord. He disappeared and was never seen again.
His car was found abandoned in the middle of Death Valley. The Army says he was stressed about his assignment so he left the car and walked into the desert, where he likely died. His family and friends obviously take exception to this theory for a number of reasons.
First, the Army declared him a deserter and didn’t even begin searching for him or his body for eight months. His commander remembered Lt. Whipkey talking with plainclothes officials. The men had IDs but did not show which agency they represented. Whipkey then alluded to a career move, where he would “make a name for himself,” just before he disappeared.
Just 11 days later, Whipkey’s best friend Lt. Charlie Guess died in a plane crash, where his remains were found among plane wreckage different from the tail number of the plane he took off in.
Whipkey’s car was seen by locals after his disappearance, but it was driven by a man in uniform, which Whipkey was not wearing when he left the base. And next to the car was found was a pile of cigarette butts. Paul Whipkey did not smoke.
His family and friends believe Paul was recruited by the CIA to go one secret operations and that he likely died in the CIA’s service.
2. Edward Zakrzewski
This one was a pretty straightforward case, but when it first aired on the sixth episode of Unsolved Mysteries‘ seventh season, former USAF Tech. Sgt. Edward Zakzrewski was featured as a fugitive, wanted for the murder of his wife and two kids.
Zakzrewski and his wife were living in Fort Walton Beach, Fla. when she was found murdered to death on June 13, 1994 (according the the show, she was stabbed but the newspapers say she was bludgeoned with a crowbar). The two had been having marital problems and she was planning to leave him.
This story was creepy as hell when it first aired, but…
In season 7, episode 19, Unsolved Mysteries told us about Justin Bergwinkel, who went AWOL from the Army and was never seen again. He began language training for the Army Rangers, but washed out of the program before being sent to Fort Ord, California, where he became a cook.
He began dating a local student, Iolanda Antunes, and all seemed well for the most part. Until it wasn’t. He would drive to visit her but would randomly say he had to return to base. Other times, he would be bizarrely secretive about a briefcase he was always carrying.
Justin was soon transferred to Washington State, but would still come visit Iolanda. After Iolanda received a strange call telling Justin “the mission is off” he suddenly went back to his duty station. Things seemed to calm down. His parents were getting calls where he claimed to be doing well and that everything was fine. I think you can guess that things were not fine.
Burgwinkel purchased two handguns at this time, along 100 rounds of ammunition. On Friday, June 4, 1993, he failed to report for duty at 0430. He was declared AWOL but was not hiding. He called his duty section from Iolanda’s apartment. He called his parents and told them he was working and not AWOL – he was doing something important.
Eight days later, he left Iolanda’s apartment and never came back. He only ever alluded to the movie White Sands, a film about gunrunning, and then disappeared. His car was abandoned at a beachfront motel near Monterrey, where it had been for three months.
The briefcase with his wallet, car keys, and military ID were found in the trunk. He did not stay at the motel.
4. Chad Langford
The story of Spc. Langford was featured in Season 5, Episode 20. Langford was an MP stationed at the Redstone Arsenal in Alabama. On a pretty normal night, he was doing his usual patrol of the base when he radioed for assistance. When backup arrived, they found his radio, armband, and ID in the middle of the road. Down the street, Langford’s near-lifeless body was found outside his patrol car, shot in the head.
Langford’s sidearm lanyard was wrapped around his ankles, the radar cable around his neck, handcuffs on his left wrist, and his sidearm under his left shoulder. He died later that evening. The Army ruled it a suicide.
His family was outraged. Langford’s father Jim said he claimed to be doing undercover anti-drug stings for the Army. Fellow soldiers told Army criminal investigators that Chad was the ringleader of an attempt to rob the PX. The Army also maintained he was hurt about a recent breakup with his girlfriend and changed his lifestyle to fit a different narrative before taking his own life.
But his girlfriend says the breakup was initiated by Chad because his work was too much for him to share with her. When she last saw him, he was wearing different “gang-style” clothes and hanging with “unsavory” characters.
Chad’s family believes the evidence at the scene doesn’t match the Army’s story and that certain evidence, such as fingerprints and bullets to match the shell casings on the scene, was never found.
Though the Army reviewed the case after the broadcast, Chad Langford’s death remains officially a suicide.
5. Mark Dennis
In 1966, Corpsman Mark Dennis left Ohio for Vietnam. He thought it would be good for his future as a missionary. Dong Ha, Mark’s station, was a hotspot at the time. In July of that year, he was on a helicopter that was shot down with only three survivors. Mark was not one of them. The Navy suggested they not view his remains due to the condition of his body.
On Nov. 30, 1970, Newsweek published a photo of an unknown POW…one that looked just like Mark Dennis.
But the Navy determined it was someone else, a POW already documented. When the family requested his Navy death certificate, they found that Mark’s body was the only one not positively identified because it was burned beyond recognition. It was deemed Mark though the process of elimination.
That’s when Steve Wilcox, a Navy dental tech who was friends with Mark in boot camp, told the family of a friend from Mark’s unit. This friend told Wilcox that neither his corpsman material nor his dog tags were found in the crash and that there weren’t 13 bodies recovered.
The Dennis family then exhumed the body. The remains were covered by his uniform, and then a blanket. Pinned to the blanket was his dog tags, as per regulation. When his brother (a fire expert) examined the dog tag, he found them to be brand new and the burn markings inconsistent with a crash burn.
A privately-funded forensic analysis of the remains show a man five inches shorter than Mark Dennis. Furthermore, the body in the coffin was not burned by JP-4 fuel, but with regular gasoline. The family and his unit believe Mark never died that day.
Mark Dennis was not repatriated with other POWs when the war ended in 1973.
6. David Cox
This one is the true story of William Alvarado, who was nearly killed during a hazing incident, known as a “code red” for writing a Senator about Marine misconduct. You may recognize this story from A Few Good Men, because that’s movie based on these events.
The squad leader, David Cox, was convicted only of simple assault, claiming he was following an “implied order” from a superior officer. When the movie came out, he felt he was maligned in the film – after all, in real life, no one died. He and other Marines filed a lawsuit against the filmmakers.
As time passed, David moved in with his girlfriend and was hoping to get a job at UPS. That’s when he disappeared. One day, his girlfriend came home to find all the doors open, an uncashed paycheck in his truck, keys in the ignition, and a gun in the glove box.
Four months later, his body was found five miles from his apartment, cash and credit cards in his wallet. He was shot four times, execution style, while wearing his Marine Corps jacket (which he never wore). Investigators believe he knew his killer and went along willingly.
David’s mother warned he was too outspoken about U.S. activities in Cuba, especially in his high-profile days following the release of A Few Good Men. His former defense attorney believes his murder was related to the military, given the proximity to hunting ranges (where gunshots would be normal), and his choice of military attire.
The murder remains unsolved.
7. Joe O’Brien
Season 8, episode 1 brought us the story of Joe O’Brien, who had a vivid dream about being held prisoner in a cold cell, with only a striped blanket. His wrists were in terrible pain and even when he woke up, he found his hands sore and red.
Joe was worried about his friend Mohammed “Sammy” Mubarak, a Kuwaiti fighter pilot who was fighting in Operation Desert Storm. In the weeks following his vivid dream, Iraq surrendered.
Sammy came to visit Joe over Christmas the following year. Joe told Sammy of his strange dream and how the pain stayed with him for so long. Sammy told Joe his dream was Sammy’s reality – Sammy was held prisoner by the Iraqis on the same day.
Everything Joe saw in his dream, from the hand pain to the pattern of the blanket, was what Sammy lived as a POW.
Troops are very acquainted with using blank rounds. We slap in a magazine filled with them, screw on a blank-firing adapter (or BFA), and continue training for the day. Without fail, we go out and someone inevitably takes a photo of themselves trying to look all badass like in the movies — but they can’t. That BFA just looks ridiculous and lets everyone know immediately that they’re just training.
So if you really want to look as badass as they do in the movies, you have to look at how the special effects teams on a film set do it. They’re obviously not firing actual, live rounds at each other during the film’s climactic ending — that’d violate so many safety regulations and break countless union rules — but to us, the audience, it feels real.
They’re firing firing blanks, just like the troops in training, but they’ve some ingenious ways of hiding that fact.
When you put the flash hider back on, you can’t tell the difference unless you’re up close and personal.
(Combat Disabled Veteran’s Surplus)
Most semi-automatic firearms use the gas expelled from ejected rounds to cycle in another round. Blank rounds don’t create enough gas pressure in the barrel to make this happen, so, if you’re firing blanks, you need a blank-firing adapter. Firing without a BFA will inevitably cause a failure-to-feed.
The BFA acts more as a plug for the gas. It keeps in just enough gas to build the pressure needed in the chamber for a person to continue shooting without interruption while still letting enough oxygen in.
On a film set, however, you can’t have the actors looking like they’re troops in basic (unless that’s what the film is about). Instead, they screw a tiny blank-firing adapter onto the end of the barrel, underneath the flash hider, as shown below.
If you love ‘Sons of Anarchy’… just don’t hit pause during the gunfights of the first season. Yikes.
Other film sets use entirely decommissioned firearms that have been repurposed as production weapons. Propsmasters will replace most of the assembly with components that require less gas pressure to function. These are close copies, but, ultimately, they’re just replicas — and enthusiasts can tell.
People who’ve been around firearms can quickly spot when filmmakers add an abundance of flash coming out of the muzzle. But it’s a known inaccuracy and it’s done with a purpose. Films, in general, are shown (and often captured) at a rate of 24 frames per second. Without enhancing the muzzle flash, there’s a good chance that the camera won’t capture a flash at all — and that visual bang is an important part of selling the illusion of real gunfire.
But then there are the films crews that skip all of these mechanical steps and add the flashes and sound effects entirely in post-production. It’s comparatively cheaper when you factor in the costs of safety crews and whatnot, but the results aren’t always so great…
An interesting and positive side note: Lee’s stunt double, who’d also replace him for the rest of the film was Chad Stahelski, the man who’d later direct John Wick.
Which leads us to the elephant in the room — the incident that took place on the set of 1994’s The Crow, which lead to the death of the actor Brandon Lee. One of the special effects guys tried to save time and money by making their own blank rounds from live .44 rounds. The weapon they were using on set was an actual handgun and made use these modified rounds. Well, one day, it didn’t work perfectly and a piece of the cartridge broke off and got lodged in the barrel. No one bothered to inspect the firearm or clean it. They tossed it aside and carried on with production.
A few days later, when they needed more firearms for a bigger scene, they grabbed that same handgun. Loaded with another home-made blank and with that fragment of the cartridge still in the barrel, a stunt actor fired it at Lee. Since his character was supposed to react to the shot (and Lee was known for being a gifted actor) no one noticed that Lee had actually been shot until well after the camera stopped rolling.
Though nothing can undo the tragedy that befell Brandon Lee, the silver lining is that firearms have since been treated with more care on set. Many safety regulations are now in place to prevent such a horrible tragedy from happening again.
‘Tis the season for yuletide carols, family, gifts, entirely too much food, and, of course, some much-needed downtime. Somewhere between “I swear to defend….” and getting that sacred DD-214, many of us developed quite the affinity for film and television.
So, it’s only natural that we spend our downtime getting together on the nostalgia train to binge watch a few of our favorites. Christmas might be over, but there’s still time to enjoy these must-see holiday films. So, grab your spiked eggnog, a warm blanket, and snuggle up for a day’s worth of cinema magic as you pretend the break isn’t rapidly coming to an end.
Tim Allen is comedic greatness in this role.
(Walt Disney Pictures)
‘The Santa Clause’
The greatness of this film lies in two words: Tim Allen. His comedic timing is great here, and it really serves the premise of the movie: a dad kills Santa Claus and is forced to become Santa himself.
I mean, it’s a completely impossible narrative (Santa Claus is immortal, duh), but it’s fun all the way through.
This one is for all the dads
(20th Century Fox)
‘Jingle All The Way’
This one’s another movie about a dad and holiday hijinks. Arnold Schwarzenegger is on the search for a near-impossible-to-find toy in a quest to buy the affections of his son. In a lot of ways, this movie from the ’90’s has proven to be prophetic for its time. Much of the shenanigans that Schwarzenegger’s character experiences have become the standard holiday shopping experience.
No holiday season is complete without Kevin.
(20th Century Fox)
By now, you’ve probably noticed that parental neglect and aloofness is a bit of theme among the items on this list — but Home Alone cranks it up to full blast.
Kevin McCallister, as played by the immortal Macaulay Culkin, became the iconic ’90s smartass that indirectly shaped a generation. In the film, Kevin proves to be more than capable when he defends his family home against would-be invaders using nothing but wit and a closet full of toys.
It’s sheer conjecture, but we’re sure Kevin McCallister grew up and served — that resourcefulness says “veteran.”
Yippee ki yay, MF.
John. Mc. Clane.
Die Hard is definitely the most non-holiday movie on this list but, make no mistake, it is absolutely a holiday flick! It’s got a Christmas tree and a happy, warm and fuzzy ending.
Close enough for me!
It is, literally, a Christmas story.
‘A Christmas Story’
“You’ll shoot your eye out!”
It’s one of the most iconic lines in cinema history, but it’s not even the best in the film. A Christmas Story is brilliantly written, fantastically acted, and features some of the best narration in film.
This one is to be viewed, preferably, on Christmas Day, but as long as there’s snow on the ground, it’s still good.
The USO was formed on Feb. 4, 1941 as the nation prepared for the possibility that it would get dragged into another World War. Now, over 80 years later, the USO serves America’s warfighters with an estimated 10 million “connections” every year in the form of entertainment tours, homecoming celebrations, care packages, and more.
Here are 7 facts about how the USO got where it is today:
1. The USO began at the request of President Franklin D. Roosevelt
With the “War in Europe” spreading in the early 1940s, President Roosevelt knew he might soon have a massive military that would need morale assistance. He asked six private organizations — the YMCA, the YWCA, the National Catholic Community Service, the National Jewish Welfare Board, the Traveler’s Aid Association, and the Salvation Army — for their help.
Rather than just draw straws or split up areas on a map, the six organizations combined into a sort of entertainment Voltron that focused on one demographic, the troops.
2. The first services were USO shows and free Coke, both of which continue today
As the Army and Navy grew in preparation for the war, the most urgent mission of the USO was giving service members the feeling and tastes of home. The USO began a partnership with Coke (that continues to this day) and started bringing in talented soldiers and entertainers to perform for crowds of troops.
3. The USO had a break in service
In 1947 the occupying forces in Europe and Asia were shrinking and the USO was granted an “honorable discharge” from service by President Harry S. Truman. The Korean War kicked off in 1950 and the USO was back in service by 1951. It wasn’t until after American forces were withdrawn from Vietnam that the USO officially dedicated itself peacetime operations as well as wartime.
4. Bob Hope performed at the first USO center in a combat zone
While the USO is now known for setting up shop in combat zones, no large USO facilities existed in contested areas during Korea or World War II. The first was in Saigon, Vietnam where Bob Hope performed a Christmas Special in 1964. He would perform a Christmas special for U.S. troops nearly every year until 1973, most of them in Vietnam.
5. The USO is headquartered in the Bob Hope Building
Bob Hope had a long and enduring relationship with the USO. He first performed with them a few months after their formation and before World War II even started. He continued to headline tours and recruit other entertainers through World War II, Korea, Vietnam, and the Persian Gulf War in addition to smaller conflicts and peacetime performances.
In 1985 the USO moved into a new headquarters building that they named for the performer in recognition of his hard work and dedication to the organization.
6. Stephen Colbert’s stint in the Army was in partnership with the USO
While a lot of people remember when Stephen Colbert “enlisted” in the U.S. Army in 2009, not everyone remembers that his week-long trip to Iraq was a USO tour. Colbert filmed his show from the country for that week and allowed Gen. Ray Odierno to shave his had.
7. The longest-running USO tour is a Sesame Street experience
The Sesame Street/USO Experience for Military Families started touring the world in 2008. In 2014, it celebrated a milestone as it reached its 500,000 military family member. The show was performed over 1,000 times at more than 140 military bases worldwide.