The D23 Expo is officially underway in Anaheim, giving Disney fans a peek at what they can expect from the massive entertainment company over the next year. And while we are all hoping for some awesome new trailers to drop, the biggest reveal so far has been about the Disney parks, as we finally got a look at the upcoming Marvel land that will be opening at California Adventure in 2020. And unsurprisingly, the entire thing looks totally awesome.
The highly-anticipated Marvel land, which will be replacing “A Bug’s Land”, will not actually be called Marvel Land. Instead, Disney announced that it will be called Avengers Campus and will be based on the idea of visitors being recruited to join the super-superteam. Avengers Campus will be opening in two phases, with the first phase set to open sometime in 2020.
So what will actually be at Avengers Campus? The big attraction appears to be a Spider-Man ride that is rumored to be an interactive shooting game that hopefully will let riders become amateur web-slingers. There are also rumors about an Ant-Man brewery, along with a Dr. Strange stage show that will probably feature some real trippy effects.
Perhaps the biggest reveal is the fact that Disney sees Avengers Campus as the first step in expanding Marvel theme parks around the globe, with a map showing another Avengers Campus in Paris, a Stark Expo in Hong Kong, and a Xandarian Outpost in Orlando. These cities are, of course, home to Disney parks so don’t be surprised if the next decade features Marvel theme parks spreading all over the world. And based on the fact that Endgame is officially the highest-grossing movie of all time, we can’t imagine anyone will be too upset.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
By now, we should all understand the life of Ian Fleming’s signature British spy is nothing like the real world of clandestine international espionage agents. The Silver Screen Bond is less clandestine, more clandestish. Even so, there are probably a million reasons any guy would want to be James Bond, and most of those reasons are why he’s a terrible spy.
1. He uses his real name
Secrecy is the most necessary element in the world of spies, so it’s a bad idea to use a real name. Even if James Bond is a cover name, he still uses the same cover name every time. Which is pretty much the same thing and seems like terrible espionage. Knowing how great Bond is with disguises, if he had to make up his own cover name every time, it would probably be just as useless.
He’s much better at thinking of bad puns after killing people. No wonder he needs so much help on every mission. Helping Bond can be hazardous to your health. For instance, a guy named Quarrel helps Bond throughout Dr. No and 007 lets Quarrel get torched by an armored flamethrower. Valentin Zukovsy saves Bond, his missions, and the world banking system in two films and Bond lets him get shot to death. And then, like a uniquely British STD, there’s the slew of women who die after a night with him.
2. He cares more about bedding women than any mission
That 007 cares more about sleeping with women than completing (or starting) a mission comes up more than once. In fact, in the first few movies, he doesn’t start his super-important missions until after sleeping with some woman he just met.
That those women usually don’t make it to the end credits is more evidence that James Bond should not be the clandestine agent Great Britain depends on for its security. It’s almost as if these women had to sleep with James Bond.
If Bond cared about them, they would probably have a higher survival rate. The only woman Bond ever saved without banging was M, and he couldn’t get away fast enough. It literally took 5 seconds. This also probably why she survives to be in other movies.
If Bond doesn’t care about them, he sure takes it personally every time one of them dies or betrays him — another terrible trait for a spy. Natalya Simonova was one the best Bond girls, but driving a tank around St. Petersberg trying to save her is a great way to blow your cover. Speaking of which…
3. He blows his cover on every mission
In Dr. No, Bond spends half the movie trying to convince an islander to help him infiltrate Dr. No’s radioactive island. He finally does and they sneak on in the middle of the night, only for Bond to give them away first thing the next morning when he sees a woman in a bikini.
In Goldfinger, he’s supposed to monitor Goldfinger, but instead of that, he immediately breaks into Goldfinger’s suite, introduces himself to Goldfinger’s employee, taunts him via radio, forces him to lose thousands of dollars, then bangs his employee! Is anyone surprised when Goldfinger knocks Bond out in his own kitchen? In my opinion, Jill got dipped in gold paint because she makes poor life choices.
That was Goldfinger’s employee. In Thunderball, 007 sleeps with his mark’s girlfriend.
4. He drinks like it’s his job
The drinking. All the drinking. The guy is clearly an alcoholic. In the U.S., you can’t even get a top secret security clearance with that much alcohol use, let alone be the top field agent. How does Bond not die in alcohol-related incidents? Or of cirrhosis?
He needs booze to do anything. Sure, we can give him a pass for having a drink while gambling. That helps maintain an effective cover. But how many does he need for that purpose? This is the guy who keeps a bottle of chilled champagne in his tricked-out Aston-Martin just in case he has a lady in need of an emergency picnic. And he pops the compartment open in a move that would make Glenn Quagmire proud.
With the exception of Timothy Dalton’s chronically misdressed Bond (he wears a shabby wool suit to work and a tuxedo to the carnival), 007 always looks impeccable. How does Bond always manage to look so suave and clean? With as much as he drinks and spends all night every night shagging some new girl, there’s no reason he shouldn’t be tired, unshaven, and smelling like liquor.
5. He gets captured all the time
Dr. No captures Bond and serves him breakfast. Bond immediately allows himself to be drugged by drinking the coffee like it was life-giving vodka. When he’s trying to turn a Russian general’s girlfriend in The Living Daylights, he CHUGS the martini she gives him. Drugged again. It’s a miracle he ever escapes anything alive. Poisoned vodka should have been enough to kill 007 in 1965 but then again, alcohol poisoning should have done him in a dozen times.
Alec Trevelyan captures him twice. In Afghanistan, he escapes capture from the Soviets, only to be immediately captured by the Muhajeddin. Elecktra King doesn’t have any special powers or weapons and she captures 007 AND M. Goldfinger captured 007 and carted him around the world for at least a week. James Bond drove up to Harlem in the 1970s, tailing a gangster, then walked right into his nightclub. He was captured and held at gunpoint in about thirty seconds. Later in the same movie (Live and Let Die) he does it again.
6. He never notices the mole in MI6
Every time he travels, every where he goes, the enemy always knows his exact schedule. It doesn’t matter if it’s Eastern Europe, Turkey, or Jamaica, enemy agents always know when his flight arrives and what the world’s top secret superspy looks like. It also doesn’t matter who the enemy is, SPECTRE, Russia, or Dr. No. Ignoring M16’s mole entirely, Bond spends a lot of tim in Dr. No trying to interrogate his people. When he finally subdues a geology professor who tires to kill him, 007 just shoots him instead of asking him anything.
In Casino Royale, he doesn’t even bother to check what bank account Vesper Lynd transfers the money to. That could have been a great clue into what was really going on.
7. He rarely searches his hotel rooms for thugs, bugs, or anything
In Goldfinger, Bond blows up a drug lab and then walk right to the bar (surprise) to bang a dancer (big surprise). He walks into her room and starts undressing, missing the thug waiting to kill him. He only notices in the reflection on her eyeball. As the attacker drops the blow, he spins around and lets the lady take it.
In From Russia With Love, after not being in his hotel for two days, he just waltzes in, disrobes and orders breakfast. He doesn’t search for bugs or bombs or anything. THERE’S SOMEONE IN HIS BED and he doesn’t even notice. When he finds out its a woman, He even allows himself to be filmed having sex with her, his Russian informant, who is double crossing him.
It’s a good thing SPECTRE is as incompetent as he is. Even Blofeld, the most epic of all his nemeses, met an ignominious end when Bond dropped his WHEELCHAIR down a smokestack.
8. He hangs out with the supervillains he’s supposed to take out
In Live and Let Die, 007 disarms and captures a woman by burning the assailant’s drawn gun hand with a cigar while breaking into his hotel room. She says she’s CIA… and that’s good enough for James Bond, even though she can’t do any actual spy stuff or shoot a weapon. He sleeps with her anyway, then spends the next day fishing with her.
Bond spends DAYS with Pussy Galore and Goldfinger without trying to escape even once. He drinks with Emilio Largo, vacations with Electra King, and bangs media baron Elliot Carver’s wife while staying at his house in Hamburg.
9. He’s a huge drain on the taxpayer
And doesn’t James Bond live a really lavish lifestyle for spy? Tuxedos, Aston-Martins, Gambling in the Riviera, not to mention all these other exotic locales? Why doesn’t SPECTRE set up shop in places that are little more out of reach for the West, like Sudan or North Korea? The Bahamas seems like a terrible place to start an evil plan or terrorist group. Bond’s life is one of tuxedos, luxury cars, and champagne.
Cost Benefit analysis: how much does it cost for James Bond to stop these villains vs. What the villains actually want. How much was that invisible car? How many people died to get Bond in Space? At some point we have to wonder if it wouldn’t be cheaper just to let the bad guys win one. But be advised: When he doesn’t get his way, he rebels and becomes an enemy of the state.
10. He destroys everything
He destroys national monuments, kills local cops, and troops who are only doing their job, even when Russia isn’t the bad guy. It’s not like the cops know who he is, they’re just trying to protect the innocent. Someone let James Bond know Blue Lives Matter. And he can’t just kill someone. It takes four cars, two helicopters, and a train to get to the bad guy. Even when he’s assigned to get one guy, 007 blows up half an african embassy to do it (and gets caught on camera in the process).
On that note, who is the bad guy here? Isn’t M16 supposed to be supporting justice and peace? Instead their main guy is blowing up dams and trashing cities. He drove a tank through an apartment in St. Petersburg.
If he pulled this stuff in the U.S. it would be on Fox News in heartbeat, and there goes his cover. He ruins weddings, birthdays, and lives.
BONUS: Q Branch isn’t that great either.
Pen grenade? Awesome. Magnet and/or laser watch? Perfect. Crocodile suit? Are you kidding me, Q?
Disney’s “Star Wars: The Rise of Skywalker” is still doing big business at the domestic box office as it stayed in the top spot for a third consecutive weekend after taking in $33.7 million. But compared to its previous chapters in the Skywalker saga, the movie is a little sluggish by “Star Wars” standards.
The movie’s domestic total is now at $450.8 million, a fantastic figure for any blockbuster after three weeks, but at this time two years ago “The Last Jedi” had brought in $531.5 million. And 2015’s “The Force Awakens” raked in the domestic cume after the third weekend of an incredible $742.2 million.
At the end of the day it’s not how fast you get to id=”listicle-2644164132″ billion, but if you get there, and “The Rise of Skywalker” will certainly do that, as the movie’s worldwide total to date is 8.8 million. But the performance by “Skywalker” in the coming weeks will be interesting to track, as it might finish its theatrical run without getting to 0 million domestically. A figure that both “Force Awakens” (6.6 million) and “Last Jedi” (0.1 million) surpassed.
Sony supplied the rest of the box office power this weekend with three very different titles.
“Jumanji: The Next Level” continues to be a strong counterprogrammer to “Rise of Skywalker” as it came in second place with .5 million. Its domestic cume is over 6 million (over 0 million worldwide), proving the franchise will continue on for years to come.
Then it was a battle for third place between “Little Women” and “The Grudge.” Greta Gerwig’s adaptation of the classic edged out the horror with a .5 million take. But the latest reboot of the “The Grudge” has nothing to be upset about. Despite a 16% Rotten Tomatoes score and an F CinemaScore, the movie overperformed with a .3 million opening weekend (it was made for million).
Lionsgate/MRC’s “Knives Out” continued to be one of the top-earning original titles released in 2019 (bringing in million over the weekend, only a 9% drop from last weekend), but its performance in China has shocked everyone. Rian Johnson’s whodunit, which he made after doing “The Last Jedi,” has brought in over million in the Middle Kingdom, which is more than what “The Rise of Skywalker” has earned there (over million).
A24’s “Uncut Gems” continued to ride its critical acclaim and award season buzz to bring in some impressive box office numbers, as the Safdie brothers movie starring Adam Sandler brought in .8 million over the weekend. That marks only an 18% decline from last weekend contributing to a million cume.
Disney’s “Frozen II” is the highest-grossing animated movie of all-time with over id=”listicle-2644164132″.3 billion worldwide. It passes the first “Frozen,” which had the previous record with id=”listicle-2644164132″.28 billion.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
The legendary rock band Kiss is known for their makeup, over-the-top stage show, and hits like “Rock ‘n Roll All Night” and “Detroit Rock City.”
They aren’t known as historians, although two of the band’s members — Gene Simmons and Tommy Thayer — have remarkable stories to tell about what their families went through during World War II. And equally remarkable is how these stories link the two members of Kiss to each other.
Backstage at a Kiss concert in northern Virginia in late July, lead guitarist Tommy Thayer talked about his father’s military service. James B. Thayer retired as a brigadier general in the mid-60s, but in 1945 he was an first lieutenant in charge of an anti-tank mine reconnaissance platoon that made its way across France into southern Germany. The unit saw a lot of action, including battles with Waffen SS troops – among the Third Reich’s most elite fighters – that involved bloody hand-to-hand combat.
As the platoon made its way farther south they stumbled upon the Mauthausen-Gusen concentration camp. “The SS had just fled,” Tommy Thayer said. “They left behind 15,000 Hungarian-Jewish refugees who were in bad shape.”
Ironically enough, based on time and location, among the refugees that U.S. Army Lieutenant Thayer liberated was most likely a family from Budapest that included a teenage girl who would later give birth Gene Simmons, Kiss’ outspoken bassist and co-founder.
“My mother was 14-years-old when they took her to the camps of Nazi Germany,” Simmons explained. “If it wasn’t for America, for those who served during World War Two like James Thayer, I wouldn’t be here.”
As a result of this connection, the band has thrown its clout behind the Oregon Military Museum, which will be named in honor of the now 93-year-old Brigadier General Thayer. Tommy Thayer is on the museum’s board, and the band recently played at a private residence in the greater Portland area to raise money and awareness for the effort.
“The idea that Americans enjoy the kind of life that the rest of the world is envious of is made possible – not by politicians – but by the brave men and women of our military,” Simmons said. “The least we could do is have a museum.”
“There is evil being done all over the world,” Simmons said. “And the only thing that keeps the world from falling into complete chaos is our military.”
Beyond supporting the Oregon Military Museum, in the years since 9-11, Simmons has worked as a military veteran advocate. Among some of his more high-profile efforts is the band’s hiring of veterans to work as roadies for Kiss on tour.
While other celebrity vet charities could rightly be criticized as something between Boomer guilt and vanity projects, the bass guitarist’s desire to help vets is fueled by what his mother’s side of the family went through to make it to America a generation ago.
Simmons has a few things to say about national pride, something he thinks the country has lost a measure of.
“When I first came to America as an eight-year-old boy people were quiet when the flag was raised,” Simmons said. “We all stood still.”
To Simmons’ eye that respect is lacking in too many Americans now, particularly younger Americans who are surrounded by information and media but may not appreciate the relationship between history and their daily lives.
“Just stop yakking for at least one minute,” he said. “The rest of the day is all yours to enjoy all the benefits that the American flag gives you.”
When the Nazis came to power in January 1933, the party only won 37 percent of the vote across Germany. In the Reichstag, the German parliament, the National Socialists only controlled a third of the seats when Hitler came to power. When they held another election two months later, after crushing other parties and quieting opposition, they still only won 43 percent of the vote and less than half of the Reichstag.
So it’s safe to say that not every German was huge supporter of the Nazi party and its leadership. But after a while, criticizing the government became more and more hazardous to one’s health. How does a population who can’t openly object to their government blow off the built-up popular anger among friends? With jokes.
For many Germans, laughing at Hitler within their homes was the most they could do. Far from brainwashed, they were fed up with the laws forcing them to do things against their will. As Rudolph Herzog writes in “Dead Funny: Telling Jokes in Hitler’s Germany,” these jokes could get you in a concentration camp or in front of a firing squad. These are the jokes people living under Hitler and the Third Reich told each other.
1. The crude behavior of regime officials offended Germans immediately.
The German word “wählen” means “to dial someone” and “to vote for someone.”
2. Did you notice a lot of Nazis were overweight? So did the Germans.
3. Not all Germans were thrilled to greet each other with “Heil Hitler.”
4. Everyone knew who really set the Reichstag fire.
5. Clergy were the first to point out Hitler’s hypocrisy.
6. Germans wondered why the Nazis pretended to have a justice system.
7. Many Germans knew of some concentration camps and what happened to dissenters there.
8. Dachau was the one everyone knew about.
9. German Jews who escaped joked about those who stayed.
10. The people knew what was coming.
11. Their Italian allies weren’t exempt from ridicule.
12. Italian inability didn’t go unnoticed.
13. After a while, the German people felt stupid for believing it all.
14. They got more cutting as time passed.
15. Telling this joke was considered a misdemeanor:
16. The end became apparent in jokes long before the reality of the situation.
The next season of the 1980s-horror-nostalgia-fest that is Stranger Things will debut on July 4, 2019, on Netflix and in the new trailer, it really feels like the series could be ending. Because of one specific plot element, this excellent trailer for Stranger Things 3 makes a strong case that perhaps, the series could — and should — end after this season.
On June 20, 2019, Netflix released the final trailer for the third season of Stranger Things. Unlike season 2, in which Eleven (Millie Bobbie Brown) was separated from Lucas, Mike, and Will for almost the entire season, this time around, everyone is back together and clearly hanging out in the town of Hawkins. This is smart because what made season 1 of Stranger Things so great was the fact it went small to go big, and it looks like season 3 is the same; keeping it local in Hawkins, reminding everyone why they loved the show in the first place.
The new season looks great, and it’s super exciting to see how the kids will defeat the Upside Down creatures once and for all. Speaking of which…that roar at the end of the trailer was clearly the Mind Flayer creature from season 1, and it seems like the Mind Flayer itself is narrating the trailer. All the kids are worried: maybe it never left? Maybe it’s possessed one of the regular cast! Oooh, spooky!
Honestly, I love this trailer and the 12-year-old in me thinks it’s right to make the stakes in season 3 about familiar creatures. Eleven wonders aloud: “It doesn’t make sense…I closed the gate.” But clearly, she didn’t. When you’re a little kid, this is how sequels always worked in your mind: Let’s just bring back the monster from the first story, only bigger, badder and grodier than before. The fact that Stranger Things season 3 isn’t trying to do something experimental, but instead is doing something safe is why this trailer kicks ass. It’s why I want to see this season RIGHT NOW.
Stranger Things 3 | Official Final Trailer | Netflix
But, the return of the Mind Flayer and the continued questioning of whether or not the Upside Down has really been sealed off makes me think this really should be the final season of Stranger Things. Last year series star Millie Bobby Brown got everyone worried that the show was ending after this season but then clarified that she wasn’t saying that outright. However, she also didn’t say there 100 percent was going to be a season 4 after this. So, right now, no one actually knows.
Because the new trailer is so focused on resolving old conflicts, it feels like season 3 could really be the end. But then again, because we haven’t seen it yet, we don’t know that for sure, either. Still, as much as I love Stranger Things doubling-down on its own nostalgia, how much nostalgia is left in the Upside Down? If Eleven closes that dimensional doorway again should we really re-open it?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Han and Luke may be gone but the Star Wars film franchise remains alive and well, as Disney’s updated theatrical release schedule revealed that three Star Wars films are slated to hit theaters over the next few years. The currently untitled movies are scheduled to be released Dec. 16, 2022, Dec. 12, 2024, and Dec. 18, 2026.
As of now, we know virtually nothing about these movies outside of their release dates, which is pretty par for the course for the tight-lipped franchise. But based on reports, the upcoming movies will look a lot different from what viewers have come to expect from a Star Wars film-going experience. After all, Skywalkers have always been at the center of the cinematic universe but these new films seem to represent a shift that will allow filmmakers to explore the rest of the Galaxy far, far away. December 2019, Rise of the Skywalker will bring a definitive end to the epic nine-picture saga about the titular family.
While the Obi-Wan and Boba Fett spin-offs may have been force-choked into oblivion, Disney has made it clear that fans can expect a lot more Star Wars movies. The Last Jedidirector Rian Johnson is getting his own trilogy entirely “separate from the episodic Skywalker saga” and Game of Thrones showrunners David Benioff and D.B. Weiss are also penning their own Star Wars trilogy that will not involve Anakin, Luke, Leia, or Kylo.
“We are looking at the next saga. We are not just looking at another trilogy, we’re really looking at the next 10 years or more,” Kennedy told The Hollywood Reporter.
As far as what all this means, right now, even searching the Force might not provide answers.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
It’s never too early to start up Oscar talk, and after watching the trailer for “Billy Lynn’s Long Halftime Walk,” you’ll know what I mean.
Director Ang Lee’s (“Life of Pi,” “Brokeback Mountain”) latest movie looks at the victory tour of 19-year-old soldier Billy Lynn after an intense tour in Iraq. The film shows what really happened over there through flashbacks and contrasts that with the perception of Billy and his squad back home.
It’s based on the universally praised 2012 novel of the same name by Ben Fountain, which won the National Book Critics Circle Award for Fiction. For that and Ang Lee’s name alone, it’s sure to get a lot of attention.
Shot in 3D, the movie is certain to be visually stunning. But it also looks like it has the emotional weight to carry it to award season.
The film stars Kristen Stewart, Chris Tucker, Vin Diesel, Steve Martin, and newcomer Joe Alwyn as Billy Lynn.
Watch the trailer below. The movie opens in November.
Historically, actresses playing military wives come off as hollow, very flat, one-dimensional. In short, something is always missing. As a movie goer, we tend to let it go because we are used to whatever it is that is missing, being missing for the entire movie. We can’t name it, we can’t place it, we don’t have a box for it. But, it’s still there.
“American Sniper” is different. I believe Sienna Miller as Taya Kyle, wife of the legendary sniper, Chris Kyle. I believe her with my whole body in nearly every single circumstance. I don’t want to know how or why she was able to pull it off because I think that’ll ruin it for me.
So here are the 5 ways Sienna Miller got it right:
1. Where she is so over him at the bar
How many of military spouses started off with a military guy wearing the “there is no way, no how I’m hooking up with a military guy” hat? More than most. The way Sienna pulled that off in the bar was amazing. Just the right amount of being able to see through Bradley Cooper’s BS balanced with “Ok, he’s hot, but still” attitude. We knew it was going to happen, but damn if she didn’t make us believe it wouldn’t.
2. When they are dancing at their wedding and she puts her hand right there on his chest
That moment was perfect because it signified all that was coming. We’ve all had our hand in that very same place over and over. It always means the same thing: Something is coming and it probably isn’t good. But, I’m going to stand by you no matter what. Somehow, Sienna captured that — all with the touch of her hand.
3. When she puts the crib together
Alone. While on the phone with her husband overseas somewhere. I believed that moment completely. We’ve all been there, doing something that was meant for two, by ourselves. In that moment? Sienna was well on her way to being a military spouse.
4. Outside the hospital
You remember? When she was on the phone with him, and she heard gunfire? She yelled and screamed for him, falling to her knees and crying. That moment was about as real as it will ever get. That moment was it. The worst fear, the moment we dread and the moment that to me was probably the most believable . . . except for one.
5. When he’s leaving and she obviously knows something is “off”
When Sienna watches Bradley leave their home for the last time, something obviously didn’t feel right to her. She captures that essence, that sense of death looming so perfectly. We’ve all been there when we sense something is off, but we can’t put our fingers on it and can’t wrap our hands around its neck to keep it from happening.
For months, the Avengers: Endgame speculation machine limped along on slivers of evidence: A leaked picture of a Lego set, frame-by-frame breakdowns of misleading trailers, tweets from Chris Evans. With so little to go on, it’s no wonder that no one has actually figured out what’s going to happen.
But now that we’re weeks away from Endgame hitting theaters, there are promotional appearances from the cast and crew and, along with them, more information trickling out.
Case in point: last weekend’s press junket. After showing six minutes of footage, the assembled actors and directors took questions from the media. Yahoo! asked about the ending of Infinity War, specifically the disintegration of half of the Avengers by the Infinity Gauntlet-wielding Thanos.
Mark Ruffalo said that he wasn’t sure the Hulk would survive until he saw the movie. Don Cheadle talked about how hard it was being left behind, and Chris Hemsworth joked that he had “survivor’s guilt.”
The most honest answer came from Scarlett Johansson: “I think like every actor you’re just like, ‘Great, I get more screen time.'”
But by far the most interesting response for fan theorists came from Joe Russo, director, along with his brother Anthony, of both Infinity War and Endgame.
“The only thing we’ll say in that regard, is that there’s a reason that the original six Avengers survived,” he shared.
True to his word, that was the only thing Russo said in that regard, leaving fans to speculate as to what the reason might be. You can find out for sure on April 26, 2019, when you can finally watch the film (assuming you were able to get tickets).
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
If you’re thinking about skipping Captain Marveland going straight to Avengers: Endgame, think again. Early reviews of Captain Marvel say that the movie is not only fantastic but that it will be essential viewing for anyone going to see the next installment of the Marvel Cinematic Universe. Here’s the early consensus, totally free of spoilers for the movie.
Eric Eisenberg, of CinemaBlend, said the movie has “surprises” that audiences won’t see coming.
Steve Weintraub at Collider said the movie made him “So ready for Avengers: Endgame.”
Meanwhile, Anna Klausen of Newsweek, Bustle and The Daily Beastsaid, moviegoers, should “watch closely” for “lots of fun Easter eggs” and links to the “history and other films in the MCU.”
At this point, critics who have seen the movie aren’t able to reveal any spoilers for the film, so what we’re seeing now is general impressions of the film. Elsewhere in the universe, a smattering of trolls who have not seen the film yet are trying to destroy the Rotten Tomatoes Score of Captain Marvel before the movie is released. Several publications have already likened this sexist campaign to what happened around the time The Last Jedi was released. Needless to say, if someone hasn’t seen the movie, and they’re trashing it, we don’t have to spend much time thinking about their opinion.
For the rest of us, it sounds like Captain Marvel might not be a perfect movie, but then again, none of these superhero movies really ever are. And for those of us who have daughters — or just like to see heroes who aren’t dudes — Brie Larson as Carol Danvers can’t come soon enough.
In all the chatter aboutCaptain Marvel, one aspect of the film simply isn’t getting discussed enough: the fact that it’s the first 21st superhero movie to be a period piece to be specifically set in the 1990s. This is cool for several reasons. Not only does this subtly reference the fact that Samuel L. Jackson was totally the shit in the ’90s, but it’s also rad for those of us teenagers to remember a simpler time of Blockbuster Video and the last decade where people really listened to songs on the radio.
The best part of this Captain Marvel nostalgia fest is the soundtrack. Featuring ’90s mega-hits like TLC’s “Waterfalls,” Nirvana’s “Come As You Are,” and No Doubt’s “I’m Just a Girl,” the soundtrack also has some deeper cuts like Elastica’s “Connection,” and R.E.M.’s “Crush With Eyeliner.” In the same way that the first Guardians of the Galaxy“Awesome Mix” celebrated the ’70s, the Captain Marvel soundtrack crushes on the ‘9os real hard. (Let’s also try to remember how strange this “Whatta Man” Salt N’ Pepper lyric is: “A body like Arnold and a Denzel face.” Would we want to meet such a chimera in real life?)
Disney has released the orchestral score of the film (composed by Pinar Toprak) but you can’t actually buy a physical version of the soundtrack featuring all the great grunge, hip-hop and pop ’90s hits. But don’t worry! There’s an Apple playlist (above) that has all the big ’90s songs mixed in with the new score. Come as you are. Listen to it now and have a better day.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Amazon Studios along with Lionsgate shows the inspirational power of brotherhood amongst service members in Richard Linklater’s film “Last Flag Flying.”
The film sheds a charismatic light on Larry “Doc” Shepherd, a former Navy Corpsman and Vietnam veteran who loses his only son while serving in the Iraq war.
Faced with this surprising tragedy, Shepard looks to reunite with his former Marine brothers for their most crucial mission yet: to bury Shepherd’s son and ultimately reconnect the brotherhood they shared 30 years ago.
“Last Flag Flying” stars Steve Carell, Bryan Cranston, and Laurence Fishburne and chronicles an uplifting cross-country adventure and the genuine strength of the military fraternity.