The D23 Expo is officially underway in Anaheim, giving Disney fans a peek at what they can expect from the massive entertainment company over the next year. And while we are all hoping for some awesome new trailers to drop, the biggest reveal so far has been about the Disney parks, as we finally got a look at the upcoming Marvel land that will be opening at California Adventure in 2020. And unsurprisingly, the entire thing looks totally awesome.
The highly-anticipated Marvel land, which will be replacing “A Bug’s Land”, will not actually be called Marvel Land. Instead, Disney announced that it will be called Avengers Campus and will be based on the idea of visitors being recruited to join the super-superteam. Avengers Campus will be opening in two phases, with the first phase set to open sometime in 2020.
So what will actually be at Avengers Campus? The big attraction appears to be a Spider-Man ride that is rumored to be an interactive shooting game that hopefully will let riders become amateur web-slingers. There are also rumors about an Ant-Man brewery, along with a Dr. Strange stage show that will probably feature some real trippy effects.
Perhaps the biggest reveal is the fact that Disney sees Avengers Campus as the first step in expanding Marvel theme parks around the globe, with a map showing another Avengers Campus in Paris, a Stark Expo in Hong Kong, and a Xandarian Outpost in Orlando. These cities are, of course, home to Disney parks so don’t be surprised if the next decade features Marvel theme parks spreading all over the world. And based on the fact that Endgame is officially the highest-grossing movie of all time, we can’t imagine anyone will be too upset.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The Emmy nominated Amazon series ‘Jack Ryan’ returns August 31 with season two and the official teaser trailer is here to get you amped.
“After tracking a potentially suspicious shipment of illegal arms in the Venezuelan jungle, CIA Officer Jack Ryan heads down to South America to investigate. As Jack’s investigation threatens to uncover a far-reaching conspiracy, the President of Venezuela launches a counter-attack that hits home for Jack, leading him and his fellow operatives on a global mission spanning the United States, UK, Russia, and Venezuela to unravel the President’s nefarious plot and bring stability to a country on the brink of chaos.”
The stakes and stunts look much higher for Ryan, with roof jumps, IEDs, hand-to-hand combat, and of course, an enemy to outsmart.
Tom Clancy’s Jack Ryan Season 2 – Official Teaser | Prime Video
Creators Carlton Cuse (Lost, Bates Motel) and Graham Roland (also a writer and Marine) came up with their own story for this version of the ‘Jack Ryan’ story, keeping it modern just as Tom Clancy, the author of the books upon which the show is created, is celebrated for.
“They were geopolitical thrillers of the moment,” Cuse told IndieWire. “When we started writing [our own story], we felt like telling a terrorist story was the right thing to do. There was probably no great existential crisis that the world was facing out there than terrorism, at that moment in time.”
[instagram https://www.instagram.com/p/Bxz85ZlHEeT/ expand=1]John Krasinski on Instagram: “TheMurphChallenge.com Memorial Day is coming up. No matter where you are or what you’re doing, please take a moment out of your day Monday…”
John Krasinski, who plays the titular lead, is by now no stranger to military and law enforcement roles. His portrayal of ‘Jack Silva’ in 13 Hours elevated him out of The Office and into a uniform. His respect for the military has extended beyond the roles he plays.
Preserving the secrets both Avengers: Infinity War and Avengers: Endgame wasn’t just a job for fans who saw leaks of the film online, but also, a huge undertaking on the part of Marvel Studios. And now, in the just-released digital home video version of Endgame, Marvel bosses reveal exactly how they kept certain huge spoilers from leaking.
We already knew that several cast members didn’t get complete scripts for Infinity War and Endgame, but now executive producer Trinh Tran and Marvel chief Kevin Feige have explained there were “code red” and “code blue” versions of these scripts. What does it mean? Well, it turns out the code blue scripts had fake versions of several character deaths where those characters…lived!
On the just-released digital download of Avengers: Endgame for home video, there’s a 6-minute video called “Avengers Script Security and the Secret Scenes of Infinity War and Endgame.” Here, Marvel presents animated versions of the code blue fake scripts, written in such a way to disguise the fact various characters died in both films. Here’s a breakdown of the shockingly hilarious scenes, but to get the full effect, you really should snag Endgame on streaming.
Warning: spoilers for both Endgame and fake alternate scenes in Endgame and Infinity War follow! Stop reading now if you haven’t seen the movie, or don’t want to be spoiled on the alternate plot twists of these bizzaro scenes.
“Loki Plays a Trick”
At the beginning of Infinity War, Loki tried to stab Thanos, but was then strangled to death. It was a shocking way to start the movie, but in the fake script, Loki uses a magic trick and flies away in a stolen space pod, waving at Thor. Thanos, bizarrely, sees no need to go after him. WHAT.
“Gamora Shakes It Off”
Everybody was devastated by Gamora’s death in Infinity War, but in the fake version of the script, there was a scene called “Gamora Shakes It Off.” Right after Gamora is thrown to her death, Thanos sees his daughter as a kind of absurd puppet on strings who hands him the Soul Stone. This then magically creates a pair of giant scissors that cut Gamora free of magic puppet strings. Boom! She’s alive! She tells Thanos not to destroy half the universe, but he teleports away. Bottom line, in this version Gamora is alive!
“The Vision Crashes”
After Thanos pulls the Mind Stone out of Vision at the end of Infinity War, the character was totally dead. But, in the fake version of the script, right after Wanda is cradling Vision’s lifeless body, his eyes light up again and he speaks in the cadence of the computer Jarvis, Tony Stark’s A.I. which Vision merged with, back in Avengers:Age of Ultron. So, in this version, Vision lives, but kind of as weird computer version of himself.
“Thanos Keeps It Together”
At the beginning of Endgame, Thor, somewhat redundantly, cut off Thanos’s head. But, in the fake version of the script, Thor’s ax-hammer just bounces-off of Thanos’s head. And then, Thanos simply takes a nap and Thor shrugs his shoulders and walks away. Considering that a 2014 version of Thanos ended-up returning later in the movie, it feels like that the impact of this silly alternate take isn’t all that different?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
“The goal of the new branch is to ‘defend satellites from attack’ and ‘perform other space-related tasks’…or something,” announced the teaser.
Daniels, whose producer credits include The Office, The Simpsons, and Parks and Recreation, along with co-creator Carell, were given a straight-to-series order for their new show, a work place comedy about the men and women tasked to create the Space Force. The episode count and release date have not yet been announced.
So far, details about the actual Space Force have yet to be determined — although the announcement has launched the inception of hilarious memes — but if Netflix is smart, their new show will take a few notes from Veep, which is probably the most realistic depiction of government workings (you just know the government is even more balls crazy than the military — you just know it).
There have been a lot of discussions about whether the Space Force is actually necessary. That’s above our pay grade, but we did make a video about what missions it could actually perform. Check it out below:
Editor’s note: This review deals with a graphic, mature-rated game. Some of the imagery in the video above and the GIFs below reflect the violent nature of the game.
The newest game in the “Doom” franchise, named just “Doom” despite coming after “Doom 3,” was released May 13 to great fanfare, and it’s a solid throwback to the shoot-em-up, arcade feel of the original “Doom” games.
Fans of “Doom 3” may be disappointed that Bethesda moved the series away from the survival horror genre, but players of the earliest games in the franchise will love just how overpowered the Doom Marine feels in most situations, shooting his way through dozens of enemies.
The game opens with the Doom Marine chained naked to a table during a demonic ritual. His first move is to smash a hellspawn to death against said table before breaking out.
The combat that follows is loosely wrapped around a story, but it’s hard to follow in-game because you’re far too busy ripping apart demons to pay attention to any sort of plot.
The broad strokes version is that a brilliant scientist found a way to send energy across the solar system and, instead of beaming geothermal energy collected from volcanic vents on other planets, electromagnetic energy harnessed in planetary fields, or solar energy absorbed from the sun, the scientist decided to open portals to Hell from Mars and use Hell’s energy because … reasons.
This plan goes predictably wrong.
One of the scientists at the station, influenced by all of the Hell energy, has decided that a literal Hell-on-Mars might not be such a bad idea and unleashes destruction on the Mars facility. (Guess whose job it is to fix it.)
While the story is a bit weak and there are a few head-scratching moments, they’re all an excuse to mow down demons, which is what we all came here to do. And there are no human survivors to worry about.
This leaves the Doom Marine free to attack the hordes with no qualms about collateral damage, so the player can fire everything from the plasma rifle to the super shotgun to the beloved BFG with abandon and without remorse. For players unfamiliar with the BFG, it’s name is an acronym for “Big F-cking Gun,” and it delivers.
These high-powered weapons can be upgraded and modified. This is necessary since classic monsters like the Hell Knights, the Revenant, and others are back to ruin the rest of the Doom Marine’s life.
To help players take down the soldiers of Hell, the game also offers “Rune Challenges” that allow for character upgrades that last between battles. These upgrades make it much easier to survive and smash through enemies and can be combined with temporary power-ups that grant special abilities.
Players who combine rune upgrades and power-ups can become devastating weapons of war, capable of single-handedly bringing down entire legions.
Rampaging across the maps is pretty fun, but can get repetitive. Players who want a real challenge can select “Nightmare” difficulty. This makes the game significantly tougher but doesn’t fix the “been there, done that” feeling of fighting a room full of demons after fighting a room full of demons after fighting a room full of demons.
To break up the campaign, “Doom” also offers a multiplayer mode with a few new twists on standard fare. The most significant addition to all game types is the ability to play as one of your favorite demons after grabbing a pentagram power-up – players start out with the rocket-wielding Revenant unlocked. There’s also a new version of King of the Hill called “Warpath” with a capture point that rotates around the map on a set circuit, and a new game type called Freeze Tag where, unsurprisingly, instead of dying you freeze in a block of ice until your teammates thaw you out.
Players who want something new with great graphics and plenty of opportunities to massacre bad guys should definitely pick up the newest “Doom.” Gamers who are looking for something new from first-person shooters might think about sitting this one out.
Jamie Farr hails from Toledo, Ohio, and remains grounded in his hometown roots. His work in Hollywood spans over half a century, which includes him as Klinger in M*A*S*H*, where his career started back in 1955 in The Blackboard Jungle which starred Glenn Ford and Sidney Poitier. He was drafted into the Army soon thereafter and served abroad in Japan and Korea where he was requested to work for famous comedian Red Skelton on his tour to entertain US troops in Korea. He is most grateful for his career, military service and the stars he got to work with who include Bob Hope, Burt Reynolds, Dean Martin, Sammy Davis Jr., Lucile Ball, Andy Griffith, Dick Van Dyke, Danny Kaye, Milton Berle, Charlton Heston, William Holden, Don Ameche and many more.
Can you tell us about your family and your life growing up?
My father came from Lebanon in the early 1900s with his brother. They initially settled in Cedar Rapids, IA. My mother was born in Cedar Rapids where her family was from Lebanon as well. My grandfather and grandmother, her father and mother, had come from Lebanon to Iowa. My mother was a very smart woman even though she didn’t finish high school because she had to work to make her family sufficient monetarily. My mother could speak Arabic, sing and was a seamstress. My parent’s marriage was designated by my grandfather (maternal), which was normal, back then. She was married at seventeen and my father was a butcher for the Swift Meats Company in Cedar Rapids, Iowa. They moved to Sioux City where my sister was born and then moved to Toledo because of the great Lebanese colony there. I was born in Toledo as Jameel Joseph Farah.
Our original family name was “Abboud” where his father’s name was “Farah Abboud.” At Ellis Island when they came over, they were going to say “Farah Abboud”, but the personnel at Ellis Island stopped them at “Farah” so they didn’t take the full name, just Farah.
My older sister was the one who got me into show business as she would take me to the movies growing up and read me fairy tale books. She was like a second mother where she was very artistic, could dance and sing although she never got into show business. She would take me out for my birthday and I could get whatever I wanted no questions asked about the price. I do miss her as she passed away a few years ago.
Our whole neighborhood was Jewish, Greek, Lebanese, Italian and so on. You never locked your doors and you never dated them because we all knew each other, so it would be like dating a sister. It was very family oriented and Sunday’s after church there would be big get-togethers for food. We put out card tables, folding chairs and table clothes with good food. If we were lucky enough, we would go to the movies and then come back for leftovers to listen to the radio. I loved listening to Lux Radio Theatre on Mondays and on Tuesdays we had Bob Hope at 9pm and Red Skelton at 930pm. I had a Crystal Set radio and would listen to Hope and Skelton when I was supposed to be asleep in my room.
Growing up I slept on Murphy Bed at the time since I didn’t have my own room. I had to put the bed down every night in our dining room and thankfully I never got caught up in the bed like you would see in comedy movies and cartoons. We had an old-fashioned bathtub back then as well where Saturday night was your bath day.
The Abijay family had 13 kids and the father left where the mother raised them herself. They had a three-story house where each child of the house was of a different age group it seemed. My older sister had friends in their family and so did I. It was a poor neighborhood where we shopped at the bargain basement floor of the department store. I never knew what it was like to buy new clothes on the fancy floors.
We had a lot of famous people from my high school that made it big in show business including Danny Thomas (comedian), Andrew J Fenady (writer, producer), Georg Fenady (director/producer), Clifford David (Broadway actor), and Phillip Baker Hall (actor). We were all from the same neighborhood where it must have been in the water or the Buckeye beer! Although Lake Eerie was so polluted back then you could walk on it to Windsor, Ontario.
My cousin was James Jabara, first American and USAF jet pilot ace, and then my uncle Bob served as a medic in WWII in the North Africa campaign. My Uncle served in the Coast Guard and I served in the US ARMY in 1957 to 1959 in NYC, FT. Knox, Ky, Fort Huachuca, Az, Japan and Korea. I was in Special Services and wound up with Armed Forces Radio at the FAR EAST Network in Japan and Korea. I remember WWII very well with several of the Gold Star’s in the windows of neighbors and friends. It was disheartening and distressing to the entire neighborhood because we all knew them. We were all growing up together and our families were all very close. We had Victory Gardens where we could have a little plot to plant vegetables. Everything was rationed back then. My mother and sister made a lot of homemade pies, pastries and cakes from the Middle East as well.
What is the most distinct memory of your mother and your father?
I have so many of them with my parents there is not a distinct one exactly. They were very family oriented and taught us values to live by, which have lasted.
What values were stressed at home?
You respected your family and never disgraced them. You didn’t have to be Rockefeller or Vanderbilt, but you never wanted your last name disgraced. Whenever people say your name there is honor and honesty that comes with it. You want a good reputation. You never lied, cheated or stole. You always made it yourself and did things yourself. You didn’t go around asking people for things. Nobody locked their doors. If people were ill, we would cook for them and take them food. It was very communal where they would help one another.
The people from Toledo that made it in Hollywood stayed very much the same. They were all from that same neighborhood. We all talked about what was going on back home in Toledo and talking about things we did there or were going back to do. It is ironic having watched stars like Bob Hope and Red Skelton on the big screen and then coming to Hollywood to work with these people. I even got to work with Lucille Ball.
What influenced you to join the US Army, what was your experience and what lessons did you take away from your service?
I was drafted into the Army and it was an inopportune time for me as my career was taking off. The last movie I could take part in before heading off to the Army was No Time for Sergeants where I played Lt. Gardelli. My hope was that the movie took awhile to come out because I was a private in the Army, but a lieutenant in the movie so people would think I was demoted. I reported the next day after filming wrapped to the Army recruiting station.
Working on No Time for Sergeants was a lot of fun, especially with Andy Griffith and Mervyn LeRoy. Andy’s first movie wasn’t out yet which was a Face in the Crowd. Elia Kazan directed Face in the Crowd where he came on set of No Time for Sergeants to ask Mervyn if he could shoot a close up of Andy that he needed for his film. LeRoy granted the request where we all got to watch Kazan direct Griffith in a short close up scene, which was amazing. Kazan said a few things and words to Andy and then “action.” Kazan stepped back and let Andy do his work, one look here and one look there. It was amazing what Kazan could do with a few words to direct Andy. You could see Andy’s talent and that he was going to blossom.
Red Skelton was like a second father to me and was very instrumental in helping my life. I did his show and carried half the show with him live on CBS. They kept calling me back before I got into the Army. I took Basic Training at Fort Ord and my MOS was as a Broadcast Specialist. I was sent to NYC to the Army Pictorial Center, which used to be the old Paramount Studios and did training films for the US Signal Corps. Some of my fellow soldiers at the center had famous Hollywood parents to include the son of Charles Vidor (director) stationed there. I went on TDY to Fort Knox to do tank training films where I was a script supervisor and went to Fort Huachuca in Arizona for similar duty.
I got shipped over on the pipeline and thought I would go to France. I worked on my French and practiced my introduction, “je m’appelle Jamie Farr” and then when ordered to Tokyo, Japan I practiced, “Watashi Wa Jamie Farr.” I was trained at the Pasadena Playhouse to break into the business and met Bob Furiga who was a fellow actor. We were both drafted at the same time and did our indoc training together and were even in the same squad at Fort Ord together. We were at the Army Pictorial Center as well and then went to the Orient together. My buddies mostly ended up in Korea. I served with the Far East network in Japan.
I served with Red Skelton as he had requested me to be his assistant through the Department of the Army. After Red’s son passed away, he wanted to do a tour to entertain troops and he wanted to do his shows with me. We flew on a United Nations airplane just me and him. I had VIP status which surprised me. We went to every encampment all the way up to the DMZ in Korea.
We opened up Armed Forces TV in Korea in a DC-3 airplane where we had all service branches and civilians on the plane. There was an extreme cold front that came in where everything was frozen, so we had to sleep in a luggage area with a pot-bellied stove there in Korea after we arrived. We slept with our clothes, boots and coats on because it was so cold. We were told in the morning that it was safe enough for us to fly back to Japan where we flew out over the Sea of Japan. It got to be below zero inside the plane during the flight and the two engines froze so they started handing out parachutes. We wouldn’t survive in the water because of hypothermia so it seemed kind of pointless. We started dropping and while we did, they pumped alcohol into the wings to get the ice to melt. As we dropped the ice began to break off the wings and propeller blades where we heard the pilots trying to start the engines.
I remember looking out of the window thinking, “I watched all those John Wayne movies of him in the military where how in the heck did I end up here?.” I was praying and finally we heard the ping of the engines starting. I don’t know how far above the water we were, but that was a scary moment for us in that plane.
I did two years of active duty, two years of reserve, and two years of inactive reserve. I came back to Hollywood and my father passed away. I went by CBS Studios to say goodbye to Red Skelton and he wouldn’t let me go and put me under personal contract and said, “I was one of us. A doctor of comedy..” He pulled out several hundred-dollar bills and told me to send those home to my mom. He said, “From here on in you are working for me and I will see you up at the house in the morning.” I went with Red for a whole year and helped him in his nightclub act at the Sands (Las Vegas), Fontainebleau (Miami Beach), Moulin Rouge (Los Angeles), and the Chez Paree (Chicago). I then branched out to get my career started again where Carl Reiner working on the “Dick Van Dyke Show” took a chance on me and put me as the Snappy Service delivery man. The part helped to resurrect my career again.
Red Skelton gave me a St. Christopher medal to protect me when I went into the Army. I cherish it and wear it every day. Red was a very kind, conscientious and loving person. I also have a painting of Red’s as well and was one of his pallbearers at his funeral. Red’s third wife, Lothian Toland, asked me to be a pallbearer for his funeral. The four pallbearers were me, Bob Hope, Milton Berle and a stage manager that Red liked a lot. A few notes on Red are when his son Richard passed away from leukemia, he used to keep his room just the way it was when he passed away. It had a little train set and a few other things in it where Red would just stand there, look at the room and soak it in. On another note, Lothian’s father was Gregg Toland known for being the cinematographer of Citizen Kane.
Red came from a different era where they could work on stage to be bad and then become good over time. Now you have to be really great right away and don’t have time to develop. George Buns used to say, “there isn’t a place you can be bad anymore.”
What values have you carried over from the Army into acting and comedy?
My values instilled in me by my family have stayed with me throughout my life. I try to be straightforward and honest in all my dealings. Zenith used to have an ad that said, “It has to be good because it has our name on it.” That is how I feel about my name and how it needs to be respected. I was an adequate soldier and whatever I did, whether producing shows for the Army or whatever, it was the best I could do.
As an aside, a lot of my friends from the service have now passed on such as Paul Rausch, Bob Furiga, who later became an exec at ABC, and Bernie Papin. My friend Mort Goldstein became an exec at CBS and is still living. The older you get the phone doesn’t ring as much for your friends or the business.
What is the most fulfilling project you have done and why?
For TV it would be “M*A*S*H*” for TV and The Blackboard Jungle for film. The film had Glenn Ford and Sidney Poitier with music featuring Bill Haley and His Comets which was filmed at MGM. I was watching MGM movies at the Lowe’s Valentine Theater in my hometown theater and 18 months later am working on an MGM film. In high school I used to see shows at the Paramount Theater in Toledo, which has since been torn down and turned into a parking lot. It was one of the most beautiful theaters you could have ever seen. The touring version of “Guys and Dolls” came into town with Allan Jones playing the part Sky Masterson and saw the show as an usher. I couldn’t believe the music or characters in it where I wanted to play Nathan Detroit one day, which I did on Broadway.
While on “M*A*S*H*” there was a guest actor, Jerry Zaks, on the show that had done the tour for “Grease.” He was having a rough time and I gave him a pep talk. Later on, he goes back to NY and becomes a successful director. A call comes out for “Guys and Dolls” and I ask my agent to get me an audition since Jerry was directing the show. I went downtown in Los Angeles, couldn’t sing a note, but still went to audition. The show was already cast with Nathan Lane as Nathan Detroit. My agent called me and asked if I would like to do “Guys and Dolls” as Nathan Lane is now leaving the show. Everyone remembered me from the audition and I went to NY to play Broadway. I only had two weeks and one rehearsal with the cast. I was never so frightened in my life. My chest came out of my body and across the room it was such an exhilarating and exciting thing to do. I did that show for almost a year and it was even exciting putting that on my resume.
Working with the Skeltons, the Berles, the Hopes and the Kayes was memorable and significant as well.
I played in “King Lear” at the Pasadena Playhouse as the title character, which was challenging. I learned all that Shakespeare for one performance. I did more theater at the Pasadena Playhouse as well and my first big play was “Mister Roberts” at the Los Palmas Theater. Craig Stevens was the lead actor and Harry Bernsen (father of actor Corbin Bernsen) produced the show. I earned my first Actors Equity card in that show thanks to Mr. Bernsen. I played the Navy guard that brings all the guys back when they are drunk in the play. I made the soap suds for Ensign Pulver as well. Did that for a whole year. I also did “Stalag 17” with John Banner, Tom Drake, Harvey Lembeck and Dennis Weaver. This was before Dennis Weaver did Gunsmoke and I was the understudy to Lembeck for the role of “Shapiro.” Theater trains you very well and teaches you a lot.
A quick side note is, initially I was only on “M*A*S*H*” for one episode where my character was written by Larry Gelbart, creator of the show, for the episode. Larry’s father Harry Gelbart was the barber to the big comedians back then like Danny Thomas, Jack Benny, George Burns and a lot more. Harry would always tell his customers about his son and his comedy writing. Once when Harry was cutting Danny Thomas’s hair, Danny agreed to reading his son’s joke. Danny read them and found jokes funny and paid Larry for his material where Larry was just a high school student at the time. Larry ended writing for Sid Caesar and movies, most notably writing Tootsie which starred Dustin Hoffman. Larry’s pay back to Danny wrote my character as Lebanese and from Toledo where my character’s name came from his (Larry’s) childhood friend “Klinger” from Chicago, which is where Larry was from.
I am not some handsome guy like Rock Hudson or a star carrying movies, so I am proud to have just been a working actor.
What was your experience like in working with such talents as Red Skelton, Harvey Korman, Alan Alda, Mike Farrell, Loretta Swift, Gary Burghoff, Burt Reynolds, Bill Murray, David Alan Grier on such shows as MASH, After MASH, the Cannonball Run films, Scrooged, and The Cool Kids?
Harvey was great and we got to work with Danny Kaye, who also was great. I used to watch all of Danny Kaye’s movies where he could sing, dance, act and do mimicry. I was a big fan of Sid Caesar growing up and he was one of our writers on “The Danny Kaye Show.” Carl Reiner was very helpful to me in my career as well. Harvey was brilliant and trained in Yiddish comedy by Menasha Skulnick in NYC.
Alan Alda, Gary Burgoff, Mike Farrell, Loretta Swift, Harry Morgan, William Christopher, and David Ogden Stiers were all great to work with. You could not have asked for a better cast than the one on “M*A*S*H*” and we had such excellent material as well. We are still in touch even this long after the show. We lost Gene Reynolds (producer of the show), Harry Morgan, McLean Stephenson, Larry Linville, and Bill Christopher were all wonderful people and highly talented. We dearly loved Harry as the patriarch of the show. The egos didn’t get into the way on the show where the story was not about me it was about the particular scene we were doing.
We had some great guest stars on the show as well to include Laurence Fishburne, Ron Howard, Brian Dennehy (Marine) and Burt Young (Marine) during our run. Harry Morgan was a dear friend of famous actor and veteran Jimmy Stewart as well. Harry would tell stories to me about working on films with Jimmy. Harry introduced me to Ralph Bellamy where we became friends. I got to meet Jimmy one time as well, which was great.
The cameos I do now have people coming up to me all the time telling me they watched “M*A*S*H*” with their family and how much it meant to them. I am overwhelmed by young people that have taken to the show. It is amazing I happened to be on a series that was the best show you could do. The writing was so good and so were the production values. Audiences came to know us on the show as family. It was like watching “I Love Lucy” where we got to the audiences.
Burt Reynolds was a lot of fun to work with. He was very loyal to his acting friends. Charles Durning (Army) did projects with Burt and had his friend Ossie Davis (Army). Burt was like the John Wayne players where he had the same people in his movies like Ward Bond or Paul Fix. Doing his movies was like being at a party. It was a party every single day and didn’t know what was going to come next. Hal Needham (Army) was the director of the Cannonball movies which even made it more fun.
We had Roger Moore (Royal Army) in The Cannonball Run where he would come out of his trailer in the early morning in Florida where we were filming with a white suit on, a beautiful Havana cigar, and a flute of champagne with no hair missing and not a bead of perspiration where he looked like he was out of GQ. We used to hate him for how perfect he looked and was disgustingly handsome.
Dom DeLuise was a lot of fun to work with. The best was working with Dean Martin (Army) and Sammy Davis, Jr. (Army). I loved Dean where he had a great sense of humor and cared about the project. We had Charles Nelson Reilly, Telly Savalas(Army) and Frank Sinatra in the Cannonball movies as well. We all got along on the films and there were no egos that got in the way of the production.
I got to work with Don Ameche, Bob Hope, Yvonne De Carlo, Stella Stevens, Jayne Meadows and Frank Gorshin in A Masterpiece of Murder. Don was a great actor to work with.
Over my career I have had the opportunity to work Danny Kaye, Bob Hope, Milton Berle, Red Skelton, Lucille Ball, Ed Wynn, Charlton Heston, William Holden, Van Heflin, Glenn Ford, Walter Brennan, Jim Hutton, Dorothy Provine, Rod Steiger, Victor Buono and so many more. My gracious, what a wonderful career I have had.
I worked with Bill Holden on “The Blue Knight”, which was the first TV miniseries. Robert Butler directed it and he used to work with John Frankenheimer. I was having trouble with the studio at the time trying to get a raise.. I asked Bill about what I should do in my situation. If I fought back I could be written out of a show, like a script where my character Klinger steps on a land mine and is done. My agent was at a smaller agency not like a William Morris where he could be blacklisted as well from selling his clients. You used to call the man who set the budget the “hatchet man.” Bill said he had this problem with Harry Cohn at Columbia Pictures when he was under contract there. Bill said, “You have to take it out of the agent’s hands and put it into your hands. If you want that raise you need to go ask yourself, but just don’t point a gun at their head.”
Well that gave me the idea of getting a fake pistol from the prop department from “M*A*S*H*”, which I did. It was like a cartoon after I got the prop pistol and finished filming for the day on stage nine on the lot. I hid behind a bush and then went behind a tree and could see the “Hatchet Man’s” office. He faced away from the window in his office toward the door. I went around into the executive building and kicked the door open. I said to him, “This is how it’s going to be my raise and that!”, where he said, “You’re crazy! You’re crazy!”, and I said, “That’s right I am and I am going to get my section 8.” Well at any rate he laughed and he saw what I was doing. I did get a raise from that instance.
Bill Holden was a terrific actor and a really nice guy. I miss him a lot. He was working on the film The Towering Inferno which was just across the way from us on set with “M*A*S*H*” where he would come over just to say “hi” to me. If I was at Oblatt’s Deli across from Paramount eating at the counter, I would get a big bear hug from someone behind me which turned out to be Bill. He would be there shooting a movie and would come across to the deli to find me there.
Fred MacMurray was a great actor to work with where we did “My Three Sons” together. We got to know each other very well. Many people make him out to be all fluff and not much there, but his work in Double Indemnity and The Caine Mutiny showcases his talent. He did a lot of comedies on the big and small screen where he was so versatile. There was much more to him than what people may think.
A lot of my actor friends used to make fun of John Wayne where Wayne is one of the best movie actors around. When he says, “Follow me” in a movie whether it is the cavalry or the Marines you are going to follow him. He has that command about him. He may not be able to do Macbeth, but what he does he is 100% believable. He is one of our greatest film actors ever.
I was in acting class with Clint Eastwood back in the 50s with where our teacher was named Jack Kosslyn (who later appeared in Eastwood films during the 1970s). He was cleaning pools during the daytime and I was cleaning chinchilla pens at a farm in Burbank for my side work. He did pretty good for himself.
Being in “The Cool Kids” meant a lot to me and getting to perform for a new generation is great.
What leadership lessons in life and from the Army have helped you most in your career?
Remain humble and it is a team effort. It is about the ensemble.
As a veteran, how do we get more veteran stories told in Hollywood?
We need to and have the veteran stories around, but some people in charge may not want to produce our stories. They don’t seem to be interested in the heroics of our people. When I see Audi Murphy in a film, I can’t believe what he has done for our country. Gary Cooper as Sgt. York is an excellent film with heroics. Some of the executives today don’t want to popularize the heroism because of cynicism and negativism towards our service people. There are stories to tell, but the executives and producers put too much “seasoning” into them to make the stories something they are not. If you can keep the story simple and show these military characters doing what they did then you can have a good project.
When my country called on me, I went even though it was detrimental for my career at the time. I knew if your country needed you at the time, then you went and did whatever they asked you to do. As President Kennedy said, “Ask not what your country can do for you, ask what you can do for your country.” A similar saying was written years before by the Lebanese American writer Khalil Gibran which I am familiar with. This is what the immigrants in our neighborhood did, we had community and cared for each other and our country.
What are you most proud of in life and your career?
This is not an easy business where people should be grateful for whatever they have done. It is not just given to you and you have to earn it. Some people that are absolutely brilliant talents never get anywhere. Some people are average and make it to the top of the industry. All I can say is what a lucky guy I am.
Farr wanted to personally thank all the servicemen and women serving to keep this country safe and are living up to the values of why this country was born.
Here’s my question: if Sesame Street is meant to educate children, why does Cookie Monster use incorrect nominative pronouns? I am very confused about who the audience is for these videos! Are these videos for children or adults?
And can someone please bring me a cookie???
Sesame Street: Give it, live it, RESPECT feat. Common
Remember that guy who bought a Harrier? Well, now, Art Nalls is adding reality TV star to his resume as the only civilian owner of a Harrier jump jet.
According to a release by AARP Studios, Nalls is starring in Badass Pilot, which tells the tale of how he acquired a British Aerospace Sea Harrier FA2 retired by the Fleet Air Arm and made it into a civilian warbird. The series premiered Nov. 14 on the YouTube page of AARP Studios.
“I think the title of this show says it all. Art is, in fact, a badass pilot, and the perfect example or embodiment of how age doesn’t define anything,” AARP Studios Vice President Jeffrey Eagle said in the release. “Art certainly answers the question ‘How do you become the only civilian to own a Sea Harrier Fighter jet?’ but there’s a lot more to the series than that. Art’s purchase of the plane was just the beginning of the adventure.”
The Sea Harrier entered service with the Fleet Air Arm in 1978. Four years later, it proved instrumental in winning the Falklands War while flying from the carriers HMS Invincible and HMS Hermes (and, later, from the INS Vikrant). The Royal Air Force, United States Marine Corps, India, Spain, Italy, and Thailand have all flown versions of the Harrier.
According to MilitaryFactory.com, the Sea Harrier has a top speed of 734 miles per hour, a maximum range of 2,237 miles, and carries up to 5,000 pounds of ordnance. It’s able to carry various air-to-air missiles, including the AIM-9 Sidewinder, AIM-132 ASRAAM, and the AIM-120 AMRAAM.
Neal Schrodetzki and Ethan Morse, who served together as guards at the Tomb, have created a docu-series about the intense training cycles that prepare soldiers for The Regiment, the Honor Guard Caisson Platoon, the U.S. Army Drill Team, or a Full-Honors funeral ceremony at Arlington National Cemetery.
The four-part Sam Elliott-narrated series has been acquired by Amazon and it will debut online digitally Christmas Day. The series will then arrive on more than 50 streaming services throughout 2021.
WATCH THE TRAILER:
The four-part docuseries took more than three years to complete, and showcases four unique specialty platoons of the 3rd U.S. Infantry Regiment in Washington D.C. Also known as The Old Guard, the 3rd Infantry Regiment is perhaps best known for hosting the Sentinels who guard the Tomb of the Unknown Soldier.
Neal and Ethan were ecstatic to have Hollywood legend and Air Force veteran Sam Elliott as the narrator for the series.
“Working with an icon like Mr. Elliott was surreal. I grew up watching his movies, and I had just viewed A Star Is Born a few days before meeting him for the first time in the recording
studio. It was like a dream come true,” recalled Morse. Neal received exclusive access to film their former unit, the 3rd U.S. Infantry Regiment, after releasing an award winning documentary called The Unknowns in 2016. “The amount of history and honor on display in the 3rd Infantry Regiment is difficult to encapsulate in a four-hour docuseries, but it’s a story we want to share with the world,” stated Schrodetzki.
Christopher Nolan has now applied his moody and precise visual style on World War II. The “Inception” and “The Dark Knight” director tells the story of the “Miracle at Dunkirk,” a large-scale evacuation that saved approximately 338,000 Allied troops.
“Dunkirk” features frequent Nolan collaborator and “Mad Max: Fury Road” star Tom Hardy, Academy Award winner and “Bridge of Spies” star Mark Rylance, and Shakespeare master and robot-spider enthusiast Kenneth Branagh.
“Dunkirk” opens July 21, 2017. Watch the trailer below.
When we last saw (the Marvel Cinematic Universe’s) Wanda Maximoff, she was at the funeral of Tony Stark after the Avengers finally defeated Thanos. During Avengers: Infinity War, she was forced to destroy the Mind Stone — killing her lover, Vision, in the process — until Thanos used the Time Stone to undo her actions and tear the Mind Stone from Vision, killing the sentient android himself. Wanda disappeared — along with half the universe — during ‘The Snap’ before being restored in Avengers: Endgame; but sadly, Vision remained among the casualties of the war.
So when Marvel announced that a six-episode series called WandaVision would be added to its Phase 4 lineup, there were questions. Would it take place in the past (a popular Loki theory)? Did Vision somehow survive (like Agent Coulson in Agents of S.H.I.E.L.D.)?
Once the official trailer dropped…well…the questions just keep coming.
WATCH THE OFFICIAL TRAILER HERE:
Set to debut on Disney+ on Jan. 15, 2021, WandaVision appears to take place in an alternate dimension. Star Elizabeth Olsen told the New York Times that the series will explore Wanda as the Scarlet Witch much as she is in the comic books — including addressing the character’s mental health and illness.
The series begins in a 1950s television sitcom where the characters are blissfully unaware of the tragedy that has befallen them. Marvel literally filmed the pilot in front of a studio audience (who signed “very, very strict NDAs,” reported Entertainment Weekly).
“It is even better than it was pitched. It’s even more complicated and fun and interesting and playful than I could have ever imagined this job being,” gushed Olsen. Her co-star Paul Bettany, who plays the titular Vision character, called it “totally bonkers” with a grin.
“Our content is so different from Marvel. It’s like a conversation of American sitcom through the decades with Marvel Film and they’re constantly in dialogue with each other. So it’s really fun!” hinted Olsen.
After a decade of successful films and television series within the MCU, Marvel has earned the right to take some risks. The show will bridge itself to Doctor Strange in the Multiverse of Madness, according to Marvel Studios president Kevin Feige. Due for release in March 2022, the sequel to 2016’s Doctor Strange promises to feature Olsen’s Wanda Maximoff alongside Benedict Cumberbatch’s zany Dr. Stephen Strange.
Happy Disney+ Day, everyone. After all the hype, The Mandalorian has finally been released and it’s the perfect Star War for anyone who has ever Star Wars’d.
It’s clear right from the start that creator Jon Favreau (Iron Man, Swingers) gets it. He gets what makes Star Wars so special. From the mythos to the humor and even down to the silly-ass wipe transitions, The Mandalorian just feels right.
So let’s get right into Chapter One. SPOILERS AHEAD:
“He’s young, his musk will be sweet.” Thank you for that line, Jon Favreau.
The Mandalorian, Disney+
The Mandalorian quickly sets the stage for our hero, a bounty hunter who is good at his job and who doesn’t take any (forgive me) poodoo. The tone is light with moments of comedic release while still building the new world we’re entering. Remember, this series takes place seven years after Return of the Jedi and the fall of the Empire.
Exclusive: @Jon_Favreau confirms that his live action #StarWars series takes place 7 years after Battle of Endor, between #ReturnOfTheJedi and #TheForceAwakens. Will feature all new characters, using cutting edge tech a la THE JUNGLE BOOK. Story coming to @nerdist…pic.twitter.com/iRyPS8hPDR
There are other hints peppered in to keep us intrigued, such as when The Bounty, played by Saturday Night Live’s Horatio Sanz, asks “Is it true you guys never take off your helmets?” and then is quickly frozen in carbonite. The helmet thing will apparently be important because it’s brought up again later in the episode. I predict we’ll see Pedro Pascal’s debonair face eventually, but it sounds like it will be later rather than sooner.
The Mandalorian, Disney+
The Mandalorian delivers his bounties and accepts a curious new target from The Client, played by Werner Herzog (Rick Morty, The Simpsons). The target is wanted alive — and The Client will pay well, but he will accept “proof of termination” at a lower rate.
He hands over a block of beskar steel stamped with the Imperial insignia as a sort of down payment. We know from The Mandalorian’s first mission (or from Star Wars Rebels) that beskar steel is significant, and Favreau politely informs us why in the next scene.
The Mandalorian, Disney+
The Mandalorian heads to a fellow Mandalorian armorer (played by The Mindhunter’s Emily Swallow), who melts down the block of steel to forge a new pauldron for our hero, saying the excess will be used to sponsor “foundlings.” Here we get the only heavy-handed backstory in the episodes: a series of flashbacks to a family fleeing during an attack and, I assume, the death of The Mandalorian’s parents, which will eventually lead to him being found by his tribe.
“Has your signet been revealed?” she asked him. It hasn’t, and I don’t know what this means, but dammit Jon, you’ve got me for life and I trust that you’ll let me know when you feel it’s necessary.
“I have spoken.” — my new catch phrase
The Mandalorian, Disney+
With that, our bounty hunter is off to a new planet to track down his bounty and learn to ride some blurrg (30 Rock, anyone?). He meet’s Nick Nolte’s Kuill, who drops some nice backstory for us (he wants to help The Mandalorian so he can restore peace to his planet) and some nice easter eggs (riding blurrg won’t be a problem because the Mandalorians rode the legendary mythosaurs, don’t you know).
Shout out to female blurrgs, who eat the males during mating. ?
This is the buddy comedy I want to see.
The Mandalorian, Disney+
With a nice clock wipe transition, it’s time for some action, but before he can muster up a plan, The Mandalorian spies a bounty droid who we learn is IG-11 (voiced by Taika Waititi). The droid attacks the settlement and a blaster fight ensues. The Mandalorian joins in, suggests an alliance with the droid, and together they take out their many attackers.
This is the best sequence in Chapter One, not necessarily because the action was anything new (although IG-11’s circular design is very clever) but because the banter between the two was very amusing. IG-11’s programming won’t allow for surrender, so, in the face of overwhelming odds, he continually tries to initiate a self-destruct sequence, which would kill them both. Lolz.
But of course our hero does some quick thinking, seizes his enemy’s laser cannon, and defeats all of his attackers. Finally, we get to see who this important and secretive bounty is.
And guys? The reveal is…perfect.
The Mandalorian, Disney+
This little angel will never not be known as “Baby Yoda,” am I right?
Of course, it’s not actually Yoda, but here’s what we know so far: the baby is fifty years old (this species, while remaining unknown, ages differently than humans; Yoda was over 900 years old when he died) and is probably Force sensitive (Yoda was a powerful Jedi Master and Yaddle, the only other member of the species we’ve seen so far, was also on the Jedi Council).
The Mandalorian kills IG-11 after the droid tried to terminate Baby Yoda the baby and then shares a nice little Adam-and-God moment with the child.
The Mandalorian, Disney+
Altogether, I have to say that this show promises to be one of the best creations in Star Wars canon. It feels nostalgic and new at the same time. It impressed me more than any of the recent films.
What did you think of it? Leave a comment on Facebook and let me know.
The Mandalorian IS a prequel to the sequels https://redd.it/dxvg8f pic.twitter.com/cd2AJbZW8X
By the time Nate Ellis reached the sixth grade he knew there were two things he wanted to do with his life: make movies and fly airplanes for the military.
Ellis was raised in a family with military experience. His father had joined the Coast Guard during the Vietnam era as a way to avoid the draft and his older brother had joined the Air Force ROTC program as a way to pay for college. He says he was the first among them to go in actually motivated to serve.
“All I wanted to do was Army aviation,” he said.
Ellis attended Austin Peay State University in Tennessee on a ROTC scholarship and wound up the top-ranked cadet nationwide among aviation selectees. Three days after graduation he found himself at Fort Rucker ready to start flight school. A year or so later he was a Blackhawk pilot.
In time he found himself in Afghanistan, stationed at Shindand Air Base in the western area of the country as part of the 4th CAB contingent there. He was assigned as the “battle captain,” overseeing all of the unit’s air operations, a position of great responsibility.
He was also flying Blackhawk sorties, and one night he launched as part of an air assault package comprised of three Blackhawks and two Chinooks. The helicopters carried a total of 99 troops — Italian special operators and Afghan National Army regulars — for a raid to capture a “high-value target,” one of the Taliban’s bad guys.
The helicopters touched down at the LZ around 3 AM, and after the troops jumped out they immediately came under fire. The helos took off and held nearby.
“We were at the holding point listening to the chaos, waiting, burning gas,” Ellis said. “It was the worst.”
There were two Apache attack helicopters on station, but one ran out of ammo and the other took an enemy round through the cockpit. The ground force, facing overwhelming numbers, wanted to get out of there immediately. But, by the helicopters’ operating procedures, it was too hot for them to fly back in to pick them up.
The mission commander, a lieutenant colonel, made the call to go in, but only after taking a quick survey of his fellow pilots over the radio to see what they thought about the risk.
“We went up and down the line, and all aircrews said they wanted to go in,” Ellis remembered. “But everyone was concerned at the same time. Everyone knew what they were getting into.”
The LZ was in the middle of a valley, what Ellis described as “the worst place to fly into.”
He saw the gunner in the Blackhawk ahead of him return fire on a group behind a wall as his own gunner froze, unable to pull the trigger. Sixty of the troops came running at them trying to load up. The Blackhawk only had room for 12 of them, so Ellis’ crew chief heroically jumped out and sorted the situation out as the bullets landed around them. After “the longest 3 minutes of my life,” they lurched back into the air at the Blackhawk’s maximum takeoff weight.
“Because we were heavy we couldn’t yank and bank,” Ellis said. “We had to fly straight ahead. My missile warning gear was going off the whole time.”
Once he was out of harm’s way, he had an epiphany.
“I was more present than I ‘d ever been in my life,” he said. “It was like all of the bullshit in my life came to the surface and skimmed off. I heard my inner voice: ‘Life is short. Live with a purpose. Do what you love.'”
And Ellis realized — along with flying Army helicopters — that he loved making movies, something he’d continue to dabble in even during the most demanding parts of his military life.
“I was always working on something while I was in,” Ellis said. “Short films — writing and directing. I’d edit them on my computer and post them to YouTube or wherever.”
After his war tour, he was stationed in South Korea while his marriage to another Army helicopter pilot came apart. “Long story short, we were separated for 18 months,” he said.
He was ready for a change in his life. So after 7 years of active duty, he resigned his commission and entered USC to get a master’s degree in filmmaking. While he immersed himself in the curriculum, he also found himself processing a lot of anger.
“I’d lose my temper if somebody jumped in front of me at a bar or cut me off in traffic,” he admitted. “I felt this sense of entitlement, like, who are they to treat me like that? Don’t they know who I am and what I’ve done?”
By his own account, it took him three years of grad school to process his emotions.
“I don’t want to be that person,” he said. “I don’t want to feel that way. Now it’s more like who cares? That guy, that girl, they have their own thing going on. They have their own path.”
He made a name for himself among the talented grad students at USC. He created five short films, including “10,000 Miles,” his thesis film that had a $30,000 budget plus a $350,000 Panavision grant.
Ellis also made “The Fog,” which he describes as “very personal,” another short that won a faculty screenwriting award and “Best Narrative Short” at the 2016 GI Film Festival. “The Fog” was also a semi-finalist for the student Academy Awards.
Ellis left USC with an impressive body of work, and an effective Hollywood network that included his USC-assigned mentor who also happened to be the president of a major studio. With his master’s degree in hand, he’s wasted little time in making some things happen. He wrote a screenplay based on “Chickenhawk,” the classic Vietnam-era story about a helicopter pilot, and he said Harrison Ford is “interested.”
At the same time, he worked as a production assistant on “The Wall,” directed by Doug Liman (who also directed “Mr. and Mrs. Smith” and “Bourne Identity”), wrote another screenplay targeting both Chinese and American audiences, and co-created an animated web series called “Thrift Video” that he described as “‘Adult Swim’-type humor.”
And, somewhat ironically, Ellis’ work in Hollywood placed him behind the controls of a helicopter again.
“My USC mentor introduced me to the president of Studio Wings, Steve Stafford, a Marine vet,” he explained. “I’ve been flying a Huey, one of the types of helicopters I flew during my time in the Army.”
And the Studio Wings Huey is owned by one Vince Gilligan, the creator of the hit series “Breaking Bad.” Ellis and Gilligan have co-piloted the Huey on several occasions.
“Vince is a super-nice guy and very interested in my active duty experience,” Ellis said. “He’s also interested in my screenplay.”
Ellis is quickly learning that success in the movie business is about two things: who you know and how much talent you have.
“All this stuff is just coming out of the blue,” Ellis said. “But I love the non-linear aspect of Hollywood. You’re thrown into the big mix with everybody. How do you set yourself apart?”
Ellis has also learned when and where to leverage his military experience and the limits of it.
“The whole reason I’m flying helicopters with Vince Gilligan is because I flew helicopters in the Army,” he said. “But after that, it’s about the quality of my work.”