As we reach the halfway point for The Falcon and the Winter Soldier, we’ve been given some great character moments and intriguing details into a post-Blip world. A Global Repatriation Council attempts to help the billions of people who have returned from the dead after five years, one of them being a doctor who perfected the Super Soldier Serum.
Let’s dive in — spoilers ahead.
The new Captain America takes a bit of a back seat in this week’s episode, but we do get a glance at his short fuse when he confronts some of Karli Morgenthau’s contacts and is rewarded with spit in his face. John Walker and his more even-tempered partner Lemar will remain a step behind Bucky and Sam this week.
As the last episode hinted, Bucky and Sam decide to contact Helmut Zemo and Bucky, unbeknownst to Sam, makes quick work of freeing Zemo from his cell. Maybe not a great decision, considering the man bombed the UN and killed Wakanda’s King T’Chaka before framing Bucky for the crimes — and he’s reading Machiavelli — but Zemo has knowledge about the Super Soldier Serum.
Daniel Bruhl’s performance also makes Zemo a character who is entertaining to have around.
They begin their search in Madripoor, a classic Marvel Comics location (primarily for mutant story-lines). There, they go undercover, delivering some excellent character fun. Sam is forced to drink “the usual” drink of his colorful alias — some kind of cocktail with raw snake organs (DEAR GOD WHY) — much to our amusement. Later when they flee the scene, he shouts, “I can’t run in these heels!” It’s a great writing touch.
Bucky, meanwhile, plays the Winter Soldier, following Helmut’s commands — even when they are violent. Sebastian Stan’s performance as a battle-weary veteran is constantly impressive; Bucky’s inner turmoil is right there beneath the surface.
When Sam’s cover is blown by a phone call from his sister, the unlikely trio flee with bounties on their heads. They’re saved by none other than Sharon Carter, albeit a much grittier, pissed off Sharon Carter, who has been on the run since giving Steve Rogers his shield (although with a brief five-year hiatus, as she was disintegrated in the Snap). And yo, she’s pissed about it.
Her outfit slaps, though. I want her pants. She agrees to help Sam and Bucky find Super Soldier Serum Dr. Nagle while Sam promises to clear her name. They head to Nagle’s secret lab in a shipment container yard, where they learn that Morgenthau stole his 20 vials of perfected serum. Zemo kills the doctor and the lab is attacked and destroyed, giving us impressive fight sequences from Carter and Zemo.
Carter parts ways with Bucky and Sam, but based on her final interaction with her bodyguard, we can expect to see her again. Bucky, Sam, and Zemo follow another lead, but rather than join them inside, Bucky announces that he’s going to take a walk. He follows a few devices that turn out to be Wakandan, and the episode ends with another familiar face.
Ayo, second-in-command of the Dora Milaje, has come for the man who killed T’Chaka. What will happen on the Falcon and the Winter Soldier next?
Any time someone sets out to make a war film, he or she risks getting swept up into the action, the combat, the inherent drama that comes with the subject. The truly great war movies recognize the smaller elements, the ironies and subtleties of life during conflicts. Day One, a short film from U.S. Army veteran turned filmmaker Henry Hughes, is such a movie.
“We’re not having a lot of success in getting telling the soldier experience story,” says Hughes, an American Film Institute alum. “I don’t think we’ve changed much how we look at war and the stories that come out of it. Troops are portrayed as either victims or heroes. We still think war is ironic, that we go in and we’re surprised by the things that we find in war. Maybe there’s some bad things about it, and we’re like ‘oh that’s a surprise!’ But it’s not a surprise. War is a very mixed bag, but it can be spiritual and it can be fun and it can be dangerous and it can be morally wrong at times and it can also be one of the things you’re most proud of because you do some really good things.”
Day One is based on Hughes’ own experience with his translator while he was an infantry officer in 173d Airborne Brigade Combat Team. The movie follows a new female translator’s first day accompanying a U.S. Army unit as it searches for a local terrorist in Afghanistan. Her job brings up brutal complexities as gender and religious barriers emerge with lives hanging in the balance.
“Having a female interpreter definitely changed my perspective of fighting, particularly having been on two deployments,” Hughes says. “The first time, it feels very new and romantic and exciting. The second time, you aren’t seeing a lot of impact in the way you would like and so you start wondering if you’re doing the right thing. In this instance, I had this Afghan-American woman with me at all times, and she was the person I communicated with locals to and she had access to the Afghan women in a way that I have never had before.”
“In my first deployment we didn’t even look at the women,” Hughes continues. “I remember that was a thing we did as a company. When we were on a trail and a woman came by, we would clear the trail, turn out, and allow them to walk by. Now all of a sudden, I mean I’m not face to face with these women but my interpreter would tell me she just spoke with a woman that would give us a very different perspective from what we would usually get. It’s interesting in that way.”
Hughes’ Army perspective spans more than just his time as an Army officer. He was also a military brat, following his dad with the rest of the family, living in Germany and Texas. As an officer in the 173d, he went to Airborne and Ranger School, Armor School, and Scout Leaders Course to prepare for his time in Afghanistan during 2007 and 2008 and then again in 2010.
“I’m very interested in exploring the military stuff because it is such a hyperbolic life.” He says. “Things are just so condensed and so strange and powerful. It’s like the meaning of life is life hangs in balance sometimes. You get that moment in the military and most people don’t ever work in those types of absolutes.”
Hughes has always been the artistic type. He went to a high school that had a TV studio, which inspired the creative side of his personality. He’s also come to believe that the military is the perfect place to start a filmmaking career.
“You take so many lessons from your military experience and apply them into filmmaking because it is so team-oriented and team-based. The ability to communicate and draft up a single clear mission or objective. Those skills that I learned as a young officer are paying massive dividends now, being creative.”
Hughes also believes a good storyteller must step out of his or her comfort zone to empathize with the characters and relate them to the audience.
“With trying to express yourself artistically, you have to be a little bit more vulnerable. ‘What is actually at play here,’ as opposed to ‘How do I accomplish this?’ I think you have to be a little bit more introspective whereas in the military, we’re very external and action-driven. It’s just analysis but we all do tons of analysis in the military too. I think it’s a good thing.”
There’s a new mobile streaming app in town that’s hoping to corner the market on the white space in your day — specifically, those seven to 10 minute gaps where you’d love to be entertained. Introducing Quibi, whose name and premise are based upon giving you quick bites of big stories.
After watching some of their trailers, we can assure you: you won’t be disappointed. Spoiler alert: The release we’re looking forward to the most? We Are The Mighty’s very own show, TEN WEEKS — the first look inside U.S. Army basic combat training in two decades. Make sure you download Quibi now to know when TEN WEEKS is available.
Quibi Founder Jeffrey Katzenberg Goes Over The New Streaming Service
The daily essentials are a great way to get your news or recaps in just a few minutes. The movies in chapters and shows are equally captivating with excellent storytelling and star-studded casts.
From Reese Witherspoon narrating an animal documentary to the story behind the I Promise School with LeBron James, the cast of these shows is nothing shy of impressive. With celebrities like Jennifer Lopez, Kristin Bell, Ben Stiller, Will Arnett, Ozzy Osbourne, Jay Leno, Ariana Grande, James Corden, Zooey Deschanel, Matthew McConaughey, Tina Fey, Jack Black and the list goes on — it’s easy to see how co-founders Jeffrey Katzenberg and CEO Meg Whitman put id=”listicle-2645654109″.75B into content.
When Airman 1st Class William H. Pitsenbarger posthumously received a Medal of Honor for his valor and sacrifice during the Vietnam War, retired Air Force Pararescueman SMSgt John Pighini was at the ceremony.
In March 1966, Pitsenbarger was killed in action after intentionally placing himself in harm’s way to rescue Army infantrymen pinned down by the enemy during Operation Abilene during the Vietnam War. He received the Air Force Cross for his actions, but the men he saved never forgot what his sacrifice meant.
After 34 years, his Air Force Cross was upgraded to the Medal of Honor in a ceremony that took place on Dec. 8, 2000, just in time for Pitsenbarger’s father to accept the medal on his son’s behalf.
Nearly 20 years later, The Last Full Measure tells the story of Pitsenbarger’s heroism and the efforts it took to present him with the Medal of Honor, the highest military award in the United States of America.
The film recreates the moving Medal of Honor ceremony. John Pighini was there for that, too, which is how his filmmaking journey began.
This is the true story that inspired The Last Full Measure
“We’d known about the movie for years — it took almost 20 years to get it done. They’d always told us [members of the pararescue community] we could be in the remake of the Medal of Honor ceremony,” Pighini recalled. While there he noticed some military details that weren’t quite correct — so he spoke up and found the director and crew willing to listen and make adjustments.
Director Todd Robinson quickly recognized that Pighini was a valuable resource for his film. Pighini served in Vietnam after graduating from his pararescue training program in November 1966. He would earn a Silver Star and a Distinguished Flying Cross for his rescue missions during the war. He would also serve as the first pararescue superintendent for the 24th Special Tactics Squadron and he now serves as vice president of the Pararescue Association.
So, he knows a thing or two about providing medical aid on the battlefield and combat in Southeast Asia.
Todd Robinson, Jeremy Irvine, August Blanco Rosenstein, John Pighini on set for The Last Full Measure in Thailand, 2017. (Photo by Eddie Rosenstein)
His unique experience made him a particularly helpful resource for creating accuracy for the film. “I taught combat medicine so I was very much in tune with setting up exercises and working with people to ensure everything is done correctly. I was also involved in helicopter operations for so many years,” Pighini stated. He was brought on to film on location with the cast and crew as they shot the Vietnam scenes for the film.
Of course, anyone who has worked on a film knows that it isn’t always possible to be completely accurate. Budget limitations or storytelling choices will often take precedence.
“The important thing was that we told Pits’ story and it resonated with people. There are those who point out that we didn’t have the right helicopter, but there was only one 43 [Kaman HH-43F] and the guy just wouldn’t let it go so we used the Huey [Bell UH-1 Iriquois]. But the movie wasn’t about the Hueys, it was about Pits. It was about going down and saving lives, knowing full well what was coming his way that night. It was about our creed: these things we do that others may live,” Pighini reflected.
When I asked him about the idea of heroism, Pighini grew solemn. “Pararescuemen…it’s in your blood. Like nurses and doctors — when people want to help people, it’s a calling. To me, it was always about saving a life. I didn’t feel like I was being a hero. The guys that gave the last full measure…they’re the heroes.”
The Last Full Measure – Arrives on Digital 4/7 and on Blu-ray, DVD, and On Demand 4/21
U.S. Navy Surface Warfare officer, Jesse Iwuji, is a rising star in the NASCAR K&N Pro Series West. A veteran of two Arabian Gulf deployments, Jesse spends his time on land meticulously building each element of his pro racing career.
And of course, the bedrock of pro racing is the ability to move a ton of steel around a track at bone-rattling velocity.
“Jesse, let me know when it’s safe to unpucker.” (Go90 Oscar Mike screenshot)
As he related to Oscar Mike host Ryan Curtis when they met up at the Meridian Speedway in Boise, Idaho, success in life is all about finding the thing you’re passionate about and then making a firm decision to go and get it.
In Iwuji’s experience, hot pursuit starts with putting one foot in front of the other. He finished the 2016 season ranked Top 10 overall in points and entered the 2017 season newly partnered with three time NFL Pro Bowler Shawne Merriman as his car owner for Patriot Motorsports Group.
Curtis, of course, couldn’t wait for his chance to get behind the wheel.
“How about now?” “Just drive the car, man.” (Go90 Oscar Mike screenshot)
Watch as Iwuji pushes the K&N Pro Series stock car to it’s outer limits while Curtis makes the lamest joke in military history in the video embedded at the top.
The Force may be strong with your family, but are you ready for Star Wars: The Rise of Skywalker? The final installment of what is now called “the Skywalker” saga will bring a specific story of a galaxy far, far away to a close this year. Of all the new Star Wars films, this is probably the one you won’t want to miss in the theaters, simply because everyone will ruin it for you if you wait. But, what the hell is going on with this movie? Which Skywalker is rising? Why is this the “end” of Star Wars? And just how many characters are coming back to life?
Here’s your Star Wars: The Rise of Skywalker cheatsheet.
1. Rise of Skywalker is “Episode IX” which marks the end of regular Star Wars movies as we know them.
Back in the eighties, Star Wars creator George Lucas often said that the classic trilogy of films was actually just one part of a larger story consisting of a “trilogy of trilogies.” But, after Lucas created Episodes I, II and III from 1999-2005, he changed his mind and decided that Episode VI: Return of the Jedi — was a decent place to end the story. In 2004, Lucas inserted a digital Hayden Christesen as the ghost of Anakin Skywalker and called it a day. But, then, in 2012, Lucas sold his company — Lucasfilm — to Disney and the rest is history. Since 2015, there have been four new Star Wars movies; The Force Awakens, Rogue One, The Last Jedi, and Solo. But, only two these (Force Awakens and Last Jedi) have had the traditional episode numbers at the beginning. So, The Rise of Skywalker is a sequel to Episode VIII: The Last Jedi, but also the conclusion of ALL the episodes, beginning with Episode I: The Phantom Menace. After Rise of Skywalker, it seems like the will no longer be Star Wars movies with episode numbers, meaning the 2022 Star Wars movies will be organized differently.
2. Okay, so I can tell my kids these were planned all along?
You can tell your children whatever you want about how Star Wars was written and created, but the fact of the matter is, literally all of Star Wars, including the original trilogy, was kind of made-up as it went along. George Lucas has gone on record saying that he wasn’t sure when Darth Vader would have been revealed as Luke’s father originally, and early drafts of the script for the EmpireStrikes Back confirm this: At some point in the drafting process, screenwriter Leigh Brackett hadn’t even been told (or Lucas hadn’t decided?) if Vader was Luke’s father at all. This bit of trivia is a good microcosm for how to think about the new movies, too. Originally, J.J. Abrams was only supposed to direct The Force Awakens, but then, after Lucasfilm fired Jurassic World director Colin Trevorrow from working on Episode IX, Abrams was brought back in to direct and co-write the movie. Abrams co-wrote Rise of Skywalker with a guy named Chris Terrio, whose previous credits include Justice League and Batman Vs Superman, so take that however you want.
Complicating matters further is the fact that obviously, no one at Lucasfilm knew Carrie Fisher would tragically pass away in 2016. Statements from Lucasfilm suggest the story for Episode IXwould have been very different had Fisher been alive to play Leia again. Finally, Rian Johnson certainly didn’t write The Last Jedi with the knowledge that Fisher would die or that Trevorrow would be fired, meaning, the events of The Last Jedi could be seen as slightly incongruous with whatever Abrams cooks up.
3. I heard Leia is still in the movie. What’s up with that?
Carrie Fisher is appearing in The Rise of Skywalker as General Leia Organa, daughter of Anakin Skywalker, sister of Luke Skywalker, widow of Han Solo, and mother of Ben Solo AKA Kylo Ren. This is being achieved by using archival footage of Fisher from The Force Awakens. Apparently, J.J. Abrams had enough material left over to make it work. Disney, Lucasfilm, and the Fisher family have repeatedly said that Leia will not appear as a CGI recreation and that what you’ll see onscreen will actually be filmed footage of Carrie Fisher.
4. Who else is coming back?
Rise of Skywalker will also feature the return of Billy Dee Willians as Lando Calrissian, Mark Hamill as Luke Skywalker, and, somehow, the character of Emperor Palpatine will laugh his way into the movie, too. Notably, two of these three characters are technically dead. Luke died in The Last Jedi and the Emperor was thrown down a shaft by Darth Vader in Return of the Jedi back in 1983. Mark Hamill has already said that Luke is almost certainly back as a Force ghost, kind of like what Obi-Wan did in the old movies. However, Lucasfilm and actor Ian McDiarmid (who played the Emperor in all three prequels and Return of the Jedi) have been tight-lipped about how that character will return. Bottom line: the Emperor laughs in the trailer for Rise of Skywalker, so, somehow, he’s back.
5. What about Rey’s parents?
In The Last Jedi, it was revealed by Kylo Ren that Rey’s mysterious parents from The Force Awakens were drunk junk-dealers who sold her into a life of servitude, Oliver Twist-style. Basically, they were nobodies. If you throw a rock, you can finally find someone around you right now who has a strong opinion about this twist one way or another. So, how will The Rise of Skywalker address it; even if you don’t want it too? Well, J.J. Abrams has said “there will be more” to the story of Rey’s parents. So, get ready for that. (Hey, let’s be honest, Star Wars has never been great about showing functional families!)
6. Can I buy tickets yet?
Nope, but that may change very soon. We’ll let you know when it does.
Right now, there’s just one trailer for The Rise of Skywalker, which debuted at Star Wars Celebration in Orlando this past spring. There might be a new one coming at the end of Augst at D23, but no one knows for sure. You can watch that trailer right here.
8. When does the movie come out?
Star Wars Episode IX: The Rise ofSkywalker will be out in movie theaters around the world on Dec. 20, 2019. That’s a Friday, so, that means there will really be screenings as early as Thursday, the 19th, and reviews about a week before that. So, if you really want to save yourself from spoilers, avoid the internet, or any human interactions starting around Dec. 15, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Yet another patriotic war movie has taken Russia by storm.
T-34, a high-octane tribute to the Soviet tank that played a key role on the Eastern Front of World War II, is the latest in a series of big-budget history flicks sponsored by the Culture Ministry and lavished with round-the-clock coverage on Russian state TV.
Spanning the years 1941-45, the film tells the story of Red Army Lieutenant Nikolai Ivushkin’s unlikely attempt to escape a German prisoner-of-war camp in a T-34 tank that he and three other men are tasked with repairing by their Nazi overseers. The fugitives are cornered in a German village near the Czechoslovak border, where an epic tank battle culminates the movie.
The slow-motion projectiles and video-game graphics give the movie a modern feel, and its simple storyline is thin on nuance. According to director Aleksei Sidorov, the aim of the film was to “tell the story of war in a way that appeals to the youth but doesn’t prove controversial among those who still keep the Great Patriotic War [World War II] in their memory,” the Culture Ministry quoted himas saying in a press release.
T-34 | Official HD Trailer (2018) | WORLD WAR II DRAMA | Film Threat Trailers
This time, a formula used in dozens of similar films appears to have finally struck gold. T-34 is the third Russian film devoted to World War II-era tanks since 2012 — but unlike its predecessors, 2012’s White Tiger and 2018’s Tanks, it’s proving a major hit with Russian audiences.
Since its nationwide release on Jan. 1, 2019, the movie has raked in more than a billion rubles, securing the top spot at the Russian box office. More than 4 million theatergoers have seen the film so far, according to stats from the Russian Cinema Fund.
Powerful backing played a role. The producer of T-34 is Len Blavatnik, a Ukrainian-born billionaire businessman with Kremlin ties. “For me, T-34 is more than a perfectly conceived adventure flick,” Blavatnik told reporters at the Cannes Film Festival in May 2017, where the film’s budget was estimated at 600 million rubles (currently million). “My grandfather was a World War II veteran, and that great victory is part of our family lore.”
The war cost the lives of more than 26 million Soviet civilians and military personnel, and is held up as a point of national pride. The memory of the heroic Soviet campaign to oust the German invaders has often been used as fodder in propaganda, a fact noted by film critic Anton Dolin. But in a review for the independent news site Meduza, Dolin argues that T-34 avoids the primitive methods on display in other war movies sponsored by the Russian government.
“I thank the authors for creating a high-budget war blockbuster almost clear of propagandistic and ideological motives,” Dolin writes. “Even the word ‘Stalin’ is mentioned here only once, and in a facetious context. That’s a rarity in our times.”
White Tiger Official Trailer (2014) – Russian World War 2 Tank Movie HD
But T-34 is not completely free of references to contemporary geopolitics, it seems. In the tank battle that opens the movie, a cowardly Ukrainian soldier who gets mouthy with Ivushkin dies, while the tough Belarusian who obeys the lieutenant’s orders remains by the Russian’s side till the happy ending.
The film Tanks, which was released in 2018 and directed by Kim Druzhinin, can be seen as a prequel of sorts to T-34. It tells the story of two T-34 prototypes making their way from Kharkov to Moscow as the Nazi leadership looks for ways to destroy them and preempt the havoc they would soon wreak. The first audience for Tanks, according to Russian newspaper Novaya Gazeta, was servicemen at the Russian-run Khmeimim air base in Syria.
But while Tanks was widely panned by critics and proved a flop at the box office, T-34 has rolled over its competition. Perhaps it’s the lazy January holidays that bring Russians en masse before the screens.
“What could be merrier,” Dolin writes, than “crushing the fascist toad, and then chasing the victory down with mandarins and champagne?”
Even though Robin Williams’ now-famous morning greeting doesn’t make people think of the real Adrian Cronauer, it does a pretty good job of representing who Cronauer was at heart. The former airman died at his Virginia home on July 18, 2018, after a long battle with illness.
While Cronauer’s trademark, “Gooooooooood Morning, Vietnam” is really how the airman opened his show on the Armed Forces Vietnam Network during his time in Southeast Asia, he always insisted Williams’ performance in the movie was more Robin Williams than Adrian Cronauer. The film is just loosely based on Cronauer’s account of his deployment, with a few striking similarities.
“If I did half the things he did in that movie, I’d still be in Leavenworth and not England,” Cronauer told Stars and Stripes during a stop at RAF Mildenhall in 2004.
The 1987 film,Good Morning, Vietnam, came to America at a time when Americans were still struggling with the Vietnam War. It was a rare departure from the typically grim tales of loss, excess, and suspected POW sightings.
Adrian Cronauer would end up working in radio and television broadcasting for more than 20 years. After spending many years as a lawyer, Cronauer became special assistant to the director of the Defense Prisoner of War/Missing Personnel Office in the Pentagon, the office dedicated to finding the missing from America’s foreign wars.
Ever wonder what it would be like if Gunny Hartman trained elves using the same foul mouth he developed in the Marine Corps?
Well, wonder no longer because the internet has mashed “Rudolph the Red Nosed Reindeer” with the audio from the famous barracks scene in “Full Metal Jacket.” The result is hilarious, so check it out below. Be warned: Very profane language (after all, it’s f-cking Gunny Hartman).
WATM’s Ryan Curtis hits the streets with stuntman Jim Wilkey, a Vietnam War vet whose Hollywood credits include “Die Hard With a Vengeance,” “Rush Hour,” “Inception,” “Mad Max: Fury Road,” “The Dark Knight Trilogy,” and several others. Jim’s experience in the Navy working with a wide range of equipment gave him the knowledge to get started as a stuntman.
Now, watch as Jim gives our man Ryan a crash course in basic stunt driving skills.
When you talk about a career after military service, oftentimes the conversation veers toward opening a small business, going back to school for a degree or entering the corporate world.
But for a select few, it can mean more of the same — and sometimes a lot more than they’d ever bargained for.
That’s what happened to Bill Fulton when he left the Army after an accident blew out his knees. Not satisfied that his days of working with soldiers would be over, Fulton started a military surplus business in the wilds of Alaska.
And he had no idea just how wild it would eventually get.
Dubbed the “Drop Zone,” Fulton’s store in Anchorage eventually became a kind of sanctuary for fellow vets — sharpshooting hippies, crew-cutted fundamentalists, PTSD sufferers — all seeking purpose and direction.
But the Last Frontier is vast wilderness, the perfect refuge for fugitives, and the perfect place for vets itching for a mission. So Fulton and his crew formed a fugitive recovery business, nabbing bad guys for law enforcement across the state. In the end, more than 400 fugitives would meet Fulton and company on the wrong end of a gun.
Maybe it was the dark or the cold or the isolation, but Alaska provided a never-ending stream of violent felons, meth cookers, heroin dealers, and thieves. For Fulton and his fellow vets, reminding these fugitives they weren’t above the law, and going out with guns in hands to bust bad guys was way more therapeutic than laying on a couch talking about the war.
From tiptoeing through cracking snow on a bust to confiscating a fugitive’s handgun from the place “where the sun don’t shine,” Fulton and his crew had their share of adventure. But it all came to a head when the FBI asked the Army vet to go undercover to blow the lid off of a separatist leader and his band of crooks.
That’s when his raid focused on a small house in Wasilla, Alaska, home of 2008 vice-presidential candidate Sarah Palin. What he found there was a lot more than Fulton and his band had bargained for.
But “Blood of Patriots” is about a lot more than guns and glory, it’s about a team of men who came together in the remotest corner of the U.S. to bring justice to those who avoided it. Guys like “Suicide,” who had an “act first and think later” mentality.
And “Clay Aiken,” who got his country-singer handle from his Southern drawl. Everyone loved Clay and trusted him with their lives—but not their women.
The ironically-named and always mopey “Sunshine” spread his Eeyore vibe wherever he went. The Big Mexican was both, and came to snowy Alaska from East LA via the military.
And then there was “Gunny,” a six-foot-four brick sh@thouse of a man, who stood in a doorway like a solar eclipse, with thick, black, coiled tribal tattoos creeping up his neck and out the bottom of his black leather trench-coat sleeves.
Gunny was a former Marine who worked for a three-letter government organization he wouldn’t name, disappearing for months on special ops missions to parts unknown.
“Blood of Patriots” is the kind of adventure story that makes you wonder if fact really is stranger than fiction, but it also reminds you that some of our fighting men and women carry on the call long after their military service ends.
Bill Fulton’s “Blood of Patriots” is available on Amazon.com.
If you’re thinking about skipping Captain Marveland going straight to Avengers: Endgame, think again. Early reviews of Captain Marvel say that the movie is not only fantastic but that it will be essential viewing for anyone going to see the next installment of the Marvel Cinematic Universe. Here’s the early consensus, totally free of spoilers for the movie.
Eric Eisenberg, of CinemaBlend, said the movie has “surprises” that audiences won’t see coming.
Steve Weintraub at Collider said the movie made him “So ready for Avengers: Endgame.”
Meanwhile, Anna Klausen of Newsweek, Bustle and The Daily Beastsaid, moviegoers, should “watch closely” for “lots of fun Easter eggs” and links to the “history and other films in the MCU.”
At this point, critics who have seen the movie aren’t able to reveal any spoilers for the film, so what we’re seeing now is general impressions of the film. Elsewhere in the universe, a smattering of trolls who have not seen the film yet are trying to destroy the Rotten Tomatoes Score of Captain Marvel before the movie is released. Several publications have already likened this sexist campaign to what happened around the time The Last Jedi was released. Needless to say, if someone hasn’t seen the movie, and they’re trashing it, we don’t have to spend much time thinking about their opinion.
For the rest of us, it sounds like Captain Marvel might not be a perfect movie, but then again, none of these superhero movies really ever are. And for those of us who have daughters — or just like to see heroes who aren’t dudes — Brie Larson as Carol Danvers can’t come soon enough.
Military movies can often remind Veterans of their service. They can also bring up painful memories of the past.
Air Force Veteran and Silver Star recipient John Pighini is someone who knows both sides of this issue. He recently worked as a technical adviser on a major motion picture that showcased the bravery of service members, but also brought up a painful past. These movies can sometimes show Veterans dealing with their own struggles: anger, paranoia, edginess, regret and survivor’s guilt.
Pighini saw those struggles on the big screen after working on the movie. “It feels like they take post-traumatic stress and they set it right in your lap,” he said. “Don’t go to this movie and not take a handkerchief or tissues with you. You will not make it through.”
PTSD in Veterans
These are the feelings Pighini knows all too well. He served as a pararescueman during Vietnam, which led to his role on the movie as a technical adviser. As members of Air Force Special Warfare, pararescue specialists rescue and medically treat downed military personnel all over the world. These highly trained experts take part in every aspect of the mission and are skilled parachutists, scuba divers and rock climbers, and they are even arctic-trained in order to access any environment to save a life when called.
Dr. Paula Schnurr, executive director for National Center for PTSD in VA’s Office of Mental Health and Suicide Prevention, started studying PTSD in 1984. She said Vietnam Veterans are still dealing with effects because the lack of support when they returned from deployment.
“Vietnam Veterans, like Veterans of earlier wars, were expected to come home and get on with their lives,” she said. Schnurr added the publicly opposed war made Vietnam Veterans’ transition hard to come home.
The National Vietnam Veterans Readjustment Study, completed in 1988 by the Research Triangle Institute, was pivotal for Veterans and the medical community. At the time, it was the most rigorous and comprehensive study on PTSD and other psychological problems for Vietnam Veterans readjusting to civilian life.
The study findings indicated about 30% of all male and 27% of female Vietnam theater Veterans had PTSD at some point during their lives. At the time, that equated to more than 970,000 Veterans. Additionally, about one half of the men and one third of the women who ever had PTSD still had it.
PTSD symptoms may increase with age after retiring from work, or from medical problems and lack of coping mechanisms.
Having a mission
Having a mission can help Veterans deal with PTSD. While working on a recent movie, Pighini recalled the struggles he still deals with–50 years after his Vietnam service.
“The early days, we didn’t know what we had,” he said. “As we get older, we become more melancholy. We’re not busy and we’re not out there on the firing line.”
While filmed in Thailand, Pighini said the smells from Southeast Asia raised the hairs on the back of his neck. Despite the flashbacks, Pighini said he hopes viewers realize the importance of putting a spotlight on PTSD. He added movies also depict the courageousness of military members. In the movie he worked on, the movie told the story of an Air Force pararescuemen who lived by their motto, “That others may live.”
“That means you lay it out,” Pighini said. “You do whatever you need to do to save a life. It’s the ethos we have. It’s what we live by. If you have to lay down your life or one of your limbs or whatever it is, you do it. It means everything.”