As we reach the halfway point for The Falcon and the Winter Soldier, we’ve been given some great character moments and intriguing details into a post-Blip world. A Global Repatriation Council attempts to help the billions of people who have returned from the dead after five years, one of them being a doctor who perfected the Super Soldier Serum.
Let’s dive in — spoilers ahead.
The new Captain America takes a bit of a back seat in this week’s episode, but we do get a glance at his short fuse when he confronts some of Karli Morgenthau’s contacts and is rewarded with spit in his face. John Walker and his more even-tempered partner Lemar will remain a step behind Bucky and Sam this week.
As the last episode hinted, Bucky and Sam decide to contact Helmut Zemo and Bucky, unbeknownst to Sam, makes quick work of freeing Zemo from his cell. Maybe not a great decision, considering the man bombed the UN and killed Wakanda’s King T’Chaka before framing Bucky for the crimes — and he’s reading Machiavelli — but Zemo has knowledge about the Super Soldier Serum.
Daniel Bruhl’s performance also makes Zemo a character who is entertaining to have around.
They begin their search in Madripoor, a classic Marvel Comics location (primarily for mutant story-lines). There, they go undercover, delivering some excellent character fun. Sam is forced to drink “the usual” drink of his colorful alias — some kind of cocktail with raw snake organs (DEAR GOD WHY) — much to our amusement. Later when they flee the scene, he shouts, “I can’t run in these heels!” It’s a great writing touch.
Bucky, meanwhile, plays the Winter Soldier, following Helmut’s commands — even when they are violent. Sebastian Stan’s performance as a battle-weary veteran is constantly impressive; Bucky’s inner turmoil is right there beneath the surface.
When Sam’s cover is blown by a phone call from his sister, the unlikely trio flee with bounties on their heads. They’re saved by none other than Sharon Carter, albeit a much grittier, pissed off Sharon Carter, who has been on the run since giving Steve Rogers his shield (although with a brief five-year hiatus, as she was disintegrated in the Snap). And yo, she’s pissed about it.
Her outfit slaps, though. I want her pants. She agrees to help Sam and Bucky find Super Soldier Serum Dr. Nagle while Sam promises to clear her name. They head to Nagle’s secret lab in a shipment container yard, where they learn that Morgenthau stole his 20 vials of perfected serum. Zemo kills the doctor and the lab is attacked and destroyed, giving us impressive fight sequences from Carter and Zemo.
Carter parts ways with Bucky and Sam, but based on her final interaction with her bodyguard, we can expect to see her again. Bucky, Sam, and Zemo follow another lead, but rather than join them inside, Bucky announces that he’s going to take a walk. He follows a few devices that turn out to be Wakandan, and the episode ends with another familiar face.
Ayo, second-in-command of the Dora Milaje, has come for the man who killed T’Chaka. What will happen on the Falcon and the Winter Soldier next?
After finishing off Avengers: Endgame with a definitive and decidedly sweet ending, the next big Marvel movie — Spider-Man: Far From Home — will return to Marvel’s diabolic plans to get you to sit through the credits for extra scenes. Are there post-credits scenes for Spider-Man: Far From Home and do that matter? The answer is a big yes.
No spoilers ahead.
It’s hard to know which of these facts feels more surreal:
Tom Holland has been in five Marvel movies as Spider-Man at this point
It’s only been five years since Andrew Garfield was in his second Spider-Man movie; which also starred Jamie Foxx getting bitten by electric eels.
2019 marks twelve years since Tobey Maguire did his emo-Spider-Man dance routine in Spider-Man 3.
Feeling old yet? If so, there’s some very good news about Spider-Man: Far From Home. The post-credits scene is basically made for olds. If you remember seeing the first Tobey Maguire Spidey-flick like the same year you were able to legally buy alcohol for the first time (or maybe even before) then this post-credits scene is for you.
We aren’t going to spoil what it is exactly yet, but let’s just put it this way: There are two post-credits scenes for Spider-Man: Far From Home, and the first one is the one you’ve got to see. Technically, this is what the pros call a “mid-credits” scene because it happens pretty quickly after the movie “ends.” (These movies never end.)
Will this scene make everyone happy? Yes. Does it set-up great things for the next big phase of Marvel movies. Big yes.
So, word of warning, between now and July 2, 2019, avoid spoilers as much as you can. This might not as Endgame-level as some thought, but if you’re of a certain age, it’s going to be very, very cool.
Spider-Man: Far From Home is out in theaters on July 2, 2019, which is, friendly reminder, a freaking Tuesday.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
For the defenders of a remote outpost in Afghanistan’s Nurestan Province, Oct. 3. 2009 was “A Day for Heroes.” Combat Outpost (COP) Keating was relentlessly attacked by 400 Taliban fighters and protected by 53 soldiers from Bravo Troop, 3rd Squadron, 61st Cavalry Regiment, 4th Infantry Division.
For 12 hours, Bravo Troop fought to keep the enemy from overrunning the base. The bloody fighting cost both sides dearly.
In the end, an estimated 200 Taliban fighters died trying to destroy the base. In all, eight American soldiers were killed and 27 were wounded. The defenders of COP Keating were awarded 27 Purple Hearts, 37 Army Commendation Medals for valor, 3 Bronze Stars, 18 Bronze Stars for valor, 7 Silver Stars, and 2 Distinguished Service Crosses. Staff Sgt. Justin Gallegos and 1st Lt. Andrew Bundermann’s Silver Stars were later upgraded to Distinguished Service Crosses. Staff Sgt. Clinton “Clint” Romesha and Spc.Ty Carter received the Medal of Honor for their actions that day.
The battle is the subject of the new movie, The Outpost, directed by Rod Lurie and starring Scott Eastwood, Caleb Landry Jones and Orlando Bloom, now in theaters and on demand. The film is based on CNN correspondent Jake Tapper’s book about the Battle of Kamdesh, “The Outpost: An Untold Story of American Valor.”
COP Keating was not a place the soldiers should have been in the first place. Their limited reach and manpower turned their counterinsurgency mission into a constant need to defend the base itself, according to the Army’s after-action report on the battle.
To make matters worse, defending that base was a nightmare. Positioned at “the bottom of a bowl,” it was surrounded by high mountains, ceding the high ground to the enemy. It made the base an “attractive target,” according to reports. The Taliban attacked COP Keating 47 times during the soldiers’ five-month deployment there.
Combat Outpost Keating from up high
(U.S. Army photo by 1st Lt. Brad Larson)
But they weren’t just randomly attacking the COP. Taliban fighters were probing the base, gathering information on key areas, and learning the soldiers’ defensive tactics in preparation for a larger strike.
Worse still, there was not much help that could come to their rescue in case of an attack. Intelligence, surveillance, and reconnaissance (ISR) assets were being used in the search for a missing soldier elsewhere. Other forces that could have been used to reinforce the defenders or speed up the closure of the base were being used on a mission for Afghan President Hamid Karzai. The soldiers soon became accustomed to the probing attacks.
Until the morning of Oct. 3, 2009, when the base became a Taliban shooting gallery.
Just before 6 a.m. local time, the soldiers woke up to a high volume of fire coming from the surrounding hills. Using the information from their probing attacks, Taliban fighters overran Keating’s 60mm and 120mm mortar support and began to hit COP Keating in force, taking the Army by surprise.
Incoming attacks from the surrounding mountains laid a punishing fire on the base and its defenders, the Taliban were closing in and the Army was losing ground. Soldiers defending the base withdrew into a tighter perimeter and began to call down close-air support from Air Force aircraft and AH-64 Apache helicopters, often inside the base’s original perimeter.
Things looked bleak, but there was still a lot of daylight left.
(Screen Media/’The Outpost’ Film)
By the afternoon, the Bravo Troop was angry and ready to hit back. Inside the TOC, the soldiers listened to the din of battle; explosions, bullet hits, and near-constant shouting from outside. According to Mark Seavey’s account of the battle for the American Legion, Staff Sgt. Clinton “Clint” Romesha suddenly spoke:
“‘Ro’ said in a very stern and demanding voice – just as there was a moment of odd but haunting silence – ‘I’ll tell you what we are going to do. We are going to take this f***ing COP back!'”
After enduring hours of withering fire and fighting off the invaders, the Army began to turn the tide. A quick-reaction force landed three kilometers to relieve the defenders of COP Keating. Even if the base was secured, they still had to focus on bringing the fight to the enemy outside of the valley using air support to neutralize Taliban positions in the nearby hills and villages, including a local police station.
The Taliban lost half of their attacking force and sustained scores of wounded. The base was still in American hands, but it was more clear than ever that it was in an unsustainable situation. Soon after the fight for COP Keating, the base was abandoned and destroyed by American aircraft to keep it from the enemy.
The soldiers from Bravo Troop displayed incredible heroism and valor in the face of an enemy onslaught that could have totally wiped them out and destroyed the base. Every medal citation from the Battle of Kamdesh reads like a Homeric epic.
To learn more about the Battle of Kamdesh or the story behind COP Keating, check out Jake Tapper’s exhaustively detailed book, The Outpost: An Untold Story of American Valor, and catch the new movie, The Outpost, in theaters and on demand now!
Over the years, it has become a running joke of sorts that Batman’s glorified fanny pack contains whatever items he needs to fulfill his current mission, regardless of how unlikely a scenario the caped crusader may find himself in. This leads us to the query of the hour- what has Batman’s utility belt been shown to contain?
Up until the release of Detective Comics #29, which formally introduced the idea of Batman having a utility belt, Batman’s costume had, for all intents and purposes, an ordinary belt that stored a single gadget- the bat rope with a grappling hook.
Whats in Batmans Utility Belt & Other Bat Gadgets? – Know Your Universe | Comicstorian
In Detective Comics #29, writer Gardner Fox decided to expand his tool-set, establishing that the Dark Knight wore a belt with numerous pouches containing various gadgets he may need while fighting crime- the first revealed being small glass pellets that when thrown released a large cloud of obscuring, choking gas.
From there things became a bit more elaborate. For example, among other things the utility belt was shown to include a giant balloon figure of batman that can be inflated remotely (Batman #115), a mini Geiger counter (Batman #117), and even a small disk made of asbestos inexplicably revealing his secret identity (Detective Comics #185).
In the 1958 comic Batman #117, it even shows him carrying shark repellent, for all those times one needs to fend off sharks while fighting crime on the streets of Gotham… If you’re curious, in this case Batman was underwater on an alien planet. Lucky for him, he remembered to pack his shark repellent and used it against an angry alien, reasoning that “if it works on the killers of the deep on Earth” it might just scare away a similar creature on an alien planet. We mention this because it gives the infamous scene in the 1966 Batman film where Adam West fends off a shark in mid-air with some handy Shark Repellent Bat Spray some context. Glorious, 1950s era context with pure West.
Later comics also establish that Batman has gadgets specifically designed to counter single members of his rogues gallery such as an antidote to the Joker’s Joker toxin, a Bat-heater to combat Mr Freeze, and special gloves that augment his punching power to fight on a more even playing field with the superhumanly strong villain Bane. Not just for enemies, Batman also apparently keeps what’s needed on hand to take out his allies as well, including a little bit of kryptonite, just in case.
It should also be noted here that in his very earliest comic outings, Batman’s utility belt had space for a handgun. Yes, as sacrilege as this would be in modern times, early versions of Batman had no qualms about shooting bad guys dead.
As for more day to day things, Batman’s utility belt further carries: A first aid kit containing basic surgical tools and various anti-toxins, an acetylene torch that can “cut through the hull of a battleship”, a forensic kit for analysing crime scenes, batarangs, a communication device, keys for the Batmobile, a rebreather in case Batman is ever submerged underwater, Batcuffs (special handcuffs designed to restrain even superpowered individuals), a lockpick, a high resolution camera and in some cases and the aforementioned grappling hook. In addition, the belt also contains numerous darts and pellets designed to subdue, incapacitate or otherwise stun criminals non-lethally when thrown. It also is variously shown to have a flamethrower, and EMP, a sonic devastator, remote claw, napalm, explosive gel, a cryptographic sequencer, and grenades of various type.
In the Batman and Robin film, the belt is even shown to contain a bat-credit card, which, if Batman is to be believed when he flashes it, is something he never leaves home without. And, to be honest, while this scene is often made fun of by the masses, it does at least accurately demonstrate a way for Batman to use his greatest super power- being rich.
In any event, as you might be gathering at this point, writers for Batman really do use his utility belt as a deus ex machina of sorts, usually introducing an amazingly specific gadget seemingly perfectly suited to solve whatever problem Batman has at a given time, with that gadget often never being mentioned again in later depictions.
In an effort to explain away their lazy writing in a semi-plausible way, the comic authors established in Batman canon that the hero obsessively plans every encounter to the most minute detail and has safeguards in place for any eventuality. Thus implying that the exact contents of his utility belt at any given time vary considerably from day to day, though even just going with the staple items that are supposedly always there, the storage capacity of this belt would give Hermione Granger’s handbag a run for its money.
Speaking of planning for any eventuality, the belt has numerous inbuilt security systems to prevent unauthorized use including a tracking beacon and an explosive charge so Batman can destroy it as a last resort if he ever loses it. The belt can also only be accessed by Batman and the various compartments and pouches will only open in response to a specific finger pattern.
The belt is also supposed to be constructed from a titanium alloy that makes it near indestructible, except, we guess from whatever explosive he used for its self destruct mode.
Of course, it’s at this point we feel compelled to point out that in the 1960s Batman TV show, early editions of his utility belt can very clearly be shown to be made up of common household kitchen sponges clipped to a yellow belt…
But to sum up, Batman’s superhero fanny pack contains a bafflingly array of equipment to fight crime, from shark repellent to kryptonite, that somehow all fits neatly into his tiny belt thanks to the magic of lazy comic writing.
Speaking of Batman’s obsessive planning, the comic JLA: Tower of Babel notes that Batman has plans in place to take out his own teammates, keeping detailed dossiers describing how to best deal with heroes such as Superman, Wonder Woman and the Flash. Batman’s obsession with being prepared for every scenario is such that he even keeps a file detailing how to kill himself should the need arise. For anyone curious, Batman notes that the easiest way to kill him would be to distract him by taking an innocent person hostage then take him out like any other mortal man. Although, given countless villains have used this exact strategy against him with little effect, we’re thinking maybe Batman’s planning abilities may be a little overestimated.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
None of this has anything to do with gender or anything as asinine as that. The fact is, Wonder Woman was the best superhero movie of 2017 (yeah, I know when Logan was released, and I stand by this statement). And Wonder Woman is easily the best part of the current DC cinematic universe. But this is history.
World War I is a lot more complex than when Steve Trevor tells Diana that he’s the good guy and the bad guys are the Germans wading ashore. It was nice of her to just take his word for it. These are my issues with this mostly-fantastic film.
Wonder Woman does not like doors.
Ok, this isn’t historical, it’s more of a stylistic criticism. Batman and Superman get to fly in or punch their way through a group of bad guys while Wonder Woman has to explode through the wall like an ancient, mythical Kool-Aid Man.
How did that guy not see this coming?
The Germans look completely incompetent.
They’re not just the traditional, evil villainous henchmen — they’re bad at it, too. Maybe that’s why they need to be directed by the God of War. After chasing Steve Rogers Steve Trevor onto the hidden island of Themyscira, they encounter a group of natives who seem technologically inferior… so, obviously they have to murder them all, right?
No. World War I Germans were not the Nazis. Historically, they were as much a victim of circumstance as any other combatant in the war. Germans were arguably the best at fighting World War I. That’s why they took a lot of heat in Versailles, and that’s why World War II happened — the Germans didn’t technically lose. A general staff, a standing professional army — these are all pioneering developments from 19th/20th-Century Germany, but you’d never know it watching Wonder Woman.
A very important lesson for Diana.
No one lives up to their established reputation.
Eventually, the Germans who land on Themyscira all get slaughtered, despite the warship off the island’s coast that never gets used. Despite their guns and grenades, they get creamed by an Amazonian army using swords and arrows, which begs another question: Why are these highly-trained professional soldiers just standing in the open as projectiles are fired at them?
Sure, the Amazonians have never fought rifles before, but with all their superhuman abilities, why can’t they see these as projectile weapons? And the Germans can definitely see all the well-aimed arrows raining death on them, but there they are, kneeling in the open sand, waiting for death.
Germans in Wonder Woman just seem incompetent or lazy or both. Only Steve, the American, has the good sense to take cover on the beach that day.
Remember: They did this to save the town.
Wonder Woman does not do stairs.
There’s a sniper in the bell tower! Luckily everyone has cover, and he’s the only enemy left, so we can just head to the church and use the stars, right? No. That would require going through a door — we talked about that, remember? Let’s just throw Wonder Woman at the building and see what happens.
In their shoes, you’d have shot at Wonder Woman. And probably would have had trench foot.
The Germans didn’t start World War I.
They weren’t really the “bad guys,” they just happened to not be on America’s side. These aren’t Nazis and not every German soldier was responsible for the Rape of Belgium. A lot of them were conscripted, just like the guys on the other side of No Man’s Land. When it came to chemical weapons, the Allies used them on the Central Powers just as much as the other way around, and the same goes for submarine warfare, forced civilian labor, machine guns, and every other horrible thing about World War I on the Western Front.
If anything, she should be taking down Serbia and Austria-Hungary.
Through the goddamned window.
It’s way different for junior enlisted people.
While watching Wonder Woman for the first time, I remembered what it was like to pull security details as an E-2 while deployed. When Diana liberated Veld from the Germans, I couldn’t help but think of the circumstances surrounding it. While it’s totally awesome to watch her clear a trench, the war was almost over, and everyone knew it. The armies around Veld had been there for a year, and not much progress was made to advance either way. This means that everyone was likely just hunkering down to wait out the end of the war, content not to kill or be killed.
So, imagine being a German private, coming to work in the headquarters building, dreaming of returning home to Munich or Trier or wherever to be with your family again in just a few weeks when, suddenly, a Greek Goddess bursts in and starts murdering all your friends during frühstück and kaffee.
Tom Hanks is no stranger to producing incredible dramas that vividly revive battles and wars of the past.
From Saving Private Ryan to Band of Brothers and onward to the more-recent hit series, The Pacific, Hanks has outdone himself in bringing to light the gritty, true stories of combat throughout the Pacific and European theaters.
Now, Hanks, one of Hollywood’s best war-movie producers, will be teaming with another war-movie legend to tell the tale of the Allied airborne assault on Normandy in advance of the D-Day landings in June of 1944.
That’s right — Tom Hanks will be partnering up with retired U.S. Marine, author, and actor Dale Dye on his newest film project. Called No Better Place to Die, the movie tells the true story of a small group of paratroopers operating behind enemy lines during Mission Boston.
The actual mission itself, run by the U.S. Army’s 82nd “All American” Airborne Division, was later heralded as one of the most critical factors in ensuring the success of the D-Day amphibious landings.
“This is such an important and dramatic story that I’ve always wondered why no one has made a movie about it,” Dye remarks.
The defense of La Fiere Bridge, a vital part of the mission and the focus of the movie, was easily one of the most grueling engagements the 82nd’s All Americans would find themselves in throughout the war.
Listen to Dale Dye talk about the real story behind his movie and his plan to hire veterans to make it:
“I’m very glad to be teaming with Dale on this project,” Hanks said. He especially notes the importance of enhancing the discussion around D-Day and Operation Overlord with the 75th anniversary of the landings coming up later this year.
Hanks himself was a central character in Saving Private Ryan, playing Captain John Miller, an Army Ranger tasked with searching for and bringing home a paratrooper as part of the Sole Survivor policy, and his brothers were all killed in combat.
This won’t be the first time Hanks and Dye have worked together on a war drama. In 2001, Dye was featured in Hanks’ mini-series, Band of Brothers, playing Col. Robert Sink, commander of the 506th Parachute Infantry Regiment. Before that, Dye had a role in Saving Private Ryan as a War Department officer. The two also worked together on Forrest Gump in 1994.
In both Saving Private Ryan and Band of Brothers, as well as Hanks’ recent series, The Pacific, Dye contributed his combat experiences and background as a Marine by advising the production team to ensure accuracy, and by leading actors through a conditioning boot camp to give them a brief yet necessary look into the military lives of the soldiers they would be portraying.
While these silver-screen hits do a lot to share the realities of war and the numerous untold stories of heroism and bravery with the general public, Dye and Hanks will be taking it a step further by actually hiring military veterans to play characters in the new movie. It doesn’t just tell the stories of combat veterans, it helps modern-day veterans, too.
Dye is no stranger to war, having served in combat in the jungles of Vietnam during the height of the war. Though a combat correspondent by trade, he wound up serving as an assistant machine gunner, volunteering to step outside the wire multiple times, even with a fresh injury from the Tet Offensive of 1968.
Retiring as a captain in 1984 after 20 years of service, both as an enlisted and a commissioned officer, Dye left the Marine Corps with a Bronze Star with a Combat V for his heroism in battle, earned while repeatedly exposing himself to withering enemy fire to rescue fallen comrades, and 3 Purple Hearts for wounds sustained in battle.
Given Dye’s track record with war movies, as both an advisor and an actor, and Hank’s history with WWII dramas, you can bet that No Better Place to Die will be an incredible must-watch when it makes its debut.
Joker was always going to be a different kind of Batman movie. It might not even to be fair to call it a Batman movie, centered as it is on Gotham’s most infamous criminal and not its most famous orphan. But besides a narrative focus beyond good vs. evil, what sets this movie apart is its relationship with its source material.
“We didn’t follow anything from the comic books, which people are gonna be mad about,” writer-director Todd Phillips said in an upcoming interview with Empire. You read that right: instead of basing the script on a graphic novel or cobbling it together from different comic books, Phillips wrote an original story.
“We just wrote our own version of where a guy like Joker might come from. That’s what was interesting to me. We’re not even doing Joker, but the story of becoming Joker. It’s about this man,” Phillips added.
Instead of pitting the character, be it zoot suited Jack Nicholson in a zoot suit or a shirtless Jared Leto, against Batman, the Joker script is about Arthur Blank’s descent into Travis Bickle-like madness. If it sounds like a role designed for Phoenix, a notoriously intense actor, that’s because it is.
“We had a photo of him above our computer while we were writing,” he told the magazine. We constantly thought, ‘God, imagine if Joaquin actually does this.'”
Well, he actually did it, but you’ll have to wait until Oct. 4, 2019, to see exactly where on the “inspired by” to “based on” spectrum Phillips’s film falls.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
“She’s Kim Baker, I’m Kim Barker,” Kim Barker tells me. She’s the New York Times metro reporter and author of The Taliban Shuffle: Strange Days in Afghanistan and Pakistan, on which the Paramount Pictures film Whiskey Tango Foxtrot is based. Barker is referring to Tina Fey and her performance as Barker’s embedded journalist in Afghanistan.
“I think she did a really good job,” Barker says. “I’ve seen a lot of her performances. Obviously I saw 30 Rock, and this is, I think, the most nuanced performance that she’s ever given. And I’m not just saying it because it’s supposed to be me.”
In Whiskey Tango Foxtrot, Fey is a television news copywriter living an ordinary life when her network opts to send a correspondent to Afghanistan. An executive gathers potential reporters fitting a certain profile – those with little to lose – to offer them the position. Fey’s Kim Baker accepts and is quickly in country learning the ropes. She’s green, doesn’t speak any foreign languages, and has no knowledge of Afghan customs.
There she meets photographer Iain MacKelpie (Martin Freeman), fellow reporter Tanya Vanderpoel (Margot Robbie), and her restrained, cautious guide Fahim (Christopher Abbott). Baker quickly learns the ropes about reporting on an “embed” (embedding with a military unit) and life in the “kabbuble” (a play on words describing how life for foreign civilians in Kabul is life in a bubble). She also meets Afghan power broker Ali Massoud Sadiq (Alfred Molina) who takes an immediate liking to Fey’s Kim Baker.
Though there are some combat sequences when Baker embeds with U.S. Marines (led by a Marine officer played by Billy Bob Thornton), Whiskey Tango Foxtrot (WTF for short) is not a war movie. The movie is a dramatization of the book, but still remains true to Kim Barker’s wartime experiences. Fans of Barker’s book will find plenty to love in the film.
“They make Tina Fey way braver than I ever was,” Barker says. She adds that adequately recreating the book would be unnecessarily difficult. The narrative arcs are the same. Her interaction with supporting characters are the same. Robert Carlock, a regular 30 Rock writer, and WTF screenwriter, did a lot of independent research on top of Barker’s book.
“All the events depicted in the film happened to me or to someone I know,” Barker says. “I think the movie is a great representation and that’s what I care about most. I want people to see the movie, enjoy the movie, and then think about what the real story behind it was.”
The choice to depict Fey’s Baker as a broadcast journalist — as opposed to Kim Barker‘s print reporting for the Chicago Tribune — is an apt choice. The movie tells the broad story of a reporter’s time in Afghanistan, hitting all the significant events, influential characters, and memorable moments in a quick retelling of the real Barker’s experience. The book is written by a print journalist, full of detail, nuance, and explanation, a great primer for truly understanding the tribes and conflicts in the Afghanistan-Pakistan region.
Whiskey Tango Foxtrot is a funny, sharp, yet glossy look at the life of a war reporter covering a very real conflict. It depicts the troubles women have as war reporters and the inequalities women face in the region. The movie shows a journalist’s first ever encounter with U.S. Marines and touches on moments that are at times funny and at times trying, just like many war zone experiences. Viewers may walk away wanting something more, and they will be able to get that something from the Barker’s book, which the reporter wanted all along.
The Vietnam War was one of the most politically charged military campaigns in American history. Scores of brave, young men were drafted into service to fight against the spread of communism and a well-trained North Vietnamese Army.
Each man who fought in the war came away with their own personal story. Oftentimes, those stories feed the creative process and are adapted to resonate with a wider audience. The result is a huge assortment of stories, told through books, feature films, or television series.
But for every great piece of media, there are plenty of not-so-good Vietnam movies and TV shows that hit the shelves. So, we’ve put together a list of classics that won’t ever get old.
Created by John Young and William Broyles Jr., the show follows Army Nurse Colleen McMurphy while she works at an evacuation hospital and USO center during the Vietnam War. The show featured various storylines of troops rotating in and out of the war.
Plus, the show’s opening credits showcased one of the most famous songs from that era: Reflections, as performed by the Supremes.
Fun fact: The title of the show, China Beach, refers to the nickname of My Khe Beach in the city of Da Nang, Vietnam.
Created by Steve Duncan and L. Travis Clark, the show initially aired on CBS in 1987 and followed a group of Army soldiers as they moved through the unforgiving jungles of Vietnam. It was considered the first dramatic television show to regularly display combat events in a narrative setting. Tour of Duty was intended to be the spin-off to Oliver Stone’s Platoon.
The show only lasted three seasons, but many Vietnam vets were fans of this short-lived series.
Directed by Michael Camino, the 1978 classic follows three lifelong friends from a steel mill town in Pennsylvania as they experience the grim realities of POWs in Vietnam. The powerful acting performances and gruesome Russian Roulette scenes are why the film took home the Oscar for Best Picture that year.
Directed by the late Stanley Kubrick, Full Metal Jacket is considered one of the greatest war movies ever made. It showcases the journey of a recruit who makes his way through basic training and is thrust into the dangerous, combative pit known as Vietnam in the late 1960s.
With Platoon, critically acclaimed writer-director Oliver Stone pulls from his own experiences (an Army veteran) to take audiences directly into one of the most politically charged times in American history. Platoon follows a young soldier, Chris Taylor, who enters the war as a complete newbie and exits full of emotional scars.
Based on the real events, We Were Soldiers focuses on the heroism and outstanding leadership abilities of Lt. Colonel Harold G. Moore. This intense war epic displays both the vigors of war on the frontlines and the emotional strife endured by faithful Army spouses back home.
Imagine a Michigan student spending a semester at Ohio State. Or a UT student going to Oklahoma University. Getting sent to a rival should would be intense – and that’s exactly what Army and Navy have been doing for decades.
Every year, juniors at West Point and the Naval Academy switch places, spending an entire semester in enemy territory. Before they go back to their respective institutions, they go through the “prisoner exchange” at the annual Army-Navy Game.
Rivalries exist between all branches of the military – and college students are no different. The Army-Navy rivalry is so intense because it’s so old, but like all those other rivalries, it’s all in good fun. At the end of the day, the Cadets and Mids are still U.S. troops and we all fight on the same team.
That doesn’t mean they don’t get to have fun. The “Prisoner Exchange” is a time-honored tradition – one of many.
As for the differences between the academies, Cadet Tyrus Jones said it’s all about academy culture.
“Life is different because everything is centered around the Navy,” Jones told Army Public Affairs. “It’s a little bit of a different lifestyle and culture between the two services. It has to do with our history and how it’s evolved over the years.”
If you’re a fan of This is Us, make sure you check out The Village, a new NBC show premiering March 19th about a group of neighbors living in a New York apartment building who form an unlikely family. One of the main characters is Nick, a combat veteran and amputee who moves in during the pilot episode.
Played by Warren Christie, Nick is instantly recognizable as a vet: he’s a good wingman, he looks out for others, and he’s affected by war.
I’ve heard many veterans complain that Hollywood only portrays broken veterans, and I’m happy to report that in the pilot at least, Nick is definitely not broken. He’s lost a limb, he’s shaken, but he’s connecting with a community — and a family — which is exactly what we want for our nation’s service members.
His scene with Enzo, who introduces himself as an Army Specialist (probably from the Korean War era) reminded me of moments I’ve had at my local American Legion post; it’s by connecting with our community that we find healing (because let’s face it — at a minimum, the military is a mind f***, but at it’s worst, it is traumatic).
And community is exactly what the creators of the show wanted to explore.
From left to right: Warren Christie, Jessica Rhoades, Mike Daniels, Shannon Corbeil
It was clear from talking with Rhoades, Daniels, and Christie that the whole cast and crew were committed to sharing a positive message here. Nick’s transition back to civilian life won’t always be easy, but this show will guide him through it with the feeling of hope.
Also, there’s a dog.
Warren Christie and Magnum the German Shepherd.
(Photo courtesy of NBC)
Magnum plays ‘Jedi,’ Nick’s military working dog, who is also an amputee. On set, the two bonded quickly, though Christie shared that Magnum was not a trained ‘actor’ so there were moments where Christie was covered in peanut butter and liver to get the shot.
Christie, who worked with a military advisor, did say one thing that caught my attention. He said he felt a responsibility to convey “the strength and the struggle” of our nation’s service members. I loved that phrase. I’m lucky enough to work at a company that celebrates military victories and veterans’ successes, but veteran suicide statistics still clearly prove that we have a long way to go in caring for our troops.
Shows like this keep the conversation going. They introduce civilians to military stories and they show veterans a way forward. That’s the power of storytelling. I’m hopeful about where The Village will take Nick’s story.
I’ve already seen a lot of comments about this moment from the trailer, and I had an immediate reaction to it, too. For all my civilian readers, I’ll fill you in: to my knowledge, no one in the U.S. military salutes with their palm facing outward, something vets will easily pick up on.
Moments like these are why I encourage filmmakers telling military stories to bring veterans on board in the process as early as possible. Shows like SEAL Team on CBS have really locked this in — from the writer’s room to production to on-set advising to casting vets for stunts and on-camera roles, hiring vets will ensure authenticity for TV and film.
The Village premieres on Tuesday, March 19th right after This Is Us — check it out and let us know what you think.
A US Army spokesman told INSIDER that the fan had a point but that calculating the exact dollar amount isn’t so simple.
Here’s the backstory.
After defeating Hydra in World War II, Captain America was lost in the Arctic north from 1945 to 2011. During those six decades on ice, he was never technically discharged. As a result (the theory goes), the government owes him payment for those 66 years of service.
Redditor Anon33249038 crunched the numbers and concluded that the First Avenger is entitled to $3,154,619.52, adjusting for inflation.
The analysis factors in the Army’s 1945 pay grade, biannual raises, and how long Cap spent on ice before he returned to active duty in 2011 at the start of “The Avengers.”
Wayne Hall, an Army spokesman, says there’s more to it than that.
“If Capt. Steve Rogers (aka Captain America) were not a fictional character and the circumstances surrounding his disappearance and recovery actually real, he may actually be entitled to receive back pay,” Hall told INSIDER in an email. “However, a wide variety of variables would have to be taken into consideration to actually calculate the true amount of back pay to which he would be entitled to receive; given that he is a fictional character we cannot truly capture all of those variables accurately.”
Hall went on to say that the Redditor had some of his facts wrong.
“Yes, it is correct that the O-3 (Army captain) pay grade in 1945 was $313.50; however it was a monthly pay rate vs. quarterly as the original poster indicated.”
The fan theory also “misinterpreted military pay scales” when arriving at the figure for the biannual increase of pay, Hall said, and failed to take in “any potential promotions that may have been bestowed upon Rogers while he was listed in a ‘Missing’ status.”
Whatever the final amount of back pay the government would owe Captain America for his decades of service, it’s almost certain that he would still have way less money than Tony Stark.
The contest awards one superfan the chance to sleep over at the stadium and wake up in a suite on the day of the NFL’s biggest game of the year — the Super Bowl.
To secretly get Courey to show up for the big reveal, he was under the impression he was attending a photo shoot for the contest’s finalists.
Standing in front of a large Courtyard Hotel backdrop, Courey posed for photographers while taking instructions from an unexpected and concealed director, future NFL Hall-of-Famer Peyton Manning.
After calling a play at a fake line of scrimmage, Manning finally revealed himself from his curtained location to surprise the longtime fan.
Manning handed over the two Super Bowl tickets to Courey and wife, Chelsea, who was also at the shoot, and informed him of his ‘sleepover’ privileges.
“It’s a dream come true,” Marshall happily stated.
Courey served in the Navy from 2008 to 2012 as a divisional officer and oversaw approximately 45 sailors who served as “operations specialists.” Their roles consisted of aiding and helping execute the ship’s combat missions.