There’s something great about mixing violence and comedy. Stirring gore and laughs into the same pot is why horror and comedy often go hand in hand; think Army of Darkness, What We Do in the Shadows, and Zombieland. In the same way that some of the best zombie films trade screams for laughs, shootouts saturated in slapstick can be just as good as those with more serious battlefield heroics. As promised in “5 of the Most Memorable Shootout Scenes in Movie History,” here is the definitive list of the best comedic shootouts.
We’re starting the list off right with the best war comedy ever made (sorry, Stripes). Ben Stiller’s movie about a movie about a book that never happened was an instant classic. It’s safe to assume that anyone who spent time in combat after 2008 served alongside at least one person who quoted this movie under fire — it’s just that quotable. The Vietnam spoof opens with fake trailers and then lands in the middle of a hot LZ, where the rotor wash quickly stirs up equal clouds of hysterics and blood.
Quentin Tarantino is the master of aesthetic violence. From Pulp Fiction to Kill Bill, Tarantino uses excessive amounts of blood and guts to delight the senses. His 2012 Western Django Unchained might be the best example of Tarantino’s unmatched ability to make violence a joy to watch. The movie’s climactic gunfight pits Jamie Foxx against a plantation full of slavers and klansmen, and man does the scene deliver. Bullets seemingly whiz past the audience, and blood erupts in slow-motion geysers. Foxx wields a six-shooter better than The Duke himself, and it’s all set against a Tupac/James Brown mashup we never knew we needed. Enjoy.
Hot Fuzz is the only British comedy to make the list, but Simon Pegg and Nick Frost are an unstoppable comedy duo who deserve a list all their own. A supercop reluctantly partners with a Bad Boys fanboy to tear down a crime ring in a quaint English village. Their investigation into a string of murders comes to a head in the form of one of the funniest gunfights of all time. Complete with an old woman rocking an MP34 and a priest with a lethal trick up his sleeve, Hot Fuzz is worthy of an annual rewatch.
The 2008 stoner-comedy has great one-liners and a killer soundtrack, but it also has an underrated shootout. After witnessing a murder, Seth Rogen and James Franco attempt to take matters into their own hands. They quickly realize they’ve bitten off more than they can chew, and hilarity ensues as they tangle with violent drug traffickers. The epic gunfight takes place inside an underground marijuana farm and has everything from nonsensical hand-and-arm signals to AK-47s being fired overhead, Somali-style. It even has a fluorescent-lightbulb sword fight stuffed in the middle of it. It doesn’t matter whether you’re as high as the gunfighters or sober as a judge; you’re guaranteed to laugh.
21 Jump Street
Rounding off the list is the movie that made me stop hating Channing Tatum. The Magic Mike/GI Joe actor is actually hilarious. He teamed up with Jonah Hill to create one of the funniest gunfights in recent years. Johnny Depp makes a hilarious, albeit short-lived, cameo. Not yet Captain Marvel, Brie Larson trips balls while the bullets fly. The shootout is 10 minutes of laughs crammed into a gunfight between narcs, bikers, a track-and-field coach, and an angry girlfriend. Be sure to watch the entire movie, if only so you can see Rob Riggle get his dick shot off.
Bob Hope was a British-born, American immigrant born on May 29, 1903, and died on July 27, 2003. This comedian was instrumental in keeping American troops entertained overseas throughout his career. He dedicated his life to U.S. troops in areas of conflict that other entertainers did not dare venture to. He worked on Broadway, in radio and feature films. Hope was the star of his own TV show in the 1950s with NBC. Later in his career he won an Emmy in 1966 for one of his Christmas specials. He started entertaining troops in 1941 and entertained Marines, soldiers and sailors in the Pacific throughout theWWII.
In Vietnam, where the horrors of war were an everyday reality for volunteer troops and draftees, he was able to distract them – even if it was temporary. He travelled with beautiful women to ‘remind the troops what they’re fighting for.’
He was an American patriot that was crucial to lifting the morale of veterans. An extraordinary example of the impact an immigrant can have on the lives of those who keep our country free.
Families of GIs who died would send a letter to Dad writing that the last thing they heard from their loved one was they had seen the Hope show and what a fun time that was, how grateful they were Dad had given them that respite from the awful conditions.
Linda Hope, Producer and daughter, USO
It wasn’t all fun and games, when forward deployed, active duty troops see the worst side of humanity. Hope would go out of his way to accommodate troops who missed his show because they were out on a mission or on duty. He would do one man shows and arrived unannounced due to security concerns.
This year marks the 48th anniversary of his last show in Vietnam.
The 1972 show marked Hope’s ninth consecutive Christmas appearance in Vietnam. Hope endorsed President Nixon’s bombing of North Vietnam to force it to accept U.S. peace terms, and received South Vietnam’s highest civilian medal for his “anti-communist zeal.”
A+E Television Networks
Bob Hope was also a humanitarian that advocated for the release of POWs held by the North Vietnamese. Troops would write to him to negotiate their release on their behalf and it’s alleged Hope would sometimes be successful in brokering an agreement.
At Fort Springfield on The Simpsons, Bob Hope played himself entertaining the troops by making fun of the mayor.
On Oct. 29, 1997, he became the first American designated by Congress as an ‘Honorary Veteran of the United States Armed Forces.’
Bob Hope’s career stretched almost 80 years and he lifted the spirits of troops across three generations of war fighters. He took an active role in entertaining our troops in Vietnam and did everything in his power to aid them. He was known for getting as close to the fighting as possible, in fact, in some of his recorded shows you can hear combat in the background. The airport in Burbank, California is named after Bob Hope and so are other roads, buildings — and even a Navy ship. Bob Hope was important to the war effort in Vietnam and gave the troops…hope.
There is no way you aren’t in some way, shape or form familiar with Regis Philbin. After all, he does hold the record for having the most hours on television in a career that spanned back to the 1950s.
He was known as a morning talk show host, a game show host, late night guest star, television sitcom guest star, sports fanatic, and wore many other hats. He was often called, in a title shared with James Brown, “The hardest working man in show business”.
But did you know he was also a Navy veteran and served our country in the 1950s?
Regis was born in New York City in 1931. His father was a United States Marine who served in the Pacific during the war. After graduating high school, Regis attended the University of Notre Dame, where he graduated with a sociology degree in 1953. His ties to the Irish often found a way to be mentioned on television where he lived and died by the Irish’s success and failure on the football field. Even when they struggled, he never lost faith as you can see here in this famous clip.
After Notre Dame, Regis became an officer in the United States Navy. He served in Coronado, California, as a supply officer and did two years on active duty before being honorably discharged.
After getting out of the Navy, Regis managed to get a job as a page on the Tonight Show with Jack Paar and from there moved to working in local news. When he got to San Diego, he was given a talk show in the morning to host and his career started to take off. The show, which didn’t have any writers, forced Regis to come up with material on his own. So he started doing what he did best, talking and ad-libbing his way through his monologue. He talked about his life, current events, sports and interacted with the audience which became a staple of his shows moving on.
Regis worked various roles on tv, from Joey Bishop’s sidekick to various late night shows to early morning variety shows. In the 80s, he was paired with Kathy Lee Gifford and the combo saw ratings rise for what was to become, “Live! With Regis and Kathy Lee.” The combo became a morning staple with both talking about families, personal stories and ad-libbing their way through the broadcasts. After Gifford left in 2000, a nationwide search landed Kelly Ripa as Regis’ new co-host. They continued the show until 2011 when Regis finally left.
Along the way Regis hosted various game shows, but one sticks out. Who Wants to Be a Millionaire took the country by storm and gave us phrases that we will use to this day. “Phoning a Friend” and “Using a Lifeline” have become staples in our lexicon along with Regis’ trademark, “Is that your final answer”?
Even younger Americans remember Regis from memorable bits, like this classic from “How I Met Your Mother”.
How I Met Your Mother | R.I.P Regis Philbin | You are loved by many and condolences to the family…
It should be said for Regis that considering he didn’t sing, dance, act or wasn’t a comedian by trade, it is impressive that he lasted as long as he did in the entertainment industry. But he bought a human element that people could relate to. Nothing says this better than one September in 2001. After the horrific attacks in New York on 9/11, the country struggled to get back to normalcy. Philbin, making one of his trademark appearances on the Letterman show, came on and bought a levity that the country needed. The back and forth between him and Letterman resonates to this day.
Regis Philbin on David Letterman’s first show after 9/11 [9/17/01] www.vinniefavale.com
When Elvis Presley turned 18 years old in 1953, he registered for the draft – just like every other young American male during that time. The rules governing the draft stated that all young men that were in good health were required to serve in the United States military for a minimum of two years. When he signed his name on that line, promising to serve, he had no idea of the superstar fame that would soon be coming his way.
After signing up for the draft, he graduated high school and soon began his entertainment career. Three years later in 1956, he was a film and recording star. Presley was in the middle of filming King Creole when he received his draft notice. He requested a delay so he could finish filming, which he was granted.
On March 24, 1958, with his family and friends by his side, The King reported to the Memphis draft board. Once he was sworn in and processed with others into the Army, he boarded a bus to Arkansas.
He would go on to coin the phrase “hair today, gone tomorrow” after he received his G.I. haircut.
Once Presley finished his basic training, he was on leave and managed to do a concert and recording session in Nashville. He then headed back to Ft. Hood, Texas, to complete his advanced training. His mother became ill during this time and passed away and Presley was granted leave to be with her.
When he returned to Ft. Hood, he was assigned to the Third Armored Spearhead Division. He soon boarded the U.S.S. Randall and sailed for Germany. Upon arrival, he served in Company C, which was a scout platoon. He was declared off limits to the press.
Presley would be right there in the thick of things alongside his unit. He completed all required duties. Some research suggested that he did more than what was required of him because he didn’t want people to assume he got special treatment. He would go on to earn a medal for expert marksmanship and rise to the responsibility of an NCO, all without seeking celebrity treatment.
He was honorably discharged from active duty in 1960.
Maximilian Uriarte is the renowned creator of the popular Terminal Lance comics and New York Times Best Seller The White Donkey. Uriarte’s new graphic novel, Battle Born: Lapis Lazuli, lends a raw and compelling, modern voice to the combat veteran experience. But before he did all of that, he was a Marine.
Artistry and the Marine Corps aren’t words that you typically see put in the same sentence, but Uriarte himself defies any Marine stereotype. “I’ve been an artist my whole life. I was always the kid in school drawing in the back,” he said with a smile. “I joined the Marine Corps infantry to become a better artist. I viewed it as a soul enriching experience.” He’s well aware that most people don’t use those words as a reason to join what is thought of as the toughest branch of service.
When Uriarte joined the Corps in 2006, he was adamant about becoming an infantryman – even though his high ASVAB scores allowed him to pick almost any MOS. But he shared that he wanted to do something that would shape him as a person, making him better. So, with his recruiter shaking his head in bafflement in the background, Uriarte signed on at 19 years old to become a 0351 Assaultman.
It was a decision that took his family by complete surprise, especially with the Iraq war in full swing. Raised in Oregon, Uriarte hadn’t been around the military but always knew he wanted to do something to challenge himself — something he was confident the Marine Corps would do. The year after he joined, Uriarte was deployed to the Al Zaidan region of Iraq with the 3rd Battalion, 3rd Marines from 2007 to 2008.
Uriarte deployed to Iraq once again in 2009 and this time, had the chance to be a part of Combat Camera. It was here that he really started examining his experiences as a Marine and he began developing the now infamous Terminal Lance comic strip. He launched it in 2010, five months before his enlistment with the Corps was up.
“When I put it out [Terminal Lance] I really thought I was going to get into trouble,” Uriarte said with a laugh. What sparked its creation was being surrounded by positive Marine stories, told in what he describes as an ever-present “oorah” tone. “To me, it seemed not authentic to the experience I had as a Marine Corps infantryman going to Iraq twice. Everyone hated being in Iraq, no one wanted to go there.”
The Marines loved Terminal Lance. It wasn’t long before it became a cultural phenomenon throughout the military as a whole and Uriarte became known as a hero among young Marines.
Uriarte shared that he had always wanted to do a web comic and the Marine Corps was definitely an interesting subject matter for him to dissect. “In a way, it was cathartic. The experience isn’t something most humans go through. Doing it helped me move on in a healthy way,” he said. While authoring the comic strip, he earned his Bachelor of Fine Arts degree with a major in Animation through the California College of the Fine Arts.
In 2013, Uriarte self-published The White Donkey after a successful kickstarter, which raised 0,000 for the book. A few months after its release, it was so successful it was picked up by traditional publishing and went on to become a New York Times Best Seller. The gripping graphic novel pulls back the curtain to expose the raw cost of war, especially for Marines serving in combat.
Uriarte knew he wanted to keep going and this time, wanted to take his storytelling a bit further. It was his hope that he could create something focused on the importance of human connection. Through all of this, he created Battle Born.
“It’s a story of a platoon of Marines going to Afghanistan, to fight the Taliban over the gemstone economy…. But it’s really about Sergeant King and his emotional journey,” Uriarte explained. He shared that he really wanted the character to reflect a modern day Conan The Barbarian, who he feels would definitely be a Marine.
“It’s really a meditation on the history of Afghanistan in the shadow of western imperialism, colonialism and looking at the tragic history of Afghanistan,” Uriarte said. “What does it mean to be civilized, is really the central theme of the book.”
Uriarte’s main passion is creating good stories that he himself wanted to see. He had never seen anything like Battle Born before – a Marine infantryman story that was very human grounded. “I truly believe that representation matters. It’s a lens I don’t think we’ve seen a war movie through before – the eyes of a black main character,” he explained.
Hollywood agrees: The book is currently in film development to become a live action film.
The biggest piece of advice he hopes to impart on service members getting out of the military is to use their GI Bill and go to school when their enlistment is up. “Just go and figure yourself out. It is a very safe place to decompress,” he explained. “The Marine Corps is very good at making Marines, but it’s bad at unmaking them. It’s a hard thing come back to the world and not be a Marine or in the military anymore.”
The 2018 annual suicide report found that soldiers and Marines took their own lives at a significantly higher rate than the other branches.
Uriarte struggled himself when he got out, but he found that school and writing was therapeutic for him. “When you get out, the thing Marines struggle with the most is, ‘Who am I?’ We always say, ‘Once a Marine always a Marine,’ but I think that is unhealthy,” he said. “People wonder why we have such high veteran suicides and it’s because we turn them into something they aren’t going to be for the rest of their lives.”
When asked what he wants readers to take from his work, Uriarte was quick to answer. “These are really stories of human experiences; passion, love and loss. It’s just showing that people are human and that Marines, especially, are human,” he explained. Uriarte also feels that his latest full-color graphic novel will appeal not just to those who enjoy comics, but to a wide spectrum of readers through a beautiful visual journey.
Uriarte uniquely tackles the difficulty of being a Marine and serving in the military with raw honesty and creativity through all of his work. His newest book, Battle Born: Lapis Lazuli is a deeply compelling compilation of the human experiences that affect us all.
You can purchase Battle Born Lapis: Lazuli and his other work at your local Walmart, Target or online through Amazon by clicking here.
Military simulators are always a huge hit within the gaming community. Flight simulators give gamers the opportunity to sit in a (simulated) cockpit. First-person shooters imitate the life of an infantryman. World of Warships and World of Tanks give the gearheads out there a chance to pilot their favorite vessels.
And then there’s the game that’s taken gaming world by storm lately: Fortnite. It features a 100-player, battle-royale mode that has players duke it out until only the best (or luckiest) player survives. At first glance, it seems like a standard PUBG clone — until you realize that a huge part of the game is about, as its name implies, building forts.
Underneath its goofy graphics and RNG-laden (random number generator) loot system is actually a fairly intricate game. The overall premise is simple: Land somewhere, scavenge materials to build, find loot, build stuff, fight the enemy, move toward the objective, and build more stuff.
Then, it suddenly hits you.
What separates the skilled players from the 10-year-old kiddies screaming memes into their headsets is the ability to construct a dependable, defensible position. In order to be successful in Fortnite, you have to quickly build and rebuild secure bases that can’t easily be destroyed while giving you the ability to get up high and view the battlefield.
(Photo by Staff Sgt. Ashley J. Hayes)
This is not unlike the essence of what a real combat engineer does in real life: Deploy somewhere, get hand-me-down materials from the last unit who was in Afghanistan, build stuff, fight the enemy, continue the mission, and then build more stuff.
Granted, you’re distilling an entire career into a 20-minute long video-game match, but the parallels are there — but real engineers have more fun. Building stuff is only half of the job description; using explosives to take out enemy positions is when the real fun begins.
What makes a movie “the most Russian movie possible?” In this case, it isn’t the long takes and subtle camera movement that trademarked films of the late Soviet Union. It instead features modern-day Soviet-level superheroes drawn together from all corners of the former USSR in order to fight an evil super villain who destroys Moscow and wants to take on the whole of Russia.
One of them is a military-trained, literal Russian Bear who mows down robotic drones with a minigun.
In the Russian action flick “Zaschitniki” (which translates to “Guardians“), the bear and other Russian superheroes are formed as an Guardians of the Galaxy-meets-Suicide Squad super unit who must take down a force of robots and henchmen who threaten all of Russia after they destroy the Russian Army and burn Moscow to the ground. The Guardians are superheroes formed through science during the Cold War, intended to protect the USSR from invaders.
Xenia has the power of invisibility and can change her body into water, Lernik can control Earth and rocks with his mind. Temirkhan has super speed and kills people with curved swords, and Arseniy turns into a giant bear-man who wields an equally giant machine gun. The creator of a subsequent superhero creation program flees the Soviet government and hides in Siberia, continuing his experiments and turning himself into a cyborg and creating clones of himself.
All of the heroes hide for decades after the fall of the USSR, emerging only because the Russian government wants to restart the program.
You see where this is going.
To shots like this.
The Guardians are quickly captured by the evil cyborg doctor. While he’s off controlling an army of robots and tanks to gain control of all the Russian satellites in orbit so he can control all the technology in the world. Somehow, a Russian officer frees the Guardians. She trains them to fight and gives them special suits and weapons. An all-out Avengers-level brawl takes place in Moscow with the Guardians just murdering the other side.
Eventually they have to come together to defeat the villain. They touch each other and release a blast of energy, which the Russian officer forgets to tell them while they’re training for this big battle.
Listen, what you need to know is that Guardians isn’t a great movie, even by international action flick standards. What it does have is an awesome werebear and some other cool action scenes, which is all we ever really wanted. It also has a setup for a sequel which will be the worst movie I ever watch from start to finish.
In 1987, Stanley Kubrick released one of the most acclaimed feature films that created a stir within the Marine Corps community — Full Metal Jacket. The movie was an instant hit and, suddenly, veterans and active-duty service members of all ages started memorizing the film’s dialogue and working it into their daily conversations.
Although the film debuted more than 30 years ago, its epic storyline and unique characters contribute to today’s popular culture. Full Metal Jacket still manages to engage audiences, even after we’ve seen it a dozen times. Now, in the age of memes, Full Metal Jacket lives on.
Why isn’t he standing at the position of attention?
We, of course, choose Animal Mother.
Taking jabs at Pvt. Pyle never gets old.
Too bad his vacation didn’t end well…
“Ain’t war hell?”
He was the guest of honor.
So that’s what Animal Mother’s problem was. We were way off!
“We’ve passed on all we know. A thousand generations live in you now. But this is your fight. We’ll always be with you. No one’s ever really gone.”
A few more surprise credits include Mark Hamill’s Luke Skywalker (who, in addition to providing great trailer voiceover, will return, I suspect, as a Force Ghost, which really is canonically what they’re called) and Carrie Fisher’s Leia Organa (via archived footage reportedly from filming The Force Awakens).
OG Force Ghosts from Return of the Jedi.
Since J.J. Abrams’ highly anticipated release of The Force Awakens, it’s been clear that this trilogy is designed to pass the torch to the next generation of characters, including Daisy Ridley’s Rey, John Boyega’s Finn, Oscar Isaac’s Poe Dameron, and of course, (U.S. Marine) Adam Driver’s Kylo Ren. Episode IX will close out the triptych.
According to Disney CEO Bob Iger, this film will also close out the Skywalker saga, prompting the franchise to take a little hiatus.
“We have not announced any specific plans for movies thereafter. There are movies in development, but we have not announced them. We will take a pause, some time, and reset because the Skywalker saga comes to an end with this ninth movie. There will be other Stars Wars movies, but there will be a bit of a hiatus,” Iger told Bloomberg.
Challenges for this film will be to provide a satisfying resolution to a storyline that has spanned 40 years with some of the most beloved characters ever created (and a fan base whose vitriol has the capacity to rival even the military community’s yes I am looking at you in the YouTube comment section of our Mighty Minutes…).
More than that, Episode IX will also have to resolve the battle raging in Kylo Ren, the trilogy’s main antagonist — who also happens to be the son of Leia and Han Solo. That’s a lot to ask of one movie, but no matter what happens, it’ll be fun to watch it play out.
I get the sense that her family background will actually be significant…
(Lucasfilm’s Star Wars: Episode IX)
Should someone tell these guys that Rey is taking on a TIE fighter (variant unknown).
(Lucasfilm’s Star Wars: Episode IX)
The look on Billy Dee Williams’ face when he finally got the call from Disney.
(Lucasfilm’s Star Wars: Episode IX)
Star Wars: Episode IX – The Rise of Skywalker will open on Dec. 20, 2019, and the good tickets will sell out so buy them early and maybe buy some extra to sell on ebay. You’re welcome. And may the Force be with you, obviously.
If you were among the millions of Americans that tuned into the Super Bowl last night, you probably saw the powerful, patriotic ad in the lead up to kick off. Featuring Marine and Medal of Honor recipient Kyle Carpenter, the NFL spot is a video set to Johnny Cash’s spoken word song, “Ragged Old Flag.”
Tracing the flag’s (and America’s) journey through major wars and events, the video also shows images of protest and anger with several shots of the flag being burned before going back to images of the military, first responders and ordinary, everyday Americans.
The video spot struck a nerve immediately with some saying it was a dig at Colin Kaepernick.
Cash released the song as part of his 47th album in 1974, at a time during great turmoil in the USA, much like today. The U.S. was winding down its involvement in Vietnam and was dealing with the Watergate scandal with President Richard Nixon just resigning the office. The song was penned to be an optimistic song for Americans dealing with such tumultuous times.
Cash, an opponent of the war and believer in social justice, had actually met Richard Nixon a couple of years before and performed several songs for him, including an anti-Vietnam War song, “What is Truth” and “The Ballad of Ira Hayes,” a heartbreaking song about one of the Flag Raisers of Iwo Jima and his life as a Pima Indian.
Cash himself would open his concerts with the song and preface it with the following:
“I thank God for all the freedom we have in this country, I cherish them and treasure them – even the right to burn the flag. We also got the right to bear arms and if you burn my flag – I’ll shoot you.”
“Ragged Old Flag” was a hit upon its release with his fans who embraced the message that one can have criticisms of this country but should still respect those people and images that symbolize it. It is a message that resonates with many to this day.
The moving lyrics of the song:
I walked through a county courthouse square On a park bench an old man was sitting there I said, your old courthouse is kinda run down He said, naw, it’ll do for our little town I said, your old flagpole has leaned a little bit And that’s a ragged old flag you got hanging on it.
He said, have a seat, and I sat down Is this the first time you’ve been to our little town? I said, I think it is He said, I don’t like to brag But we’re kinda proud of that ragged old flag
You see, we got a little hole in that flag there when Washington took it across the Delaware And it got powder-burned the night Francis Scott Key Sat watching it writing say can you see And it got a bad rip in New Orleans With Packingham and Jackson tuggin’ at its seams.
And it almost fell at the Alamo
Beside the texas flag, but she waved on though She got cut with a sword at Chancellorsville And she got cut again at Shiloh Hill There was Robert E. Lee, Beauregard, and Bragg And the south wind blew hard on that ragged old flag
On Flanders field in World War one She got a big hole from a Bertha gun She turned blood red in World War Two She hung limp and low a time or two She was in Korea and Vietnam She went where she was sent by Uncle Sam
She waved from our ships upon the Briny foam And now they’ve about quit waving her back here at home In her own good land here she’s been abused She’s been burned, dishonored, denied, and refused
And the government for which she stands
Is scandalized throughout the land And she’s getting threadbare and wearing thin But she’s in good shape for the shape she’s in ‘Cause she’s been through the fire before And I believe she can take a whole lot more
So we raise her up every morning We take her down every night We don’t let her touch the ground and we fold her up right On second thought, I do like to brag ‘Cause I’m mighty proud of that ragged old flag
When Egypt bought the two Mistral-class amphibious assault ships that France declined to sell to Russia, one thing that didn’t come with those vessels was the armament.
According to the “16th Edition of Combat Fleets of the World,” Russia had planned to install a mix of SA-N-8 missiles and AK-630 Gatling guns on the vessels if France has sold them to the Kremlin. But no such luck for Egypt, which had two valuable vessels that were unarmed – or, in the vernacular, sitting ducks.
And then, all of a sudden, they weren’t unarmed anymore. A video released by the Egyptian Ministry of Defense celebrating the Cleopatra 2017 exercise with the French navy shows that the Egyptians have channeled MacGyver — the famed improviser most famously played by Richard Dean Anderson — to fix the problem.
Scenes from the video show at least two AN/TWQ-1 Avenger air-defense vehicles — better known as the M1097 — tied down securely on the deck of one of the vessels, which have been named after Egyptian leaders Gamel Abdel Nasser and Anwar Sadat. The Humvee-based vehicles carry up to eight FIM-92 Stinger anti-air missiles and also have a M3P .50-caliber machine gun capable of firing up to 1200 rounds a minute.
The Mistral-class ships in service with the French navy are typically equipped with the Simbad point-defense system. Ironically, the missile used in the Simbad is a man-portable SAM also called Mistral. The vessels displace 16,800 tons, have a top speed of 18.8 knots and can hold up to 16 helicopters and 900 troops.
You can see the Egyptian Ministry of Defense video below, showing the tied-down Avengers serving as air-defense assets for the Egyptian navy’s Mistrals.
Alexander Skarsgard and Jon Huertas in Generation Kill. Photo credit Jon Huertas
Jon Huertas is one of the most successful Latino actors of today. Having been a lead on shows such as Generation Kill, Castle, This Is Us, and in the military film The Objective, Huertas is well-known for the depth of his talent. Perhaps lesser known: He’s an Air Force veteran. Huertas served in the Air Force before transitioning over to acting where he comes at his craft and profession from a much deeper perspective than one might recognize at a quick glance. He shares his stories here about where he has been, where he wants to go and changes he believes are necessary in the Entertainment industry.
Photo credit IMDB.com
WATM: Tell me about your family and your life growing up?
My upbringing was sometimes tough at times, although my mom and grandparents tried their best to make family life easier. You are born what you’re born into, where you try to come out with a smile on your face.
WATM: What is the most distinct memory of your mother and your father?
My mother worked very hard and the best as she could for her family. I grew up with my grandparents where my grandfather was adamant about studying effectively and always being a student of life. You never really master anything and need to keep an open mind because nothing is solid and everything in life tends to be fluid. So, I always try to learn something new to be ready for life’s many changes. My grandmother had a good sense of humor and she didn’t take herself too seriously. She was always laughing and always having fun. Our life on this planet is super short, with how small of creatures we truly are in the universe. And in retrospect to how long the earth has been here.
WATM: What values were stressed at home?
In many ways I raised myself and made mistakes where I could have landed on a completely different path in life. I had a dream to be an actor and also a hero complex with a developing desire to also serve my country. These desires mostly kept me out of trouble growing up…”mostly,” but getting in trouble a few times steered me in the right direction. My goals kept me focused and not ending up in situations where I shouldn’t be. It was like I would have internal conversations with myself about my goals and which forced me to grow up.
WATM: What influenced you to join the US Air Force, what was your experience and what lessons did you take away from your service?
A lot of men in my family served, including my grandfather who was in the Navy, my uncle was in the Navy and I had several uncles that served in the Marine Corps as well. I saw pictures of them, especially the black and white picture of my grandfather in uniform, where I actually saw myself in that photo. I went to the Navy recruiter first then off to MEPS but then joined the Air Force after a conversation with a family member. I’d always loved flying, I loved airplanes and helicopters, so it was only natural that I joined the AF instead.
Serving your country is one of the last rites of passage in our country. And while I served, I identified and followed good leaders so I could aspire to one day become one myself. That’s my biggest take away from my time in the AF. You can find your family anywhere and when you’re in the military, you create this family around you at your duty stations. When you leave that one, you then have to find your new family at your next duty station. It’s actually fairly easy for humans to adapt in a situation where you have to find “your people”. I learned that I needed to surround myself with the people that were going to help me attain my goals. I got this from the AF, but I feel it can work for anyone whether the serve or not.
WATM: What values have you carried over from the USAF into acting?
The two most valuable things I took away from the AF is having a strong sense of initiative and discipline. It takes initiative to get your career started. Becoming an actor is one of the hardest careers. It is not even really a career; it is a lifestyle. So having the initiative to figure it all out was huge for me. And you have to have the discipline to stick with it and not give up. Knowing that being in constant training will keep you sharp and ready. In the military we are always improving on our training. It is the same with acting, I am constantly training. There are wonderful acting classes, books to read and films to watch. When you get the opportunity to finally go in for an audition, you should feel like you are the best that you think you can be, then show them that you are the best one for that job.
WATM: What is the most fulfilling project you have done and why?
My most fulfilling role is definitely in “Generation Kill” as Sgt. Tony Espera. This was because they had developed a wonderfully complex Latino character. It was unlike any other show that I had worked on. My character, Espera, wasn’t a narco trafficker or a low-level thug, he was someone who had chosen to serve his country. Probably the most developed Latino character I have ever played. HBO, David Simon, Ed Burns and Evan Wright showed gumption by making Espera one of the leads in the show. And it was so gratifying to portray a character like him — to tell an authentic story to the men and women who serve our country and to stay truthful to what happened during the invasion. The writer of the book, Evan Wright, was on set and would provide key advice. Evan had a micro recorder that he always had on him to where if we questioned some of the dialogue, he would pull out the recorder and we could hear our dialog being said, as it happened, by the real guys we were portraying. For advisors on the story, we had the real Rudy Reyes playing himself, with Jeff Carazales and Erick Kocher, also there but being portrayed by actors. Of course, we would them if, in these scripts, it was the way that it really happened, and they let us know it was.
The two biggest compliments I’ve ever received as an actor was when Tony Espera’s wife saw GK at the Camp Pendleton premiere and she asked me, “How was I able to be Tony?” and the other was Tony himself telling me, “I felt like I was watching memories, not a TV show.” Because of that, Generation Kill is the pinnacle of my career.
Jon Huertas, Alexander Skarsgard, and Lee Tergeson in “Generation Kill”. Photo credit IMDB.com
WATM: What was your experience like in working with such talents as Nathan Fillion, Stana Katic, Rob Bowman, Alex Skarsgard, Susana White, Simon Cellan Jones, Milo Ventimiglia, Mandy Moore, Dan Fogelman, and the like?
Castle is something that I had never experienced before. It is probably the most collaborative show I have ever worked on. They let me help develop Esposito, the character I played. He wasn’t a veteran in the pilot. I asked the producers if I could make him an Army veteran and they let me do it. The relationship I had with Nathan Fillion and Seamus Dever, where our characters, were normally the looser part of the story when compared with the Beckett character played by Stana Katic. We could play around a little more and Stana usually played the straight woman, mirroring the audience’s perspective. She was so good at portraying that character and bringing the three of us back to a more grounded place for the procedural aspect of the show. We were able to figure out how to play, what could’ve been repetitive tropes, differently by infusing character and humor into it that made us stick out. Rob Bowman directed our pilot and he is a mentor to me. He was my first teacher as a director, and he was so encouraging for us to bring more humor. He loved to laugh and wanted us to improve the story by having us not take ourselves too seriously which I think allowed the audience to root for us.
Jon Huertas and Seamus Dever in “Castle”. Photo credit IMDB.com
I can’t say enough about Seamus Dever who played my partner on the show. He is not only a loyal actor but an even more loyal friend. He was always protective of me and our work. He made my time on Castle the best time I could have had. Nathan is such a giving person and super generous. He wasn’t always trying to be the center of the show, he loved highlighting what the rest of us did. The most fun I had was trying to make Nathan laugh during a take, which I reprised when I got to guest with Nathan on The Rookie last year.
Stana Katic, Nathan Fillion, and Jon Huertas in “Castle”. Photo credit IMDB.com
After working on Generation Kill, it was amazing to see so many of the guys go off and do such wonderful work after the show. Alexander Skarsgard’s career has been amazing, from doing True Blood to Tarzan and tons of other amazing gigs. And to think he was thinking about quitting acting right before the GK?! Brad “Iceman” Colbert, who Alexander portrayed in Generation Kill, was super proud of Alexander’s work portraying him. Alex and I are still tight as well as most everyone from the show like, James Ransone, Stark Sands, Wilson Bethel, Michael Kelley, and many others. We’re all like brothers now. Almost every single guy from Generation Kill was at my wedding and it was a destination wedding in Mexico, I still can’t believe they all came there for me. I even flew with guys from Generation Kill to England to go to Stark Sands’ wedding. There have been several destination weddings from guys on that show. Everyone on Generation Kill was such a joy to work with, they pushed me, and I pushed them and their dedication in getting the story right made me very proud.
Kellan Lutz, Sal Alvarez, Jon Huertas, Pawel Szajda, and Stefan Otto in Generation Kill.
The experience was almost like being deployed. We shot for nearly eight months in Africa in the countries of Namibia, South Africa’s and in Mozambique. We were a cast made up of almost all guys and for Susana White to not only keep us all from killing each other, she did such an amazing job with the subject matter and was so open to getting the story right. She ended up nominated for Emmy for GK and, in fact, the show was nominated for eleven Emmys. Simon Kellan Jones is a blast to work with and made the set such a fun place to be. Even though we were telling a story that sometimes had us calling in an air strike on the civilian populace, Simon helped us process it so we didn’t bring in too much darkness where people may not watch it.
Now, This Is Us is a family show with no guns like a lot of shows I’ve done in the past. It does feel like a family and all that trickles down through Dan Fogelman. He sets the tone for the show. It is rare to be part of a show that has the impact that this show has. It’s another once in a lifetime experience to be on a show that has touched so many people in so many profound ways.
Jon Huertas, Milo Ventimiglia, Mandy Moore and Wynn Everett in “This Is Us”. Photo credit IMDB.com
All of the projects I’ve been a part of have been amazing in their own way. But working in this industry for the past 25 years, I’ve seen a lack of people behind the scenes that I can say have had similar experiences as an adult male Latino. Meaning…I’ve been working a lot of episodes of television from guest stars to series regulars to leads and I’ve only been directed by one adult male Latino. That is one a hole that still needs to be filled as well as TV writers, Show Runners, Producers and Executives.
After This Is Us ends, I’d like to spend more time behind the camera in the director’s chair and in writing. With the lack of Latino writers in TV, so many characters and storylines featuring Latinos are in roles of a negative stereotype or in menial roles like the gardener or cook instead of as heroes, champions, romantics and role models. So, until you can get people that are writing about it, producing it, developing it, greenlighting it or directing it you are not going to see it. I feel a responsibility to be a part of pushing that message forward. I see a lack of representation at the network, studio and production level for Latinos and I hope to be a part of changing that as well.
As a little kid I had this hero complex. I watched TV and movies, but rarely did I see anyone who looked or talked like me. I watched the old “Batman” TV series with Adam West and I loved Adam West but… he didn’t look like me. So in the back of my mind, I thought that I couldn’t be Batman because he was white. Marvel still hasn’t stepped up with Latino representation. In the TV world there was a recurring character called, Ghost Rider on Agents of Shield but for 20 plus years of doing Marvel in the cinematic universe, they’ve yet to have one adult male Latino as a superhero in his own title.
Erik Estrada was an influential to me while growing up as well as Esai Morales, who was another mentor of mine. I saw him for the first time in a Sean Penn movie called Bad Boys and I think that was the first time I saw someone who really looked like me. It took me seeing someone like me to have the confidence to aspire to become an actor. Latino characters need to be portrayed as the hero, the guy that gets the girl, and the wealthy guy. We have to force ourselves to tell stories that are an equal slice of life. The best bite of a stew is one with all of the pieces of the stew, not just the same three or four pieces.
WATM: What leadership lessons in life and from the USAF have helped you most in your career?
Instead of making emotional decisions allow your emotions to inspire a calculated decision. That is what shows a true leader: You are not letting your emotions speak for you are letting your emotions inspire you to make the best decision. Emotional decisions can be like gut punches where you just react. A person may not think a certain way where they lash out after being hurt.
As an actor your job is to convey an emotion so you can get an emotional response from your audience. If a director and another actor come in and they’re trying to guide your personal choices to benefit them and you feel they’re trying to manipulate your artistic vision for your character, you could become emotional. If you let your emotion take over, you might regret reacting the way you do and end up looking like the problem in the moment. Now there’s tension between actor and director or actor and actor. If you take just a moment and think internally, “How do I get what I want?” You say, “I see where you are coming from, but does this have any value?”You may get them to see it from your perspective and you help them make your decision for you. Now that is, “if” your decision does have value. If so, how can they deny it?
Good decision-making trickles down from the top. From the president to Chairman of the Joint Chiefs of Staff, to the Pentagon. Even on the unit level from the battalion commander to the platoon commander and on down.
WATM: As a veteran, how do we get more veteran stories told in the Hollywood and stage arena?
Think back to It’s a Wonderful Life with Jimmy Stewart where he was a WWII veteran. Stories are already being told that veterans like to watch but we need to encourage veterans to step up and write, direct, produce stories that speak not only to veteran audiences but also the general market. Veterans a lot of times make the focus of their stories completely from a veteran POV but instead need to create a story everyone will be into and then just happen to make the characters veterans. It’s almost like when you are laying out your characters and mark one with a green dot “veteran”. Back in the day, we just wouldn’t watch a lot of the TV shows or films that centered on veterans because Hollywood usually got it wrong. But now that’s changed. Some bars have been set high because some of the more recent military based projects, especially the higher quality ones, have hired advisors and/or worked with veterans from the inception of the projects. Just like I have to step out as a Latino and encourage others to do so, we need to encourage veterans to step out as well to write the stories.
Just like what I shared about training, not only when serving, when starting out as an actor but also veterans who want to tell their stories need to study creative writing and learn how to write a, treatments, out lines, pitches, log-lines and eventually an amazing screenplay. You have to write something that is not only a great story, but that is produce-able. The hope is that you can sell it somewhere and it’s given a proper budget so the integrity and authenticity can be upheld. As a veteran that wants to write a series about a veteran you may have to work as a staff writer on a show that is not about veterans, so you have to have an open mind. You have to have the skills to write a good script and then after a season or so you can talk to the producers about trying to introduce a character that is a veteran. You have to get into that writer’s room and win hearts and minds. Invest in the writer’s room and then move to the director’s chair and the executive’s chair at the studio, be in charge of what is getting made. You might be able to get into a position to inspire every project created at the studio level, who knows.
WATM: What are you most proud of in life and your career?
I’m proud to have been a working actor who happens to be Latino and also proud to be veterans who has represented veterans truthfully on screen. Portraying veteran and Latino characters positively has hopefully affected someone out there positively as well.