It’s been four months since the kinda disappointing Game of Thrones finale, but HBO is trying to make it up to us with new shows set in the same universe. Filming on a pilot starring Naomi Watts has already wrapped, and now the network appears close to ordering another.
The as-yet-untitled series would take place 300 years before Thrones and focus on the origins of House Targaryen, that of the Mad King, the Mother of Dragons, and — outdated spoiler alert — Jon Snow himself.
The concept for the show was created by writer and producer Ryan Condal and George RR Martin. It’s based on Fire Blood, a series Martin created as a spin-off to the A Song of Ice and Fire and reportedly represents a new take on one of the five prequel scripts HBO commissioned in 2017.
The tagline of Fire Blood is “when dragons ruled Westeros,” which means instead of Daenerys’s three miracle dragons the spin-off should feature way more winged beasts and, we can only presume, a healthy dose of aerial combat.
To date, only the first volume of Martin’s series has been published, which makes us wonder if Martin could be in another situation where a TV series of his lurches ahead of the books it’s ostensibly based on.
Three hundred years is a long time in anyone’s family history, so don’t be surprised if there’s some complicated family tree math to be done connecting the characters in this show to those we meet in Game of Thrones, drawings not unlike those you’d find in the front of one of Martin’s books or on your mail-in DNA test results page.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
WATM’s Ryan Curtis hits the streets with stuntman Jim Wilkey, a Vietnam War vet whose Hollywood credits include “Die Hard With a Vengeance,” “Rush Hour,” “Inception,” “Mad Max: Fury Road,” “The Dark Knight Trilogy,” and several others. Jim’s experience in the Navy working with a wide range of equipment gave him the knowledge to get started as a stuntman.
Now, watch as Jim gives our man Ryan a crash course in basic stunt driving skills.
Warning: Contains spoilers from Game of Thrones Season 7 Episode 5.
After last week’s sh*t show, Khaleesi fans have been waiting for her revenge against Euron Greyjoy. Who knew that the secret to destroying the Iron Fleet would be found in the Bloody Red Baron’s playbook?
(Maybe we all should have — there’s a reason he’s the most infamous fighter pilot of all time…)
One move in particular was the key to her success:
Daenerys attacking Iron fleet with dragons | Game of Thrones Season 8 Episode 5
Baron Manfred von Richtofen has been credited with 80 kills, most of which were won in planes painted bright red — not exactly the camouflage used on military aircraft today. He faced many obstacles in his military ambitions, but he had one major thing going for him: he was recruited by Lt. Oswald Boelcke, one of the most skilled fighter pilots of his time.
In World War I, Boelcke codified 8 rules for rookie combat pilots. The Red Baron — and the Mad Queen, it turns out — would secure victory through number 1: keep the sun behind you.
When target acquisition is accomplished through a visual scan of the skies, keeping the sun to their back blinds an aviator’s adversary. Just ask Euron Greyjoy.
Oh wait. You can’t.
There were many ways Daenerys could have attacked those ships. The nice thing about airpower is that gravity will really step up when taking care of your enemies. I always envisioned staying out of range and dropping barrels of burning pitch onto the ships, but of course she’d lose accuracy.
Instead, she chose to reward his ambush with one of her own, popping in from the clouds to overwhelm the naval sharpshooters. She then took advantage of their slow recovery time and destroyed them at close range as they attempted to re-load.
Ron Howard and Brian Grazer have teamed up to create 68 Whiskey, a new series about combat medics in Afghanistan, premiering on Jan. 15, 2020. In a hopeful twist, it’s going to be a comedic drama, which is what serving in the military actually feels like.
It’s Ron Howard, the man who gave us Willow, so I don’t think we’re going to see gallows humor, but the scale of the production looks cinematic.
Here’s the first look:
Here’s your first look at 68 Whiskey, a new series from Executive Producers @RealRonHoward and @BrianGrazer, premiering Jan 15 on @paramountnet. #68WhiskeyTVpic.twitter.com/LMyhuYpiwi
Roberto Benabib (Weeds, The Brink), the Emmy-nominated series writer and showrunner, designed 68 Whiskey to be an “honest and realistic look” at deployed troops. It’s hopeful that there is a military consultant on-board. Greg Bishop, a retired U.S. Army Lt. Colonel, served for 21 years before joining Musa Entertainment as a military consultant.
“We’re always striving for authenticity and the set design of the show — interiors and exteriors — are just fantastic,” he said in the first look featurette.
It does look visually great but I can’t help but wonder how many veterans were involved in the writing process. I know firsthand how challenging it is to navigate the line between authenticity and entertainment, but it can be frustrating when Hollywood gets it wrong.
Check out the first official trailer right here and let us know what you think:
With the third installment of the John Wick franchise continuing to see solid returns at the box office and a fourth installment already announced, it seems clear that the Keanu Reeves’ action vehicle is bringing something to the moviegoing audience that they’ve lacked in this era of high-budget blockbusters and CGI-infused epics. I’ve gone on record in the past saying that I believe the secret to Wick’s success is in its approach to violence; melding realism with whimsy in a uniquely American fashion and producing this nation’s first legitimate response to the Brit’s premiere assassin franchise, James Bond.
What makes Reeves’ Wick Bond-like where other successful American franchises have fallen short (culturally speaking) isn’t in its similarities to the spy-franchise, but rather in its willingness to depart so openly from it. While American heroes like Jason Bourne, Jack Ryan, and even Ethan Hunt seem to emulate Bond’s style and approach to varying degrees, Wick diverges from the expected and leans hard into a stylized alternate reality where firefights require grappling skills and the homeless man you gave your change to might actually be a trained assassin hiding his Rolex from your view.
Trained combatants masquerading as homeless men is a common urban legend that may have legitimate roots in some British SAS operations.
This departure from what we’ve come to expect could have been enough to make the Wick-flicks into a Matrix-like fantasy franchise, but it’s where and how these films choose to anchor themselves in reality that makes Wick’s fight scenes so jarring. Every time you start to think you’re watching another superhero movie, the Wick series brings you back to earth with a powerful thud, grounding its over-the-top violence in reality, even when the circumstances are anything but realistic.
One scene in “John Wick: Chapter 3 – Parabellum” perfectly captures this combination of gritty realism and seemingly surreal violence in a brief but dramatic fight between the titular Wick and one of the countless assassins he’s forced to dispatch along the path to redemption. As the two wrestle with one another, they fall into an indoor pool, creating separation and offering each an opportunity to level their weapons at one another.
About as effective as this.
(Marine Corps photo by Pfc. Levi Schultz)
With both Wick and his opponent still submerged under the water, the goon opens fire, releasing three rounds into the pool that, in any other film, would have hit Wick square in the chest. Instead, however, the rounds immediately begin to flutter off course, reacting to the dense water separating the two men in what is perhaps the most realistic example of water’s effect on traveling rounds I’ve ever seen depicted in film.
Wick then closes the distance between the two of them, pressing the muzzle of his weapon right into the neck of his opponent and firing, killing the bad guy and allowing Wick a precious moment to regroup.
John Wick Chapter 3 Underwater Gun Fight | John Wick Chapter 3
While movies may show bullets whizzing through the water (often with the hero dodging them as he swims away), the truth is, water is about 800 times denser than air and has a huge effect on the trajectory and energy of a round. As the bullet strikes the water, its kinetic energy immediately begins to dissipate against the resistance of the thicker medium, allowing that drag to send it fluttering off course, and usually, rendering the bullet near enough to inert to make it no threat to any nearby assassins.
“John Wick: Chapter 3” is the first movie I’ve ever seen so clearly demonstrate water’s effect on a bullet’s path without taking the time to handhold the audience to explain the physics behind it. Instead, Wick simply shows the action as it would unfold and moves on, respecting the viewer enough to assume that you’ll get it–even if it’s something you’ve never seen on screen before.
Fires weapon under water – with his own life on the line
As demonstrated by Mythbusters in an episode called “Bulletproof Water” that aired in July of 2005, just about anything you shoot at the water short of a .50 caliber round or a 12 gauge slug will disintegrate in less than three feet when fired into water. If you trust your math enough, you can even devise a rig that lets you shoot 5.56mm rounds at yourself like physicist Andreas Wahl did to prove the point, but I’m inclined to take Wick’s word for it on this one.
Let’s face it. The world likes — and America loves — zombie movies.
The idea of having to fight across the countryside and through clustered cities, cutting down hordes of the undead with a shotgun is enticing.
That’s why zombie movies and video games do so well. The “Resident Evil” franchise released its sixth film 20 years after its first video game hit the market. That’s a two-decade run for, “Zombies, but like, monsters, too.”
But, sorry, Milla Jovovich fans. There is no way that a zombie outbreak is taking over the U.S. or any allied country while the American military is around. Here’s how the U.S. would respond to a zombie outbreak, shutting it down quickly.
First, let’s assume that an entire country was ravaged before America geared up, just for funsies. (But, really, military human intelligence collectors and signal intelligence should have given us the heads up before a single town was wiped out). And let’s assume it’s a country that emphatically said the U.S. military wasn’t welcome, and that’s why the outbreak went on as long as it did.
And, Russia has good topography for containing zombies. Because of the mountain ranges (in black, below) and the Arctic Circle (in red), there are only a few places where zombies could conceivably break out of Russia to threaten the rest of the world in large numbers.
So, small contingents of the Navy can patrol the Arctic and a few dozen companies of POGs can guard the mountain ranges, picking off the few zombies lucky enough to make it through the mountain passes.
But the western and southern breakout zones could be huge problems for American allies and the world as a whole.
The southern breakout zones would give the zombies access to Kazahkstan and maybe Mongolia. The western gives a large front that hits Ukraine, Estonia, Latvia, and Finland. It also hits Belarus, but they hate America nearly as much as Russia does, so screw ’em.
So what could 632,000 ground combatants supported by the largest navy and the most advanced air force in the world possibly do against 130 million zombies?
Lol. They would kill an average of 205.7 zombies each, and it would be awesome.
The Navy would park multiple carriers in the Baltics and Barents seas. From there, they could fly strike aircraft and sensor platforms to find and target large clusters of zombies.
The Air Force would bring its own strike and ground attack planes as far east in Europe as they could hold the line. From there, A-10s and AC-130s would rain hot lead in support of ground pounders while B and F-series planes blanket the countryside with bombs.
Finally. Guilt-free carpet bombing is back.
And sure, none of these are the headshots needed to permanently put down a zombie. But a few hundred pounds of explosives will mess up a zombie’s legs pretty badly, as will 30 mike-mike through the chest. Pretty sure that will make the infantry and other ground maneuver forces’ jobs a little easier.
Speaking of which, the Marine Corps and Army are going to love the most entertaining range they’ve ever held. Think about it. What sucks most about range days? First, being put on target detail. And, second, having to shut down the range every time a turtle wanders by.
Guess what? No one is going to order a range halt because of a turtle when a bio menace is marching towards Paris. And there’s no need for a target detail when the targets can be lured with the sound of gunfire.
So, the Marines and soldiers basically get to call shots to each other as they gun down crippled zombies over a couple of thousand miles of the Russian border. If the engineers can wait to shoot zombies long enough to dig a couple of trenches and raise concertina obstacles, it’ll delay the already wounded zombies even further.
And don’t think the artillery and mortarmen are going to let a chance to practice against undead targets pass them by.
The biggest challenge is going to be making sure that all those cavalry, infantry, etc. have enough ammo. But remember, American logistics troops train to maintain operations in a contested environment. This time, they would have completely safe roads, railways, and rivers to use without fear of significant enemy resistance.
Hell, the operation could probably be catered.
So soldiers and Marines could simply mow down the oncoming hordes, talking the machine guns and interchanging barrels to prevent a meltdown. No Milla Jovovich needed (though she would probably be welcome on a USO tour or something).
Of course, the Navy SEALs can be used to clean out river deltas where zombies were washed downstream attempting a crossing, and the Green Berets can jump into zombie-held territory to try and train up survivors for resistance operations if they like.
But zombie operations are basically just the world’s easiest siege. None of the enemies can tunnel, or use weapons, or conduct coordinated military operations. Easy, peasy.
Since the 1960s TV version of Batman there have been a lot of Jokers, Riddlers, Penguins, and Commissioner Gordons. And now, the new version of The Batman will reportedly add two more versatile actors to the Robert Pattinson take on the caped-crusader. Biff! Pow! Get ready for Jonah Hill and Jeffrey Wright! But holy casting riddle Batman, who are they playing?
Variety reports that Jonah Hill and Jeffrey Wright are in talks to play the as-yet-unknown villain in the film and Commissioner Gordon, respectively. No one has signed on the dotted line as of yet but, at least in Hill’s case, “both sides are engaging” in talks. Director Matt Reeves, who helmed the last two Planet of the Apes films, paused casting of supporting roles until he’d found his Batman. Pattinson signed on in May 2019, so Reeves was free to fill in a cast around him.
For our money, both are inspired choices. Wright, known for his role on HBO’s Westworld, has the raspy baritone and comforting presence to play Batman’s greatest Gotham PD ally. He seemed to confirm his involvement with a cryptic tweet in response to Reeves.
Hill has not posted any such evidence to social media, but he has shown remarkable chops in everything from juvenile comedies (Superbad, 21 Jump Street) to prestige dramas (The Wolf of Wall Street, which got him an Oscar nomination) to sci-fi (Netflix’s Maniac).
All in all, we’d see an indie drama starring these three, as Pattinson has moved on from his Twilight days to more serious fare like The Lighthouse, an intense black-and-white indie that will premiere next month. To have them in a film set in such a rich fictional universe should be seen as good news to anyone rooting for a quality reboot.
The biggest question prompted by the news: which villain would Hill play? The Penguin was widely speculated, but Collider reports that The Riddler is actually the more likely part, given the prominence of the role in the script and Hill’s longtime admiration for Jim Carrey.
The Batman will hit theaters on June 25, 2021.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The Simpsons have predicted the future dozens of times over the years. (20th Century Fox)
For decades, “The Simpsons” has proven adept at not only standing the test of time, but even predicting the future.
Has the show already predicted the future for the 2020s?
In season 11, “The Simpsons” predicted a Donald Trump presidency in the 2000 episode “Bart to the Future.” The year (on the show) was 2030, and the Simpson administration had inherited “quite a budget crunch” from President Trump.
It wasn’t the first time the show predicted the future. It foresaw the plot twist for “Game of Thrones” character Daenerys Targaryen, Bengt R. Holmstrom’s Nobel Prize in Economics and even the mass of the Higgs boson particle.
They predicted the end of “Game of Thrones,” now they could be predicting our end. (20th Century Fox)
It might also have predicted coronavirus. In the season four episode “Marge in Chains,” it predicted a global flu pandemic known in the show as the “Osaka Flu,” and spread by a Japanese factory worker coughing into a package.
That same episode also featured the citizens of Springfield in a desperate search for a cure, demanding one from Springfield’s medical community, only to ignore Dr. Hibbert’s medical advice. While overturning a truck, they unleashed the killer bees inside — portending the arrival of the Asian Giant Hornet (also known as “Murder Hornets”) into the United States.
“Marge in Chains” is also about an unfair arrest which (through a convoluted chain of events) leads to widespread civil unrest and rioting in Springfield.
Sounds like 2020 so far.
Welcome to “Eye On Springfield.” (20th Century Fox)
From the purchase of 20th Century Fox by Disney to the creation of smartwatches, the show has been eerily accurate dozens of times. The episode that foretold the smartwatch (season 6, episode 19) provided another prediction, this time about World War III.
In the Emmy-winning 1995 episode, “Lisa’s Wedding,” we fast-forward 15 years to when Lisa is engaged to an Englishman named Hugh St. John Alastair Parkfield. Hugh eventually comes home with Lisa to Springfield, where he ends up in Moe’s Bar with Homer. Moe, realizing Homer’s drinking buddy is from England, predictably rubs his face in World War II history.
(20th Century Fox)
While there seems to be little danger of World War III breaking out at present and the 15 years since the episode aired have long passed, “The Simpsons” has proven time and again to be alarmingly prescient, accidentally predicting the future at least 30 times.
With this in mind, Hugh’s response might make us take pause, as it predicts a third world war.
(20th Century Fox)
It’s a good thing Trump is so chummy with British Prime Minister Boris Johnson.
Aside from predicting the rise of smartwatches, the episode also successfully predicted video communications such as Amazon’s Echo Show and Facebook’s Portal, the arrest of Heather Locklear, and virtual reality gaming in bars.
The veteran, who performs under the name Craig Morgan, is releasing a new album but still finds plenty of times to go on USO tours and stop by military bases to visit troops, an activity he says is near and dear to his heart.
The tours can feel strange for him though, since he’s treated like a VIP while he still thinks of himself as a soldier. This is especially true when he visits his former duty stations like Fort Campbell or Fort Bragg.
“It’s super odd, even still to this day, many years later,” he told WATM. “I’m not a VIP, I’m a soldier. It’s emotional. I mean, I had children born on both of those bases.”
While Morgan is very proud of his veteran status and open about it, he’s surprised that many of his fans and peers in the industry don’t know that he served. His new album’s title track, “A Whole Lot More To Me,” is partially about the fact that he wasn’t always a performer.
“I find it amazing that having been in the music industry for this long, there are still people who don’t know I was in the military,” he said. “That’s crazy to me. That’s what this record is about. There’s a whole lot more to me than country music and pickup trucks.”
The music video for a new song on the album even includes shots of his time in uniform as well as video of Morgan visiting troops and conducting activities, like PT, with them.
While the new album contains direct references to Craig Morgan’s time in the military, he says that most of his songs have ties to the service.
“The music always reflects back, at some point for me, to my experiences in my life, and since most of my life was in the military, they all relate back to it.”
One standout hit has a surprise military connection. “Redneck Yacht Club,” a 2005 song about a bunch of country boys taking their boats onto the lake for a party, is tied to his time slipping away from the post during downtime in the Army.
“I remember being at Fort Bragg and going to the lake or to Louisiana to get on the water,” he said.
Morgan, who spent over six years in the Reserves after serving for nearly 10 on active duty, says that he still misses the military from time-to-time, especially after USO tours.
“When I come home I pout around a little bit because I feel like I should be back in the Army,” he said.
After leaving us with a fun (probable Boba Fett) easter egg last week, Chapter 10 opens with a meaningless action sequence that has no real consequence other than a long walk for Djarin (Pedro Pascal). The Yoda Baby is definitely going to need therapy if he’s going to be a wise Jedi leader — the kid has been thrown, concussed, and exposed to violence and murder a lot, you guys. Like, a lot.
Djarin is still searching for some Mandalorians and conveniently, Peli Motto (Amy Sedaris) just met a creature who has a lead. “The Frog Lady,” as she’s credited, needs secure passage to rendezvous with her husband in The System in order to fertilize her eggs — and in exchange, her husband will tell Djarin where he might find a Mandalorian cohort.
In the ship, the Yoda Baby is left alone with the eggs and here’s what I wrote in my notes: “I’m legit worried that Yoda Baby will eat the spawn…ew, Jesus, I was right.” This became a running joke(???) throughout the episode that was extremely problematic. The Frog Lady has made it clear that her only hope to prevent extinction is to reunite with her husband so he can fertilize her eggs and they can reproduce.
In other words, those eggs are her unborn children. To imply that it’s funny or cute that The Child keeps eating them, keeps literally murdering them, is very obtuse coming from a male writer and male director. It makes my skin crawl. Such a crime and violation should be treated with the severity of when Starbuck’s ovary was surgically cut out from her while she was imprisoned by Cyclons in Battlestar Galactica.
The Frog Lady was dehumanized and her desire to have children was treated as a joke. Considering how few female characters there even are in the series (it has yet to pass the Bechdel Test — though it received praise for hiring female directors), it further displays how tone-deaf stories can be when women are shut out of telling them.
During their space flight, Djarin and his cargo were intercepted by two New Republic X-Wings who started asking too many questions for Djarin’s comfort. In an effort to evade them, he crashed on an ice planet, wrecking the hull of his Razor Crest. While he sought to repair it, his cargo made some decisions.
The Frog Lady decided to take a hot spring dip with her eggs while the Yoda Baby decided to eat some eggs he discovered in the ice caves. Inside the eggs were calamari-looking spiders and the whole scene was disgusting — but not as bad as what came next.
The hundreds of eggs reacted and began to hatch, joined by creatures Star Wars Rebels fans will recognize as Krykna — giant (ice) spiders.
Hundreds of Krykna then scuttled after the trio, ranging from babies to horse-sized spiders, to enormous monsters that were heavier than Djarin’s ship. It was tense and gross. They were saved at last by the return of the X-Wings, who had checked in on Djarin’s records and determined that he wasn’t a bad guy.
After slaying the hordes of Krykna, the pilots left Djarin to repair his ship and limp his shaky way to The Frog Man.
In November 2015, Electronic Arts Digital Illusions Creative Entertainment (aka EA DICE) released their first Star Wars Battlefront game since Disney purchased the franchise. In less than a month, the action shooter picked up an impressive set of gameplay statistics that were released in an infographic, describing the characters, kill counts, and tactics players use in the game.
The stats give good insights around how to win. The first and most obvious one: Don’t try to replicate tactics seen in the film. You are not a Jedi; the Force is not strong with you.
And it seems getting in a vehicle isn’t a good way to last longer. Or maybe it is. It’s definitely more fun.
Although some of our favorite films are pretty “out there” when it comes to pulling off some amazing feats, there are quite a few movie moments that Marines would love to train their asses off for and totally pull off.
In a hostage situation, shooting around the victim and nailing the assailant would come in quite handy — if we could master it. But we doubt we ever could.
How awesome would this be?
2. Shooting out the floor (Underworld)
In many cases, service members have to find clever ways to evacuate from a desperate situation. In 2003’s Underworld, Selene (played by Kate Beckinsale) shoots the floor out in order to escape from vicious werewolves.
This is a great idea; you know, if the physics were possible and humans could handle 20-foot drops.
If it worked for her, it should work in real life.
3. Inverting you fighter jet (Top Gun)
When flying in an aerial dogfight, there’s no better way to send the enemy an FU message like Maverick’s in 1986’s Top Gun. He managed to fly inverted and flip the bird to his rival flying ace.
This feat is near impossible, but “Mav” makes it look easy as hell.
They went ballistic!
4. Putting on a parachute in mid-air (Eraser)
In 1996, director Chick Russell took on a stunt that had audience asking, “How did they do that?” when U.S. Marshal John “The Eraser” Kruger threw a parachute outside of a speeding plane at high-attitude then retrieves the “chute” in mid-air.
We think that’s pretty badass.
Who wants to go skydiving?
5. The backbend bullet dodge (The Matrix)
At times, Marines fight in close quarters combat when charging in enemy territory, and, unfortunately, sometimes they get shot. Wouldn’t it be awesome if they could just dodge incoming rounds like Nero? We think so.
6. Shooting someone through their scope (Saving Private Ryan)
Steven Spielberg knows how to tell an effective story, and he did just that directing 1998’s critically-acclaimed Saving Private Ryan.
After showing the world how American troops stormed the beaches of Normandy, he brilliantly captured the moment when Pvt. Jackson (played by Barry Pepper) takes out a German sniper with a perfectly aimed round right through his scope.
Although it’s reported Marine legend Carlos Hathcock made this historic shot, the myth has been both deemed both “busted” and “plausible” by the same people — the Myth Busters. Regardless, we want to be able to pull it off again, and again. Mostly for bragging rights.