If you’re looking for something new to stream and you have a thing for quasi-propagandist cartoons based on action figures produced near the end of the Cold War, then boy have we got some good news for you.
Hasbro uploaded 15 episodes of G.I. Joe: A Real American Hero to YouTube, free of charge. It’s most interesting to adults as a relic of the ’80s, but it’s still a pretty entertaining cartoon for kids, the kind of thing you can imagine latchkey kids across the country switching on when they arrived home from school.
‘The Cobra Strikes’ The M.A.S.S. Device Pt. 1 | G.I. Joe: A Real American Hero
Ninety-five episodes of the show were produced between 1983 and 1986, and a 44-episode revival came around just three years later. But so far, just 15 have made it to Hasbro’s YouTube channel. And while we’re not complaining (they’re free, after all), it would also be nice for more episodes to regularly make it online, at least until it’s safe to leave the house.
Three five-episode miniseries are available at the moment. “The M.A.S.S. Devices” contains the first episodes of the show ever broadcasted. They tell a vaguely James Bond-esque story of G.I. Joe’s race to build a weaponized satellite to rival the weaponized satellite Cobra (i.e. the bad guys) is planning to use to destroy New York City.
‘The Cobra Strikes’ The M.A.S.S. Device Pt. 1 | G.I. Joe: A Real American Hero
“The Revenge of Cobra” aired a year later, and it’s completely different; it centers on gathering the pieces of a device that controls the weather, not a deadly satellite. Repeated story concerns aside, this one culminates in an episode calls “Amusement Park of Terror,” and who doesn’t want to watch that?
‘In the Cobra’s Pit’ The Revenge of Cobra Pt. 1 | G.I. Joe: A Real American Hero
G.I. Joe isn’t a bad way to spend about 340 minutes of quarantine, and not just because you don’t have to pay for it. Kids get an action-packed cartoon and adults get the amusement of watching something nostalgic and ridiculous. What’s not to love?
There’s every sign that Marvel isn’t resting on its laurels after the global domination of “Avengers: Endgame,” but that doesn’t mean that the fifth Avengers movie is coming any time soon.
In Hall H at San Diego Comic-Con, Kevin Feige laid out the films and TV series that will make up phase 4 of the Marvel Cinematic Universe. The first, “Black Widow,” will hit theaters on May 1, 2020 while the last, “Thor 4: Love and Thunder” has a release date of Nov. 5, 2021. An Avengers movie was not among the titles announced.
And that honestly makes a lot of sense. The MCU is all about using films to build stories and flesh out characters. With the destruction of Thanos and the end of the Infinity Saga, Marvel is starting with the closest thing to a blank slate its had in a while, and it looks like the studio is taking its time to build up to an “Endgame” level of sprawling spectacle.
So what do Marvel fans have to look forward to? Plenty, starting with the big names. There’s Natalie Portman taking the hammer as Lady Thor, Angelie Jolie joining the MCU in “The Eternals,” and a surprise Blade reboot starring Mahershala Ali.
There’s also “Doctor Strange in the Multiverse of Madness,” which director Scott Derrickson called Marvel’s “first horror movie” and “Shang-Chi and the Legend of the Ten Rings,” which will star Chinese-Canadian actor Simu Liu and Awkwafina.
As for the next Avengers omnibus? Assuming that this is the final phase 4 lineup, it should be part of phase 5, which barring a bizarre hiatus will begin in 2022. It’s more likely, however, that it’s released in 2023.
Marvel has never released an Avengers movie in the first year of a phase, preferring to, again, let those earlier films build into the big one. If that pattern, which has been quite successful holds, we have a while to wait before another Avengers movie but a ton of movies to watch so that we understand the stakes when it does finally hit theaters.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
There are a lot of great moments in Spider-Man: Far From Home, but there is one very specific and hilarious scene in which Peter Parker very confidently misidentifies AC/DC’s killer song “Back in Black” by saying “I love Led Zeppelin!” And though this seems like a funny throwaway, this is actually the exact moment where Far From Home brings the entire Marvel Cinematic Universe full-circle. You may have thought Avengers: Endgame was the end of this era of Marvel movies, but really, the latest Spidey flick is the real ending. And that’s because it wraps up multiple storylines about the only character who can never return to these movies — Iron Man.
If you squint through those special Tony Stark high-tech glasses, Spider-Man: Far From Home actually reads as Iron Man 4, and that’s because a huge chunk of the movie is about how Peter Parker deals not only with a world without Tony Stark; but more specifically, a world which Iron Man created. Spoiler alert, but the entire conflict of Far From Home revolves around disgruntled former employees of Tony Stark; people who either got yelled at by Jeff Bridges in the very first Iron Man movie in 2008, or in the case of Jake Gyllenhaal’s Quentin Beck, had their inventions hijacked and turned into holographic therapy for Stark.
Like the next generation of young Marvel fans who are just getting into all this superhero stuff, Peter Parker inherits the mixed legacy of Tony Stark whether he likes it or not. Because this version of Spidey doesn’t really have a fatherly-Uncle Ben figure, Iron Man was Peter’s next-best-thing to a dad. And in Far From Home, all the mistakes Tony made become Spider-Man’s problem. Happy Hogan reminds Peter that although Iron Man was great that he was also “all over the place,” which is a nice way of saying Tony Stark was actually kind of a douchebag and may have given Peter and the rest of the world more than they really want to deal with. Anyone who has had been saddled with messiness after the death of a parent knows how this goes. For Spidey, his personal life is totally compromised in the post-credits scene (in which his secret identity is revealed) all of which is, indirectly, Tony Stark’s fault. In fact, the seeds for Peter inheriting Tony’s problems are sewn in Spidey’s first official MCU appearance; in Captain America: Civil War. Back then, Tony recruited Peter to help him reign-in Cap, but we now know this movie also was where Tony ignorantly turns Beck into a bad guy.
Which brings us back to that AC/DC track; “Back in Black.” This is the song that opens the very first moments of 2008’s Iron Man;Tony Stark sits in the back of a humvee speeding through Afghanistan, drinking a cocktail, acting like jerky the millionaire arms-dealer that he is. From that point, Tony’s caravan gets attacked, and through the course of the movie, and a lot of snarky one-liners, he eventually becomes a slightly better person and you know, Iron Man. In fact, just like Far From Home, that film famously ended with Tony Stark revealing his identity in a press conference. And now, unwillingly, Peter Parker has become the new Iron Man insofar as his identity has been revealed too, albeit not by choice. Either way, Peter’s journey is very similar to Tony’s at this point, the only difference is Peter didn’t get much of a choice in the matter, whereas Tony did.
Despite everything that happened to Tony Stark, Captain America and Black Widow throughout all of their Marvel movie adventures, for the most part, these characters read as adults, and in the case of Tony and Natasha, adults who were not innocent people, like at all. But Peter Parker is the opposite of this. Even after everything, he’s been through in five movies, he’s basically still at the beginning of his hero’s journey. Which is why Far From Home is both an ending for the old Marvel movies and the beginning of the new ones.
It’s unclear what new Avengers movies will look like in 2020 and beyond, but because Tony is 100 percent dead and Steve Rogers is 100 percent living in the past in secret, the big recognizable heroes of Iron Man and Captain America won’t be around. (Also that rumored Black Widow movie is thought to be a prequel?) In any case, if the new Avengers are Captain Marvel, maybe Hulk, Falcon, and Bucky, then it seems like Spidey might become their defacto leader. After all, once you’re secret identity is revealed, you’ve got nowhere to be other than with other superheroes.
The musical cues and plot similarities of Spider-Man: Far From Home help to complete Tony Stark’s story one movie after his onscreen death. But, our incumbent Peter Parker isn’t Tony Stark. Like at all. He doesn’t really know who AC/DC is, even if he likes the music. This Peter is the face of the future of the next big round of Marvel movies, and in some ways, that’s reassuring. The MCU began with a tortured man-baby who drank too much and said sexist things. That guy accidentally became a hero, and of course, because of that journey of redemption, we all love Tony Stark. But now, it seems Marvel is going to do stories about different types of heroes, and those people, like Peter Parker, might be a little bit better than the generation before them. Marvel is done with the old guys. It’s time to give the kids a shot.
Luckily, as Far From Home proves, the kids are more than all right. They’re better than us.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Waging a war against insurgents and terrorists is hard. While America has tried to capture its struggles in movies like “Zero Dark Thirty” and “American Sniper,” filmmakers from other countries have made their own great films about fighting insurgencies.
Here are 9 of the best:
1. The Battle of Algiers
“The Battle of Algiers” was screened at the Pentagon during lessons on counter-insurgency warfare. The film was originally released in 1966 but was banned for five years in France. It depicts the atrocities on each side of the actual Battle of the Algiers in the 1950s where French paratroopers eventually put down an Algerian nationalistic uprising.
2. Waltz with Bashir
This animated movie follows an Israeli veteran of the 1982 Lebanon War when Israel invaded. The vet can’t remember anything from the war, and so begins interviewing his former comrades and others who took part in the conflict.
3. A War
“A War” is a new film from Danish filmmakers. An infantry commander is put on trial after a questionable airstrike kills women and children. Back home in Denmark, he must explain to his family why he ordered the strikes while defending himself from prosecution. This is a instant classic about fighting with rules of engagement designed to win hearts and mind more than battles.
“Timbuktu” is a city in Mali which was overtaken by by Islamic militants in 2012. The movie focuses on a community that lives in terror of the radical occupiers. Much like ISIS, the terrorists controlling the city use a perverted version of Sharia law and order executions for even minor offenses.
“Kandahar” was filmed and released before the Sept. 11 attacks and shows the horrible state that the Afghan people lived in beneath the Taliban. A Canadian-Afghan woman who escaped the country as a child has to return to try and prevent the suicide of her sister who is being crushed beneath the Taliban regime.
6. The Wind That Shakes the Barley
The Irish Republican Army’s struggle for independence from Britain turned into a civil war in 1921 when half of the resistance accepted a treaty with the United Kingdom that granted dominion but not full independence. “The Wind That Shakes the Barley” follows two brothers in the IRA from their years fighting together against Britain to the Irish Civil War where they wind up on opposite sides.
In post-war West Germany a group of students started the Red Army Faction, a terror group that sought to resist a government that they saw as falling back into the mold of Nazi Germany. “The Baader-Meinhof Complex” follows the rise and fall of these students in a thrilling, blood-soaked narrative.
8. Kilo Two Bravo
A group of British paratroopers in Afghanistan spend their days controlling a hilltop and conducting patrols until a fire team moving down the hill gets caught in the middle of a old Soviet minefield. “Kilo Two Bravo” does a great job of showing the dangers and complexities of operating in a land filled with mines and IEDs.
“Waar” is one of Pakistan’s top grossing films ever. It follows a former Pakistani Army officer who is roped back in for a counter-terrorism operation. It’s an interesting look at terrorism through the eyes of a country that lives with it in their backyard. (Heads up: some of the story and acting is over the top. Imagine a terror film set in Pakistan and directed by John Woo.)
The long-awaited seventh movie in the Star Wars saga is close to hitting theaters, and nerds everywhere are beside themselves. While most young males in North America grow up with a love of Star Wars (or Star Trek, if you have poor taste), I didn’t really find myself catching onto the movies in the same way as most of my peers did… In fact, what really lured me to Star Wars was the space battles between sleek and mean-looking X-Wing fighters and the various spaceships of the Empire (the bad guys). That interest was further cemented by something I found out about Star Wars’ connection to aviation of the Second World War, which I’m far more a fan of, if we’re being honest.
If you’ve ever seen the original trilogy (Return of the Jedi, The Empire Strikes Back and A New Hope), you’ve probably seen the infamous Millennium Falcon spaceship in action, piloted by the gruff, sarcastic Han Solo (played by Harrison Ford, a huge aviation buff), and co-piloted by his massive furry beer buddy, Chewbacca. The cockpit of the Falcon, if you pay close attention, actually seems to resemble another flying vehicle, though one from a very long time ago.
I’m talking about the Boeing B-29 Superfortress, one of the US Army Air Force’s strategic bomber workhorses of the Second World War, and the aircraft most famously associated with dropping the atomic bombs on Hiroshima and Nagasaki, decisively ending the war in the Pacific Theater.
George Lucas, the creator of Star Wars, apparently developed an affection for the B-29 during the time he spent researching aerial dogfights of WWII to enhance the realism of the space battles fought between X-Wings and TIE Fighters of the Rebels and the Empire respectively. He had set engineers design the cockpit of the Falcon such that it matched the view facing forward from the cockpit of a B-29 (peering over the pilots’ shoulders). After viewing over 25 hours of combat footage and gun camera imagery, Lucas included gunner stations aboard the Millennium Falcon, similar to those you’d find on a B-29 or a B-17 Flying Fortress. A few of the characters used such gun (or laser) turrets to good effect against marauding TIE Fighters in a similar manner to how gunners aboard bombers during WWII would engage enemy interceptor fighters sent up to shoot them down.
Lucas needed his spaceships to possess unique sounds that were fitting of their futuristic nature, so he once again turned to WWII-era aviation to help with meeting his goals. As sounds couldn’t easily be synthesized in the same way that studios can today, Lucas’ sound engineers needed to record other noises and modify them to get what they were after. One engineer was sent out to the Reno Air Races in Nevada, where he was allowed to lay down near a pylon (something you most certainly cannot do today) and record the noise of P-51 Mustang racers screaming overhead. After slowing down the recorded track, they mated it to movie scenes, and thus, the Millennium Falcon was given its unique and ominous sounds.
U.S. Navy Surface Warfare officer, Jesse Iwuji, is a rising star in the NASCAR K&N Pro Series West. A veteran of two Arabian Gulf deployments, Jesse spends his time on land meticulously building each element of his pro racing career.
And of course, the bedrock of pro racing is the ability to move a ton of steel around a track at bone-rattling velocity.
“Jesse, let me know when it’s safe to unpucker.” (Go90 Oscar Mike screenshot)
As he related to Oscar Mike host Ryan Curtis when they met up at the Meridian Speedway in Boise, Idaho, success in life is all about finding the thing you’re passionate about and then making a firm decision to go and get it.
In Iwuji’s experience, hot pursuit starts with putting one foot in front of the other. He finished the 2016 season ranked Top 10 overall in points and entered the 2017 season newly partnered with three time NFL Pro Bowler Shawne Merriman as his car owner for Patriot Motorsports Group.
Curtis, of course, couldn’t wait for his chance to get behind the wheel.
“How about now?” “Just drive the car, man.” (Go90 Oscar Mike screenshot)
Watch as Iwuji pushes the K&N Pro Series stock car to it’s outer limits while Curtis makes the lamest joke in military history in the video embedded at the top.
Service members have high standards for military movies — after all, they portray a life we led, and it’s not always easy to get it right. That won’t stop Hollywood from trying.
Nor should it. Films about the military inspire men and women to volunteer every day. They memorialize our heroes. And most importantly, they remind us of the horrors of war so we can, hopefully, pave a peaceful future for those who will serve after us.
Here are a few films on the slate for this year:
*Don’t be a hater — you know it’s 83% the reason why we have pilots
The Last Full Measure,2019,Sebastian Stan,Samuel L. Jackson,First Look
During the Vietnam War, an Air Force Pararescueman named William Pitsenbarger saved the lives of 60 soldiers and, when offered the chance to evacuate on a helicopter, he stayed behind to defend the lives of his men. 34 years later, he was posthumously awarded the Medal of Honor.
A World War II drama starring Tom Hanks, Greyhound is based on the C.S. Forester (ahem creator of Horatio Hornblower ahem) novel The Good Shepherd, in which a convoy of 37 Allied ships crosses the German U-boat infested Atlantic ocean. Hanks plays Ernest Krause, leader of the convoy and in command of his first ship, the Greyhound.
The screenplay is by Hanks himself and directed by Aaron Schneider. It is set to release on March 22, 2019,
Battle of Midway Tactical Overview – World War II | History
Canadian filmmaker Paul Gross was never a soldier, but he has great respect for them. He comes from a military family; his grandfather and his father both served. Gross ended up in the arts, but he believes that soldiers represent their countries with an enormous amount of dignity and honor and they should be acknowledged for that.
“A soldier signed a piece of paper at one point, saying ‘I am willing to die for my country,'” Gross says. “That’s an extraordinary fucking thing. Did you ever sign such a piece of paper? I know I sure as shit didn’t.”
Gross wrote, directed, and stars in Hyena Road, a film about a Canadian Forces effort to build a road into the heart of enemy-held territory in Afghanistan. Gross plays Pete Mitchell, a sage intelligence officer responsible for convincing the local warlords to stop planting improvised explosive devices along the construction path .
“My character is loosely based on this real officer who was my guide,” Gross says. “Through this intelligence guy I started to learn stuff about Afghanistan. Not just the combat, I started to learn about Afghans.”
Mitchell needs to understand Afghan culture as he tries to bring a mysterious former Mujahid known as “the Ghost” to his side of the fight. The Ghost, played by Niamatullah Arghandabi, is a local Afghan elder who has a hidden identity as a legendary warlord who disappeared after the Russians withdrew.
Gross made two trips to Afghanistan to visit the Canadian Forces fighting there. The second time, he decided to film everything he could. He didn’t have a story at the time. A lot of that footage wound up in the final cut of Hyena Road. He talked to a lot of soldiers and took a lot of notes. When he returned to Ontario, he wrote a screenplay.
“Everything in the movie is pretty much based on stuff that I either heard or witnessed or was sort of common knowledge,” Gross says. “In other words, I didn’t make up anything.”
The film also features a very non-traditional actor in Arghandabi. He now serves an advisor to the Afghan government, and in 1979 he was a mujahid during the Soviet invasion.
“Since he was a kid, he was fighting Soviets,” the director says. “When he was 16, he was living in a cave coming out with Stinger missiles to knock down helicopters. I dragged him out and made him an actor.”
The director met the Arghandabi at Kandahar Airfield while on a visit there in 2011.
“I sat down with this guy and talked with him through an interpreter for about two and a half hours,” Gross recalls “I thought to myself, ‘I could spend the rest of my life with this guy and I would not understand one thing about him.’ That’s how different our cultures are.”
‘The Ghost’ told Gross of the time he met Osama bin Laden. To him Bin Laden wasn’t a fighter; he was a “clown.”
“It’s the weirdest thing,”Gross remembers of Arghandabi. “Talking to these people who knew all these bad guys. Bin Laden was one of the baddest guys we ever thought of, and [Arghandabi] thought he was a clown.”
Gross wants people to walk away from the film entertained, but also better informed because in his opinion, everyone should understand what it is they’re asking their military forces to do.
“That doesn’t mean you have to be against war,” Gross says. “It’s just that most of us wander around with blinders on. We should know what our neighbors, our cousins, our friends are doing there because we’re the one sending them there.”
Hyena Road is in theaters and on iTunes on March 11th.
Kevin Kent is one of the most experienced and trusted military advisors in Hollywood. With over 20 years as a U.S. Navy SEAL, specializing in evasive driving, air operations, diving, & weapons handling/ instruction, while traveling to hundreds of countries, he definitely has the experience to back it up. He currently works as a director, producer, actor, stuntman, personal security specialist, weapon’s instructor, and a Military/ Police & Technical Advisor in the film industry, as part of Global Studies Group International. WATM sat down with Kent to learn more about his background, his experience in the Navy and how it all translates to the big screen.
Can you share about your family and your life growing up?
I am the youngest of three boys. My father was a 22-year Army veteran and served in Vietnam. I was born in Greece and my brothers were born at various spots around the globe. My mom is a nurse and I had a disciplined childhood. My father retired from the Army when I was about five years old and we moved back to northwest Tennessee in the late 70s where my parents had grown up. My parents were very goal-oriented people and that education was important. We were driven to do our best and learn something. My grandparents had a farm where I grew up hauling hay and cutting tobacco, so it was hard work. I played baseball and football growing up. I am an Eagle Scout and was heavily involved in scouting. Both of my brothers are Eagle Scouts. We camped a lot and spent much time outdoors.
Accountability was a key family value that was stressed. Being in the military reinforced some of those values taught as a kid. Holding yourself and others around you accountable. Don’t succumb to peer pressure. If you screw up, own it. Write down goals and set out a path. You never think your parents are as smart as they actually are until you grow up.
What made you want to become a SEAL and what was your experience like?
I did not want to go to college while in high school where I was more hands on and desired to build something or travel. I couldn’t see myself sitting in a classroom. I was given guidance but come from a small town where a lot of the industry had dried up. The town went from 20,000 people living there to about 10,000 because of the industry drying up. The military was the best thing for me and my father gave me the advice to join the Navy instead of the Army for EOD school. He shared that the Navy owns the school and will get dive training out of it. The Navy is a better fit for who I was. I didn’t care for the Navy uniforms at the time, Cracker Jack guy. My mom was happy about me joining the Navy. My oldest brother was in the Army as well. You couldn’t be an EOD tech until you were an E-5, so it was a long road. You couldn’t get orders to the school until you were an E-5. The EOD school is technically hard, similar to Navy Nuke school.
Before leaving for bootcamp I was informed about the SEAL program. I had some knowledge of the program and knew it was going to be tough. I joined the Navy a few months after high school and went into a dive program to train for BUD/S. All of the guys in the program were in my bootcamp company. I went to bootcamp in Orlando, FL. You had to pass your first Physical Screening Test with a certain score and times for the program. You had to pick a source rating (Navy Fleet MOS) if you washed out of BUD/S. I ended up with Gunner’s Mate and had to do a six-month long course. I reported to Great Lakes, MI and was part of a galley detail to prepare food for the rest of the base, so my class didn’t start up for another two months. That was my first taste of the military’s “hurry up and wait.”
After graduating A school, BUD/S was backed up so the Navy was sending candidates to dive commands. It was so weird because I ended up at the EOD school in Indian Head, MD which is the same one my dad went through. I spent six months at the command getting ready for BUD/S. I went to BUD/S in 1994 and graduated in 1995 where I was sent to SEAL Team Five in 1995. I went to Jump School on my way to my unit. I made E-4 right before “Hell Week” and checked into SEAL Team Five with nothing much going on. I was assigned to SEAL Tactical Training upon arriving at my unit. It used to be where each team would run its own STT training that tailored it to the unit’s missions. SEAL Team Five used to be a colder weather unit.
I did nine deployments overall and was initially with SEAL Team Five for ten years. At the time there were SEALs that had been with one team for twenty years. My first deployment I ended up in the Persian Gulf after Desert Storm. In that deployment we were involved in recon and ship boarding in the region. My first deployment into Iraq in 2003 was eye opening to see how people can be oppressed, especially women by the Baath party. We were digging up mass graves in countries where people were getting closure on their lost relatives. It is insurmountable with forensic people laying out countless human bones on mats to where Iraqis are waiting to see if their family member(s) are among the bones. We took over a dam in the early part of the invasion that was in the eastern part of Iraq. The dam was near Tikrit and further east. We had dune buggies to traverse around the areas. We had a lot of helicopter supporters and two C-130s on station for support. Once we got on the ground, we secured the dam.
The next day we were driving around scouting everything where there was a village close to the dam. It was amazing seeing some of the kids where they were blonde haired and blue-eyed Persians. It was like something out of Alexander the Great and being from another time. We found a lot of anti-aircraft guns loaded close to the dam that were unmanned. If someone had been on one of these guns when we came in via helicopter we would have been shot out of the sky. We turned over the dam to a Marine Corps unit later on. The Iraqi people in the village welcomed us with open arms. People from the village also showed up to the dam for work where we had to turn them away.
Kent on being secured from “Hell Week” at BUD/S class 198. Photo credit KK.
What are you most proud of from your service in the Navy?
I’m most proud of the group of men that I was able to stand side by side with and do great things for oppressed people in the world, such as those in Iraq and other places in the world. I believe that this Country is the greatest in the world and having our presence in many places brings hope to those individuals who might never have any type of freedom or individual rights. I’ve stood at the edge of mass gravesites, while looking mothers, fathers, sons and daughters in their eyes, as they hoped that the large excavating machine would reveal whether or not these people’s loved ones were buried there many decades prior to our occupation of their home. Just so they could get closure.
Kent during his time as a SEAL. Photo credit KK.
What values have you carried over from the Navy into Hollywood?
Harry Humphries has been my mentor and has trained me well. I have brought over “Train like you fight” from my service, especially when instructing the technical part of the role. I cut my teeth on “The Last Ship” for five seasons with Harry, which was a constant cycle of work. Actors would come to pitch me ideas on the show of what to do tactically, where it added a lot of realism to the show. Credibility is key and we want to make sure the actors are training and doing rehearsals. The camaraderie aspect of the work I do is great. We had a tight knit group in the most recent season of “Jack Ryan.” For season two of the show I was in Columbia by myself as an adviser. We got so close working together down in Columbia it kind of felt like I was in a platoon again. The actors want to remain authentic as military-types and they want to do a good job.
Kent on his retirement day from the SEALs. Photo credit KK.
Kent at his retirement ceremony. Photo credit KK.
What was one of the toughest lessons to learn coming from the service to Hollywood?
One of the better lessons learned was in Season Two of “The Last Ship” where I was working with Keith Woulard where he sees me talking with some actors. As a note, my last two years in the military I was a BUD/S instructor as a third phase weapons chief, so I could be intense. Keith comes up to me and asks, “What am I doing?” He gives me tips such as tell the actors they are doing something right first and then telling them where they are messing up. So, I may have been a little hard on them where they are actors and not SEALs.
“The Last Ship” 2018 (L>R Bridget Regan, Eric Dane, Kevin Kent)
Kent with Mike Moriarty and Harry Humphries. Photo credit IMDB.com.
What was it like working on projects such as Twelve Strong, Bumblebee, 13 Hours, Kong: Skull Island, Tom Clancy’s Jack Ryan, The Last Ship, Da 5 Bloods and the like?
All of the directors on those projects were professional where I would work with them again if the opportunity arose. Each project offered a different challenge as shared with “Jack Ryan.” 13 Hours with Michael Bay was great where he was such a huge influence on me. Bay puts us in a place to succeed where he wants military guys a part of the production and in the cast. 13 Hours set me up for success on “Jack Ryan” with John Krasinski where John wants to make everything look better. Twelve Strong was my first opportunity working with Jerry Bruckheimer where it was eye opening. Bruckheimer is a machine when it comes to producing. Bruckheimer and Ian Bryce were just phenomenal to work with.
We were surprised when we went to Thailand to work with Spike Lee for Da 5 Bloods. Lee is so organized and knows exactly what he wants. Lee was okay with me training the actors every day where on other productions that would not fly. The stunt guys were getting so many repetitions where it definitely showed in the finished product. He knows everybody’s job on set to where after a take he would ask me what we thought about a take. He would encourage me to go give people notes if needed. Lee filmed the flashback sequences on 16mm film, which was the first time we have ever seen film on a set before.
Filming on Transformers 4 (2014) in Detroit (L>R, Titus Welliver, Kevin Kent, Michael Bay, Andrew Arrabito, Kenny Sheard).
Kent on set with the cast of 12 Strong. Photo credit IMDB.com.
12 Strong 2018 (L>R David H. Venghaus Jr, Kevin Kent, Chris Hemsworth)
13 Hours 2016 (L>R David Furr, Demetrius Grosse, Kevin Kent, Mike Moriarty, David Giuntoli)
Kent on set with the cast of 13 Hours. Photo credit IMDB.com.
Season 1 of “Jack Ryan” in Morocco (2017) (Kneeling L>R Wendell Pierce, John Hoogenakker, Joost Janssen,
Standing L>R Ron Culpepper, Geoff Reeves, Mike Moriarty, John Krasinski, Kevin Kent, Todd Sharbutt, Christian Stewart, Scott Foxx.
Season 2 of “Jack Ryan” in Colombia (Kevin Kent as Savage)
On set with Jeff Ward (stunt coordinator), Humphries, Kent and stunt team members of Da 5 Bloods. Photo credit KK.
What leadership lessons in life and from the SEALs have helped you most in your career?
Praise in public and chastise in private. Always take responsibility as a leader. It’s easy to be the leader when things are going great, but when Michael Bay comes and says, “What are you doing?”, it is not always that easy. My deployments have given me life perspective and patience in tough situations. I recognize where we are at and what needs done, I stay calm in the intense moments on set.
As a service, how do we get more veteran stories told in the Hollywood arena?
I feel like most individuals coming from the military are extremely humble about their service and aren’t inclined to tell “war stories” to people they don’t know. In many ways, those actions and stories are sacred to the brothers-in-arms that lived those tales, and many guys feel vulnerable to be judged by others who perhaps didn’t live through those specific interactions or battles. However, if there was a way to get some of these high influence personal, such as Medal of Honor recipients to open up about their specific challenges and victories downrange, while either leading or being led by phenomenal service members, it might lead more people to open up and tell their stories. Even getting these stories on a podcast with guys like Jocko Willink, who has a great platform and could lead to potential books being written or interest in films made about these phenomenal individuals. Obviously, it would take someone with some clout in the industry, like a Bruckheimer or Bryce to develop these stories into something meaningful for the screen. Tom Hanks has done great things with his production team for projects such as “Band of Brothers”, “The Pacific”, and Saving Private Ryan to name a few. I would love to take on a military project as part of a proven team like that and I’m sure the Harry Humphries story needs to be told!
Navy SEALs vs. Zombies (2015)
What would you like to do next in your career?
I want to get into writing, producing and second unit directing. I started the Digital Cinematography program at Full Sail University. It has got me out of my comfort zone and has helped hone my technical skills, especially with editing in Premiere Pro. Harry and his wife Catherine have been very supportive of my education. I really want to stress how great she & Harry have been in bringing me into this industry. I filmed a couple of documentaries and my kids are into acting right now. It would be great to work with fellow veterans as well. One of the things that pushed me in this direction was having worked on “Jack Ryan” where I worked with Dennie Gordon, she did season two of the show. She is phenomenal at her craft and is a great person. We have kept in contact with each other since our time on “Jack Ryan.” She would let me set up and block shots for the series. It pushed me to get my stuff together and learn about the craft. I can now talk to the director and the cinematographer about the shots in a technical manner.
I was humbled to meet Patricia Riggen as well on “Jack Ryan” where her and her husband Checco Varese who is a cinematographer. There was a mutual feeling of respect between Patricia and Check where I learned as much from them as they did me. They both pulled me aside and told me how much they want to work with me again and the feeling was the same from me as well. It has been amazing where I am grateful in having people like them and more take time with me and mentor me. It has been great working with so many high-level people.
Kent with his twin boys. Photo credit KK.
What are you most proud of in life and your career?
The fact that I was able to hold my family together. I have been married now for 18 years, I have twin boys that are 15 and a daughter that is 11. I am grateful to be able to teach and mold them into the productive members of society I want them to be. Being deployed so much kept me away where my wife is a saint. She puts up with me being gone all the time and is the glue that holds everything together.
One of my son’s has expressed interest in joining the service when he is old enough. My sons were introduced to acting when they were young by my wife since they are twins. They played Bill Paxton’s son for five seasons on the HBO show “Big Love”, which put me on set to be with them. They did the last two seasons of “Weeds” as the son of Mary Louise Parker. The boys were nominated separately for the same award for the Imagen foundation (https://www.imagen.org/) which is for Hispanics in Entertainment. They did a show called “Room 104” where they were nominated for best young actor award for TV. It is crazy when one of my sons says, “I don’t know dad it might be cool to be a Navy SEAL.” I told them, “They are on a gravy train with biscuit wheels right now, you guys need to stay on this whole acting gig.”
Mrs. Kent with Gavin and Ethan at the Imagen Awards Ceremony. Photo credit KK.
Comedian Kevin Hart stepped down from hosting the coming Academy Awards Presentation, leaving the job empty for the time being. Enter Adam Keys: A veteran and triple amputee, Adam lost his limbs after suffering from an IED attack in Afghanistan that left him with a massive infection. 100 surgeries later, Keys has never lost his sense of humor.
Now, he wants to showcase that humor by stepping up to host this year’s Oscar ceremonies.
Keys isn’t aiming for the Oscar job just because he wants to further his comedy career. As the video says, he wants to show that veterans aren’t broken and people with disabilities are as capable as anyone else. He wants to showcase that on Hollywood’s biggest night, with the whole world watching.
There’s not much Adam Keys can’t do, despite his disabilities. As the video states, he climbed Kilimanjaro and performs stand-up comedy in the DC area. Considering how he came to his injuries, his spirit and good humor are the stuff of legend. The blast broke the combat engineer’s jaw, left shoulder, humerus, and ankles. It killed three of his friends and nearly killed him, too. He wasn’t even able to speak for two months.
When he came to, he thought he was still in Afghanistan and needed to know where his rifle was. He was in a hospital in Bethesda – and the nurse had no idea what he meant. He was a wounded warrior, but now he’s ready to move past that. He says terms like “disabled veteran”and “wounded warrior” don’t apply to him.
“Yes, I was wounded,” he says. “But now I’m not. I want to get rid of that title and move past it, move forward. Move us all forward.”
There’s literally nothing he can’t do.
The idea for hosting the Oscars in place of Hart came to him while watching TMZ, looking for material for his standup act. The thought occurred to him, why not? He’d be nervous, but he’s nervous before any show he does.
“It will be a challenge for me,” Keys says. “I love challenging myself. And I get to help people and try to move us [veterans] all forward. I don’t know where it’ll take me, but anything is a step forward. I will hope I’ve done the right thing and made people proud of me, of us. Helping people is the added benefit.“
Stories of heroism have been a fascination for humans for as far back as we can trace our sentient history. From ancient tales like The Epic of Gilgamesh and The Iliad to modern blockbusters like Saving Private Ryan and Band of Brothers, war stories permeate our culture and entertainment.
It’s especially poignant when warfighters themselves share their own experiences. As military veterans transition from their service to a career in the arts, so too do the military stories themselves begin to morph, adding insight into the warrior that hasn’t always been associated with the archetype.
It can be easy to place the hero on a pedestal, but it is critical to remember that every war story is, at its core, a story about mankind. With this in mind, stories told from the perspectives of the veterans themselves carry with them the authenticity and the humanity of the military.
These are five veteran storytellers to watch in the coming months:
“SEAL Team” partners with former special forces for guidance
“What we’re trying to do as a group is make something that’s not real, obviously, but to make something that’s authentic and feels authentic,” said Tyler Grey about SEAL Team on CBS. Former Army Ranger Tyler Grey was, in his own words, “blown up on a nighttime raid in Sadr City, Baghdad, in 2005.” He was medically retired after sustaining a critical injury to his arm, which still bears the scars from that attack.
Now, he gets to use his training and experience to help tell the stories of U.S. Navy SEALs. His role on SEAL Team has ranged from consultant to actor to producer. This season, Grey tackled another title: Director. He helmed Season 3 Episode 10, which will mark his first foray into television directing.
After his military service, U.S. Marine Graham Roland started his writing career working for iconic projects like LOST, Fringe, and Prison Break. In 2018, he released Tom Clancy’s Jack Ryan on Amazon with co-Showrunner Carlton Cuse.
“I may never do a show that big again, in terms of budget,” he told We Are The Mighty. “We shot all over the world, on five continents. It was awesome and a huge learning experience. It was a huge property and there were a lot of people involved with a lot at stake.”
After creating a second season of the successful show, Roland has now shifted his focus to a new project with HBO that is based on the Navajo Nation in the 1970s.
Fox has given a put pilot commitment to #ChainOfCommand, a one-hour drama from writer April Fitzsimmons, @jamieleecurtis, Berlanti Productions and Warner Bros. TVhttps://deadline.com/2019/10/fox-drama-chain-of-command-april-fitzsimmons-jamie-lee-curtis-greg-berlanti-put-pilot-1202766505/ …
U.S. Air Force veteran April Fitzsimmons is writing Chain of Command, a Fox pilot that will tell the story of “a young Air Force investigator with radical crime-solving methodology who returns to her hometown to join a military task force that doesn’t want her, a family who has traumatized her, and must confront the secrets that drove her away,” reports Deadline.
This isn’t the first adventure into military storytelling for Fitzsimmons, whose credits also include Doom Patrol, Valor, Chicago P.D., and Chicago Justice. She is also the director of the Veterans Workshop at the Geffen Playhouse in Los Angeles, where she mentors veterans as they write and perform original monologues that deconstruct the idea of a hero.
She’s also a mentor for the Veterans Writing Workshop at the Writers Guild Foundation, paying it forward to a community of future writers who served.
ABC Developing Navy Flight School Drama Produced By Freddie Highmore http://dlvr.it/RFmSGy pic.twitter.com/0iDHPb6V4n
After his active duty service in the United States Navy, David Daitch joined the Naval Reserves and started working as a technical advisor and a writer. Together with his writing partner, Katie J. Stone, Daitch’s writing credits include USA’s Shooter and Call of Duty: Modern Warfare Remastered. In October 2019, Deadline announced that Daitch’s next endeavor will be Adversaries, a drama that centers on the leader of the Navy’s Top Gun fighter pilot school in Key West.
Daitch and Stone have teamed up with Sean Finegan to write and executive produce the pilot, with Freddie Highmore producing. Adversaries will tackle the intensity of the male-dominated pilot training environment.
Our writer for the finale…. Brian Anthony and our very own @monty11bravo who was an actor this evening @NBCNightShift #NightShiftpic.twitter.com/3RHTsnFxKj
U.S. Army vet Brian Anthony has a steady career in service of adding authenticity to film and television’s portrayal of the military. Most notably, he has been a producer and writer for series like FBI and The Night Shift, the latter of which notably created an episode that was both written and directed by military veterans and featured them in multiple guest roles on camera.
Anthony also serves as a mentor for the Writers Guild Foundation Veterans Writing Workshop, where he helps his fellow vets develop their writing careers.
Featured Image: David Boreanaz and Tyler Grey in SEAL Team (CBS Image)
Over the years Hollywood has shed both positive and negative light on the military experience. While the biographical examples might face severe scrutiny over matters of accuracy, here are 8 fictional military characters who inarguably wouldn’t cut it in the real deal:
1. Ensign Charles Beaumont Parker – “McHale’s Navy”
When the military is used as the basis for a sitcom, it’s inevitable that some of the troops won’t exactly be up to snuff. Ensign Parker brings that to another level, actively causing harm to U.S. and Allied Forces. (The show takes place during World War II.) He accidentally fires a depth charge in one episode, and in another accidentally shoots down an Allied aircraft. That’s a level of ineptitude the United States military wouldn’t and frankly couldn’t stand for.
2. Buster Bluth – “Arrested Development”
Buster is enlists in “Army,” as he calls it, due to a dare a comedian makes to his mother. And lucky for him, he’s immediately honorably discharged after having his hand bit off by a seal. In season 4, he re-enlists to control drones in Iraq. Buster has a blast – until someone explains to him that what he’s doing is real, and he immediately has a panic attack. Then again, Buster once had a panic attack because a llama was near him. He might tell you he’s in Army, but he isn’t Army Strong.
3. Beetle Bailey – “Beetle Bailey”
One thing you certainly can’t be in any branch of the military is lazy, and Beetle Bailey is perhaps the laziest of them all. He’ll do anything to get out of work, including putting his fellow soldiers, and commanding officers, at serious risks. Luckily, the characters at Camp Swampy don’t seem to face any particular risk of war being declared, and therefore will likely avoid any form of actual combat. If they did face an enemy attack, or were sent to fight someplace, chances are Beetle Bailey would be too lazy to even raise his arms.
4. Gareth Keenan – “The Office” (BBC version)
There’s no real reason to doubt Gareth Keenan when he claims he was a Lieutenant in the Territorial Army before joining Wernam-Hogg, aside from how utterly clueless he seems to be when Tim and Dawn quiz him about tactical strategy. Gareth talks a big game, always being prepared to take a man from behind, give a man a lethal blow, or even discharge with rapid speed if enemies should uncover and enter his hole — you know, find out where he’s hiding. The fact Gareth never seems to understand the double entendres behind his own boasts kind of makes him look foolish, perhaps too foolish to actually achieve any kind of rank.
5. Zapp Brannigan – “Futurama”
Zapp may be a 25-Star General in the Year 3000, buts its impossible to imagine he’d last a single day in any branch of the U.S. military. No part of Brannigan’s success makes sense. Although Brannigan’s Law is named after him, he openly admits he doesn’t understand it in the slightest. In fact, most of Brannigan’s successes are subjugating and annihilating weak and defenseless aliens, which, while smart satire, isn’t something that would actually be tolerated in the military.
6. Don Draper – “Mad Men”
Don’s a special case on this list, in that his whole story is that he quite literally couldn’t make it in the military. As fans now know, Draper’s mystery actually began with him as Dick Whitman, but things dramatically changed during the Korean War. Terrible things happen during war, and its hard to say how any individual would react when faced with the horrors Whitman and his Lieutenant, the real Don Draper, faced. But what’s clear is Whitman’s reaction is highly illegal and wouldn’t be tolerated in any military.
7. Homer Simpson – “The Simpsons”
Homer Simpson has had over 100 jobs, and he’s been terrible at nearly every one of them. His time in the service still manages to rank among his most inept. Homer actually joined the service twice—first as a member of the Navy Reserve in Season 9, then in Season 18 he enlisted in the Army. As a member of the Navy Reserve, Homer nearly caused a nuclear war with Russia, and in the Army he turned a training exercise into a city-wide explosive event. The military always welcomes recruits, but Homer should probably stick to his hundreds of other jobs.
8. Dave Titus – “Titus”
Everyone in the Titus family seems to think it would be a great idea for Dave to join the Army. It could teach him responsibility and get him to stop doing drugs and being lazy. However, his brother Christopher sees it a different way: the Army isn’t going to bring Dave up; Dave’s going to bring the Army down. Fearing “Private Dave” could somehow cause nuclear destruction, Christopher gives Dave some pot to smoke on the way to recruitment, hoping this story will find a less destructive end.
War movies are known for their big explosions, epic firefights, and fearless heroes who save the day against an overwhelming, opposing force.
The main characters receive 99.9% of the credit for winning battles, leaving very little recognition for others in the squad, who efficiently executed the orders given to them while under insane pressure.
This article pays homage to those supporting troops.
These are the five supporting characters you’d want in your squad.
5. Rhah (Platoon)
Although we don’t get much of his backstory, as soon as he takes the screen, we know Rhah is someone the troops can trust. Hell, he’s the one who tells us just how hardcore Sgt. Barnes can be.
Rhah is tough enough to survive the film’s final firefight, holding just his rifle and that barbed-wire rod thingy. He even manages to victoriously celebrate with a loud grunt as he sees his pal, Chris Taylor, evacuated alive from the war zone.
4. Hoot (Black Hawk Down)
Considered the real hero of the film, Hoot believes bringing home all your men is the most critical aspect of any mission. He heroically dismounts his vehicle in the middle of a rescue mission, knowing that moving into the overrun city on foot is the most productive way to save his allies.
Never once does the audience suspect he has any fear in his heart, nor would he ever lost his cool during a firefight. For those reasons, we’d want him in our squad.
Oh! Let’s not forget that his trigger finger is his safety. (Image from Columbia Pictures)
3. Tania Chernova (Enemy at the Gates)
Women have played a huge part in fighting their nations’ wars. That being said, they’ve gone uncredited for many outstanding military achievements in combat roles for a long time now.
Many people don’t know that Chernova was a real Soviet troop who effectively targeted her German enemies. Reportedly, she had 40 confirmed kills during her time serving in World War II. We’d love to bring Chernova’s sniping skills into our squad as we continue to fight the War on Terror.
2. Animal Mother (Full Metal Jacket)
Animal Mother is one of our all-time favorite war movie characters, as he has no problem busting out his M60 during a firefight. This big Marine is known for running into the face of danger for his brothers without hesitation.
For that reason alone, we’d want him in our squad.
Who doesn’t want a talented sniper with a heart of gold in their squad? This praying man and talented shot nailed another German sniper right through his scope while it was raining cats and dogs.
Not only could he successfully aim under extreme pressure, but he also took orders like a champ as he ran out in the open, on his own and with little covering fire, to set up a small, strategic shooting post on D-Day.