If you’re looking for something new to stream and you have a thing for quasi-propagandist cartoons based on action figures produced near the end of the Cold War, then boy have we got some good news for you.
Hasbro uploaded 15 episodes of G.I. Joe: A Real American Hero to YouTube, free of charge. It’s most interesting to adults as a relic of the ’80s, but it’s still a pretty entertaining cartoon for kids, the kind of thing you can imagine latchkey kids across the country switching on when they arrived home from school.
‘The Cobra Strikes’ The M.A.S.S. Device Pt. 1 | G.I. Joe: A Real American Hero
Ninety-five episodes of the show were produced between 1983 and 1986, and a 44-episode revival came around just three years later. But so far, just 15 have made it to Hasbro’s YouTube channel. And while we’re not complaining (they’re free, after all), it would also be nice for more episodes to regularly make it online, at least until it’s safe to leave the house.
Three five-episode miniseries are available at the moment. “The M.A.S.S. Devices” contains the first episodes of the show ever broadcasted. They tell a vaguely James Bond-esque story of G.I. Joe’s race to build a weaponized satellite to rival the weaponized satellite Cobra (i.e. the bad guys) is planning to use to destroy New York City.
‘The Cobra Strikes’ The M.A.S.S. Device Pt. 1 | G.I. Joe: A Real American Hero
“The Revenge of Cobra” aired a year later, and it’s completely different; it centers on gathering the pieces of a device that controls the weather, not a deadly satellite. Repeated story concerns aside, this one culminates in an episode calls “Amusement Park of Terror,” and who doesn’t want to watch that?
‘In the Cobra’s Pit’ The Revenge of Cobra Pt. 1 | G.I. Joe: A Real American Hero
G.I. Joe isn’t a bad way to spend about 340 minutes of quarantine, and not just because you don’t have to pay for it. Kids get an action-packed cartoon and adults get the amusement of watching something nostalgic and ridiculous. What’s not to love?
Being deployed during the holidays can put a damper on the season’s celebrations. Great holiday movies tend to relieve and mentality transport your loved ones back home, even if only just for a few hours.
So the next time you visit a department store that sells DVDs, make sure you toss these films into your cart and send them to your favorite troop serving overseas.
Directed by Terry Zwigoff, the film focuses on an alcoholic con man (Billy Bob Thornton) who dresses up as Santa to rob the department stores who hire him during the holiday season.
The film isn’t considered your typically holiday movie, but the comedy perfectly fits our dark military humor.
6. Elf (2003)
Directed by Jon Favreau, the comedy features a rambunctious and tall elf named Buddy (Will Ferrell) who grew up in the north pole and sets out on a mission to the Big Apple to reconnect with his long-lost father.
5. A Christmas Story (1983)
This is the epic movie that plays for 24-hours straight on TBS every season (just in case you didn’t know). Directed by Bob Clark, this classic follows a young boy named Ralphie whose sole mission is to get a Red Ryder BB gun for Christmas – even if he shoots his eye out.
4. National Lampoon’s Christmas Vacation (1989)
The Jeremiah Chechik-directed comedy follows ambitious family man Clark Griswold (Chevy Chase) and his crazy family as they gather together under one roof to celebrate Christmas. Spoiler alert: a lot of things break and catch on fire — that’s why we like it.
3. Jingle all the Way (1996)
After a father vows to get his only son the incredibly hard-to-find action figure Turbo-Man, he embarks on the ultimate foot race across town to find the famous toy while competing with a hilarious mailman.
2. The Nightmare Before Christmas (1993)
Directed by Hollywood icon Tim Burton, this animated feature film follows Jack Skellington — aka the Pumpkin King from Halloweenland — as he stumbles Christmastown and gains a new perspective on life.
Amazon Prime is pushing their new show, Jack Ryan, based on the Tom Clancy character that has saved Britain’s queen, hunted Russian subs, and interrupted terrorist plots across the world in both novels and movies from the ’80s to today.
The character is a mainstay of the the thriller world — an American James Bond — which is why it’s so great that Amazon cast comedy icon John Krasinski in the role.
Now, Funny or Die has done what we’ve all been thinking — they cut together the Jack Ryan commercial and scenes from The Office, pitting America’s top analyst-turned-spy against the criminal genius of Dwight Schrute, the socially awkward and pretentious beet farmer who’s always hatching some failed scheme to teach his office mates a moral lesson.
Jim (left) feigns working at his desk as Dwight (center) looks at what he believes to be a gift-wrapped desk. Spoiler: The desk is actually gone completely. Jim made a fake frame for the wrapping and the whole thing collapses when Dwight tries to sit down.
Dwight is best known by his self-appointed job title: Assistant to the Regional Manager. Abbreviated, of course, as the Ass. Man.
He labors for years to outmaneuver Jim Halpert, now Jim Ryan, in a series of escalating pranks, from disappearing desks to fake spy taps to false faxes from the future. Apparently, Dwight is not putting up with it any longer.
Check out the hilarious video mashup below and get a look at more sinister Dwight Schrute.
Jack Ryan debuted August 31, but has already been been renewed for a second season. In the first season, Ryan notices irregularities in bank transactions and eventually finds evidence of a growing terrorist threat against the U.S., leading him across the world in a quest to hunt down the leaders and prevent the attack.
The show brings Michael Bay and John Krasinski back together. The men had previously worked together on 13 Hours: The Secret Soldiers of Benghazi, a dramatization of the horrible events at the U.S. embassy in Libya in 2012. 13 Hours was probably the most well-known example of Krasinski’s pivot from comedy to action.
After years of playing Jim Halpert in The Office and performing other comedic roles, Krasinski has been branching out, directing movies and focusing on action roles.
Military movies can often remind Veterans of their service. They can also bring up painful memories of the past.
Air Force Veteran and Silver Star recipient John Pighini is someone who knows both sides of this issue. He recently worked as a technical adviser on a major motion picture that showcased the bravery of service members, but also brought up a painful past. These movies can sometimes show Veterans dealing with their own struggles: anger, paranoia, edginess, regret and survivor’s guilt.
Pighini saw those struggles on the big screen after working on the movie. “It feels like they take post-traumatic stress and they set it right in your lap,” he said. “Don’t go to this movie and not take a handkerchief or tissues with you. You will not make it through.”
PTSD in Veterans
These are the feelings Pighini knows all too well. He served as a pararescueman during Vietnam, which led to his role on the movie as a technical adviser. As members of Air Force Special Warfare, pararescue specialists rescue and medically treat downed military personnel all over the world. These highly trained experts take part in every aspect of the mission and are skilled parachutists, scuba divers and rock climbers, and they are even arctic-trained in order to access any environment to save a life when called.
Dr. Paula Schnurr, executive director for National Center for PTSD in VA’s Office of Mental Health and Suicide Prevention, started studying PTSD in 1984. She said Vietnam Veterans are still dealing with effects because the lack of support when they returned from deployment.
“Vietnam Veterans, like Veterans of earlier wars, were expected to come home and get on with their lives,” she said. Schnurr added the publicly opposed war made Vietnam Veterans’ transition hard to come home.
The National Vietnam Veterans Readjustment Study, completed in 1988 by the Research Triangle Institute, was pivotal for Veterans and the medical community. At the time, it was the most rigorous and comprehensive study on PTSD and other psychological problems for Vietnam Veterans readjusting to civilian life.
The study findings indicated about 30% of all male and 27% of female Vietnam theater Veterans had PTSD at some point during their lives. At the time, that equated to more than 970,000 Veterans. Additionally, about one half of the men and one third of the women who ever had PTSD still had it.
PTSD symptoms may increase with age after retiring from work, or from medical problems and lack of coping mechanisms.
Having a mission
Having a mission can help Veterans deal with PTSD. While working on a recent movie, Pighini recalled the struggles he still deals with–50 years after his Vietnam service.
“The early days, we didn’t know what we had,” he said. “As we get older, we become more melancholy. We’re not busy and we’re not out there on the firing line.”
While filmed in Thailand, Pighini said the smells from Southeast Asia raised the hairs on the back of his neck. Despite the flashbacks, Pighini said he hopes viewers realize the importance of putting a spotlight on PTSD. He added movies also depict the courageousness of military members. In the movie he worked on, the movie told the story of an Air Force pararescuemen who lived by their motto, “That others may live.”
“That means you lay it out,” Pighini said. “You do whatever you need to do to save a life. It’s the ethos we have. It’s what we live by. If you have to lay down your life or one of your limbs or whatever it is, you do it. It means everything.”
The three Americans who thwarted a terrorist attack on a train bound for Paris will be playing themselves in the upcoming film “The 15:17 to Paris,” directed by Clint Eastwood.
According to a report by the Hollywood Reporter, Anthony Sadler, Alek Skarlatos and Spencer Stone will be acting alongside Jenna Fischer (The Office), Judy Greer, and Ray Croasini in the film. Eastwood, whose films Sully and American Sniper both garnered Academy Award nominations, is producing the film with Tim Moore, Kristina Rivera and Jessica Meier. According to Variety.com, filming of the project began on Tuesday.
TheTrackingBoard.com had reported that Eastwood had initially wanted to cast Kyle Gallner, Jeremie Harris and Alexander Ludwig as the three heroes in the film, which is based on a book by Sadler, Skarlatos, and Stone.
On August 21, 2015, Skarlatos, an Oregon National Guard soldier, Stone, an Airman assigned to the 65th Air Base Group, and Sadler, a high school classmate who was attending college, thwarted an attack being carried out by a “lone wolf” terrorist who had an AKM assault rifle. Skarlatos, Stone, and Sadler tackled the gunman, whose rifle had jammed, then Stone, a medic, treated a passenger who had been shot in the neck by the jihadist, despite being wounded himself. Skarlatos received the Soldier’s Medal for his actions that day, while Stone received the Airman’s Medal and Purple Heart. Sadler was awarded the Secretary of Defense Medal of Valor.
Master Sgt. Tanya Hubbard, 60th Medical Group, left, and Staff Sgt. Roberto Davila, 60th Medical Group, right, tack staff sergeant stripes on to Spencer Stone. (U.S. Air Force photo by Ken Wright)
The casting of Skarlatos, Stone, and Sadler is not the first time a military hero portrayed himself. In 1955, Medal of Honor recipient Audie Murphy portrayed himself in “To Hell and Back,” based on his 1949 memoirs. It should also be noted that in 2012, the movie Act of Valor starred Navy SEALs as themselves, but in a fictional scenario. The SEALs were not formally credited in the movie directed by Scott Waugh and “Mouse” McCoy.
Maybe it’s because I recently went head-to-head in a heated eighteen holes of mini golf with a Navy SEAL, or maybe it’s because Rob Riggle’s humor is so goofy and delightful, but I am really enjoying ABC’s new show Holey Moley.
“Last week billions watched as mini-golf swept the nation. Diseases were cured, families reunited, ABC executives promoted. The world came together in arms and wept in joy for the only sport that matters on earth: mini golf,” Riggle announced, and he would never lie.
Riggle joins Joe Tessitore as on-camera commentators while Jeannie Mai reports from the course, which includes holes like the “Slip ‘n’ Putt” (where one contestant literally fell on his face — like, right on his face, guys; he started bleeding) and “The Distractor” where golfers must try to get a hole-in-one while something, or someone, distracts the hell out of them.
Enter Sergeant Putton.
Putton may be wearing the Operation Enduring Freedom Camouflage Pattern, but his branch is 100% “Drill Sgt.”
In an episode titled “The Thunderdome of Mini Golf,” the “Distractor” as Sgt. Putton, whose only objective was to distract the golfer enough to miss the shot.
“He’s pushing buttons. The drill instructor is pushing buttons…because that’s what they do,” observed Riggle, who would know.
Riggle’s been golfing for over twenty years and, in addition to hosting his new show, he produces an annual InVETational golf classic, raising money for Semper Fi Fund, a veteran non-profit that helps critically wounded service members and their families.
Holey Moley is on ABC Thursday nights at 8PM, sorry, 2000 hours — or you can find it on Hulu right now. Check it out and discover for yourself how satisfying it can be to watch people struggle succeed.
The early reviews are in for Dark Phoenix, the twelfth and final installment of the X-Men series – and, um, they’re not exactly glowing. The film currently has an abysmal 19% approval rating on Rotten Tomatoes, and a slew of eviscerating reviews to go along with it.
Most fans weren’t expecting the 19-year franchise to come to a satisfying end, given that Dark Phoenix‘s release date was pushed back from it’s original November date. But any dash of hope has been quickly squashed by early reviews.
The script’s writing is a main point of contention. “There’s way too much darkness, and not enough quicksilver wit,” says Michael O’Sullivan of The Washington Post. “…this plays out with all the pizzazz of a bowl of soggy cereal,” says Jo Berry of Movies4Kids. Yikes.
Emily Asher-Perrin of Tor.com is one of many reviewers to point out the missteps taken with Jean Grey, the main character played by Game of Thrones‘ Sophie Turner. “[The film] has no real interest in making Jean Grey the central character of her own film,” she writes.
Even the film’s star studded cast (Jennifer Lawrence, Michael Fassbender, James McAvoy) couldn’t save Dark Phoenix, according to reviewers. “What’s truly amazing about “Dark Phoenix” is watching the charismatic, award-winning, star-packed cast flail about in this poorly written nonsense cartoon,” writes Katie Walsh of the Tribune News Service.
Few reviewers had anything positive to say about the film, but many are still determined to make their own assumptions. “I don’t care about the #DarkPhoenix reviews,” writes one on Twitter. “I’ll watch it for myself and decide if I liked it or not.”
Decide for yourself on June 7, 2019, when Dark Phoenix hits theaters nationwide.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
It was only a matter of time before the Fast & Furious franchise went full superhero. While the original F & F was mostly grounded in reality, with each subsequent sequel, the franchise has raced further and further away from anything resembling the real world. And now, it looks like we are finally taking the leap with Hobbs & Shaw, as the latest trailer revels in the superhuman capabilities of its titular leads.
The trailer opens with Hobbs (played by Dwayne “The Rock” Johnson) and Shaw (played by Jason Statham) nonchalantly taking down about a dozen henchmen. The two seem bored by the mundane task of beating the shit out of bad guys, with Hobbs even taunting Shaw by yawning as he takes on a dozen armed men.
Fast & Furious Presents: Hobbs & Shaw – Official Trailer #2 [HD]
From there, the action only ramps up and based on the trailer, it looks like Hobbs and Shaw are using this trailer as an audition tape to join the Avengers and honestly, who says no? Sure, neither of them technically have superpowers but neither do half of the Avengers and would it really be shocking to see these two statuesque demi-gods fighting alongside Captain America and Iron Man? Just throwing it out there.
Along with providing all the clever quips and over-the-top ass whoopings we could ask for, the newest trailer also provides more details about the plot of Hobbs Shaw. Brixton (played by reigning Sexiest Man Alive Idris Elba) establishes himself as the Thanos of this universe, as he is trying to get his hands on a virus that could wipe out half the planet. But this extreme method of population control was taken from him by Shaw’s sister Hattie (Vanessa Kirby) and unsurprisingly, this does not make Brixton happy. And the first trailer showed us that when Brixton is unhappy, he kills people.
So with Hattie, along with 3.5 billion other people, in mortal danger, it’s up to Shaw and Hobbes to set aside their differences and go from enemies to frenemies. And honestly? We wouldn’t be surprised if, by the end of the movie, they make the full transition to friends. Though hopefully, that doesn’t mean the two stop bickering, as their odd couple dynamic remains as charming as ever in this trailer, especially the moment where Shaw has the gall to call Hobbes “fat boy.”
Our only complaint? While we get a briefly glimpse of Helen Miren as Shaw’s mother, we don’t get to see her kick any ass or at least blow some shit up. But hopefully, they’re saving that for the movie.
Hobbs and Shaw will be released on July 26, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Bishop and motion capture actors for EA’s Battlefield4 video game.
Greg Bishop advanced from private in the Army to Lieutenant Colonel, across a spectrum of specialties from Infantry to the Signals Corps and finally to Public Affairs. He had a dream to work in Hollywood when he was young which he fulfilled through his military service. Bishop runs MUSA Consulting now for the entertainment industry advising on different projects. Bishop has produced his own feature Ktown Cowboys and worked on projects such as Transformers: Revenge of the Fallen, The Day the Earth Stood Still, GI Joe: The Rise of Cobra, Battlefield4 and Snitch.
1. Can you share about your family and your life growing up?
I grew up in the suburbs of Louisville, KY, in a normal, all-American, middle-class family and experience. I was the third of four boys, I had loving parents who are still married today. My father, who was a Marine Corps officer and Vietnam Veteran, was tough but a great role model. My mother took great care of us boys and she was our superhero. We grew up in the pre-home-video game era, so we spent most of our time outside, playing sports, riding bikes, chasing girls and getting into normal boyhood trouble complete with skinned knees and elbows, broken bones and hearts.
2. What values were stressed at home?
With my father being a Marine, and having four boys within six years of one another, discipline, hard work and personal responsibility were paramount in the Bishop household. A strong work ethic was instilled in all of us, so all of the Bishop Boys worked as soon as we were big enough to rake leaves, shovel snow, or cut grass. Our family also pretty much had a newspaper delivery dynasty in the neighborhood for several years. All of us delivered papers until we were old enough to have a regular job, and that was back in the days when newspapers were delivered two times a day. Once old enough, we all had after school jobs washing dishes, busing tables, working in fast food, or whatever we could do to make money legally.
We all went to private Catholic high schools and we were expected to pay half of our tuition for the first three years; our parents covered all of it in our senior year. At the time it was tough. My friend’s parents were giving them money for their hobbies and entertainment while I had to work to pay for the things I wanted or wanted to do. My Mom would slide us a couple bucks if she knew we were tight on cash, but for the most part if I wanted to go to the arcade and play video games, those were my quarters going in the machine. I bought my first car at 15 before I even had a driver’s license. It was a lot of work for a kid, but in the end, my parent’s lessons paid off. All of my brothers currently work for themselves in one capacity or another.
3. What made you want to become a soldier and what was your experience like?
I wasn’t the best student in high school. I had to go to summer school my freshman year, and I think I only had two A’s in my four years…one in Physics and one in Film Appreciation. Don’t ask me to explain that. In my junior year I was cast as an actor in a local educational video on teen suicide. The director allowed me to tag along throughout the production and post-production process. That was my first taste of video production and I really loved it. My senior year, in the film appreciation class, I made a Super-8 movie as the final project, and that’s when I really fell in love with film and video production. I loved the process and everything about it. I knew I needed to go to film school.
Now, there were no film schools in Louisville, so I attended a couple regional colleges for a couple of years, but it wasn’t really doing anything for me. I desperately wanted to go to film school. Then one day I saw an Army commercial promoting the GI Bill and the Army College Fund which just so happened to be the amount of money I needed. I went to see a recruiter; told him I wanted the college money and if I was going to join the Army, I also wanted to paint my face green and run through the woods with a gun. I signed up for the infantry and I shipped off to Basic Training February 27, 1989. While at Fort Benning, I was offered the opportunity to apply for Army OCS (Officer Candidate School). I was accepted and made it through OCS. I was commissioned a year and a day after I arrived at Basic Training and spent the first half of my career as an Army Signal Officer serving in Korea, Fort Campbell and Germany. I wasn’t really thrilled with being a Signal Officer.
While at Fort Campbell I met, fell in love and married my amazing wife, and then the Army let me finish my degree through their Degree Completion Program. I got my bachelor’s degree from Austin Peay State University, which is right outside of Fort Campbell. I studied public relations there and did a summer internship in an advertising firm. At this point the film school dreams began to dwindle, but I enjoyed advertising because it was still very creative. So while still serving I took the GMAT, applied for MBA programs, all with the intention of getting out of the Army and going to work in advertising.
I still owed the Army a few years because of the time they gave me to finish my degree, so fast forward a couple of years, in the mid-90’s, I was stationed in Germany and deployed to Bosnia. One day I stumbled on an article in the Stars and Stripes, about Army Advertising, that changed my life. I learned that I could do advertising IN the Army. I loved being a Soldier, I just didn’t like the Signal Corps. I learned I needed to become a public affairs officer to get that job, so after my company command time in the Signal Corps, I transitioned over to Army Public Affairs, and my first job in that career field was with Army Recruiting Command’s Advertising Directorate at Fort Knox.
While stationed at Fort Knox I was accepted into the Army’s Advanced Civil Schooling program and I went to USC (University of Southern California) where I got my MA in Strategic Public Relations. While there, I learned about this awesome job in LA where a Public Affairs Officer served as the Army’s liaison to the entertainment industry. I really wanted THAT job one day.
While at USC, OIF and OEF started, so after graduating I was assigned to Fort Campbell and deployed to Iraq with the 101st Airborne Division from ’05-’06. I was one of the first brigade combat team PAOs during the Army’s “Transformation” period. I had a great team, an important mission, and was part of one of the best divisions in the Army. It was a tough but rewarding year.
After Iraq I was assigned as the Deputy PAO for the Headquarters of the U.S. Army Corps of Engineers in downtown DC. After serving there for a couple of years it was again time for a reassignment. I learned an important lesson from a senior officer once and it was to not just accept any assignment the Army offers you. If you want something, you have to fight for it. I fought very hard to get the PAO job in Hollywood. My branch manager told me that the entertainment office position was open, but he would not fill the slot because the Chief of Public Affairs (2-star general) believed it didn’t need to be filled. I told my branch manager that that position was one of the most important public affairs jobs in the Army, but he assured me the general had made his decision, and it was “final.” I told him that I was going to write a white paper on why it was such a critical position and why I was the right guy for it…I asked him to promise me that he’d read it. He did, and he agreed, but now had to go change the mind of a 2-star general to put me into that position.
The general called me into his office a couple weeks later, told me my white paper made sense and he thanked me for keeping him from making a mistake. I admired him for his humility. He told me to pack my bags, you’re going to Hollywood. A few months later, I was on the set of Transformers: Revenge of the Fallen and I thought to myself, “Holy shit, the Army got me to Hollywood.” It was a surreal experience. I retired from the Army about 10-years ago and have been working in the entertainment industry ever since.
Bishop with his Drill Sergeant on Basic Training graduation day.
4. What are you most proud of from your service in the Army?
I am most proud of just being a soldier and serving. I am proud to represent our country. I’m proud that I began my Army career as a Private First Class with no degree and finished as a Lieutenant Colonel with a master’s degree. My proudest achievement in service was the year I spent in Iraq where I like to say we fought the information war. Serving as a PAO doing media relations with major news agencies was interesting but working with the Iraqi people to set up their own newspapers and media outlets was the most rewarding. I helped Iraqi citizens run their own businesses, instructing them on how to create a revenue model for their newspapers, radio and TV stations. I also helped my two interpreters create a market research company that helped the local government, the U.S. Army and the U.S. State Department understand the concerns and opinions of local Iraqi citizens. We advised the police, fire and government public affairs of what it means to tell their citizens the truth. We were there for the first election in Iraq and I got to be a small part of it. It was an incredible experience.
Bishop (top left) deployed in Bosnia.
5. What values have you carried over from the Army into Hollywood?
The military and entertainment business are very similar. I told Michael Bay once that, “you shoot film and we (the Army) shoot bullets, everything else is the same.” People in entertainment might be shocked to hear this, but both industries require teamwork, leadership, planning, and even OPSEC. You deal with fiefdoms, budgets and timelines. Hard work and discipline are key. Understanding the commander’s intent, or the director’s vision, it’s the same. Neither culture suffers fools for very long. Both are meritocracies for the most part. I think it’s more so in the military than in Hollywood, and Hollywood is more nepotistic that the military, even though that exists in both worlds. But if you’re good at what you do, you’ll succeed. I knew the Army trained me to be a producer, I just needed to learn the entertainment industry language.
6. What project did you most enjoy doing while working in Hollywood?
I worked in Hollywood as a soldier and as a civilian. As a soldier, Transformers: Revenge of the Fallen was the most fun. It was a Michael Bay movie, so we blew things up and we fired thousands of rounds on set. We had nearly everything in the Army inventory in that movie. There were so many explosions. We shot live rounds from Abrams tanks and Bradley Fighting Vehicles on set. The set caught on fire a couple times. Everybody was out there putting the fire out. Even Michael Bay had a hose in his hand putting out the fire. Every day was just a blast.
As a civilian, it has to be producing my first movie Ktown Cowboys with my business partner Brian Chung. We took it from script all the way to distribution. It premiered at SWSX (South-by-Southwest) in 2015 and it was a nerve-racking experience having so many strangers watching our film. But there’s nothing more rewarding than watching an audience laugh and enjoy a film that your team made. Finishing a movie is very tough. Making a bad movie is hard, making a great film is almost impossible. The military trained us to face challenges and solve difficult situations. That’s true in a military operation and it’s true in the film business.
MLRS from the Army in Transformers Revenge of the Fallen. Photo credit Paramount Studios.
MLRS from the Army in Transformers Revenge of the Fallen. Photo credit Paramount Studios.
The film that Greg produced. Photo credit IMDB.com
7. What was it like transitioning to Hollywood?
Even though I had worked in the Entertainment industry for the Army it was harder than you may think. The industry doesn’t have the time to help anybody else achieve their dreams unless it’s a family member. Most people stop returning my phone calls once I no longer “had the keys” to Army helicopters, troops, vehicles, locations, etc.
I knew some people at Electronic Arts who worked on the Battlefield franchise. Working with them was one of our first gigs. One of the early challenges we had was knowing how much to charge for our services. As a Soldier, you work as long as it takes to accomplish the mission and your pay is the same regardless of outside circumstances. There’s really no relationship between pay and time in the military. I remember in one of our early phone calls with EA one of the producers asked us how much we charge for our services. At the time we had no idea what our time and expertise was worth. We threw out a number and the EA guys laughed at us. They literally said, “We can pay you more than that!” Lesson learned.
We probably wasted a lot of money and time starting a business immediately after retirement because we were career military guys and not trained businessmen. We made some mistakes, learned a lot, but we’ve been doing this for more than 10-years now.
One other similarity between Hollywood and the military is both cultures tend to slap labels on people. In the military we literally wear those labels on our uniform. That’s one of the things that always bothered me about the military culture. Promotions and career paths tend to be very rigid and bureaucratic. In the civilian world there are 25-year old CEOs and they’re judged on performance of their leadership and the company. There aren’t any 25-year-old generals. The entertainment industry is similar though because if you’re a consultant, in their mind you’ll always be a consultant. It’s tough to use that role as a stepping stone into something bigger like acting, or directing, or producing.
Our consulting company was essentially our film school. It helped us learn the language of the industry. In 2012 we created our production company, and while our consulting company is still operating and growing, our production company is our primary focus these days.
Bishop working with Norman Lear on Netflix’s reboot of “One Day at a Time”.
Keanu Reeves in The Day the Earth Stood Still. Photo credit IMDB.com
A screenshot of Battlefield 4. Photo credit imdb.com.
GI Joe: The Rise of Cobra released in 2009. Photo credit IMDB.com.
8. What leadership lessons in life and from the Army have helped you most in your career?
I have a few leadership lessons.
For big challenges, eat the elephant one bite at a time. Don’t let the scope of the challenge intimidate you. Take it on incrementally.
You have to do the work. A lot of young people think accomplishing something is as easy as Googling it. It isn’t. You have to do the work, and oftentimes the work is more difficult than you imagine.
Don’t take “no” for an answer. Write the white paper telling the two-star general he is making a mistake.
Teamwork. It’s critical that you come together to achieve a common mission or objective. You won’t do it alone.
For those getting out of the military soon, I recommend that you find and do something you’re passionate about. Do something that excites you. Do something that will make you look at weekends as a distraction and look forward to Monday mornings. Whatever you are passionate about and love doing, find a way to do it and make money from it. If it doesn’t work, you can always get a government job or contracting job or whatever job other retired military people do.
9. As a service, how do we get more veteran stories told in the Hollywood arena?
In 1927 the first Academy Award for Best Picture went to the Army for a movie called Wings. The military has been part of Hollywood ever since and military stories have always been a part of the DNA of filmmaking and storytelling in Hollywood. For decades Hollywood was patriotic and told mostly pro-American stories portraying our troops against foreign enemies. Yes, it was probably borderline propaganda, but it was a unifying effort from people who loved their country. After the Vietnam War, and even more so after 9/11, most films and television programs about our troops were about fighting their own government, their chain of command or themselves. The politics in the industry shifted along with the way Hollywood portrayed our military. Hollywood struggles with telling authentic stories about our military. It seems we’re mostly portrayed as superheroes or broken mental patients. To answer your question, the only way we can change Hollywood is to do it ourselves. That is the only way it is going to get done authentically. We need to work to become the writers, or producers, or financiers to fund our own content. It’s easier to do that today than it’s ever been, but it’s still extremely difficult.
A scene from Wings in 1927 that won the first Oscar for Best Picture. Photo credit Paramount Studios.
10. What are you most proud of in life and your career?
Personally, I am most proud of my marriage to my wife of 25 years. She is my life’s purpose. Career wise, building three businesses with my business partner Brian Chung. But I am not done yet, so we will see what comes next.
Remember that scene in “The Empire Strikes Back” when Luke Skywalker and Han Solo brown-bag some forties of Miller High Life at Echo Base on Hoth? Oh, you forgot? I think it’s in my super-secret directors cut. But, anyway, the point is, people in Star Wars usually drink booze when they are in space cantinas, which is mostly true of real life, too. At Disneyland’s Star Wars: Galaxy’s Edge, if you want to drink space booze, you have to do it in Olga’s Cantina. But, soon, if you want to feel the Force-buzz in Florida, you won’t even need to be inside of a bar.
On Aug. 1, 2019, WDW News (Walt Disney World News) broke the news that although two food courts in Galaxy’s Edge were dry at Disneyland, their Disney World counterparts will have alcohol. According to the report from WDW: “Disney has confirmed the presence of alcoholic beverages at both food locations that did not have alcohol at Disneyland. Both Docking Bay 7 Food and Cargo and Ronto Roasters will each feature two alcoholic beverages.”
The report also claimed that Disney World will add alcoholic versions of Blue Milk and Green Milk to Star Wars: Galaxy’s Edge, which again, did not exist at the Disneyland version of the attraction. And in case you forgot, Blue Milk is what Luke drank at the dinner table in the original Star Wars movie in 1977, and green milk is what Luke drank out of that alien sea cow’s breast in “The Last Jedi.” So, yes, Disney World is now offering you a booze-filled version of something that is basically space-animal breast milk. Let’s try explaining that one to the kids, shall we?
Galaxy’s Edge will open at Disney World in Orlando, Flordia on Aug. 29, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Operation Deadstick was the first engagement of D-Day but many people don’t know the awesome story of how a small group of British glider soldiers captured two bridges intact and held them against German counterattacks. Now, the epic fight is becoming a movie.
So, on Jun. 6, 1944, the men of D Company, 2nd Oxfordshire and Buckinghamshire Light Infantry crash-landed in gliders at only 16 minutes past midnight. A brilliant performance by pilots put the closest group of paratroopers only 47 yards from the first objective while avoiding anti-glider poles that were still being emplaced around the bridges.
The British commander had a fright when thought he had gone blind, but he realized the crash had dislodged his helmet and slid it over his eyes. He put it on right and led his men up the nearby embankment and onto the first bridge.
There, Lt. Den Brotheridge led First platoon across the Caen Canal Bridge, firing from the hip. Brotheridge gunned down a German soldier on the bridges who fired a flare, achieving the first ground kill of D-Day. Tragically, he himself was shot just moments later and became the first Allied casualty of the day.
Still, the company was able to complete the assault only 10 minutes after landing, grabbing both bridges before the Germans could detonate the explosives on them. Sappers immediately got to work cutting wires and fuses to make sure a German counterattack would not be able to easily destroy them.
It turns out, the reason the bridges weren’t destroyed was two-fold.
First, the German commander had ordered the bridge wired to explode, but that the actual charges be stored nearby so that French partisans or an accident could not destroy the bridges unnecessarily. He had reasoned that the explosives could be placed and destroyed faster than a paratrooper assault could capture the bridges. He was wrong.
Second, only he could order the charges put into place and the bridges destroyed and he was busy visiting his girlfriend in the nearby village. He was drinking wine and eating cheese with her when he heard all the gunfire coming from the direction of the bridges.
He decided to investigate the noises but apparently thought an attack was unlikely because he packed a picnic basket and tried to bring his girlfriend. He ended up dropping her off when she begged and cried, but he continued to the bridge with little caution.
His driver approached the bridge so fast that the two Germans actually blew past the British lines and were on the bridge before they realized that the German defenders had been killed. The British quickly captured both Germans and the picnic basket while the commander started crying about having let down his fuhrer.
The British then got ready for the inevitable counterattacks. The first came quickly as a German tank made its way to a nearby intersection in an attempt on the bridges. One of the glider troops engaged it with a Piat anti-tank grenade launcher, killing it with a single hit.
Luckily for the British, larger counterattacks wouldn’t come for some time. While Lt. Col. Hans von Luck, the Panzer commander who would lead the counter assault, had his entire formation ready to go by 3 a.m., he wasn’t allowed to move forward without Hitler’s say-so. And Hitler slept in on D-Day.
Von Luck sent his grenadiers, one of the few units he could move forward without authorization, to the bridges but the British had been reinforced with paratroopers by that point. The British were able to stop the grenadiers’ advance and the Germans dug in, sure that armored support would be coming soon.
Forward German units did come to assist and were able to begin pushing the British back. The British were picked at by snipers and German rocket fire and were slowly surrounded, but they managed to hold out until the afternoon despite dwindling ammo and a limited number of men.
In the early afternoon, reinforcements in the form of British commandos finally came and the combined force held off German armored attacks, killing 13 of 17 tanks and plenty of German soldiers. They also had to fight off a German gunboat that attacked from the river.
The successful capture and defense of the bridges is a major part of British airborne history. Both bridges were renamed in honor of the British. The Caen Canal Bridge was renamed Pegasus Bridge after the symbol of the British airborne soldiers. The nearby river bridge was renamed Horsa Bridge after the Horsa gliders the first troops rode in on.
Preserving the secrets both Avengers: Infinity War and Avengers: Endgame wasn’t just a job for fans who saw leaks of the film online, but also, a huge undertaking on the part of Marvel Studios. And now, in the just-released digital home video version of Endgame, Marvel bosses reveal exactly how they kept certain huge spoilers from leaking.
We already knew that several cast members didn’t get complete scripts for Infinity War and Endgame, but now executive producer Trinh Tran and Marvel chief Kevin Feige have explained there were “code red” and “code blue” versions of these scripts. What does it mean? Well, it turns out the code blue scripts had fake versions of several character deaths where those characters…lived!
On the just-released digital download of Avengers: Endgame for home video, there’s a 6-minute video called “Avengers Script Security and the Secret Scenes of Infinity War and Endgame.” Here, Marvel presents animated versions of the code blue fake scripts, written in such a way to disguise the fact various characters died in both films. Here’s a breakdown of the shockingly hilarious scenes, but to get the full effect, you really should snag Endgame on streaming.
Warning: spoilers for both Endgame and fake alternate scenes in Endgame and Infinity War follow! Stop reading now if you haven’t seen the movie, or don’t want to be spoiled on the alternate plot twists of these bizzaro scenes.
“Loki Plays a Trick”
At the beginning of Infinity War, Loki tried to stab Thanos, but was then strangled to death. It was a shocking way to start the movie, but in the fake script, Loki uses a magic trick and flies away in a stolen space pod, waving at Thor. Thanos, bizarrely, sees no need to go after him. WHAT.
“Gamora Shakes It Off”
Everybody was devastated by Gamora’s death in Infinity War, but in the fake version of the script, there was a scene called “Gamora Shakes It Off.” Right after Gamora is thrown to her death, Thanos sees his daughter as a kind of absurd puppet on strings who hands him the Soul Stone. This then magically creates a pair of giant scissors that cut Gamora free of magic puppet strings. Boom! She’s alive! She tells Thanos not to destroy half the universe, but he teleports away. Bottom line, in this version Gamora is alive!
“The Vision Crashes”
After Thanos pulls the Mind Stone out of Vision at the end of Infinity War, the character was totally dead. But, in the fake version of the script, right after Wanda is cradling Vision’s lifeless body, his eyes light up again and he speaks in the cadence of the computer Jarvis, Tony Stark’s A.I. which Vision merged with, back in Avengers:Age of Ultron. So, in this version, Vision lives, but kind of as weird computer version of himself.
“Thanos Keeps It Together”
At the beginning of Endgame, Thor, somewhat redundantly, cut off Thanos’s head. But, in the fake version of the script, Thor’s ax-hammer just bounces-off of Thanos’s head. And then, Thanos simply takes a nap and Thor shrugs his shoulders and walks away. Considering that a 2014 version of Thanos ended-up returning later in the movie, it feels like that the impact of this silly alternate take isn’t all that different?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Nobody really believed the gritty, dark, and controversial version of Joker would lead to more movies set in the Batman universe. But now, it appears that is exactly what is happening. The standalone Joker origin story will no longer stand alone. Director Todd Phillips has secured the rights to at least one more story based on characters from DC comics, which means Joaquin Phoenix will likely meet at least one more famous DC character in a sequel. But will it be Batman?
On Nov. 20, 2019, The Hollywood Reporter published the news that Todd Philips was able to convince Warner Bros to let him do at least one more movie set in the Batman/DC Comics universe. According to the report, this is partly because Joker did pretty well at the box office, despite the fact that everyone was freaked out about the movie for like three weeks straight. “Phillips is in talks to reprise his role as director for a second Joker outing,” writes Tatiana Siegel.
But what does it mean? Is the next Todd Philips movie a direct sequel to the Joker? Or will this be another, bizarre take on a different DC villain?
The biggest question most sane people have is whether or not Batman would show up in a potential sequel. The huge age difference between this version of the Joker and the young Bruce Wayne we saw in the movie makes us think it’s unlikely. (Then again, the Fox TV series Gotham had this exact same problem, and ended up bringing in Batman anyway.) Plus, having a different Batman in a Joker sequel feels like a bad move from Warner Bros, since they’re clearly pouring all their resources into making us all happy about Robert Pattinson being the newest big-screen Dark Knight. Phillips has already said outright that his Joker won’t meet Robert Pattinson’s Batman.
Still, the news here is mostly centered on the fact that Phillips got the rights to do another DC Comics movie, which doesn’t necessarily mean he is doing a follow-up to the Joker. After all, because Joker was so successful, who is to say Philips couldn’t do another villain origin story? Depending on who you ask there hasn’t been a good Lex Luthor since Gene Hackman in the Christopher Reeve Superman movies. Could Phillips be ready to tackle a Joker-style Lex Luthor origin story? These days, anything is possible. But, when you consider that Lex Luthor shares a lot in common with Donald Trump, and at one point, DC Comics did have Luthor get elected president, a giant Lex Luthor movie is timely enough to not be out of the question.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.