It would be incredibly impressive if you somehow managed to exist in 2019 without hearing about Game of Thrones; specifically, about the show’s controversial finale. People were, um, displeased about the way creators decided to bring the series to end, and it got pretty intense. Fans were so upset that over a million of them signed a petition on Change.org to convince HBO to remake the final season. Now, the network is finally addressing the plea.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
At the end of Star Wars: The Last Jedi, Luke Skywalker said: “see ya around, kid.” And now, it seems like Luke and is real world alter-ego, Mark Hamill, weren’t kidding around. It’s not exactly confirmed yet, but Mark Hamill is strongly suggesting that he will return to the role of Luke Skywalker for the final installment of the newest Star Wars trilogy, the yet-untitled Star Wars Episode IX, debuting on Dec. 20, 2019.
On July 5, 2018, Hamill posted a countdown to Episode IX on Twitter with the words “Who’s counting? #9WillBeFineAllInGoodTime.”
Although Hamill is an expert at lovingly messing with Star Wars fans online, posting this reminder that the next Star Wars film is over a year away seems pointed. Ask yourself this question: why would Mark Hamill be posting about Star Wars: Episode IX on Twitter if he had absolutely nothing to do with it? Then, ask yourself another question: because Episode IX is possibly the very last installment of numbered Star Wars films in the main “saga,” would J.J. Abrams really not include the most beloved and famous character of all time for the grand finale? Search your feelings, you know it to be true! Mark Hamill is will return as Luke Skywalker, and if he doesn’t then he’s trolled people on Twitter harder than usual, and the powers-that-be at Disney and Lucasfilm have really dropped the lightsaber.
From a canonical, nerdy standpoint, one might wonder how Luke Skywalker could return in Episode IX since he clearly became one with the Force at the end of The Last Jedi. But, that question answers itself. We all saw Luke fade away into the Force, just like Yoda and Obi-Wan did, meaning his spirit will doubtlessly live on and guide Rey, and maybe even Ben Solo, from beyond the grave.
To put it another way, if Luke could project his image halfway across the universe just to play mind games with Kylo Ren, then it stands to reason his ghost will show up in Episode IX. And if Mark Hamill can play mind games with Star Wars fans on Twitter, then it also stands to reason he’s full of more than just a few surprises.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Got an hour or 24? Starting a new show, especially a really good one, can be as exciting as riding a roller coaster, boasts a much lower risk of exposure to COVID-19 and provides days of entertainment rather than minutes.
Dive into these series about the military and government to keep quarantine interesting. While our recommendations include both the classic and the cutting edge, they’ll all keep you entertained and might even teach you something in the process.
Where to watch: Hulu Rating: TV-PG
Ah, the classic. M*A*S*H is one of the most popular television series of the past 30 years, depicting life in a hospital base during the Korean War. Running from its first airing in 1972 to 1983, the series proved to be a quintessential series of the 70s. It’s a sitcom, but an abnormal one; each episode has a completely different tone and discusses a diverse range of topics.
That’s part of what makes M*A*S*H so great — it’s an excellent show to watch with family and everyone is guaranteed plenty of laughs while watching, but it also delves into heavier scenarios. Its flexibility is unmatched in film today. M*A*S*H boasts well-known actors such as Alan Alda, Loretta Swit, David Odgen Stiers and Gary Burghoff and has won several Emmy awards. If you haven’t already enjoyed M*A*S*H, seasons one through 11 are available for viewing on Hulu.
2: Madam Secretary
Where to watch: Netflix Rating: TV-PG
Heartwarming yet surprisingly suspenseful, Madam Secretary made me proud to live under the U.S. government. The family drama depicts fictional Elizabeth McCord, U.S. Secretary of State, as she navigates realistic diplomatic issues in the White House. The series also showcases her homelife as she balances being a working mom and life with her husband Henry McCord, a CIA operative and ethics professor. Tea Leoni plays the lead role of Elizabeth McCord and produced the series as well. The greatest appeal of Madam Secretary is its versatility – it’s easy to watch with family due to its subplot regarding Elizabeth’s home life, and gripping enough to binge by yourself, too. It sounds hard to believe, but take it from someone with an attention span shorter than the average TikTok – you’ll be invested in Elizabeth’s diplomatic dilemmas. Seasons one through 6 are available on Netflix, and additional episodes are on HBO.
3: West Wing
Where to watch: Netflix Rating: TV-14
West Wing depicts the political excursions of the White House staff and cabinet members of fictional president Josiah ‘Jed’ Bartlet. This series is similar to Madam Secretary, but can be seen as more of a “political epic.” As the series continues and each member of the staff’s personality is portrayed, the show’s superb writing and thorough characterization shine. Actors Martin Sheen, Rob Lowe and Allison Janney star in the show, and the series boasts 27 Emmy awards. Additionally, TV Guide ranked it the “#7 TV drama of all time.” While President Bartlet is a democrat, the show stands out for its depiction of modern issues from an apolitical perspective, highlighting the nuance behind bipartisan decision making. Not to mention, incredible acting for well-written characters.
4: TURN: Washington’s Spies
Where to watch: Netflix Rating: TV-14
This one’s a bit more historical. Set in 1778, Washington’s Spies depicts a seemingly ordinary farmer who spies on British Loyalists and soldiers for the blooming American government. This one will appeal to anyone who’s been into Hamilton, which – be honest – is probably more of us than we’d like to admit. It’s got all the good military action combined with the appealing, tried-and-true trope of an undercover spy, topped off with rich history. Parents will enjoy the espionage and historical subplots, while kids will enjoy the rich action. A crowd pleaser all around. Seasons one through four are available on Netflix.
Where to watch: HBO Rating: TV-MA
Veep, considering the profanity, probably isn’t a series to watch with younger audiences, but its satirical take on politics brings a hilarity unlike anything I’ve ever seen. The series depicts the career and personal life of Selina Meyer, the newly elected Vice President of the United States, and her dysfunctional relationship with the president and her staff. Veep is refreshing because political roles – even high up ones – aren’t glorified, as they are in so many other series. Julia Louis-Dreyfus plays Selina and the show runs for 65 episodes on HBO.
Where to watch: Hulu, Showtime Rating: TV-MA
Homeland, while portraying American intelligence in a gripping way, is leagues above other shows listed because of its plot. It’s exciting above all else, and stays interesting and fresh as it follows main character Carrie Mathison. Carrie’s inner demons provide conflicts just as tangible as terrorism threats, and while the seasons build up to climactic, explosive endings, Carrie’s character pulls the show eight seasons. Available on Hulu and Showtime, Homeland stars Claire Danes as Carrie as well as Mandy Patinkin, Rupert Friend, and Maury Sterling.
7: Jack Ryan
Where to watch: Amazon Prime Video Rating: TV-MA
Those who fell in love with John Krasinski in The Office will be especially attracted to Jack Ryan – and I don’t just mean the grade school kids who obsess over Jim and Pam. Those of us who have seen Krasinski act in and produce other media know he’s capable of amazing character evolution and series production, and Jack Ryan is no exception. In fact, this show very well may be the best example of his abilities. Season one follows Ryan as he tracks bank activity from Suleiman, an Islamic extremist, and is faced with more action than he ever faced in his intelligence work. Originally released on Amazon Prime in 2018, Jack Ryan quickly became very popular and was later nominated for several Emmy awards. Season two depicts Ryan entangled in Venezuela corruption and political unrest. Jack Ryan should be a go-to when looking for a short action series that’s as eventful as our imagined roller coaster.
8: Band of Brothers
Where to watch: HBO Rating: TV-MA
The 2001 miniseries Band of Brothers reminds me of a mini pack of MM’s. Following “Easy Company,” a battalion during World War II, Band of Brothers dedicates one episode to each central member. The miniseries is historically accurate, and each episode depicts the actual experience of each member, with the narratives engaging enough to compel the viewer to keep watching more. It’s the classic “one more episode!” approach to every show worth binge watching, and realistically, have you ever only eaten a half of a pack of MMs? From the pilot episode, you want to keep going; the tantalizing string of episodes makes up for what it lacks in length by stellar acting, screenwriting and a hell of a plot. Actors include David Frankel, Mikael Salomon, Tom Hanks and David Leland. It’s produced by Steven Speilberg and Tom Hanks and won seven Emmy awards.
9: The Spy
Where to watch: Netflix Rating: TV-MA
Ah, another historically accurate miniseries! The Spy portrays the mission of spy Eli Cohen during the often-overlooked six day war between Israel and Syria. Taking place in 1967, the miniseries follows the aforementioned Eli Cohen as he spies on the Syrian government for the Israeli Intelligence Agency (Mossad). Cohen establishes himself among Syria’s elite, and is promoted in the Syrian military. The series is only six episodes, and therefore is a quick watch. Similar to Band of Brothers, The Spy leaves you wanting more after each episode. It’s available on Netflix.
10: The Blacklist
Where to watch: Netflix Rating: TV-14
The Blacklist depicts the endeavors of ex-crime boss Red Reddington and his requested FBI forensic psychologist partner, Elizabeth Keen, as the duo take down crime lords that Reddington used to work with. Each episode depicts the pursuit of a criminal so cunning and covert they aren’t even known to authorities. Reddington’s assistance in the mission. The Blacklist stands out for its refreshing take on a classic crime trope, and keeps the viewer interested with the clues into the nature of the personal lives of Reddington and Keen. Spanning seven seasons, The Blacklist is easy to binge watch or to fall back onto when tired of other shows. It stars James Spader and Megan Boone and won the Primetime Creative Arts Emmy in 2014.
As we reach the halfway point for The Falcon and the Winter Soldier, we’ve been given some great character moments and intriguing details into a post-Blip world. A Global Repatriation Council attempts to help the billions of people who have returned from the dead after five years, one of them being a doctor who perfected the Super Soldier Serum.
Let’s dive in — spoilers ahead.
The new Captain America takes a bit of a back seat in this week’s episode, but we do get a glance at his short fuse when he confronts some of Karli Morgenthau’s contacts and is rewarded with spit in his face. John Walker and his more even-tempered partner Lemar will remain a step behind Bucky and Sam this week.
As the last episode hinted, Bucky and Sam decide to contact Helmut Zemo and Bucky, unbeknownst to Sam, makes quick work of freeing Zemo from his cell. Maybe not a great decision, considering the man bombed the UN and killed Wakanda’s King T’Chaka before framing Bucky for the crimes — and he’s reading Machiavelli — but Zemo has knowledge about the Super Soldier Serum.
Daniel Bruhl’s performance also makes Zemo a character who is entertaining to have around.
They begin their search in Madripoor, a classic Marvel Comics location (primarily for mutant story-lines). There, they go undercover, delivering some excellent character fun. Sam is forced to drink “the usual” drink of his colorful alias — some kind of cocktail with raw snake organs (DEAR GOD WHY) — much to our amusement. Later when they flee the scene, he shouts, “I can’t run in these heels!” It’s a great writing touch.
Bucky, meanwhile, plays the Winter Soldier, following Helmut’s commands — even when they are violent. Sebastian Stan’s performance as a battle-weary veteran is constantly impressive; Bucky’s inner turmoil is right there beneath the surface.
When Sam’s cover is blown by a phone call from his sister, the unlikely trio flee with bounties on their heads. They’re saved by none other than Sharon Carter, albeit a much grittier, pissed off Sharon Carter, who has been on the run since giving Steve Rogers his shield (although with a brief five-year hiatus, as she was disintegrated in the Snap). And yo, she’s pissed about it.
Her outfit slaps, though. I want her pants. She agrees to help Sam and Bucky find Super Soldier Serum Dr. Nagle while Sam promises to clear her name. They head to Nagle’s secret lab in a shipment container yard, where they learn that Morgenthau stole his 20 vials of perfected serum. Zemo kills the doctor and the lab is attacked and destroyed, giving us impressive fight sequences from Carter and Zemo.
Carter parts ways with Bucky and Sam, but based on her final interaction with her bodyguard, we can expect to see her again. Bucky, Sam, and Zemo follow another lead, but rather than join them inside, Bucky announces that he’s going to take a walk. He follows a few devices that turn out to be Wakandan, and the episode ends with another familiar face.
Ayo, second-in-command of the Dora Milaje, has come for the man who killed T’Chaka. What will happen on the Falcon and the Winter Soldier next?
Look, it is easy, and deeply enjoyable, to give Oscar Mike host Ryan Curtis boatloads of crap for the shenanigans and mannerisms (shenannerisms?) he regularly deploys in the line of duty. It’s easy because he’s a good sport. It’s enjoyable because, well:
But credit where credit is due, it is no easy thing to drop in on a recording studio unprepared, be played a brand new beat, compose a non-wack verse and then get into the booth and spit your best whiteboy flow in front of a hot producer and a rapper at the top of his game.
TMR served 10 years in the Middle East as a Marine Corps combat correspondent, ala Joker from Full Metal Jacket. Though he started rapping young, he found he had to put his passion on ice during active duty — no time to think, let alone rhyme.
When he finally left the service, the transition was rough.
“It was a reality shock. I didn’t know where to go. You’re like, ‘I have all this time on my hands,’ and you get to thinking… ‘I was such a super hero in the military, but now I’m just a regular civilian. Nobody cares about me. I’m nothing now. Why should I even live?'”
Finding himself in a dark headspace familiar to many vets exiting the military, TMR did a hard thing: he asked for help.
With the assistance of the VA, he was able to reorient, finding an outlet in his long-dormant passion for rap. He now lives in Hollywood, CA, cutting tracks and shooting music videos to support his budding career as a musician.
And, no joke, in a single day of working together, TMR, producer Louden and the Artist Formerly Known as Ryan Curtis may just have succeeded in dropping the U.S. military’s first ever chart-topping hip hop track:
It’s a lock for New Oscar Mike Theme Song at the very least.
Watch as Curtis looks for lyrics in a Magic 8 Ball and TMR proves there’s no room in his game for shame, in the video embedded at the top.
Let’s revisit the end of “Game of Thrones,” shall we? Bran becomes king of everything but the North, which Sansa takes over. Arya sails east, and Jon Targaryen, reunited with his BFF Tormund, leads the Free Folk north of the wall where a lone piece of grass pokes its way through the snow.
The obviousness of that symbolism matches the clarity of the ending for the Stark kids, but we have been wondering about Jon. There’s a moment where, as the door to Westeros literally closes behind him, he looks back with a combination of sadness and doubt in his eyes. Is he doing the right thing by leaving Westeros behind? Kit Harington offered his perspective in a pre-Emmys interview with The Hollywood Reporter.
“[S]eeing him go beyond the Wall back to something true, something honest, something pure with these people he was always told he belongs with — the Free Folk — it felt to me like he was finally free. Instead of being chained and sent to the Wall, it felt like he was set free. It was a really sweet ending. As much as he had done a horrible thing [in killing Daenerys], as much as he had felt that pain, the actual ending for him was finally being released.”
Jon Snow looking back and wondering.
So there you have it. Jon Snow did leave Westeros, and he did the right thing for himself, in leaving behind the place where he had to kill his aunt/lover, and the people of Westeros. Because by giving up his legitimate claim to the crown, he cleared the way for Bran to, perplexingly, be chosen as king.
While we’d still definitely love a spin-off that’s just about Jon, Tormund, and Ghost, it’s nice to get some closure on the end of the series from the man who played Jon Snow for nearly a decade.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In the fourth quarter of the 1963 Army-Navy game, Army’s “Rollie” Stichweh faked a handoff and ran in the endzone for Army’s final touchdown against Navy for that contest. The touchdown didn’t change the outcome of a 21-15 loss for Army. What was special about it was the broadcast for the viewers at home.
CBS play-by-play commentator Lindsey Nelson had to tell people watching that Army didn’t score twice – they were watching the future of sports television.
In the days before the Super Bowl was the game that brought America together for TV Sports’ biggest day, the game that brought everyone to their televisions was the Army-Navy Game. In December 1963, the Army-Navy Game was airing just days after the assassination of President Kennedy shocked Americans to the core. And CBS Director Tony Verna brought a 1,300-pound behemoth of a machine to use for his broadcast.
Millions were watching, and this monster was either going to make or break the young director’s career. Nelson was worried that the new technology might confuse people. So was Verna.
“There was the uncertainty about this game,” says Jack Ford, a correspondent for CBS News. “How is it gonna be played? How are fans going to react to this?”
In those days, replay technology still took up to 15 minutes to get ready, far too long to rehash an individual football play. Verna’s machine would be able to do it in 15 seconds when and if it worked. What happened during the game play was not as Verna had hoped. The machine mostly saw static, and when it did replay plays, there was a double exposure from what the crew had taped over, which was an old episode of I Love Lucy. As a result, Lucille Ball’s face could be seen on the field during the replays.
But when it came down to it, Verna’s machine did work, just in time to catch Army’s last touchdown of the game. It was the only time fans saw the instant replay during that game, but it was revolutionary. One of the Dallas Cowboys’ big executives, Tex Schramm, called Verna to congratulate him.
“He told me the significance of it, that I hadn’t confused anybody, which Lindsay and I were worried about, certainly me,” Verna told NPR later in life. “And he said, ‘You didn’t confuse anybody. It has great possibilities.’ “
Recently, Brie Larson paid a visit to Nellis Air Force Base in preparation for the upcoming Marvel film, Captain Marvel, set for a 2019 release. Accompanying her was Staff Sgt. Don Wallace, an F-15 crew chief with the 57th Maintenance Group. Larson donned a flight suit, toured the base while learning the history of the F-15C, and met with Brig. Gen. Jeannie Leavitt, the commander of the 57th Wing at Nellis AFB.
Brig. Gen. Leavitt became the first female fighter pilot in 1993 after the Defense Secretary lifted the ban on women flying in combat — over sixty-one years after Amelia Earhart made her historic, transatlantic flight. Brig. Gen. Leavitt is a major, real-life inspiration behind the character, Captain Marvel.
A post shared by Don (@dwallace85) on Jan 18, 2018 at 7:04pm PST
Larson was said to be very friendly, down-to-earth, and eager to learn everything she could about the U.S. Air Force. She was very interested in learning on how G-forces act on a pilot during intense maneuvers and the mission capabilities of the F-15.
Larson was very accommodating with fans, taking photos with airmen and even getting on an airman’s FaceTime for a friend.
A post shared by Don (@dwallace85) on Jan 18, 2018 at 1:29pm PST
Not many details about Captain Marvel are known other than it is set in the 1990’s Marvel Cinematic Universe and it will follow the comic book character, Carol Danvers. In the comics, Danvers is a fighter pilot who gains superpowers after an alien invasion. She’s also key member of The Avengers. Since the film is set in the 90’s and Samuel L. Jackson is confirmed to appear in the film, it’s safe to assume that this film will center around the superhero world between Captain America: The First Avenger and Iron Man.
Mark Bowden is one of the greatest investigative reporters of our age.
“Black Hawk Down,” his exhaustive work on the experience of U.S. troops in Mogadishu, brought renewed attention to the oft-forgotten story. It also resulted in the film, which remains a favorite of the military-veteran community.
His most recent book, “Hué 1968: A Turning Point of the American War in Vietnam,” is just as exhaustive and compelling. The book is a master work, five years in the making.
The Battle of Hué was the longest and costliest fight of the entire Tet Offensive. On the morning of Jan. 31, 1968, a coordinated attack from 8,000 North Vietnamese Army Regulars, Viet Cong infiltrators, and Vietnamese civilians quickly captured much of the city in a single night.
American and South Vietnamese troops were woefully outnumbered in Hué. Facing the Communist forces there were the ARVN 1st Infantry Division and 200 of their American and Australian advisors at the MACV compound. By the time the sun came up that day, the Communists controlled the city south of the Huong River – except the MACV compound.
A view from a Marine machine gun position on the outer Citadel wall of Hué City during the 1968 Tet Offensive.
The Marines from MACV would have to go on the offensive, fighting their way across the river to rescue the brilliant and highly-respected ARVN General Ngô Quang Truong and what remained of his 1st Infantry. Then they had to expel the Communists from the area.
Hué would become a case study in urban combat, the first time since the Korean War the Marines would fight in a city like that. The battle lasted almost a month, turning 40 percent of the city’s buildings to rubble and costing the lives of 380 ARVN troops, 147 Marines, 74 U.S. Army soldiers, 8,000 Communists, and more than 5,800 civilians.
It was also the turning point in American popular support for the war.
Bowden’s book covers the history of the war until that point, especially from 30,000-foot view from the White House and General William Westmoreland’s MACV Headquarters. What’s truly unique and fascinating about Bowden’s style is the personal narratives that drive the history of the story.
“Hué 1968” is a gripping tapestry of nonfiction storytelling, with personal stories of people on the ground woven into the history and politics of the war. The enemy is no longer a nameless, faceless mass of targets; the NVA and VC are characters in the story of the war in Vietnam, with names, families, and lives. With these stories comes the understanding of why the McNamara doctrine of “limited warfare” would never have worked against the Vietnamese.
The book gives the eyewitness account of a young Vietnamese girl who turns on the southern regime and becomes a Viet Cong operative just as much as it follows the junior enlisted Marine radio operator Jim Coolican, who was stationed at the MACV compound. Personal narratives from every side of the conflict continue like this throughout the book.
Bowden traces the details of a young VC as he traverses the Ho Chi Minh trail and moves to infiltrate the city. He even painstakingly documents the “logistics miracle” – as one U.S. Navy captain called it – of the Tet Offensive’s movement of men and weapons into South Vietnam.
NVA and VC soldiers assault the city of Hué in South Vietnam, January 1968.
If you know the history of the Vietnam War, you know what’s coming in the Tet Offensive and it keeps you turning pages. No matter how familiar you are, you get to see the war from all sides – the NVA, the VC, ARVN leadership, American troops, American leadership, even Ho Chi Minh and North Vietnamese General Vo Nguyen Giap’s points of view are covered in remarkable detail.
The fall of Hué was the most successful attack of the entire Tet Offensive and even then the city was retaken by Feb. 24. Both sides bought into their own propaganda. The Communists believed that the South was ready to rise against the despotic Thieu regime and expel the Americans — they just needed a hand to get started.
Viet Cong forces climb on an abandoned U.S.-built Marine Armored Vehicle during the Battle of Hué.
The north came to depend on that uprising for the long-term success of the Offensive. The Americans and South Vietnamese were caught off guard because they thought the enemy was weak and could not launch an attack on that scale, let alone capture a city like Hué.
Until the Tet Offensive, a majority of Americans believed the war was going well and believed government officials who used statistics and body counts to insist that American involvement could soon come to an end. Body counts weren’t the metric used by the Communists. For the north, their success was defined by killing or wounding as many Americans as possible, destroying the ARVN, and inciting a popular uprising in the South.
Marines hold a Viet Cong flag they ripped down from the provincial headquarters in Hué.
The United States claimed a military victory in Hué but Hanoi would never be intimidated by a limited war. The prolonged violence and media bias against the war after the Tet Offensive eroded public support for it as well.
The U.S. began a strategic withdrawal from Vietnam the next year and left completely in 1973. South Vietnam fell to the Communists just two years later. Hué was just the beginning of the end.
Mark Bowden is an award-winning author and correspondent for The Atlantic. He is also a contributing editor for Vanity Fair. Filmmakers Michael Mann and Michael De Luca (who produced the 1995 heist movie “Heat”) purchased the rights to “Hué 1968” and plan to turn the book into a miniseries.
In a post-COVID world of streaming movies and digital premieres, Amazon’s The Tomorrow War starring Chris Pratt is a solid summer blockbuster. The sci-fi action film can be likened to Interstellar crossed with Edge of Tomorrow with a healthy dose of Chris Pratt being Chris Pratt. For a Hollywood production, The Tomorrow War gets a surprising amount of things right when it comes to gear. Of course, there are plenty of movie sins in it as well. This article will be mostly free of spoilers, but we make no guarantees, so read at your own risk if you haven’t seen the movie yet.
1. BCM Carbine
Let’s get the “not so awesome” out of the way first. Over the last decade, Bravo Company Manufacturing has become a go-to brand in the firearms industry. Best known for its high quality AR-15 parts and builds, BCM has gained widespread popularity in both military and civilian shooter circles. In The Tomorrow War, the primary weapon of the human resistance is a tricked out short-barreled BCM carbine.
Although it looks futuristic and cool to the average viewer, anyone who has handled the AR-15/M4 platform knows that the weapon is a pretty poor choice. The short barrel significantly reduces the effectiveness of the 5.56x45mm round that it fires, explaining why the humans are losing the war. Despite the linear compensators, all those short barrels firing full-auto in the stairwell would have left everybody with some serious hearing loss too. While the Trijicon ACOG and canted red dot look cool, the short barrel means that the weapon really doesn’t have the range to make use of the magnified optic and no one seems to ever use the canted red dot. Plus, it’s not like the Whitespikes are hard to see so the 4x zoom isn’t necessary for identification at range. Chris Pratt and his crew would have been better served with a larger caliber weapon like SOCOM’s MK 17 SCAR-H or the Sig NGSW.
2. Kimber Warrior SOC
Maybe Pratt’s character knew about the inadequacies of the standard-issue carbine after all. Before reporting for duty, he retrieves his personal .45 ACP Kimber Warrior SOC from his home safe. Used by elite units like LAPD SWAT and Marine Force Recon, Kimber 1911-style pistols are considered to be some of the best .45 sidearms money can buy. While militaries and law enforcement agencies have largely made the switch to the smaller 9x19mm cartridge in 2021, a full-power .45 is probably a better choice against the aliens seen in The Tomorrow War.
3. IWI Desert Eagle Mark XIX
Speaking of big-bore pistols, J.K. Simmons’ character carries one heck of a hand cannon. Playing Pratt’s father in the film, Simmons’ character is a Vietnam veteran with a taste for big guns. His sidearm of choice is an IWI Desert Eagle Mark XIX chambered in .50 AE. That’s the kind of slug you want to be throwing at a gigantic armored alien. A .45 is great, but a .50 is a .50. Naturally, the film features a bit of father-son verbal jabbing regarding the size of the pistol, but it proves its worth in the end.
4. F&D Defense FD338
Matching his Desert Eagle, Simmons’ character carries an equally heavy-hitting rifle. Made to order with a lead time of eight weeks, the FD338 has a base price of $5,450 according to F&D Defense’s website. The .338 Lapua Magnum that it fires hits with about five times the force of 5.56x45mm and has more consistent and predictable ballistic performance than the legendary .50 BMG. This kind of performance in an AR-style rifle is unparalleled in the firearms industry and Simmons’ character puts the FD338 to good use in the film.
5. Beretta 1301 Tactical
One weapon that stands out from the others is the shotgun used by Edwin Hodge’s character. His Beretta 1301 is a 12-gauge gas-operated semi-automatic shotgun that deals serious damage to the armored aliens at close range. While it doesn’t have anywhere near the reach of the FD338, the 1301 excels in close quarters and Hodge’s character uses it to great effect. Hopefully he had it loaded with something crazy like tungsten slugs to make the most of his shotgun’s raw power.
The United States Air Force Air Demonstration Squadron “Thunderbirds” [flew] over Hollywood in celebration of the upcoming film Captain Marvel during the afternoon of March 4, 2019.
The formation featured six F-16 Fighting Falcons, the Air Force’s premier multi-role fighter aircraft, soaring over Hollywood from 12:15 p.m. to 5:30 p.m.
Marvel Studio’s newest film, Captain Marvel, will release in theaters nationwide on March 8, 2019. The film follows the story of Captain Carol Danvers, an Air Force fighter pilot who goes on to become the most powerful superhero in the Marvel Cinematic Universe.
“This flyover is a unique moment to honor the men and women serving in the Armed Forces who are represented in Captain Marvel,” said Lt. Col. John Caldwell, the Thunderbirds Commander/Leader. “Being part of this event is a tremendous opportunity, and we look forward to demonstrating the pride, precision and professionalism of the 660,000 total force Airmen of the U.S. Air Force over the city of Los Angeles.”
The Thunderbirds have close ties to the film’s production. In January 2019, in preparation for the film, lead actress Brie Larson and director Anna Boden visited the team during an Air Force immersion and F-16 flight at Nellis Air Force Base, Nev.
During production, the team provided two Thunderbird pilots to advise cast and crew on fighter pilot traditions and culture. One of the advisors was Maj. Stephen “Cajun” Del Bagno, who passed away in a mishap during a routine Thunderbird training flight in Nevada only a week after consulting on-set.
“Executing this flyover is a fitting tribute to Cajun,” said Maj. Matt Kimmel, the Thunderbirds Lead Solo pilot who advised the Captain Marvel team with Maj. Del Bagno. “He lived to share his passion for aviation with everyone he met and always left you with a smile. We carry his legacy each day and can’t wait to make him proud by showing off his U.S. Air Force and his team in his backyard.”
Residents along the flight path can expect a few seconds of jet noise as the aircraft pass overhead, along with the sight of six high-performance fighter aircraft flying less than three feet from each other in precise formation.
The Thunderbirds welcome and encourage viewers to tag the team on social media in photos and videos of their formation with the hashtags #AFThunderbirds, #CaptainMarvel, #SuperHeroAirman and #AirForce.
For more on the team, go to afthunderbirds.com or follow @afthunderbirds on Facebook, Twitter, and Instagram.
This article originally appeared on USAF Thunderbirds. Follow @afthunderbirds on Twitter.
“Make no mistake about it: You guys need to own the fact that we do not have the flag on our shoulders.”
Netflix takes another shot at the big-budget movie game with “Triple Frontier,” opening in select theaters March 6, 2019, and streaming March 13, 2019.
A group of Special Forces veterans find themselves at loose ends after they complete their service. They’re broke and bored. They decide to take down a South American drug lord and keep his $75 million in cash for themselves, doing some good and finally padding their bank accounts at the same time.
Writer/director J.C. Chandor has already made three outstanding movies this decade, none of which got the attention they deserved.
“Margin Call” (2011) is a thriller that unfolds over 24 hours at a financial services company during the 2008 financial crisis. “All is Lost” (2014) features one of the greatest (and nearly silent) Robert Redford performances as a sailor trying to save himself after he collides with a shipping container on the open seas. “A Most Violent Year” (2014) looks at the mechanics of big-city corruption in the early 1980s. None of those descriptions makes the movies sound like thrillers, but they’re all incredibly smart films that never let up in building tension.
That rep has allowed Chandor to recruit an all-star cast for “Triple Frontier.” Ben Affleck is done with Batman and looks happy to be back to making movies for adult men. He’s joined by Oscar Isaac (Poe Dameron in the current “Star Wars” trilogy), Charlie Hunnam (“Sons of Anarchy”), Garrett Hedlund (“TRON: Legacy”) and Pedro Pascal (“Game of Thrones” and “Narcos”).
Chandor wrote the screenplay with Mark Boal, who won a pair of Oscars for “The Hurt Locker” and has collaborated with director Kathryn Bigelow on “Zero Dark Thirty” and “Detroit.” If nothing else, all of us can agree that Boal’s work provokes a wide variety of strong reactions.
We’ll have more on “Triple Frontier” as the release date approaches.
This article originally appeared on Military.com. Follow @militarydotcom on Twitter.