It would be incredibly impressive if you somehow managed to exist in 2019 without hearing about Game of Thrones; specifically, about the show’s controversial finale. People were, um, displeased about the way creators decided to bring the series to end, and it got pretty intense. Fans were so upset that over a million of them signed a petition on Change.org to convince HBO to remake the final season. Now, the network is finally addressing the plea.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The Coast Guard has been involved in other shows in the past, but this one is different. Viewers will see multiple areas of responsibility and various unique Coast Guard missions throughout its six episodes. The average day in the life of a coastie includes search and rescue operations, drug interdictions, law enforcement, security boardings, and more. The show gives a glimpse into what it’s like.
According to Commander Steven Youde, who currently serves in the Coast Guard Motion Picture and Television office, the executive producer had been wanting to create this show for years.
“I think he has had this planned all along. He wanted to go a little further and make it more diverse by including not just one location but make it Coast Guard wide,” he shared.
“A doc-series like this is really great exposure to what happens behind the scenes in the Coast Guard,” Youde explained.
He added that big drug interdictions and counter narcotic missions aren’t witnessed just for the simple fact that they happen so far out at sea. Thanks to this show, the public will get to see how it all goes down.
Photo credit: Credit Rumline Productions
Maritime Enforcement Specialist Second Class Michael Bashe is currently a part of the Tactical Law Enforcement Team (TACLET) in Miami. These detachments are highly specialized and deployable law enforcement teams. Their mission is to conduct and support maritime law enforcement, interdiction, or security operations. He was deployed to the Coast Guard Cutter Munro in the Pacific to assist with drug interdictions and the film crew came along for the ride.
“My dad was a police officer for 25 years and was a prior Marine. He told me, ‘Coast Guard is where it’s at.’ The ME rating just came out and I knew that’s what I wanted to do. The different missions that we do as ME’s and leadership responsibilities and roles that we have is incredible,” Bashe shared.
He’s spent his entire career on ships focusing on counter narcotics. Bashe has also been deployed overseas with Patrol Forces Southwest Asia (PATFORSWA) in Bahrain to support the U.S. Navy. When Bashe returned stateside his number one pick was TACLET South in Miami.
“The rewarding feeling that you get when you have a successful interdiction is indescribable,” Bashe said.
He appears in the first three episodes when he and another TACLET member safely and successfully apprehend suspected drug smugglers. Bashe says he loves that the public gets to see this important aspect of what the Coast Guard does, but that there’s so much more.
“I like that they get to see what we do at TACLET, but I really like that they were able to integrate the small boat stations and air stations. They are such crucial parts of any coastal city,” he said.
BM2 Hillary Burtnett. Photo credit: MK2 David Wiegman
The Coast Guard has small boat and air stations all over the country. US Coast Guard Station Marathon is located in the Florida keys and the film crew spent almost four months following coasties on their missions there. Boatswain’s Mate Second Class Hillary Burtnett was a part of the show and although she found it cumbersome to have the camera crew underfoot, she’s glad the public will get to see some of what they do.
As a female BM, Burtnett is definitely part of a heavily male dominated rate or job.
“It’s different, but the guys are very respectful. We are all a team, we are out there to get it done and work together,” she said.
Although her shipmates treat her equally, it doesn’t always happen everywhere she goes. Burtnett shared that in one of the episodes, a man they rescued became very inappropriate onboard with her.
“There was a whole bunch of stuff that they didn’t show. It was tough because I was just out there trying to do my job and he was borderline harassing me but I maintained professionalism,” Burtnett shared.
She doesn’t let it get to her though and instead chooses to focus on the mission.
Burtnett recently left US Coast Guard Station Marathon for a new adventure. She’ll be on a national security cutter headed to Bahrain. She is excited to head to a big boat again, explaining that there’s nothing like the comradery of being on one. Another aspect of the service that isn’t typically known by the public or other branches of the service: you can find coasties serving all over the world.
This show gives the public a rare, honest glimpse into the Coast Guard. Cork Friedman, Executive Producer of Rumline Productions, wants to show you even more.
“Quite honestly, most folks don’t know a fraction of what the US Coast Guard does, so my passion for creating this series is directed by three principle objectives, to show the world the diversity of missions that the Coast Guard performs each and every day, to deliver the most robust, accurate docuseries ever produced featuring the real life stories of our United States Coast Guard, and to capture the intrinsic character possessed by the men and women who wear the US Coast Guard uniform,” Friedman said.
Coast Guard: Mission Critical airs on the History channel every Saturday at 6 am or on demand through the app. It can also be viewed Sundays at 5 pm on FYI.
None of this has anything to do with gender or anything as asinine as that. The fact is, Wonder Woman was the best superhero movie of 2017 (yeah, I know when Logan was released, and I stand by this statement). And Wonder Woman is easily the best part of the current DC cinematic universe. But this is history.
World War I is a lot more complex than when Steve Trevor tells Diana that he’s the good guy and the bad guys are the Germans wading ashore. It was nice of her to just take his word for it. These are my issues with this mostly-fantastic film.
Wonder Woman does not like doors.
Ok, this isn’t historical, it’s more of a stylistic criticism. Batman and Superman get to fly in or punch their way through a group of bad guys while Wonder Woman has to explode through the wall like an ancient, mythical Kool-Aid Man.
How did that guy not see this coming?
The Germans look completely incompetent.
They’re not just the traditional, evil villainous henchmen — they’re bad at it, too. Maybe that’s why they need to be directed by the God of War. After chasing Steve Rogers Steve Trevor onto the hidden island of Themyscira, they encounter a group of natives who seem technologically inferior… so, obviously they have to murder them all, right?
No. World War I Germans were not the Nazis. Historically, they were as much a victim of circumstance as any other combatant in the war. Germans were arguably the best at fighting World War I. That’s why they took a lot of heat in Versailles, and that’s why World War II happened — the Germans didn’t technically lose. A general staff, a standing professional army — these are all pioneering developments from 19th/20th-Century Germany, but you’d never know it watching Wonder Woman.
A very important lesson for Diana.
No one lives up to their established reputation.
Eventually, the Germans who land on Themyscira all get slaughtered, despite the warship off the island’s coast that never gets used. Despite their guns and grenades, they get creamed by an Amazonian army using swords and arrows, which begs another question: Why are these highly-trained professional soldiers just standing in the open as projectiles are fired at them?
Sure, the Amazonians have never fought rifles before, but with all their superhuman abilities, why can’t they see these as projectile weapons? And the Germans can definitely see all the well-aimed arrows raining death on them, but there they are, kneeling in the open sand, waiting for death.
Germans in Wonder Woman just seem incompetent or lazy or both. Only Steve, the American, has the good sense to take cover on the beach that day.
Remember: They did this to save the town.
Wonder Woman does not do stairs.
There’s a sniper in the bell tower! Luckily everyone has cover, and he’s the only enemy left, so we can just head to the church and use the stars, right? No. That would require going through a door — we talked about that, remember? Let’s just throw Wonder Woman at the building and see what happens.
In their shoes, you’d have shot at Wonder Woman. And probably would have had trench foot.
The Germans didn’t start World War I.
They weren’t really the “bad guys,” they just happened to not be on America’s side. These aren’t Nazis and not every German soldier was responsible for the Rape of Belgium. A lot of them were conscripted, just like the guys on the other side of No Man’s Land. When it came to chemical weapons, the Allies used them on the Central Powers just as much as the other way around, and the same goes for submarine warfare, forced civilian labor, machine guns, and every other horrible thing about World War I on the Western Front.
If anything, she should be taking down Serbia and Austria-Hungary.
Through the goddamned window.
It’s way different for junior enlisted people.
While watching Wonder Woman for the first time, I remembered what it was like to pull security details as an E-2 while deployed. When Diana liberated Veld from the Germans, I couldn’t help but think of the circumstances surrounding it. While it’s totally awesome to watch her clear a trench, the war was almost over, and everyone knew it. The armies around Veld had been there for a year, and not much progress was made to advance either way. This means that everyone was likely just hunkering down to wait out the end of the war, content not to kill or be killed.
So, imagine being a German private, coming to work in the headquarters building, dreaming of returning home to Munich or Trier or wherever to be with your family again in just a few weeks when, suddenly, a Greek Goddess bursts in and starts murdering all your friends during frühstück and kaffee.
After leaving us with a fun (probable Boba Fett) easter egg last week, Chapter 10 opens with a meaningless action sequence that has no real consequence other than a long walk for Djarin (Pedro Pascal). The Yoda Baby is definitely going to need therapy if he’s going to be a wise Jedi leader — the kid has been thrown, concussed, and exposed to violence and murder a lot, you guys. Like, a lot.
Djarin is still searching for some Mandalorians and conveniently, Peli Motto (Amy Sedaris) just met a creature who has a lead. “The Frog Lady,” as she’s credited, needs secure passage to rendezvous with her husband in The System in order to fertilize her eggs — and in exchange, her husband will tell Djarin where he might find a Mandalorian cohort.
In the ship, the Yoda Baby is left alone with the eggs and here’s what I wrote in my notes: “I’m legit worried that Yoda Baby will eat the spawn…ew, Jesus, I was right.” This became a running joke(???) throughout the episode that was extremely problematic. The Frog Lady has made it clear that her only hope to prevent extinction is to reunite with her husband so he can fertilize her eggs and they can reproduce.
In other words, those eggs are her unborn children. To imply that it’s funny or cute that The Child keeps eating them, keeps literally murdering them, is very obtuse coming from a male writer and male director. It makes my skin crawl. Such a crime and violation should be treated with the severity of when Starbuck’s ovary was surgically cut out from her while she was imprisoned by Cyclons in Battlestar Galactica.
The Frog Lady was dehumanized and her desire to have children was treated as a joke. Considering how few female characters there even are in the series (it has yet to pass the Bechdel Test — though it received praise for hiring female directors), it further displays how tone-deaf stories can be when women are shut out of telling them.
During their space flight, Djarin and his cargo were intercepted by two New Republic X-Wings who started asking too many questions for Djarin’s comfort. In an effort to evade them, he crashed on an ice planet, wrecking the hull of his Razor Crest. While he sought to repair it, his cargo made some decisions.
The Frog Lady decided to take a hot spring dip with her eggs while the Yoda Baby decided to eat some eggs he discovered in the ice caves. Inside the eggs were calamari-looking spiders and the whole scene was disgusting — but not as bad as what came next.
The hundreds of eggs reacted and began to hatch, joined by creatures Star Wars Rebels fans will recognize as Krykna — giant (ice) spiders.
Hundreds of Krykna then scuttled after the trio, ranging from babies to horse-sized spiders, to enormous monsters that were heavier than Djarin’s ship. It was tense and gross. They were saved at last by the return of the X-Wings, who had checked in on Djarin’s records and determined that he wasn’t a bad guy.
After slaying the hordes of Krykna, the pilots left Djarin to repair his ship and limp his shaky way to The Frog Man.
War movies are a dime a dozen. The ones that truly stay with us are ones through which we connect to the characters as if they’re members of our own unit — like they could be our own best friends or beloved commanding officers.
So, when that character is killed off, it hurts – even when the movie is based on a true story and we know it’s coming. And we never forget it.
Check out our first list (linked below) and then read on to see more military movie deaths that shocked us.
One minute, everyone aboard the Alabama is dancing to “Nowhere to Run” and the next, a Chief close to retirement is fighting a huge galley fire.
You don’t realize it, but the death of Chief Marichek is the tipping point of the whole movie. No one really cares about some faceless Russian nutjob. Hunter’s disagreement with Captain Ramsey doesn’t turn to real anger until Chief Marichek dies.
Admit it, we were all thinking the same thing Lt. Cmdr. Hunter was when Ramsey callously described Marichek’s horrible death.
2. Sgt. 1st Class Randy Shughart and Master Sgt. Gary Gordon – Black Hawk Down
You see what the Somalis do when a helicopter goes down in this movie. So when Shughart and Gordon demand to be landed to help extract pilot Mike Durant, knowing full well they probably won’t make it out alive, you really hope against the odds that they can pull of some heroics and survive.
This is all the sadder because, like most characters in Black Hawk Down, Shughart and Gordon were real men who really did ask three times to land and secure Durant — even though they knew it would be suicide.
3. Lt. Billy “A-Train” Roberts – The Tuskegee Airmen
Fresh from taking down enemy planes and a Nazi destroyer (not to mention forever tearing down an immense racial barrier), Hannibal Lee and Lt. Billy Roberts were such a good team, all the white bomber pilots couldn’t believe it. Prejudices couldn’t stop Lee and Roberts.
Lee and Roberts sing as Roberts slowly loses consciousness and altitude and, when they’re finally taken out, a small part of my youth died forever.
4. Staff Sgt. Don “War Daddy” Collier – Fury
We grew to love War Daddy as the movie Fury rolled on. And, eventually, we understand and support his determination to stand his ground in the tank that became his home.
Unlike the Fury version, however, the real War Daddy – Army Tanker Lafayette G. Pool – survived the war. His 81-day combat career saw 1,000 dead Nazis, 250 enemy POWs captured, 12 downed enemy tanks, and some 250-plus other vehicles destroyed.
5. Captain John Miller – Saving Private Ryan
Capt. Miller was in North Africa at the Kasserine Pass, then at the Italian campaign’s landing at Anzio, and then (as if that wasn’t enough), he led most of his men alive through Operation Overlord.
So, knowing he survived so much just to get stuck defending some podunk town because there’s one bridge in it only to get mortally wounded as the Army Air Forces show up and ice the Nazis… it’s just… goddammit.
This is why a chain of command exists, so privates like Ryan will do as they’re told and go home instead of arguing with a captain who’s a genuine war hero and getting everyone in a platoon killed as they try to keep his disobedient ass alive.
During the halcyon days of broadcast television – before streaming media and DVRs existed – there were a host of military-themed shows on the airwaves. As much as the quality of the episodes (in some cases even more so) these programs were known for their openings and the associated theme songs. Here are 10 of the most classic:
MCCALE’S NAVY (1962-1966)
Forget JFK’s story from his time in the Pacific. Everything America knew about the history of PT boats came from “McCale’s Navy.” The show also showed that skippers could be cool and that POWs should be treated well; in fact, the Japanese prisoner “Fuji” was one of the gang. They even trusted him enough to make him their cook.
“Combat” lasted five seasons before American attitudes toward the purity of war were tainted by the realities of the Vietnam Conflict that came blasting into living rooms via the nightly news. “Combat” set a serious tone with this opening with epic orchestration and a narrator who’s basically screaming at the viewers.
GOMER PYLE, U.S.M.C. (1964-1969)
“Gomer Pyle U.S.M.C.” was actually a spin-off of “The Andy Griffith Show” and introduced the public to two concepts that remain true today: DIs are likeable guys underneath their gruff exteriors and (surprise!) the Marine Corps is populated by a goofball or two.
The drama of the opening theme of “Branded” was by-far the best part of this show. Watching Chuck Connors weather the dishonor of having his rank ripped from his shoulders, his sword broken in two, and the front gate closed behind him after he was shoved through it was heavy stuff.
F TROOP (1965-1967)
Manifest Destiny made into a sitcom. “F Troop” was a comedic take on life in the U.S. Calvary across the western frontier where Indian arrows went through head gear and nothing else.
HOGAN’S HEROES (1965-1971)
Not unlike what “F Troop” did to the reputation of Native Americans, “Hogan’s Heroes” showed the country that the Nazis weren’t inhuman tyrants but rather lovable idiots or clueless buffoons.
THE RAT PATROL (1966-1968)
This opening segment was all about the visual of U.S. Army jeeps going airborne over sand dunes without the guys holding onto the .50 cals in the back flying out or breaking their backs. “The Rat Patrol” was the show that introduced the nation to special ops and the idea that two light vehicles could take on (if not defeat) a column of Panzers.
STAR TREK (1966-1969)
For all of its allegory and social commentary, at its heart “Star Trek” was a show about military life on deployment. The opening remains among TV’s best with Capt. Kirk’s monologue, the Enterprise fly-by, and the soaring (albeit wordless) vocals.
Set during the Korean War, “M*A*S*H” was derived from Robert Altman’s 1970 black comedy of the same name and the theme song was an instrumental version of “Suicide is Painless” from the movie. The show’s finale was the most watched broadcast of any show ever until Super Bowl XLIV.
THE A TEAM (1983-1987)
“Punished for a crime they did not commit.” Oh, the injustice of it all. “The A Team” was known for gunfights, explosions, and car crashes that netted ZERO casualties. It’s also the show that made Mr. T into a household name.
Let’s be honest, most movies don’t get the Marines right, but that doesn’t mean some characters don’t capture what the Corps is all about.
Even among the the incredible men and women of the U.S. Armed Forces, Marines have a tendency to stand out. Whether it’s our cult-like affinity for adhering to regulations, our invariably over-the-top pride in our branch, our ability to hit targets from 500 yards out on iron sights, or the truck-load of ego we take with us into a fight, Marines are unquestionably a breed of their own.
In movies and television, Marines are often depicted as hellacious war fighters and disciplined professionals, but Marines themselves will be the first to tell you that, while we may work hard, we often party even harder. Marines aren’t war machines, but we are highly trained. Marines aren’t incapable of compassion, but we do often keep our emotions in check. Marines aren’t super human, but that won’t stop us from acting–and talking–like we are.
That swirling combination of bravado and humility, of violence and compassion, of action and introspection make Marines more complex than they’re often depicted on screens big and small. It’s just hard to cram the sort of paradox into a fictional character. Hell, it’s hard to cram that sort of paradox into a real person too–which is why, as any Marine Corps recruiter will tell you, the Corps isn’t for everyone.
So when it comes to fictional Marines, who does the best job of capturing the unique dynamic of Uncle Sam’s Devil Dogs? That’s just what we aim to find out.
Hicks, as we all know him, was technically a corporal in the United States Colonial Marine Corps, which may not exist now, but just may in the far-flung future of the Aliens movies. While Bill Paxton’s Private Hudson may have some of the more memorable lines (“Game over man! Game over!”) it’s Hicks that maintains his military bearing throughout most of the film. When their unit is decimated and Corporal Hicks finds himself as the senior Marine on station, he willingly assumes the responsibility of command, contradicts the unsafe orders given by the mission’s civilian liaison, and makes a command decision based on the evidence at hand.
If you ask me, that’s some pretty good Marine-ing right there.
Back in the 1990s, no one was cooler than the UFO-chasing FBI agents on the Fox series, The X-Files, but despite Mulder and Scully’s run ins with the supernatural, neither were particularly tough when it came time to fight. Fortunately, their boss was a Vietnam veteran U.S. Marine that had worked his way up to Assistant Director of the FBI.
Skinner didn’t only prove himself a capable fighter time and time again, he regularly put his life on the line to help the agents under his charge and frequently was stuck trying to insulate them from nefarious powers elsewhere in the U.S. government. Skinner was no pushover, and regularly dolled out disciplinary lectures, but when they needed him, Skinner was there with a solid right hook and a drive to protect his troops.
A good Marine isn’t just about the fight. A good Marine is a leader–and that’s just what Skinner is.
There are enough iterations of Jack Ryan for everyone to have a favorite. Whether you prefer Alec Baldwin’s Ryan squaring off with the best of the Soviet Navy in The Hunt for Red October or the John Krasinski’s TV version fighting modern day terrorism, there are some universal traits every character named Jack Ryan carries with them.
Ryan is the perpetual underdog, always starting his story arc as an unassuming CIA analyst and Marine veteran. Despite having all the usual Marine Corps training, a helicopter crash left Ryan with a long road to recovery and a new way of life–but that didn’t stop him from devoting himself to serving his country in any form he could.
Ryan is the perfect example of a Marine that could have done something else–with his smarts, capabilities, and drive, he could be successful in any industry. He chose service because his nation matters to the very fabric of his being. That’s what being a Marine is all about.
Marine Corps veteran and beloved character actor R. Lee Ermey was missing from the “In Memoriam” segment of the 2019 Academy Awards telecast.
Ermey, who passed away in April 2018, is best remembered for his role as Gunny Hartman in Stanley Kubrick’s classic movie “Full Metal Jacket,” a legendary performance that should have made him a lock to be included in the video segment.
Ermey also played memorable roles in “Se7en,” “Mississippi Burning,” “The X-Files,” “Toy Story 2” and that 2003 remake of “The Texas Chainsaw Massacre.” He also hosted the TV shows “Mail Call” and “Lock ‘N Load With R. Lee Ermey.”
Other Hollywood legends left out of the tribute include Verne Troyer (Mini-me in the “Austin Powers” movies); the incredible Dick Miller (best known for playing a WWII vet in the “Gremlins” movies); Danny Leiner (director of the classics “Harold and Kumar Go to White Castle” and “Dude, Where’s My Car?”); Carol Channing (Oscar-nominated for her role in “Thoroughly Modern Millie”); Sondra Locke (Oscar-nominated for her role in “The Heart is a Lonely Hunter”); and the director Stanley Donen (“Charade,” “Singin’ in the Rain” and the unfortunate 80s sex comedy “Blame It on Rio.”).
We can all take a moment to remember Ermey with the “Left from Right” clip from “Full Metal Jacket.” RIP, Gunny.
Every time a new Hollywood blockbuster comes out about the military, veterans and active duty service members get defensive — and for good reason.
The military is very detail-oriented and the veteran community can spot every mistake in technique, procedure, or uniform wear. It pains us watching films that can’t even get the amount of flags on our uniform correct.
As much of a master craftsman as Stanley Kubrick was when creating films, he’s not without his flaws. For instance, that scene in Full Metal Jacket when Joker is doing pull-ups and then Private Pyle gets hell for not being able to do one.
But Gunny Hartman should have been on Joker’s ass just as much since none of his should have counted (although it could be argued that it was a character choice by late, great R. Lee Ermey, a former Marine Corps Drill Instructor and Hollywood’s truest bad ass, just so he could f*ck with Pyle sooner.)
The film doesn’t exactly shine the best light on the reality of the Vietnam War, but at least in Full Metal Jacket, the uniforms are on point. According to the original Title 10, Chapter 45 section 772 line (f), actors may wear armed forces uniforms as long as it does not intend to discredit that armed force, and in 1970 that condition was removed altogether.
Back in 1967, Daniel Jay Schacht put on a theatrical street performance in protest of the Vietnam War. He and two other actors put on a skit where he “shot” the others with squirt-guns filled with red liquid. It was highly disrespectful but he did manage to get the uniform correct. After being sentenced with a $250 fine and six months in prison, he brought it up to the Court of Appeals and eventually to the Supreme Court.
It was ruled that, as distasteful as it was, his performance was protected under the First Amendment. The Vietnam War protester inadvertently helped troops by taking away any excuse to not get our uniforms right in film, television, and theatrical performances. Now there is no gray area. Hollywood has no excuse to not get the uniforms right.
So what gives? There are far more films that try to portray troops as righteous as Superman, but have them pop their collar.
The reason films like Full Metal Jacket, Forrest Gump, American Sniper, and Thank You For Your Service get it right is because they handle the military with respect. The producers, director, and costume designers listen when the military advisor speaks. They hire costume designers like Keith Denny who have handled military films before to do it right.
Military advisors have been gaining more and more respect in the industry. Because without them, well, the film turns into a drinking game for troops and vets — and they do not hold back their vitriol.
The Yazidi women who have fought the Islamic State of Iraq and Syria will be the subject of a new feature film in production by Amazon Studios and directed by Sarah Gertrude Shapiro.
This will mark Shapiro’s feature film directorial debut.
According to a report by Deadline.com, the exact plot details are unclear, but Shapiro has done much research into the plight of the Yazidi. Among the stories Shapiro has looked into is that of captured humanitarian worker Kayla Mueller.
The report notes that Mueller was forced into sex slavery and a marriage to ISIS leader Abu Bake al-Baghdadi, and that both the humanitarian organization Doctors Without Borders and the Obama Administration failed to negotiate for her release.
Mueller’s parents claimed they were told that if they did make an offer to the terrorist group, they would risk prosecution. Details of Mueller’s captivity were provided by at least one former sex slave who escaped ISIS, and a letter smuggled to her family.
Mueller died in February 2015, with ISIS claiming she had been killed in an air strike carried out by the Royal Jordanian Air Force, after being held for 18 months. Earlier this month, some reports claimed that Al-Baghdadi was also killed by an air strike.
Shapiro is also reportedly researching the so-called “European jihadi brides” in preparation for the project. Some of the worst torture suffered by Yazidi sex slaves has been at the hands of the spouses of ISIS fighters.
Shapiro is best known as the creator of the Lifetime series “UnREAL,” starring Constance Zimmer and Shiri Appleby, and also worked behind the scenes on the ABC Reality show “The Bachelor.”
For the first time in Army history, video cameras were allowed inside boot camp, and WATM was there to capture every minute. ‘10 WEEKS’ follows recruits as they make it through the Army’s grueling boot camp. Different storylines will captivate viewers as they get to know these real life soldiers in the making. One of those soldiers was featured on the Kelly Clarkson Show’s Veterans Day special, discussing the filming and her boot camp experience. Also on the show was one of WATM’s writers, Jessica Manfre, as she shared the mission of GivingTuesdayMilitary.
For many, the desire to be a part of something bigger than themselves propels people to give back and to serve. It’s why many service members join the military. The deep desire to make a difference and positively impact the world is another. That’s something that is extremely unique to the military community and why GivingTuesdayMilitary was created.
The global GivingTuesday movement was founded in 2012 after its founders lamented their frustration with the lack of generosity or kindness following Thanksgiving. They saw America jump from that holiday straight into the craziness of shopping, leaving little room for gratitude and kindness. Since its inception, which is always the Tuesday following Thanksgiving, they’ve grown exponentially. In 2019 alone their campaigns raised over $500 million dollars for charities. It was also the same year that a few military spouses decided to join in, and put their own spin on things.
Manfre is one of the co-founders of GivingTuesdayMilitary. Their mission and purpose is to promote intentional acts of kindness, all across the globe. The thought was that due to the deep reach of the military spanning the world, spreading kindness would have a ripple effect that could be felt everywhere. Their original goal was 1 million acts and they reached 2.5 million. For 2020, they are more determined than ever to spread kindness.
“We recognize that we are in a perilous climate with the divisiveness of the election, COVID-19 virus and issues regarding inequality running rampant throughout our country,” Manfre explained. “To combat this, there really is a new urgency on our message of kindness. Despite our differences, we can unite behind kindness. Kindness doesn’t care what you look like, who you love or who you voted for. It’s something that brings us together, no matter what.”
So, what do you have to do to join in on the movement? Be kind. Go into your communities and see where there is a need and fill it. This could mean organizing drives for the homeless or foster children; writing letters for hospice veterans through Operation Holiday Salute; or, it can be the beautiful but equally vital things like leaving encouraging notes for strangers. The message is simple: you can make a difference.
Co-founder Samantha Gomolka lives by the quote, “Create the world our children already believe exists.” We couldn’t agree more and it starts with you. This December 1 — be kind. To watch episodes of The Kelly Clarkson Show, click here. To learn more about GivingTuesdayMilitary and how you can be a part of it, you can find them on all social media platforms under @GivingTuesdayMilitary or check out their website.
Not many film sets have to scan for unexploded ordnance before production can begin — but filming “Dunkirk” required just that. Luckily, nothing was left behind from a battle now more than 75 years old, and director Christopher Nolan was able to bring “The Dunkirk Spirit” back to life.
In 1940, the outcome of World War II looked bleak for Europe. France fell within weeks of the start of the German blitzkrieg, and the British Expeditionary Force — along with its French and Belgian allies — was trapped on the beaches of Dunkirk by the Nazi war machine.
Their salvation wasn’t coming from the Royal Navy or Air Force. No reinforcements were on the way. There would be more battles to fight, and those ships, planes, and men would be needed for the coming days.
Prime Minister Winston Churchill and Vice-Admiral Bertram Ramsay put Operation Dynamo, a planned evacuation of the British forces from Dunkirk, into action. In Dynamo, the British military enlisted the aid of British civilians and their personal boats to ferry the men off the beaches and take them back to the home island.
The 400,000 stranded at Dunkirk would just have to survive.
Sometimes, survival is enough.
Survival is what Christopher Nolan’s new film “Dunkirk” is about. The director has said numerous times that “Dunkirk” is not a war movie.
“People will call it what they want to call it when they see it,” Nolan told We Are The Mighty. “For me, having never fought in a war, the idea of diving in and telling a war story is daunting, it felt presumptuous. This is not something that I profess to be knowledgeable about. What I was fascinated by was the evacuation itself which to me, it’s not so much a conventional war story, it’s an honor story. It’s a race against time.”
The men on the beach at Dunkirk had to maintain their grit and their stiff upper lip in the face of an enemy that had them outgunned and surrounded. This spirit of determination became known in British culture as “The Dunkirk Spirit.”
“It has a deep meaning for the English people,” says Mark Rylance, who plays one of the Little Ship captains who sails for Dunkirk. “We were the underdogs on that beach but we rose to the occasion and eluded the enemy. The Dunkirk Spirit has to do with that perseverance, endurance, and also selflessness.”
An experience is an apt description of Dunkirk. The movie is shot on 65mm IMAX film, making for a truly immersive WWII moviegoing experience for the viewer. “Dunkirk’s” visual beauty comes from the attention to detail Nolan brings to telling the stories — from filming the movie at the beaches of Dunkirk, to the British .303 rifles, and the use of the real “Little Ships” (as they came to be called) in the film.
Nolan even crossed the English Channel on a small vessel, similar to one of the little ships. His voyage took 19 hours in the choppy seas of the channel.
“It was a very arduous crossing,” the director notes. “And that was without anyone bombing us. What really stuck with me was the notion of civilians taking small boats into a war zone. They could see the smoke and the fires for many miles. So their willingness to do that and what that says about communal spirit are extraordinary.”
The director was even able to sit down with veterans of the BEF at Dunkirk, who told him of their experience and added to the historical value of the film.
“There are very few left since 1914 so it was an honor for me to experience,” Nolan says. “They very generously met with us and told us of their experiences. It’s one thing to study history with books. It’s another to sit across the table from someone who’s actually lived it and listen to their story.”
Dynamo’s plan was to save at least 40,000 men from encirclement and destruction. The Little Ships helped pull a total of 338,000 troops off the beach.
The “Dunkirk” story extends beyond the beaches and seas of the French coast. Nolan’s film tells the story from three points of view, using fictional characters to tell the full story of what happened on the land, seas, and in the air. It took about a week for ground troops to get off the beach via a mole (a large breakwater, often with a wooden pier built atop it), a day to cross the channel by boat, and an hour to cross by air.
Nolan’s story spans all three time frames and he faithfully recreates the extraordinary measures everyone at Dunkirk — including those in the skies above — took to survive. The operation to pull the recreation together was like a military operation in itself: thousands of extras, real French destroyers, and roaring British Spitfire and German ME-109 engines.
The effort took a toll on the filmmakers as well.
“I chose to really try and put the audience into that situation,” Nolan says. “Make them feel some degree of what it would be like to be there on that beach. I’d like the audience to go home with an understand of what happened there and hopefully some interest and respect for the war and the history of the real-life events”
Infantrymen train countless hours on immediate action drills, patrolling techniques and room clearing during their pre-deployment work up. The goal for every successful combat pump is to complete the mission and get your a** home safe.
While on a combat deployment, you made some epic memories — some good and some bad.
But one memory you’ll probably never forget is that first time you took enemy contact.