Its upcoming TV show, “Watchmen,” is inspired by the 1986 graphic novel of the same name by writer Alan Moore and artist Dave Gibbons, which is considered a classic deconstruction of the superhero genre.
But if you ask the show’s creator, Damon Lindelof, his series isn’t so much a deconstruction because “nobody has superpowers.”
In his first in-depth interview for the series with Entertainment Weekly, Lindelof — who also cocreated “Lost” and HBO’s “The Leftovers” — was asked how he plans to “break new ground on super anti-heroes” when other movies or TV shows like “Deadpool” and Amazon’s “The Boys” have recently tackled the idea.
“I started to think that for ‘Watchmen’ maybe the more interesting point is to think about masking and authority and policing as an adjunct to superheroes,” Lindelof told EW. “In ‘Watchmen,’ nobody has superpowers — the only super-powered individual is Dr. Manhattan and he’s not currently on the planet.”
(Amazon Prime Video)
He added, “In ‘The Boys,’ you have superpowered individuals in capes that can shoot lasers out of their eyes and fly around and have feats of strength and turn invisible. Nobody on ‘Watchmen’ can do that.”
In “The Boys,” a group of government operatives keep corrupt superheroes in check, from the Superman-like Homelander to the Flash-esque A-Train.
The “Watchmen” graphic novel follows a group of costumed vigilantes who uncover a vast conspiracy after one of their own is murdered. In Lindelof’s “Watchmen” show, which takes place nearly 30 years after the events of the novel, vigilantes are outlawed and police officers wear masks.
“I felt like we wouldn’t be deconstructing the superhero myth because all the characters in Watchmen are just humans who play dress up,” Lindelof continued. “It would be more interesting to ask psychological questions about why do people dress up, why is hiding their identity a good idea, and there are interesting themes to explore here when your mask both hides you and shows you at the same time — because your mask is actually a reflection in yourself.”
Disney’s “Star Wars: The Rise of Skywalker” is still doing big business at the domestic box office as it stayed in the top spot for a third consecutive weekend after taking in $33.7 million. But compared to its previous chapters in the Skywalker saga, the movie is a little sluggish by “Star Wars” standards.
The movie’s domestic total is now at $450.8 million, a fantastic figure for any blockbuster after three weeks, but at this time two years ago “The Last Jedi” had brought in $531.5 million. And 2015’s “The Force Awakens” raked in the domestic cume after the third weekend of an incredible $742.2 million.
At the end of the day it’s not how fast you get to id=”listicle-2644164132″ billion, but if you get there, and “The Rise of Skywalker” will certainly do that, as the movie’s worldwide total to date is 8.8 million. But the performance by “Skywalker” in the coming weeks will be interesting to track, as it might finish its theatrical run without getting to 0 million domestically. A figure that both “Force Awakens” (6.6 million) and “Last Jedi” (0.1 million) surpassed.
Sony supplied the rest of the box office power this weekend with three very different titles.
“Jumanji: The Next Level” continues to be a strong counterprogrammer to “Rise of Skywalker” as it came in second place with .5 million. Its domestic cume is over 6 million (over 0 million worldwide), proving the franchise will continue on for years to come.
Then it was a battle for third place between “Little Women” and “The Grudge.” Greta Gerwig’s adaptation of the classic edged out the horror with a .5 million take. But the latest reboot of the “The Grudge” has nothing to be upset about. Despite a 16% Rotten Tomatoes score and an F CinemaScore, the movie overperformed with a .3 million opening weekend (it was made for million).
Lionsgate/MRC’s “Knives Out” continued to be one of the top-earning original titles released in 2019 (bringing in million over the weekend, only a 9% drop from last weekend), but its performance in China has shocked everyone. Rian Johnson’s whodunit, which he made after doing “The Last Jedi,” has brought in over million in the Middle Kingdom, which is more than what “The Rise of Skywalker” has earned there (over million).
A24’s “Uncut Gems” continued to ride its critical acclaim and award season buzz to bring in some impressive box office numbers, as the Safdie brothers movie starring Adam Sandler brought in .8 million over the weekend. That marks only an 18% decline from last weekend contributing to a million cume.
Disney’s “Frozen II” is the highest-grossing animated movie of all-time with over id=”listicle-2644164132″.3 billion worldwide. It passes the first “Frozen,” which had the previous record with id=”listicle-2644164132″.28 billion.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
The first season of The Terror centered around a failed British expedition to find the Northwest Passage. The second season of this horror anthology takes place in the (fictional) Colinas de Oro War Relocation Center, a Japanese Internment Camp during World War II.
Star Trek’s George Takei stars in the show and came aboard this season as a consultant.
“Set during World War II, the haunting and suspenseful second season of the horror-infused anthology The Terror: Infamy centers on a series of bizarre deaths that haunt a Japanese-American community, and a young man’s journey to understand and combat the malevolent entity responsible,” reads the official synopsis.
The Terror: Infamy Season 2 Trailer | Coming This August
Screenshot from official trailer for ‘The Terror: Infamy’
The 10-episode season is co-created by Max Borenstein (Kong: Skull Island) and Alexander Woo (True Blood). The first season was praised for its supernatural suspense and currently has a 95 percent approval rating on Rotten Tomatoes. The second season will premiere on Monday, August 12 at 9/8c.
In 2014, the former Governator participated in an Omaze campaign to raise money for Afternoon All-Stars, a nonprofit organization which provides comprehensive after-school programs to keep children safe and help them succeed in school and in life.
Schwarzenegger’s campaign ended in 2014, but his promo video lives on and it is epic. For only $20, anyone had the chance to be flown to Los Angeles and drive over stuff with Arnold in his personal tank.
Omaze is a type of crowdfunding-online auction hybrid for raising money for good causes. For a set donation, anyone has the chance to spend time living an “experience” with a celebrity who teamed with a nonprofit to keep them in the black.
Video games are a much-enjoyed pastime for younger generations. It just so happens that a lot of troops today come from this video-game-loving generation. While they’re not out physically training for their upcoming deployment, they’re probably back in their barracks room “training.”
No, it’s not because they’re working to be 110% prepared. It’s because these games are also pretty fun.
6. America’s Army: Proving Ground
To be absolutely fair to every other game, this one was made by the U.S. Army. It serves as both a fun training aid for troops and an enjoyable recruitment tool for civilians.
While going through the training missions, a helpful Drill Sergeant will give you sound advice, for both the gaming world and the real thing.
5. SOCOM U.S. Navy SEALs
SOCOM is an oldie, but it still holds up — and has a huge place in gaming history. It laid the groundwork for many of the games on this list.
Sure, the graphics don’t hold up and you can find a more accurate video game on the shelves today, but this game brought a new dynamic to the industry. It was the first game to make use of the PlayStation’s microphone in a shooter and one of the first overall to use it successfully.
4. Rainbow Six: Siege
Siege is fast-paced game that pits a team of six attackers against six defenders. Players must then chose an operator based on many real-world Counterterrorist units, each with a special trait based off of real technology.
Communication and breaching are key elements to making Rainbow Six: Siege work. If you know the enemy is guarding the door, blow out the walls. If you know the enemy barricaded the walls, blow out the roof. If you know they booby-trapped that entrance, flash bang your way through to the objective.
3. Sniper Elite 4
If there’s one defining trait of real-life snipers, it’s their ability to wait for hours on end to get the perfect shot. While the waiting part isn’t the most alluring element of Sniper Elite, it definitely makes delivering that single, precise bullet all the more satisfying.
This game needs to be played slowly, methodically, and relaxed. And then you can sit back and enjoy as the game gives you a satisfying x-ray of the damage you’ve inflicted on the enemy.
2. Battlefield 1
The entire Battlefield series is beloved by troops for its slower pace (compared to the running and gunning of Call of Duty). The games also take a more logical approach to capturing objectives.
Players need to think through large 64-player vs 64-player battlefields. You can’t just run into a room, spin 360 degrees, and headshot someone with a sniper rifle without looking through the scope.
…unless you’re good.
1. Arma 3
There’s no game on the marketplace quite like Arma 3. Yes, there are single-player missions that require a basic level of thought, but what sets this game at the top is the deep multiplayer element.
Teamwork and coordination are keys to victory in this game. Everyone needs a microphone to communicate properly. You clear houses, just like real life. You man checkpoints, just like real life. And you even have support troops, just like real life. This game’s community is so well-versed in tactics to the point that actual service-members who play are often praised and asked to lead the civilians on missions.
*Bonus* Six Days in Fallujah
This game is left with just an honorable mention because it was never released. Originally created by Atomic Games, Six Days in Fallujah would have been the first of it’s kind. The developers wanted to deliver an experience that would require the player to use an extreme amount of military tactics in every level and accurately depict the Second Battle of Fallujah in what would have been almost an interactive documentary. It aimed to put the player in the psychological mindset of Marines that were actually there.
The game was said to have depicted the good, the bad, and the unfortunate sides of the very real war. You would have followed the actual 3rd Battalion, 1st Marines who took part in the battle. The objectives and conditions were exactly like those of real-life. The real Marines who died in the battle would have died in the game, too. It was scrapped in 2009 because of a severe backlash against the publisher for “trivializing” the severity of the Iraq War.
The last major movie of the summer is upon us, and you’re in for a good time and a few surprises with “Hobbs and Shaw.”
The “Fast & Furious” spin-off puts Vin Diesel in the backseat as the Los Angeles lawman Luke Hobbs (Dwayne Johnson) and the former British military elite operative Deckard Shaw (Jason Statham) are forced to reluctantly work together to save the world.
What went so wrong that Dominic Toretto couldn’t be called? The two enemies need to save the world from Brixton Lorr (Idris Elba), a cybergenetically enhanced superhuman who, along with an evil global organization, is trying to get his hands on a virus to make more of the human race just like him.
Does the premise seem a bit silly? You bet! But if you’ve been following this franchise since 2001, then you know what you’re in for — fast cars, big action sequences, and a bad guy who needs to be stopped. It’s just another day at the office for the Fast fam.
This is a fun one that feels right at home in the “Fast and Furious” universe.
How much did you want to see a movie with these two after this scene?
(Universal Studios image)
Why you should care: It’s the first ‘Fast & Furious’ spin-off movie, and it features two fan-favorites from the franchise.
This is simple. It’s the Rock/Dwyane Johnson and Jason Statham in a movie. If you saw 2017’s “The Fate of the Furious,” you’ve been waiting for this team-up since their memorable prison-escape sequence.
According to the film’s production notes, the idea for a spin-off Hobbs film had been floated around since he joined the “Fast” franchise in 2011’s “Fast Five.” The “Deadpool 2” and “John Wick” director David Leitch is in the directing chair for this one, so buckle up for some great fight sequences.
The fate of the world is in these guys’ hands… if they can stop fighting long enough.
(Universal Studios image)
What’s hot: The chemistry of The Rock and Jason Statham, the addition of Vanessa Kirby, some unexpected surprises, and two of the big action sequences.
If you told me years ago that I’d be rooting for Deckard Shaw, the man who killed off one of the most beloved characters in the “Fast” franchise (RIP Han), I’d think you were joking. But here we are. Whoever thought it was a good idea to put Johnson and Statham in a movie together made the right call.
You can easily watch Johnson and Statham banter for a full two hours. One of the jokes may get old after its third run-through, but their inability to cooperate for a majority of the film to save the world makes for a fun watch.
One of the biggest delights of “The Fate of the Furious” was seeing the Academy Award winner Helen Mirren join the cast as Shaw’s mother. She had said she really wanted to be a part of the franchise, so it was great to see her in “Hobbs and Shaw,” if only for a bit. You can tell she has so much fun doing these films. Mirren told Entertainment Weekly she wanted to drive in the next “Fast and Furious” film. She’ll be in next year’s ninth film, so here’s to hoping.
Helen Mirren is in “Hobbs and Shaw” and in jail for some unknown reason.
The addition of Vanessa Kirby as Shaw’s little sister Hattie is simply great casting. Not only does she look and sound like a young, feisty Helen Mirren, but Hattie is exactly what Johnson and Statham needed to ground their characters so they simply weren’t bickering for over two hours.
Vanessa Kirby is convincing as Helen Mirren’s badass daughter.
(Universal Studios image)
If you felt as if you saw the majority of “Hobbs and Shaw” in the trailers released, that’s relatively true. However, Universal did a great job of leaving two major surprises out of the film I won’t name here. You’ll never guess them, but one of the major additions received the most laughs of the entire movie.
While watching, I couldn’t stop thinking that one or two of the large action sequences would make for a great ride at Universal’s theme parks. Yes, they already have “Fast and Furious” rides at the Hollywood and Orlando, Florida, parks, but two, even three, chase scenes felt immersive enough to make for good additions. You’ll feel as if you’re on a ride yourself.
And pay attention to the music while watching. Elba, who’s also a DJ in real life, also wrote and performed a song that appears in the movie called “Even if I Die (Hobbs Shaw).”
I love Idris Elba, but when did the “Fast and the Furious” become “The Terminator”?
(Universal Studios image)
What’s not: There are some really silly moments, and the entire premise of the movie’s villain starts to take the franchise into the sci-fi genre.
Over the years, the “Fast” franchise has gotten more ridiculous in pushing the limits of where the films can go. If you’re along for the ride, you kind of just go with it. (The seventh film had Dom’s team go after a device called God’s Eye.)
But the villains thought up for “Hobbs and Shaw” make the “Fast” franchise feel as if it’s moving from action genre to sci-fi. And it should probably stick to action.
The bad guys want to genetically enhance and evolve the human race for unspecified reasons I’m guessing we’d learn more about in a sequel. That’s textbook villainy from a superhero movie.
That’s not all. There are a few moments when Idris Elba’s character, Brixton, starts to feel like a “Terminator” villain who just keeps coming back for more.
I guess at some point heist movies and chasing after drug cartels aren’t large-enough stakes when you’re 10 movies into a franchise.
(Universal Studios image)
Brixton is even referred to as such at one point on-screen because his character has been fused with some sort of machine so he can accurately predict others’ hits and movements. As a result, he’s a super soldier who’s more machine than man and appears unstoppable. At another point in the film, he’s called Black Superman.
Then there’s a faceless omniscient machine that’s pulling the strings behind-the-scenes. I’m sure the wizard behind the machine will be revealed to be someone with a grudge against Hobbs or Shaw in an inevitable sequel. But in this film, at least, the machine is a bit over-the-top. Every time its booming voice comes on-screen, it feels as if you’re watching a cheesy superhero film from the early 2000s.
It would all be a lot tougher to swallow if the chemistry between Johnson and Statham weren’t so good. Their wisecracks and fight scenes against Brixton’s goons are good enough to keep you distracted from thinking about how silly the villains are.
Jason Statham fight scenes? Sign me up.
(Universal Studios image)
Other than the villain, the entire third act of the film gets a bit silly when the group abruptly heads to Hobbs’ birth place of Samoa (eagle-eyed viewers will notice that they actually filmed in Hawaii) to enlist his estranged family to take down some high-tech baddies. What about the rest of the Fast fam? Where are they? Shaw only saved Dom’s baby in the previous movie. Surely, they owe him one.
I’ll let the location slide because the Rock himself is from Samoa. Throughout the “Hobbs and Shaw” press tour, he has repeatedly said he wanted to honor his culture on-screen. He even speaks in Samoan in the film. That’s sweet.
But once the Rock meets up with his older brother, Jonah, it’s a little bit tough to take Cliff Curtis seriously as someone who’s related to Hobbs. Curtis is fine in the movie, but he’s given two giant braids of hair to wear for the part. If you’re familiar with the actor from “Fear the Walking Dead,” it’s a jarring look that you never get used to while watching the movie.
It’s not a perfect film, but it has family at its heart. That’s the mainstay of a “Fast and Furious” film.
(Universal Studios image)
The bottom line: The Rock and Jason Statham keep the energy high in this crowd-pleasing spin-off. Expect more from these two.
I say this every time a “Fast and Furious” movie comes out. These aren’t movies that you take too seriously. They’re a good, fun time with explosions, high action, fast cars, faster car chases, and a few good brawls. If that’s what you go in expecting, that’s what Universal delivers with “Hobbs and Shaw.”
Is it a bit silly? Sure. Did I laugh and enjoy watching the Rock and Jason Statham bicker back and forth? Definitely. But most important, the film doesn’t forget its franchise roots. For as ludicrous as some of the film’s plot becomes, family is always at the heart of the spin-off.
If “Hobbs and Shaw” performs well at the box office, and I expect it will, get ready for a whole lot more of Luke, Deckard, and maybe Hattie as well. Make sure to stay until the film’s very end for a few unexpected end-credits scenes.
“Hobbs and Shaw” is in theaters Friday. Watch a trailer for the movie below.
Fast & Furious Presents: Hobbs & Shaw – Official Trailer #2 [HD]
Hollywood loves to make sequels even from semi-successful films. Maybe that’s the reason why “Jarhead 2” was made or just because the world needs more movies about Jarheads — but who knows.
Released in 2014, the film follows a squad of supply Marines who get attacked by enemy forces and must fight their way to safety. Some other stuff happens along the way and spoiler alert — most of them eventually make it back safely.
There, we just saved you two hours.
This film is one of many that makes Marines grit their teeth and have to look away — that’s difficult to pull off.
So check out our list of moments that made us grit our teeth.
1. Priority during a firefight
In the opening scene of the film, the Marines at Patrol Base Cobra are under heavy attack from enemy forces. But this Marine is ordered to finish unloading supplies from a truck rather than firing his weapon to defend the area.
We guess hydrating is more important than laying down a base of fire. (Source: Universal/ Screenshot)
2. The biggest bullseye ever
Corpsmen and medics haven’t carried medical bags with the Red Cross stamped on it in decades — just saying. That’s a huge a** red cross to add insult to injury.
3. Camp Leatherwhat?
They could have done a better job rendering what Camp Leatherneck looked like a few years ago. That’s why we have Google images.
Not even close. (Source: Universal/ Screenshot)
The tent city of the real Camp Leatherneck. Much different, right?
4. Sleeves up and wearing the wrong undershirt
A senior officer would know better than to put on the wrong color undershirt, wear gunny sleeves and sport a cover that looks like a blooming onion. Plus he’s wearing a guard duty belt for some reason.
You could afford a talented actor like Stephen Lang, but researching Marine Corps uniforms wasn’t in the budget? (Source: Universal/ Screenshot)
5. At the rifle range without any protective gear
The Range Safety Officer would lose his qualification in a heartbeat if a superior saw this crap.
Safety isn’t a real issue. (Source: Universal/ Screenshot)
6. Collar device placement
Oh, come on! Really?
Countless numbers of teeth have just broken after spotting this captain’s rank insignia placement. (Source: Universal/ Screenshot)
7. Worst secured perimeter ever
If you wanted to attack these fictional Marines, you could just walk right up from behind and they would never f*cking notice.
WTF? (Source: Universal/ Screenshot)
8. A scope mounted on the carrying handle
Nope. This film takes place in 2013, meaning RCOs were used and mounted in lieu of a carrying handle. No offense, but supply Marines do not rate those types of scopes.
For the love of God, do some research people. (Source: Universal/ Screenshot)
The U.S. Army has always loved its fictional, star-spangled avenger and brother-in-arms, Captain America. Since he served in the Army, he received the benefits of being a Soldier. Logically, this would entitle him to back pay for the 66 years he spent frozen in ice.
Steve Rogers was scrawny kid who served his country in World War II. Because his heart was pure, he was given the super-soldier serum, thus becoming Captain America. To keep Captain America’s backstory of service as a World War II hero relevant regardless of era, Rogers was frozen in ice and thawed out years later.
66 years is a long time to spend frozen. Fan theories have surfaced regarding how much, exactly, he would be owed when he finally came to. This caught the attention of an Army spokesman who clarified that, if he were real, Rogers would have received back pay.
(‘Captain America #25’ by Adam Hughes)
In the comics, this was answered briefly and never mentioned again in Captain America #312. He’s given a check for “almost a million dollars,” which he tries to refuse. He then decides to use the money to set up a hotline through which citizens can reach him for help — because Captain America is that kind guy.
Marvel’s sliding timeline is confusing, so it’s hard to fact-check that amount. After all, based on comic continuity, it’s only been about 15 years since Spider-Man was bitten (and Sam Raimi’s Spider-Man premiered 16 years ago — feel old yet?), so let’s take the writer’s word and move on. Things get more interesting, however, if we focus on the current, Marvel Cinematic Universe version of Cap and calculate his back pay.
(‘Captain America #312’ written by Mark Gruenwald with Art by Paul Neary)
A Redditor, Anon33249038, the user who grabbed the attention of the previously mentioned Army spokesman, did the math to include the Army’s 1945 O-3 pay grade (including biannual raises) all the way up to the start of 2011’s The Avengers. His total amount owed would be a staggering $3,154,619.52, adjusted for inflation.
The spokesman pointed out many missing variables in the equation, including the fact that Rogers’ $313.50 was paid quarterly instead of monthly, misinterpreted pay scales, and any unaccounted for promotions while Capt. Rogers was listed as missing until he was dropped from roll. Which is confusing because he was presumed dead until Nick Fury found him just before The Avengers.
The more accurate amount, given all the variables, comes from the folks at Nerdist. Since he was never officially promoted to Major, the time-in-service pay increases stop at 18 years, and calculating pay monthly for 66 years at the same rate, adjusting for inflation, gives you a grand total of $4,692,152.56 owed to Captain America. They reached this by adjusting his $375,474.00 for inflation until 2011.
However, DFAS has never had to deal with a 66-year gap for a frozen-in-time, super-serum-infused hero having to adjust each paycheck for inflation. But, when the military gives back-pay, they don’t usually factor inflation or yearly increases.
The solution is much simpler than everyone made it out to be. If he were to be paid at the current rate, $6,039.00 per month, his total amount is a similar $4,782,888.00 in just base pay alone. Granted, Captain America would probably turn that check down, just like in the comics… if the VA didn’t try to renegotiate it down to an “almost a million” first.
Lionsgate just dropped a trailer for their upcoming sci-fi film Chaos Walking, based on the trilogy by Patrick Ness, who also wrote the screenplay along with Christopher Ford (Spider-Man: Homecoming, Robot & Frank).
Directed by Doug Liman (The Bourne Identity, Edge of Tomorrow), the trailer displays an exceptional representation of the novels’ main McGuffin: the thoughts of men and animals can all be read by anyone.
“We call it the Noise. It happened to all the men on this planet. Every thought in our heads is on display,” intones Mads Mikkelson, ominously.
It takes incredible ingenuity to introduce a unique sci-fi concept — most everything has been done before. Mind-reading, of course, isn’t new either, but usually it is an uncommon gift. In Chaos Walking, it’s not only the default — it’s visually depicted by Liman’s incredible team.
See it for yourself in the trailer:
Dammit this looks cool.
“In the not too distant future, Todd Hewitt (Tom Holland) discovers Viola (Daisy Ridley), a mysterious girl who crash lands on his planet, where all the women have disappeared and the men are afflicted by “the Noise” – a force that puts all their thoughts on display. In this dangerous landscape, Viola’s life is threatened – and as Todd vows to protect her, he will have to discover his own inner power and unlock the planet’s dark secrets.” Official Lionsgate Promotion
“I’m sorry, I’ve never seen a girl before,” revealed Holland’s character upon seeing Ridley.
Not only does the film have a gripping concept, but Casting Directors Nicole Abellera (21 Jump Street, Keanu) and Jeanne McCarthy (Eternal Sunshine of the Spotless Mind, Bill & Ted Face the Music) really nailed their cast list.
Daisy Ridley, hot off her career-launching role as Star Wars’ Rey Skywalker, and Tom Holland, currently on rise to the top as the Marvel Cinematic Universe’s live-action Spider-Man, star in the film alongside Mads Mikkelson (Hannibal, Doctor Strange), David Olylowo (Selma), and Cynthia Erivo (Harriet).
“What happened to all the women?” asked Ridley.
“They’re dead,” replied Mikkelson.
The inherent mystery is intriguing. The implications of such a “Noise” is exciting to explore. Add in that bitchin’ score and honestly I can’t wait to watch this.
At the end of June 2019, a new version of Avengers: Endgame will hit theaters, with a post-credits scene and new “surprises.”
On June 19, 2019, Insider reported that during a press junket for Spider-Man: Far From Home, Marvel president Kevin Feige confirmed the “rerelease” will happen on June 28, 2019, right before Far From Home hits theaters the following week. Feige made it clear that this wasn’t an extended cut but that “there will be a version going into theaters with a bit of a marketing push with a few new things at the end of the movie.” He continued: “If you stay and watch the movie, after the credits, there’ll be a deleted scene, a little tribute, and a few surprises. “
The Marvel Cinematic Universe has a long history of including post-credits scenes, with mixed results. In April 2019, audiences who were excitedly anticipating the post-credit scene after Endgame were treated to a trailer for Spider-Man: Far From Home instead. Chris Hemsworth later teased a “deleted scene” from the film on Jimmy Fallon. However, the “scene” ended up being a clip of the Australian actor singing a few lines of “Hurt” by Nine Inch Nails.
The point is when it came out in April 2019, Endgame was unique because it was the first MCU film that didn’t have a post-credits scene setting up what would happen in future installments. Now, apparently, that will no longer be the case.
As for the “surprises,” that’s anyone’s guess. Maybe one deleted scene will help explain what the hell happened to Loki and how he has his own time-traveling TV show?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Star Wars: The Rise Of Skywalker | D23 Special Look
Of course, the most buzz-worthy scene is “Dark Rey” wielding a duel-bladed — and red — lightsaber. I don’t want to fansplain to you or anything, but red blades are of course associated with the Sith, who often preferred synthetic crystals energized by the dark side of the force.
Rey’s blade could mean a number of things. Maybe she nicked it? Maybe she turned to the dark side? Or probably maybe it’s just a vision. Rey hasn’t had a character flaw yet, but who knows? Maybe J.J. Abrams wants to throw us a curve ball.
(PS: Has anyone else noticed how dangerous these fancy lightsabers are? Like, how does Kylo Ren not chop his leg off any time he ignites his crossguard lightsaber?? The Force can only do so much…)
I just want to know that he attended his safety brief.
Anyway, back to Rey.
Twitter user Alan Johnson has a different theory about Dark Rey:
I still think Rey is a clone and the Sith version from the new The Rise of Skywalker trailer is a clone that has been activated and possessed by Emperor Palpatine. The vision she had in The Last Jedi screamed “clone” to me at the time.pic.twitter.com/ztoM5sqJmZ
Now that would be interesting to me. And I’m going full nerd to tell you why.
A brief history on clones in the Star Wars universe: they were bred to fight as soldiers under their Jedi commanders during the time of the Republic (think prequels). Under Supreme Chancellor Palpatine, the clone troopers fought the droid army of the Separatists during the Clone Wars.
But there was a hidden trigger implanted into every clone, and Palpatine (who of course we know was a Sith), issued Order 66, which named the Jedi Knights enemies of the Republic and called for their eradication. The clone militants purged the galaxy of the Jedi and gave Palpatine unchecked control of the Republic, allowing him to become the true antagonist of the original trilogy.
Emperor Palpatine was thrown into a deep shaft by Darth Vader during the Battle of Endor —presumably dead — and yet promo materials for the Rise of Skywalker have been teasing his return.
Could Palpatine have survived his fall? I’d say yes — any trained Force-user can levitate so it’s far-fetched for them to fall to their death. Theoretically he could have also hidden himself for all these years.
If he is alive, and Rey is a clone, that could pose many questions. Is Dark Rey also a clone? Could Palpatine “Order 66” her? Are there more versions of her? (I mean, I wouldn’t be unhappy with an Orphan Black situation…)
As a fan, it’s fun to consider the possibilities, which makes The Rise of Skywalker even more fun to look forward to.
The second coming of Deadpool to the Marvel Cinematic Universe comes just a few weeks after the long-awaited, much-anticipated third installment of the Avengers series. And honestly, I’m a lot more excited for the Merc with the Mouth.
Avengers: Infinity War was a long time in the making. An incredible 18 films since 2008 have led to this moment, a tribute to the idea of truly building a complex series of interwoven stories that often collide — just like in comic books. The D.C. Universe should take note: Wonder Woman is awesome, but she’s not going to carry an entire franchise that viewers aren’t truly invested in.
But there’s something to be said for brevity, especially in terms of wit, and that’s something Wade Wilson (and the Deadpool series) has in spades. Audiences new to the character won’t need a week-long primer to understand every character and nuance of Deadpool 2. They probably won’t even need to see the first Deadpool movie (but totally should).
In the new trailer, Deadpool makes digs at DC (of course, that’s easy) but also makes fun of Marvel, calling Josh Brolin’s character Cable by the character Brolin plays in Infinity War, Thanos.
That’s just true to the character. In the recent Deadpool comic series, ‘The Marvel Universe Kills Deadpool,’ he also makes a dig a Marvel’s failed Inhumans series.
We all knew the MCU’s X-Force was unlikely to include the lineup found in the original Deadpool comics, whch was Deadpool, Psylocke, Archangel, Fantomex, E.V.A., and freaking Wolverine. Just take look at how much Hugh Jackman costs — ain’t gonna happen. But that’s not important. The X-Force is a super duper f-ing group and though there aren’t as many big names in Deadpool 2, there are many reasons to be pumped to see the second incarnation of the Regenerating Degenerate.
First off, Josh Brolin as Cable? Awesome. Secondly, the time-traveling psychokinetic cyborg has tangled with Deadpool so many times in the comics (Deadpool even killed Cable recently in The Despicable Deadpool), watching the two actually fight onscreen is going to be action-sequence gold.
The goofy, powerless dad who “just saw the ad” is right there with the X-Force when they get into action.
Negasonic Teenage Warhead needs her own movie.
2. The MCU X-Force
Stefan Kapicic’s Colossus was so awesome in Deadpool, It’s great they brought him (and Negasonic Teenage Warhead, of course) back for the sequel. Zazie Beetz and Terry Crews as Domino and Bedlam (respectively) are awesome choices to round out the X-Force.
1. Deadpool isn’t for everyone and doesn’t pretend to be.
He’s called “The Merc With the Mouth” for a reason. Wade Wilson has never been politically correct, polite, entirely ethical, or even likable. And that’s the way it should be.
James Lipton, best known for his role in creating and producing Inside the Actors Studio died earlier today from bladder cancer at his home in Manhattan. His wife, Kedaki Turner, told TMZ, “There are so many James Lipton stories but I’m sure he would like to be remembered as someone who loved what he did and had tremendous respect for all the people he worked with.”
While Lipton was known for his conversational style with countless actors during the show’s run from 1994 through his retirement as host in 2018, less is known about his early life. Lipton was born in Detroit on Sept. 19, 1926 to Betty and Louis Lipton. His mother was a teacher and librarian and his father was a columnist and did graphic design for The Jewish Daily Forward. Following high school, Lipton enlisted in the Air Force during World War II.
In an interview with AOPA Pilot, Lipton said, “I always wanted to fly.” Unable to afford lessons he joined the military and qualified as an aviation candidate. When peace broke out—like any performer Lipton doesn’t want to reveal his age, but we’re guessing it was sometime after World War II—pilots were suddenly required to sign on for four years. “I didn’t want to spend the next four years doing that,” he said, so he mustered out and moved to New York to study law. Being in law school he couldn’t afford not to work, so to pay for law school he worked as an actor.
While his career may have had a slow start in the acting business, Lipton went from unknown to iconic with the launch of his project Inside the Actors Studio.
“James Lipton was a titan of the film and entertainment industry and had a profound influence on so many,” Frances Berwick, president of NBCU Lifestyle Networks and home to Bravo, said in a statement on Monday. “I had the pleasure of working with Jim for 20 years on Bravo’s first original series, his pride and joy Inside the Actors Studio. We all enjoyed and respected his fierce passion, contributions to the craft, comprehensive research and his ability to bring the most intimate interviews ever conducted with A-list actors across generations. Bravo and NBCUniversal send our deepest condolences to Jim’s wife, Kedakai, and all of his family.”
Inside the Actors studio was incredibly popular, with such A-list guests as Ben Affleck, Meryl Streep, Brad Pitt, George Clooney, James Cameron; after 22 seasons the list goes on and on. Lipton was always prepared for his interviews and humbled by the show’s continued success.
According to The Daily Mail, one of Lipton’s favorite moments in the show’s history was when a former student returned as a guest.
‘What I’ve waited for is that one of my graduated students has achieved so much that he walks out and sits down on that chair next to me,’ Lipton said.
‘It happened when Bradley Cooper walked out on that stage. We looked at each other and burst into tears. It was one of the greatest nights of my life.’
As Lipton toldTHR‘s Scott Feinberg in June 2016: “If you had put a gun to my head and said, ‘I will pull the trigger unless you predict that in 23 years, Inside the Actors Studio will be viewed in 94 million homes in America on Bravo and in 125 countries around the world, that it will have received 16 Emmy nominations, making it the fifth-most-nominated series in the history of television, that it will have received an Emmy Award for outstanding informational series and that you will have received the Critics’ Choice Award for best reality series host — predict it or die,’ I would have said, ‘Pull the trigger.'”