This Veterans Day, moviegoers everywhere can witness the most pivotal Pacific battle in World War II: “Midway.” The production reminds viewers just how precariously America’s future teetered in the early 1940s, and what cost, sacrifice and luck was required to achieve a free and open Indo-Pacific.
Director Roland Emmerich (Independence Day, The Patriot, White House Down, Independence Day: Resurgence) waited ten years before embarking on the heroic story, written by U.S. Navy veteran Wes Tooke. The ambitious storyline begins in earnest in Asia the 1930s, and follows the war in the Pacific through the Midway battle that ultimately changed the tide of war.
The narrative chiefly follows the experiences of two principal characters: Lt. Cmdr. Edwin Layton (the U.S. Pacific Fleet Intelligence Officer) and Lt. Dick Best (naval aviator and commanding officer of Bombing Six squadron). As with the actual war, numerous other characters help the story take shape. Historic figures like Nimitz, Doolittle, Halsey, McClusky and others played critical roles in the war, and resultantly in the movie.
Actor Woody Harrelson observes flight operations with sailors aboard the Nimitz-class aircraft carrier USS John C. Stennis, Aug. 11, 2018, as aircraft trap, or recover, while returning from a mission.
(U.S. Navy photo by Mass Communication Specialist 3rd Class Joseph Miller)
The movie timeline has a fever-pitch parade of battles from the attack on Pearl Harbor through the the climactic fight at Midway a mere seven months later. Those portrayed are originally imperfect versions of themselves, who grow personally and professionally. Along the way they are confronted with unimaginable challenges and choices, often with historic consequences.
“I wanted to showcase the valor and immense courage of the men on both sides, and remain very sensitive to the human toll of the battles and war itself,” said Emmerich.
Just as the project was being “green lighted,” Emmerich visited historic Pearl Harbor in June 2016. While there, he saw first-hand the historic bases, facilities and memorials that remain some 75 years on. Home to the U.S. Pacific Fleet, Oahu was the target of the infamous Dec. 7 attack. The island also hosted the headquarters where much of the early Pacific war planning occurred and where information warfare professionals partially broke the Japanese code. Ultimately, this was the location from which Adm. Chester Nimitz made the decision to risk what remained of the Pacific Fleet in the gamble at Midway in June 1942.
Emmerich personally toured the waterfront, including Battleship Row and the harbor where much of the fleet was anchored that fateful Sunday morning. He went on to visit the Pacific Aviation Museum on Ford Island, which includes a dedicated Battle of Midway exhibit. His visit was curated by the facility’s historian and author Mr. Burl Burlingame, who has since passed away. Burlingame provided rich accounts of the opening months of the war, including the attack on Pearl Harbor and the Battle of Midway. Emmerich also got a behind-the-scenes look in the historic aircraft hangar there.
More than 200 extras in period dress on location during the filming of the major motion picture “Midway.”
(U.S. Navy photo by Mr. Dave Werner)
The tour continued along Ford Island, which included stops at the original USS Arizona Memorial; a Navy seaplane ramp (with Pearl Harbor attack bomb and strafing scars); the Army seaplane ramps (also with strafing scars); and the USS Oklahoma and USS Utah Memorials.
Emmerich and his party then conducted windshield tours of the USS Missouri; the Pacific Fleet Headquarters compound at Makalapa – which included the historic Nimitz and Spruance homes; the temporary office space from which Adm. Kimmel watched the attack on Pearl Harbor unfold; and the famed Station HYPO, profiled throughout the movie Midway, where its operators broke enough of the Japanese code to enable the ambush at Midway.
The visitors were able to glimpse the Pearl Harbor Naval Shipyard and Dry Dock One. In the of Spring of 1942, a battered and bloodied USS Yorktown aircraft carrier limped back to Pearl Harbor following the Battle of Coral Sea. Despite extensive damage, the ship remained in dry dock only three days as shipyard works swarmed aboard to get her back in the fight. Initial repair estimates actually forecast three months to get her operational. The “Yorktown Miracle” resulted in the aircraft carrier being available to join the Midway fight a few days later.
After a full day of exposure to the places and legends who won Midway, the task of pulling it together for one movie might intimidate even the most seasoned directors. Not Emmerich.
“I was really impressed with his enthusiasm for the history and his determination to get it right. You could see the wheels turning in his head with each visit – it was like the movie was coming alive in his mind,” said Dave Werner, who escorted Emmerich and his group during the visit.
Once the Department of Defense approved a production support agreement with the movie’s producers, the writers got busy working to get the script as accurate as practicable. Multiple script drafts were provided to the Naval History and Heritage Command (NHHC). Those same historians viewed the rough and final movie productions.
Rear Adm. Brian Fort, commander of Navy Region Hawaii, left, and actor Woody Harrelson discuss the life and career of Adm. Chester Nimitz, the U.S. Pacific Fleet commander during World War II.
(U.S. Navy photo by Mass Communication Specialist 2nd Class Charles Oki)
The “Midway” movie writers and producers worked tirelessly with the Navy in script development and during production to keep the storyline consistent with the historic narrative. In a few small instances, some events portrayed were not completely consistent with the historical record. Revising them would have unnecessarily complicated an already ambitious retelling of a series of complicated military battles. The production was representative of what unfolded in the opening months of WWII in the Pacific and does justice to the integrity, accountably, initiative and toughness of the sailors involved.
The naval historians who reviewed the production were impressed.
“I’m glad they did a movie about real heroes and not comic book heroes. Despite some of the ‘Hollywood’ aspects, this is still the most realistic movie about naval combat ever made and does real credit to the courage and sacrifice of those who fought in the battle, on both sides,” said the director of NHHC, retired Rear Adm. Sam Cox, who personally supported each phase of the historical review.
The commitment to getting it right matriculated to the actors honored to represent American heroes.
Harrelson as Adm. Chester Nimitz
Woody Harrelson plays the role of Adm. Chester Nimitz, the U.S. Pacific Fleet commander who assumed command after the attack on Pearl Harbor, through Midway and remained in command until after the end of the war. Harrelson bears an uncanny resemblance to Nimitz in the movie.
In preparing for the role and while in Pearl Harbor, Harrelson called on Rear Adm. Brian Fort, who was (at the time) the commander of Navy Region Hawaii. Harrelson wanted to understand the decisions the fleet admiral took in those critical months, and also wanted to get a sense of the type of naval officer and man Nimitz was. Calm and understated, and renowned for his piercing blue eyes, Nimitz was a quiet, confident leader. And he demonstrated a remarkable threshold for taking calculated risks. Committing his remaining carriers to the Midway engagement was chief among them.
Actor Woody Harrelson, second from left, poses for a photo with sailors aboard the Nimitz-class aircraft carrier USS John C. Stennis (CVN 74) while observing flight operations with sailors.
(U.S. Navy photo by Mass Communication Specialist 3rd Class Joseph Miller)
“Adm. Nimitz came in at an extremely difficult time for the Pacific Fleet. It was really important for Harrelson to understand not just the man, but the timing of his arrival and the urgency of the situation for the Navy and nation,” said Jim Neuman, the Navy Region Hawaii historian who arranged the meeting between Rear Adm. Fort and Harrelson. Neuman also served as the historical liaison representative on multiple sets during the filming.
Harrelson also got underway on the aircraft carrier USS John C. Stennis in August 2018 while the ship operated in the eastern Pacific Ocean. While embarked Harrelson got a close look at air operations at sea. He observed the launching and recovery of various naval aircraft, as well as seeing the navigation bridge and other areas critical in ensuring the ship operates safely. Harrelson was also exceedingly generous with his time to interact with sailors, stopping to talk with them, sign autographs and even played piano at an impromptu jam session.
During the visit, he saw first-hand what “Midway” depicts throughout: Navy teams work very closely together to make the impossible become possible.
The Midway battle pitted four Japanese aircraft carriers against three American carriers. Preparing, arming, launching and recovering aircraft from a ships at sea is no easy task. Adding the uncertainty and urgency of war only complicates an already highly complex operation.
Having credible combat power win the fight was only one aspect of winning Midway. Having them in the right location, at the right time, was the work of the information warfare professionals.
Wilson as Lt. Cmdr. Edwin Layton
Patrick Wilson, who serves in the role of Lt. Cmdr Edwin Layton, the U.S. Pacific Fleet intelligence officer, took great care in accurately portraying his character. He called on the Pacific Fleet’s intelligence officer, just-retired Navy Capt. Dale Rielage. The two toured an unclassified area outside of the still highly-classified offices at the Pacific Fleet. The outer office space is adorned with storyboards that remind the Navy information warfare professionals there just how critical their work was in winning Midway and the war in the Pacific. Also located there is the Pacific Fleet intelligence officer portrait board – with Layton’s picture being the first in a line of dozens of officers who have served in the 75 years since.
Patrick Wilson, right, who portrays U.S. Pacific Fleet intelligence officer Lt. Cmdr. Edwin Layton in the upcoming movie “Midway,” tours U.S. Pacific Fleet headquarters. Here he tours an unclassified outer office dedicated to heritage of the World War II information warfare specialists who helped win the war in the Pacific.
(U.S. Navy photo by Mr. Dave Werner)
After the brief tour, the two sat down and compared notes about Layton’s education, his experiences in Japan and elsewhere before the war, his relationship to Nimitz, and what the relationship was like between the Pacific Fleet staff and the code breakers in Station HYPO. No detail was too small, including typical protocol concerning how staff might have reacted when a senior officer such as Adm. Nimitz entered the office. Wilson’s command of Layton’s history was impressive and exhaustive, and his portrayal in the movie reflects it.
In fact, the research he and others put into the script and portrayals made “Midway” a compelling and believable representation of how information warfare professionals literally helped save the world 75 years ago. In today’s connected 21st-century information landscape, the importance of naval information warfare professionals are even more important to today’s security.
“We were thoroughly impressed with the amount of research he had conducted on his own, and it’s evident he is committed to honoring Layton’s legacy. Besides that, he was a really just a good guy and earnestly interested in learning more about Layton and the history,” said Werner, who escorted Wilson during the visit to the staff.
“Midway” opens in theaters everywhere on Nov. 8, 2019.
We first learned of the Yautja when Arnold Schwarzenegger went toe-to-toe with one in a South American jungle in the 1987 sci-fi action-thriller, Predator. Since then, these aliens have become a lauded piece of nerdy pop-culture. The latest installment in the franchise is coming out later this year, so now’s the time to learn as much about these interstellar hunters as possible.
You might know that these aliens are efficient trackers and killers — hence the name Predator. You might even know about their active camouflage, energy blasters, and cool nuke wristbands. But if you didn’t know the proper name for this species before now, then you’ve got a lot to learn.
We’re here to lead you down the rabbit hole. Here are a few things you should know about these badasses before checking out The Predator later this year.
There are two main tribes of Yautja — who are at constant war with each other.
(Twentieth Century Fox)
They have a warrior culture
Despite being capable of interstellar travel, the Yautja’s civilization is built around a tribal structure and a warrior culture. They value experienced warriors and the only way to earn respect is through battle.
They hunt for sport
You may have picked up on this in the original Predator when the mercenaries come across skinned corpses and shrines made of skulls. They don’t hunt for survival, they hunt for trophies. We mentioned above that the Yautja earn respect in battle — what better way to command respect than by weaving a vest of your enemies’ skulls?
They respect opponents who choose to face them head on.
(Twentieth Century Fox)
They only hunt formidable prey
They don’t just hunt something easy and say, “I killed a cricket, respect me.” No, they only target opponents who present a real threat to them, like Dutch’s mercenary team in the original film.
Any human who defeats one in single combat earns their respect
Compared to the Yautja, that humans are weak, fragile creatures. So, it’s pretty obvious why an alien race that prides itself on hunting and killing extremely dangerous creatures would respect a human who can survive a one-on-one fight.
Comrades of a fallen Yautja have been known to even award the human with a rare weapon as a sign of respect.
Humans can only hope they hunt each other into mutual extinction…
(Twentieth Century Fox)
They hunt Xenomorphs as a rite of passage
Remember the aliens from, well, Alien? When a Yautja is coming of age, they must endure a ritual in which they hunt a Xenomorph, which are considered the ultimate prey in their culture. If one can defeat a Xenomorph, they earn the respect of their tribe.
To signify their success in hunting a Xenomorph, a Yautja will mark their helmets using the alien’s acidic blood.
The early 1980s brought us some epic action movies like “Conan the Barbarian,” “Blade Runner,” and let’s not forget “E.T.”
Although these films were fun to watch, they didn’t have the impact on veterans like the movie “First Blood” did.
Directed by Ted Kotcheff, John J. Rambo (Sylvester Stallone) was a former Green Beret who just wanted to visit his Vietnam buddy when things took a turn for the worse and he ended up battling a small town’s police force after an unlawful arrest.
But we’ve always wondered what it would have been like to serve under his command. Here’s our take on how being in Rambo’s platoon would be.
1. Alternate shooting techniques
In most boot camps we’re taught proper weapons handling. But forget all those safety briefs you were forced to listen to when Capt. Rambo reports in as the new commanding officer, because every shot you fire from here on out will be from your hip.
Plus it looks awesome if you can handle the recoil. (Giphy)
2. No bayonets
Having the ability to mount a knife on the barrel of your rifle isn’t enough.
If you were in Rambo’s company, your blade would have to be up to such standards that it can slice a bad guy up and be thrown across the room with perfect precision.
“Game of Thrones” composer Ramin Djawadi has been a central craftsmen of HBO’s iconic series since the very first episode. For the coming final season, he’s keeping the secrets of the score close to his chest.
“I don’t know if I should … or what I can even say at this point,” Djawadi told INSIDER at the season eight premiere in New York City last week when asked if there are any new instruments we’ll hear on season eight. “I can say there are new themes, definitely, and there are plenty of the existing themes as well, with new iterations.”
Djawadi says the experience of producing this final season has been “bittersweet.”
“It’s obviously super exciting but writing this final season was definitely very emotional for me,” Djawadi said. “I went through all the ups and downs all by myself.”
He was sent the final season’s episodes earlier this year, but had to watch them by himself in order to maintain the secrecy of how the show ends.
“Obviously it’s so under wraps that even my direct team can’t have access to my studio,” Djawadi said. “So it was just me and nobody else, all the doors were locked. It was quite emotional.”
The music you hear on “Game of Thrones” isn’t just written by Djawadi; he plays most of the instruments himself and then assembles the individual layers into one cohesive piece for the score.
Djawadi told INSIDER he watched all six episodes “straight through” before he started writing any music.
“Then I re-watched them countless times,” Djawadi said. “Like hundreds and hundreds of times.”
One theme INSIDER is eager to hear on the coming official soundtrack is the music which plays during Jaime Lannister’s signature moments, including the memorable bathtub monologue on season three and when Jaime goes to treat with the Blackfish on season six.
Neither of those pieces of score were put on the official released compilations fans can buy or stream. But Djawadi says he hopes to get Jaime’s theme onto the released season eight soundtrack.
“Yes, definitely,” Djawadi said. “A lot of people have approached me [about that]. It’s interesting, when I get stuff ready for the soundtrack I sometimes think, ‘Oh this piece is too short,’ and then all these people ask why it’s not on there.”
“I feel like I should go back and look through all the unreleased material and do something with it,” Djawadi said.
We suggested he release a bonus soundtrack after the series finale.
“Yeah, I think we have to,” Djawadi replied.
“Game of Thrones” premieres Sunday, April 14, 2019, at 9 p.m. ET. Tune in to hear if any of those new themes teased by Djawadi makes it into the first episode of season eight.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
Bayonets epitomize the warrior mentality. Although it’s been a good while since the last official call was made to “fix bayonets” in an actual combat mission, the ancillary CQC weapon retains a special place in many warfighters’ hearts. Of course, if troops like to attach a sharp, pointy knife to their rifle’s end, then they’d surely love to affix a chainsaw. What could be better?
Chainsaw bayonets have become a trope in popular sci-fi, but there is none more iconic, overly-gratuitous, and awesome than those attached to the Mark 2 Lancer Assault Rifle in the Gears of War series. This futuristic weapon is a massive, fully-automatic rifle outfitted with a roaring chainsaw bayonet. It works well in the game, but it wouldn’t stand a chance in the real world.
There aren’t any official technical specs available for the Lancer, so it’s impossible for us to accurately judge its effectiveness, but we’ve seen a few people try to recreate the chainsaw bayonet themselves. Still, this technique is nowhere near as common as pop sci-fi would have you believe — for good reason.
In real life, the chainsaw bayonet is extremely flawed for a number of reasons. Firstly, there isn’t really any way to store the gasoline needed to power the chainsaw, so it won’t run for long. The workaround here would be to add a larger fuel source, but by doing so, you’d add to the already-bulky weight of the saw.
Then there’s the weight-distribution problem. It’s never an issue for the hulking heroes of Gears of War, but real-world troops aren’t so massive. Adding weight to a rifle will likely throw off its center of balance. When the front of a gun is far heavier than the back, it simply won’t fire accurately.
The center of balance is almost always closer to the butt-stock so the user has more control over control the weapon. Firearms without butt-stocks are also balanced in a way so that the recoil doesn’t shift the sight picture. Attachments to the front of a weapon, like suppressors, can help regulate weight distribution, but these are very specialized tools. The bulk of a functioning chainsaw would be incredibly difficult to offset.
Finally, we have a hard time seeing a situation in which a chainsaw bayonet would be more effective — not just more enjoyable — than a standard bayonet.
For a quick rundown on why this weapon would also be a complete safety hazard, check out this video.
This is the party your first sergeant had nightmares about.
And yet, “Office Christmas Party” was exactly what I asked Santa for this year: it was funny and festive all the way down to Rudolph the Red-Nose pasty on some background actor’s left boob.
The throwaway lines were so fantastic I almost didn’t want to laugh — lest I miss something — but I did laugh. I “ho ho ho’d” the whole way through.
Jennifer Anniston plays the Grinch-like CEO of Zenotek, who threatens to close down the branch run by her brother (played by T.J. Miller, who may have actually been Cindy Lou Who in a previous life).
Miller enlists his earnest Chief Technical Officer (Jason Bateman) and my new girl crush Olivia Munn to host an epic office Christmas party in a last-ditch effort to impress a potential client and save the branch.
We’ve seen Anniston, Miller, and Bateman play these roles before — and they’re perfectly good at them — but let’s talk about the true heroes of this film, starting with Kate McKinnon, the HR rep fighting a long, uphill battle.
McKinnon’s ability to steal a scene with but a wink is something I’ll never tire of. She is precious, especially in her non-denominational holiday sweater. Be sure to stick around for her bloopers during the credits and check out her bonus material on the film’s Facebook page.
Veep’s Sam Richardson turns it up when he rocks the DJ booth; he nails unassuming characters with the precision of a SEAL sniper and I never want to go to a party without his “fwam fwam fwam” again.
Then there’s Jillian Bell, perhaps best known for “Workaholics,” whose portrayal of a pimp almost makes me want to become a pimp. She definitely has me rethinking whether I should indeed take that open-carry course…
All in all, this film everything one could want from the holidays: mayhem, familial arguments with a “tap out rule,” and a killer party playlist.
Now let’s go make like a Christmas tree and get lit!
Joker was always going to be a different kind of Batman movie. It might not even to be fair to call it a Batman movie, centered as it is on Gotham’s most infamous criminal and not its most famous orphan. But besides a narrative focus beyond good vs. evil, what sets this movie apart is its relationship with its source material.
“We didn’t follow anything from the comic books, which people are gonna be mad about,” writer-director Todd Phillips said in an upcoming interview with Empire. You read that right: instead of basing the script on a graphic novel or cobbling it together from different comic books, Phillips wrote an original story.
“We just wrote our own version of where a guy like Joker might come from. That’s what was interesting to me. We’re not even doing Joker, but the story of becoming Joker. It’s about this man,” Phillips added.
Instead of pitting the character, be it zoot suited Jack Nicholson in a zoot suit or a shirtless Jared Leto, against Batman, the Joker script is about Arthur Blank’s descent into Travis Bickle-like madness. If it sounds like a role designed for Phoenix, a notoriously intense actor, that’s because it is.
“We had a photo of him above our computer while we were writing,” he told the magazine. We constantly thought, ‘God, imagine if Joaquin actually does this.'”
Well, he actually did it, but you’ll have to wait until Oct. 4, 2019, to see exactly where on the “inspired by” to “based on” spectrum Phillips’s film falls.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In January 2007, a group of Royal Marines devised a risky and unorthodox mission to rescue one of their own who was trapped inside an enemy compound. To get him back, four Marines strapped themselves to the outside of Apache helicopters and rode into harm’s way.
It happened after an attack on Jugroom Fort went sour quickly. The Brits assaulted in armored vehicles with artillery and Apache support, and the insurgents returned heavy fire . Poor communication during the raid led to a friendly fire incident and another miscommunication led to the Marines withdrawing without Lance Cpl. Mathew Ford.
After rallying back up, the Marines quickly realized Ford was missing, and one of the two Apaches on the battlefield used an infrared sensor to spot what appeared to be a human silhouette just inside the compound. The Royal Marines quickly devised a plan to strap two Marines each to two Apaches and have them land just outside the compound.
Many Netflix shows are short lived. With the exception of some of its earliest series, such as “House of Cards” and “Orange Is the New Black,” Netflix has a tendency to cancel shows after two or three seasons.
Ampere Analysis tracked 61 canceled TV shows between September 2018 and March 2019 across streaming and traditional TV. The report, released on April 9, 2019, found that streaming services are more likely to cancel a show early on. Original streaming shows have an average lifespan of two seasons, compared to four seasons on cable and six-and-a-half seasons on broadcast networks.
Netflix accounts for 68% of video-on-demand cancellations, and 12 of its 13 canceled shows since September 2018 were for series with three seasons or fewer, according to Ampere.
“The VoD services seem determined to drive subscriber growth through a continuous pipeline of new content, but this comes at the cost of missing out on long-running franchises like NBC’s ‘Law Order’ that keep customers coming back year after year, reducing churn,” Fred Black, an Ampere analyst, said in the report.
Season six of “Law Order.”
It’s worth noting that Netflix shows are ordered straight to series, and the streamer drops entire seasons at once. On traditional TV networks, a pilot is typically ordered first, and many shows don’t even make it past the pilot phase.
Netflix’s recent cancellations include “One Day at a Time” and its Marvel TV shows, such as “Daredevil” and “The Punisher.” Netflix canceled “One Day at a Time” in March 2019 after three seasons, saying “not enough people watched to justify another season.” It canceled its remaining Marvel shows, “The Punisher” and “Jessica Jones,” in February 2019.
Deadline reported March 2019 that Netflix sees little value in long-lasting shows, and prefers ones that run 10 episodes a season and 30 episodes total. After that, they often become too expensive to continue to invest in, unless they are a breakout hit that Netflix owns like “Stranger Things.” And the shorter the season, the easier it is for new viewers to jump into a show for the first time.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.