Nobody really believed the gritty, dark, and controversial version of Joker would lead to more movies set in the Batman universe. But now, it appears that is exactly what is happening. The standalone Joker origin story will no longer stand alone. Director Todd Phillips has secured the rights to at least one more story based on characters from DC comics, which means Joaquin Phoenix will likely meet at least one more famous DC character in a sequel. But will it be Batman?
On Nov. 20, 2019, The Hollywood Reporter published the news that Todd Philips was able to convince Warner Bros to let him do at least one more movie set in the Batman/DC Comics universe. According to the report, this is partly because Joker did pretty well at the box office, despite the fact that everyone was freaked out about the movie for like three weeks straight. “Phillips is in talks to reprise his role as director for a second Joker outing,” writes Tatiana Siegel.
But what does it mean? Is the next Todd Philips movie a direct sequel to the Joker? Or will this be another, bizarre take on a different DC villain?
The biggest question most sane people have is whether or not Batman would show up in a potential sequel. The huge age difference between this version of the Joker and the young Bruce Wayne we saw in the movie makes us think it’s unlikely. (Then again, the Fox TV series Gotham had this exact same problem, and ended up bringing in Batman anyway.) Plus, having a different Batman in a Joker sequel feels like a bad move from Warner Bros, since they’re clearly pouring all their resources into making us all happy about Robert Pattinson being the newest big-screen Dark Knight. Phillips has already said outright that his Joker won’t meet Robert Pattinson’s Batman.
Still, the news here is mostly centered on the fact that Phillips got the rights to do another DC Comics movie, which doesn’t necessarily mean he is doing a follow-up to the Joker. After all, because Joker was so successful, who is to say Philips couldn’t do another villain origin story? Depending on who you ask there hasn’t been a good Lex Luthor since Gene Hackman in the Christopher Reeve Superman movies. Could Phillips be ready to tackle a Joker-style Lex Luthor origin story? These days, anything is possible. But, when you consider that Lex Luthor shares a lot in common with Donald Trump, and at one point, DC Comics did have Luthor get elected president, a giant Lex Luthor movie is timely enough to not be out of the question.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
That satisfying “Ping!” of bullets on target is as regular as a metronome when former Green Beret sniper, Aaron Barruga, is running tactical marksmanship drills on his home turf in Santa Clarita, CA. With his company, Guerrilla Approach, Barruga trains civilians, military, and law enforcement in proper and effective tactical firearm deployment.
The man does not miss.
“Oscar Mike” host Ryan Curtis paid a visit to Barruga’s training facility to bone up on his sharpshooting and found himself in good hands, drilling shoulder to shoulder with this veteran entrepreneurial success story. Barruga’s advice?
“I would definitely say that, if they have the opportunity, use that G.I. Bill. Get that piece of paper that says, “I’m smart and employable.” And just grind away, basically. You gotta hustle.”
As the day progresses, the sweat beading on Ryan’s brow is a testament to his hustle, if not his dead shot accuracy. And when he challenges Barruga to an Old West-style duel, our host quickly learns what high noon looks like at the Less-than-OK Corral.
Watch as Barruga makes plinking targets look easy, and Curtis proves his monkey is definitely the drunkest, in the video embedded at the top.
Long before he played the greatest Starfleet officer of all time and directed the immortal ‘The Voyage Home‘ Leonard Nimoy spent 18 months in the Army reserve. According to Military.com, Nimoy achieved the rank of sergeant and spent much of his army service “putting on shows for the Army Special Services branch which he wrote, narrated, and emceed.”
Nimoy acted in the following instructional film along with future “Davy Crockett” star Fess Parker. It addressed what was then called combat fatigue, or the emotional and psychological toll of warfare. The film shows how Marine Corps psychologists were supposed to treat combat fatigue sufferers, giving a glimpse into how the wartime military of the 1950s dealt into the still-vital question of how to address the mental health needs of its troops. Nimoy appears as the first of the two Marines in the clip to undergo treatment.
This clip was made in 1954, shortly after the Korean War ended and 12 years before Star Trek premiered on NBC.
Rod Lurie on set with lead actor Caleb Landry Jones filming The Outpost on location in Bulgaria.
Rod Lurie is a West Point graduate and former Air Defense Artillery officer in the US Army. After his time in service he worked as an entertainment reporter and film critic. He then transitioned into film making by writing and directing his first feature film Deterrence, which is a political thriller. Rod also directed The Contender, The Last Castle, Nothing but the Truth, and Straw Dogs. Most recently, he directed The Outpost, the story of the 53 U.S. soldiers who battled a force of roughly 400 enemy insurgents in north-eastern Afghanistan during Operation Enduring Freedom.
James Mardsen, Hunter Lurie, Kate Bosworth, Rod, and Paige Lurie during the filming of Straw Dogs (2011)
Tell me about your family and your life growing up?
Currently I live in Studio City with my wife Kyra who is a New York Times bestselling novelist. I have one stepson Isaac and a daughter named Paige where we have a family dog named POTUS. My son Hunter passed away two years ago today. The Outpost is dedicated to him where since he died so young his passing to me relates to the young soldiers who died at the Battle of Kamdesh.
My family growing up consisted of my father, mother and three brothers. At age five, my family moved from Israel to Connecticut and then to Hawaii. My father is a military veteran of Israel and he worked as a political cartoonist, which includes illustrations for LIFE magazine where he is “the most widely syndicated political cartoonist in the world”, according to the Guinness Book of World Records. My mother Tamar is still the most successful real estate agent in Greenwich, Connecticut.
Rod at West Point during his plebe (first) year.
What is the most distinct memory of your mother and your father?
My father focused on two things for me: creativity and sticking up for myself and our Jewish heritage. He is a wildly creative person and he told us to never stop creating where he reminded us about how God had created in the Bible. My mother was a voracious athlete where she encouraged me and my sibling to really push ourselves athletically. She is truly kind, and she raised us with empathy as well.
A picture of Caleb Landry Jones as Medal of Honor recipient Specialist Ty Carter in The Outpost.
What challenges did you face at school and in the community?
The challenge for any Jewish person in that era and in that part of the world was anti-Semitism. We had immigrated from Israel where, of course, we never faced that within our own communities.
Rod Lurie interviewing acting and film legend Paul Newman.
What values were stressed at home?
Creativity, Righteousness and Athleticism. We had a strong sense of morality in our home where ethics are what society expects and morals are what we expect of ourselves.
Rod at his West Point Graduation in 1984.
What drew you to film and media while growing up?
Growing up I saw a movie on a little TV named Ben-Hur. I couldn’t believe my eyes because I did not even know movies were made where my understanding was that they were just kind of there. I was so thrilled with film I decided my goal was to be somehow involved. Because of my lack of knowledge of the film making process I was most impressed with film critics. Roger Ebert and Pauline Kael were my idols where I wrote to them and they wrote me back. In the end, no motivation was greater than for me than to be a filmmaker. One of my beliefs is that you shouldn’t go to film school where you should go to study what you want to make movies about. The USMA is a place of leadership, which is what I want to make films on. My dream one day is to make a movie about West Point where I made a deal with Universal to make such a movie on the academy titled Heart of a Soldier with Paul Walker and Jessica Alba. Unfortunately, the film fell apart once the Iraq War broke out.
Scott Eastwood as Medal of Honor recipient SSGT Clint Romesha in The Outpost
What made you want to attend West Point and is the best lesson you learned while there at the academy?
My political awareness from an early age because of my father’s political cartoonist work influenced me to go to West Point where it seemed like a natural fit for me. The best thing I learned from West Point; when you think you have exhausted everything you have you really have only used 10% of your capabilities. This was said to me before I went in to SERE (Survival, Evasion, Resistance, Escape) school.
Orlando Bloom, Cory Hardrict, Jacob Scipio, Bobby Lockwood, Alexander Arnold, Scott Eastwood, Caleb Landry Jones, James Jagger, Celina Sinden, Jack Kesy, Taylor John Smith, and Milo Gibson in The Outpost.
What did you enjoy most about your service as an Army officer?
What I enjoyed most about my time in service were the friendships and comradery of the people I served with. The best friendships I have had in my life were from West Point and from the service where nothing will ever top that. Another enjoyable part about my time in the Army came from the confidence generated in the team-based atmosphere. Many people think the most stressful time of a cadet is when you are going through Beast Barracks when in reality the toughest time is when you are taking your exams. I am on my own when taking those tests. When going through things with your fellow troops you are going through it together. There is something about the concept of if we all work together, then we can succeed. It creates a quiet calmness.
Rod as a cadet at West Point.
What leadership lessons in life and from the service that have helped you the most in your career in Hollywood?
Problem solving and Teamwork. The film was an exceedingly difficult movie to put together because of budget and time constraints. On The Outpost, as the boss and being a military veteran we had some actors that were veterans where I insisted on having them for a couple of reasons. One is that for all of us who have worn the uniform we can always say I have been in a tougher scrape than this. No matter what we come across we know we can solve this problem. Another part of having veterans as part of the production was realism where I had several vets that were also Technical Advisors. Because of the calm problem-solving skills and real-life team-based experiences, we functioned as military veterans; smoothly and without panic. We stayed grounded and focused unlike how it may have been on other sets where anxiety and fear set in due to such tight restrictions.
Taylor John Smith as Distinguished Service Cross recipient First Lieutenant Andrew Bunderman and Orlando Bloom as Bronze Star recipient First Lieutenant Benjamin D. Keating in The Outpost.
What did you enjoy most about filming The Outpost?
There is a great satisfaction in knowing that we are doing good on this film. There are many families that lost their loved ones in the Battle of Kamdesh which were sons, brothers, and fathers. The fact that we can give to these people and families, not just closure, but a promise that their loved ones will have their names repeated and spoken forevermore is very satisfying. When my son died, I realized the obligation we had to these families. The friendships and comradery on set were amazing because of this shared mission. The crew all got so close on the film because of its importance, especially since it was something we were going through together in a tough situation.
Scott Eastwood as SSGT Clint Romesha in The Outpost.
What is the main message you want people to remember about The Outpost?
My goal is to get people to daily remember the military currently serving abroad. The service members need to be remembered where I believe that people just don’t think ever about the soldiers that are serving overseas right now. In previous wars like WWII, Korea, and Vietnam they were on our minds and now we don’t give it a second thought. In WWII, every soldier also had the same mission; we are going to stop Hitler. Today the answer is most likely mixed with why we are there in the Middle East, which makes their service even tougher. It is just not cool that soldiers currently in the fight today are forgotten. People must understand what these soldiers went through and that their sacrifices matter.
I wish every veteran could get a makeover from the Queer Eye Fab Five — and before you reach for your beers and bullets, hear me out: the military teaches us to suck it up and prepares us for the worst conditions on earth…and that gruffness becomes the standard of living even after we get out.
It doesn’t have to be that way. Not for us. Not for our families.
Just ask Brandonn Mixon, U.S. Army veteran and co-founder of Veterans Community Project, an organization that provides housing and walk-in services for service members in order to end veteran homelessness. Mixon literally builds houses for homeless vets.
The Queer Eye team decided to return the favor, helping Mixon finish his own home, upgrade his professional look, and learn to process his service-connected Traumatic Brain Injury. In spite of all the good Mixon does for his brothers and sisters in arms, Mixon confided to Karamo Brown that he feels like he’s failing in life.
“Who told you that you’re failing?” Brown pressed.
Rebecca Murga is an Army Public Affairs Officer with a passion for storytelling. Since she was commission through ROTC in 2004, documenting the stories of soldiers has become the foundation of her service.
“I became a 25 Alpha [signal officer] but at the time I didn’t realize officers don’t do the things enlisted folks do,” Murga says. “But I happened to be in a unit that didn’t have a lot of video support and they really wanted their story told, so I covered all the communications systems and all the networks in Iraq and Afghanistan.” The experience of meeting soldiers in the field and relaying their lives to viewers changed her career forever.
“I got to meet a lot of soldiers, and I think that’s where I really started to fall in love with telling these stories,” Murga recalls. “I would talk to these people on the ground. They all came from different places and had unique individual stories. I think documenting these stories is important.”
After her time in active duty, she continued serving as a contractor in the CENTCOM theater, deploying in 2011 attached to Combined Forces Special Operations Command in Afghanistan. She supported Navy SEALs and Special Forces and other SOF units doing village stabilization and cultural support. That year was the first time women were embedded with special operators in teams called Cultural Support Teams.
“Ask any Marine that was in Helmand,” Murga says. “When you can’t search a woman because of cultural sensitivities, it becomes a security problem. When you have a woman with you who can pull an Afghan woman from the field to be searched, that’s incredibly important.”
She deployed at a time when the combat exclusion rule for women was still in place. Women were not supposed to be embedded with these combat units, but the operational needs made it necessary.
Murga is now an award-winning filmmaker who has produced work for Fox, ABC, and CBS. Last year, she was one of ten selected for the American Film Institute Conservatory Directing Workshop for Women.
“The military actually gave me the courage to pursue something that I love,” she says. “It’s a struggle. It’s definitely not something that you go in to naively. You can only choose it if you absolutely love it.”
Murga’s latest work is Earning the Tab, a three-part digital series about Maj. Lisa Jaster, the third woman to graduate from the U.S. Army Ranger School.
The need for women in forward-deployed combat zones despite the rules against it, coupled with requests from those units, made Murga wonder why the controversy surrounds women graduating from Ranger school.
“It’s a leadership school,” Murga says. “It trains you how to deal with high stress combat situations. A lot of people that go to Ranger school don’t necessarily go to the 75th Ranger Regiment. They’ll get fielded out. Until this past year no women have been allowed to go to leadership schools like that. It goes to how well trained you want your force.”
Graduating from Ranger School does not automatically earn a spot in the 75th Ranger Regiment. The 75th has its own requirements and initiation processes. Murga’s point is especially important, however, because the Army’s plan to integrate women into combat functions starts with putting female officers in combat leadership positions.
“There’s talk about how they expected less from these folks and they weren’t allowed to go to certain schools,” Murga says. “But you can’t send people out to war and limit the amount of training you give. I’m talking about offering training that was not given to women.”
Maj. Jaster is a 37-year-old Army Reserve officer and engineer. She is a West Point graduate, a veteran of the wars in Iraq and Afghanistan and she was not eager to be a part of Murga’s series.
“I had to convince her,” Murga says. “It took a lot of convincing. She knew there would be backlash like ‘Oh, you only did this to be famous and you only did this because you wanted a TV show,’ but it’s historic. I suggested we just video tape her around her house, five days before and then you have it and if nothing ever comes of it, then nothing ever comes of it.”
Murga did not film Jaster in training at Fort Benning. Ranger training is closed to external media. The Ranger training footage in Earning the Tab was shot by the U.S. Army’s own combat camera troops. Murga interviewed Jaster before and after the training, with the idea of documenting it because of its historical importance. Murga was just as interested as any one else in the rumors surround Jaster: Did she really earn it? Did the Army lower the standard? Why did she want to go through something so rigorous?
“I wanted to know why this mother of two, who loves fitness, who loves spending time with her family, why she wanted to do this,” Murga recalls. “She gave me the same answer most men I talk to gave me which is ‘I wanted to just prove to myself and see if I can do it.'”
Though she did her best to strip away the politics, Murga still found the same polarization over women in Ranger training, even among her friends.
“The tricky part for me as a filmmaker was to try to tell this story in a way that was just storytelling,” she says. “It really wasn’t taking up a side or political position. It wasn’t examining the idea of women in combat, it was looking at this one school with this one woman and her experience there.”
After decades of appearances in video games, cartoons, plush figurines, and all other manner of merchandising, Sonic the Hedgehog is getting his own live-action film.
That film — titled “Sonic the Hedgehog” — was scheduled to arrive November 2019. But the first trailer for it landed earlier this year, and the reaction was strong to say the least. Strongly negative, that is.
The issue mostly centered on the look of Sonic:
Old Sonic (left) and new Sonic (right).
After years of cartoon depictions of the speedy blue hedgehog, the pseudo-real version of Sonic had some people freaking out. So much so, in fact, that the film’s director vowed to change the look of Sonic ahead of the movie’s release.
Moreover, the movie was delayed to re-work Sonic’s look — it’s now scheduled to arrive on Feb. 14, 2020.
Now, six months later, we’ve got a new trailer with a much, much less weird-looking Sonic.
No teeth! More cartoony! And he’s got gloves!
Take a look at the latest trailer for “Sonic the Hedgehog” right here:
Sonic The Hedgehog (2020) – New Official Trailer – Paramount Pictures
Remember how awesome The Empire Strikes Back was? You can stream that particularly great Star Wars movie on Disney+ right now. And, as of Nov. 15, 2019, Disney+ just added some context to one classic Boba Fett and Darth Vader beef. In the latest episode of The Mandalorian, we finally understand why Darth Vader said “no disintegrations.”
Spoilers ahead for The Mandalorian Chapter 2: The Child.
In the second episode ofThe Mandalorian, our titular bounty hunter continues his make-it-up-as-you-go-along journey to protect a little baby Yoda-looking creature. Throughout his misadventures in this episode (which culminate in getting a giant space rhino egg) the Mando tangoes with a bunch of Jawas who have stripped his spaceship of much-needed parts. In an effort to get his stuff back, the Mando busts out his nifty rifle, which, as it turns out, turns anyone he points it at into a puff of smoke. He vaporizes a few of the on the lizard-like Trandoshans who ambush him at the top of the episode, and later on, a few pesky Jawas.
The Mandalorian gets ready to disintegrate some punks.
Later, when he has to make peace with the Jawas to barter for some of his parts back, he mentions “I disintegrated a few of them.” In terms of what we’ve seen in the Star Wars movies so far, this specific tech hasn’t been witnessed, but it has been mentioned. When Vader hires a bunch of bounty hunters to capture the Millennium Falcon in The Empire Strikes Back, the Dark Lord very pointedly shakes his finger at Boba Fett (a dude who rocks Mandalorian armor) and says “no disintegrations.”
Boba Fett and IG-88 in ‘The Empire Strikes Back’
So, there you have it. Vader was well-aware that this weapon was probably in Boba Fett’s arsenal, and now, just a about six years after the events of Empire Strikes Back, in The Mandalorian, we get to see what that weapon looks like. The most surprising thing? In The Mandalorian, the disintegrations are shockingly mess-free. Less like a blaster, and more like a civilized vacuum for a more elegant bounty hunter.
After every episode of The Mandalorian you watch on Disney+, it invariably suggests you watch The Empire Strikes Back. Kind of makes sense now, right?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
As veterans re-enter the civilian workforce, many struggle to make the transition. This is why opportunities (ahem — touring with famous heavy metal bands) for employment are so important. Five Finger Death Punch has made it a mission to offer such opportunities.
Not only does the band provide direct jobs for veterans, but they also raise money for different veteran initiatives — like PTSD awareness — through their merchandise site, which also acts as a resource guide for accessing help through various links.
Zoltán Báthory, guitarist for Five Finger Death Punch, is a founding board member of the veterans nonprofit Home Deployment Project, which provides safe places to live for displaced veterans suffering from symptoms of PTSD. He is also a member on the Board of Advisors at the anti-Poaching organization Veterans Empowered to Protect African Wildlife. Although Zoltán himself is a civilian, his support for the military is without question.
“I have a lot of veterans around me and it’s not an accident.”
Videographer Nick Siemens is a Marine Corps Combat veteran touring with Five Finger Death Punch. He describes the energy and movement of working with the band as being very similar to that of his time as an active duty Marine.
“I absolutely fell in love with this job and it gave me a sense of purpose and a sense of belonging that I had lost when I left the Marine Corps and I haven’t looked back.”
Check out the video above for an inside look at what it’s like for the veterans on tour with Five Finger Death Punch.
The American Forces Network (AFN) is the brand name used by the U.S. Armed Forces Radio and Television Service (AFRTS). It’s a worldwide network designed to be entertaining and informational for U.S. troops and their families while deployed or stationed overseas (aka OCONUS), or for Navy ships at sea. Broadcasting from Fort George G. Meade in Maryland, the network shows American programming from all major U.S. networks.
Since AFN is a nonprofit enterprise owned by the U.S. government, it does not and cannot air commercials during its programs, to avoid the image of endorsement by or sponsorship of the Department of Defense. In their place, AFN runs public service announcements from the Ad Council, charities, and — most interestingly — informational spots created by military members working in AFRTS. These spots can be “command information” or address a number of issues facing military members and their families. They vary in production value and efficacy and can be unintentionally ridiculous… few are as entertaining as AFN Afghanistan’s Bagram Batman.
Always be yourself, even on Okinawa.
2. Maintain Operations Security
“Cats cannot be trusted.” – OPSEC Officer Squeakers
3. Don’t be an a-hole in Europe
Because Europeans never talk smack about sporting events or play loud music.
4. Shop at the Commissary!
This is really an avant-garde art film.
5. Prevent theft by slapping your friends around
It’s always a good idea to slap people at the base gym locker room.
6. Don’t forget your CAC
7. Don’t just give anyone general power of attorney
This entire PSA is an excuse for a pun.
8. Your new foreign-born wife will probably need a passport
Worst. Proposal. Ever.
8. What to know about legal residency, presented by Cowboys
No PSA is more memorable than one about legal residency.
9. Creepy strangers can overhear your travel plans
Cargo shorts, flip-flops, and wraparound sunglasses complete the creeper uniform.
10. The perfect neighbor doesn’t exist
If you want the perfect neighbor, build one from leftover body parts.
11. Having a baby is the end of the world
“Who wants to pay child support in high school?” WHO WANTS TO PAY CHILD SUPPORT EVER?
12. Get to know your skin sores
Listening to this gave me ear cancer.
13. This guy needs a shower
No concern about the invisible voice in your bathroom?
14. Don’t be an a-hole in Europe, part II
“You’ve brought great joy to this old Italian stereotype.”
15. Don’t be an a-hole in your dorm room
Who is the real a-hole in this PSA?
16. This guy needs a time management PSA
Maybe don’t wait until right before formation to run by the post office.
17. An identity crisis can hit you at any time
Does Stars and Stripes have a self-help section?
18. Eating lunch alone leads to disaster
Where the hell is this lunchroom anyway?
19. “Something about jurisdiction”
Call those legal people at the legal place when you have a run-in with the police-y people while doing your boozy stuff.
20. Smokers are Blue Falcons
Maybe we should talk about the guy putting out cigarettes on his co-workers’ faces?
21. Bird Flu is comical
Try sneezing in a Marine’s face. Go on, I’ll wait.
Russia recently announced that it would begin drawing down its deployment to Syria. One of the first major assets to depart will be its lone aircraft carrier, the Admiral Kuznetsov, according to a report by Agence France Press.
The Russian government produced a slick tribute video that harkens back to the 1950s Soviet Union, where the same M-4 Bison bombers were flown past the reviewing stands of the 1955 Aviation Day parade several times to make it look like the Soviets had tons of planes.
The new Kuznetsov video showed crewmen standing watch – some on the carrier’s flight deck with an assault rifle, as well as Su-33 Flankers taking off from the ship.
The Admiral Kuznetsov in drydock — a place it should never leave.
That said, there is a whole lot of stuff this video has left out. Regular readers of this site are familiar with the Kuznetsov Follies, coverage of the many… shortcomings, this carrier displayed on the deployment.
The highlight of these follies — well, let just say the term lowlight might be more accurate — would be the splash landings Russian Navy fighters made. In November, a MiG-29K made a splash landing shortly after takeoff. The next month, a Su-33 Flanker made its own splash landing. The Flanker wasn’t to blame – an arresting cable on the craptastic carrier snapped.
The carrier has been known to have breakdowns, too, and as a result, deploys with tugboats. Other problems include a central heating system that doesn’t heat, a busted ventilation system, broken latrines, and a lot of mold and mildew.
So, with all that in mind, here is the Russian video:
The actor Tom Cruise on May 31, 2018, tweeted a teaser for the long-awaited sequel to the movie “Top Gun” — and in doing so, he wandered into one of the most heated debates in modern combat aviation and delivered a savage burn to the F-35.
The original “Top Gun” film was nothing short of a revelation for the US Navy. People around the US and the world saw fighter jets in a whole new light, and naval aviation recruitment shot up by 500%.
A new “Top Gun” movie, now 32 years after the first, could again spike interest in combat aviation at a time when the US military struggles to retain and attract top talent. But for the most expensive weapons system in history, it already looks like a bust.
Here’s the poster for the new “Top Gun.”
Notice anything? The F-35C, the US Navy’s long overdue, massively expensive new carrier aircraft, is nowhere to be seen. Instead, the F-18 Super Hornet, the F-35’s main competitor, can be seen.
The F-35 community was not thrilled.
“Everybody that’s flown a fighter in the last 25 years, we all watched ‘Top Gun,'” retired US Marine Corps Lt. Col. David Berke, who flew F-35s and actually attended the US Navy’s Top Gun school, previously told Business Insider.
“Damn shame,” Berke said in response to the new movie’s choice of fighter. “I guess it will be a movie about the past!”
While experts agree that the F-35’s carrier-based variant, the F-35C, and its vertical-takeoff sister, the F-35B, represent the future of naval aviation, they’re just not ready for the big time yet.
In short, it’s an embarrassment to the F-35 program that mounting setbacks have pushed it out of a potentially massive public-relations boost.
“It’s a capable aircraft,” retired Lt. Gen. David Deptula, the dean of the Mitchell Institute of Aerospace Studies, told Business Insider of the Super Hornet. “It’s just last century’s design.”
He added: “It is a missed opportunity.”
Berke pointed out that the producers of the new “Top Gun” may have gone with the Super Hornet over the F-35 because the Super Hornet has two seats, which could facilitate filming and possibly on-screen dynamics.
The popular aviation blog The Aviationist also pointed out that Cruise is holding an outdated helmet and that the photo does not appear to take place at the US Navy’s Top Gun school. But Hollywood sometimes makes mistakes.
“Hollywood doesn’t build movies around what makes sense — they build movies around what makes money,” Deptula said.
But despite what might have come as a slight sting to F-35 boosters hoping a new film could help usher in what they call a revolution in combat aviation, both Berke and Deptula said they were looking forward to the film.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.