Nobody really believed the gritty, dark, and controversial version of Joker would lead to more movies set in the Batman universe. But now, it appears that is exactly what is happening. The standalone Joker origin story will no longer stand alone. Director Todd Phillips has secured the rights to at least one more story based on characters from DC comics, which means Joaquin Phoenix will likely meet at least one more famous DC character in a sequel. But will it be Batman?
On Nov. 20, 2019, The Hollywood Reporter published the news that Todd Philips was able to convince Warner Bros to let him do at least one more movie set in the Batman/DC Comics universe. According to the report, this is partly because Joker did pretty well at the box office, despite the fact that everyone was freaked out about the movie for like three weeks straight. “Phillips is in talks to reprise his role as director for a second Joker outing,” writes Tatiana Siegel.
But what does it mean? Is the next Todd Philips movie a direct sequel to the Joker? Or will this be another, bizarre take on a different DC villain?
The biggest question most sane people have is whether or not Batman would show up in a potential sequel. The huge age difference between this version of the Joker and the young Bruce Wayne we saw in the movie makes us think it’s unlikely. (Then again, the Fox TV series Gotham had this exact same problem, and ended up bringing in Batman anyway.) Plus, having a different Batman in a Joker sequel feels like a bad move from Warner Bros, since they’re clearly pouring all their resources into making us all happy about Robert Pattinson being the newest big-screen Dark Knight. Phillips has already said outright that his Joker won’t meet Robert Pattinson’s Batman.
Still, the news here is mostly centered on the fact that Phillips got the rights to do another DC Comics movie, which doesn’t necessarily mean he is doing a follow-up to the Joker. After all, because Joker was so successful, who is to say Philips couldn’t do another villain origin story? Depending on who you ask there hasn’t been a good Lex Luthor since Gene Hackman in the Christopher Reeve Superman movies. Could Phillips be ready to tackle a Joker-style Lex Luthor origin story? These days, anything is possible. But, when you consider that Lex Luthor shares a lot in common with Donald Trump, and at one point, DC Comics did have Luthor get elected president, a giant Lex Luthor movie is timely enough to not be out of the question.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
When we last saw (the Marvel Cinematic Universe’s) Wanda Maximoff, she was at the funeral of Tony Stark after the Avengers finally defeated Thanos. During Avengers: Infinity War, she was forced to destroy the Mind Stone — killing her lover, Vision, in the process — until Thanos used the Time Stone to undo her actions and tear the Mind Stone from Vision, killing the sentient android himself. Wanda disappeared — along with half the universe — during ‘The Snap’ before being restored in Avengers: Endgame; but sadly, Vision remained among the casualties of the war.
So when Marvel announced that a six-episode series called WandaVision would be added to its Phase 4 lineup, there were questions. Would it take place in the past (a popular Loki theory)? Did Vision somehow survive (like Agent Coulson in Agents of S.H.I.E.L.D.)?
Once the official trailer dropped…well…the questions just keep coming.
WATCH THE OFFICIAL TRAILER HERE:
Set to debut on Disney+ on Jan. 15, 2021, WandaVision appears to take place in an alternate dimension. Star Elizabeth Olsen told the New York Times that the series will explore Wanda as the Scarlet Witch much as she is in the comic books — including addressing the character’s mental health and illness.
The series begins in a 1950s television sitcom where the characters are blissfully unaware of the tragedy that has befallen them. Marvel literally filmed the pilot in front of a studio audience (who signed “very, very strict NDAs,” reported Entertainment Weekly).
“It is even better than it was pitched. It’s even more complicated and fun and interesting and playful than I could have ever imagined this job being,” gushed Olsen. Her co-star Paul Bettany, who plays the titular Vision character, called it “totally bonkers” with a grin.
“Our content is so different from Marvel. It’s like a conversation of American sitcom through the decades with Marvel Film and they’re constantly in dialogue with each other. So it’s really fun!” hinted Olsen.
After a decade of successful films and television series within the MCU, Marvel has earned the right to take some risks. The show will bridge itself to Doctor Strange in the Multiverse of Madness, according to Marvel Studios president Kevin Feige. Due for release in March 2022, the sequel to 2016’s Doctor Strange promises to feature Olsen’s Wanda Maximoff alongside Benedict Cumberbatch’s zany Dr. Stephen Strange.
How does a massively successful director like Zack Snyder follow up box-office smahes (and future box-office smashes) like 300, Man of Steel, Batman v Superman, and Justice League? If you answered a film retelling the magnificent rise of the first president of the United States in the style of 300, you guessed correctly. Speaking with Bloomberg Business, Snyder explains that George Washington is next on the docket.
He has a picture in his office of the Revolutionary War hero crossing the icy Delaware on his way to decimate the British in the Battle of Trenton. “We were talking about it,” Snyder says. “The first thing we asked was, well, how are we going to make it look? I pointed at this painting. It looks like 300. It’s not that hard.”
He isn’t wrong, but we’re guessing it will look something like a mix between the iconic painting and the epic illustration above.
There is a very robust veteran community within the entertainment industry. Veterans in Media and Entertainment is a nonprofit networking organization that unites current and former members of the military working in the film and television industry. The Writers Guild Foundation has a year-long writing program for veterans. And hey, We Are The Mighty is a company founded on a mission to capture, empower, and celebrate the voice of today’s military community.
The military community makes up a small percentage of Americans, but plays a global — and exceptionally challenging — role. It makes sense that many veterans have stories to tell. Not all of those stories are about their military experiences, but many are. Hollywood loves a good hero story, but there’s more to the military than those few moments of bravery.
The military is a mind f*** unique lifestyle, one that does involve war and sacrifice, but also really weird laws and random adventures — and in a Post-9/11 world, we are now seeing an influx of veterans ready to dissect that world.
Enter Xanthe Pajarillo.
“Veteran narratives are begging for more diversity. When our representation in the media is limited to war heroes or trauma victims, it creates a skewed portrait of who service members are,” said Pajarillo, the creator of Airmen, a web series that explores the dynamics of queerness, romantic/workplace relationships, and being a person of color in the Air Force during peacetime operations. It emphasizes the unshakable bonds and relationships that veterans make during their time in service.
U.S. Marine Corps veteran Chloe Mondesir, who will play Airman 1st Class Mercedes Magat.
It’s important to recognize that there is much more to military service than what is traditionally portrayed in film and television (which tends to be the rare stories of heroism in battle and/or the traumatic effects of war).
American society has placed heroes on a pedestal, which is a very high standard to meet for our troops — and one that often involves a life-threatening circumstance. Not every troop will see combat (this is a good thing… but we don’t always feel that way when other members of our team are shouldering the burdens of war), and even those who do engage in battle but live when others die experience survivor’s guilt and symptoms of trauma.
It’s time to tell the reality of military service: the warrior’s tale, yes, but more importantly, the stories of the humans living their lives while wearing the uniform.
“Ultimately, I created Airmen to help bridge the gap between civilians and veterans. The characters are active duty, but their experiences are universal. We are complex individuals with successes, failures, and insecurities just like everyone else. I hope when someone watches the show – civilian or veteran – they’ll feel less alone in the world,” says Pajarillo.
Which is exactly what Airmen is setting out to do — and now the series is ready for the next stage of production, beginning with a campaign at SeedSpark, a platform designed to change the entertainment industry to reflect the world we actually live in.
Nate Parker’s film The Birth of a Nation won Sundance Film Festival Grand Jury and Audience prizes for a drama, just days after the production company signed a record $17.5 million distribution deal with Fox Searchlight. The film is about what happens to a former slave after he leads a liberation movement to free other slaves.
The movie is based on actual events, and the uprising did not end well for the slaves or Nat Turner, the man who led it.
Turner would have visions that guided him through his life. He conducted Baptist church services and was dubbed “The Prophet” by his fellow slaves. While working in his owner’s fields one day, Turner heard “a loud noise in the heavens, and the Spirit instantly appeared to me and said the Serpent was loosened, and Christ had laid down the yoke he had borne for the sins of men, and that I should take it on and fight against the Serpent, for the time was fast approaching when the first should be last and the last should be first.”
In 1830, a man named Joseph Travis purchased Turner. It was while under Travis’ ownership Turner would make his move. The next year, an atmospheric disturbance made the sun appear bluish-green in Virginia. Turner took this as a sign, and prepared to start his rebellion.
On August 22, 1831, thirty years before the Civil War, Turner and an inner circle of trusted slaves gathered. They killed the Travis family as they slept, then went house-to-house freeing slaves and killing white people. His number soon grew to over 40 slaves, most on horseback.
Sixty whites were killed before Turner’s rebellion was put down. Even then, it took twice the number of men in the responding Federal and Virginia militias, along with three artillery companies to defeat the uprising. His rebellion crushed, Turner hid around the Travis farm until his capture on October 30. He was quickly tried, convicted, hanged, and skinned.
Retaliatory attacks from white mobs killed 200 more slave and free black men, women, and children. The state legislature of Virginia considered abolishing slavery, but decided instead to keep it and its repressive policy against all black people in the state, especially enforced illiteracy among slaves.
The Turner Rebellion is one of the defining events in the lead up to the American Civil War, on par with John Brown’s raid on the arsenal at Harper’s Ferry.
You could be turning your passion into profit by teaching like-minded Thrones fans the language of Essos.
That’s according to leading local services marketplace Bark.com who say that tutors can earn upwards of £40 ($53) per hour teaching High Valyrian, the language spoken by Daenerys Targaryen and Lord Varys.
The tuition service is available for fans across the US and UK, who can either sign up to be a tutor here or to hire tutors here.
Bark.com says those who sign up to be High Valyrian tutor will be required to provide proof of their knowledge of the language.
The role will involve creating a variety of reading, writing and speaking exercises for students, alongside role-playing scenarios to enhance the learning experience.
Daenerys Targaryen is a High Valyrian speaker.
Kai Feller, co-founder of Bark.com, said: “Game of Thrones is more than another hit show — it’s become a worldwide sensation! And with the highly anticipated final season fast approaching, the show is more popular than it has ever been. That’s why we’ve launched our latest service — High Valyrian tuition.
“At Bark.com, we love giving people different ways to earn and this is the latest service we’ve launched to do that. High Valyrian is a complex language and this is a fantastic opportunity for anyone who has worked hard to become fluent to share their knowledge — not to mention it would be a fantastic string to any fan’s bow!”
Though the High Valyrian dialect appears occasionally in George R.R. Martin’s “A Song of Ice and Fire” series of fantasy novels, the author did not develop it beyond a few words and phrases. The actual language, which now comprises of around 2,000 words, was created for the HBO TV adaption by linguist David J. Peterson, who also fleshed out the language of the Dothraki.
Tyrion Speaking Valyrian and Banter with Jorah, Grey Worm
The Economist called Peterson’s take on Dothraki and Valyrian “the most convincing fictional tongues since Elvish,” which was created by J.R.R. Tolkien himself for Middle Earth.
New learners of the language will have to deal with verb conjugation and possessives but, fortunately, not a different writing system, which Peterson said might look something like “Egyptian’s system of hieroglyphs — not in style, necessarily, but in their functionality.”
Those wishing to get a head start on the competition can start learning High Valyrian in bite-sized lessons on Duolingo, taking courses which Peterson himself contributed to.
Those taking on the challenge of learning the fictional language will have to try harder than Tyrion Lannister, whose Valyrian was “a bit nostril” by his own admission.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Bob Dorough was a prolific bebop and jazz musician whose popularity and talent earned him spots as a sideman alongside the likes of John Zorn and Miles Davis. But the talented jazzman got his start in music as a pianist, clarinetist, saxophonist, and arranger for the U.S. Army’s Special Services Band toward the end of World War II.
He died in Pennsylvania on April 23, 2018, at age 94, NPR reports.
(Photo by Brian McMillen)
Though his jazz career blossomed after the war, what became his life’s work didn’t start until 1973, when he was first asked to take the musical reins of a show that was to “set the multiplication tables to music.” Thus began the decades-long, beloved show Schoolhouse Rock! A program that educated and entertained generations of American kids.
Dorough didn’t sing all the songs performed on Schoolhouse Rock!, but he did have a hand in the music and lyrics, either in whole or in part, for every iteration of the show. Multiplication Rock, Grammar Rock, America Rock, Science Rock, Money Rock, and Earth Rock are just a few of his best.
5. “I’m Gonna Send Your Vote To College”
“I’m Gonna Send Your Vote to College” was the Schoolhouse Rock! way of explaining the Electoral College system. The song’s music and lyrics were written by George R. Newall and Bob Dorough and it was performed by Jack Sheldon (of “I’m Just A Bill” fame) and Bob Dorough.
4. “The Shot Heard ‘Round the World”
“The Shot Heard Round the World” first aired in 1975 and is part of Schoolhouse Rock!’s telling of the American Revolution, from Paul Revere’s ride to the shots fired at Lexington. Bob Dorough was responsible for the music, lyrics, and vocals in this gem.
3. “Lolly, Lolly, Lolly, Get Your Adverbs Here”
Dorough also did the lyrics, music, and vocals for this 1974 primer on the use of English adverbs. It was with this number that Sheldon and Lynn Ahrens became regulars to the series alongside Dorough.
2. “Conjunction Junction”
Jack Sheldon, Terry Morel, and Mary Sue Berry did the vocals on this catchy Dorough song about the many grammatical uses of conjunctions. To this day, Sheldon’s memorable voice plays in many of our minds when we think back to the rules of conjunction.
1. “Three Is A Magic Number”
“Three Is A Magic Number” was the pilot for the entire Schoolhouse Rock! series. It first aired in February 1973 and led to Bob Dorough’s decades-long career of educating children like nobody else could.
Henry “Hank” Hughes is a Writer/Director, Army veteran and Academy Award nominee for his short film Day One. Day One received critical appraisal and earned him a Best Narrative (short) Gold Medal at 42nd Annual Student Film Awards, BAFTA US Student Award at 2016 BAFTA/LA Student Film Awards and Academy Award for Best Live Action Short Film nomination at 88th Academy Awards. His most recent work is where he co-produced The Outpost, which was released this past summer to positive reviews. The Outpost depicts the Battle of Kamdesh based on Jake Tapper’s book of the same name. Hughes served in the 173rd Airborne Brigade Combat Team while in the Army and deployed to Afghanistan twice during his service. He continues his creative work in Hollywood as a continued patriot, storyteller and American Film Institute graduate.
Can you share about your family and your life growing up?
We have been a military family since 1775. It’s kind of Lt. Dan (from Forrest Gump) situation where our oldest relative is a Quaker. He quit being a Quaker so he could fight in the Revolution. He was the scribe for the Declaration of Independence so its his handwriting on the document. His father had been an indentured servant from England and a Quaker. Since then we have all been in the Army through all of the American wars. So, I grew up with my dad having three siblings all in the Army. My mom, who is Italian-American, as soon as they got here her father joined the Army and her twin brother is in the Army. My parents met in the Army where they are loving and progressive people. My mom is a speech therapist and a special education teacher. She has a lot of empathy. A lot of spirituality comes from my father because he is a devout Catholic. They look for the meaning in things which led me toward storytelling.
My great grandfather was a spy for the US during the Cold War, and we had a relative that fought in the Civil War. He was in New Orleans as an occupier from the Union Army during the war where he met his wife there where she threw pee on him since he was from the North. I made a lot of skateboarding videos growing and love skateboarding. Watched a lot of Tony Hawk and Chad Muska, where Muska was a hero of mine. I picked up skating while in Germany where my dad was stationed in Heidelberg. That was me and my buddy’s identity in our early teen years. Germany is like a second home to me. My sophomore year of high school we moved to Fort Knox, KY where it was not as accessible as Heidelberg was with the mass transit.
What made you want to become a soldier and what was your experience like?
Family tradition. I always knew I was going to join the Army and I am Henry Hughes IV where all of the other Henrys had been in the Army. I knew I would only do it for a time not a career, especially as an officer. I liked the Captain and tactical and below level interesting. The higher parts were not as interesting to me. Being a Platoon Leader was amazing. I went to Boston University and studied Film and English. I was probably a mediocre cadet where I had other priorities at the time. I became an armor office because my dad was armor, so it seemed like the smart thing to do. I learned all this stuff on tanks and basically became an infantryman upon going to the 173rd. I did a bunch of the schools, Scout Leaders, Airborne and Ranger which took over a year. My unit was in Afghanistan and wrote my battalion commander about having Thanksgiving with my family and joining the unit afterwards in Afghanistan.
A friend from high school and neighbor during my skate boarder days in Heidelberg who I had lost touch with was in the same unit, the 173rd. I had planned on linking up with him once I got to my unit in Afghanistan. Upon graduating Ranger School my father informed me my friend had died during my first or second week of the schoolhouse. He had been killed in action. His name is Ben Hall and he was killed in action on August 3rd, 2007.Three or four lieutenants died there where the combat was pretty intense. The Battle of Wanat, and Battle of Ranch House took place when I was there, where they are similar to The Outpost. I did have a moment in college where I thought, “do I really want to go to war?” I decided if I was going to go, then go do it all the way.
I got to go twice to Afghanistan and the second time got to work with a specialty platoon that targeted bomb makers. We had Explosive Ordnance Disposal, Military Working Dogs and a Female Engagement Team, which made us like a CSI/SWAT mix where we gather evidence at bomb sites, link it to a bomb maker and then try to track down the bomb maker. It was much more personnel in my second deployment. My first deployment was fighting hillside to hillside where on the second one we were going into people’s homes at night which made it unpleasant at times. We disrupted them in their sleep and took their children to another room. Day One is about that idea of going into people’s lives.
On my second deployment I had a female interpreter where she became the genesis for Day One. She was such an incredible person so everything I did was through her. I had this woman’s voice for an entire year where I had never seen that in a war film. It was so particular to my experience. We had an instance where an Afghani man brought us his wife with a child sticking out of her where the Army medics had to help deliver her. I combined those two stories for Day One. I am very proud of my military heritage and where I come from. It is inescapable in many ways as I continue to grow as a person, I will forever be a part of that time. I don’t want to lose it and, in many ways, it was a second family. I can’t let down my friends from that time and that bond. I have more of a responsibility of me to them than of them to me.
What are you most proud of from your service in the Army?
I am most proud that my friends from that time reach out to me to talk to about things they are feeling. I did three or four years of therapy to understand my own feelings during that time. I am very proud to help other people I care about help navigate their feelings from that time.
I love being from 173rd and love that unit. I do love the Army but have a stupid attachment to the 173rd that I would call childlike for another person. There is something about being from that unit that I just adore. I would make stupid mistakes in defending its honor for some reason that wouldn’t matter. The Army is so big, and a machine where I felt like a shock trooper with 173rd, very close knit.
What values have you carried over from the Army into Hollywood?
Integrity. I found that lying gets you nowhere. It always comes out. I try to be very frank and try to maintain a dialogue similar to my time as a young leader. There is an openness and integrity that I learned from there that is avoidant behaviors that people partake in Hollywood. Ghosting is a simple way to look at it where if you avoid talking with someone or a problem it will go away. I think that makes it stew and creates other problems. What you see is what you get creates an actual better creative environment where there is no different understanding or subterfuge where I will be honest with them about their ideas. Whenever that I speak it is coming from a place of truth and knowledge. It gets the ego out of the way. Dishonesty and subterfuge can work in the short term where long term of strategy is not going to pan out. No one wants to work with someone they can’t trust.
What was one of the toughest lessons to learn coming from the service to Hollywood?
Failure in the military can be catastrophic. Failure in the civilian world or Hollywood might feel like it is, but it isn’t. I would sometimes take on a failure in the civilian world as it were the same as when my platoon sergeant got wounded where it was my fault. It is not true and only a feeling, so partially true. There was so much responsibility inside of being a platoon leader where I absolutely cared about my platoon sergeant. I would sometimes write a story or have interactions within the industry where I felt like I failed on the same level. Failure in the military is binary; you live, or you die. Out here it is a spectrum and failures are a place to learn from. I had to adjust my emotional relationship with failure.
What was it like working on projects such as Day One and The Outpost?
Very rewarding to me because I love having a product I worked hard on. I have even gotten into building stuff with wood where I have made four desks now. Day One involved more of my war time experience even though The Outpost is more autobiographical. I am thankful to explore those times from my life. The Outpost was very strange to me because that place doesn’t exist anymore. There is a distinction in my life from before I went to Camp Keating and after I went to Camp Keating. It’s like there is a big turn in my life. I was at Camp Keating in 2008, a year before the battle from The Outpost.
To be able to go back there in this surreal and make-believe way where they recreated The Outpost and it looks incredible was amazing. It was like walking into a memory and it felt exactly like I was there. It was just surreal to go back in this fantastic way. My mom came to set for the last three days. I got to show her where my bunk was and what the base looked like. I took her to the closest thing possible to show her what that was like in Afghanistan. I feel very fortunate that I get to do the things that have such meaning to me. I live a good life now where I get to work on things I like.
Daniel Rodriguez, veteran of the Army and the Battle of Kamdesh, acted in the movie as himself and wrote a great book called Rise: A Soldier, a Dream, and a Promise Kept. He has a music career now and is a great guy, so it was good working with him and fellow veterans on the film.
What leadership lessons in life and from the Army have helped you most in your career?
Knowing who is in charge and when. Working with EOD where when we got to the bomb site they were in charge. You may think you are always have the right answer as the Platoon Leader where you are not. You need to listen to and lean on the experience of your senior NCOs. I need to know what right sounds like and as a leader I need to be able to listen. Once you get everyone thinking then you can work like a well oiled machine. In Hollywood they say the best idea wins where a costume designer may have the best idea on part of the project, where you should listen to them and their expertise.
As a service member, how do we get more veteran stories told in the Hollywood arena?
There is a huge separation between the life of the soldier and the life of the civilian. We need to bridge that gap. There is a warrior class in our society and those that wouldn’t even think of joining the service. We need to tell more personal and authentic stories of our culture. We have had a fair number of outsiders of what they think the culture is about and the things that they find interesting we might find commonplace so there is a disconnect there. It is empowering people from our own culture to tell our stories. People will eventually be able to understand it to where it is not Hollywood blood and guts of it all. People would never think that my mom and dad in the Army. They were both soldiers. They don’t think about that part of it where they only think of the infantry stuff. We only see one small slice. Policing is not about guns and raids it is this whole community thing. We need to see the whole spectrum.
What would you like to do next in your career?
I would like to produce a feature film. I rewrote the script for The Outpost, was a co-producer and got the chance to act, which I never thought I would be an actor. I would love to be able to make my own movie. I did a feature version of Day One and am trying to get that made. I am writing some other scripts as well. I would like to make movies and TV shows from this culture I came from. Maybe one day I will do something that is not military related. Some people warn me about not being “pigeonholed,” which is a “champagne problem.” The military culture has not really been explored. I haven’t really seen it in movies in a way that I would like to dig into about my family.
What are you most proud of in life and your career?
The circle of people I keep around me with family and friends. I have a solid circle of love.
The flawless Gal Gadot, a military veteran herself, returns as Diana of Themyscira, a warrior empowered by love. Wonder Woman 1984, directed by Patty Jenkins (the woman who helmed the highly successful 2017 film), also brings back Chris Pine’s Steve Trevor (who has been presumed dead since 1918).
This trailer also introduces Kristen Wiig and Pedro Pascal as classic DC villains Cheetah and Maxwell Lord respectively.
Set to a remix of New Order’s Blue Monday, the trailer gives us mystery, 80s glam, and plenty of badass Diana.
“Nothing good is born from lies and greatness is not what you think,” declares Diana, probably to Lord, a power-hungry businessman known for tampering with questionable technologies and powers.
He should probably listen to her because that lasso doesn’t just force people to tell the truth — it can literally Spider-Man her across lightning.
Looks like she’s also upgraded her armor. I can already see the cosplayers gathering up their gold…
The long-awaited trailer premiered at Brazil’s Comic Con Experience and the film will hit theaters June 5, 2020.
Not all presidents have an equal place in history (looking at you, James Buchanan), and not all fictional presidents have an equal place in Hollywood. If you were a great President, you get Daniel Day-Lewis portraying you on screen. If you were a terrible President, Hollywood would rather make up a fake President than make a movie about you.
There are two criteria for this list. First, this about fictional U.S. Presidents, so even though Daniel Day-Lewis’ Abraham Lincoln was the greatest President to appear on screen ever, he doesn’t qualify. Also, the most consequential aspect of the U.S. Presidency to WATM’s military audience is the President’s role as Commander-In-Chief of the armed forces, so as much as we all loved Kevin Kline’s Dave Kovic’s Bill Mitchell from the 1993 movie “Dave,” America never really faced a crisis in the film.
Josiah Bartlet – “The West Wing”
Jed Bartlett was Plato’s ideal philosopher king. Not content to simply make America the best country it can be on the home front, he deploys peacekeeping troops to finally take care of that pesky Israeli-Palestinian Conflict everyone has been talking about. He also confronts terrorists by assassinating their patron, ends a genocide in Africa, and deploys 140,000 troops to Kazakhstan. 140,000? That’s a lot of troops.
Thomas J. Whitmore – “Independence Day”
Despite some early setbacks (like nuking Houston), some dubious advisors (he only learned about Area 51 because of an old widower who somehow got aboard Air Force One), and waking up for work at 10 am, President Whitmore is a Commander-In-Chief who wanted to take the fight to the enemy at the first opportunity. Sure, his administration wasn’t the best (approval rating was 40 percent before the invasion … how do you like him now?) but he sure disproved the pundits who called him a wimp when he led freaking fleets of aircraft against aliens with shields and lasers.
Tom Beck – “Deep Impact”
Yes, that guy from Armageddon hatched some cockamamie scheme to send oil rig workers to an asteroid. Morgan Freeman’s President Tom Beck did come up with a similar plan, but also planned on that first plan not working, because honestly, does it sound like the best plan for averting a global catastrophe? The answer is no. The President of the United States hadto try something. He couldn’t just send 800,000 Americans underground to rebuild civilization later and bid good luck to the rest. He did that, but he tried to save everyone else too.
David Palmer – “24”
When confronted with the possibility that a loose nuclear weapon could be detonated in the United States, President Palmer does exactly what every other President, real or imagined, probably wishes they could do: Call Jack Bauer. He reinstates Agent Bauer, who finds the bomb and detonates it in a safe place, within 24 hours. He’s also smart enough not to start bombing countries because of some fake recordings. For all his trouble, he’s removed from office, then assassinated. We didn’t deserve President Palmer anyway.
President Henry Fonda – “Fail-Safe”
Imagine being President and accidentally ordering a nuclear attack on Moscow in response to a perceived missile attack. Now imagine that missile attack isn’t real, but you can’t call off the bombing of Moscow. When your bombers nuke the Russian capital, would you be able to make a deal with the Russians to nuke New York yourself in order to avert a global war? Could you do it while your wife is in New York? I’m guessing not. But Henry Fonda could.
Honorable Mention: Dwayne Elizondo Mountain Dew Herbert Camacho – “Idiocracy”
Some might argue that President Camacho both enabled his stupid people while being one of them, but realizing the problem of not being able to grow food while being smart enough to enlist a smart guy to fix that problem is some good Presidenting.
Merkin Muffley – “Dr. Strangelove”
If someone is the President of the United States during a time where nuclear annihilation was just a button push (or case of mistaken identity) away, one would think they might learn everything there is to know about how nuclear war could be triggered from their side. President Muffley had no idea. Granted, he tries to talk everyone down and prevent the attack on the USSR, but it would have been averted entirely if he had just known what the hell his own military was capable of in the first place.
Benjamin Asher – “Olympus Has Fallen”
North Koreans take over the White House, execute the South Korean Prime Minister, and take President Asher and some of his Cabinet hostage, looking to remove U.S. forces from the Korean Peninsula and detonate American nuclear missiles in their silos. To do this (why is this even an option?), he needs three sets of “Cerberus codes,” which he promptly orders two of his cabinet secretaries to give up in exchange for their lives, obviously not realizing there is a situation where millions of American lives are at stake, and is bigger than just what’s happening in front of him.
James Dale – “Mars Attacks”
Even in the face of unprecedented violence, a Martian invasion, and the Martians slaughtering Congress, President Dale still sought a diplomatic solution.
America can do better. I mean, we *could* have, but now we’re enslaved by Martians.
James Marshall “Air Force One”
Harrison Ford plays President James Marshall, a Medal of Honor recipient in his previous time in the U.S. military. Now, Air Force One is hijacked by Russians posing as journalists (because anyone can get aboard Marshall’s Air Force One, apparently). After allowing many on board to get killed, he almost brings down the Air Force pararescue jumpers and C-130 crews who rescue him in the end because he just won’t leave the stupid plane. Also, for a Medal of Honor recipient, he sure doesn’t fight, move, or hold a weapon like someone trained to fight.
The President from ‘Escape from New York’
If you’re going to allow the borough of Manhattan to be a contained prison just for inmates with life sentences, why would you allow Air Force One to fly over it? Also, how are so many people taking over Air Force One in these movies? It’s so easy for people in movies to take that plane, unless you’re the good guys. Steven Seagal died trying to sneak aboard the President’s jet in “Executive Decision,” but some dudes can take it over while the POTUS is carrying secret bomb plans in “Escape from New York.”
Dishonorable Mention – Julian Navarro – “The Brink”
Tim Robbins’ Secretary of State Walter Larsen should have been the President on this show. It was like the actual President didn’t know anything at all about the modern world’s trouble spots, his intelligence assets, or how to deal with any of it. His first response is just to bomb the crap out of everything at the suggestion of his Secretary of Defense.
Mary Walker, the only woman to be issued a Medal of Honor, is about to get some prime-time coverage, thanks in part to a graphic novel series produced by the Association of the U.S. Army. The latest edition of “Medal of Honor,” shines a light on the bravery and valor of Mary Walker, the first woman in the U.S. to earn a medical degree and the only woman ever to receive the Medal of Honor.
Dr. Mary Walker attended Syracuse Medical College before the start of the Civil War. Her parents encouraged her to pursue her education, and she graduated in 1855 with a medical doctor degree – the first woman to do so in the almost 100-year-old United States.
She knew she wanted to serve her country, she just didn’t know how it would happen. Dr. Walker worked in private practice for a few years until the Civil War broke out in 1861. Despite her best efforts to join the Army, she was denied on the grounds of being a woman. And since she’d worked so hard to earn a medical doctorate, Dr. Walker was nonplussed at the suggestion that she join the Army as a nurse.
Instead, she decided to volunteer and work for free at a temporary hospital set up at the U.S. Patent Office in Washington, D.C. There, Dr. Walker continued to face discrimination, as the male surgeons refused to address her as “Dr.” and instead regulated her duties to that of an assistant.
By 1862, Dr. Walker was living in Virginia and working at field hospitals throughout the state. A year later, her medical credentials were finally accepted by the Army. This was only because of the recommendation of Maj. Gen. William Sherman and Maj. Gen. George Thomas. Without their letters of recommendation, it’s likely that Dr. Walker would have continued to work as an unpaid surgical assistant, despite being a highly trained doctor.
With her recommendation letters in hand in hand, Walker moved to Tennessee and was appointed as a War Department surgeon, which is equivalent to today’s rank of either a First Lieutenant or Captain. Her position in Tennessee was paid.
Dr. Walker quickly became well-known among the troops and units. She would routinely risk crossing enemy lines to tend to wounded personnel or civilians. It was during one of these forays into enemy territory that Dr. Walker was captured by Confederate forces. Dr. Walker was sent to the infamous Castle Thunder Camp, located in current-day Richmond, Virginia. She was held as a POW for about four months and was eventually exchanged in a POW swap for Confederate medical officers.
Castle Thunder was mainly used for civilian prisoners, not POWs, so it’s not entirely clear what Dr. Walker witnessed and experienced during her time as a POW, but it probably wasn’t pleasant. But, true to her nature, Dr. Walker saw an opportunity instead of internment. While imprisoned, she cared for the ill and the wounded at Castle Thunder. She is credited with having saved several lives while waiting for her own life to resume outside the prison walls.
After being released by the Confederate Army, Dr. Walker worked as a medical director at a hospital for women prisoners in Kentucky. She was routinely seen wearing men’s clothes and was arrested several times for impersonating a man, always stating that the “government” gave her permission to dress that way. She was awarded the Medal of Honor by President Andrew Johnson even though she’d never officially been commissioned as an officer. That’s why her medal was rescinded in 1917, just two years before she died. Dr. Walker refused to return the medal and wore it until she died.
Due in part to the efforts of her family, President Jimmy Carter restored her Medal of Honor in 1977. As part of the Army’s efforts to bring to light the courageous acts of service personnel, Dr. Walker’s story is now available in graphic novel form. Her story is the third installment of 2020. A final issue for 2020 will feature Holocaust survivor and Korean War veteran Cpl. Tibor Rubin. Read Dr. Walker’s graphic novel here.
Hollywood is known for riddling military movies with technical errors, but from “Full Metal Jacket” to “Stripes,” the movie industry gets it right with plenty of quotable military movies.
Here are WATM’s picks for 32 of the best ever:
1. “I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn’t find one of ’em, not one stinkin’ dink body. The smell, you know that gasoline smell, the whole hill. Smelled like … victory. Someday this war’s gonna end.” — Lt. Col. Bill Kilgore, “Apocalypse Now” (1979)
2. “When I go home people will ask me, ‘Hey Hoot, why do you do it man? What, you some kinda war junkie?’ You know what I’ll say? I won’t say a goddamn word. Why? They won’t understand. They won’t understand why we do it. They won’t understand that it’s about the men next to you, and that’s it. That’s all it is.” — Norman “Hoot” Hooten, “Black Hawk Down” (2001)
3. “You have to think about one shot. One shot is what it’s all about.” — Michael, “The Deer Hunter” (1978)
4. “Keep the sand out of your weapons, keep those actions clear. I’ll see you on the beach.” — Capt. John Miller, “Saving Private Ryan” (1998)
5. “Are you smoking this sh-t so’s to escape from reality? Me, I don’t need this sh-t, I am reality. There’s the way it ought to be, and there’s the way it is.” — Staff Sgt. Barnes, “Platoon” (1986)
6. “Now I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country.” — Gen. George Patton, “Patton” (1970)
7. “My name is Maximus Decimus Meridius, Commander of the Armies of the North, General of the Felix Legions, loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next.” — Maximus, “Gladiator” (2000)
8. “The Almighty tells me he can get me out of this mess, but he’s pretty sure you’re f–ked.” — Stephen, “Braveheart” (1997)
9. “Aim small, miss small.” — Capt. Benjamin Martin, “The Patriot” (2000)
10. “Out here, due process is a bullet!” — Col. Mike Kirby, “The Green Berets” (1968)
11. “Mandrake, do you recall what Clemenceau once said about war? … He said war was too important to be left to the generals. When he said that, 50 years ago, he might have been right. But today, war is too important to be left to politicians. They have neither the time, the training, nor the inclination for strategic thought. I can no longer sit back and allow Communist infiltration, Communist indoctrination, Communist subversion and the international Communist conspiracy to sap and impurify all of our precious bodily fluids.” — Gen. Jack D. Ripper, “Dr. Strangelove” (1964)
12. “I feel the need . . . the need for speed.” — Lt. Pete “Maverick” Mitchell, “Top Gun” (1986)
13. “Each and every man under my command owes me one hundred Nazi scalps… And I want my scalps!” — Lt. Aldo Raine, “Inglourious Basterds” (2009)
14. “Are you quitting on me? Well, are you? Then quit, you slimy f–king walrus-looking piece of sh-t! Get the f–k off of my obstacle! Get the f–k down off of my obstacle! NOW! MOVE IT! Or I’m going to rip your balls off, so you cannot contaminate the rest of the world! I will motivate you, Private Pyle, IF IT SHORT-D–KS EVERY CANNIBAL ON THE CONGO!” — Gunnery Sgt. Hartman, “Full Metal Jacket” (1987)
15. “Ideals are peaceful. History is violent.” —Wardaddy, “Fury” (2014)
16. “I ain’t got time to bleed.” — Blain, “Predator” (1987)
17. “I could have killed ’em all, I could kill you. In town you’re the law, out here it’s me. Don’t push it. Don’t push it or I’ll give you a war you won’t believe. Let it go. Let it go.” —Rambo, “First Blood” (1982)
18. “Spartans! Ready your breakfast and eat hearty… For tonight, we dine in hell!” — King Leonidas, “300” (2006)
19. “All right, sweethearts, what are you waiting for? Breakfast in bed? Another glorious day in the Corps! A day in the Marine Corps is like a day on the farm. Every meal’s a banquet! Every paycheck a fortune! Every formation a parade! I LOVE the Corps!” — Sgt. Apone, “Aliens” (1986)
20. “You still think it’s beautiful to die for your country. The first bombardment taught us better. When it comes to dying for country, it’s better not to die at all.” — Paul Baumer, “All Quite on the Western Front” (1930)
21. “Sir, Custer was a p-ssy. You ain’t.” — Sgt. Maj. Plumley, “We Were Soldiers” (2002)
22. “Sir, I got lost on the way to college, sir.” — Anthony Swofford, “Jarhead” (2005)
23. “Remember Sully when I promised to kill you last? I lied.” — John Matrix, “Commando” (1985)
25. “Only two kinds of people are gonna stay on this beach: those that are already dead and those that are gonna die. Now get off your butts. You guys are the Fighting 29th.” — Brig. Gen. Norman Cota, “The Longest Day” (1962)
26. “F–kin’ badass, I was there. F–kin’ took him out at 400 yards, head popped up three feet in the air. Crazy shot, man.”
27. “Yes they had weapons! You think there’s a script for fighting a war without pissing somebody off? Follow the rules and nobody gets hurt? Yes, innocent people probably died. Innocent people always die but I did not exceed my orders.” — Col. Terry Childers, “Rules of Engagement” (2000)
28. “We’re Airborne. We don’t start fights, we *finish* ’em!” —Galvan, “Hamburger Hill” (1987)
29. “Lighten up, Francis.” — Sgt. Hulka, “Stripes” (1981)
30. “My name is Gunnery Sergeant Highway. I’ve drunk more beer, banged more quiff, pissed more blood, and stomped more ass than all of you numb-nuts put together.” — Gunny Highway, “Heartbreak Ridge” (1986)
31. “All I ever wanted was an honest week’s pay for an honest day’s work.” — Master Sgt. Ernie Bilko, “Sgt. Bilko”
32. “You see Danny, I can deal with the bullets, and the bombs, and the blood. I don’t want money, and I don’t want medals. What I do want is for you to stand there in that f–goty white uniform and with your Harvard mouth extend me some f–king courtesy. You gotta ask me nicely.” — Col. Nathan Jessep, “A Few Good Men” (1992)
Fighting fires is hungry work. And since firefighters spend long hours, even days, at the fire station, it naturally falls to some schlub rookie to lace up an apron and put food on the table. That’s normally how it goes.
But Meals Ready To Eat doesn’t profile normal.
In South Philadelphia, there’s a fire station where things go down a bit differently. That’s because the members of Philly’s Fire Engine 60, Ladder 19 are lucky enough to count a gourmet chef among their ranks. In fact, he outranks most of them. He’s Lieutenant Bill Joerger, he’s a former Marine and this kitchen is his by right of mastery.
It is a little weird for a ranking officer to spend hours rustling the chow. It’s a little strange that he goes to such lengths to source ingredients for his culinary art. It’s a bit outlandish when those meals are complex enough to necessitate a demo plate.
But Bill Joerger doesn’t care about any of that. When not actively saving lives, he cares about honing his cooking skills, eating well, and creating — in the midst of a chaotic work environment — some small sacred space where everyone can relax and just be people together.
“You have the brotherhood in the Marine Corps, and it’s the same as being in the firehouse…it’s some satisfaction for me to know that I’m producing a good meal for these guys after the things that we deal with on a daily basis.”
Meals Ready to Eat host August Dannehl spent a day with Joerger at the firehouse, experiencing the often violent stop-and-start nature of a firefighter’s day and, in the down moments, sous-cheffing for the Lieutenant. The story of how Joerger found his way from the Marine Corps to a cookbook and then to the firehouse kitchen is a lesson in utilizing one’s passion to impose some order in the midst of life’s disarray.