Joker was always going to be a different kind of Batman movie. It might not even to be fair to call it a Batman movie, centered as it is on Gotham’s most infamous criminal and not its most famous orphan. But besides a narrative focus beyond good vs. evil, what sets this movie apart is its relationship with its source material.
“We didn’t follow anything from the comic books, which people are gonna be mad about,” writer-director Todd Phillips said in an upcoming interview with Empire. You read that right: instead of basing the script on a graphic novel or cobbling it together from different comic books, Phillips wrote an original story.
“We just wrote our own version of where a guy like Joker might come from. That’s what was interesting to me. We’re not even doing Joker, but the story of becoming Joker. It’s about this man,” Phillips added.
Instead of pitting the character, be it zoot suited Jack Nicholson in a zoot suit or a shirtless Jared Leto, against Batman, the Joker script is about Arthur Blank’s descent into Travis Bickle-like madness. If it sounds like a role designed for Phoenix, a notoriously intense actor, that’s because it is.
“We had a photo of him above our computer while we were writing,” he told the magazine. We constantly thought, ‘God, imagine if Joaquin actually does this.'”
Well, he actually did it, but you’ll have to wait until Oct. 4, 2019, to see exactly where on the “inspired by” to “based on” spectrum Phillips’s film falls.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Giant bugs, unrealistic space travel and lots and lots of NPH all make it into our rundown of the classic military sci-fi flick ‘Starship Troopers’ — presented in under 3 minutes… ’cause you’re busy and stuff.
Want to watch more? Check out more episodes of “Hurry Up And Watch” only on the Go90 platform. Download the Go90 app on your mobile device from the iTunes or Google Play store, or head over togo90.com to access We Are the Mighty’s exclusive Go90 content like “Elite Forces,” “Hurry Up and Watch,” and “Max Your Body” — and stay tuned for even more original WATM content available only on Go90.
Amazon Prime is pushing their new show, Jack Ryan, based on the Tom Clancy character that has saved Britain’s queen, hunted Russian subs, and interrupted terrorist plots across the world in both novels and movies from the ’80s to today.
The character is a mainstay of the the thriller world — an American James Bond — which is why it’s so great that Amazon cast comedy icon John Krasinski in the role.
Now, Funny or Die has done what we’ve all been thinking — they cut together the Jack Ryan commercial and scenes from The Office, pitting America’s top analyst-turned-spy against the criminal genius of Dwight Schrute, the socially awkward and pretentious beet farmer who’s always hatching some failed scheme to teach his office mates a moral lesson.
Jim (left) feigns working at his desk as Dwight (center) looks at what he believes to be a gift-wrapped desk. Spoiler: The desk is actually gone completely. Jim made a fake frame for the wrapping and the whole thing collapses when Dwight tries to sit down.
Dwight is best known by his self-appointed job title: Assistant to the Regional Manager. Abbreviated, of course, as the Ass. Man.
He labors for years to outmaneuver Jim Halpert, now Jim Ryan, in a series of escalating pranks, from disappearing desks to fake spy taps to false faxes from the future. Apparently, Dwight is not putting up with it any longer.
Check out the hilarious video mashup below and get a look at more sinister Dwight Schrute.
Jack Ryan debuted August 31, but has already been been renewed for a second season. In the first season, Ryan notices irregularities in bank transactions and eventually finds evidence of a growing terrorist threat against the U.S., leading him across the world in a quest to hunt down the leaders and prevent the attack.
The show brings Michael Bay and John Krasinski back together. The men had previously worked together on 13 Hours: The Secret Soldiers of Benghazi, a dramatization of the horrible events at the U.S. embassy in Libya in 2012. 13 Hours was probably the most well-known example of Krasinski’s pivot from comedy to action.
After years of playing Jim Halpert in The Office and performing other comedic roles, Krasinski has been branching out, directing movies and focusing on action roles.
Troy Nunley was 17 years old when he left the farm and joined the Navy. He was assigned to the USS Indianapolis (CA 35), and as he stood on the pier at Mare Island he couldn’t believe any man-made thing could be so massive.
“I’d never seen a tractor that big,” he says.
The recollections of Nunley and over a hundred others are the main thread of “The USS Indianapolis: The Legacy Project,” a documentary directed and produced by Sara Vladic who spent over ten years putting it together. Her choice to let the surviving crew members tell their own story has resulted in a powerful film, one that tells the story of a star-crossed surface combatant while also capturing the timeless themes of survival, courage, and the fight to set the record straight on behalf of the man who led them.
(Photo: U.S. Navy Historical Center)
The Indianapolis was very active in the early years of World War II, fighting in campaigns across the Pacific Ocean, from the Aleutian Islands and Iwo Jima where the ship was close enough to see what was going on ashore.
“They said they’re raising the flag, and I said big deal and walked away,” says Adolfo Celaya, who was a fireman’s apprentice aboard the big battle cruiser. “How did I know it was going to be famous?”
At Okinawa the Indianapolis’ luck ran out. After shooting dozens of Japanese kamikazes out of the sky, one got through and hit the ship on the fantail. The airplane’s bomb knifed through several levels until it exploded in the engine room, killing nine members of the crew and injuring 30 others. The ship was forced to limp back to San Francisco for repairs, sailing the entire leg of the journey with a 17-degree list.
As the ship was being repaired at Mare Island, the crew was given 30 days of leave, and when it was over many of them returned fearing what the next leg of their deployment might bring.
“The last day I was home my mother was sitting on the front porch, and she said, ‘I know something’s wrong. You don’t act like yourself,” Cleatus LeBow says. “And I said, ‘I’m dreading going back this time.”
The Indianapolis stopped by Hunter’s Point on the way out to sea and picked up a large crate that was heavily guarded and bolted to the passageway outside of the commanding officer’s cabin. Rumors started to fly among the crew about what the mysterious cargo might be.
Lebow says his guesses were, “Cadillac for MacArthur or whiskey for everybody to sell at the end of the war.”
“The best scuttlebutt I heard was that we were carrying was that we had 20,000 rolls of scented toilet paper for Douglas MacArthur,” adds Paul Murphy, who was a third class petty officer at the time.
As the Indianapolis sailed under the Golden Gate Bridge, one of the senior enlisted men turned to Buck Gibson and said, “Look at that bridge good. A lot of us will never see it again.”
The ship transited the Pacific at a record pace, averaging 29.5 knots between San Francisco and Tinian.
“There was more gold braid on that pier that I’ve ever seen before,” Clarence Hershberger says.
After unloading its mystery cargo, the Indianapolis headed west across the Philippine Sea for Leyte. The ship was sailing solo in spite of the fact that, as Hershberger says, “It is stated many times in Navy manuals that our ship our size must have a destroyer escort.”
At midnight on July 30, 1945, the Indianapolis was hit by several torpedoes fired from a lurking Japanese submarine. The first one sliced the bow off; the second ignited the aviation gas stores, causing many of the sailors to burn to death. The ship sank in 12 minutes.
“I had only been on the ship for 13 days,” Donald Blum remembers.
The crew spent five days and nights in the water, fighting thirst, sun, and sharks. Some men succumbed to madness and swam for a mirage only to drown or be attacked by sharks. Some drank seawater and died of dehydration.
On the fourth day, a lone PV-1 spotted the survivors. From that point forward, the pilot, Lt. Chuck Gwynn, would be known to them as “our angel.”
Another pilot landed a PBY seaplane and loaded 56 men aboard, including laying them across the top of the wing. Ships started arriving in the area, shining searchlights, which hazarded them in potentially enemy sub-infested waters but raised the spirits of the survivors.
The survivors were loaded aboard the rescue vessels, and only then — after the oil-soaked men identified the ship that they were attached to — did the rest of the fleet realize that the Indianapolis had been sunk. Of the 1,197 men who went into the water, only 317 were pulled out of the water alive.
In time, the survivors were taken to Guam to convalesce. In mid-August, one of the nurses showed a group of them a newspaper with the headline that the bomb had been dropped on Hiroshima. The mystery of their cargo was finally solved.
But their trial wasn’t over, literally. That fall the Indianapolis commanding officer, Capt. Charles McVeigh, was court-martialed for “failure to zigzag” and for waiting too long to give the order to “abandon ship.” In a wild twist of fate, the Navy called the commander of the Japanese submarine, Mochitsura Hashimoto, to testify.
Hashimoto said that zigzagging wouldn’t have saved the Indianapolis, but the court found McVeigh guilty anyway. Admiral Chester Nimitz later remitted his sentence, but the court of public opinion never did. McVeigh — harboring great guilt for those lost under his command — shot himself on his front lawn, holding a toy sailor in his other hand. He was 70 years old.
The remaining survivors, always of a mind that their skipper got a raw deal from the Navy, kept pushing for legislation that would clear his name. The finally found a champion in Cdr. Bill Toti, the CO of the new USS Indianapolis, a nuclear submarine. Toti invited the survivors to join him at the commissioning ceremony for his sub, and after sitting down with them and realizing their enduring love and respect for their skipper, he led an effort to get the Navy to exonerate Capt. McVeigh’s record. President Clinton signed the resolution in 2000, 55 years after the Indianapolis went to the bottom of the Pacific.
(Editor’s note: Sara Vladic won “Best Female Director” honors at this year’s GI Film Festival that was just held in the Washington, DC area. For more on “The Legacy Project” go here.)
Let’s face it. There are fictional planes from some of our favorite stories that are simply awesome, but life is cruel, so we just don’t have the tech yet.
Still, here are five we wish would happen:
In the 1980s, this TV series was one of the few that was unapologetically pro-American. The creator behind this series was Don Bellisario, best known for JAG and NCIS. Yeah, it has Oscar-winner and former Chief Petty Officer Ernest Borgnine on the cast, but “The Lady” was the real star of this series that lasted for four seasons.
This helicopter could reach altitudes that fighters like the F-15 couldn’t dream of reaching. It had hot avionics and a powerful gun and missile armament. The closest we have come to this awesome chopper was the RAH-66 Comanche, which was cancelled in 2002 in favor of the abortive ARH-70. The OH-58 is being retired without a replacement. Ya blew it, DOD.
2. The EB-52C Megafortress
Okay, like many recent planes, this star of early Dale Brown novels like Flight of the Old Dog and Night of the Hawk managed to become the subject of a computer flight simulator.
It’s a BUFF, but this BUFF got a multi-role fighter’s radar, the latest air-to-air missiles, and could still carry a lot of firepower to hit ground targets. In the original book, this BUFF slipped through Soviet air defenses, blasted a secret laser, then fought its way out. Much of that technology exists today…and perhaps the B-52 isn’t the only airframe it could be applied to…
3. Blue Thunder
According to IMDB, the movie featured an advanced helicopter that certain folks (mostly military) had sinister plans for. A spin-off TV series lasted 11 episodes opposite the iconic series Dallas.
This helicopter is not as heavily armed as Airwolf, but did feature astounding ISR gear, and a 20mm M61 Gatling gun. The ISR gear would have made this an excellent Kiowa replacement. Add a little firepower, and we have decent scout that could kill anything that stumbled on it. After all…dead men don’t talk.
4. Wonder Woman’s Invisible Jet
The superhero who came to help America fight the Nazis in World War II had perhaps the ultimate in stealth technology: an invisible plane. According to screenrant.com this plane’s been with her since the 1940s.
The plane didn’t have much firepower in earlier iterations; lately, it’s picked up some firepower, but its primary defense is to not be seen at all by radar or the Mark One eyeball. While we have accomplished that with fifth-generation fighters as opposed to radar, we haven’t quite worked out the visual part. Yet.
(On a separate note, we also wish Wonder Woman were real…)
5. MiG-31 Firefox
No, this is not named for the browser. And yes, we know there is an actual MiG-31 called the Foxhound, which is a pretty sweet ride with some long-range firepower (4 AA-9 Amos air-to-air missiles, and four AA-11 Archers).
According to IMDB.com, the MiG-31 Firefox was capable of Mach 6, could be flown by thinking in Russian, and it was invisible to radar. That’s a very sweet ride.
Mission: Impossible — Fallout is not the best action movie of all time, but it comes damn close. Paradoxically, the reason why people think it’s the greatest action movie of all time is that it has some of the best action scenes in any action movie ever. Just because a film has the best action scenes, doesn’t mean those scenes add up to the best film in the genre. So, thankfully, the newest Mission: Impossible film really does meet the hype (even if some reviewers have gotten a bit hyperbolic suggesting it’s the best action movie ever made) it’s not the greatest thing ever, despite being pretty great. here’s why.
It’s rare for a franchise to reach its high-point six movies in but, against all odds, Fallout proves that Mission: Impossible is as fresh as it’s ever been, raising the stakes both for the franchise and the action genre as a whole. It has been 22 years since Ethan Hunt first burst into theaters with his trademark blend of high stakes espionage and heart-stopping action. And while most series would have grown stale long ago and been forgotten, Mission: Impossible is arguably bigger than it’s ever been. Riding a wave of critical acclaim and audience excitement, Fallout is in a perfect position become one of the biggest and most beloved films of the year.
Most summer blockbusters ignore things like story and character in favor of big stunts but Mission: Impossible continues to deliver movies that are enjoyable on every conceivable level. The plot, revolving around Hunt and his motley crew tracking down some nuclear weapons that have ended up in the wrong hands, is fun and features just the right amount of twists and turns without becoming too confusing. The cast continues to get better, anchored by living legend Tom Cruise, who remains as charming as ever, even while he is jumping out of an airplane or getting hit by a car while riding a motorcycle.
But unsurprisingly, the biggest reason Fallout is the best action movie of the year is because of the action. As a genre, action movies have strayed further and further from reality thanks to special effects and CGI, to the point where sometimes entire fight sequences and chase scenes will basically just be motion capture, green screen, and good old fashion Hollywood magic. These movies are undoubtedly impressive but they lack the immediacy that can be found in a film like Fallout, that relies mostly on practical effects to get its biggest sequences onscreen.
Since the first film hit theaters more than two decades ago, Mission: Impossible has been known for its insane but entirely real action set pieces and fans of the series will be happy to know that Fallout is packed with the best action sequences in the entire franchise. The movie has everything action junkies are clamoring for, including a skydiving scene, an extended epic chase scene around Paris, and a dogfight between two helicopters that has to be seen to be believed.
But the highlight of the action is undoubtedly an epic fight scene that takes place entirely in a bathroom. The choreography is next-level and every punch thrown feels completely real, to the point where you have to remind yourself that these guys are not actually beating the shit out of each other. But despite the raw intensity, it’s also incredibly fun to watch, features a number of big laughs, and serves as a perfect encapsulation of everything great about Mission: Impossible.
None of this is to say that Fallout is a perfect movie. At two hours and 27 minutes, Fallout, like most blockbusters, feels about 30 minutes longer than it needs to be. A few of the action sequences are also a bit over the top, especially during the film’s climax, which drags on just a hair longer than it probably should and briefly walks on the wrong side of believability.
Long story short, it’s a great action film but is unlikely to be remembered as one of the greatest action movies ever made. In fact, many might argue it’s not even the best film in its own franchise, as a strong case could certainly be made for Ghost Protocol. Still, any nitpicks pale in comparison to how much fun you will have watching Fallout, as it is a nonstop spectacle that action fans of all ages will love. And while Fallout is unlikely to replace Die Hard or Raiders of the Lost Ark on the Mount Rushmore of action movies, it’s already clearly established itself as the top action film of 2018.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Ben Affleck will direct and star in “Ghost Army,” a movie about the 23rd Headquarters Special Troops who tricked the Nazis in the weeks leading up to D-Day in 1944.
The film features a screenplay by “True Detective” creator Nic Pizzolatto, and it’s based on “The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery,”the outstanding 2015 book by Rick Beyer & Elizabeth Sayles. The script is also based on the PBS documentary “The Ghost Army.”
The “Ghost Army” used military “special effects” to mislead Germany into deploying its troops in the wrong locations to fight non-existent armies. The unit included future fashion designer Bill Blass, fine art painter Ellsworth Kelly, wildlife artist Arthur Singer, photographer Art Kane and designer Jack Masey. It’s a fascinating group of soldiers who went on to become some of the most influential artists and designers of the 20th century.
Remembering The Ghost Army that Saved US Lives in WW II
The unit is credited with saving thousands of lives during the war, and their story seems tailor-made for the kind of free-wheeling, all-star, upbeat WWII movie that we haven’t seen much lately.
Affleck’s most recent movie is Netflix’s special ops heist thriller “Triple Frontier.” He won an Oscar for producing the 2012 CIA Iran hostage thriller “Argo” (which he also directed and starred in) and another for writing the 1997 drama “Good Will Hunting.”
This article originally appeared on Military.com. Follow @militarydotcom on Twitter.
The reviews for “Suicide Squad” are in, and they’re a mixed bag, to put it politely. The film disappointed critics, but fans were more forgiving. What’s not in question, however, are military skills on display in the movie. That success is owed to Kevin Vance (of Vance Brown Consulting), a former Navy SEAL and professional military advisor for the film industry.
“We’ve gotten a lot of positive feedback there,” says Vance. “In terms of the gear we brought in, we had so much support. SS Precision, Vickers Tactical — the list goes on and on.”
He doesn’t judge what’s “good” and “bad.” That’s not his job. He can, however, understand the decisions made by the studios. Vance believes they tried to make a movie for the fans of the comic, like filmmaker Kevin Smith (who called it “dope“).
“I just know David Ayer and the film he wants to make,” the Navy veteran says. “He’s made so many great films over the years and has such a unique perspective. If he sucker-punches you while he tells his story, so be it. He’s not going to do it simply for effect. He’s going to do it to kind of smack you and wake you up”
Filmmaker David Ayer is a Navy veteran who hired Kevin Vance to train the cast of a previous film, 2014’s “Fury.” That film was about a U.S. Army tank crew in World War II. In the film, the experienced crew looses their bow gunner and gets a reluctant replacement.
“What was fascinating to me was Wardaddy’s (Brad Pitt) job was to really dismantle this young man’s sense of decency,” says Vance. “The resistance to becoming a functioning soldier was going to get everyone killed. The sense of decency is what he to break apart.”
Vance put the entire cast – Brad Pitt, Shia LeBeouf, Logan Lerman, Michael Peña, and Jon Bernthal – through a rigorous WWII-style basic training, complete with canvas tents, cots, and lanterns to protect from the cold, North Atlantic winds in the open countryside.
“I wasn’t there to train those guys to be soldiers,” the former SEAL recalls. “I was there to put them in a state of mind. I was there to make them fatigued, miserable, cold, hungry, pissed-off. I broke them down physically and mentally to build them back up. They suffered together to create a functioning group inside that tank.”
They did learn to work as a team in a real Sherman tank, Brad Pitt commanding.
“They’re tight because of it now,” Vance says. “They all still talk to one another; they do dinners together. I’m not saying that’s just because of me. That’s guys bonding.”
(Flag) and Will Smith (“Deadshot”) in 2016’s “Suicide Squad.”
“Suicide Squad” was a much different animal in terms of mechanics, actor training, and weapons training. The film was about individuals being individual characters working together. Vance and his fellow military veterans had two weeks and $50,000 in blank ammo to drill the stuntmen and actors to move like operators.
“I was there to get these guys functioning on a level that the audience can truly appreciate, that our peers will appreciate, and then create scenarios where other movies have not performed,” Vance says. “We build this foundation of physical skills then move into this other space which the actor truly needs to perform well – and that’s that mental space.”
To Kevin Vance, that means combat mindset, leadership, and the emotional, psychological, or physical scars a character would have. Vance and his colleagues provide the actors with historical examples and personal examples from their real-world warfighting colleagues so they can take what they want and need for their character.
“Will Smith’s character [Deadshot] is very different from, say Flag [Joel Kinnaman] or Lt. Edwards [Scott Eastwood],” Vance says. “We’re all looking of that life-test. We’re looking to truly challenge ourselves. I didn’t know what that was. I just got very, very lucky when an old book landed on my lap in college when I was 19.”
That book was about scouts and raiders during World War II. It piqued Vance’s interest so much, he read more and more, eventually coming across books about Navy SEALs. One day he met a Vietnam veteran who inspired and educated him. One thing led to another, and Kevin Vance joined the Navy and served as a SEAL from 1994 to 2003. The frustrations of bureaucracy and war led Vance into entertainment.
“We used to have we called the ‘vent book,'” he recalls. “Guys can work out and vent. Guys can use conversation these different ways. So we created this book which turned into, something turned it into something really funny. It’s like how would you fight the war if you were Dirty Harry?”
The SEALs on Vance’s team got really creative with the vent book. Vance know some video game producers with the blessing of his team, decided to pitch the book to see where it led. That turned into Vance and his fellow Team guys writing a “Medal of Honor” game for Electronic Arts.
When I asked Kevin Vance for advice he could give separating military members on working in Hollywood, he was quick to remind me that his case is unique, he’s a “lucky guy,” and that he just came from a 48-hour shift at the local firehouse.
“If you’re getting out of the military, first thing first is to have a plan,” he says. “Don’t make Hollywood your plan A. Hollywood is not a structured environment like the military is, like a fire department is. You’re left to your own devices in a world that is unpredictable and unreliable.”
Vance says success in the film industry is also hinged highly on people skills and mission focus. The military from the garrison to the battlefield is one and the same with movies from set to screen. Veterans could use that same decisive skills set to engage, inform, and aid their own communities.
“I think people are hungry for a challenge,” he says. “Look at things like Mud-Runs, challenges you can pay to get. We ask 19-year-olds, men and women, to be soldiers, to be ambassadors, and spend a significant period of their adult years overseas. The people in our country need help. They need true leaders. We need people who can inspire other people and motivate other people. That’s what this generation of veterans has to offer.”
The United States Flag Code is tricky. It is federal law, but the only penalty in Title 18, burning the flag in a disrespectful manner, was ruled as free speech but the Supreme Court.
Everything outside of that considered less of a felony offense and more in a gray area. It might seem cute and patriotic to have American flag toothpicks, napkins, or beach towels, but it’s kind of disrespectful to wipe the burger grease off with the American flag and throw it aside.
That being said, the most commonly pointed out violation is with costumes or attire. The flag symbolizes freedom so it’s everyone’s right to do whatever they feel right with it, respectfully or (as much as it irks me to say it) disrespectfully.
Every entry on this list is done with good intentions. Some hit their mark — others didn’t.
#1. Macho Man Randy Savage
Nothing screams ‘Murica like good ol’ professional wrestling.
Macho Man is ready to elbow drop any commie bast*rd with just his style alone.
#2. Tomi Lauren
It’s actually kind of cool, rocking the American flag as a cape strapped at the wrists like she’s Storm from the X-Men.
But every last bit of her cool points are lost, however. I’m sorry. No one can #MakeHalloweenGreatAgain wearing a fanny pack. People still laugh at Dwayne “The Rock” Johnson for wearing a fanny pack back in the 90’s. Even “The Rock” mocks “The Rock” for wearing a fanny pack back in the 90’s.
#3. Vanilla Ice
The one of the faces of mainstream early 90’s Hip Hop loved his country.
They were fashionable enough to spark imitation through out the 90’s. But do his red, white, and blue tracksuits and leather jackets still hold up in 2017?
#4. Chris Evans (as Captain America)
You best believe that the Superhero with America in his name rocks the American flag on his super suit.
As early as March 1941, Cap can usually be found rocking the same style. Blue field and white star on the top half, red and white stripes down the abs.
#5. Katy Perry
She actually rocks the American flag quite often. Always with flair.
Her outfit for Fleet Week was simple, yet still flashy. The only way to complete an outfit like this is with a Marine on her arms.
#6. Kid Rock
Quickest way to make an outfit using Old Glory? Cut a hole down the middle and wear it as a poncho like Kid Rock did during the 2003 Superbowl.
Just watch out. People won’t take kindly to you cutting the American flag.
#7. Carl Weathers (as Apollo Creed)
Apollo Creed always worked into the ring with patriotic trunks. What really took it to the next level is when in Rocky IV, he fought Ivan Drago in the most American way possible: by bringing his Soviet opponent to Vegas and dressing as Uncle Sam. *Spoiler Alert* It doesn’t work out well.
Although it is a touching moment when his son dons his red, white, and blue trunks in the 2015 film, Creed.
#8. Lady Gaga
Great outfit and extremely dignified rendition of “The Star Spangled Banner” at Super Bowl 50.
Just hurts that her outfit in her music video “Telephone” has the field on the wrong side.
#9. Hulk Hogan
There will always be a soft spot in my heart for pro wrestling — wacky and crazy gimmicks and all. Very long and convoluted story cut short, the other half of The Mega Powers (with the previously mentioned Macho Man) came back after Wrestlemania XIX billed as Mr. America. Using the same poses, walk music, move set, and fooling no one.
But there are those out there who try their best to nail it.
Here are 13 upcoming shows and movies that get it right, according to Got Your 6.
1. “American Veteran”
The feature length documentary tells the story of U.S. Army Sergeant Nick Mendes, who was paralyzed from the neck down by a 500 pound improvised explosive device in Afghanistan in 2011. The documentary follows Nick for five years following the explosion as he rebuilds his life and falls in love with Wendy, an extraordinary medical caregiver he meets in a VA hospital. The film chronicles his long recovery, struggles, and pain, but never perpetuates the stereotype of the “wounded veteran.” BetterThanFiction Productions
2. “Criminal Minds”
The long-running American police crime drama, set primarily at the FBI’s Behavioral Analysis Unit (BAU) based in Quantico, Virginia, follows a group of FBI profilers who catch various criminals through behavioral profiling. The plot focuses on the team’s cases and their personal lives, depicting the hardened life and statutory requirements of a profiler. Actor Joe Mantegna plays Supervisory Special Agent David Rossi, a senior level profiler who happens to be a Vietnam veteran as well as a moral core of the show. His service is primarily mentioned in passing, depicting his veteran status as one of many characteristics as opposed to defining his identity. The Mark Gordon Company, ABC Studios, CBS Television Studios
Directed by Denzel Washington with a screenplay by August Wilson based upon his Pulitzer Prize-winning play, “Fences” follows Troy Maxson in 1950s Pittsburgh as he fights to provide for those he loves. Troy once dreamed of a baseball career, but was deemed too old when the major leagues began admitting black players. He tries to be a good husband and father, but his lost dream of glory eats at him, and causes him to make a decision that threatens to tear his family apart. Troy’s brother Gabriel, a disabled veteran, acts as a shining beacon of hope, despite his traumatic backstory. Gabriel is a fresh take on the sorts of wounds soldiers endure and showcases the strength of the human spirit. Paramount Pictures, in association with Bron Creative and Macro Media
4. “Five Came Back”
Netflix’s “Five Came Back” is a three-part adaptation of Mark Harris’ bestseller, directed by Laurent Bouzereau. Meryl Streep narrates Harris’ story of how five esteemed Hollywood directors – Frank Capra (“Mr. Smith Goes to Washington”), George Stevens (“Swing Time”), William Wyler (“The Letter,” “Jezebel”), John Ford (“Stagecoach,” “The Grapes of Wrath”), and John Huston (“The Maltese Falcon”) – volunteered to make propaganda films for the United States and its fighting corps. For the adaptation, it was Bouzereau’s vision to ask five current filmmakers – Guillermo del Toro, Francis Ford Coppola, Steven Spielberg, Lawrence Kasdan and Paul Greengrass – to consider the Hollywood quintet who went to war and returned forever altered by what they saw and did. Amblin Television, IACF Productions, Netflix, Passion Pictures, Rock Paper Scissors Entertainment
5. “Megan Leavey”
This film is based on the true life story of a young U.S. Marine corporal (played by Kate Mara) whose unique discipline and bond with her military combat dog saved many lives during their deployment in Iraq. Directed by Gabriela Cowperthwaite (“Blackfish”) and written by Pamela Gray, Annie Mumolo, and Tim Lovestedt, the film documents their journey of more than 100 missions until an IED explosion injures them. Bleecker Street/LD Entertainment
6. “Sand Castle”
Set in Iraq in 2003, “Sand Castle” follows a platoon of U.S. Army soldiers in the early days of Iraq War. Inexperienced Private Matt Ocre (played by Nicolas Hoult) and his unit are ordered to the outskirts of the village Baqubah to repair a water pumping station damaged by U.S. bombs. Ocre struggles with the true cost of war and learns that trying to win the hearts and minds of the locals is a task fraught with danger. The film was written by U.S. Army veteran and Tillman Scholar, Chris Roessner. Treehouse Pictures, Voltage Pictures, 42/Automatik, Netflix
7. “Seeing Blind”
A digital short produced by Crown Royal as part of its “Living Generously” campaign, “Seeing Blind” tells the story of U.S. Army Major Scotty Smiley, a combat veteran who was blinded in Iraq and continued to serve in active duty for another decade as the Army’s first blind commander. To thank Major Smiley for his service, Crown Royal paired him with internationally renowned poet Matthew Dickman to help him visualize his hometown of Pasco, Wash., in a poetic new way. Good Company
8. “Seven Dates With Death”
This moving documentary short is about Moreese Bickham, a man jailed for an act of self-defense who survives half his life in prison by holding onto his faith, resilience, and hope. Viewers don’t learn he is a veteran until the end credits when an American flag is draped on his coffin at his funeral; however, this symbolic end showcases the depth of Moreese’s life and sacrifice. The short documentary is currently playing in film festivals across the U.S. and London and is expected to be publicly released by the end of 2017. Executive Producers Joan M. Cheever, Mike Holland
A television series based on the “Taken” film trilogy, this series acts as a modern day origin story for former Green Beret Bryan Mills (played by Clive Standen), who overcomes a personal tragedy while starting his career as a special intelligence operative. As a former CIA agent and post-9/11 veteran, Mills has spontaneous flashbacks to his military service. While the show touches on his service, it allows the audience to be empathetic with his experience and the skills learned while in uniform. “Taken” consulted with Got Your 6 team members on specific issues regarding active duty service and veteran reintegration. FLW Films, Universal Television, Europacorp Television, NBC
10. “The Vietnam War”
This 10-part documentary film series directed by Ken Burns and Lynn Novick will air on PBS in September 2017. In an immersive 360-degree narrative, Burns and Novick tell the epic story of the Vietnam War through the testimony from nearly 100 witnesses, including many American veterans who served in the war and others who opposed it, as well as Vietnamese combatants and civilians from both the winning and losing sides. Florentine Films, PBS
11. “This is Us”
This hit American television series stars Milo Ventimiglia (Jack) and Mandy Moore (Rebecca), parents of triplets – two natural-born and one adopted after their third child is stillborn. The series follows siblings Kate, Kevin and Randall as their lives intertwine. After 18 episodes, it is revealed that Jack – who must balance being the best father he can be with the struggles of supporting for his family of five – is a Vietnam War veteran. This dramedy challenges everyday presumptions about how well we think we know the people around us. Rhode Island Ave. Productions, Zaftig Films, 20th Century Fox Television, NBC
12. “VOW” (digital shorts)
“VOW” (Veterans Operation Wellness) is a Spike campaign created to inspire veterans to make the same commitment to their health and wellness that they made to their country. Two of the campaign’s digital shorts, “Operation Surf Helps Returning Soldiers” and “NYC Veterans Day Parade 2016,” were awarded 6 Certified status. In addition to featuring inspiring veterans, the shorts serve to motivate civilians to connect with veterans through community-building events and activities. Witness Films, Viacom
13. “When We Rise”
This four-part mini-series event which chronicles the real-life personal and political struggles, set-backs, and triumphs of a diverse family of LGBTQ men and women who helped pioneer the last legs of the U.S. Civil Rights movement. Ken Jones (played by Michael K. Williams and Jonathan Majors), an African-American Vietnam veteran, joined the gay-liberation movement in San Francisco, only to discover and confront racism within the gay men’s community. For years he organized services for homeless youth, worked to diversify the gay movement, and led efforts to confront the devastation of the AIDS epidemic. ABC Studios
The Harry Potter books and movies are iconic works of fiction for the younger generations. While the various plots are set in a magical, adjacent version of our own world, the stories take place almost entirely within the encapsulated, magical world. Except that it’s officially canon that wizards (and dragons) fought in WWI.
In Warner Brother’s 2016 film Fantastic Beasts and Where to Find Them, the awkward Newt Scamander, as played by Eddie Redmayne, comes to America to continue his journey of writing a book on magical animals. He bumps into the non-magical Jacob Kowalski, as played by Dan Fogler, and the plot kicks off. Initially, the two characters don’t understand or like each other until they have a heart-to-heart conversation.
They bond when Kowalski tells Scamander about his service in WWI. Scamander asks, “you fought in the war?” Kowalski says, “of course I fought in the war. Everyone fought in the war. You didn’t fight in the war?” To which Scamander replies,
I worked mostly with dragons, Ukrainian Ironbellies, Eastern Front.
It’s a deep scene that ends with the two forming a brotherhood rooted in shared service.
Yes. That means, in the Harry Potter universe, WWI occurred just as it did in the real world. There were gigantic battles involving wizards and dragons that took place alongside the normal WWI trench-warfare.
This is confirmed through J.K. Rowling’s other works on Pottermore, which is a cannon supplementary site on which the author expands her universe. She describes that wizards were barred from helping the normal world, but did anyway. This was actually a huge turning point in the overall story because it’s one of the reasons why wizards don’t interact with non-wizards.
To top it all off, she also wrote about Henry Potter, Harry’s great-grandfather and namesake. Henry Potter was one of the British Wizards who participated in the trench warfare of WWI. His friendship with the non-magical world also played a huge role in Harry’s backstory because it’s why his family was shunned by most of the magical community.
“This is a great adventure we are embarking on today,” so says the official Space Force trailer that dropped on May 5 for Netflix’s new series featuring Steve Carrell and an all-star cast. How else is everyone’s favorite sixth branch of the military, Space Force, referred to in the trailer? “It’s a complete shitshow.”
Launching May 29, the made-for-Netflix series pairs an already awesome cast with sarcasm, hilarity and the best topic ever: the Space Force.
The show centers around four star general Mark R. Naird (Carell), whose ambitions included running the Air Force, not so much the newly created Space Force. With wife (Lisa Kudrow) by his side and a star-studded comedic-gold line up (John Malkovich, Ben Schwartz, Jimmy O. Yang, Noah Emmerich, Fred Willard, Tawny Newsome, Diana Silvers, Alex Sparrow and Don Lake to name a few), the acting promises to be as equally entertaining as the writing – as Space Force marks the first time long-time friends Carrell and creator Greg Daniels have worked together since they parted ways on, you guessed it, The Office.
Carell said that the show came around in a rather “atypical way.'””Netflix had this premise that they thought might make a funny show — the idea made everybody laugh in a meeting, an idea of a show about the origins of a fictitious Space Force. I heard about the idea through my agent, and Netflix pitched the show to me, and then I pitched the show to Greg, and we all had the same reaction to it. There was no show, there was no idea aside from the title. Netflix asked, ‘Do you want to do a show called Space Force?’ And I pretty much immediately said, ‘Well yeah, sure. That sounds great.’ And then I called Greg, and I said, “Hey, you want to do a show called Space Force?” And he said, “Yeah, that sounds good. Let’s do it.” And it was really based on nothing, except this name that made everybody laugh. So we were off and running.”
Daniels added after this call, he and Carell created the character and figured out what they wanted to say about the notion of making space more military. “We realized that the story had beautiful visuals and a mythic quality, and it echoed some of America’s best moments. It had a lot of heroism and yet it also had a strong satirical element. Suddenly everybody has realized that there are riches to be had on the moon, and we’ve got to stake our claim. It feels like there’s now a scramble to colonize space. The contrast between that and the super hopeful early days of NASA, when it was just such an achievement for all of mankind to get a person on the moon, is a good subject for satire,” said Daniels.
One of the best things about serving in the military is the camaraderie built with the men and women we serve beside. We depend on each other when we’re away from home, missing our families, and even fighting for our lives.
That’s why trust among service members is so important. And what better way to build trust than to eff with the new guy/gal?
It might sound counterintuitive, but it works. An initiation rite is a way to challenge someone new in a safe but hilarious way and see how they handle tough situations. An added bonus, as in Jesse Iwuji’s case, is that it also communicates that there’s some fun to be had.
As the junior ranking officer on his first ship fresh out of the Naval Academy, Iwuji was the perfect target. Check out this episode of No Sh*t There I Was to see how Iwuji handled his task of “lowering the mast” of the USS Warrior…
Leave a comment and tell us your favorite stories of messing with the newest person to the team.