Joker was always going to be a different kind of Batman movie. It might not even to be fair to call it a Batman movie, centered as it is on Gotham’s most infamous criminal and not its most famous orphan. But besides a narrative focus beyond good vs. evil, what sets this movie apart is its relationship with its source material.
“We didn’t follow anything from the comic books, which people are gonna be mad about,” writer-director Todd Phillips said in an upcoming interview with Empire. You read that right: instead of basing the script on a graphic novel or cobbling it together from different comic books, Phillips wrote an original story.
“We just wrote our own version of where a guy like Joker might come from. That’s what was interesting to me. We’re not even doing Joker, but the story of becoming Joker. It’s about this man,” Phillips added.
Instead of pitting the character, be it zoot suited Jack Nicholson in a zoot suit or a shirtless Jared Leto, against Batman, the Joker script is about Arthur Blank’s descent into Travis Bickle-like madness. If it sounds like a role designed for Phoenix, a notoriously intense actor, that’s because it is.
“We had a photo of him above our computer while we were writing,” he told the magazine. We constantly thought, ‘God, imagine if Joaquin actually does this.'”
Well, he actually did it, but you’ll have to wait until Oct. 4, 2019, to see exactly where on the “inspired by” to “based on” spectrum Phillips’s film falls.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
John Wayne never was able to join the military — when the draft first started in 1939, the then-unknown actor had a 3-A deferment because he was the sole supporter of four children — but that didn’t stop him from hopping in an armored personnel carrier and mounting an invasion with the 5th Armored Cavalry Troop. He had a cigar clenched in his teeth.
He was about to lead the U.S. Army in an invasion of Harvard University.
In January, 1974, the Duke invaded Harvard Square with some of the Army’s finest in response to a letter he received from the campus satirical newspaper, The Harvard Lampoon. In the letter, the paper said,
“You’re not so tough, the halls of academia may not be the halls of Montezuma and maybe ivy doesn’t smell like sagebrush, but we know a thing or two about guts.”
The paper then challenged the conservative Wayne to come to Harvard, a place The Harvard Lampoon described as, “the most intellectual, the most traditionally radical, in short, the most hostile territory on Earth.” They were challenging the actor to come to Harvard and debate against the students who called him, “the biggest fraud in history.”
The letter was purely goading, but John Wayne wasn’t about to let that bother him — he took the opportunity to visit in style.
He mounted the procession from the halls of The Harvard Lampoon’s on-campus castle, then drove to the door of the Harvard Square Theater through policemen, television crews, ‘Poonies dressed in tuxedos, students, and even some Native American protesters. There was even a marching band in his honor. In the heart of liberal Harvard, the conservative actor was met by thousands of admirers.
After signing autographs for a while, he took the stage. The first thing representatives of The Harvard Lampoon did was present Wayne with a trophy — made of just two brass balls. It was created just for him and awarded simply for coming to Harvard.
“I accepted this invitation over a wonderful invitation to be at a Jane Fonda rally,” he joked.
The Duke graciously accepted the award, noting that their previous guest was porn starlet Linda Lovelace and that seeing his invitation in a unmarked brown envelope was akin to being asked to lunch with the Borgias, a reference to the historical family’s propensity for murdering their guests.
With the pleasantries out of the way, Harvard’s debate with John Wayne, a spokesman for the right, began. Taking questions from the audience, the Duke sat on a chair on the stage. The New York Times described the debate as one with “little antagonism, the questions often whimsical and the actor frequently drew loud applause.”
John Wayne was a conservative in his political views, but he answered the students’ questions thoughtfully and honestly, often with a wry smile. Asked what he thinks of women’s lib, he said:
“I think they have a right to work anywhere they want to [long pause] as long as they have dinner ready when we want it.”
The only question he seemed to rebuff was one asked about his testifying against fellow Hollywood personalities during the Communist witch hunts of the 1950s, which led to some being placed on the infamous Hollywood blacklist. The actor said he could not hear the question, even when it was repeated.
“Is your toupee made of mole hair?” One student asked. “No,” the Duke replied. “That’s real hair. It’s not my hair, but it’s real hair.”
Today, John Wayne and Harvard doesn’t seem like a controversial mixture. In 1974, however, the students at Harvard were very much anti-establishment and John Wayne was a symbol of everything they mistrusted about their country, its history, and its government — especially while the Vietnam War and the draft remained a very recent memory.
By 1974, Wayne’s career was threatened by his well-known politics, so it’s not really an exaggeration to say the actor was on his way into hostile territory. The Lampoon ended up doing what amounted to a celebrity roast with Wayne and he took it with a smile, even adding some funny jabs of his own:
“Has President Nixon ever given you any suggestions for your movies?” a student asked. “No, they’ve all been successful,” came the reply.
John Wayne never lost his sense of humor over politics — a lesson we should all take to heart today, liberal and conservative alike. What could have been a moment of sharp political divisiveness was settled with good humor and in the end, thunderous applause.
With the end of Season 2 of The Mandalorian, the next Star Wars media fans can expect is Star Wars: The Bad Batch. The animated series is slated to premiere sometime in 2021 and is a spinoff of the popular Star Wars: The Clone Wars series. However, some fans may not know that there was a Clone Wars series before the one that just ended. Although it is now considered non-canonical, Star Wars: Clone Wars can serve as a fix for fans in need of more Star Wars content before The Bad Batch is released.
Like the series that came after it (at least initially), Clone Wars aired on Cartoon Network. Unlike its successor, the series utilizes 2D animation and was released in shorts. The first two seasons contain 10 3-minute episodes each while the third and final season consists of five 12-minute episodes. The series was released over the course of three years between 2003 and 2005 and served as the bridge between Star Wars Episode II: Attack of the Clones and Star Wars Episode III: Revenge of the Sith. Fans who left theaters in 2002 wanting to see the new clone troopers in action got plenty of it in Clone Wars.
While the original 2D Star Wars series still has its share of politics and character development, it can be argued that it also has grander and more epic battles than the later 3D series. Although the series has a total runtime of just 2 hours, it’s packed with intense lightsaber duels and heavy clone vs. droid action that keeps viewers entertained the whole way through. This is due in large part to the series’ creator, producer, and director Genndy Tartakovsky.
Tartakovsky is well-known for his work on other Cartoon Network shows like Dexter’s Laboratory and Samurai Jack. The latter inspired much of the action that makes Clone Wars such an epic show. Whereas the 3D series started off more kid-friendly before it evolved to a (mostly) more serious show, the original Clone Wars was not afraid to give viewers a more intense flavor of action right off the bat. Without spoiling anything for new viewers, themes like the dark side of Anakin Skywalker and the brutality of the Clone Wars are featured prominently in the series. Expect to see droid bits flying, clone trooper helmets getting crushed, and lots of lightsaber-swinging action.
Though Clone Wars has been placed under the Star Wars Legends banner, many of its characters and events carried over into its canon successor. Fans of the 2008 series can expect to see more serious versions of villains like Asajj Ventress and General Grievous. Moreover, elite clones like the ARC Troopers are depicted as deadlier and more efficient than their 2008 series counterparts. Fans will also recognize James Arnold Taylor who voices the ever sassy Obi-Wan Kenobi in both Clone Wars series.
Clone Wars is the perfect addition to a Star Wars marathon. Put it on after Episode II and before Episode III for a seamless transition and an action-packed summary of the legendary Clone Wars. Though it’s not available on streaming services like Disney+, it has been uploaded to websites like YouTube for easy viewing. Alternatively, for fans that prefer physical mediums, the DVD box sets can be found used online. Just be sure to search for Star Wars: Clone Wars Volumes 1 & 2.
While it’s the rides and souvenirs that have garnered much of the attention to date, Star Wars: Galaxy’s Edge will also have a bunch of different themed food and drink options. Notably, you’ll be able to buy blue and green “milk” at the park. But be warned: it’s not cheap.
Blue Milk was first seen in A New Hope when Luke Skywalker drank some during a meal at his home on the moisture farm on Tatooine. Green Milk debuted in The Last Jedi when Luke milked a Thala-Siren on Ahch-To.
Disney’s versions of these beverages won’t contain any milk from an animal. Instead, they’ll be frozen blends of flavors and coconut and rice milks. Blue Milk will taste of dragon fruit, pineapple, watermelon, and lime while Green Milk has Mandarin orange, passion fruit, orange blossom, and grapefruit flavorings.
Each will run you .99, a lot to pay for something that doesn’t even have booze.
Speaking of not having booze, Oga’s Cantina, which we assume will be reminiscent of the Mos-Eisley Cantina, will have a non-alcoholic cocktail inspired by the Blue Milk recipe. The chilled plant-based beverage will be topped with a fondant Bantha horn-iced Rice Krispie treat cookie. It’s price isn’t known, but expect it to be more than milks from the Milk Stand.
The only real comparison we have to these drinks is Butterbeer, the trademark beverage at The Wizarding World of Harry Potterwhich, like Galaxy’s Edge, has outposts in both Orlando and southern California.
Butterbeer costs .99 in Orlando and .49 in California, so Disney’s concoction is a bit pricier. But if you’ve spent decades wondering just what the hell Aunt Beru was feeding her nephew, the chance to finally have a taste will be well worth it.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Chritsopher Nolan’s new “Dunkirk” movie features Sir Kenneth Branagh as the cool-under-fire Commander Bolton, but his character is largely based on a real British officer who underwent greater hardships to save British and French forces and was tragically lost at sea during the evacuation.
The original goal was to get 45,000 men out in two days before the defensive line at Dunkirk, the last Allied-held territory in the area, collapsed. A Canadian member of the Royal Navy, Cmdr. James Campbell Clouston, was assigned to getting as many men as possible off the “East Mole.”
The East Mole was actually one of two breakwaters used to protect the beach and channel from ocean currents. It was about a mile long and just wide enough for four men. It was a clear target for German planes to attack and provided little opportunity for cover. But, it was an efficient way to get large numbers of men off.
On the first day that Clouston and other members of a commanding party under Capt. William Tennant were operating on the beach, the number of troops evacuated rose from 7,669 to 18,527. Many of these men made it out thanks to Clouston’s efforts on the Mole, which was averaging 1,000 evacuations per hour.
Panic broke out on the Mole after a bomb blew a hole in a section. Troops attempted to rush off, but Clouston ordered a lieutenant to draw his revolver and restore order. The troops on the Mole were quickly corralled onto a trawler and sent away.
But word got out that the Moles were still in operation, and the pace picked up. One of the best days for the Mole came on June 1 when, despite a devastating air raid, over 47,000 men made it onto ships from the pier.
Clouston waved off the assistance of a second boat. Survivors said that he was worried the Germans would spot it and attack while the boat was stationary. He attempted to swim to another vessel a couple of miles away but was lost at sea.
Oscar-nominated Sam Elliott will narrate the four-part docuseries Honor Guard, which follows U.S. Army soldiers throughout the grueling training required to serve at the 3rd Infantry Regiment. Also known as The Old Guard, the 3rd Infantry Regiment is perhaps best known for hosting the Sentinels who guard the Tomb of the Unknown Soldier.
Honor Guard is the follow-up to Time to Kill Productions’ award-winning 2016 feature documentary The Unknowns, which follows the training of the Sentinels. Creators Neal Schrodetzki and Ethan Morse, who served together as guards at the Tomb, will now follow the intense training cycles that prepare soldiers for The Regiment, the Honor Guard Caisson Platoon, the U.S. Army Drill Team, or a Full-Honors funeral ceremony at Arlington National Cemetery.
Morse and Schrodetzki have exclusive access provided by the United States Army to capture these never-before documented training cycles. Their mission is the same as Sam Elliott’s, and the reason he agreed to join the project: to honor the fallen.
Elliott’s contributions to military story-telling helped inspired Morse to serve in the first place. “I first became interested in the military after seeing Sam Elliott as the Union Cavalry General John Buford in Gettysburg. Fast forward a few years and I’m serving in the California Army National Guard, just like Mr. Elliott did.”
Elliott has a distinguished and longstanding reputation with the military community, due in part to the iconic roles he has played in films like We Were Soldiers and Once an Eagle.
Plus, his voice is smooth as molasses. You just know it is.
Look, it is easy, and deeply enjoyable, to give Oscar Mike host Ryan Curtis boatloads of crap for the shenanigans and mannerisms (shenannerisms?) he regularly deploys in the line of duty. It’s easy because he’s a good sport. It’s enjoyable because, well:
But credit where credit is due, it is no easy thing to drop in on a recording studio unprepared, be played a brand new beat, compose a non-wack verse and then get into the booth and spit your best whiteboy flow in front of a hot producer and a rapper at the top of his game.
TMR served 10 years in the Middle East as a Marine Corps combat correspondent, ala Joker from Full Metal Jacket. Though he started rapping young, he found he had to put his passion on ice during active duty — no time to think, let alone rhyme.
When he finally left the service, the transition was rough.
“It was a reality shock. I didn’t know where to go. You’re like, ‘I have all this time on my hands,’ and you get to thinking… ‘I was such a super hero in the military, but now I’m just a regular civilian. Nobody cares about me. I’m nothing now. Why should I even live?'”
Finding himself in a dark headspace familiar to many vets exiting the military, TMR did a hard thing: he asked for help.
With the assistance of the VA, he was able to reorient, finding an outlet in his long-dormant passion for rap. He now lives in Hollywood, CA, cutting tracks and shooting music videos to support his budding career as a musician.
And, no joke, in a single day of working together, TMR, producer Louden and the Artist Formerly Known as Ryan Curtis may just have succeeded in dropping the U.S. military’s first ever chart-topping hip hop track:
It’s a lock for New Oscar Mike Theme Song at the very least.
Watch as Curtis looks for lyrics in a Magic 8 Ball and TMR proves there’s no room in his game for shame, in the video embedded at the top.
Dune is a legendary sci-fi/fantasy novel that has just been waiting for the right filmmaker to bring it to life (much like The Lord of the Rings). Many have tried. All have failed (sorry, David Lynch). Frank Herbert’s novel built a rich world with fascinating characters but — for modern readers who have honed their tastes on Patrick Rothfuss and even Orson Scott Card — Dune is boring dense, yo.
And I’ll just say it. The Lord of the Rings was dense, too. The pacing of these novels do not hold up for readers — but, as Peter Jackson proved, they can still make for epic films.
Enter Denis Villeneuve (Arrival, Blade Runner 2049). The Oscar nominee will direct the latest adaptation of the iconic film — and I gotta say, based on the trailer, I’m feeling hopeful:Dune Official Trailer
Dune tells the story of Paul Atreides (played by Little Women’s Timothée Chalamet), a young man destined to rule the most dangerous planet in the universe, where forces battle over a substance with the ability to unlock humanity’s greatest potential. When betrayal leaves him and his gifted mother exiled in the unforgiving sands of Arrakis, only their unique powers — and their mastery over the mind-killer — can save them.
Warner Bros. / Legendary Pictures
Villaneuve set himself up for success with an absolutely killer cast: obviously, Chalamet is super hot right now, as are Zendaya (Euphoria, Spider-Man: Homecoming), Oscar Isaac (Star Wars Episodes VII-IX), Marvel alumni Josh Brolin and Stellan Skarsgård, and Rebecca Ferguson (Stephen King’s Doctor Sleep, Mission: Impossible – Fallout).
Hebert’s book is so detailed that the film will be told in two parts, with the first set to release in theaters December 2020 (if humans can survive that long). Villaneuve’s adaptation has been a massive undertaking — he spent a year on the design of the iconic sandworms alone.
“We talked about every little detail that would make such a beast possible, from the texture of the skin, to the way the mouth opens, to the system to eat its food in the sand,” the director told Empire magazine for the publication’s Summer 2020 issue. “It was a year of work to design and to find the perfect shape that looked prehistoric enough.”
Check out the trailer above to see one in action and to behold the glory of Arrakis.
Hobbs & Shaw, the Fast & Furious spin-off film starring Dwayne “The Rock” Johnson and Jason Statham, comes to theaters this weekend, hoping to further solidify F&F as the most bankable franchise that doesn’t involve jedis or superheroes. And once you have enjoyed 136 minutes of watching Johnson and Statham bicker like an old married couple, you will likely find yourself faced with one question: Is there a scene after the credits? After all, sitting around watching the credits roll can be a real bore but it might be worth the wait if the movie ends up giving fans an Easter egg or hints at what the sequel might be about.
Fortunately, this question has already been answered by none other than Johnson himself, who responded to a question about a post-credits scene on Twitter and affirmed that there is a definitely a post-credits scene that will give fans an idea of what is coming next in the Hobbs & Shaw corner of the Fast & Furious universe.
Fast & Furious Presents: Hobbs & Shaw – Official Trailer [HD]
Having seen the film, we can confirm that what Johnson is saying is 100 percent true and while we won’t be sharing any spoilers regarding the scene or the film in general, the scene definitely points to who will be joining Hobbs and Shaw on their next mission to save the world from total destruction.
Of course, this all assumes that there will be a Hobbs Shaw sequel at all. Though, considering that it’s currently projected to make nearly 0 million at the global box office this weekend, we wouldn’t advise betting against the two teaming up again.
Hobbs Shaw comes to theaters August 2.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
“My name is Sarah Connor. August 29, 1997 was supposed to be judgment day. But I changed the future. Saved three billion lives. Enough of a resume for you?”
Terminator: Dark Fate will follow the events of Terminator 2: Judgment Day and disregard all other Terminator works and reboots (Rise of the Machines, Salvation, Genisys, Sarah Connor Chronicles etc.).
Make no mistake, the disregarded projects were profitable, but none had the same critical laurels as Judgment Day, which was not only the highest grossing film of 1991, but earned multiple Academy Awards.
Plus, it was a great film. Will Dark Fate live up to its standards?
Based on the trailer…maybe!
Terminator: Dark Fate – Official Trailer (2019) – Paramount Pictures
Terminator: Dark Fate – Official Trailer (2019) – Paramount Pictures
Let’s look at the team making this film. We’ve got Linda Hamilton and Arnold Schwarzenegger returning in their iconic roles (you got a lot of explaining to do, T-800) — and totally hamming it up, as they should:
Arnold’s cool and strong and whatever, but Linda Hamilton is a BAMF and you know it.
Another thing going for Dark Fate is that it’s directed by Deadpool’s Tim Miller, who has proven that he knows how to entertain. Deadpool’s outlandish personalitymakes his films unlike any other superhero movie out there, which is true to the character created in the comics, but is still a challenge to pull off.
Miller nailed it with both films. Finger’s are crossed that he brought that ‘out-of-the-box’ thinking to the Terminator franchise as well.
The consensus on the twitterverse seems to be “cautious optimism” — we’ve been hurt before, but this trailer looks like the film could be pretty cool. At a minimum, pouring through the tweets about it definitely doesn’t suck:
ATTN: The Terminator is wearing flannel #TerminatorDarkFate #Terminatorpic.twitter.com/NADClmiAU0
She’s back. Linda Hamilton takes you inside #TerminatorDarkFate and the role that helped define a franchise. Share what Terminator means to you in honor of #JudgmentDay below.pic.twitter.com/TkLIT2HFKr
The United States Flag Code is tricky. It is federal law, but the only penalty in Title 18, burning the flag in a disrespectful manner, was ruled as free speech but the Supreme Court.
Everything outside of that considered less of a felony offense and more in a gray area. It might seem cute and patriotic to have American flag toothpicks, napkins, or beach towels, but it’s kind of disrespectful to wipe the burger grease off with the American flag and throw it aside.
That being said, the most commonly pointed out violation is with costumes or attire. The flag symbolizes freedom so it’s everyone’s right to do whatever they feel right with it, respectfully or (as much as it irks me to say it) disrespectfully.
Every entry on this list is done with good intentions. Some hit their mark — others didn’t.
#1. Macho Man Randy Savage
Nothing screams ‘Murica like good ol’ professional wrestling.
Macho Man is ready to elbow drop any commie bast*rd with just his style alone.
#2. Tomi Lauren
It’s actually kind of cool, rocking the American flag as a cape strapped at the wrists like she’s Storm from the X-Men.
But every last bit of her cool points are lost, however. I’m sorry. No one can #MakeHalloweenGreatAgain wearing a fanny pack. People still laugh at Dwayne “The Rock” Johnson for wearing a fanny pack back in the 90’s. Even “The Rock” mocks “The Rock” for wearing a fanny pack back in the 90’s.
#3. Vanilla Ice
The one of the faces of mainstream early 90’s Hip Hop loved his country.
They were fashionable enough to spark imitation through out the 90’s. But do his red, white, and blue tracksuits and leather jackets still hold up in 2017?
#4. Chris Evans (as Captain America)
You best believe that the Superhero with America in his name rocks the American flag on his super suit.
As early as March 1941, Cap can usually be found rocking the same style. Blue field and white star on the top half, red and white stripes down the abs.
#5. Katy Perry
She actually rocks the American flag quite often. Always with flair.
Her outfit for Fleet Week was simple, yet still flashy. The only way to complete an outfit like this is with a Marine on her arms.
#6. Kid Rock
Quickest way to make an outfit using Old Glory? Cut a hole down the middle and wear it as a poncho like Kid Rock did during the 2003 Superbowl.
Just watch out. People won’t take kindly to you cutting the American flag.
#7. Carl Weathers (as Apollo Creed)
Apollo Creed always worked into the ring with patriotic trunks. What really took it to the next level is when in Rocky IV, he fought Ivan Drago in the most American way possible: by bringing his Soviet opponent to Vegas and dressing as Uncle Sam. *Spoiler Alert* It doesn’t work out well.
Although it is a touching moment when his son dons his red, white, and blue trunks in the 2015 film, Creed.
#8. Lady Gaga
Great outfit and extremely dignified rendition of “The Star Spangled Banner” at Super Bowl 50.
Just hurts that her outfit in her music video “Telephone” has the field on the wrong side.
#9. Hulk Hogan
There will always be a soft spot in my heart for pro wrestling — wacky and crazy gimmicks and all. Very long and convoluted story cut short, the other half of The Mega Powers (with the previously mentioned Macho Man) came back after Wrestlemania XIX billed as Mr. America. Using the same poses, walk music, move set, and fooling no one.
Remember that movie Stealth? It’s the one where Jamie Foxx, Jessica Biel, and the other sexy pilots are forced to fly with a plane that has a computer pilot and, turns out, computer pilots are bad because lightning can strike them and drive them crazy and then they murder all the people?
No? Well certainly you’ve seen or heard of the Terminator movies. You know, the ones where plucky humans and their hacked robot bodybuilder are forced to fight other robots in order to prevent a future apocalypse ordered by military AI?
They’re great films, but they imply that any future where computers are controlling the weapons of war is dystopian AF. In reality, we live in a world that has walls, and those walls are guarded by men with guns. It would be much better if the U.S. could guard those walls with robots with guns controlled by men.
This would provide two advantages. First, if the guards on the walls are robots — not fleshy humans — then people shooting at the walls can only destroy hardware, not kill men and women. But perhaps the bigger factor is that artificial intelligence is enabling robots to become better at some jobs than their human controllers.
Stealth‘s artificial intelligence can pilot fighter jets, but, for some reason, needs a special sensor that looks like a robotic eye instead of just using, you know, its radar or even just normal cameras.
This may sound familiar to people for one or both of two reasons. First, the Air Force is actively pursuing this as the wingman concept. But second, Skynet in the Terminator movies got its start piloting stealth bombers where it achieved a “perfect operational record,” according to Schwarzenegger’s character.
Is this so bad? I mean, sure, we should stop short of handing strategic control of the nuclear weapons to Skynet, but that was never a realistic plot premise. Remember, even during the height of the Cold War, it was rare for launch approval for nuclear weapons to be handed down past the president. If we don’t trust generals to make nuclear decisions without the president approving it, why would we ever let a computer have full control?
So, if we develop Skynet and don’t give it access to the nukes — if we create safe AI — we’re left with a completely new version of warfare where we don’t have to risk our own troops at nearly the same level as we currently do. Doesn’t sound so horrible now, does it?
And, if the other side gets AI, that’s still better for humanity as a whole. Remember when the RAND Corporation anticipated that, by 2025, war with China would be bloody and unwinnable? No? We’re the only people who actually read RAND reports? Alright, then.
Here’s the thing: World War I was so horrible because it was a nearly unwinnable war for both sides. Once nations committed to the conflict, they poured blood and treasure into a never-ending pit of carnage. Millions died and little was gained for anybody.
AI wouldn’t make unwinnable wars winnable — at least not if both sides have it — but it could make them much less bloody, which is still a step in the right direction.
You know what would be even better than sending F-35s up with human pilots to detect enemy air defenses and suppress them? Sending them up with a bunch of fighters that are basically robots with AI. So, if they do get in a fight, they don’t need to take the hits.
(U.S. Air National Guard Master Sgt. Joshua C. Allmaras)
So, what about poor John Connor, an excellent small-team leader? What’s he going to do when he isn’t allowed to kill Skynet but, instead, Skynet is controlling most of the planes and tanks and ships? Well, he’ll lead small teams or infantry units on the ground while A Few Good Men‘s Col. Jessup gives the marching orders. AI can’t replace all decision-making at the front, and calm heads under fire will be needed to authorize strikes and targets.
So, yes, we all secretly want Skynet on the wall, even more so than we want Col. Jessup up there. But we also need John Connor, as long as we can keep Jessup, Connor, and Skynet from murdering one another.
King Abdullah of Saudi Arabia died in 2015, age disputed but well into at least his 80s. His death sparked a number of stories about his life, travels, and interactions with foreign heads of state. One such “interaction” was with Queen Elizabeth II of the United Kingdom.
While still a Crown Prince, Abdullah visited the Queen’s castle in Scotland, Balmoral, in 2003 and she offered him a tour of the place. When the cars were brought around and Abdullah got in the front passenger seat, the Queen herself hopped into the driver’s seat.
Turns out the Queen knows a thing or two about bombing around in a motor vehicle. The now 91-year-old monarch served with the Auxiliary Territorial Service during World War II.
Not only did the Queen get into the driver’s seat — she didn’t even hesitate before turning the car on and rolling out. And as an Army driver during a war, she knew how to roll along Scotland’s winding roads.