If you’re someone who is worried about seeing great Star Wars movies after 2019, stop worrying. The dude who made all the awesome Marvel movies sing is suddenly crossing over to the Force. As of now, it’s official, Marvel Studios president Kevin Feige will collaborate with Lucasfilm president Kathleen Kennedy on at least one new Star Wars movie.
According to The Hollywood Reporter, a collaboration between Feige and Kennedy was written in the stars: “It made sense for these two extraordinary producers to work on a ‘Star Wars’ film together,” said a Disney studios rep. Right now, Kevin Feige is not taking over for Kennedy at all, but some people think this is a first step toward the Marvel boss becoming the Star Wars boss. Which, if you think Star Wars is kind of stalling lately, this might be great news.
Since 2015, the Star Wars comeback has been mixed. Everyone seemingly loved The Force Awakens and Rogue One, but these days, you gotta be careful if you randomly want to chat about The Last Jedi or Solo over casual beers. As far as universal love, even if you’re barely interested in this stuff, Marvel movies are generally more consistent than Star Wars movies at this point. So, if you grant the premise that Star Wars needs help, Feige seems like the kind of guy who would be perfect for the job. Back in 2018, Kevin Feige even appeared on the official Star Wars Show on YouTube and professed his love for all the old Star Wars books you loved in the ’90s.
Feige talking about Star Wars in 2018.
Relevantly, Feige is not the first big Marvel honcho to crossover to Star Wars. The new Disney+ TV series, The Mandalorian, is set after the events of Return of the Jedi and is being helmed by Jon Favreau, the guy who directed the first Iron Man in 2008.
Because Star Wars and Marvel are both controlled by Disney, some might think the Kevin Feige thing is the sign of an Avengers/Skywalkers crossover, but Lucasfilm will probably never let that happen. And yet, if you’re holding out hope that a new Star Wars movie will be just as a good — or at least as entertaining — as Avengers: Endgame — it looks like that wish will be granted very soon.
As of this writing, there’s no word yet when the Kevin Feige-produced Star Wars project will drop.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The white-suited Imperial soldiers were spotted patrolling a balcony at Disney Springs, the shopping, dining, and entertainment complex that was the first Disney World property to reopen last week. Following a monthslong COVID-19 closure, the complex implemented lots of new precautionary measures, and the stormtroopers were there to remind guests of what they needed to do to stay safe.
“Yeah, I’m gonna need you to move…one bantha’s length away please,” the headstrong female stormtrooper says to the clueless male stormtrooper, a reminder to him and the crowds below of the importance of social distancing.
In another bit, he tries to get the attention of someone in the crowd by saying “Hey! You! With the face covering!”
“They all have face coverings,” she replies.
“Well, I made them all look,” he points out, eliciting a groan from his exasperated companion.
Face masks are, of course, a CDC-recommended measure to slow the spread of the coronavirus. They’re also required for all employees and guests at Disney Springs, and thus made great fodder for the stormtroopers’ routine.
“Some nice face coverings down there,” the female stormtrooper said of the tourists’ masks below. “Probably nicer than these helmets.”
“I doubt it,” he replied matter-of-factly. “These helmets have atmospheric processing units with multi-stage filtration, heat dispersion, and vacuum-tolerant oxygen delivery.”
“Do you stand at night reading spec manuals?” she asked incredulously.
“That checks out,” she said, the “you nerd” heavily implied.
The stormtroopers’ repartee was nice because it managed to have some fun with the serious situation without making light of it. Wearing face masks and social distancing is serious, but this performance shows that messages aimed at the public can have some levity and be effective.
In a press release on March 7, 2019, the company finally announced the opening dates for Star Wars: Galaxy’s Edge — and it’s ahead of schedule. The 14-acre expansion will open on May 31, 2019, at Disneyland in California and on Aug. 29, 2019, at Disney’s Hollywood Studios in Florida.
“On opening day for phase one, guests will be transported to the remote planet of Batuu, full of unique sights, sounds, smells, and tastes,” the release describes. “Guests can become part of the story as they sample galactic food and beverages, explore an intriguing collection of merchant shops, and take the controls of the most famous ship in the galaxy aboard Millenium Falcon: Smugglers Run.”
Star Wars: Galaxy’s Edge to Open May 31 at Disneyland Resort, Aug. 29 at Disney’s Hollywood Studios
According to the statement, however, the park will open in phases “to allow guests to sooner enjoy the one-of-a-kind experiences that make Star Wars: Galaxy’s Edge so spectacular.”
Phase two won’t open until later in 2019. It will feature the park’s largest attraction, Star Wars: Rise of the Resistance, where guests will board a full-size starship and join the battle against the First Order, including a face-off with Kylo Ren.
To visit the Disneyland park between May 31 and June 23, 2019, Disney says that guests will not only need valid theme park admission but also a “no-cost reservation.” Details on how to make that reservation have not yet been released but will be posted on Disneyland.com. The park will then open to the general public on June 24, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In 2008, HBO released Generation Kill, a highly popular military mini-series that chronicled the experiences of the Marines from 1st Reconnaissance Battalion as they led the way on the initial push into Baghdad.
The entertaining series made veteran audiences freakin’ proud that Hollywood finally got something right.
Well, we used our (fictional) WATM private investigators to locate the grunts of 1st Recon silver screen whereabouts, and here’s what they found.
After he returned home from Iraq, this outstanding recon Marine decided that a life aboard a massive battleship was the right life for him. He was commissioned as a Naval officer and assigned to USS Sampson.
Unfortunately, aliens showed up, and the former squad leader ended up getting killed-in-action — or so we thought. It turns out, something happened to his genetics, and he was turned into a freakin’ vampire.
No one saw that coming.
After this badass and buffed out sergeant left the Marines, he became a famous figure in the military community and a good friend to WATM.
He managed to even star in his own show about how to survive after an apocalypse in Apocalypse Man.
Before he was wielding lightsabers in Star Wars or blowing up Twitter with Marriage Story, Adam Driver was a Marine with 1/1 Weapons Company, 81’s platoon, out in Camp Pendleton, California.
“I joined a few months after September 11, feeling like I think most people in the country did at the time, filled with a sense of patriotism and retribution and the desire to do something,” he stated in his opening remarks.
He joined the Marines and found that he loved it.
“Firing weapons was cool, driving and detonating expensive things was great. But I found I loved the Marine Corps the most for the thing I was looking for the least when I joined, which was the people: these weird dudes — a motley crew of characters from a cross section of the United States — that on the surface I had nothing in common with. And over time, all the political and personal bravado that led me to the military dissolved, and for me, the Marine Corps became synonymous with my friends,” he shared, voicing the brotherhood that many veterans feel while in service.
Then, months before deploying to Iraq, he dislocated his sternum in a mountain-biking accident and was medically separated.
“Those never in the military may find this hard to understand, but being told I wasn’t getting deployed to Iraq or Afghanistan was very devastating for me,” he confessed.
Those of us who wore the uniform but never deployed know exactly what he means.
It’s a different type of survivor’s guilt, a common response to surviving a life-threatening situation. In this case, it’s about not even going into that situation. In the eighteen years since the 9/11 attacks, our military has kept a high deployment tempo. Many of our friends never returned.
And for those of us left behind — whether because our mission was elsewhere in the world or, like Driver, we were medically ineligible for combat — well, it’s a shitty feeling.
“I have a very clear image of leaving the base hospital on a stretcher and my entire platoon is waiting outside to see if I was OK. And then, suddenly, I was a civilian again,” blinked Driver.
“It’s a powerful thing, getting in a room with complete strangers and reminding ourselves of our humanity, and that self-expression is just as valuable a tool as a rifle on your shoulder.” Or a lightsaber at your hip?
“I was surprised by how complex the transition was from military to civilian. And I was relatively healthy; I can’t imagine going through that process on top of a mental or physical injury. But regardless, it was difficult,” he shared, voicing what many veterans have felt after their service.
He struggled with finding a job. “I was an Infantry Marine, where you’re shooting machine guns and firing mortars. There’s not a lot of places you can put those skills in the civilian world,” he joked.
He also struggled with finding meaning in acting school while his friends were serving without him overseas.
“Emotionally, I struggled to find meaning. In the military, everything has meaning. Everything you do is either steeped in tradition or has a practical purpose. You can’t smoke in the field because you don’t want to give away your position. You don’t touch your face — you have to maintain a personal level of health and hygiene. You face this way when “Colors” plays, out of respect for people who went before you. Walk this way, talk this way because of this. Your uniform is maintained to the inch. How diligently you followed those rules spoke volumes about the kind of Marine you were. Your rank said something about your history and the respect you had earned.”
Find out more about how he went from Marine to actor in the video above — and how he has found peace in service after service — in the video above.
On February 10, 2021 – Fox Nation will air Walk in My Combat Boots, its newest military special.
The one-hour special will be presented by Best-Selling Author James Patterson and Army First Sergeant (ret.) Matt Eversmann, whose story was featured in Black Hawk Down. The aim of the television special is to give viewers a true look behind the curtain of service to country and what the implications of that service actually mean.
Patterson’s book list is filled page-turning well-known thrillers like the ones featuring character Alex Cross, who was portrayed by Oscar-winning actor Morgan Freeman on the big screen. He recently partnered up with Eversmann to write Walk in My Combat Boots, released February 8, 2021. The new book features stories from veterans across the span of the past fifty or so years and was created after undergoing hundreds of interviews with service members. This collection of stories takes the reader deep into what military service is really like.
One review of the book said it best: “Up close war is a tapestry of individual stories, as painfully raw, improbably funny, and completely human as the soldiers themselves. James Patterson and my former Ranger comrade Matt Eversmann, have brilliantly woven together an image that is as compelling as it is entertaining.” ―Stanley A. McChrystal, General, US Army (Ret.)
It was this groundbreaking book that was the inspiration for the Fox Nation special.
Eversmann himself will share his experiences of war and the jaw-dropping daytime raid he led fellow rangers on back in 1993. It would be those hours that would lead to the world-renowned book and eventual movie, Black Hawk Down. He was awarded the Bronze Star with Valor for his courage and heroism during that battle, which he eventually wrote about in The Battle of Mogadishu: Firsthand Accounts from the Men of Task Force Ranger. Eversmann would go on to teach and eventually live with the Iraqi Army for 15 months during The Surge of the War on Terror. Following his retirement from active duty, he dedicated his life to serving the veteran community.
The reality of the after effects of war is hard to comprehend for the American public who may only read about things that occurred or see it portrayed somewhat realistically on film. This special takes you deep inside what comes after service and it isn’t always the pretty red, white and blue you imagined.
For the special, Patterson and Eversmann bring in Retired Army Sergeants Jason Droddy and Kevin Droddy, who are twins, to recount their experiences before, during and after service. In the clip shown to WATM we hear how the men did everything growing up together and it was no surprise to anyone that they enlisted and served together as well. In fact, they would even be put into the same unit, 3rd Ranger Battalion and deploy together. They’d be doing everything together, except combat. In the special, the viewers will hear the recounting of that experience.
Those watching at home will also hear from retired Sergeant Jena Lewis and Retired Staff Sergeant Jon Eyton, as they tell their stories of loss, combat and coming home.
As America heads towards 20 years at war, this special has never been more relevant and needed. While stories of the troops’ heroism and loss used to dominate the television and newspapers fifteen years ago, they are barely a line or two today. To truly thank a servicemember for their service, you must first recognize and understand what the true cost of war is and what serving the country really looks like.
Walk in My Combat Boots on Fox Nation will show you.
The trailer for “Rambo: Last Blood” has been released, and this time, John Rambo’s fighting right here at home. It’s been 37 years since the first Rambo film hit theaters, yet somehow the titular character remains a fan favorite among veterans young and old. At first glance, this new movie looks just like Rambo’s previous outings: ripe with gritty violence and fiery explosions, but just beneath the surface, the Rambo franchise offers America’s veterans a whole lot more.
Rambo: Last Blood (2019 Movie) Teaser Trailer— Sylvester Stallone
The Rambo franchise has always filled a unique role in the American cultural lexicon. Over the decades (yeah, decades), the franchise has shifted under the weight of popular sentiment across a wide spectrum of themes, delivering vastly different stories through the lens of the same main character.
From a troubled special operations veteran struggling to find his place in the “civilized” world, to a killing machine with a heart in the jungles of Burma, John Rambo’s character has long been a reflection of American fears about what war is, and more importantly, what it does to us. While Rambo may not offer us the most poignant approach to society’s ills, it has always been there like a cultural Rosetta Stone, translating contemporary fears into blockbuster action using the same visual language sold to the coveted blockbuster demographics that came before us. The world changes, but Rambo stays the same.
Okay, so maybe his knives get bigger.
In Rambo’s newest (and likely last) outing, the legendary character appears to have finally come home – working on a farm that, logic dictates, is close enough to the Mexican border to find the legendary warfighter squaring off against a powerful cartel. Unlike in previous Rambo films, which have shown the character traveling the world to fight the enemy, Last Blood brings the fight right to Rambo’s door. Of course, in keeping with the character’s (perhaps repetitive) journey, he seems reluctant to get involved at first, until an unseen catalyst forces his hand.
In many ways, the Rambo franchise has taken on its own sort of veteran journey, starting with the character’s struggle to find a place for himself after a war that gave him purpose, maturing into the story of a reluctant expert in his field, and now, proving that we veterans can still fight for what matters even as we get older. Rambo is indeed warrior-wish-fulfillment, but not in the ways its critics might imagine. The violence depicted in Rambo may be rad, but the violence isn’t the message, it’s the medium.
Rambo films are always about finding a purpose that’s bigger than yourself. Purpose, for many veterans, is exactly what we feel like we lack after we put up our boots for the last time. We may not see ourselves in John Rambo, but in the ludicrous universe these movies inhabit, we do see one of our own — struggling and winning, thanks to the same hard work, grit, and determination we prize in ourselves.
Unlike most veterans, John Rambo has always been able to pull off a bandana, though.
While it may seem lofty (and even silly) to attribute such serious thought to a film with the almost comical title of “Rambo: Last Blood,” it’s just as silly to dismiss the lasting effect John Rambo has had on generations of moviegoers. The first Rambo film hit theaters three years before I was born and twenty-four years before I put on a uniform for the first time, but somehow, the movie weaseled its way into my brain, informing some of my expectations about service and its social and political costs. The movie gave Vietnam veterans like my father a melodramatic and passionate spokesman — because hard emotions don’t trade in nuance, and neither does Rambo. And it spurred a series of sequels, each tailored specifically to their times and the conflicts weighing on American minds.
Last Blood’s Rambo is no different; as an aging veteran offers us one more wish fulfilled, proving that even as we get older, we can still fight just like we always have, and we can still sacrifice for a cause that’s worthy.
Is Rambo realistic? Of course not. Is it ham-fisted storytelling? Absolutely.
US forces tend to believe because a nation is poor, they don’t have any fight in them. Remember that the enemies we typically fight have home field advantage.
2. Don’t f*ck with Delta Force
Enough said — and probably the coolest line in the movie.
3. Understanding what you can’t control
It’s a common misconception that the ground troops know why they’re sent to a fight.
The truth is — there’s always a mission behind the mission. But that doesn’t matter, because it boils down in the end to surviving and taking care of your men. That’s real leadership.
4. Life doesn’t always make sense
After watching one of the hardest scenes in the film, a Ranger’s death, Sgt. Eversmann (played by Josh Hartnett) questions himself and over-analyzes his own leadership. Honestly, no matter how much you train, you can’t predict sh*t.
In 2007 I was a fresh-out-to-pasture journalist, trying not to lose my sanity as an Army wife and stay at home mom. I had worked most recently as a reporter for The Fayetteville Observer, but my husband, a Special Forces soldier, kept getting deployed. We couldn’t afford a nanny, and no daycare in town stayed open late enough to watch our son until I could get off work.
The Observer offered me an opportunity to write a blog and two weekly columns from home, and that’s how I came to meet Mike Giglio, a fresh-out-of-college writer for Charlotte Magazine, working on a story about military families at Ft. Bragg.
But back in 2007, he came to my house, sat in my living room, made the requisite comments about the adorableness of my toddler, and interviewed me. He has since told me that I was the first person he had interviewed about war. He has interviewed many, many more people since. He wrote then:
Rebekah Sanderlin looks like an Army wife from a movie: the hero pulls out her picture in the opening scene, she has dark hair, engaging eyes, and a warm smile, she’s holding his kid, and you’re already hoping he makes it out of this thing alive.
12 years and as many deployments later, my husband and I are still married and, indeed, he appears to have made it out of this thing alive.
I followed Giglio’s career from a distance after that, watching as his byline hopped up to the big leagues and then across the ocean, first to London and then to Istanbul, and then right into the heart of war.
Now a journalist for The Atlantic, he spent four years living in Turkey and Syria, interviewing members of the Islamic State, their enablers, and legions of others who were pushing back against ISIS’ terror quest for power, embedding with U.S. military units as well as low-level groups of resistance fighters.
His book is part memoir, part chronicle. We see the early movements of ISIS in the form of sources and scoops that grow into defeats and victories. He is unflinching in the descriptions but avoids the war-porn tendencies lesser writers find irresistible. There are no heroes and no villains, only humans showing up, day after day. Characters come and go, lost to war and the swirling chaos of life. There are no neat and tidy endings. This is news – news never ends.
His sparse, direct, writing style is appropriately like chewing on broken glass. A book about ISIS shouldn’t be overwrought. There’s too much gore, too much horror, too much human misery, for a writer in love with adjectives. No one needs those adjectives.
Of an Iraqi Special Forces soldier, he writes:
“So when militiamen kidnapped Ahmed from a checkpoint in Baghdad one day, they didn’t just torture him. They put a circular saw to his forehead and tried to peel off his face. Then they put a hood over his head, shot him five times, and tossed his body in a garbage dump, thinking he was dead. Ahmed survived, though, and was found by an elderly man, who carried him to a hospital. When he recovered, he had gained his nickname – The Bullet, for what couldn’t kill him – and he returned to his turret.
These are not pages to read before bed.
Giglio is captured and nearly executed, and he survives being hit by a suicide bomber. He sets these encounters on the table, like an indifferent dinner party host, as if to say, “Here it is. Make of it what you will.” And, of course, there is only one thing to make of it: ISIS is even worse than you thought.
I read Mike’s book during the vacant, pedestrian, moments of my mom-life. Sitting in my daughter’s gymnastics class, reading about the young Syrian mother who watched helplessly as a wall collapsed on all four of her children during a bombing. In the front seat of my minivan, parked at the high school, waiting for that once-toddler-now-teenager, reading about a man whose seven siblings were all killed by ISIS. Sitting in a doctor’s office waiting room while a friend’s wrist was being x-rayed, reading about ISIS fighters gathering body parts from numerous people into one duffel bag, only to leave the bag in the middle of a street.
I read about Mike, being zip-tied and beaten by a jeering mob in Egypt, before being thrown into a prison bus and carted to a sports arena, where sham trials and public executions were being held for political prisoners. And then the zip ties are cut from his wrists and he is inexplicably released. I think about the cub reporter I first met in my North Carolina living room, as eager for adventure as any young soldier.
He is in Iraq, embedded with a battalion from the Iraqi Counter Terrorism Force (ICTF) in Mosul when the results of the 2016 election are announced, and Americans of all political persuasions are melting down. He writes:
“I wondered if, when a country was at war for so long but only a select few ever waged it, the rest of society began to go a certain kind of crazy. Some played at civil war while others vowed to flee to Canada as political refugees, and too many Americans seemed to want to pull a bit of conflict into their lives just when so many people around the world were risking everything to escape from it.”
And then he finally escapes it himself, perhaps for good, writing this about then-new President Trump’s premature declaration of victory over ISIS: “As in the past, America was looking to move on from the region before the war was really over – leaving much of Iraq and Syria in ruins and ISIS still a threat. This was an impulse I embodied, too. As Colonel Arkan had once explained, the thing about going to war far from home is that you can always walk away from it.”
If you’re lucky, Mike. Only the lucky get to walk away.
“War for the Planet of the Apes” — the sequel to the sequel to the second remake of the Charlton Heston sci-fi classic — picks up the saga of ape freedom fighter Caesar (Andy Serkis), as he and his army of super-smart, genetically-modified apes seek to turn what’s left of the United States into their own banana republic.
As in 2014’s “Dawn of the Planet of the Apes,” humanity is on the retreat as the ape army gains ground, and the last armed resistance against the simian conquerors appears to be in the hands of a ruthless — and mostly shirtless — Colonel (Woody Harrelson).
While Caesar’s voiceover in the trailer makes it clear that the apes never wanted war, they’re determined to defend themselves at all cost. Even if it means armageddon.
‘War for the Planet of the Apes’ swings into theaters everywhere on July 14, 2017.
A new HBO documentary premiering this month claims the United States, desperate to beat the Soviet Union to the moon, purchased space technology from former Yugoslavia.
But how could an Eastern European Communist country defy the Soviets without their knowledge? The answer starts with Yugoslavia’s longtime leader, Josip Broz Tito.
Tito was drafted into the Austro-Hungarian army during WWI, becoming Austria-Hungary’s youngest Sergeant Major ever. He was captured by the Russians and helped the Red Guard take down the last Czar during the October Revolution. He would later become the leader of the most effective World War II resistance forces fighting Nazi occupation in Yugoslavia. After the war, he became a Communist dictator, but the only one free of Soviet influence.
Very adept at handling the Russians, Tito once wrote to Stalin: “Stop sending people to kill me. We’ve already captured five of them, one of them with a bomb and another with a rifle. If you don’t stop sending killers, I’ll send one to Moscow, and I won’t have to send a second.”
In the early days of the Space Race, capturing the technology took money, power, and meant a large return for the ideology that got to the moon first. Once the USSR put the first satellite and then the man in space, the U.S. felt the sting of that early defeat.
A new film, called “Houston, We Have A Problem” alleges that the former Yugoslavia was a secret third player in the Space Race. The Yugoslavians made great technological leaps, based on the 1929 writings of Slovenian Rocket Engineer Herman Potočnik, whose book “The Problems of Space Travel” marked the first discussion of long-term human habitation in space, the first designs for space stations, and the importance of geostationary orbit. The documentary alleges Werner von Braun, the Nazi inventor of the V-2 Rocket and later the Saturn V Rocket for the United States, which carried the Apollo Program to the moon, received unpublished Potočnik diaries captured by Tito after Potočnik’s death.
Tito found the diaries in 1947. After conflicts with Stalin in 1948 where Tito asserted Yugoslav independence, Tito implemented the Yugoslav Space Program. By 1960, the film alleges, the CIA determined that Yugoslavia had developed operation space flight technology based on these writings. In March 1961, the film says Yugoslavia sold its complete space program to the United States. Just two months later, President John F. Kennedy gave the speech that announce the U.S. goal of reaching the moon within the coming decade.
The burst of growth in Yugoslavia following the 1960’s is supposed to be (from the filmmakers’ points of view) a result of the influx of currency from the sale of the space race technology. There could be other mitigating circumstances behind that rapid growth. One Canadian researcher believes that growth came the $47 billion in war reparations Yugoslavia received from the former Axis powers. The questions don’t stop there, however.
“The trailer draws a lot of links between events that may or may not have happened in some cases and connects the dots between a number of things that aren’t necessarily connected whatsoever,” Bill Barry, NASA’s Chief Historian, told Radio Free Europe. “There’s a lot of coincidence in time, but just because two things sort of happened one after the other does not necessarily mean that there’s causation involved. There’s a very big stretch involved here.” Barry does acknowledge the influence of Potočnik and his work, however.
The film’s evidence also centers around “Object 505,” a secret Yugoslav Army post on the Croatia-Bosnian border that was Top Secret and inaccessible, even to the top Yugoslav Army brass. The film’s crew visits the still-mysterious installation in the film.
“It was very mysterious and one couldn’t enter it easily,” former Yugoslav Army officer and aviation Lieutenant Ivan Prsa told Radio Free Europe. “Only selected people could enter this underground facility and that’s why it is still unknown to the public.”
This is the director’s original trailer:
In an interview with Radio Free Europe’s Balkan Service, the film’s director, Ziga Virc, tried to downplay some of the more incredulous claims that made his film’s trailer an internet sensation.
“We are in the phase of gathering all the facts, but we still need a lot, a lot of confirmation. We still need a lot of documents and archive-gathering so we can confirm,” Virc said. “I would not like to be too sensational about this topic.”
“Houston, We Have a Problem” is listed by HBO as “docufiction… exploring the myth of the secret multi-billion-dollar deal behind America’s purchase of Yugoslavia’s clandestine space program in the early 1960s.” The film was screened at 2016’s TriBeCa film Festival and will be in select theaters in May 2016.
It’s one of the most cinematic forms of storytelling in war or action movies. Morale is down and all of the dejected troops look up to their great leader, the protagonist of the film, to deliver some sage words of wisdom and inspire them onto the pathway to glory.
We, the audience, know that the protagonist is more than likely going to win the battle and we can assume that, in real life, there’s no speech powerful enough to miraculously change troops’ minds about wanting to, you know, not die. That being said, whenever we see our sublime hero stand in front of their troops and deliver one hell of a speech, it gets our blood pumping.
And don’t just take our word for it — the films that feature the top four speeches on this list also swept the Oscars when they were released. Critics and moviegoers both love a powerful, pre-battle speech.
Ragnar Lothbrok — ‘Vikings’
There’s a disconnect between Hollywood and actual warfare. Normally, before a gigantic battle or fight, a leader won’t stand in front of their warfighters and give a rousing speech. The fight is just moments away — there’s no time to wax eloquent. In History’s Vikings, they get it right.
This is typically how pre-battle speeches typically go down in real life: “Don’t do anything stupid. Let’s kill the enemy. Here’s a a few tactics we should follow.”
In the brief speech below, delivered during the first episode of the series, we get a good look at how these speeches probably looked during the viking golden age.
Agent Maya — ‘Zero Dark Thirty’
This one also falls under the “how it actually happens” category. The fact is, the closest that pre-battle speeches usually get to the front lines is on base, miles away. The speech outlines mission objectives and is (typically) subject to questions/snarky comments from the people going into the fight.
There is honestly no better example in film history of this actually being done right than in Zero Dark Thirty, moments before SEAL Team Six flies out to finally get Osama Bin Laden. The speech is even complete with a “he’s there… and you’re going to kill him for me.”
President Whitmore — ‘Independence Day’
The world is under attack by hostile aliens and it’s up to the what remains of the military to stop them. Realistically, there’s no chance at survival, but just the right people are listening in to this speech, gaining the strength to fight on.
Not only does the speech unite everyone that’s about to go fight the aliens, but it also calls for human to unite and stand together. And you know, it also includes one of the best title drops in cinematic history.
General Maximus — ‘Gladiator’
Character introductions are one of the hardest parts of a script to write. The audience needs to know, in an instant, who a character was before the movie started, what we need to know about them now, and why they deserve to be the main character. There is perhaps no greater introduction than the one for Roman General Maximus, shown at the height of his power
After making sure that everything is going according to plan, Maximus has a little time to joke with his troops and tells them that he will be going back to his farm. It takes Maximus all of twenty seconds to put instill his men with pride and confidence as the enemy rides ever nearer.
General George S. Patton — ‘Patton’
This speech is far deeper than most people realize today. Yeah, it’s technically being given to the Third Army right before battle, but the film, instead, depicts it as being delivered in a theater.
That’s because the speech isn’t being directed at the troops. It’s directed at the audience, 1970s movie-going America. It’s brilliantly re-purposed and given a new meaning by being presented in a way that highlighted much of the uncertainty and debate surrounding the then-ongoing Vietnam War.
Aragorn — ‘The Lord of the Rings: The Return of the King’
Everything in the Lord of the Rings leads up to one moment. A gathering all of the living warriors across Middle-Earth is charged with taking down the unstoppable scourge of Sauron’s forces. While the audience knows that Frodo and Sam are alright, Aragorn and his men believe them to be dead. They believe that Frodo has been killed, the ring was not destroyed, and it is instead in the hands of the enemy.
In their eyes, there was no way to win. They were all gathered just to die in front of the Black Gates. But not this day. They may all die, but they’ll make a valorous attempt to survive, spurned on by Aragorn’s courage.
William Wallace — ‘Braveheart’
William Wallace had finally banded the clans of Scotland together to finally make their stand against the English, but when they see the massive army they’re going against, they lose the will to fight. They come to the sudden realization that this “mythical” William Wallace that was supposed to lead them in battle is a mere man and, just as quickly, everyone wants to go home.
This is the perfect example of how the pre-war speech is supposed to go down. It’s up to William Wallace to remind everyone that there is no going back. There is no alternative to fighting, even if it means many of them will die. But if they die, they’ll go knowing they were slain for freedom.
Army Game Studio developer, TheTots, explained on the forum for America’s Army that the new game be used by both players and developers to test out the new capabilities for the Army. The game will feature new concept vehicles ranging from tanks to deployable UAVs.
Players can also customize new vehicles and test them in a no-stress situation that could one day be developed into actual combat vehicles.
The Army Capabilities Integration Center’s Lt. Col. Brian Vogt said, “Gaming is a tremendous medium to connect soldiers to the concept. Gaming is not just for entertainment anymore, now it is for experimenting.”
There is a precedent for gamers being used to improve complex research and development projects like this.
Back in 2008, scientists were trying to figure out the detailed molecular structure of a protein-cutting enzyme from an AIDS-like virus found on monkeys. It stumped molecular biologists for years.
After the game Foldit (a collaborative online game to solve this exact issue) came out, gamers solved it in just 10 days.
The best ideas from the game will likely be adopted by Army RDECOM for new weapons platforms, tactics and specs based on the game’s detailed analytics.