Is another Disney+ show about to undo some big plot points from Avengers: Endgame? A new look at the Hawkeye TV series has led to some big questions.
There aren’t any trailers yet for the next phase of Marvel movies and Disney+ TV series, but that doesn’t mean there’s not a bunch of crazy information about them floating around. Loki will be a show about time travel. WandaVision is somehow going to be a show about 1950s domestic life. Natalie Portman is going to be the new Thor. Tony Stark might come back from the dead. You get it. What’s clear is that the next phase of Marvel won’t be like what’s come before, and not just because Spider-Man won’t be there. But now, we might know what a lot of this stuff will look like, specifically the opening title of the Hawkeye series.
On Sep. 8, 2019, a video leak hit Reddit showing off all of the title sequences for the upcoming Disney+/Marvel TV series, including a longish look at the upcoming Hawkeye TV series presumably surreptitiously shot at last month’s D23 expo.
[reddit_embed https://www.reddit.com/r/marvelstudios/comments/d1asfw/all_the_phase_4_official_title_intros/?utm_source=share&utm_medium=web2x expand=1]r/marvelstudios – All the Phase 4 official title intros
If you think that Hawkeye title sequence has a little bit of sixties flair to it, you’re not crazy. In fact, as of this week, Jonathan Igla, known for his writing on Mad Men, was named showrunner of the new series. In it, Jeremy Renner will return as Clint Barton, but the twist is he’ll be training a new Hawkeye: Kate Bishop. Right now, this seems to differ from what we saw at the beginning of Endgame, in which Clint referred to his daughter as “Hawkeye.” Will the Hawkeye show change the continuity of Endgame? Is Kate Bishop replacing Clint’s daughter? Is Kate Bishop Clint’s daughter? What’s going on?
Right now, it’s totally unclear how the various Marvel shows will work with the definitive ending of Avengers: Endgame; after all, WandaVision is set to bring Vision back from the dead and Lokiwill apparently focus the time-traveling version of the character who somehow isn’t also the guy who got killed by Thanos. In other words, the new Marvel shows are all nuts.
But, if this title sequence leak is any indication, it all looks great and will be exactly the kind of nuts we can get behind.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In the world of “Tom Clancy’s Ghost Recon: Wildlands,” the U.S. government has had enough of the shenanigans of the South American drug cartels and has dispatched their deadliest operators to kill the snake by cutting off its head.
The newly released trailer focuses on the tactics and capabilities of the “Ghosts,” Clancy’s fictional spec-ops creation and the subject of his games and novels dating back to 2001. So far, we know that “Wildlands” will allow small teams of players to fight in battlefields modelled after the Bolivian jungle.
Game developer Ubisoft Paris clearly wants to paint ‘Wildlands’ as a smarter alternative to more aggressive offerings from the Call of Duty and Battlefield franchises, and to that end the trailer showcases the Ghosts using an assortment of tactics and technology — stealth takedowns, scout drones, etc. — to overpower the cartels’ lethal enforcers.
Dune is a legendary sci-fi/fantasy novel that has just been waiting for the right filmmaker to bring it to life (much like The Lord of the Rings). Many have tried. All have failed (sorry, David Lynch). Frank Herbert’s novel built a rich world with fascinating characters but — for modern readers who have honed their tastes on Patrick Rothfuss and even Orson Scott Card — Dune is boring dense, yo.
And I’ll just say it. The Lord of the Rings was dense, too. The pacing of these novels do not hold up for readers — but, as Peter Jackson proved, they can still make for epic films.
Enter Denis Villeneuve (Arrival, Blade Runner 2049). The Oscar nominee will direct the latest adaptation of the iconic film — and I gotta say, based on the trailer, I’m feeling hopeful:
Dune tells the story of Paul Atreides (played by Little Women’s Timothée Chalamet), a young man destined to rule the most dangerous planet in the universe, where forces battle over a substance with the ability to unlock humanity’s greatest potential. When betrayal leaves him and his gifted mother exiled in the unforgiving sands of Arrakis, only their unique powers — and their mastery over the mind-killer — can save them.
Villaneuve set himself up for success with an absolutely killer cast: obviously, Chalamet is super hot right now, as are Zendaya (Euphoria, Spider-Man: Homecoming), Oscar Isaac (Star Wars Episodes VII-IX), Marvel alumni Josh Brolin and Stellan Skarsgård, and Rebecca Ferguson (Stephen King’s Doctor Sleep, Mission: Impossible – Fallout).
Hebert’s book is so detailed that the film will be told in two parts, with the first set to release December 18, 2020 (if humans can survive that long). Villaneuve’s adaptation has been a massive undertaking — he spent a year on the design of the iconic sandworms alone.
“We talked about every little detail that would make such a beast possible, from the texture of the skin, to the way the mouth opens, to the system to eat its food in the sand,” the director told Empire magazine for the publication’s Summer 2020 issue. “It was a year of work to design and to find the perfect shape that looked prehistoric enough.”
Check out the trailer above to see one in action and to behold the glory of Arrakis.
The 2019 “Hellboy” remake has been panned by critics and declared a flop at the U.S. box office. In Russia, however, it’s provoking very different headlines.
Following its April 11, 2019 release in the country, attention has focused on a scene in which the red chain-smoking half-demon meets Baba-yaga, a haggard witch who has a thing for crawling backward like a spider.
“I recall you tried to raise Stalin’s ghost from a necropolis,” Hellboy tells her in the original English-language version of the film.
But in the Russian version, reference to the Soviet dictator who oversaw the mass execution of his compatriots and sent millions to the gulag has apparently been scrapped. Instead, it’s Adolf Hitler whom Hellboy cites.
The script adjustment was reported on April 16, 2019, by the independent TV channel Dozhd, which compared the film’s original version to the dubbed Russian-language release.
Hellboy (2019 Movie) Official Trailer “Smash Things” – David Harbour, Milla Jovovich, Ian McShane
Twitter users who saw the film in cinemas noted another curious detail: subtitled versions of the original had the word “Hitler” bleeped out, as well as a single curse-word in a film full of them. The subtitles, however, retained mention of the Nazi leader.
It may not be an isolated case.
According to the Russian film-review site Kinopoisk, MEGOGO Distribution, the company overseeing the “Hellboy” Russian release, has previously changed details in American films.
In the Russian version of the 2017 action thriller “The Hitman’s Bodyguard,” Kinopoisk reported, Gary Oldman’s character is no longer from Belarus, but Bosnia-Herzegovina.
“Hellboy” is also not the first popular comic-book hero whose franchise has had to fall in line with Russian censors.
On Jan. 9, 2019, the Russian comic-book publisher Komilfo said that it had removed an entire chapter from its Russian-language version of “Deadpool Max” because Russia’s consumer-protection agency concluded that it promotes extremism.
“In Russian legal terms even satire can be treated as propaganda,” Komilfo director Mikhail Bogdanov told RFE/RL at the time. “In our country there are certain legal lines that you can’t cross.”
MEGOGO Distribution did not immediately respond to a request for comment on the “Hellboy” release.
If you’re hunting for great Vietnam war movies about the conflict and its afterrmath, look no further.
Compiled by the staff of Military.com, some of these are surprising and possibly controversial.
Check out our Vietnam movie recommendations below and share your favorites in the comments.
1. Full Metal Jacket
Besides adding the phrase “major malfunction” to the lexicon of American pop culture, “Full Metal Jacket” gave us the most riveting, foul-mouthed boot camp scene in the history of cinema. R. Lee Ermey’s portrayal of “Gunny Hartman” dominated the movie’s first half. Such a sustained volley of X-rated insults, hurled effortlessly at petrified recruits, could only come from years of experience as a Marine Corps drill instructor – and Ermey had been one. “The more you hate me, the more you will learn,” he tells his Vietnam-bound grunts. Gunny’s six-minute tirade sets the stage for the murderous outcome that closes the first act of Kubrick’s Vietnam movie masterpiece. Casting a real-life DI as a DI: Pure genius. — Marty Callaghan
One of Robin Williams’s best roles, this movie brilliantly captures the experience of the Vietnam War through the eyes of someone not actively engaged in the fighting: real life Air Force radio personality Adrian Cronauer. His battles against inept leadership and the mindless bureaucracy that survives–even in a war zone–are something many service members can relate to. His rebellion against what he’s told to do is inspiring and then as he seeks to make his tour less of a soup sandwich by engaging with the local population and helping them, he is ultimately reminded that he is there to fight a war and war does in fact rage all around him. — Sarah Blansett
“Rolling Thunder” is neither sensitive to nor concerned with the actual experiences of returning Vietnam POWs. It didn’t win any awards or play in any theater more prestigious than the local drive-in. It’s a low-budget fever dream written by Paul Schrader (Taxi Driver, Raging Bull) and directed by the underrated John Flynn (“Out for Justice” starring Steven Seagal and “The Outfit” starring Robert Duvall are both worth tracking down. What you get is a revenge fantasy for every Vietnam war vet who felt the hate when he returned from service.
Major Charle Rane (William Devane) and Johnny Vohden (Tommy Lee Jones) are prisoners of war who get a hero’s welcome on the tarmac when they return to Texas, but things come unraveled immediately thereafter. Devane’s wife announces on his first night home that she’s leaving him for Jody and taking their son. He later gets awarded a Cadillac convertible and a huge box of silver dollars (one for each day in captivity) by the San Antonio city fathers. Some criminal hillbillies see the exchange on the TV news and track him down to steal that money. When he refuses to cooperate, they feed his arm into the garbage disposal and kill his soon-to-be ex-wife and son when they drop by the house to get their stuff.
Rane gets himself a hook to replace his mangled hand and takes up with Linda Forchet (Linda Haynes), a young woman who wore his POW bracelet while he was in North Vietnam. Rane goes on a hunt to deliver justice to the men who killed his family and picks up Johnny in El Paso along the way to help with the mission.
It’s lurid and cathartic, tapping into the same frustration and rage that many of the more awards-friendly Vietnam war movies on this list try to highlight. Sometimes primitive and outlandish works just as well as sensitive and thoughtful when you’re trying to work things out. — James Barber
Part “The Deer Hunter” (see roulette scene) and part “The Killer” but one hundred percent highly stylized John Woo.
After trouble with local gangsters in Hong Kong, three best friends flee to Vietnam at the height of the war in hopes to profit from black market penicillin and gold. The trio is soon captured by the Vietcong who force them to make a choice that will test the limits of their friendship.
Woo’s subtext to the movie relies on and attempts to recreate (as does “The Deer Hunter”) the infamous news photo of General Nguyen Ngoc Loan executing a Viet Cong prisoner in Saigon. While some scenes seem contrived, when taken in context of the Vietnam war, the chaos feels right at home, even welcome. — Sean Mclain Brown
“Hamburger Hill” is a gritty war film that focuses on the lives of 14 soldiers from the 101st Airborne Division’s B Company, 3rd Battalion, 187th Infantry Regiment during the 12-day battle that occurred May 10-21, 1969, in the northern part of South Vietnam near the A Shau Valley.
I saw the movie when it came out in 1987 as a young infantryman in the 82nd Airborne Division. I still remember that the film’s depiction of the actual battle left me, and other members of my platoon, in awe of how these Screaming Eagles endured an up-hill fight against a well-entrenched enemy under the most miserable conditions.
The Vietman war movie features a young Don Cheadle, Dylan McDermott and Steven Weber, who later played Brian Hackett in the 1990s sitcom “Wings.” One of the most powerful performances came from Courtney B. Vance who played Spec. Abraham “Doc” Johnson.
The real battle of Hamburger Hill left about 500 enemy soldiers dead. Taking the hill claimed the lives of 39 soldiers from the 187th and left 290 wounded.
To me, “Hamburger Hill” stacks up to “Platoon,” “We were Soldiers” or any other film out there that focuses on the sacrifices infantrymen made during the Vietnam War. — Matthew Cox
When you think of Vietnam war movies you generally don’t think about Rambo. But the first movie in the Rambo series, “First Blood,” was in my opinion one of the best Vietnam war movies made.
Rambo meets a megalomaniacal small town police chief who doesn’t want any long-haired drifters hanging around his town, veteran or not. Rambo just wants to be left alone, the police chief wants to make a point, and you know the rest of the story.
Many people around today don’t remember when every veteran wasn’t told “thank you for your service”, or given discounts at every store. This movie shows much of the hate and discontent that returning veterans faced after Vietnam.
Vietnam veterans were drafted and sent away to somewhere that even today 90% of Americans couldn’t find on a map. The war dragged on forever and many think that we could have won.
This Vietman war movie educated the general public to the fact that Vietnam veterans lived through hell, both in the war and when they came back home, for that it deserves to be watched again and appreciated as a statement on the reality that all veterans face when they return to civilian life. — Jim Absher
Apocalypse Now (1979) Official Trailer – Martin Sheen, Robert Duvall Drama Movie HD
“Apocalypse Now” contains a lot of things I love in film – heavy use of symbolism and themes as well as exceptional acting and cinematography. Coppola does a great job of reworking Conrad’s Heart of Darkness for the Vietnam War, extending the themes of imperialism to include the madness of war, while also mixing in Dante. However, the movie feels like an abstraction, not a realistic depiction, and you could easily adapt the same script to our current involvement in Afghanistan. — John Rodriguez
Platoon Official Trailer #1 – Charlie Sheen, Keith David Movie (1986) HD
“Platoon” on the other hand plays like a more realistic depiction of the Vietnam War from a soldier’s perspective, which makes sense as Oliver Stone is a Vietnam combat vet. In general the characters are more fleshed out than in similar movies like “Hamburger Hill,” although I do have a hard time taking Charlie Sheen seriously; he’s no Martin. — John Rodriguez
Other Vietnam War movies have more grandeur or explosive moments, but Michael Cimino’s “The Deer Hunter” cuts the deepest. Never before had a movie about the conflict tackled head-on the emotional issues that afflict those who serve, come home, and struggle to find a place for themselves — and it’s fair to say no Vietnam War movie has ever captured the rhythms and sorrows of small-town life in the US as well as “The Deer Hunter “does.
The cast alone elevates the movie to among the best ever made: Robert De Niro, Meryl Streep, Christopher Walken in a star-making performance, and John Cazale (Fredo from the “Godfather ” movies) in his very last role before his tragic early death from bone cancer.
Looking for memorable moments? Just utter the words “Russian roulette,” and any movie aficionado will recall the harrowing POW sequences in this film. “The Deer Hunter” is not without controversy — director Cimino reportedly claimed he was in an Army Green Beret unit, but records show he only served briefly before the war started — and watching the movie can be a punishing experience. But as a lyrical, moving piece of cinema that sticks with you, very few movies can come close. — Ho Lin
Netflix partnered up with huge modern directors to tell the story of five filmmakers who chose to put their careers on hold and serve in World War II.
Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War,”the new Netflix series “Five Came Back” is about five filmmakers (John Ford, William Wyler, John Huston, Frank Capra, and George Stevens) who served in the war, then returned to share what they learned with the world through their art.
With interviews by Steven Spielberg, Francis Ford Coppola, Guillermo del Toro, Lawrence Kasdan, and Paul Greengrass, and narrated by Meryl Streep, “Five Came Back” explores the role filmmakers have during tumultuous times.
“Americans did not realize the extent of the threat Hitler posed,” narrates Streep.
The “five” created films that brought the reality of the war to the American people, and, in doing so, “changed the world.”
Every time a new comic book movie is set to come out, nerds flock to the internet and try to decode each and every detail in the trailers to figure what’s going to happen. Doing that kind of sleuthing relies heavily on having a deep understanding of comic book lore.
Last night, the new trailer for Captain Marvel dropped and, in short, it looks amazing. Since they’re changing much of her story from the comic books into a single, condensed, easy-to-follow plot, it’s left some civilian comic book fans scratching their heads.
Truth is, you need a good understanding of military culture to truly grasp the comprehensive awesomeness of this trailer.
Kinda spoiler-y: but these guys are called the Star Force and they’re evil. Take what you will about the plot details from that.
In the comic books, Captain Marvel, otherwise known as Carol Danvers, was an Air Force Intelligence officer turned fighter pilot who went by the callsign, “Cheeseburger.” She later joins NASA and is promoted to colonel before being caught in an explosion with an alien known as Captain Mar-Vell.
The explosion intertwines his alien superpowers with her and she takes on the moniker of “Ms. Marvel” before eventually taking on the title of “Captain Marvel” herself. She occasionally teams up with other superheros, like Spider-Man, the X-Men (which is actually how Rogue gets her flight and super-strength), the Fantastic Four, and, later, becomes a leading member of the Avengers.
The film, on the other hand, takes all 41 years of storytelling and condenses it down to her just being an F-15C pilot that gets caught in the explosion. The match-cut editing of the trailer suggests that she’s going to have to slowly piece together knowledge of her previous life on Earth before eventually becoming the hero the Marvel Cinematic Universe needs in Avengers 4.
That’s right. The Coasties may be getting a big screen superhero adaptation before the sailors do.
From the little bits shown in the trailer, we can see she was stationed at Nellis Air Force Base, Nevada, and has Test Pilot School patches on her uniform. Earlier this year, Brie Larson, who plays Danvers in the film, took a trip to Nellisa AFB to get inspiration for her character from the real-life Brig. Gen. Jeannie Leavitt, who is the 57th Wing commander, the first female fighter pilot, and the inspiration for this new take on Captain Marvel. It’s no coincidence that Brig. Gen. Leavitt flew an F-15C, just as Carol Danvers will in the film.
Another awesome Easter Egg is her wingman, Lt. Maria “Photo” Rambeau. In the comics, Rambeau isn’t too noteworthy of a character. In the trailer, we see her taking on the moniker that her daughter, Monica, has as a callsign. Monica Rambeau later becomes an Avenger (more commonly known as Spectrum) and serves in the Coast Guard before becoming a superhero. Since this film is set in 1995, that leaves more than enough time for Monica to grow up and become a superhero by the time Avengers 4 takes place.
If you watch carefully, you’ll notice Carol’s cat is named Goose, a subtle nod to Top Gun. In the comics, the cat is actually named Chewie and is actually a demonic alien that can go through pocket dimensions that tries to kill Rocket Racoon at every occasion. In the film, the kitty just seems to be a regular cat with a name fitting of everyone trying to become a pilot in the late 80s and early 90s.
Believe it or not, there is one gun very notable for having been taken by the United States Air Force to other planets. That said, it was only on TV.
The “Stargate” TV franchise — based on the 1994 movie featuring Kurt Russell — starred Richard Dean Anderson of “MacGyver” for its first eight seasons. The series was notable in having two separate Air Force Chiefs of Staff cameo as themselves, Gen. Michael Ryan in “Prodigy” and Gen. John Jumper in “Lost City, Part Two.”
The central premise around the series was that the Air Force had acquired a “stargate” that was set up in Cheyenne Mountain. The team led by Anderson’s character, SG-1, was pretty much carrying out a mission similar to of the Army Special Forces: building alliances with native populations.
The adventures eventually took SG-1 all the way across the galaxy and beyond, where they not only faced off against hostile nations, but also made contact with friendly aliens and acquired new technology.
And as is the case with special operations forces, SG-1 had gear that average grunts didn’t get their hands on — usually. In addition to all the alien tech, they did get some earth weapons, too. Notable among them was the P90 personal defense weapon from FN Herstal.
The P90 is a select-fire weapon that fires the 5.7x28m cartridge. It is a compact weapon with a 50-round magazine. The gun made its combat debut during Operation Desert Storm with Belgian special operations troops.
You can see a video about this PDW that has gone to other worlds below.
Few things have the power to transport people like the cinema.
Who can forget Robert Williams’ “Good morning, Vietnam” or Marine Corps DI Hartman’s memorable quotes?
The following list is of our favorite military movies to watch over Fourth of July weekend.
“The Longest Day” (1962)
“The Longest Day”tells the story of heroism and loss that marked the Allies’ successful completion of the Normandy Landings on D-Day during World War II.
The film stands out due to its attention to detail, as it employed many Axis and Allied D-Day participants as advisers for how to depict the D-Day landings in the movie.
“Lawrence Of Arabia” (1962)
Based on the exploits of British Army Lieutenant T. E. Lawrence during World War I, “Lawrence of Arabia” tells the story of Lawrence’s incredible activities in the Middle East.
The film captures Lawrence’s daring, his struggles with the horrific violence of World War I, and the incredible British role in the foundation of the modern Middle East and Saudi Arabia.
“The Great Escape” (1963)
“The Great Escape” is based on a novel of the same name, which was a nonfiction account of a mass escape from a German prison camp in Poland during World War II. The film follows several British German prisoners of war as they try to escape from the Nazis and make their way back to Allied-controlled territory.
“The Dirty Dozen” (1967)
Extremely loosely inspired by true acts during World War II, “The Dirty Dozen” tells the story of 12 Army convicts trained for a nearly impossible mission deep in Nazi-occupied France before D-Day, and the film follows their exploits in training and beyond.
“MASH” is a black comedy set on the frontlines of the Korean War. The story follows a group of Mobile Army Surgical Hospital officers as they carry out their mission against the bleak backdrop of the seemingly ceaseless conflict miles from their position.
A movie documenting the life and exploits of General George S. Patton.
A wartime hero of World War II, the film covers Patton’s exploits, accomplishments, and ultimate discharge.
“The Deer Hunter” (1978)
“The Deer Hunter” follows the story of a trio of Russian-American steelworkers both in Pennsylvania before their service and during the Vietnam War.
The film, which stars Robert De Niro, Meryl Streep, and Christopher Walken, won multiple awards, including the Academy Award for best picture, best director, and best supporting actor for Walken.
“Apocalypse Now” (1979)
Featuring an all-star cast (Marlon Brando, Martin Sheen, Robert Duvall, and Dennis Hopper) and directed by Francis Ford Coppola, “Apocalypse Now” is a modern adaptation of Joseph Conrad’s classic “Heart of Darkness.”
Set in Vietnam in 1970, the film shows to what depths men will sink during wartime.
“Das Boot” (1981)
“Das Boot” is a German film depicting the service of German sailors aboard fictional submarine U-96. The story has been lauded for personalizing the characters during World War II by showing both the tension of hunting ships, as well as the tedium of serving aboard submarines.
“Top Gun” (1986)
Starring Tom Cruise and Val Kilmer, “Top Gun” follows Cruise as he attends the Top Gun aviation school. An aggressive but extremely competent pilot, Cruise competes throughout his training to become the best pilot in training. The film was selected in 2015 by the Library of Congress for preservation due to its cultural significance.
“Platoon,” featuring Charlie Sheen, depicts the horrors and difficulties of the Vietnam War. The movie both shows the difficulty in locating potential insurgents in a civilian population, as well as the strains and struggles war can place on brothers-in-arms.
“Good Morning Vietnam” (1987)
Loosely based on a true story, “Good Morning Vietnam” is a comedy-drama starring Robin Williams as a radio DJ in Saigon during the Vietnam War.
Williams earned an Academy Award for best actor.
“Full Metal Jacket” (1987)
Directed by Stanley Kubrick, “Full Metal Jacket” follows two new recruits as they enter bootcamp during the Vietnam War. From depicting the struggles of training to the savagery of war, “Full Metal Jacket” remains a timeless classic.
Featuring Matthew Broderick, Denzel Washington, Cary Elwes, and Morgan Freeman, “Glory” follows the US’s first all African American regiment, the 54th Massachusetts Volunteer Infantry.
Denzel Washington won an Academy Award for his performance.
“The Hunt For Red October” (1990)
Based on Tom Clancy’s bestselling novel, “The Hunt For Red October” is set during the last stages of the Cold War.
The film stars Sean Connery as a rogue Soviet naval captain who is attempting to defect to the US with the Soviet Union’s most advanced nuclear missile submarine.
“Schindler’s List” (1993)
Directed by Steven Spielberg and starring Liam Neeson, “Schindler’s List” tells the true story of how businessman Oskar Schindler evolves from seeing Jews as nothing but human chattel to doing his best to save as many Jews from Nazi death camps as possible during the Holocaust. The film, based on a true story and painfully told, won the Academy Award for best picture.
“Saving Private Ryan” (1998)
Directed by Steven Spielberg and featuring Tom Hanks, “Saving Private Ryan” showcases both the brutality of World War II while also paying tribute to the amazing courage and honor that each person can rise to. The movie won Spielberg an Academy Award in 1999 for best director.
“Three Kings” (1999)
Featuring Ice Cube, Mark Wahlberg, and George Clooney, “Three Kings” shows a stark depiction of life on the ground in Kuwait and Southern Iraq following the end of the Gulf War.
The movie depicts the brutality that Iraqis faced from the regime of Saddam Hussein after trying to rise up against the government at the end of the war.
“Black Hawk Down” (2001)
Directed by Ridley Scott, “Black Hawk Down” follows the tragic exploits of US special forces that were sent into Somalia on a peacekeeping mission in 1993. The movie won the Academy Award for best film editing in 2002.
“Jarhead,” directed by Sam Mendes and starring Jake Gyllenhaal, depicts a realistic look at the mix of drudgery and tension that exists for soldiers in a war zone.
The movie spans from the late 1980s through the US involvement in the Gulf War.
“Downfall” depicts the end of the European stage of World War II from inside Adolf Hitler’s bunker in Berlin. The movie depicts Hitler’s final days as he, and his fellow high-ranking Nazis, realize the futility of their position in the war and the end of the Third Reich.
“Tae Guk Gi: The Brotherhood of War” (2005)
“Tae Guk Gi” follows the tale of two South Korean brothers during the start of the Korean War. Drafted into combat, the older brother continuously volunteers for the most dangerous missions in exchange for his little brother’s safety. But, as the movie depicts, such constant violence takes the toll of all involved.
“Letters From Iwo Jima” (2006)
Directed by Clint Eastwood, “Letters From Iwo Jima” tells the story of the Battle of Iwo Jima from the Japanese perspective. The film is a companion to Clint Eastwood’s film “Flags Of Our Fathers,” which also tells the story of the Battle of Iwo Jima but from the American perspective.
“Beasts Of No Nation” (2015)
Released on Netflix, “Beasts of No Nation” is based on a book of the same name by Uzodinma Iweala. Set in an unnamed West African country, the film depicts the horror of civil war and the use of child soldiers.
The film is told from the point of view of the child soldier Agu, played by Abraham Attah, as he attempts to survive and is forced to fight in the war.
With the third installment of the John Wick franchise continuing to see solid returns at the box office and a fourth installment already announced, it seems clear that the Keanu Reeves’ action vehicle is bringing something to the moviegoing audience that they’ve lacked in this era of high-budget blockbusters and CGI-infused epics. I’ve gone on record in the past saying that I believe the secret to Wick’s success is in its approach to violence; melding realism with whimsy in a uniquely American fashion and producing this nation’s first legitimate response to the Brit’s premiere assassin franchise, James Bond.
What makes Reeves’ Wick Bond-like where other successful American franchises have fallen short (culturally speaking) isn’t in its similarities to the spy-franchise, but rather in its willingness to depart so openly from it. While American heroes like Jason Bourne, Jack Ryan, and even Ethan Hunt seem to emulate Bond’s style and approach to varying degrees, Wick diverges from the expected and leans hard into a stylized alternate reality where firefights require grappling skills and the homeless man you gave your change to might actually be a trained assassin hiding his Rolex from your view.
Trained combatants masquerading as homeless men is a common urban legend that may have legitimate roots in some British SAS operations.
This departure from what we’ve come to expect could have been enough to make the Wick-flicks into a Matrix-like fantasy franchise, but it’s where and how these films choose to anchor themselves in reality that makes Wick’s fight scenes so jarring. Every time you start to think you’re watching another superhero movie, the Wick series brings you back to earth with a powerful thud, grounding its over-the-top violence in reality, even when the circumstances are anything but realistic.
One scene in “John Wick: Chapter 3 – Parabellum” perfectly captures this combination of gritty realism and seemingly surreal violence in a brief but dramatic fight between the titular Wick and one of the countless assassins he’s forced to dispatch along the path to redemption. As the two wrestle with one another, they fall into an indoor pool, creating separation and offering each an opportunity to level their weapons at one another.
About as effective as this.
(Marine Corps photo by Pfc. Levi Schultz)
With both Wick and his opponent still submerged under the water, the goon opens fire, releasing three rounds into the pool that, in any other film, would have hit Wick square in the chest. Instead, however, the rounds immediately begin to flutter off course, reacting to the dense water separating the two men in what is perhaps the most realistic example of water’s effect on traveling rounds I’ve ever seen depicted in film.
Wick then closes the distance between the two of them, pressing the muzzle of his weapon right into the neck of his opponent and firing, killing the bad guy and allowing Wick a precious moment to regroup.
John Wick Chapter 3 Underwater Gun Fight | John Wick Chapter 3
While movies may show bullets whizzing through the water (often with the hero dodging them as he swims away), the truth is, water is about 800 times denser than air and has a huge effect on the trajectory and energy of a round. As the bullet strikes the water, its kinetic energy immediately begins to dissipate against the resistance of the thicker medium, allowing that drag to send it fluttering off course, and usually, rendering the bullet near enough to inert to make it no threat to any nearby assassins.
“John Wick: Chapter 3” is the first movie I’ve ever seen so clearly demonstrate water’s effect on a bullet’s path without taking the time to handhold the audience to explain the physics behind it. Instead, Wick simply shows the action as it would unfold and moves on, respecting the viewer enough to assume that you’ll get it–even if it’s something you’ve never seen on screen before.
Fires weapon under water – with his own life on the line
As demonstrated by Mythbusters in an episode called “Bulletproof Water” that aired in July of 2005, just about anything you shoot at the water short of a .50 caliber round or a 12 gauge slug will disintegrate in less than three feet when fired into water. If you trust your math enough, you can even devise a rig that lets you shoot 5.56mm rounds at yourself like physicist Andreas Wahl did to prove the point, but I’m inclined to take Wick’s word for it on this one.
We all have our favorite military movies. Whether or not they depict combat isn’t as important as the aspects of military life they bring to the screen. Military films remind us of our own experiences and those with whom we deployed. The characters in these movies have been with us so long, it’s like we know them personally. Like the real-life people you deployed with, the characters are mixed bag: you like some more than others. Some you can’t stand, some you absolutely love. These are the military movie characters closest to the hearts of America’s veterans.
These are the military movie characters closest to the hearts of America’s veterans.
1. Everyone in “Full Metal Jacket”
“Full Metal Jacket” is supposed to be an anti-war movie, a treatise on the effects of overly macho masculinity, brainwashing in military training, and the combination of those forces in war.
Inside of the military, however, it’s the single most quoted movie ever. Everyone knows these characters and R. Lee Ermey’s performance as Gunnery Sgt. Hartman cemented everyone’s view of the Marine Drill Instructor in his own image, forever. Everyone from Animal Mother to Joker to Private Pyle makes this the perfect storm of characters.
2. Sgt. 1st Class Norm “Hoot” Gibson, “Black Hawk Down”
Hoot is actually based on three real people, based on Sgt. 1st Class John Macejunas, Sgt. 1st Class Norm Hooten and Sgt. 1st Class Matthew Rierson. In a movie full of memorable lines and moments, Hoot’s stand out and stay with you, especially his speech at the end.
Brad Pitt is really getting into World War II movies. On top of 2014’s “Fury,” he has another coming out in 2016 called “Allied.” Before all that, he was Aldo Raine, the gung-ho leader of a band of Jewish troops dropped into Fortress Europe to strike fear in the hearts of Nazis. It worked and we loved watching him do it.
4. Staff Sgt. Sykes, “Jarhead”
Swoff’s scout sniper training instructor is funny, good at his job, cares about his Marines, and is one of the most memorable Marines in film and television history. Which is saying a lot.
5. Lieutenant Colonel Bill Kilgore, “Apocalypse Now”
Apocalypse Now is an older film, the second oldest on this list (1979), so it may move a little slower than audiences today are used to. Still, in a movie full of legendary characters and performances by the actors portraying them, Kilgore stands out among them because he’s not paranoid or crazy, but he genuinely enjoys war.
6. Lt. (j.g.) Nick “Goose” Bradshaw, “Top Gun”
Goose was the ultimate wingman, the guy who always has your back.
Trip was angry, brooding, and resentful of the country he had to fight for. He’s the first to voice his displeasure with the idea that nothing will change for blacks in post-Civil War America. He’s the first to protest unequal pay. It makes you wonder why he bothers to fight at all until you realize he’s fighting for everyone around him and for what lives they could have.
8. Gen. George S. Patton, “Patton”
This is the oldest movie on the list here, but is so chock full of moments that, in movie buff circles, more people remember George C. Scott’s depiction of the man than the man himself.
9. Lt. Dan Taylor, Forrest Gump
Even Gary Sinise once said that Lieutenant Dan became a part of the actor himself and make Sinise dedicate his time and energy toward wounded veterans. When the actor walks through veterans hospitals, the attitudes of the patients literally change because Lt. Dan just walked in. That’s powerful.
10. Pvt. Dewey “Ox” Oxberger, Stripes
It’s not easy to choose which character in “Stripes” stands out the most. There are strong cases for Bill Murray’s John Winger and Harold Ramis’ Russell Ziskey, but John Candy’s Ox will steal your heart.
11. Adrian Cronauer, Good Morning Vietnam
The relatively recent death of Robin Williams may have made this performance a little more poignant, but the real-life Adrian Cronauer himself admitted that Williams’ portrayal of him was more epic than he ever was in real life.