WATM’s Ryan Curtis hits the streets with stuntman Jim Wilkey, a Vietnam War vet whose Hollywood credits include “Die Hard With a Vengeance,” “Rush Hour,” “Inception,” “Mad Max: Fury Road,” “The Dark Knight Trilogy,” and several others. Jim’s experience in the Navy working with a wide range of equipment gave him the knowledge to get started as a stuntman.
Now, watch as Jim gives our man Ryan a crash course in basic stunt driving skills.
The Danish Royal Air Force posted a video on August 22 of two of their fighter jets intercepting a Russian bomber, Newsweek International first reported.
The video shows two Danish F-16s flanking a Russian Tu-95 on both sides, and one Danish pilot signaling towards the bomber, near the island of Bornholm, which is between Poland and Sweden according to Newsweek.
The Danish Air Force posted the video on Facebook, but did not detail when the incident took place.
A U.S. Air Force C-146A landed unannounced (and apparently uninvited) at Libya’s al-Watiyeh airbase last weekend. The numbers on the airplane that landed at the base Southwest of Tripoli match with craft assigned to the 524th Special Operations Squadron. Once on the ground, it dispatched a number of personnel, presumably American special operators.
The team of armed men wearing civilian clothes deplaned after 6am on December 14, 2015 without any cooperation from local authorities, which is why they were asked to take off. Their arrival had just enough time for the Libyan Air Force to broadcast them on social media.
The visit comes at a crucial time in Libya’s post-Qaddafi history. Factions of fractured Libya formed coalitions, militias and legislatures to claim legitimacy as the true head of government. One faction is Islamist-based and controls the traditional capital of Tripoli. The other is the democratically-elected, internationally-recognized government with the support of the Libyan Army, based in Tobruk. The two have been fighting since 2014.
The purpose of the short layover is not yet known. The plane is part of the U.S. Air Force’s fleet of unassuming special-ops planes with civilian call signs. (The Air Force has 17 of these.) According to Inquisitr, when the Libyan Air Force personnel asked the assumed special forces members why they were there, the soldiers replied that they were part of a larger operation held “in coordination with other members of the Libyan army.” The forces were turned away anyway.
Disney’s “Star Wars: The Rise of Skywalker” is still doing big business at the domestic box office as it stayed in the top spot for a third consecutive weekend after taking in $33.7 million. But compared to its previous chapters in the Skywalker saga, the movie is a little sluggish by “Star Wars” standards.
The movie’s domestic total is now at $450.8 million, a fantastic figure for any blockbuster after three weeks, but at this time two years ago “The Last Jedi” had brought in $531.5 million. And 2015’s “The Force Awakens” raked in the domestic cume after the third weekend of an incredible $742.2 million.
At the end of the day it’s not how fast you get to id=”listicle-2644164132″ billion, but if you get there, and “The Rise of Skywalker” will certainly do that, as the movie’s worldwide total to date is 8.8 million. But the performance by “Skywalker” in the coming weeks will be interesting to track, as it might finish its theatrical run without getting to 0 million domestically. A figure that both “Force Awakens” (6.6 million) and “Last Jedi” (0.1 million) surpassed.
Sony supplied the rest of the box office power this weekend with three very different titles.
“Jumanji: The Next Level” continues to be a strong counterprogrammer to “Rise of Skywalker” as it came in second place with .5 million. Its domestic cume is over 6 million (over 0 million worldwide), proving the franchise will continue on for years to come.
Then it was a battle for third place between “Little Women” and “The Grudge.” Greta Gerwig’s adaptation of the classic edged out the horror with a .5 million take. But the latest reboot of the “The Grudge” has nothing to be upset about. Despite a 16% Rotten Tomatoes score and an F CinemaScore, the movie overperformed with a .3 million opening weekend (it was made for million).
Lionsgate/MRC’s “Knives Out” continued to be one of the top-earning original titles released in 2019 (bringing in million over the weekend, only a 9% drop from last weekend), but its performance in China has shocked everyone. Rian Johnson’s whodunit, which he made after doing “The Last Jedi,” has brought in over million in the Middle Kingdom, which is more than what “The Rise of Skywalker” has earned there (over million).
A24’s “Uncut Gems” continued to ride its critical acclaim and award season buzz to bring in some impressive box office numbers, as the Safdie brothers movie starring Adam Sandler brought in .8 million over the weekend. That marks only an 18% decline from last weekend contributing to a million cume.
Disney’s “Frozen II” is the highest-grossing animated movie of all-time with over id=”listicle-2644164132″.3 billion worldwide. It passes the first “Frozen,” which had the previous record with id=”listicle-2644164132″.28 billion.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
The Armed Forces Network provides American troops, their families, and government contractors with a nice slice of the American media and entertainment from back home. But because the way the Armed Forces Radio and Television Service (AFRTS, and yes, it is pronounced like “a farts”) is run, the programming needs to remain neutral, balanced, and ad-free.
AFRTS is a nonprofit enterprise owned by the U.S. government. It does not and cannot air commercials during its programs. This is to avoid looking like any company has the endorsement of or sponsorship from the Department of Defense. Television shows are created with three commercial gaps in mind and, on AFN, these get replaced with public service announcements and command information spots that are just comically bad.
AFN does run PSAs from the Ad Council that are actually high-quality and are made with great care. The Ad Council is a nonprofit organization that works heavily with agencies of the U.S. Government. Because they’re meant to raise awareness on non-partisan issues, they’re allowed to play on AFN.
They’re intended for general audiences and need to have the quality to compete against a paid advertisement. This is why troops still see ads for McGruff the Crime Dog while they’re trying to catch the latest episode of Game of Thrones.
Which brings us to the most ill-received commercials: the command information spots. To put it bluntly, the top priority is to get the message across. This can range from just a Drill Instructor telling you to wear a seat belt to ads like Squeakers, The OPSEC Mouse.
It’s funny the first time, but watching the same ad every time you go to the chow hall will rot your brain. This isn’t the fault of the creators: The budget just isn’t there, the equipment is dated (if there at all), and deadlines are tight. A typical AFN commercial request comes down from command with little more than a call to action and a quick turnaround demand. Some of the nicer AFN commercials are made at Fort Meade, while the less-polished ones are made overseas. Both are created by civilian talent and troops with film-making aspirations.
When it comes time to create a new ad, brainstorm meetings are held to come up with something that’s memorable — that’s the key to all of this. It can be goofy. It can be weird. It can even be about a man in a Batman mask running around Bagram Airfield, shaking people down for breaking rules — as long as you remember the message.
North Korea celebrated decades of hard work on its first-ever intercontinental ballistic missile with a giant concert complete with pyrotechnics, an orchestra, and a simulation video of its missile destroying the entire U.S. mainland.
The concert not only featured the simulation video, but photos of the real missile tested by the North Koreans, providing missile analysts in the U.S. and elsewhere tons of hidden details to study.
Because North Korea remains one of the most closed-off nations on earth, the imagery it posts of its missiles is an excellent source of intelligence for civilian and military analysts alike.
Watch the clip below:
USA is destroyed by an HS-14- as seen at the triumph concert. Turn the music on, and let the North Koreans pimp the missile…. pic.twitter.com/dQMK9yOi8I
In a decade full of big mustaches and goucho pants, bell bottoms ruled the earth; something about extra ankle space was all the rage. Meanwhile, military surplus clothing was a must-have hit, and when it came to hair styles, bigger was better. These are only a few attributes that describe the 1970s. It’s also a decade that loved a good macho war flick — gruff soldiers with heartfelt stories fit right in with the counterculture and everything it stood for.
From these titles which are still modern favorites, to the films that changed the face of cinema as we know it today, take a look at these blockbusters and campy faves.
Released in 1970, Catch-22 is the film adaptation of the classic war novel of the same name. It’s considered a black comedy, “anti-war” movie where the main character tries to get himself declared insane so he no longer has to participate in the war — therefore a catch-22. It’s known for starring big names such as Art Garfunkel, Bob Newhart, Martin Sheen, Jon Voight, and Orson Welles.
2. M*A*S*H, 1970
Yes, MASH made a movie! In fact, the movie came before the show. An acronym for Mobile Army Surgical Hospital, MASH was first based on a book, then made into a film starring Donald Sutherland, Elliott Gould, and Robert Duvall. The Korean War film won an Academy Award for best film adaptation, as well as taking home the title for Grand Prix du Festival International du Film at the Cannes Film Festival.
3. Johnny Got His Gun, 1971
Another anti-war flick — a common theme in the 70s — comes with Johnny Got His Gun. Donald Sutherland also plays in this film, however, it was a box office bomb and not well received. Years later, in 1988, the band Metallica used clips from the movie in their music video. They even purchased the rights to avoid paying ongoing royalties, and in the process, brough the film to prominence and turned it into a cult classic.
4. The Last Valley, 1971
Michael Caine stars in this movie covering the thirty-years war in Central Europe. Set in the 1600s, the flick follows Caine as a mercenary soldier, during a religious war. Despite being one of the most popular movies at the box office, it still became a financial failure, only gaining popularity in decades since.
5. The Hiding Place, 1975
Another WW2 classic, The Hiding Place follows a Jewish family who’s taken into captivity and their hardships within a concentration camp. The film is based off of Corrie ten Boom and her family’s struggles and her famous book of the same name.
6. Midway, 1976
The Battle of Midway is arguably one of the more famous battles from WW2, partly thanks to this film. Midway covers the invasion of Midway Island when the U.S. attacked the Japanese Navy in April of 1942. The movie comes with a star-studded cast, including: Charlton Heston, Henry Fonda, James Coburn, Glenn Ford, and Hal Holbrook.
7. The Eagle Has Landed, 1976
This flick takes place in a world where the Germans plotted to kidnap Winston Churchill at the end of WW2. It was directed by John Sturgess in his last film as a director. Donald Sutherland, Michael Caine, and Robert Duvall star in yet another war film, this time playing Germans in their attempt to find and take down the British Prime Minister.
8. Coming Home, 1978
Set in the timeframe of Vietnam, Coming Home brings a fresh twist to war films; it’s set back in the states and covers a love triangle between a military spouse, her husband, and another injured soldier. Jane Fonda stars as the film’s temptress, with Jon Voight playing another leading role.
9. The Inglorious Bastards, 1978
The original title to this film is actually an Italian film. The translation means, “That damned armored train.” A Euro War movie, the film was pitched to American filmmakers, but moved to Italy when it was not picked up. The film gained most of its success decades later when director Quentin Tarantino made his own war flick reusing the name Inglorious Basterds.
The 1970s was certainly a power decade for WW2 films, among others. Whether you’ve seen them or simply have these titles on your “must watch” list, don’t overlook the power they can bring to modern day viewers in cultural and historical importance.
On April 11th, 1966, three companies of the 1st Infantry Division, known as the “Mud Soldiers,” were pinned down by Viet Cong forces outside of Cam My, Vietnam. Pararescuemen of the 38th Aerospace Rescue and Recovery Squadron were dispatched to evacuate the wounded. The battle raged and the soldiers were taking a heavy beating.
As if an angel were descending from the heavens, Airman First Class William H. Pitsenbarger, lowered onto the battlefield to tend to the wounded. When given the opportunity to fly back to base, he elected to stay and care for the men he didn’t even know that remained in harm’s way.
He did all he could to save his fellow troops before paying the ultimate price. Pitsenbarger’s sacrifice ensured at least nine men made it home. It took him 34 years to be recognized fully for his incredible actions.
The Last Full Measurefaithfully and honestly retells this story — and it’s something that our military community must see and support.
In the aftermath of the battle, Pitsenbarger was awarded the Air Force Cross. However, his fellow PJs and the Mud Soldiers he fought with continued to advocate for the award to be upgraded to the Medal of Honor. It wasn’t until the year 2000 that he was finally bestowed the Congressional Medal of Honor for giving, what President Lincoln said during his Gettysburg Address, his last full measure of devotion.
Keep an eye out for Jeremy Irvine. His portrayal of William Pitsenbarger will catapult him far in Hollywood.
Written and directed by Todd Robinson, The Last Full Measure follows Scott Huffman, a jaded Pentagon lawyer (played by Sebastian Stan) as he is tasked with upgrading Pitsenbarger’s Air Force Cross to the Medal of Honor at the behest of Pitsenbarger’s fellow pararescueman veteran (played by William Hunt) and father (portrayed by Christopher Plummer).
The story unfolds as Huffman pieces together the gallantry of Pitsenbarger by interviewing the soldiers who had been saved back in Vietnam. Samuel L. Jackson, the late Peter Fonda, Ed Harris, and John Savage each portray the Mud Soldiers and give fantastic performances as they crawl through painful memories. The audience watches the fateful day in Vietnam through flashbacks as the veterans recall being saved by Pitsenbarger (portrayed by Jeremy Irvine).
Pictured left to right: Kimberly Breyer, producer of Last Full Measure, Sidney Sherman, and Kimberly’s husband Sean Breyer
(Photo by Eric Milzarski)
Kimberly Breyer, the niece of William Pitsenbarger, was in attendance of the world premiere of The Last Full Measure. She told We Are The Mighty,
“This film means people get to hear the very important true stories of my uncle Billy Pitsenbarger, Frank, Alice, and all the people who fought with him. We want as many people who possibly can so these stories keep being told and retold.”
She also noted how true-to-life Christopher Plummer’s portrayal of her grandfather, Frank Pitsenbarger, felt. “When we saw it, especially my grandma Alice, the hair went up on the back of her neck and she started to cry. He makes me miss Frank so much. We’re very grateful to him for how beautifully he portrayed our grandfather on screen and how hard everyone worked for so many years to get this project to come together because it’s so unique in so many ways.”
(Photo by Eric Milzarski)
The production covers two key time periods, from the jungles of Vietnam to the halls of the Pentagon. The star-studded cast filmed in the United States and Thailand to portray the retelling of Pitsenbarger’s sacrifice. The film stays away from typical action movie tropes and instead dives deep into the psyche of the troops who returned home. It gives an accurate depiction of what goes on behind-the-scenes when a Medal of Honor is to be awarded. The film helps us understand the excruciating lengths (and sheer volume of bureaucratic red tape) that stands between valor and recognition — and leaves you wondering how many heroes haven’t been given the credit they deserve.
Dale Dye, USMC veteran who served in the Vietnam War and military advisor for many of the greatest war films, played a large role in ensuring the film was as accurate as possible. It’s all the perfectly-captured, little moments that help set the stage.
Dye tells We Are The Mighty, “This is a film that goes directly to my heart and soul. And the reason is because it talks about the selfless nature of veterans and the dedication we have towards each other. This is a story of veterans who go to extraordinary lengths to get recognition for one of their own. And that’s the nature of every combat veteran.”
The writer and director of the film, Todd Robinson, tells We Are The Mighty, “The military was very bullish about this film. It promotes a career field called pararescue, which promotes saving lives. So it wasn’t hard for them to get behind this film.“
The Last Full Measure is a beautiful film that is rare in Hollywood. It’s not an action-packed film made with set pieces for the trailers. It’s not an overly played-out drama that uses war as backdrop. It’s the real-life story of a man who gave his all for his fellow troops and those men fighting tooth-and-nail to get him the honor he deserved.
I can’t recommend this film enough for every veteran, active duty troop, their family, and anyone who’s life has been touched by the actions of these brave men and women.
Shortly after the Sep. 11 terrorist attacks, New York Gov. George E. Pataki wrote a letter to the Navy requesting to bestow the name “New York” on a warship in honor of the victims.
During the naming ceremony aboard the Intrepid Sea-Air-Space Museum in Manhattan, Pataki said, “USS New York will ensure that all New Yorkers and the world will never forget the evil attacks of September 11, and the courage and compassion New Yorkers showed in response to terror,” according to the Navy.
A disgruntled group of Marvel fans is planning a protest at Sony headquarters after Sony Pictures, which owns the rights to Spider-Man, and Disney, which owns Marvel Studios, failed to reach a deal to keep the superhero in the MCU.
In a tactic that feels borrowed from Area 51 truthers with a gripe similar to Game of Thrones‘ final season haters, three Spidey fans created a Facebook event to organize simultaneous protests at both Sony Pictures in Culver City, California, and Sony Corporate Offices in New York on Oct.19, 2019.
“We storm Sony Pictures in solidarity dressed in Spider-Man costumes and bring our boy home! This is a peaceful demonstration and violence will not be tolerated.” the description reads, without any self-awareness at how ridiculous it sounds.
Thus far, the event has attracted over 7,000 “Yes” RSVP’s and plenty of mediocre memes.
The entire endeavor is misguided. Sony and Disney are two of the dwindling number of massive corporations that control the entertainment industry. They exist to make money for their shareholders. The only way fans could potentially make the powers that be change their mind is with a credible threat that their anger might hurt the bottom line.
It’s safe to say that’s unlikely in this case.
Even if every fan who signed up for the protest boycotted Sony forever it would be less than a drop in the ocean for the company. And the more likely scenario is that any fan who loves Spider-Man enough to wear a costume that they own to a protest would not be able to resist consuming new Spider-Man content despite their anger.
Mass protest can work, of course, but only when aimed at democratic institutions that have real reasons not to piss too many people off. And with no shortage of awful things to protest, it would be nice if this energy was redirected into something worthwhile like, say, beefing up antitrust law to prevent conglomerates from taking over the entertainment industry.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
You know the old saying, “don’t judge a book by its cover”? That’s precisely what you should remember when you meet singer-songwriter, Brandon Mills.
The six-foot-tall dirty blonde haired blue-eyed Mills isn’t just another pretty face; behind those blue eyes, there is a bad ass who was once known as Sergeant Brandon Lanham, Marine Corps reconnaissance scout sniper.
He goes by Mills because, as he puts it, “Mills is my middle name, all my favorite singer songwriter’s names are 3 syllables, not sure why but I think there is a method to their madness.”
Mills joined the Marine Corps with his brother and they attended boot camp together and were later reunited in the Recon community.
Mills served his first tour in Afghanistan with Golf Co. 2nd Battalion 3rd Marines out of Hawaii. After some continued motivation from his brother, he took the leap, passed the requirements and indoctrination process, and got to 1st Recon Battalion, with whom he would deploy to his second tour in Iraq.
All along the way, Mills was writing lyrics and honing his craft as a musician.
“I just wanted to travel and play music for everyone,” Mills said about his desire to perform.
“My youngest memory of recorded music is a Beach Boys greatest hits tape that I spent my lawn mowing money on,” reflects Mills as he explains his earliest passion for music that has stuck with him since playing the saxophone in school.
The love of music and the desire to create it has been a lifelong aspiration for Mills even before he joined, so it would make sense that he leave the Marine Corps and become a musician. Right?
Even after all his success and accolades in the Corps, Mills was not ready to aimlessly jump straight into the music scene when he left the Marines. He admits he was nervous — even scared — to chase the dream without a safety net, so he did what many Veterans do: he became a contractor.
Eventually, the bug bit harder and he found it impossible to not take the risk and pursue his true first love.
Now managing his own gigs, website, and social media, Mills has made his transition from Marine to musician rather successfully.
He has played shows all over the country, supporting non-profits like Intersections International, Force Blue, and Society of Artistic Veterans. He has recorded several tracks and even shot a few music videos of himself performing.
Recently Mills finished a residency at Umami burger in Brooklyn and Manhattan, “That was just me hustling, literally going from business to business asking, do you guys do live music? If not, why? If you do, how do I get involved?”
That’s the work ethic and resolve all warriors take to their tasks.
(Brandon Mills | YouTube)It might go without saying that the persistence, determination, and even stubbornness are strong character traits in most, if not all, of our elite warriors.
You don’t make it into our military’s special units without being resilient, steadfast, and dedicated — Mills without a doubt carries those same values and characteristics into his music career.
I asked Mills if the transition was hard, going from stone cold warrior to writing and performing love songs. I wondered if there was any identity crisis there and how he dealt with it.
He explained that it was difficult dealing with other ideas of masculinity and letting that warrior machismo block his flow, but he has learned to temper those instincts and allow himself to feel the positive vibes and let his creativity through, not worrying about what others think and only focusing on great storytelling through song.
I don’t think Brandon would mind the comparison of his sound being somewhere between John Mayer in his vocal delivery and Jack Johnson in his light-hearted muted acoustic. Mills’ vocals have that bluesy, gravely register that urges the listener to lean in and feel the lyrics, while his guitar style is playful and rhythmic like a campfire sing-a-long.
Mills isn’t commercially successful yet, or famous for that matter; however, he understands that it’s a long road in the music industry, requiring a ton of work — but he feels he has all that in him.
He wants to help veterans tell their stories through music and let them know that it’s okay to express themselves through art, using himself as an example. Brandon’s music is all about spreading positivity, uplifting spirits, and connecting people with passion.
“I hope that I can give some people what they need,” Mills said, when discussing his forthcoming album. “I’m so critical of myself, I know what I want — if it’s not good enough I will do it again.”
It’s relentless drive and focus like this that will push Mills into the spotlight, eventually.
The strength, tenacity, and perseverance saturated in his warrior spirit will undoubtedly meld with his passion and creativity to help Brandon Mills become a renowned singer-songwriter for years to come.
The M1126 and M1127 Strykers have provided good service to the Army in the wars since 9/11, where they provided an excellent balance of mobility, protection, and firepower for troops.
However, when you’re potentially facing a fight with Russia, you need a bigger gun.
Now the Stryker will have one.
The United States Army has rolled out the “Dragoon” in response to feedback from the 2nd Armored Cavalry Regiment, currently based in Europe. The Dragoon will likely be on the front lines if the Russian hordes come.
According to an Army release, the Dragoon is officially the XM1296 Infantry Combat Vehicle, and features a Mk 44 Bushmaster II, a 30mm version of the M242 25mm chain gun used on the M2/M3 Bradley, the LAV-25, and a number of United States Navy and Coast Guard vessels.