“[Kilo Two Bravo is] less about the flag for which these men may die but the weary bravery they must summon to survive.”
– Miami Herald, 4/5 stars
We Are The Mighty hosted a screening of the war film “Kilo Two Bravo” at the Lido theater in Newport, CA on November 10. Described as “the most honest and unflinching look at the reality and brutality of war”, the film was well received by the 200-some people in attendance.
“Kilo Two Bravo” tells the true story of a platoon on a mission to neutralize a Taliban roadblock in the Kajaki region of Afghanistan. While closing in on the insurgents, the unit find themselves marooned in the middle of a minefield, setting in motion a desperate rescue mission. This taut thriller tells the story of heroism, courage and survival and captures what war is like for those fighting it in the 21st Century.
“Kilo Two Bravo” is now in theaters and available on iTunes.
It’s all fun and games to speculate about an “Avengers” movie or a “Star Wars” movie months and months before those films hit theaters, but when you’re less than two months away from an actual release, less is certainly more. And now, after the release of the epic final trailer for “Star Wars: The Rise of Skywalker,” certain new photographs have been circulating around the less-than-scrupulous parts of the internet and they totally spoil a big twist at the end of the film.
I’m just going to give it to you straight: I have seen these photos. I wish I had not. I know now something that is going to happen in the film, which is really f*cking cool, but that I wish I could have experienced in the theater. This is not the same as reading a plot leak on Reddit. I saw two photos that were really amazing, and there’s every reason to believe they are real. YOU DO NOT WANT TO SEE THESE PHOTOS. TRUST ME.
So, just like when footage leaked from “Avengers: Endgame,” now is the time to get into Star Wars lockdown mode. Here’s my guide for avoiding this stuff.
Don’t Google “Star Wars spoilers” or “Star Wars Leaks”
Avoid articles that mention “leaked photos” from The Rise of Skywalker.
Stay off Reddit
No really, stay off Reddit
Stay off publications that are less than reputable.
What do I mean about that last one? Well, as someone who has written about Star Wars for a long time, I can tell you that websites like Entertainment Weekly, Inverse, Vulture, and Den of Geek, are not going to post these leaked photos. That’s because, like Fatherly, there are real journalists working there. (Full disclosure, I’ve worked for more than half of those publications.) So, if you’re seeing an article about “The Rise of Skywalker” on some website you’ve never heard of, and it’s promising to tell you all the secrets of the movie, don’t click! Or, you know, click if you want, but be ready to have the movie spoiled for you. Stick to the publications you’ve heard of. They will play by the rules!
Let me tell you a little story to further reinforce why this is important. Back in 2002, I was about to turn 21-years-old, and “Attack of the Clones” was about to hit theaters that May. I was working at a bookstore called Brentano’s (they were briefly part of Waldenbooks, which at that time was part of Borders.) Well, guess what, we got all the “Attack of the Clones” books in early, and that meant, sitting in the stock room of the bookstore, behind closed doors, I was able to 100 percent know that Yoda fought with a lightsaber in the final moments of the movie. This literally ruined one of the biggest surprises of the movie for me. I’m still not over it. Let 21-year-old-me be a lesson to you all.
Because now, as a 38-year-old man, I have clearly not learned my lesson. Don’t make the same mistake. Hardcore spoilers are the path to the Dark Side. Resist!
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Han and Luke may be gone but the Star Wars film franchise remains alive and well, as Disney’s updated theatrical release schedule revealed that three Star Wars films are slated to hit theaters over the next few years. The currently untitled movies are scheduled to be released Dec. 16, 2022, Dec. 12, 2024, and Dec. 18, 2026.
As of now, we know virtually nothing about these movies outside of their release dates, which is pretty par for the course for the tight-lipped franchise. But based on reports, the upcoming movies will look a lot different from what viewers have come to expect from a Star Wars film-going experience. After all, Skywalkers have always been at the center of the cinematic universe but these new films seem to represent a shift that will allow filmmakers to explore the rest of the Galaxy far, far away. December 2019, Rise of the Skywalker will bring a definitive end to the epic nine-picture saga about the titular family.
While the Obi-Wan and Boba Fett spin-offs may have been force-choked into oblivion, Disney has made it clear that fans can expect a lot more Star Wars movies. The Last Jedidirector Rian Johnson is getting his own trilogy entirely “separate from the episodic Skywalker saga” and Game of Thrones showrunners David Benioff and D.B. Weiss are also penning their own Star Wars trilogy that will not involve Anakin, Luke, Leia, or Kylo.
“We are looking at the next saga. We are not just looking at another trilogy, we’re really looking at the next 10 years or more,” Kennedy told The Hollywood Reporter.
As far as what all this means, right now, even searching the Force might not provide answers.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
When people think of airborne operations during the Vietnam War, they think of a lot of helicopters flying around delivering troops while the Air Force and Navy flew against North Vietnam. While those were big parts of the war, the air campaign was much, much more than just that.
Air Force, Navy, and Marine Corps planes often provided close-air support for American troops on the ground in South Vietnam. Meanwhile, they also were hitting the Ho Chi Minh Trail or blasting other targets on a constant basis. Across the many pieces of this complex air campaign, two planes, in particular, did a lot of the work.
One was the North American F-100 Super Sabre. As its name implies, this aircraft was intended to succeed the F-86 Sabre, which dominated the skies over Korea, as an air-superiority fighter. The A-model of the F-100 had its share of teething problems and, as a result, it never quite became a fighter. Where the F-100 did succeed, though, was as a fighter-bomber. The F-100C emerged as a fighter-bomber capable of carrying 5,000 pounds of bombs. The F-100D was an improved version that could also fire the AIM-9 Sidewinder heat-seeking missile. The F-100F was intended as a trainer, but it would eventually become the first Wild Weasel.
Another plane that gets a lot of attention for successes in Vietnam is the Republic F-105 Thunderchief. This was the primary fighter-bomber used during the earlier portions of the Vietnam War. MilitaryFactory.com credits it with a top speed of 1,390 miles per hour, a maximum range of 920 miles, and the ability carry up to six tons of weapons. It also had an M61 Gatling gun with over 1,000 rounds of ammo, which blew away more than one over-confident punk in a MiG.
Take a look at the video below to get a glimpse into the aerial fighting of the Vietnam War. In the video, you’ll get a look at other planes that didn’t make big headlines, like the F-4 Phantom, the A-1 Skyraider, and the A-37 Dragonfly.
Tim Kennedy, ARMY ranger and UFC fighter joins with Mat Best of ART 15 Clothing and Dakota Meyer Medal of Honor recipient in a rooftop interview with We Are The Might on the Roof of the Ranger Up part after SHOT Show 2015.
“Just be quiet for a second. You hear that?” retired Air Force Chief Master Sgt. Rob Disney asks a visitor. When she nods, he says, “Absolutely nothing. That’s what I love the most about this place.”
Disney’s life wasn’t always so tranquil. A 21-year pararescueman in the Air Force, Disney was often being sent in when Army Green Berets, Marine Force Recon, or Navy SEALs had gotten into a situation where they couldn’t get out without help.
During one of his deployments Disney was shot in the face with an AK-47 and lost all feeling in his face for several months. Disney received the Purple Heart for his injury and has a host of awards to show for his bravery.
But to help those combat memories fade, Disney bought an amazing mountain retreat after retirement, saying it was “love at first sight,” with the deal being sealed when he went out on the porch with a cup of coffee.
“It definitely was my destiny,” Disney told the host of the video. The house, built with both log and drywall, has three bedrooms and a finished basement. While the house in the mountains may have been Disney’s destiny, it’s not the first house Disney has owned. The experience of buying homes and closing “quite a few mortgages” during his 21 years of service has given him some valuable insights.
“Something that is very very important in anybody who is going to buy a home is that they need to find a mortgage company that they can absolutely trust and have a rock-solid foundation with,” Disney said, adding that Veterans First was the one he trusted most.
Disney closed on his house of destiny 13 years to the day after he was shot, and moved there exactly a year later.
“I took one of the worst experiences of my life and turned it into one of my best memories,” he said.
Disney also demonstrated some guitar skills. He started playing at age 15, shifting from the banjo, which didn’t attract the attention he sought from girls.
“Still play all the time, every day,” he said, describing it as an emotional release.
The full video from Veterans First mortgage is embedded above.
While deployed to Iraq in 2007, the U.S. Army’s then-Captain Matt Gallagher started a blog called Kaboom that quickly became very popular … and controversial — so controversial, in fact, that the Army shut it down.
After he separated from the military, Gallagher compiled the best of the blog into his 2010 memoir, “Kaboom: Embracing the Suck in a Savage Little War.” He has since written for the New York Times, The Atlantic, The Daily Beast, and Boston Review, among others. Now, with an Master’s degree from Columbia, he’s writing fiction. This week saw the debut of his first work of fiction, “Youngblood: A Novel.”
The U.S. military is preparing to withdraw from Iraq, and newly-minted lieutenant Jack Porter struggles to accept how it’s happening—through alliances with warlords who have Arab and American blood on their hands. Day after day, Jack tries to assert his leadership in the sweltering, dreary atmosphere of Ashuriyah. But his world is disrupted by the arrival of veteran Sgt. Daniel Chambers, whose aggressive style threatens to undermine the fragile peace that the troops have worked hard to establish.
Irreverent but dedicated like a modern day Candide, Jack struggles with his place in Iraq War history. He soon discovers a connection between Sgt. Chambers and and a recently killed soldier. The more the lieutenant digs into the matter, the more questions arise. The soldier and Rana, a local sheikh’s daughter, appeared to have been in love and what Jack finds implicates the increasingly popular Chambers.What follows finds Jack defying his command as Iraq falls further into chaos.
Gallagher’s storytelling is compelling and his characters are vibrant. “Youngblood” immediately immerses the reader into the Iraq War, defying genre and perspective. We equally see the war from the soldiers who fought there and the Iraqis who lived it, while Gallagher weaves a narrative that is engaging, thoughtful, and thought provoking.
For centuries, friends and foes of Russia marveled at the fierce fighting skills of their Cossack Warriors. The Cossacks fought to defend the Russian Czar against any manner of enemies – from Ottoman Turks to Napoleon’s Grande Armée, through a World War, and even against the Bolshevik Red Army.
They expanded the borders of the Russian Empire, conquering Siberia and the Caucasus regions for the Czar, all the way to the Bering Sea – capturing one-sixth of the Earth’s land area. Their martial prowess was unmatched in the region for a long time and they refused to be tied to any master. Even the name “Cossack” in the Turkic languages of the time and area meant “free,” “adventurer,” or “wanderer.”
Cossack loyalty to the Russian Czar was earned over centuries of fighting to maintain that independence. Many Czars were faced with Cossack uprisings and were forced to deal with them in their own ways, from putting down the rebellion or forcibly moving the population to another area of the Russian Empire.
From a young age, Cossacks raised their children to be elite warriors and ethnically Cossack in every way possible. Training could begin in infancy and only ever stop in an actual pitched battle.
Eventually, the Russian nobility came to accept the Cossacks, endowing them with certain rights and privileges in the Empire for their continued service in defending Russia’s borders. And they earned those rights, too. After his Grand Armée was forced out of Russia, the Cossacks harassed them all the way back to France. It was the Cossacks who captured Paris and unseated the French Emperor.
When the Empire fell during World War I and the Czar abdicated, the Cossacks were divided between the Red and White factions of the Russian Civil War. They fought primarily for the White (anti-Communist) Russians, which earned them persecution when the Bolsheviks won the war and founded the Soviet Union.
The persecution got so bad, many Cossacks fought for Nazi Germany during WWII.
Today, the Transformers IP has a world-wide presence in toys, comic books, video games, TV shows, movies and even amusement park rides. Just hearing the name cues the iconic jingle or robotic transforming noise in the heads of even the most casual fans. It’s incredible to think that this franchise that dominates the globe owes its existence to the Second World War, G.I. Joe action figures and one very special Marine.
Following the end of WWII, American troops occupied the Japanese islands as the nation entered into the process of reconstruction. A key element in reviving the Japanese economy was its once prominent toy industry. However, with few raw materials available after the war, toy makers were forced to resort to unconventional sources.
American GIs occupying Japan were fed heavily with canned rations. It was the metal from these cans that was recycled and used to craft Japanese robot toys. To highlight Japanese craftsmanship, these toys were often motorized with clock mechanisms that allowed them to walk and roll.
The popularity of Japanese robot toys increased through the 1960s and 1970s. With the expansion of television, the robot toys were paired with manga comics and anime cartoons that engaged children and promoted toy sales. Japanese robot-based entertainment like Astroboy, Ultraman, Shogun Warriors and Gigantor became increasingly popular in America.
However, even the robots from the east couldn’t compete with “A Real American Hero” like G.I. Joe. High sales of the action figure in the states were enough to convince Japanese toy maker Takara to license G.I. Joe for the Japanese market.
Having gained respect in the Japanese toy world for their toy dolls, Takara wanted to branch out and make a toy line for boys. However, G.I. Joe’s iconic scar and grimacing expression were a bit too harsh and aggressive for post-war Japan. To market the toy to Japanese boys, Takara decided to make G.I. Joe into a superhero with superpowers. When the designers realized that G.I. Joe’s body wasn’t conducive to a superhero build, they resorted to type and made him into a robot. With a clear plastic body displaying his metal computer-like internals, G.I. Joe became Henshin Cyborg. Henshin meaning “transformation”, this was the first step towards what we know today as Transformers.
Following the 1973 oil crisis, the 11.5″ tall toy and all of its accessories became prohibitively expensive to produce. Like G.I. Joe in the states, Takara introduced the 3.75″ tall Microman. A mini version of Henshin Cyborg, the Microman toy line focused even more on transforming toys with robots that could change into sci-fi spaceships. Microman was so popular that it was marketed in the US under the name Micronauts.
By the 1980s, robot toys that transformed into exotic spaceships were losing popularity. To rejuvenate the robot toy concept, Takara introduced the Diaclone Car Robo and Microman Micro Change lines. Diaclone toys transformed from robots into 1:60 scale vehicles like cars and trucks while Microman toys transformed into 1:1 replicas of household items like cameras, cassette players and toy guns.
At the Tokyo Toy Show, Hasbro executives took notice of Diaclone, Microman Micro Change and the plethora of other Japanese transforming robot toys and wanted to develop their own toy line. A deal was struck with Takara and Hasbro lifted almost every one of their toy lines for the US market, including Diaclone and Microman Micro Change.
To review, Hasbro licensed G.I. Joe to Takara in the 1970s. Takara turned G.I. Joe into Henshin Cyborg. Henshin Cyborg was shrunk down to Microman. Microman evolved into Diaclone and Microman Micro Change, both of which were licensed back to Hasbro. Things had really come full circle.
With all of these transforming robot toys, Hasbro turned to Marvel Comics to develop a backstory for the new toy line. Over a weekend, Marvel writers came up with the names and backstories for the first 26 Transformers as well as the plot for the first comic book issue.
Diaclone and Microman Micro Change robots were renamed and became Transformers as we know them today. Micro Car became Bumblebee, Cassette Man became Shockwave, Gun Robo became Megatron, Battle Convoy became Optimus Prime and the War for Cybertron between the just Autobots and the oppressive Decepticons was born. The first commercial for the Transformers toys introduced the now iconic jingle and the phrases, “Robots in disguise” and, “More than meets the eye.”
The 1984 release of Transformers was a huge success netting Hasbro 5 million in sales. The popularity of the franchise was due in large part to the Transformers cartoon, the star of which was the venerable Optimus Prime.
Peter Cullen, the original voice of Optimus Prime, became so iconic that he was brought back to reprise the role of the Autobot leader in the 2007 Transformers film and its many sequels. Cullen, also known for voicing Eeyore in the Winnie the Pooh franchise, crafted the voice of Optimus Prime with inspiration from his older brother.
Marine Captain Henry Laurence Cullen, Jr., known as Larry, was a decorated veteran of the war in Vietnam. While serving with Kilo Company, 3rd Battalion, 5th Marine Regiment, 1st Marine Division, Capt. Cullen was awarded a Bronze Star with a V device as well as two Purple Hearts for his actions during Operation Hastings in June 1966.
When his younger brother told him he was going to audition for the role of a hero in a cartoon series, Capt. Cullen said, “Peter, if you’re gonna be a hero, be a real hero. Don’t be one of those Hollywood heroes pretending they’re tough guys when they’re not. Just be strong and real. Tell the truth. Be strong enough to be gentle.”
With his older brother’s words echoing in his mind, Peter Cullen delivered the strong yet gentle voice performance that Transformers fans today will always hail as the one, true Optimus.
“He had a lot of influence on me, you know, and especially coming back from Vietnam. I noticed somebody different,” Cullen remembered of his older brother. “Going into that audition, Larry was with me. I mean, he was right there beside me. When I read the script, Larry’s voice just came out. He was my hero.”
From recycled ration cans, to a classic American action figure and an inspirational leader of Marines, the Transformers franchise has had a lot of American military influence to get to where it is today.
Featured image: (DreamWorks Pictures Paramount Pictures)
Military movies are a lot of fun, and the Department of Defense loves how they prime plenty of young folks to join the service. But while military service and military movies are both great, there’s a huge gap between how military life is portrayed and how it actually works. So, here are nine scenes from military movies that are fun to watch but few troops ever get the chance to do:
Buzzing the deck or tower
Yeah! “Top Gun!” And not the beach scene that makes our sisters act weird for 20 minutes afterward! But if you’re thinking about joining naval aviation in order to fly super fast past control towers on ship and shore, you should probably know that the beach scene is more likely to happen (but much less sexy) than “buzzing the tower” against orders.
See, F-14 Tomcats cost about $38 million each. So, pilots taking dangerous risks with their birds weren’t told off by an angry commander, they were investigated and had their wings taken away. And “Top Gun” is a school, and the commander definitely should’ve had some pilots ready to go to school besides the one who keeps taking unnecessary gambles with aircraft.
Hunt for lost technology with sexy archaeologists
In “The Mummy,” another awesome Tom Cruise flick, the hero is an elite soldier who, after a series of illegal mishaps, finds himself searching a tomb with a sexy archaeologist. The Nazi soldiers in “Indiana Jones” also spend a lot of time in ruins with sexy archaeologists (I’m talking about Dr. Elsa Schneider, but if you’re into Dr. René Emile Belloq, go for it).
But actually, modern military weapons typically come from laboratories, not ancient ruins. And the number of entombed monsters the Air Force is sent to re-secure like in “The Mummy” is also shockingly low. You’ll spend much more time in smelly port-a-johns with a smartphone than you will in Egypt with models.
Tell off scientists for being too science-y
But about that weapons-coming-out-of-labs thing from the last paragraph — plenty of movies also show soldiers running into academics and being all superior because the soldiers are brave and covered in muscles and the scientists are pencil necks. For those of you lucky enough to have forgotten the 1998 “Godzilla,” the military ignores about 30 warnings that Godzilla may have laid eggs.
But scientists aren’t actually assigned to combat units very often. And the few scientists who do end up with military units aren’t typically biologists tracking the local zombie outbreaks that you can laugh off until you get bit. They’re usually anthropologists telling you that the local Afghans don’t like you much, mostly because of all the shooting. Thanks, scientists!
We loved “Independence Day” and hated “Battlefield: LA” as much as the next guy but, and brace yourselves here, aliens have never invaded Earth, and that’s not what the Space Force is for. Offensive wars against aliens don’t happen much either. We won’t be mining unobtanium from Pandora.
I know, big shocker. You might get to work against the “immigrant” form of aliens, but that’s mostly putting up barbed wire and providing medical aid while you sit in the middle of the desert during Christmas. So, I guess what we’re saying is: weigh your options.
Slaughtering bug armies
The best kinds of armies, alien or otherwise, to kill are easily bug armies and zombies. So much killing, so much gore, so little moral squeamishness. No one worries much about the bugs in “Starship Troopers,” even when heroes are climbing on top of them, shooting a hole through their exoskeletons, and then throwing a grenade inside of them.
Sigh. Unfortunately for die-hard action fans, American forces actually spend most of their time fighting other humans. While this is often necessary (looking at you, Hitler), it also means a lot of real people just swept up in the currents of their times are killed (looking at you, all of the Wehrmacht who weren’t dedicated Nazis). Not nearly as much fun as killing the bugs.
Survive bomb after bomb, grenade after grenade
Also, you’re not nearly as survivable in future combat as movies and video games would have you think. Bombs, artillery fire, grenades, and even bullets can kill you very easily. You’re basically a big bag of soup with a little brain pushing it around the world, and wars are filled with all sorts of flying metal that can shred your bag.
Defeat the enemy thanks to their one critical weakness
Luckily, your enemies will usually have the same weakness. Unfortunately, they won’t also have one big weakness that can be exploited by some savvy Jeff Goldblum type saying, “I gave it a cold. I gave it a virus, a computer virus.” Instead, when the British start rolling the first tanks against your lines, you just have to hit them with artillery and hope they get caught in the mud.
And you press every weapon in your arsenal against the new threat. Turns out, machine guns could break off rivets inside early tanks and injure or kill the crew. High-powered rifles would split the armor and send shards into the crew. Incendiary devices could set off gas and force the crew to evacuate. So, German soldiers used all of these things.
Retrain in four jobs before the final credits roll
Remember when Jake Sully in “Avatar” took over his brother’s job as a scientist and pseudo-alien, then became a spy for the human military, then became a pilot for the alien resistance, then a small strike team leader? Those are all still different jobs, right?
In reality, most soldiers spend weeks or months learning their first job, and they can only switch jobs with more weeks or months of training. Any movie realistically showing them moving from job to job would need to be a biopic with a story spanning years of the soldier’s life.
Fun fact: There’s only been one documented underwater submarine battle in history. And that was an exchange between two submarines in World War II. But that hasn’t stopped movie after movie that showed submarines hitting each other or even divers fighting to the death under the waves.
It is exciting, exciting stuff — I’m partial to the underwater spear gunfight in “Thunderball” — but actual underwater fighting is super rare since almost no military forces specialize in it or want to fight in the water. Even SEALs generally fight above the waves.
The latest “X-Men” movie shows Jean Grey get taken over by a mysterious cosmic force, pitting her against the X-Men for most of the movie.
However, it’s revealed early on that Jean isn’t the only threat the X-Men need to worry about.
This is your last chance to head back before spoilers.
Early in the movie, a group of shapeshifting aliens crash on Earth to take over the planet after their home is destroyed. One of them, who we later learn is named Vuk, takes over the body of a nameless woman played by Jessica Chastain.
Jessica Chastain and Sophie Turner star in “Dark Phoenix.”
(20th Century Fox)
From there, we learn Vuk is the leader of an alien race called the D’Bari. Their planet was destroyed by a cosmic force — the Phoenix — that had demolished everything in its path until it was absorbed by Jean. Once landing on Earth, the group makes a quick decision that they’re taking over Earth, ridding it of every human, and rebuilding it from scratch for themselves.
They just need to acquire the cosmic force from Jean. (Apparently, that’s a thing they can do even though it destroyed their planet and many of their people.)
Both Vuk and the D’Bari’s names are said once in all of “Dark Phoenix” and it’s easy to miss either name-drop in a quick moment. Strangely, the film doesn’t spend much time on them other than to say they’re aliens, they’re bad, and they’re coming to kill us all.
If you’re familiar with the comics, you’ll know that the characters are a part of the “Dark Phoenix” story line at one point. However, they’re not a group who has appeared that much in the Marvel comics. Even if you did catch their name during the movie, you may find yourself doing a quick search for more info on them after the movie because they’re a bit different from the D’Bari you may remember in the comics.
Unlike the aliens we see in “Dark Phoenix,” the D’Bari look like vegetables in the comics.
Who are the D’Bari? They’re not bad guys in the comics.
The group first debuted in the comics in a 1964 issue of “Avengers,” and is labeled as antagonists. But their most significant appearance was in 1980’s “The Uncanny X-Men” No. 135 and they definitely weren’t obsessed with taking over the Earth.
Just like the “Dark Phoenix” movie explains, they’re an alien race who are best known for having their planet destroyed. However, they can’t shapeshift and the circumstances of them losing their planet is much different in the comics. Jean Grey is responsible for killing most of the D’Bari and destroying their planet.
The D’Bari lived on a planet in the D’Bari star system, which was very similar to our own Earth. At this point, Jean Grey already had the power of the Phoenix and had just gone on a rampage against her fellow X-Men.
Power hungry, Jean Grey soars far into space out of our galaxy and into the D’Bari star system where she fuels up by depleting a star of its power. That star, very similar to our sun, gave life to the D’Bari’s home planet and quickly destroyed it. “The Uncanny X-Men” describes the D’Bari as an “ancient, peace-loving civilization.” Jean Grey wiped out five billion of them.
On Earth, Vuk went by the alias Starhammer.
And who’s Vuk?
Vux doesn’t appear in “The Uncanny X-Men” No. 135. In the comics, Vux is actually a male and he wasn’t on his home planet when it was destroyed. As a result, Vuk heads to Earth to, understandably, seek vengeance. He also cannot shape-shift.
Wait. These characters don’t look or sound anything like the ones in “Dark Phoenix.”
Yeah, we know. Other than a similar background story, the D’Bari in the comics and movie only appear to share the same name.
You know who they do sound and look a lot like? The shapeshifting D’Bari in “Dark Phoenix” remind us a lot of the shape-shifting Skrulls in “Captain Marvel.” In the Disney/Marvel movie, which was released in March, the alien race comes to Earth and transforms themselves into any one they come into contact with. Unlike the D’Bari of “Dark Phoenix,” they don’t wish to take over the planet. But their powers and design are somewhat similar.
Here’s how the Skrulls look in “Captain Marvel”:
Here are two of the Skrulls in “Captain Marvel.”
Fox hasn’t released any images of the D’Bari, yet. Chastain, who plays the D’Bari leader, told Yahoo UK at the end of May that her character changed a lot during the making of the movie, suggesting that she may not have been a D’Bari alien to begin with.
“My character changed a lot, which is an interesting thing because I’m not playing someone from the comics,” Chastain said of Vuk. “So it was always everyday trying to figure out ‘Who am I? Who is the mystery that is this character?’ And then understanding with the reshoots ‘Oh, it’s changing again.’ It was a constant evolution…. So yeah, my character changed.”
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
Hollywood is really, really good at killing the bad guys. And even though they haven’t quite gotten to ISIS just yet, there is a trail of bloody, dismembered evil in the wake of action stars like Jason Statham, Sylvester Stallone, and everyone else who may have been considered for a part in The Expendables.
Despite Hot Shots! Part Deux and Charlie Sheen’s claim to the contrary, there is an undisputed number one deadliest action star in the annals of Hollywood military history. That title goes to the Terminator: Arnold Schwarzenegger.
Granted, this is before the Expendables 3 and the newest Rambo movie, but unless Rambo kills an entire Colombian drug cartel (which I admit, he might), the winner should still be pretty clear.
Randal Olson, a data scientist at Life Epigenetics, merges cutting edge epigenetics research with advanced machine learning methods to improve life expectancy predictions. He put data collected from MovieBodyCounts.com to put together data visualizations for the deadliest action heroes. At the top, was the star of Predator, Total Recall, and my personal favorite, True Lies.
Thank you, sir.
As of Olson’s 2013 writing, Arnold was at the top of the list with 369 kills. His highest single movie record came in Commando where in the final island scene alone, he managed to off 74 guys, mostly using firearms but featuring the best use of a toolshed. Hey, Alyssa Milano ain’t gonna rescue herself.
Of the 200 actors listed in the data, the top ten include Chow Yun-Fat in second, Sylvester Stallone in third, and then Dolph Lundgren (thanks, Punisher!), Clint Eastwood, Nic Cage, Jet Li, Clive Owen, and Wesley Snipes. In fourth place comes Tomisaburo Wakayama, who got 150 of his 266 onscreen kills in a single movie, 1974’s Lone Wolf and Cub: White Heaven in Hell.
The top 25 deadliest actors, visualized.
Olson notes that the deadliest woman onscreen is Uma Thurman, who has 77 kills because remember: the Crazy 88s only had 40 members.