It was only a matter of time before the Fast & Furious franchise went full superhero. While the original F & F was mostly grounded in reality, with each subsequent sequel, the franchise has raced further and further away from anything resembling the real world. And now, it looks like we are finally taking the leap with Hobbs & Shaw, as the latest trailer revels in the superhuman capabilities of its titular leads.
The trailer opens with Hobbs (played by Dwayne “The Rock” Johnson) and Shaw (played by Jason Statham) nonchalantly taking down about a dozen henchmen. The two seem bored by the mundane task of beating the shit out of bad guys, with Hobbs even taunting Shaw by yawning as he takes on a dozen armed men.
Fast & Furious Presents: Hobbs & Shaw – Official Trailer #2 [HD]
From there, the action only ramps up and based on the trailer, it looks like Hobbs and Shaw are using this trailer as an audition tape to join the Avengers and honestly, who says no? Sure, neither of them technically have superpowers but neither do half of the Avengers and would it really be shocking to see these two statuesque demi-gods fighting alongside Captain America and Iron Man? Just throwing it out there.
Along with providing all the clever quips and over-the-top ass whoopings we could ask for, the newest trailer also provides more details about the plot of Hobbs Shaw. Brixton (played by reigning Sexiest Man Alive Idris Elba) establishes himself as the Thanos of this universe, as he is trying to get his hands on a virus that could wipe out half the planet. But this extreme method of population control was taken from him by Shaw’s sister Hattie (Vanessa Kirby) and unsurprisingly, this does not make Brixton happy. And the first trailer showed us that when Brixton is unhappy, he kills people.
So with Hattie, along with 3.5 billion other people, in mortal danger, it’s up to Shaw and Hobbes to set aside their differences and go from enemies to frenemies. And honestly? We wouldn’t be surprised if, by the end of the movie, they make the full transition to friends. Though hopefully, that doesn’t mean the two stop bickering, as their odd couple dynamic remains as charming as ever in this trailer, especially the moment where Shaw has the gall to call Hobbes “fat boy.”
Our only complaint? While we get a briefly glimpse of Helen Miren as Shaw’s mother, we don’t get to see her kick any ass or at least blow some shit up. But hopefully, they’re saving that for the movie.
Hobbs and Shaw will be released on July 26, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
As veterans re-enter the civilian workforce, many struggle to make the transition. This is why opportunities (ahem — touring with famous heavy metal bands) for employment are so important. Five Finger Death Punch has made it a mission to offer such opportunities.
Not only does the band provide direct jobs for veterans, but they also raise money for different veteran initiatives — like PTSD awareness — through their merchandise site, which also acts as a resource guide for accessing help through various links.
Zoltán Báthory, guitarist for Five Finger Death Punch, is a founding board member of the veterans nonprofit Home Deployment Project, which provides safe places to live for displaced veterans suffering from symptoms of PTSD. He is also a member on the Board of Advisors at the anti-Poaching organization Veterans Empowered to Protect African Wildlife. Although Zoltán himself is a civilian, his support for the military is without question.
“I have a lot of veterans around me and it’s not an accident.”
Videographer Nick Siemens is a Marine Corps Combat veteran touring with Five Finger Death Punch. He describes the energy and movement of working with the band as being very similar to that of his time as an active duty Marine.
“I absolutely fell in love with this job and it gave me a sense of purpose and a sense of belonging that I had lost when I left the Marine Corps and I haven’t looked back.”
Check out the video above for an inside look at what it’s like for the veterans on tour with Five Finger Death Punch.
Vietnam was in full swing, peace and love abounded, and the Beatles were the biggest thing known to man — this is the 1960s in a nutshell. It’s also a time where war movies took a main stage, depicting the current battle in Vietnam, as well as throwback era films from wars past.
For filmmakers and military buffs alike, these movies were a chance to peek behind the curtain of how things used to be. And when it comes to wars and battles, the history factor only compounds. Because who doesn’t love a good time piece? It’s a chance to jump back in time and get a glimpse of how things were back in the good ‘ol days — even the times that were actually the not so good ‘ole days.
Join us in giving a big nod of appreciation to some of the best military movies — current or throwbacks — that were made in the 1960s.
The Alamo, 1960
Still an important war film today, The Alamo depicted the 1863 battle of the same name. John Wayne directed and starred in the film as Davy Crocket.
2. Lawrence of Arabia, 1962
Winning seven of its ten Academy Award nominations, Lawrence of Arabia is one of the most decorated war films to date. It covers guerrilla warfare in the Middle East in the 1930s. The film was directed by David Lean and is based off of the life of T.E. Lawrence, a British officer and diplomat.
3. The Manchurian Candidate, 1962
The Manchurian Candidate is a neo-noir psychological thriller movie that covers the subject of the cold war and its spies. Released during the height of the Cold War, it starred Frank Sinatra and Angela Lansbury. John Frankenheimer directed the film, based on the novel of the same name by Richard Condon.
4. The Great Escape, 1963
This film is most widely remembered for its motorcycle chase scene; its jump segment is listed as one of the best stunts in a movie. The plot covers a mass escape by British Commonwealth prisoners of war from a German POW camp. It covers real and fictionalized events. Steve McQueen starred, and this film was also a spin-off from a popular book, a non-fiction title by Paul Brickhill.
5. Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb, 1964
This 1960s classic was directed and co-written by Stanley Kubrick. The film took a black comedy and satirical approach to the Cold War, creating a plot that was full of tension between the U.S. and Soviet Union. It’s loosely based on the 1958 novel, a thriller genre titled Red Alert.
6. The Train, 1964
This American-French war film takes place post WWII, featuring a storyline of artwork that was looted from museums and private collectors during the war. The 1964 movie was directed by John Frankenheimer and written by Franklin Coen, Frank Davis, and Walter Bernstein. It’s loosely based off the non-fiction book, Le front de l’art that was written by Rose Valland.
7. Zulu, 1964
A British film, Zulu is an epic war story that tells the Battle of Rorke’s Drift, a real-life battle between the British Army and the Zulus in 1879. In the battle, 150 British soldiers won against 4,000 Zulus. It was directed by Cy Endfield, an American, and released on the 85th anniversary of the battle.
8. Chimes at Midnight, or Falstaff, 1965
Directed by and starring Orson Welles, Chimes at Midnight is considered a modern-day classic. The film combines various Shakespeare scenes, including a mega battle lasting for 10 minutes of the film. The Battle of Shrewsbury has been listed as the “first great battle scene of the modern era.” In addition, Welles himself called the film his best work.
9. The Dirty Dozen, 1967
This classic war film takes place days before D-Day, behind enemy lines. Including many actors who were real-life veterans, its screenplay was based on E.M Nathanson’s best-selling book. The story to both were inspired by real-life events within the 101st Airborne Division’s “Filthy Thirteen” and their demolition specialists.
The decade of the 1960s certainly produced some classic war films that are still recognized today. It was an era that brought magical war moments to life on the big screen and beyond.
The cast of the next Matrix is looking pretty fly. Sometime in the near future, possibly the most popular movie franchise from your high school years will return. And now, it doesn’t have anything to do with superheroes or Jedi knights. As of right now, production on The Matrix 4 has begun and that means we’ve started to figure out who is actually in the cast. Now, there are a few obvious ones, but there are also a few surprises.
So, who is in and who is out for Matrix 4? Here’s the good, the bad, and the you-had-no-idea about the casting for this retro-cyberpunk sequel, coming out, sometime in the next few years.
Keanu Reeves as Neo
This was an obvious one. You can’t go back to the Matrix without Neo. So yeah, Keanu is back.
Carrie-Anne Moss as Trinity
Ditto for Trinity. Carrie-Anne Moss was announced when the project was announced.
Neil Patrick Harris as somebody
What’s this! It’s the villainous ac-tor Count Olaf? Yep, the excellent Neil Patrick Harris is somehow in the movie. Let’s hope he’s the bad guy.
Yahya Abdul-Mateen II as somebody else
The actor perhaps most famous for a supporting role in Aquaman is rumored to the lead of this film. Is he the new Neo?
Jada Pinkett Smith as Niobe
While not 100 percent confirmed, there’s also talk that Jada Pinkett Smith as been approached to reprise her role as Niobe from the original trilogy. This has not been made clear, but obviously, if you saw her in Gotham, you know she can still nail this kind of crazy role.
Laurence Fishburne as Morpheus
So far, nothing has been said about whether or not the most badass member of the original Matrix squad will return. Right now, let’s just cross our fingers that Morpheus is a surprise secret revelation.This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In 1942, young Norma Jean Dougherty married Jim Dougherty, a Van Nuys, Calif. factory worker. The next year, her husband enlisted in the Merchant Marine and, by 1944, was sent to the Pacific Theater of World War II. Then just 18 years old, Norma Jean moved in with his parents in Van Nuys and began working at the Radioplane Munitions Factory.
That’s where an Army Air Forces photographer captured some photos of her at work, and her life changed forever.
Norma Jean had a rough life up until that point. Her mother was mentally unstable and she was placed in and out of foster homes and orphanages until she was 16. That’s when she married Jim Dougherty in an effort to avoid being sent back to another orphanage. She became a housewife for a brief time until the Second World War forced her husband to join the Merchant Marine and she was sent to work in a factory.
Norma Jean Dougherty working on a propeller unit at the Radioplane Factory in Van Nuys, Calif., 1944.
(U.S. Army Air Forces)
The photographer, Pvt. David Conover, was sent to the factory by his commander, Capt. Ronald Reagan, who wanted photos of pretty girls hard at work on the homefront for the boys fighting overseas.
“I moved down the assembly line, taking shots of the most attractive employees,” Conover later wrote. “None was especially out of the ordinary. I came to a pretty girl putting on propellers and raised the camera to my eye. She had curly ash blond hair and her face was smudged with dirt. I snapped her picture and walked on. Then I stopped, stunned. She was beautiful. Half child, half woman, her eyes held something that touched and intrigued me.“
One of Norma Jean Dougherty’s first modeling photos.
In the end, Conover didn’t use any of Dougherty’s photos for the work he was assigned to do for the Army that day. He would end up taking leave from the Army Air Corps to spend two weeks shooting Norma Jean and teaching her how to pose for the camera. Eventually, she signed on with the Blue Book Modeling Agency in 1945, sometimes using the name Jean Norman.
The photographer was soon sent off to the Philippines and lost contact with Norma Jean. It wasn’t until 1953, when her career was taking off, that he learned his discovery was the bombshell everyone knew as Marilyn Monroe. She credited this to Conover all her life, and the two were reunited briefly on the set of Gentlemen Prefer Blondes.
Marilyn Monroe and Emmeline Snively on the set of ‘No Business Like Show Business.’
Her first modeling gigs were mostly advertisements and men’s magazines, as she had more of a “pin-up” figure than one of a fashion model, according to her agency. It was the Blue Book Modeling Agency’s founder, Miss Emmeline Snively, who introduced Norma Jean to the movie industry.
The late-70s and 80s were a pure golden age for horror films. The once goofy genre had new life blown into it after the critical and financial success of such films like 1973’s The Exorcist and 1974’s The Texas Chainsaw Massacre. Audiences were terrified again when they sat comfortably in their seats eating popcorn. The 80s upped the ante even further with The Shining and The Evil Dead.
There were many great films released in this era but there were also plenty of flops, due in large part to filmmakers trying to recreate success without understanding what made the original so popular.
Then came the film that came to define both 80’s horror and action films: Predator.
(20th Century Fox)
On paper, Predator played like an action film. It starred both Carl Weathers and Arnold Schwarzenegger at the top of their game, directed by John McTiernan (who would go on to make Die Hard, The Hunt for Red October, and The 13th Warrior) and produced by Joel Silver (the man who produced nearly every great action film since The Warriors.)
But it wasn’t just an action film. Deep down, Predator was also a horror film.
Instead of the generic teenagers, the film followed the most elite commandos the world had ever seen. They were such hardened badasses that anything wanting to pick them off like flies would need to be that much more badass. The antagonistic killer wasn’t some mustache-twirling prick who’d spout off puns. The predator hunted down each and every one of the commandos (except the lead), which gave the film it’s terrifying core: the humans were being hunted they way we hunt animals.
The script was also worked on by the relatively unknown Shane Black. After scripts are written, they tend to go through plenty of rewrites and usually involve another writer to come in and “doctor” the script — like having a friend proofread it. Shane Black needed to know every little bit of the script down to the punctuation. For his work, he got to play Hawkins, the radio operator that is just brutally killed by the titular character.
Shane Black would get his big break following the success of Lethal Weapon (which was released three months earlier). He’d go on to make his directorial debut with Kiss Kiss Bang Bang and solidify his Hollywood status with the astronomically successful Iron Man 3.
Now everything comes back full circle. The man who’s been at the heart of the Predator franchise from day one, who has beyond proven his ability as one hell of a writer and director, is now back to return it to its roots — as both an action and a horror film.
To be a great actor, one must be able to pull from their real-life experiences. Moments they’ve lived become the actor’s mask. When it comes to military films, there is nobody better suited to play a troop than a veteran. This is that opportunity. The new film, Greyhound, is looking for extras to play Navy crewmen.
Greyhound is an adaptation of the C. S. Forester novel, The Good Shepherd. The screenplay is written by and will star the legendary Tom Hanks. Aaron Schneider, director of Get Low and the Academy Award-winning short Two Soldiers, will be directing. Gary Goetzman, a five-time Emmy winner for works like The Pacific and Band of Brothers, will produce the film.
That pedigree and care for WWII stories will now tell the Navy’s tale in the Atlantic. (Image via Wikicommons)
The novel follows the fictional Commander Krause as he assumes command of the escort protecting the Atlantic force in the Battle of the Atlantic as America enters the Second World War. Krause is a career Navy officer who must hide his fears, self-doubt, and fatigue to prove he belongs and can inspire his men as the war begins.
The story also happens to spotlight the hell of the Naval battles in the Atlantic, the cruelties of the sea, and the exhaustion of remaining at constant alert for an ever-lurking enemy.
The studio prefers people with military experience. Male actors from ages 19 to 49 who are clean-shaven and have a 1940’s Navy style crewman haircut (or willing to be styled this way) are needed to play background extras. They would be needed throughout principal photography, from mid-February to early April, in Baton Rouge, Louisiana.
You need to apply through Backstage, found here. The role is paid and available to non-Screen Actors Guild actors.
“War for the Planet of the Apes” — the sequel to the sequel to the second remake of the Charlton Heston sci-fi classic — picks up the saga of ape freedom fighter Caesar (Andy Serkis), as he and his army of super-smart, genetically-modified apes seek to turn what’s left of the United States into their own banana republic.
As in 2014’s “Dawn of the Planet of the Apes,” humanity is on the retreat as the ape army gains ground, and the last armed resistance against the simian conquerors appears to be in the hands of a ruthless — and mostly shirtless — Colonel (Woody Harrelson).
While Caesar’s voiceover in the trailer makes it clear that the apes never wanted war, they’re determined to defend themselves at all cost. Even if it means armageddon.
‘War for the Planet of the Apes’ swings into theaters everywhere on July 14, 2017.
Imagine the two most ballsy but also kind of dimwitted members of your squad — the Pvt. Snuffys and Lance Cpl. Schmuckatellis of the world.
Now imagine them in civilian clothes with millions of dollars. Take it one step further and imagine that they have those millions of dollars because they’ve become international arms dealers who sell to the Department of Defense.
That’s what the Warner Bros. movie, “War Dogs” is like. It follows Efraim Diveroli and David Packouz, two civilians who desperately want to be rich and live the good life. Diveroli is a stoner and the heir to a modest family business re-selling weapons bought at police auctions online. Packouz is his pothead buddy.
These two kids find a way to act as middlemen for the U.S. government when it purchases arms for Iraqi, Afghan and other allied militaries. They go on to fedbizopps.gov — a real website where the government lists available contracts — and try to outbid defense corporations for contracts to provide light bulbs, ammunition and any other supplies the military needs.
Efraim Diveroli and David Packouz, played by Jonah Hill and Miles Teller, party with Packouz’s wife at a company event to celebrate the arms dealers’ successes. (Photo: courtesy of Warner Bros. Pictures)
As their business, AEY Inc., grows, they bid on larger and larger contracts. Without giving any of the movie’s big surprises away, the two gun runners get in over their heads the same way Pvt. Snuffy and Lance Cpl. Schmuckatelli would. The guy who directed The Hangover, Todd Phillips, also directed War Dogs — and it shows.
Diveroli and Packouz’s misadventures in international arms dealing are a lot of fun to watch as they alternate between partying, firing powerful weapons and getting caught in dangerous jams by their inexperience. In one memorable scene, they’re left racing through the Iraqi desert with a smuggler as insurgents attempt to kill them and steal their cargo — a literal truckload of Beretta pistols.
For obvious reasons, a movie about gun runners during the wars in Iraq and Afghanistan in the early 2000s spends a bit of time with the U.S. military. While the film doesn’t get everything exactly right, it does seem to capture the spirit of bored soldiers pretty well. A mounted patrol saves the gun runners at one point, but the first driver immediately flips the bird at the stupid civilians he just had to pull out of a jam.
The crux of the movie is a $300-million deal to arm the Afghan security forces for years, a real contract that AEY won in January 2007. That’s where the film gets tense as the bumbling dealers attempt to buy millions of rounds, thousands of missiles and grenades and tons of other equipment from former Soviet Bloc mobsters.
Despite the serious nature of arms dealing, Jonah Hill and Miles Teller are funny and enjoyable as Diveroli and Packouz. The movie provides an entertaining look at what goes on behind the scenes to arm both U.S. troops and allies around the world, and delves into the shady underbelly of that world while being fun instead of preachy. It’s available to watch on Amazon video if you need to kill some time!
The 2005 film Yamato, released by the Japanese entertainment company Toei, is one most Americans haven’t heard of. In fact, the movie’s production company is best known in America as the source of material for the various incarnations of “Power Rangers” — including a film that comes out in March.
Similarly, not many Americans know much about the battleship Yamato outside of those who follow World War II. Perhaps the biggest following outside those interested in World War II are anime fans, due to the connection with the 1980s cartoon series “Star Blazers” (A re-dub of “Space Battleship Yamato”) and a 2010 live-action-reboot of the Japanese source material.
A 2006 review of the film in Variety, though, may make it worth watching. The reviewer described the film as a cross between “Pearl Harbor” and “Titanic”, and compared the depiction of the air attacks that sank the Japanese super-battleship to the opening scenes of “Saving Private Ryan” According to CombinedFleet.com, it took less than two hours for the battleship, the world’s largest ever constructed, to be sunk by over 390 U.S. Navy carrier planes.
The DVD of the film is available on Amazon.com, if you are interested in buying it. For those who want to get a taste of this film, watch below.
The Star Wars train is still rolling along and the toy shelves are filled with those freaking adorably annoying porgs (as a true Star Wars fan, I personally hope that they don’t become the new Jar-Jar).
A while back, we touched on the downside of being a Stormtrooper and why they have it worst. Now, let’s look at why the rebels are a very close second.
In the The Force Awakens, Finn left the previously mentioned terrible First Order and joined the Resistance, a successor to the Rebellion in all but name. The poor guy doesn’t even know that he just traded one terrible assignment for another.
At least Stormtroopers had a few things going for them, such as armor, reliable gear, force of numbers…
The rebels out “fighting the good fight” had next to nothing in nearly everything.
Here’s why it sucks to be a rebel:
1. Very little funding…
Good will can take you a long way against an evil empire, but you still need financing.
Those blasters aren’t just going to buy themselves. Historically, rebellions (in our galaxy) have been financed via a combination of three sources: Other governments, wealthy sympathizers, or outright stealing what they needed.
There aren’t really many options for the Rebel Alliance as far as governments or sympathizers go. When the Galactic Empire called themselves the Galactic Empire, they meant it. Nearly every government in the galaxy fell underneath Emperor Palpatine’s control.
You can’t just turn to the Hutt-controlled space in the Outer Rim for financing because scum and villainy just don’t care about noble causes. The rebels did have an extremely wealthy donor in Bail Organa (Princess Leia’s adoptive father)…but he and his wealth were destroyed on Alderaan.
So, if you estimate the Earth’s total combined wealth at $241 trillion in 2014 and multiply that by the god-knows-how-many planets under the Empire’s control, do you think it’s possible to steal enough stuff to stand a reasonable chance against an enemy that rich?
2. …which means little gear and training.
The Stormtroopers had acclimatizing suits that were designed to stop blaster shots. The rebels wore…blue shirts and vests. The Stormtroopers had a blaster rifle that works as a machine gun, rifle, and sniper rifle. The rebels stole a few of the same. The Empire had massive fleets of TIE fighters and pilots at their disposal. The Rebels had outdated X-Wings with only a handful of pilots.
And it keeps going on.
3. They’re painted as the villain – because some are.
The problem with being the Rebel Alliance was that it was loosely-formed from many rebels doing their own thing. This was most prominent during the events of Rogue One, where the rebels struggled to keep Saw Gerrera from giving the wrong impression of what the rebellion means.
It’s not too clear how the average citizen of the Galactic Empire feels about the rebellion. The closest we get in the films is when Luke talked about joining the Imperial flight program, and no one reacted as if the Imperials were the bad guys.
Albeit, their opinions did change after the destruction of Alderaan.
4. Little to no chain of command.
Sure, the pilots get fancy pep talks and are often given commands, but that barely constitutes good advice, let alone a real military order.
Take the Battle of Hoth, for instance. One of the three major rebel bases was under attack and needed to be evacuated. The duty of making sure everyone made it out alive fell entirely on the shoulders of a princess who hadn’t demonstrated any military capabilities until that point.
There were actual generals there, and yet her plan to fly weaponless transport ships full of high ranking officers directly at the enemies didn’t raise a red flag to anyone.
Even still, most rebels just acted on their own free will rather than having some actual military decorum. What would you expect from a chain of command that was literally made up of six officer ranks?
Which leads us to…
5. Rank makes no sense.
Case in point: Han Solo. A man who laughed at the Rebellion eventually gave in and helped his new friend. He flew in at the last minute, shot out Darth Vader’s TIE fighter, and earned a medal from the Princess. Got it. It makes some sense to why he’d become Captain Solo by the time of the Battle of Hoth.
We can forgive the battlefield commission/promotion to Captain, even if he wasn’t nearly as much help as Skywalker. The real concern is how he got promoted to General before the Battle of Endor. He didn’t really do anything but fly around space before being captured on Cloud City and imprisoned in carbonite.
When he was released and reunited with the Rebel forces, he was automatically granted the rank of General.
In the U.S. military, POWs are promoted with their contemporaries while captured and we stretch things in Star Wars to assume it worked the same way. But seriously? Did enough captains get promoted to general in the span of a year to warrant Han being promoted that quickly?
6. No recognition.
All of that can be explained away as the fighting spirit of the rebellion. Sure, they terrible gear, inexperienced leaders, and wacky organization, but at least you could hold true to the knowledge that they were doing what was right. Too bad the “Empire” turned into the “First Order.”
But your contemporaries will remember you? Right?
Nope. All of that glory went to some civilian contractor (Luke), a seriously unqualified General (Han), and the inexperienced (though highly motivated) adopted daughter of the guy who pays the bills (Leia).
Fire up the BBQ, get your multi-pack of fireworks ready to light and put some beers on ice because the 4th of July is right around the corner. The 4th is an awesome holiday. No one fights over who you should thank or appreciate (clearly, the Founding Fathers…and Lin Manuel Miranda for teaching a large chunk of Americans who the founding fathers were) and the biggest disagreement is whether it should be called “Independence Day” or “4th of July.” Let’s be honest: Either one is fine and everyone wins.
In addition to the aforementioned beers and bottle rockets, the 4th of July is a fantastic time to watch some super-charged ‘Merica!” movies in appreciation for the independence we all enjoy today. But who wants to watch Yankee Doodle Dandy or 1776? Patriotic they may be, but they’re also kind of a yawn fest. So while they may be unconventional, here are the four (see what we did there?) movies you should be watching over the holiday:
Sometimes we need guys in a dysfunctional buddy-cop partnership to protect our FREEDOM! (Fox)
Well that is sort of a given, because…well…it’s named for the holiday. But great naming conventions aside, this movie has Bill Pullman being a non-nerd for once AND Will Smith beating up an alien. If you don’t shed even a tiny little tear when President Pullman makes his “this is our Independence Day!” speech before hopping in a fighter jet and trying to blow up some aliens…you are made of stone. Special bonus in the movie is the brilliant Jeff Goldblum as a perfect comic partner to Will Smith, especially when they’re trying to do something as serious as set off a nuclear bomb on an alien mothership while simultaneously piloting a spaceship neither has ever flown before. It’s good stuff, man.
Sometimes one man is all that stands between oppression and FREEDOM! (Fox)
Every holiday is a reason to watch “Die Hard.” That is all. It’s a testament to the brilliant and plucky little guy (or girl) who, with their American spirit and street smarts, take down the foreign villain who is stealing from them, oppressing them and threatening their freedom (*cough* revolutionary war undertones *cough*). See? I just made “Die Hard” into a 4th of July movie. You’re welcome.
True FREEDOM requires that its heroes to pay attention in classes (“Top Gun”/Paramount Pictures)
Nothing says “celebrate American freedom” like shirtless aviators playing volleyball in the sand….oh and super cool jets, and call signs like “Iceman” and “Maverick” all fueled by a guitar-heavy Kenny Loggins soundtrack. One of the most quotable of all military movies, this one stands the test of time and revs your inner patriot as you try and figure out why all the aviators are wearing polo shirts under their flight suits. Or if cocky flybys really do earn you the honor of flying a cargo plane full of rubber dog sh*t out of Hong Kong. Goose dies, Mav reengages and the world is ultimately right again after our heroes chase off those pesky MiG-28s.
What could be more patriotic than some of that old Razzle Dazzle? (Paramount Pictures)
I cannot do justice to this amazing piece of American cinematic perfection so I won’t really try. I’ll just point out that it might be the greatest celebration of American ingenuity and good old-fashioned Army fun. When I retire, I’m having an EM-50 custom made so I can travel the country like a boss. The humor is timeless. Bill Murray, Harold Ramis, and John Candy are a trifecta of laughs and the graduation scene alone is worth watching on an endless loop. Who among those who have served hasn’t wanted to blurt out “razzle, dazzle!” during formation? I don’t know about you, but this 4th of July will include a viewing of “Stripes” and a HulkaBurger on the grill.
We can’t let a theoretical shark attack ruin our FREEDOM! (Universal Pictures)
BONUS MOVIE PICK: Jaws
Yes, “Jaws.” The movie is a tribute to summer, picnics, and the commercialization of the 4th of July…wait, what? Seriously, the whole movie centers on the Mayor’s reluctance to close the beach (despite body parts washing ashore and clear evidence there is a shark with a big appetite nearby) because 4th of July is a huge business weekend. Enter the hero and some friends who take matters into their own hands and save the day by doing the right thing. Kinda patriotic, don’t you think?
When We Are The Mighty sat down with Sylvester Stallone, Sly revealed some truly astonishing things about one of action movie history’s most beloved characters: John Rambo. Most of us blacked out when Stallone revealed that Rambo didn’t originally join the Army but came to in time to learn a few great things that make the character much deeper than we ever imagined.
That was just info from Stallone. It turns out there’s much more, so we dove a little deeper.
Somehow, the character of John Rambo has entered the folklore of the Kamula people on the island nation of Papua New Guinea, despite limited access to film and television. The Rambo of folklore is said to be a gunrunner who fought in the 10-year civil war in nearby Bougainville, and will come back to defend Papua New Guinea in case of World War III. In Kamula culture, along with other tribes, Rambo is said to symbolize peak masculinity.
Rambo’s trademark knife wasn’t supposed to exist
In the book First Blood, on which the movie and character John Rambo is based, Rambo never had a survival knife of any kind, let alone a giant one to use to bring down the entire police force of Hope, Wash. Stallone added the knife for effect, hoping to make the weapon a character all on its own.
Rambo wasn’t a killer – originally.
John Rambo never actually kills anyone in First Blood. There is only one death in the entire movie, and that happened as an accident when an overzealous cop falls from a helicopter while shooting at Rambo. In subsequent movies, that all changes of course. Rambo’s body count is 76 in First Blood: Part II, and 132 in Rambo III. In Rambo, he appears to kill the entire Burmese Army with one .50-cal.
Stallone hated the first cut of First Blood.
The first time Stallone saw the edit for First Blood, he hated it. It was three and a half hours long, and Rambo’s dialogue was terrible. At first, Stallone wanted to buy the film so he could burn it. Instead of that, he re-cut the film to 93 minutes with most of his dialogue removed, which is what you see when you watch it today.
Without ‘Rambo’ there would be no ‘Predator’
When Rocky Balboa took on Ivan Drago in Rocky IV, no one in Hollywood was quite sure who Rocky’s next opponent could possibly be. The joke was made that Rocky would have to fight some kind of Alien in Rocky V. After a while, Screenwriters Jim and John Thomas began to take the idea seriously and wrote a Rocky-Rambo Hybrid movie that we call Predator.
In Rocky V, Rocky fought a former student named Tommy Gunn. In the street. Outside a bar. In case you were wondering.
John Rambo was almost played by John Travolta
Imagine how different action movie lore would be today if Sylvester Stallone hadn’t been in the writing and casting process. John Travolta was considered for the role of the former Green Beret and one-man wrecking crew before Stallone stepped in and nixed the idea.
Travolta also almost became Forrest Gump and Pete “Maverick” Mitchell of Top Gun fame.
Arthur John Rambo of Lincoln County, Mont. gave his life to save his fellow soldiers in Tay Ninh, Vietnam.
There actually is a John Rambo on “The Wall.”
Arthur John Rambo was an artilleryman with the 11th Armored Cavalry in Vietnam. He was mortally wounded by multiple hits from rocket-propelled grenades on Nov. 26, 1969. As he and his fellow artillerymen came under heavy mortar fire, a nearby self-propelled howitzer took an RPG hit and caught fire. Rambo cleared his fellow soldiers out of the way and attempted to drive the vehicle, still burning, away from the area where it wouldn’t be a threat. He did so successfully, but the vehicle took two more RPGs. The last, killing Rambo in action. Arthur John Rambo was posthumously awarded the Silver Star.
“Nothing is over!” Damn right.
Rambo commits suicide. In the book.
… and in the original cut of the movie. Remember when Sylvester Stallone re-edited the entire movie? Rambo killing himself didn’t make the final cut, even though that’s what happens in the book. Instead, Stallone asked a few Vietnam vets what troubles they face, and Stallone wrote a speech at the end of the movie to let the world know.
That original movie sounds awful. Thank god for Sylvester Stallone.