It was only a matter of time before the Fast & Furious franchise went full superhero. While the original F & F was mostly grounded in reality, with each subsequent sequel, the franchise has raced further and further away from anything resembling the real world. And now, it looks like we are finally taking the leap with Hobbs & Shaw, as the latest trailer revels in the superhuman capabilities of its titular leads.
The trailer opens with Hobbs (played by Dwayne “The Rock” Johnson) and Shaw (played by Jason Statham) nonchalantly taking down about a dozen henchmen. The two seem bored by the mundane task of beating the shit out of bad guys, with Hobbs even taunting Shaw by yawning as he takes on a dozen armed men.
Fast & Furious Presents: Hobbs & Shaw – Official Trailer #2 [HD]
From there, the action only ramps up and based on the trailer, it looks like Hobbs and Shaw are using this trailer as an audition tape to join the Avengers and honestly, who says no? Sure, neither of them technically have superpowers but neither do half of the Avengers and would it really be shocking to see these two statuesque demi-gods fighting alongside Captain America and Iron Man? Just throwing it out there.
Along with providing all the clever quips and over-the-top ass whoopings we could ask for, the newest trailer also provides more details about the plot of Hobbs Shaw. Brixton (played by reigning Sexiest Man Alive Idris Elba) establishes himself as the Thanos of this universe, as he is trying to get his hands on a virus that could wipe out half the planet. But this extreme method of population control was taken from him by Shaw’s sister Hattie (Vanessa Kirby) and unsurprisingly, this does not make Brixton happy. And the first trailer showed us that when Brixton is unhappy, he kills people.
So with Hattie, along with 3.5 billion other people, in mortal danger, it’s up to Shaw and Hobbes to set aside their differences and go from enemies to frenemies. And honestly? We wouldn’t be surprised if, by the end of the movie, they make the full transition to friends. Though hopefully, that doesn’t mean the two stop bickering, as their odd couple dynamic remains as charming as ever in this trailer, especially the moment where Shaw has the gall to call Hobbes “fat boy.”
Our only complaint? While we get a briefly glimpse of Helen Miren as Shaw’s mother, we don’t get to see her kick any ass or at least blow some shit up. But hopefully, they’re saving that for the movie.
Hobbs and Shaw will be released on July 26, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Russia recently announced that it would begin drawing down its deployment to Syria. One of the first major assets to depart will be its lone aircraft carrier, the Admiral Kuznetsov, according to a report by Agence France Press.
The Russian government produced a slick tribute video that harkens back to the 1950s Soviet Union, where the same M-4 Bison bombers were flown past the reviewing stands of the 1955 Aviation Day parade several times to make it look like the Soviets had tons of planes.
The new Kuznetsov video showed crewmen standing watch – some on the carrier’s flight deck with an assault rifle, as well as Su-33 Flankers taking off from the ship.
The Admiral Kuznetsov in drydock — a place it should never leave.
That said, there is a whole lot of stuff this video has left out. Regular readers of this site are familiar with the Kuznetsov Follies, coverage of the many… shortcomings, this carrier displayed on the deployment.
The highlight of these follies — well, let just say the term lowlight might be more accurate — would be the splash landings Russian Navy fighters made. In November, a MiG-29K made a splash landing shortly after takeoff. The next month, a Su-33 Flanker made its own splash landing. The Flanker wasn’t to blame – an arresting cable on the craptastic carrier snapped.
The carrier has been known to have breakdowns, too, and as a result, deploys with tugboats. Other problems include a central heating system that doesn’t heat, a busted ventilation system, broken latrines, and a lot of mold and mildew.
So, with all that in mind, here is the Russian video:
“You’re getting the body prepared for a number of motions,” Saladino told Men’s Journal. “These are more expansive than your typical lifting movements.”
He allows for flexibility in his workout routine.
Saladino noted that, while he and Reynolds tried to stick to a weekly strength plan that included two days off, it was constantly adjusted to fit the needs of his body and schedule.
“The biggest mistake that people make when making an exercise plan is not to listen to their body every day,” Saladino told Men’s Journal. “Ryan was a recent father and traveling a lot [when “Deadpool” was being filmed], so if he had been up all night with the baby, or just gotten off a plane from Singapore, you can best believe we were changing up the program.”
He took it upon himself to work out in his downtime.
“Don [Saladino] gave me a plan so I could train whenever I needed to,” Reynolds told Men’s Health in 2016. “It made things more manageable. And if I wanted to spend a little extra time with my daughter in the morning, I could do that.”
Reynolds has said that he has a “functional” approach to training rather than a “fashionable” one, so he usually prefers to work out alone and on his own time.
Saladino admitted that he is never concerned about Reynolds’ commitment to the workout regimen.
“Ryan’s such a hard worker,” Saladino told Men’s Health. “If anything, I had to scale him down. One day he came up to see me having been working out on his own and I was like, ‘Holy sh-t!’ He looked like a different person.”
“I like using these traditional movements with little twists,” Saladino explained. “This move, in particular, is not only maintaining the strength that he built up to play Deadpool but also encourages stabilization and balance. We have done exercises similar to this over the course of the past few years, but sometimes with a kettlebell and without the vest during our warm-ups.”
However, the father of two did admit that he can battle this aversion with outdoor exercises and activities.
“I love being outdoors,” he said. “There are forests all around [where I live] and I get to hike, mountain bike … just move. I’ll even bring the baby with me, put her in a little baby carrier thing and off we go. In a weird way, it’s a great workout because you’re adding 20 pounds to your bodyweight.”
It’s certainly admirable that Reynolds juggles his responsibilities as an action star with his growing family of four— but his DIY style when it comes to fitness can work for just about anyone.
Recently, Brie Larson paid a visit to Nellis Air Force Base in preparation for the upcoming Marvel film, Captain Marvel, set for a 2019 release. Accompanying her was Staff Sgt. Don Wallace, an F-15 crew chief with the 57th Maintenance Group. Larson donned a flight suit, toured the base while learning the history of the F-15C, and met with Brig. Gen. Jeannie Leavitt, the commander of the 57th Wing at Nellis AFB.
Brig. Gen. Leavitt became the first female fighter pilot in 1993 after the Defense Secretary lifted the ban on women flying in combat — over sixty-one years after Amelia Earhart made her historic, transatlantic flight. Brig. Gen. Leavitt is a major, real-life inspiration behind the character, Captain Marvel.
A post shared by Don (@dwallace85) on Jan 18, 2018 at 7:04pm PST
Larson was said to be very friendly, down-to-earth, and eager to learn everything she could about the U.S. Air Force. She was very interested in learning on how G-forces act on a pilot during intense maneuvers and the mission capabilities of the F-15.
Larson was very accommodating with fans, taking photos with airmen and even getting on an airman’s FaceTime for a friend.
A post shared by Don (@dwallace85) on Jan 18, 2018 at 1:29pm PST
Not many details about Captain Marvel are known other than it is set in the 1990’s Marvel Cinematic Universe and it will follow the comic book character, Carol Danvers. In the comics, Danvers is a fighter pilot who gains superpowers after an alien invasion. She’s also key member of The Avengers. Since the film is set in the 90’s and Samuel L. Jackson is confirmed to appear in the film, it’s safe to assume that this film will center around the superhero world between Captain America: The First Avenger and Iron Man.
In 1942, young Norma Jean Dougherty married Jim Dougherty, a Van Nuys, Calif. factory worker. The next year, her husband enlisted in the Merchant Marine and, by 1944, was sent to the Pacific Theater of World War II. Then just 18 years old, Norma Jean moved in with his parents in Van Nuys and began working at the Radioplane Munitions Factory.
That’s where an Army Air Forces photographer captured some photos of her at work, and her life changed forever.
Norma Jean had a rough life up until that point. Her mother was mentally unstable and she was placed in and out of foster homes and orphanages until she was 16. That’s when she married Jim Dougherty in an effort to avoid being sent back to another orphanage. She became a housewife for a brief time until the Second World War forced her husband to join the Merchant Marine and she was sent to work in a factory.
Norma Jean Dougherty working on a propeller unit at the Radioplane Factory in Van Nuys, Calif., 1944.
(U.S. Army Air Forces)
The photographer, Pvt. David Conover, was sent to the factory by his commander, Capt. Ronald Reagan, who wanted photos of pretty girls hard at work on the homefront for the boys fighting overseas.
“I moved down the assembly line, taking shots of the most attractive employees,” Conover later wrote. “None was especially out of the ordinary. I came to a pretty girl putting on propellers and raised the camera to my eye. She had curly ash blond hair and her face was smudged with dirt. I snapped her picture and walked on. Then I stopped, stunned. She was beautiful. Half child, half woman, her eyes held something that touched and intrigued me.“
One of Norma Jean Dougherty’s first modeling photos.
In the end, Conover didn’t use any of Dougherty’s photos for the work he was assigned to do for the Army that day. He would end up taking leave from the Army Air Corps to spend two weeks shooting Norma Jean and teaching her how to pose for the camera. Eventually, she signed on with the Blue Book Modeling Agency in 1945, sometimes using the name Jean Norman.
The photographer was soon sent off to the Philippines and lost contact with Norma Jean. It wasn’t until 1953, when her career was taking off, that he learned his discovery was the bombshell everyone knew as Marilyn Monroe. She credited this to Conover all her life, and the two were reunited briefly on the set of Gentlemen Prefer Blondes.
Marilyn Monroe and Emmeline Snively on the set of ‘No Business Like Show Business.’
Her first modeling gigs were mostly advertisements and men’s magazines, as she had more of a “pin-up” figure than one of a fashion model, according to her agency. It was the Blue Book Modeling Agency’s founder, Miss Emmeline Snively, who introduced Norma Jean to the movie industry.
’13 Hours’ tells the minute-by-minute story of the men who lived through the Benghazi attacks by focusing on what happened on the ground, not the politics. When everything went wrong, they had the courage to do what they had to do.
This three-minute teaser features the men portrayed in the film and never before seen footage from the set.
Rod Lurie on set with lead actor Caleb Landry Jones filming The Outpost on location in Bulgaria.
Rod Lurie is a West Point graduate and former Air Defense Artillery officer in the US Army. After his time in service he worked as an entertainment reporter and film critic. He then transitioned into film making by writing and directing his first feature film Deterrence, which is a political thriller. Rod also directed The Contender, The Last Castle, Nothing but the Truth, and Straw Dogs. Most recently, he directed The Outpost, the story of the 53 U.S. soldiers who battled a force of roughly 400 enemy insurgents in north-eastern Afghanistan during Operation Enduring Freedom.
James Mardsen, Hunter Lurie, Kate Bosworth, Rod, and Paige Lurie during the filming of Straw Dogs (2011)
Tell me about your family and your life growing up?
Currently I live in Studio City with my wife Kyra who is a New York Times bestselling novelist. I have one stepson Isaac and a daughter named Paige where we have a family dog named POTUS. My son Hunter passed away two years ago today. The Outpost is dedicated to him where since he died so young his passing to me relates to the young soldiers who died at the Battle of Kamdesh.
My family growing up consisted of my father, mother and three brothers. At age five, my family moved from Israel to Connecticut and then to Hawaii. My father is a military veteran of Israel and he worked as a political cartoonist, which includes illustrations for LIFE magazine where he is “the most widely syndicated political cartoonist in the world”, according to the Guinness Book of World Records. My mother Tamar is still the most successful real estate agent in Greenwich, Connecticut.
Rod at West Point during his plebe (first) year.
What is the most distinct memory of your mother and your father?
My father focused on two things for me: creativity and sticking up for myself and our Jewish heritage. He is a wildly creative person and he told us to never stop creating where he reminded us about how God had created in the Bible. My mother was a voracious athlete where she encouraged me and my sibling to really push ourselves athletically. She is truly kind, and she raised us with empathy as well.
A picture of Caleb Landry Jones as Medal of Honor recipient Specialist Ty Carter in The Outpost.
What challenges did you face at school and in the community?
The challenge for any Jewish person in that era and in that part of the world was anti-Semitism. We had immigrated from Israel where, of course, we never faced that within our own communities.
Rod Lurie interviewing acting and film legend Paul Newman.
What values were stressed at home?
Creativity, Righteousness and Athleticism. We had a strong sense of morality in our home where ethics are what society expects and morals are what we expect of ourselves.
Rod at his West Point Graduation in 1984.
What drew you to film and media while growing up?
Growing up I saw a movie on a little TV named Ben-Hur. I couldn’t believe my eyes because I did not even know movies were made where my understanding was that they were just kind of there. I was so thrilled with film I decided my goal was to be somehow involved. Because of my lack of knowledge of the film making process I was most impressed with film critics. Roger Ebert and Pauline Kael were my idols where I wrote to them and they wrote me back. In the end, no motivation was greater than for me than to be a filmmaker. One of my beliefs is that you shouldn’t go to film school where you should go to study what you want to make movies about. The USMA is a place of leadership, which is what I want to make films on. My dream one day is to make a movie about West Point where I made a deal with Universal to make such a movie on the academy titled Heart of a Soldier with Paul Walker and Jessica Alba. Unfortunately, the film fell apart once the Iraq War broke out.
Scott Eastwood as Medal of Honor recipient SSGT Clint Romesha in The Outpost
What made you want to attend West Point and is the best lesson you learned while there at the academy?
My political awareness from an early age because of my father’s political cartoonist work influenced me to go to West Point where it seemed like a natural fit for me. The best thing I learned from West Point; when you think you have exhausted everything you have you really have only used 10% of your capabilities. This was said to me before I went in to SERE (Survival, Evasion, Resistance, Escape) school.
Orlando Bloom, Cory Hardrict, Jacob Scipio, Bobby Lockwood, Alexander Arnold, Scott Eastwood, Caleb Landry Jones, James Jagger, Celina Sinden, Jack Kesy, Taylor John Smith, and Milo Gibson in The Outpost.
What did you enjoy most about your service as an Army officer?
What I enjoyed most about my time in service were the friendships and comradery of the people I served with. The best friendships I have had in my life were from West Point and from the service where nothing will ever top that. Another enjoyable part about my time in the Army came from the confidence generated in the team-based atmosphere. Many people think the most stressful time of a cadet is when you are going through Beast Barracks when in reality the toughest time is when you are taking your exams. I am on my own when taking those tests. When going through things with your fellow troops you are going through it together. There is something about the concept of if we all work together, then we can succeed. It creates a quiet calmness.
Rod as a cadet at West Point.
What leadership lessons in life and from the service that have helped you the most in your career in Hollywood?
Problem solving and Teamwork. The film was an exceedingly difficult movie to put together because of budget and time constraints. On The Outpost, as the boss and being a military veteran we had some actors that were veterans where I insisted on having them for a couple of reasons. One is that for all of us who have worn the uniform we can always say I have been in a tougher scrape than this. No matter what we come across we know we can solve this problem. Another part of having veterans as part of the production was realism where I had several vets that were also Technical Advisors. Because of the calm problem-solving skills and real-life team-based experiences, we functioned as military veterans; smoothly and without panic. We stayed grounded and focused unlike how it may have been on other sets where anxiety and fear set in due to such tight restrictions.
Taylor John Smith as Distinguished Service Cross recipient First Lieutenant Andrew Bunderman and Orlando Bloom as Bronze Star recipient First Lieutenant Benjamin D. Keating in The Outpost.
What did you enjoy most about filming The Outpost?
There is a great satisfaction in knowing that we are doing good on this film. There are many families that lost their loved ones in the Battle of Kamdesh which were sons, brothers, and fathers. The fact that we can give to these people and families, not just closure, but a promise that their loved ones will have their names repeated and spoken forevermore is very satisfying. When my son died, I realized the obligation we had to these families. The friendships and comradery on set were amazing because of this shared mission. The crew all got so close on the film because of its importance, especially since it was something we were going through together in a tough situation.
Scott Eastwood as SSGT Clint Romesha in The Outpost.
What is the main message you want people to remember about The Outpost?
My goal is to get people to daily remember the military currently serving abroad. The service members need to be remembered where I believe that people just don’t think ever about the soldiers that are serving overseas right now. In previous wars like WWII, Korea, and Vietnam they were on our minds and now we don’t give it a second thought. In WWII, every soldier also had the same mission; we are going to stop Hitler. Today the answer is most likely mixed with why we are there in the Middle East, which makes their service even tougher. It is just not cool that soldiers currently in the fight today are forgotten. People must understand what these soldiers went through and that their sacrifices matter.
This week, National Geographic will air the first episode of The Long Road Home. The miniseries is a scripted retelling of the beginning of the U.S. Army’s fight in the Siege of Sadr City of April 2004. What began with an uprising against the U.S. occupation forces in the Shia neighborhood of the capital led to a long protracted siege spanning years.
The Long Road Home is the story of an ambushed Army escort convoy from 2nd Battalion, 5th Cavalry Regiment, 1st Brigade Combat Team, 1st Cavalry Division. It’s based on the true story of a platoon forced to hole up in a civilian home and await rescue. With eight American soldiers lost in the initial fighting in the Baghdad neighborhood, the battle came to be known as “Black Sunday.”
Adapted from ABC News correspondent Martha Raddatz’ book of the same name, the show meticulously created what might be the most accurate military story in film or television.
1. The show’s military advisors were in Sadr City that day.
Any military show or movie with an interest in authenticity is going to have veteran technical advisors on hand to tell the director when things are wrong. But in The Long Road Home, you can expect more than infantry badges and rank to be in the right place. You can expect the people and vehicles to be in Sadr City in the right places too.
Showrunner Mikko Alanne hired two veterans from Black Sunday – Eric Bourquin and Aaron Fowler – to be the show’s military advisors. If one of the actors needed to know how to wear a patrol cap, the two veterans could show him. But unlike most shows, if the director needed a minute-by-minute breakdown, he could ask the guys who were there.
“Personally, I like it,” says Fowler. “Because I’m a retired Sergeant First Class, so I have the anal-retentive part down. I’ve got lots of notebooks, and I have access to all the guys. If one of the actors had a question, I could get my phone and hand them the person that did the action they had questions about.”
Jeremy Sisto as Sgt. Robert Miltenberger in The Long Road Home. (National Geographic)
“Eric [Bourquin] was in the platoon that was pinned down on the roof and Aaron [Fowler] was among the rescuers,” says Alanne.
“I’m very proud to be a part of what happened and how it’s been handled. I’ve struggled with having to open up, because having such a wide spotlight cast on a pretty intense part of my life,” says Bourquin. “I learned things I didn’t know transpired. Because the whole time, I was stuck on the roof for four hours. People were out there trying to come in, to get us, so I’d been exposed to a lot of things that I wasn’t aware of and that was healing too. This is honoring them. Now everybody’s gonna always know their story. With that being said, how could I not be involved?”
2. Raddatz’ interviewed everyone close to the fighting.
You don’t get to be the Chief Global Affairs Correspondent of a major network without being addicted to the facts. Martha Raddatz, who literally wrote the book on the events in Sadr City that day, was working for ABC News in Baghdad at the time when she heard about what happened. She ended up talking to everyone from 2-5 Cav that was still in country.
“This story came to me,” she says. “I was covering politics and policy when a general told me about this battle. I had to go talk to these guys. We did pieces for ABC News, for Nightline… I was just so stricken by them. I come from a foreign affairs background and I see presidents make policy and then I went over and saw the effects of that policy.”
She was introduced to the families through the soldiers who fought there that day.
“It will be with me forever,” Raddatz says. “It felt like they could all be my neighbors. One day they’re all in minivans with their kids, and in three days they’re in the middle of a battle. These aren’t a bunch of action figures, these are real human beings.”
3. Mike Medavoy is an executive producer.
If the name of a film producer doesn’t excite you, that’s fine. An executive producer’s name likely doesn’t carry a lot of weight with most of America.
In the case of The Long Road Home, however, the addition of Medavoy puts the miniseries in the hands of a guy who helped make the legendary war movies Apocalypse Now, Platoon, and The Thin Red Line (not to mention non-military films Rocky, Raging Bull, and Terminator 2).
4. The Long Road Home’s depiction of Army families is heartfelt and real.
When the cast arrived at Fort Hood and met the families of 2-5 Cav, they got just a taste of what living in a military family is like.
“I took away an incredible sense of community,” says actress Katie Paxton, who plays Amber Aguero, wife to Lt. Shane Aguero. “You felt that community from the soldiers. When you’re in war covering your sector, you’re covering the guy to your left. You’re covering the guy to your right. And those guys are your family. I never really understood that until I talked to soldiers.”
A still from the opening episode of The Long Road Home. (National Geographic)
“I grew up in the city as a city kid, and this totally dispelled all of my ideas of what the soldier was actually like,” says actor Ian Quinlan, who plays Spc. Robert Arsiaga. “There was a very significant through line between these soldiers – a lot of these guys joined after 9/11. It blew me away because as a New Yorker I didn’t know anyone in my immediate vicinity in New York who would ever think of that.”
“Hearing their stories, you just feel the goosebumps,” says Karina Ortiz, who plays one of the Gold Star Wives. “The soldiers leave and everything is fine at first, but then people start hearing things. Rumors. The waiting. The not knowing. I would get teary-eyed and just feel their pain. Or I’d feel their fear.”
The experience of recreating the events of April 2004 even had an effect on its veterans.
“One of the Gold Star Wives came up to me after the Fort Hood premiere and told me thank you,” Eric Bourquin says. “I don’t know why. Her husband died trying to come rescue us guys that were stuck on the roof. But the more I thought about it I realized everyone watching is going to see what the families and everyone involved goes through when shit happens.”
5. The showrunner’s background is in documentary.
“I was very cognizant from the beginning that real life people were going to be watching this,” says Mikko Alanne. “It was my hope that we would be able to use everyone’s real name, and so Martha and I worked very closely on reaching out to all the families.”
The two were very successful. The show originally premiered in Fort Hood’s Abrams Gym. After the show’s Los Angeles premiere, the veterans and Gold Star Families took the stage with their TV counterparts, to a standing ovation from an elite Hollywood audience. But the realism didn’t stop with cooperation.
A still from The Long Road Home. Sadr City was meticulously recreated on Fort Hood for these scenes. (National Geographic)
“So many of the families sent us their photographs, actual photographs used as props, or photographs of their homes for us to recreate,” Alanne says. “And it was very important to me the cast reached out to their real-life counterparts. Bonds were formed between the actors and the real life families, and everyone became infused with the same mission that Martha really started; that these families and these experiences would not be lost to history.”
6. The Fort Hood scenes are really Fort Hood.
When you see Fort Hood, Tex. depicted on screen, you can be sure that’s what Fort Hood really looks like. The show was shot entirely at Fort Hood. The cast even lived in base housing. More important than that, however, is the exact recreation of Sadr City built on Fort Hood that took the veterans on the base back to April 2004.
“The smell was the only thing that wasn’t exactly recreated,” says Fowler. “We veterans and Gold Star Families got to walk back to the streets of Sadr City that we would never get to go. It was an incredibly healing experience. Exposure therapy plain and simple.”
Eric Bourquin agrees.
“Being able to travel back to your battlespace without fear of being captured and ending up in a YouTube video is a gift that can’t be put into words,” he says. “Just like the guys that go back and visit France, or Korea, or Vietnam — it’s become a reality.”
A candid from behind the scenes of The Long Road Home on Fort Hood. (National Geographic)
The Long Road Home starts Tuesday Nov. 7 at 9pm on National Geographic.
Before his sudden reemergence at the Caspian Economic Forum, speculation had recently been swirling in Turkmenistan after the country’s strongman president disappeared from public view for more than a month.
Considering that Gurbanguly Berdymukhammedov regularly dominates the airwaves in the tightly controlled state, his abrupt absence did not go unnoticed, prompting speculation that he was in poor health or even dead.
This obviously posed a problem for the Turkmen authorities, who have spent years cultivating an elaborate cult of personality aimed at boosting the totalitarian leader’s power and prestige.Turkmenistan’s Singer, Race-car Driver, Jockey, Autocrat
When ubiquitous dictators suddenly evaporate into thin air, it can have a destabilizing effect on their regimes.
Perhaps hoping to avoid the crippling uncertainty that gripped the Soviet Union immediately following the demise of Stalin or the rampant rumors that accompanied the long-drawn-out announcement of Islam Karimov’s death in neighboring Uzbekistan in 2016, the Turkmen authorities went into overdrive to assure the populace, and the world at large, that their glorious leader was alive and well.
This all culminated in state TV broadcasting an Aug. 4, 2019 highlights package showing a 35-minute montage of clips of what Turkmenistan’s all-singing, all-dancing president had been doing on his “holidays,” including riding a bicycle, firing an automatic weapon in combat gear, bowling with astonishing accuracy, riding a horse, working on a new book, composing a new song, and driving an SUV through the desert to the Gates of Hell — a perpetually burning crater that resulted from a Soviet attempt to flare gas there in the early 1970s.
In a five-minute segment on The Daily Show, Noah used the opportunity to reprise some of the video “highlights” of Berdymukhammedov’s bizarre reign, including the South African comedian’s own personal favorite, which shows the Turkmen leader rocking out with his grandson.
Among other things, Oliver took great delight in dissecting the Turkmen president’s fascination with horses, which RFE/RL has also covered in the past.
The British-born comic paid particular attention to the time when Berdymukhammedov had an embarrassing fall while riding a beloved steed, a story that the Turkmen authorities did their best to try and bury.
Besides mining the subject for laughs, however, both also made sure to draw attention to the dark side of life in Turkmenistan, particularly its abysmal human rights record.
According to its latest World Report, Human Rights Watch singled out the country for particular criticism, calling it “one of the world’s most isolated and oppressively governed” states, where “all forms of religious and political expression not approved by the government are brutally punished.”
With this in mind, Oliver also took the time to take a swipe at Guinness World Records for actually sending verifiers to validate what he described as Berdymukhammedov’s “bizarre obsession” with setting global firsts (something he shares with some Central Asian counterparts).
John Oliver repeatedly cited RFE/RL reporting in his Berdymukhammedov segment.
(Last Week Tonight/YouTube)
In Oliver’s view, enabling Berdymukhammedov to register such Turkmen records as having “the most buildings with marble cladding” or the “world’s largest indoor Ferris wheel” only serves to “reinforce a cult of personality and confer a sense of legitimacy on a global stage.”
Typically, Oliver was to have one last laugh at the Turkmen leader’s expense, however.
Taking a leaf out of Berdymukhammedov’s book, the Last Week Tonight ended the show by attempting to break another record, making what Oliver described as the “world’s largest marbled cake” — a 55-square-meter confectionery decorated with a huge picture of the Turkmen president infamously falling off his horse.
It’s probably safe to assume that this is probably not a record achievement Turkmen state TV is going to be trumpeting anytime soon.
It would be incredibly impressive if you somehow managed to exist in 2019 without hearing about Game of Thrones; specifically, about the show’s controversial finale. People were, um, displeased about the way creators decided to bring the series to end, and it got pretty intense. Fans were so upset that over a million of them signed a petition on Change.org to convince HBO to remake the final season. Now, the network is finally addressing the plea.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Founded in 2006 and held every year in Washington, D.C., the G.I. Film Festival celebrates filmmakers and military veterans as they come together to showcase their compelling narratives featuring real heroes and real stories.
This year the G.I.F.F. kicks off its 11th annual festival with a Congressional Reception on Capitol Hill to shine a spotlight on veteran health and transition. The 5-day event begins May 24th and includes screenings of feature, documentary, and short films at various venues, as well as filmmaker panels and a Pitchfest for the aspiring talent.
This year, 20 filmmaking contestants will be allowed to pitch their best ideas to a panel of expert judges made up of managers, agents, and producers all within a friendly and constructive atmosphere. The winner will receive a prize package in front of their peers.
With more than 50 film projects ready to be screened, the G.I. Film Festival provides the perfect mix of entertainment and networking for our nation’s veterans with stories to tell.
Take a look at this year’s GIFF compilation trailer.
In honor of the 20th anniversary of The Matrix, Dolby Cinema™ and AMC Theaters will be showing the film on the big screen for one week only. Starting Friday, Aug. 30, you can follow the white rabbit and — if you so choose — you can do it with sound so powerful, your seat will literally shake.
Dolby Vision™ has colors more vivid than any other theater I’ve experienced. In fact, the Dolby trailer at the beginning of the screening was one of the most surprising moments of the viewing experience. I won’t spoil it here, but I was pretty impressed.
Meanwhile, Dolby Atmos® sound “fills the room and flows all around you” — literally. There are speakers on the ceiling.
First of all, I absolutely recommend seeing The Matrix again in theaters. If you saw it twenty years ago or you’re already a fan, I think you’ll enjoy the nostalgia of it (and if you haven’t seen it since then, my bet is you’ll catch so much more than you did the first time).
If you somehow haven’t seen it yet, the film totally holds up. Some lines are so perfect, they make the screenwriter in me giddy. I went home and re-read the script. It’s great.
The whole scene with The Oracle is perfection. I love a good prophecy story, even if it’s just about a vase.
As for seeing it in Dolby Cinema™, here’s what I’ll say. It’s intense. You can literally feel the sound waves hit you in your seat. The punches, the technology, the gunfights — you can feel them. It’s great sound design, but if you’re like me and you have sensitive hearing, then be warned and definitely don’t sit up front (although, there are speakers all throughout the theater, so I don’t know where you’re most safe?).
Actual footage of me watching ‘The Matrix’ in Dolby…
I expect that most people aren’t as sensitive to light and sound as I am, though, so if you’re already a Matrix fan, or just an avid movie goer, this is an experience you won’t want to miss.
I’d also guess that, short of plugging us all into the actual matrix, this is how the Wachowskis would want someone to see their epic cyberpunk film — plus it’s a good time to freshen up your memory before ‘Matrix 4’ is released.