The final trailer for “IT: Chapter Two” has dropped and along with highlighting the return of Pennywise, it makes the killer clown’s mission abundantly clear: He wants revenge on the Losers’ Club.
The two-and-a-half-minute preview opens with a grown-up Mike (played by Isaiah Mustafa), the lone member of the club to stay in Derry, saying that he remembers “all of it.” We then see a man drowning in the sewers crying out for help, only to be “rescued” by an eager Pennywise (played by Bill Skarsgård).
We then see the reunion of the Losers’ Club, who are told by Mike that Pennywise is back. He also reminds them of the oath they all took as kids to take down their tormentor if he ever returned. In case there were any doubts about Mike’s claim, Bill (played by James McAvoy) gets a horrific glimpse of the demonic force at a carnival, as Pennywise threatens to trap a young boy who may be Bill’s son.
The frightening sequence sets the tone for the rest of the trailer, with Pennywise declaring his desire to get back at the group that stopped him.
“For 27 years, I dreamt of you,” Pennywise says. “I craved you. I missed you.”
His statement clearly sets the stage for a showdown between Pennywise and the Losers’ Club. Fortunately, the gang appears every bit as determined to face-off against their nemesis.
“We need to finish it,” Bill says. “For good.”
Pennywise spends the rest of the trailer scaring the shit out of the group, including Richie (played by Bill Hader) and Beverly (played by Jessica Chastain). If this is any indication, the IT sequel is looking like it will be even more devastating than the original, with Pennywise determined to raise as much Hell as possible.
“IT: Chapter Two” comes to theaters Sept. 6, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Being on patrol in a war-torn city means there’s going to be plenty of random objects laying on the ground. A cute and cuddly rabbit may appear innocent, but in a combat zone, anything can be rigged to blow.
Although this is an enemy booby trap, it was well placed and constructed.
What are you picking up a stuffed bunny for anyway? It’s creepy. (Source: Warner Bros. /Giphy images)
2. Do: stay low
Staying as low as humanly possible is important as seen in “Enemy at the Gates.”
3. Do: have situational awareness
In the infantry, it’s very important to have a solid 360 degree of security in place so the enemy can’t sneak inside and stab you in the stomach like in 2008’s Ben Stiller-directed “Tropic Thunder.” The movie may have been incredibly goofy, but they make a good case how vital it is to know who is in your area.
In any infantry manual, the importance of taking up a spot that defends you from incoming enemy fire is vital. We’re guessing Cowboy, played by Arliss Howard, skipped that chapter of the book while attending the school of infantry.
“Why didn’t you guys tell meeeeeee?” (Source: Warner Bros. /Giphy images)Can you think of any others? Comment below.
The Mandalorian is a big hit for Disney+, largely because of the popularity of “The Child,” better known by the malapropism Baby Yoda. It’s the cutest, most memorable thing we’ve seen in a while, but the need to keep it a secret (Baby Yoda is revealed at the end of the first episode) meant Disney couldn’t have Baby Yoda toys ready to go from day one.
The only Mandalorian Lego set is the AT-ST Raider from episode four, which sadly does not come with a Minifigure of “The Child.” Thankfully, Reddit user u/hachiroku24 stepped in to fill the void with an impressive custom-designed and built Baby Yoda model (complete with a floating carriage!) that’s so accurate that it’s actually pretty damn cute.
Every piece is 100 percent unaltered Lego, even the cloth (from a posable Obi-Wan buildable figure released in 20TK) and Baby Yoda’s signature ears (from a Goblin-themed set released in 2017).
Hachiroku24 also posted a video to YouTube showing the build process.
Reddit being Reddit, another user, u/00squirrel, modeled the build in Bricklink Studio, an online 3D modeling software for Lego designers. It also has Easy Buy, a feature that makes it simple to order all of the necessary pieces from Lego parts purveyors around the world, which definitely beats buying whole sets just for one or two esoteric pieces.
That’s kind of pricey for a 123-piece set, for sure, but considering the DIY origins and lack of any kind of official Baby Yoda set, it’s a great option for builders who just can’t wait to bring “The Child” to life in brick form.
And once you have all of the necessary pieces, the software also has step-by-step building instructions that are as easy to follow as anything Lego has ever printed.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Red Sparrow is an unapologetically adult, complicated, and ambitious spy thriller based on the Edgar Award-winning novel by former CIA agent, Jason Matthews. Set in current times, it’s a throwback to the darkest Cold War spy thrillers and earns its R rating with a mix of sex and violence that hearkens back to the best 70s spy movies.
Jason Matthews talked to us about his own experiences in the CIA and why post-Soviet Russia is still a threat to democracy.
In the movie, Jennifer Lawrence plays Dominika Egorova, a Bolshoi ballerina who’s recruited to Russian intelligence after an on-stage injury ends her dancing career. Her uncle happens to be deputy director of the SVR and he sends her to Sparrow School, where she’s trained to use her sexuality as a weapon against Russian enemies.
Dominika pursues her own agenda as she’s tasked with seducing an American CIA agent (Joel Edgerton) and finding the identity of a mole in Russian intelligence. There’s a lot of methodical tradecraft punctuated by bursts of violence and sex. Red Sparrow isn’t aimed at the Hunger Games audience and makes no apologies about being a movie for adults.
Jason is a CIA veteran who doesn’t hedge his thoughts about Russia. The good news for fans of the movie is that the two additional novels in his trilogy might make even better films.
You left the CIA in 2010. How did you become a novelist?
I left after 33 years. In the clandestine service part of the agency, our careers were very experiential, 24/7. You were always on, you were always looking for surveillance, you’re always wondering about rooms being bugged.
When that lifestyle ended, it ends with the crash. One of the familiar Hollywood tropes of retired spies is the big black car pulls up to your house and they recruit you back into service. In reality, that never happens. When you’re out, you’re out.
I started writing fictionalized little snippets of accounts of people that we’ve known, fictionalized mosaics of places we’ve been and things we’ve done. Before I knew it, I had a novel together.
The novel Red Sparrow is a throwback to the old-school spy novels that emphasize tradecraft, as opposed to a lot of the contemporary books that are action novels with spy plots grafted onto them.
Absolutely. There are lots of great thriller writers out there, but they mostly write about counterterrorism and catching the briefcase nuke. I wanted to write a classic, old spy yarn with the Russians as the main opponents.
You were born in the 50s. Did you grow up on that kind of fiction and those movies?
Sure. There were a lot of great spy movies in the 60’s and 70’s, really iconic sort of film-noir kinds of things. But I think my worldview was formulated by 33 years in the service.
My wife was also in the service, we were a tandem couple. We lived in ten foreign capitals and we worked on a lot of different human targets, but we also kept our eye out for the Russians because that was the gold ring.
You wrote these novels and then this film got developed at a time when Americans probably weren’t thinking as much about the Russians. Here we are in 2018 and the Russians are at the front of everyone’s mind again.
I wake up every morning and I thank Vladimir Putin for providing endless content for books and movies. He’s doing a great job as a PR director for us.
Russia is always gonna be sort of a conundrum, they’re always gonna be meddling. They love those active measures, political influence campaigns. They’ve been doing them since the Bolshevik Revolution in 1917. Vladimir Putin’s singular goal is to stay in power. That will take a weakened America, a weakened NATO, and a weakened Atlantic Alliance. He just wants to stay in power.
If he can fuss with the American democracy – and I don’t care whether you’re Democrat or Republican — all the partisanship, all the squabbling just plays into the Russian hands. They’re rubbing their hands in delight in the Kremlin.
There’s a school of thought that the Russian love of espionage is a trait that goes back centuries and that it’s not something that started with the Soviets.
I think that’s absolutely right on. You hesitate to generalize, but Russians are xenophobic. The only people they hate more than foreigners are themselves. They don’t like to be ignored, they don’t like to be belittled. They want a seat around the table. Russia is always caught between the European elegance of Catherine the Great and the Slavic beastliness of Ivan the Terrible.
As an expert, what do you think the United States should be doing right now to deal with this current wave of Russian influence, or can we say, interference?
I think that we have to show resolve, we have to show solidarity, we’ve got to stop our partisan squabbling, and create a unified front. Russia, historically, stops what they’re doing when the cost of it becomes more than the profits that they imagine they’re getting.
Putin has got elections coming up this year and, if you have any doubt what he considers the vulnerable spots in any election process, he has unplugged his internet, he controls state television and radio, he has disqualified his major opponents from running, and he makes demonstrations in the streets illegal. That’s the Russian playbook and, if we could find the cracks in the cement between all those elements and give him a headache, he’ll be too busy to start messing around with our process.
Obviously, people with an interest in Russian spy tales are going to line up to see Red Sparrow. Do you think the movie can act as a wakeup call for the broader Hollywood audience, the Jennifer Lawrence fans who don’t think about our current situation with Russia?
Using a broad brush, maybe audiences will take back home the fact that the Cold War never ended, we’re going through a second Cold War, and the Russians mean to do us harm. The movie itself, you know it’s sexy, it’s violent, it’s got a tremendous cast and terrific characters, but I don’t know how much American theatergoers will bring home besides the realization that Russia is not our ally.
You created a spy character who’s a woman. I don’t think there’s been a woman this prominent in spy fiction before. Was that a conscious choice or something that just happened based on the stories you knew from your career?
Yes and no. I thought it would be interesting and evocative to make the main character the heroine. I had read a little bit about the famous Sparrow Schools in the 60s and the 70s in the Soviet Union and how horrible they were. It was almost like slavery, making women go to those kinds of schools.
Apart from the sexpionage, Dominika falls in love with the CIA officer who recruits her. So, there’s mortal danger and a love affair and Sparrow School. I thought it was an interesting combination.
Is that sexpionage something that’s still in the playbook?
Western intel services never got into sexpionage because they thought that anyone recruited by sexual blackmail would be a not trustworthy source. I think the old Sparrow School in the Soviet City of Kazan is probably closed. But if a human target with access to classified information went to Moscow, he’d probably see a modern-day Sparrow at one of the bars of the five-star hotels in Moscow. They would be there ready and waiting.
What are you working on now? What’s next?
This year, the third book in the Sparrow trilogy came out, Kremlin’s Candidate. I told myself I was going to take a little break, but the next morning I found myself staring at my computer screen trying to figure out a new plot. I don’t have anything yet, but I can’t stop.
There aren’t many war movies better than Saving Private Ryan, Steven Spielberg’s World War II masterpiece. It’s definitely worth watching at home, but you’ll soon have a chance to see it in theaters again, more than two decades after its original release.
The film is returning to theaters to mark the 75th anniversary of D-Day. Participating theaters will host a matinee at 3:00 p.m. on June 2, 2019, and an evening screening at 7:00 on June 5, 2019. D-Day took place on June 6, 1944.
Saving Private Ryan tells the story of a squad of Army Rangers played by Tom Sizemore, Edward Burns, Barry Pepper, Giovanni Ribis, Vin Diesel, Adam Goldberg, and Jeremy Davies. Led by John Miller (Tom Hanks), their mission is to find and rescue a paratrooper, Ryan (Matt Damon), the only survivor of his four military brothers.
SAVING PRIVATE RYAN Official Trailer (1998) Tom Hanks HD Movie | TrueMovies Trailer
Saving Private Ryan was a commercial and critical hit when it was first released. It was the highest grossing film of 1998, grossing 1 million that year, the equivalent of about 0 million today. It received 11 Academy Award nominations, winning for Best Director, Best Cinematography, Best Sound Mixing, Best Sound Editing and Best Film Editing, infamously losing the Best Picture race to Shakespeare in Love.
The opening scene of the film is a sprawling, brutal 20-plus minute recreation of the invasion that immerses the viewer in the horrors of combat without glorifying war.
“[W]e wanted people to get the feeling that despite what you see in movies and what you read in books, death in hellacious combat like there was on Omaha Beach can sometimes be very random, and it can be shocking because it’s so close,” Marine veteran Dale Dye, the film’s military advisor, told Task Purpose.
It’s the kind of scene, and the kind of film, that deserves to be seen in theaters, so don’t miss this opportunity.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Here’s a quick look at a few of our favorite stories of the week:
In early April 2016, U.S. Marine Corps veteran Charlie Linville departed the U.S. with The Heroes Project founder Tim Medvetz. Their destination was Nepal and their third attempt to reach the summit of Mount Everest, the top of the world. Semper Fi!
The Syrian Democratic Forces coalition launched a new campaign to advance toward the ISIS capital at Raqqa.
To say that Gurkhas are simply soldiers from Nepal would be a massive understatement. They are known for their exceptional bravery, ability, and heroism in the face of insurmountable odds. A great example is Dipprasad Pun, who singlehandedly held his post against more than 30 Taliban fighters.
It’s impossible to look at the making of Full Metal Jacket without exploring how Gunny R. Lee Ermey’s famed iconic role helped make Gny. Sgt. Hartman a legend both on and off-screen.
You might know that R. Lee Ermey was a former Marine Corps drill instructor turned actor. He served as a DI for India Company, 3rd Recruit Training Battalion from 1965-1967. He was also the host of a popular YouTube channel, GunnyTime, and an advocate for America’s military. But Ermey’s most notable performance was as Gunnery Sergeant Hartman in the Stanley Kubrick movie, Full Metal Jacket. This famed iconic role helped separate Ermey from the rest of famed military movie actors.
It might be hard to think of him as anything but a hardline, rule-following Marine, but the fact is Gunny didn’t start out that way. In fact, he was a big troublemaker. He got in so much trouble that after being arrested for the second time, a judge told him he could either go to jail or join the military. Fortunately, Gunny made the right choice and enlisted in the Marine Corps. In 1968, Ermey deployed to Vietnam and spent 14 months in country. Ermey served in the Marine Corps for 11 years.
From E-6 to Honorary Gunny in just 30 years
In 1972, he was medically separated from the Marine Corps and officially retired as a staff sergeant. It took 30 years, but in 2002, Ermey was awarded an honorary promotion to gunnery sergeant by the Marine Corps’ commandant. He was the first retiree in Marine Corps history to be promoted after leaving service.
His big break almost didn’t happen
Let’s take a look at how Gunny managed to make the Hartman character such a legend – and what that did for the rest of his acting career.
While attending the University of Manila in the Philippines, Ermey was cast in his first movie. He played a 1st Air Cav chopper pilot and also served as an advisor to director Francis Ford Coppola. Then Ermey landed a role as a drill instructor in The Boys in Company C. For several years, Ermey played in a series of small roles until he landed his big break as Gunnery Sergeant Hartman in Full Metal Jacket. Initially, Ermey was going to serve in a support role for Kubrick.
Adding to the authenticity of the role, Kubrick even let Gunny add and improvise his dialogue throughout the entire movie. That’s huge for a Kubrick film since most of his movies were scripted down to the letter. Or at least, they were until Gunny entered the picture. Without the ad-libbing, it’s possible that Gunny’s famed iconic status might not have ever happened. After all, part of what makes the role so good is how real it feels.
Kubrick said that Ermey didn’t need many takes for each scene. Maybe that’s because playing the role of a drill instructor felt so natural for him. He was able to make the role his own specifically because he’d lived it. He knew exactly how the minds of new Marines would think and worry and react. All of that added to the authenticity of what he brought to the screen, making his performance in Full Metal Jacket one of the most iconic roles in all of film.
If you’re quiet and close you eyes, you can almost hear him shouting:
Ermey went on to star in over 60 films, including roles in Leaving Las Vegas, Se7en, Dead Men Walking, and even stretched his actor’s legs with Saving Silverman and Toy Story.
“Everyone’s preconceived ideas of what T. rex acted like and looked like are going to be heavily modified,” Mark Norell, a curator at the American Museum of Natural History, told Business Insider. The museum just opened an exhibit devoted to the dino, called “T. rex: The Ultimate Predator.”
The exhibit showcases the latest research on the prehistoric animal. And as it turns out, these predators started their lives as fuzzy, turkey-sized hatchlings. They also had excellent vision, with forward-facing eyes like a hawk for superior depth perception. And T. rexes couldn’t run — instead, they walked at impressive speeds of up to 25 mph.
But to be fair to Steven Spielberg, only seven or eight T. rex skeletons existed in the fossil record when his classic movie was produced in 1993. Since then, a dozen more skeletons have been discovered, and those bones have changed scientists’ understanding of the creatures.
Here’s what the T. rex was really like when it hunted 66 million years ago, according to the experts at the AMNH.
Henry Osborn, Fred Saunders, and Barnum Brown on the AMNH scow Mary Jane, 1911.
1. The first T. rex skeleton was discovered in 1902 by Barnum Brown, a paleontologist with the AMNH.
Today, the institution boasts one of the few original T. rex skeletons on display.
Tyrannosaurus rex — from the Greek words for “tyrant” and “lizard” and the Latin word for “king” — lived between 68 million and 66 million years ago, during the late Cretaceous period (just before the asteroid impact that ended the era of the dinosaurs).
2. The T. rex rocked a mullet of feathers on its head and neck, and some on its tail too.
Feathers are rarely preserved in the fossil record, so they haven’t been found on a T. rex specimen. But other dinosaur fossils, including other tyrannosaur species and their relatives, do have preserved feathers.
That means paleontologists can “safely assume” T. rex had feathers as well, Norell said.
Though adult T. rexes were mostly covered in scales, scientists think they had patches of feathers on attention-getting areas like the head and tail.
3. T. rex hatchlings looked more like fluffy turkeys than terrifying predators.
T. rex hatchlings were covered in peach fuzz, much like a duckling. As they aged, they lost most of their feathers, keeping just the ones on the head, neck, and tail.
Most hatchlings didn’t survive past infancy. A baby T. rex had a more than 60% chance of succumbing to predators, disease, accidents, or starvation during its first year of life.
4. T. rex had a fairly short lifespan by human standards. No known T. rex lived past the age of 30.
The T. rex was like “the James Dean of the dinosaurs,” said Gregory Erickson, a paleontologist from Florida State University who consulted on the museum’s new exhibit.
The Hollywood actor, often connected to the famous quote “Live fast, die young, and leave a good-looking corpse,” died in a fiery car crash at the age of 24. T. rexes, similarly, were spectacular but died quite young.
Paleontologists can estimate the age that a dinosaur was when it died by analyzing its fossilized bones, which have growth rings that correspond to its age, much like trees. Experts can count the number of rings to determine its age, as well as compare the spaces between rings to find out how fast the dinosaur was growing at different ages.
5. A T. rex grew from a tiny hatchling to a 9-ton predator in about 18 to 20 years, gaining an unbelievable 1,700 pounds per year.
A full-grown Tyrannosaurus rex weighed about 6 to 9 tons. It stood about 12 to 13 feet tall at the hip and was about 40 to 43 feet long.
6. The “king of the dinosaurs” evolved from a larger group of tyrannosaurs that were smaller and faster.
While the T. rex emerged about 68 million years ago, its tyrannosaur ancestors were 100 million years older than that.
The tyrannosauroidea superfamily consists of two dozen species spanning more than 100 million years of evolution.
7. That evolutionary lineage might explain why T. rex had tiny arms.
For earlier tyrannosaur relatives with smaller bodies, these tiny arms were long enough to grasp prey or pull food into their mouth.
“The earliest tyrannosaur species had arms that were perfectly proportioned,” Erickson said.
He said he thinks T. rex’s puny arms were vestigial — a body part or organ that no longer serves a function but is nevertheless retained (kind of like a human’s appendix or wisdom teeth).
8. An adult T. rex didn’t need its arms to hunt — its massive jaws, filled with sharp teeth that constantly grew back, were enough.
“T. rex was a head hunter,” Norell said. The predator had the rare ability to bite through solid bone and digest it.
Paleontologists know this from the dinosaur’s fossilized poop; they’ve discovered T. rex feces containing tiny chunks of bone eroded by stomach acid.
9. The force of a T. rex bite was stronger than that of any other animal.
No other known animal could bite with such force, according to museum paleontologists.
10. T. rex was also a cannibal.
Scientists are pretty sure that T. rex ate members of its own species, but they don’t know whether the dinosaurs killed one another or just ate ones that were already dead.
Arguments about whether the dinosaur was a hunter or a scavenger have raged over the years, but “a bulk of the evidence points to T. rex being a predator, not a scavenger,” Erickson said. “It was a hunter, day in and day out.”
What Did a Baby T. rex Look Like? ? Find out in T. rex: The Ultimate Predator (Now Open!)
11. The predator had a keen sense of smell, acute vision, and excellent hearing, making it hard for prey to avoid detection.
When “Jurassic Park” came out in 1993, scientists knew only that the T. rex was big and carnivorous and had a small brain, Erickson said.
But now paleontologists know that the dinosaur had some of the largest eyes of any land animal ever.
About the size of oranges, T. rex eyes faced forward like a hawk’s and were spread farther apart on its face than most other dinosaurs’ eyes, giving it superior depth perception during a hunt.
12. One of the biggest differences between the museum’s depiction of T. rex and the images in popular culture is that the real animal appears to be much svelter.
The new model shows a T. rex with even smaller forelimbs than previous ones and more prominent hind limbs.
According to museum paleontologists, an adult T. rex walked with fairly straight legs, much like an elephant. Walking with bent legs would have placed immense stress on its bones and joints, quickly exhausting its leg muscles.
13. So unlike the creature in “Jurassic Park,” the real T. rex couldn’t run. It just walked quickly.
An adult T. rex had a long stride, helping it reach speeds of 10 to 25 mph. But the dinosaur never reached a suspended gait, since it always had at least one leg on the ground at all times.
Juvenile T. rexes, which weighed less than an adult, could run.
14. There are still a few lingering mysteries about T. rex, including what color it was.
In movies and illustrations, the animal is often depicted in drab colors, similar to those of a crocodile. But the new museum exhibit suggests that, since reptiles come in every color, the T. rex could have been brightly colored.
It’s also challenging for experts to determine the sex of the T. rex skeletons they dig up, leaving questions about differences between males and females unanswered as well.
15. Scientists aren’t sure what T. rex sounded like, but the best guesses are based on the dinosaur’s closest living relatives: crocodiles and birds.
A 2016 study suggested that T. rex probably didn’t roar, but most likely cooed, hooted, and made deep-throated booming sounds like the modern-day emu.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
At the end of June 2019, a new version of Avengers: Endgame will hit theaters, with a post-credits scene and new “surprises.”
On June 19, 2019, Insider reported that during a press junket for Spider-Man: Far From Home, Marvel president Kevin Feige confirmed the “rerelease” will happen on June 28, 2019, right before Far From Home hits theaters the following week. Feige made it clear that this wasn’t an extended cut but that “there will be a version going into theaters with a bit of a marketing push with a few new things at the end of the movie.” He continued: “If you stay and watch the movie, after the credits, there’ll be a deleted scene, a little tribute, and a few surprises. “
The Marvel Cinematic Universe has a long history of including post-credits scenes, with mixed results. In April 2019, audiences who were excitedly anticipating the post-credit scene after Endgame were treated to a trailer for Spider-Man: Far From Home instead. Chris Hemsworth later teased a “deleted scene” from the film on Jimmy Fallon. However, the “scene” ended up being a clip of the Australian actor singing a few lines of “Hurt” by Nine Inch Nails.
The point is when it came out in April 2019, Endgame was unique because it was the first MCU film that didn’t have a post-credits scene setting up what would happen in future installments. Now, apparently, that will no longer be the case.
As for the “surprises,” that’s anyone’s guess. Maybe one deleted scene will help explain what the hell happened to Loki and how he has his own time-traveling TV show?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Ever since Disney merged with 20th Century Fox, Marvel superheroes previously soloed to their own self-contained movie franchises suddenly have the ability to crossover with the proper “Avengers” films. While most of the attention has been focused on the X-Men, the character of Wade Wilson AKA Deadpool is also a tricky one.
Though the “Deadpool” films exist within the old “X-Men” film franchise, they are decidedly not for kids. And although a PG-13 cut of “Deadpool 2” was released Christmas 2018, it now appears that Deadpool could crossover to the more family-friendly Marvel Cinematic Universe, but somehow he’ll still swear a lot?
On Oct. 14, 2019, news circulated that the “Deadpool” screenwriters Paul Wernick and Rhett Reese confirmed that Disney has given the green light on future “Deadpool” movies set within the MCU. Here’s the big quote from Reese in full:
“The promise [from Disney] is that there will be more Deadpool. He will live in the R-rated universe that we’ve created, and hopefully, we’ll be allowed to play a little bit in the MCU sandbox as well and incorporate him into that. We’ve just got to land on the right idea and once we do, I think we’ll be off to the races. We wake up thinking about Deadpool and we go to sleep thinking about Deadpool, so there will be another Deadpool and we just have to make it the right way.”
(20th Century Fox)
Right now, it’s unclear if this means Deadpool will continue to be played by Ryan Reynolds in his new MCU incarnation or not. And if so, the implications of that crossover are kind of weird. After all, Josh Brolin (famous for Thanos) also plays Cable in the “Deadpool” movies. So, if the foul-mouthed of Deadpool we’re all used to does appear in legit MCU movies, it almost necessitates a parallel universe explanation by default.
Then again, because this is Deadpool, all of that confusing comic book continuity could probably be just as easily handled with a joke.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
This week Marvel released the official character posters of Team Cap for the upcoming flick Captain America: Civil War. In this movie, the heroes from the franchise are split into two camps: Team Cap and Team Stark.
Team Cap includes Captain America, The Winter Soldier (Bucky Barnes), Falcon, Scarlet Witch, Ant-Man, and Hawkeye. Team Stark will most likely be Iron Man, Black Widow, War Machine, Vision and Black Panther.
Let’s look back at previous times Captain America graced the silver screen and “marvel” at how far he’s come. Some of these films have stood the test of time better than others, but all had some part in the way that the Cap has evolved over time:
1. Captain America 1944
This one stars Dick Purcell as Cap. He still rides a motorcycle, but in this one his alter ego is Grant Gardner. It’s a serialized cinematic version where Captain America hunts down the Scarab and his minions who poison their enemies and destroy buildings with a stolen device that uses vibrations to wreak havoc.
This must have looked awesome in the 1940s, but at about nine minutes in it feels like a goofy man in pajamas is just beating old-timey gangsters to death.
2. Captain America 1979
This 1979 made-for-TV movie featured Reb Brown as Captain America, complete with everything you’d expect from a show made during the late ’70s. In this adaptation Brown plays Steve Rogers, whose father was a government agent in the 1940s. His father’s zeal for America earned him the nickname “Captain America” and despite the fact that this name was used to ridicule his father, Rogers assumes the moniker. His strength and agility are boosted by a super steroid (you read that right). Cap drives around in a van (this is the 70s after all) which launches a high-tech motorcycle.
This film spawned a made-for-TV sequel called Captain America II: Death Too Soon.
3. Captain America 1990
This version’s plot is eerily similar to the Marvel Cinematic Universe’s Captain America: The First Avenger, complete with Red Skull, dramatic super serum scene, and an ice-watery doom. This one has the added bonus of Ned Beatty in giant eyeglasses. Cap is played by Matt Salinger who looks like your dad in a skin tight onesie catching a frisbee.
Chris Evans’ Captain America returns in Captain America: Civil War on May 6th.
It’s just about here – the sequel aviation and military buffs have been patiently waiting for.
“Top Gun: Maverick” was supposed to fly onto the big screen in July but was pushed back to December due to COVID-19. The sequel with Tom Cruise returning in the starring role as hotshot naval aviator LT Pete “Maverick” Mitchell, a graduate of the US Navy’s elite TOPGUN school and a career fighter pilot flying the Grumman F-14 Tomcat.
Though not a whole lot of information about the new movie has been released just yet, it’s generally understood that Maverick will be an instructor or something similar, teaching the next generation of fighter pilots how to push themselves and their aircraft to the limit.
While a lot has changed in the three decades since Maverick first set foot on TOPGUN’s campus at NAS Miramar (now a Marine Corps base), one thing remains absolutely certain — Maverick really shouldn’t be anywhere near the school, especially as an instructor.
From his downright reckless flying to his cavalier attitude, this aviator is no example for new TOPGUN candidates, and he definitely shouldn’t be in a position to instruct them.
Here are four reasons why Maverick might actually be the worst possible choice to be a TOPGUN instructor in the sequel:
1. He wasn’t even the best pilot at Top Gun!
Far from it.
In fact, Maverick didn’t even come close to winning the top graduate award at the end of the program, losing his edge and competitiveness after his radar intercept officer, Lt. JG Nick “Goose” Bradshaw, died during a training exercise gone wrong.
In convincing him to return to the program, “Viper” — TOPGUN’s head honcho in the movie — lets the depressed soon-to-be washout know that he has enough points to graduate with the rest of his class… but certainly not enough to achieve the award for best pilot.
Instead, it’s Maverick’s classmate and fierce rival, Lt. Tom “Iceman” Kazanski who took the plaque for first place (and gains the option to return to TOPGUN as an instructor). If anything, being that the program is designed to mature the most capable of all Navy fighter pilots currently serving, shouldn’t they only learn from the best?
2. He’s definitely not a team player
“You never, never leave your wingman.” – Lt. Cmdr. Rick “Jester” Heatherly (Photo Top Gun Youtube screengrab)
This is alarmingly evident from the very beginning of the movie, when the young pilot and his backseater decide to leave a fellow Tomcat behind and completely exposed to do a little showboating.
Instead of covering his wingman, Maverick pulls his F-14 over an enemy MiG-28 for Goose to take vanity images with a Polaroid camera. Meanwhile, “Cougar” and “Merlin” — the two aircrew of the other F-14 — are mercilessly hounded by another MiG fighter, causing Cougar to lose his edge and turn in his wings after nearly crashing his jet.
Over at Miramar, Maverick once again draws the ire of his fellow classmates by leaving them behind during training exercises, choosing instead to selfishly pursue Viper while allowing his wingmen to take a hit.
3. He’s too reckless and narcissistic
Every time Maverick goes up, he flies dangerously.
It’s a chronic problem and he doesn’t know how to solve it. From buzzing control towers to his inverted encounter with the MiG-28 to his training sorties at TOPGUN, Maverick just doesn’t know how to turn off his recklessness.
At times, he’s even been known to disobey direct orders from commanding officers. His superiors call him out on it repeatedly, from his time in the fleet aboard the USS Enterprise to his antics at TOPGUN, darting below the “hard deck” to get a radar lock on one of his instructors.
Perhaps this is a result of his inherent narcissism… a trait unbecoming of a potential TOPGUN instructor pilot. The young naval aviator is frankly way too self-absorbed to be an instructor given his penchant for doing things that would ultimately give himself the glory.
4. He’s way too old to be an instructor anyways
Let’s do the math here — “Top Gun” was released in 1986, over 3 decades ago. By the time the sequel makes its appearance on the silver screen, 34 years will have elapsed since Maverick’s stint at the former NAS Miramar. Let’s add another four years to that, since Maverick was a lieutenant back when he first entered the TOPGUN program… which brings us to a grand total of 37 years.
The vast majority of military officers don’t even have careers that long! Given Maverick’s penchant for angering people in authority over him, it’s unlikely that he’d still be in the Navy, though it’s also possible that he got relegated to a desk job, ending his flying career, where he might remain today.
With that being said, fighter pilots also have a “shelf life.” There’s only so much wear and tear that their bodies can take from the physical and mental stress of flying high-performance fighter aircraft, and most tend to either leave the cockpit due to advancement, or out of a personal choice to accept a less-strenuous job elsewhere (within or outside the service) within 15-20 years.
OF COURSE we’re going to see the new “Top Gun” when it comes out. But we’ll be looking to make sure that if Maverick is indeed an instructor, he’s matured from his previously reckless ways.
The penultimate episode of season one brings us Chapter 7: The Reckoning, wherein director Deborah Chow returns — and brings along some familiar faces.
Here’s your spoiler warning:
The Mandalorian, Disney+
Our Mandalorian-of-honor receives a transmission from Greef Carga, who has a proposition that is clearly a trap. Navarro is now overrun with Imperial troopers and Carga wants them off his back, so he’s willing to team up with Mando to kill The Client.
Our Mandalorian seems to decide that this is the best deal he can get so he decides to take Carga up on his deal — but not without reinforcement. He returns to Sorgan to recruit Cara Dune, who’s brawling for credits in a bar (fun to see Gina Carano showing off some of her moves).
To my surprise, they leave Omera behind (I’m still waiting to find out why she’s such a good marksman) and head off to Arvala-7 to grab Kuiil instead.
The Mandalorian, Disney+
Here we learn that the Ugnaught has spent the time since we last saw him repairing and reprogramming IG-11. For some reason that hasn’t yet paid off, this episode spends a lot of time on the montage of IG-11’s journey back to functioning droid. I feel like I got the gist the first time Kuiil said he reprogrammed the killing out of IG-11?
Kuill finally agrees to accompany Mando but insists on bringing IG-11 and three blurrg with him.
(Side note: I basically just ignore space and time in Star Wars otherwise I’ll get too distracted wondering how those blurrg fit in the ship? And how much time has actually passed? It only feels like a few days or weeks but I guess it’s longer?)
Silly billy! No Force-choking friends without their consent!
The Mandalorian, Disney+
During their flight back to Navarro, Mando and Cara arm-wrestle. Seeing this, the Yoda Baby misinterprets Cara’s actions as an attack against Mando so he decides to Force-choke her.
“That’s not cool!” Haha but it is hilarious. Little baby Force-choke! That’s impressive!
What’s most interesting is the reaction — no one in the ship talks about the Force after the incident. Kuiil is theoretically old enough to remember the time of the Jedi Order (he mentions to Cara that he’s lived three human lifespans), but none of the group seem to know firsthand about the Force.
Beware the intelligent adversary.
The Mandalorian, Disney+
On Navarro, the group meets up with Carga and his back-up. They decide to walk until sundown, camp for the night, then head into the city at first light. Unfortunately, they are attacked by some sort of pack of flying dragons or mynocks or wyverns. The creatures carry off two blurrgs (which was deeply unsettling — why do the innocents always have to die?) and rake Carga’s arm with poisonous claws.
Here we get to learn a pretty fun new fact about the Force — it can be used for healing. The Yoda Baby walks up to Carga, places his tiny little hand on Carga’s wounded arm, and closes the wound and eliminates the poison. Cool!
Carga thought so, too, because the next day he shoots his men and confesses that they were just going to turn on Mando. Now Carga is committed to saving the baby and killing The Client.
He suggests there will only be about four Stormtroopers guarding The Client and not to worry…
Only now, Kuiil will take the baby back to the Razor Crest and they’ll pull the ol’ fake-prisoner bit, bringing in Mando in handcuffs, and just pretend the baby is in the carrier.
Insert a “we’ve got company” quote here.
The Mandalorian, Disney+
Of course, the plan goes awry. Though The Client apparently believes the baby is “sleeping,” his boss doesn’t. Moff Gideon (played by Breaking Bad’s Giancarlo Esposito) calls via hologram right before ordering an attack on everyone in the room. He shows up in a fancy TIE fighter to join his Death Troopers and trap Mando and Cara behind enemy lines.
Mando then decides to, for some reason, communicate with Kuiil over comms that are easily intercepted by Scout Troopers, who take off to capture Kuiil.
A very stressful race begins, with Kuiil and the Yoda Baby on a fleeing blurrg, racing toward the ship while the Scout Troopers speed off toward them. (I mean, how did the Scout Troopers know which way to go? Why didn’t Mando use clean comms — or at least some code?? Questions for another day…)
Honestly, I was waiting for IG-11 to burst out of the ship and save the day…but instead we cut abruptly to the Yoda Baby on the ground, scooped up by a Scout Trooper, leaving the dead blurrg and Kuiil in their wake.
With that, we’re left on an Empire-like cliffhanger waiting for the finale on Dec. 27.
You’ve heard of Elf On The Shelf but are you ready forpic.twitter.com/0dyFHkbkCR