There’s every sign that Marvel isn’t resting on its laurels after the global domination of “Avengers: Endgame,” but that doesn’t mean that the fifth Avengers movie is coming any time soon.
In Hall H at San Diego Comic-Con, Kevin Feige laid out the films and TV series that will make up phase 4 of the Marvel Cinematic Universe. The first, “Black Widow,” will hit theaters on May 1, 2020 while the last, “Thor 4: Love and Thunder” has a release date of Nov. 5, 2021. An Avengers movie was not among the titles announced.
And that honestly makes a lot of sense. The MCU is all about using films to build stories and flesh out characters. With the destruction of Thanos and the end of the Infinity Saga, Marvel is starting with the closest thing to a blank slate its had in a while, and it looks like the studio is taking its time to build up to an “Endgame” level of sprawling spectacle.
So what do Marvel fans have to look forward to? Plenty, starting with the big names. There’s Natalie Portman taking the hammer as Lady Thor, Angelie Jolie joining the MCU in “The Eternals,” and a surprise Blade reboot starring Mahershala Ali.
There’s also “Doctor Strange in the Multiverse of Madness,” which director Scott Derrickson called Marvel’s “first horror movie” and “Shang-Chi and the Legend of the Ten Rings,” which will star Chinese-Canadian actor Simu Liu and Awkwafina.
As for the next Avengers omnibus? Assuming that this is the final phase 4 lineup, it should be part of phase 5, which barring a bizarre hiatus will begin in 2022. It’s more likely, however, that it’s released in 2023.
Marvel has never released an Avengers movie in the first year of a phase, preferring to, again, let those earlier films build into the big one. If that pattern, which has been quite successful holds, we have a while to wait before another Avengers movie but a ton of movies to watch so that we understand the stakes when it does finally hit theaters.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
You know the old saying, “don’t judge a book by its cover”? That’s precisely what you should remember when you meet singer-songwriter, Brandon Mills.
The six-foot-tall dirty blonde haired blue-eyed Mills isn’t just another pretty face; behind those blue eyes, there is a bad ass who was once known as Sergeant Brandon Lanham, Marine Corps reconnaissance scout sniper.
He goes by Mills because, as he puts it, “Mills is my middle name, all my favorite singer songwriter’s names are 3 syllables, not sure why but I think there is a method to their madness.”
Mills joined the Marine Corps with his brother and they attended boot camp together and were later reunited in the Recon community.
Mills served his first tour in Afghanistan with Golf Co. 2nd Battalion 3rd Marines out of Hawaii. After some continued motivation from his brother, he took the leap, passed the requirements and indoctrination process, and got to 1st Recon Battalion, with whom he would deploy to his second tour in Iraq.
All along the way, Mills was writing lyrics and honing his craft as a musician.
“I just wanted to travel and play music for everyone,” Mills said about his desire to perform.
“My youngest memory of recorded music is a Beach Boys greatest hits tape that I spent my lawn mowing money on,” reflects Mills as he explains his earliest passion for music that has stuck with him since playing the saxophone in school.
The love of music and the desire to create it has been a lifelong aspiration for Mills even before he joined, so it would make sense that he leave the Marine Corps and become a musician. Right?
Even after all his success and accolades in the Corps, Mills was not ready to aimlessly jump straight into the music scene when he left the Marines. He admits he was nervous — even scared — to chase the dream without a safety net, so he did what many Veterans do: he became a contractor.
Eventually, the bug bit harder and he found it impossible to not take the risk and pursue his true first love.
Now managing his own gigs, website, and social media, Mills has made his transition from Marine to musician rather successfully.
He has played shows all over the country, supporting non-profits like Intersections International, Force Blue, and Society of Artistic Veterans. He has recorded several tracks and even shot a few music videos of himself performing.
Recently Mills finished a residency at Umami burger in Brooklyn and Manhattan, “That was just me hustling, literally going from business to business asking, do you guys do live music? If not, why? If you do, how do I get involved?”
That’s the work ethic and resolve all warriors take to their tasks.
(Brandon Mills | YouTube)It might go without saying that the persistence, determination, and even stubbornness are strong character traits in most, if not all, of our elite warriors.
You don’t make it into our military’s special units without being resilient, steadfast, and dedicated — Mills without a doubt carries those same values and characteristics into his music career.
I asked Mills if the transition was hard, going from stone cold warrior to writing and performing love songs. I wondered if there was any identity crisis there and how he dealt with it.
He explained that it was difficult dealing with other ideas of masculinity and letting that warrior machismo block his flow, but he has learned to temper those instincts and allow himself to feel the positive vibes and let his creativity through, not worrying about what others think and only focusing on great storytelling through song.
I don’t think Brandon would mind the comparison of his sound being somewhere between John Mayer in his vocal delivery and Jack Johnson in his light-hearted muted acoustic. Mills’ vocals have that bluesy, gravely register that urges the listener to lean in and feel the lyrics, while his guitar style is playful and rhythmic like a campfire sing-a-long.
Mills isn’t commercially successful yet, or famous for that matter; however, he understands that it’s a long road in the music industry, requiring a ton of work — but he feels he has all that in him.
He wants to help veterans tell their stories through music and let them know that it’s okay to express themselves through art, using himself as an example. Brandon’s music is all about spreading positivity, uplifting spirits, and connecting people with passion.
“I hope that I can give some people what they need,” Mills said, when discussing his forthcoming album. “I’m so critical of myself, I know what I want — if it’s not good enough I will do it again.”
It’s relentless drive and focus like this that will push Mills into the spotlight, eventually.
The strength, tenacity, and perseverance saturated in his warrior spirit will undoubtedly meld with his passion and creativity to help Brandon Mills become a renowned singer-songwriter for years to come.
Remember those days back in the barracks playing hours of GoldenEye? Well, grab your battle buddies and license-to-kill because GoldenEye: Source, an unofficial and free remake of the N64 classic GoldenEye 007, has received its first major update in more than three years.
While there’s no single player campaign, the remake features 25 maps, 28 weapons, and 10 game modes. GoldenEye: Source has been a labor of love for the creators for the past decade, and that reverence for the original game shines through in the attention to detail evident in the trailer.
The remake runs on Valve’s Source engine — the same used for Counter Strike and Half-Life — so while the graphics aren’t quite Skyrim quality, it’s still a major facelift. The “choppers” look like actual hands instead of pork chops, and that should be enough. The option to use a keyboard and mouse or modern gamepad will also be a breath of fresh air for anyone who’s recently dusted off the old N64-console and tried to stumble through the original GoldenEye‘s outdated control scheme.
On D-Day, Richard Todd was one of the paratroopers who took part in the capture of Pegasus Bridge. Todd had parachuted in after the original assault and helped reinforce the British Army’s Oxfordshire and Buckinghamshire Light Infantry led by Maj. John Howard.
Little did Todd know at the time that he would find himself portraying that same British commander when legendary director Daryl Zanuck was making Cornelius Ryan’s book “The Longest Day” into an epic movie.
Imdb.com reports that Todd was very nearly killed on D-Day. He had been assigned to a new plane. The switch was a fortunate one since his original transport was shot down by the Nazis, killing all aboard. A 2004 article by the London Guardian reported that Todd’s D-Day involved making his way to Pegasus Bridge, reinforcing Howard’s unit, and helping to fend off German attacks on the bridge while under Howard’s command until seaborne forces linked up with the paratroopers.
Todd never discussed his actions on D-Day. However, in his memoirs, “Caught in the Act,” he would write, “There was no cessation in the Germans’ probing with patrols and counter-attacks, some led by tanks, and the regimental aid post was overrun in the early hours. The wounded being tended there were all killed where they lay. There was sporadic enemy mortar and artillery fire we could do nothing about. One shell landed in a hedge near me, killing a couple of our men.”
By 1962, Richard Todd had become a well-known actor, with his most notable role having been Wing Commander Guy Gibson in the 1954 movie, “The Dam Busters.” Todd had also starred in “D-Day, the Sixth of June” three years later as the leader of a commando group sent to take out German guns.
When he was asked to play himself in “The Longest Day,” he demurred, admitting his own role in the invasion had been a small part. The London Telegraph quoted him as saying, “I did not do anything special that would make a good sequence.” Zanuck, determined to have Todd in the film, cast him as Howard instead.
“The Longest Day” was one of Todd’s last big roles, as British cinema moved in a very different direction in the 1960s. He still found work acting, narrating the series “Wings over the World” for AE Television and appearing in several “Doctor Who” episodes, among other roles.
Todd would die on Dec. 3, 2009, after having been named a member of the Order of the British Empire in 1993. Below is the trailer for “The Longest Day.”
Sam Mendes, the Oscar®-winning director of Skyfall, is bringing his World War I epic to the big screen this winter in 1917, the story of two young British soldiers (Game of Thrones‘ Dean-Charles Chapman and Captain Fantastic’s George MacKay) who are given the seemingly impossible mission of saving 1600 Allied men.
“In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers—Blake’s own brother among them,” Universal Pictures describes.
Check out the rather Dunkirk-esque trailer right here:
“If you fail, it will be a massacre,” warns Colin Firth, who tasks the young soldiers on their mission. One of them, Blake, has a brother serving in the 2nd Battalion, who are walking into a trap.
“Your orders are to deliver a message calling off tomorrow morning’s attack. If you don’t, we will lose sixteen hundred men, your brother among them,” states Firth.
Mustache March dates back to the Vietnam War, but Cumberbatch knows WW1 troops were the OG stachers.
(Universal Pictures image)
“There is only one way this war ends,” declares Benedict Cumberbatch, another high-ranking officer.. “Last man standing.”
We know, of course, who wins the war, but what is great about war epics is that they show us what it was like for the men who fought them. This trailer shows trench warfare, battlefield attacks, explosions within buildings, and other horrors of the Great War.
Kid, I’m gonna need you to put your helmet back on…
(Universal Pictures image)
Written by Sam Mendes and Krysty Wilson-Cairns (Penny Dreadful), the film is Mendes’ first return to the war genre since 2005’s Jarhead. Shot by Oscar®-winning Roger Deakins (Blade Runner 2049) and edited by another Oscar®-winner, Lee Smith (Dunkirk), the film promises to be a cinematic achievement.
(Universal Pictures image)
1917 will open domestically in limited release on Dec. 25, 2019 and wide on Jan. 10, 2020.
Every year, a new “Call of Duty” game comes out — it’s an annual franchise, like “Madden” and “FIFA,” except it’s a first-person shooter instead of a sports game.
2017 is no different, and this year’s “Call of Duty” is on the verge of being revealed. On Friday we found out one crucial detail about the unannounced game, demonstrated in this image:
The new game is named, “Call of Duty: WWII.”
That’s important for a few good reasons, but one stands out: It means that the “Call of Duty” franchise is returning to a type of warfare it otherwise abandoned years ago. Aside from the setting, the time period means slower weaponry with less precision and fewer bullets — a notable change from the type of futuristic weaponry seen in recent “Call of Duty” games.
2016’s “Call of Duty” was set in space, in a near-future that leaned more sci-fi than gritty realism. You could literally run on the walls, and double-jump with rocket boots.
The newest game in the “Call of Duty” franchise is being created by Sledgehammer Games, the same studio behind “Call of Duty: Advanced Warfare.” That’s also a good sign, as “Advanced Warfare” was an especially good entry in the annual franchise.
There’s no release date or game console specified in the information provided, but we’d guess that “Call of Duty: WWII” will arrive in November on the Xbox One, PlayStation 4, and PC. And maybe Nintendo Switch? Maybe.
Hanson at the GI Film Festival San Diego. Photo credit BH.
Brian Hanson has lived a few lives and succeeded in some of the harder endeavors known to man: earning a Ranger tab and making a movie. He grew up in Southern California, worked in Hollywood for awhile and then felt called to serve in the U.S. Army. He left Hollywood and became a Ranger serving on multiple deployments to Afghanistan. Upon returning from his service he fulfilled his dream by writing, directing and producing his first film, The Black String, starring Frankie Muniz.
WATM: Can you share about your family and your life growing up?
I was born in Detroit then my parents moved to San Diego. They were tired of the snow and wanted a new lifestyle on the West Coast. My father has always been a huge TV, film and history buff. I grew up in Escondido which is a suburb of San Diego. I had a sister that unfortunately was killed in a car accident when she was sixteen so that was a life changing moment in our lives. It was a paradigm shifter. My parents worked hard, and my youth was in many ways the normal SoCal life — riding bikes with friends, enjoying summers and playing sports. I had a real fascination toward movies and telling stories. It was always in me. I played football and baseball in high school. I also did student government. We did a field trip when I was a senior in high school to see a talk show at Paramount Studios to see The Kathy Lee Gifford Show. Seeing the stage, PAs and cameramen showed me that showbiz was a real industry and that I could do it. Even though I did (short) films with my friends it made me aware that I could direct myself toward the industry. It is a real thing.
I graduated that summer and my sister died, so all bets were off on going into the industry at that time. I did one year at San Diego State and then decided to travel abroad with a friend. We worked as bartenders and lived in the United Kingdom. It is what 18 year olds should do— go see the world. I started reading Syd Field books and Robert Rodriguez books like Rebel Without a Crew, watching El Mariachi, Swingers, Reservoir Dogs, Clerks, Blair Witch, The Following…I was really into the big studio movies (Saving Private Ryan, Back to the Future, The Matrix) and the independents. It was like you can do this, get a camcorder and you can do it. I knew I wanted to join the military, but not at that moment in my life so I came back from Europe and transferred up to Cal State Northridge. I graduated and got my proper film school bachelor’s degree. I knew I wanted to be a Writer/Director. My parents were very supportive of my endeavor in making it in Hollywood and telling stories.
Once US Forces entered Iraq in 2003, I had read voraciously about 9/11 and the invasion of Afghanistan. I knew I was going to join the military at some point, but when? I would be pouring drinks for young, good looking Hollywood people at a bar making hundreds of dollars a night where over their shoulder would be a TV on reporting the Battle of Fallujah. I started to not feel right about that, and I wanted to be an honest storyteller. I would like to be a storyteller that speaks truthfully and authentically and didn’t want to be the person that imitates. I didn’t want to be an imitator of Goodfellas or Full Metal Jacket. I knew I needed that life experience to be an authentic storyteller. I did a TV Pilot with some friends that we raised money for, and Brandon Routh was in it. This was right before he was cast as Superman in Superman Returns. Brandon and I bartended together at that time. He was a great guy to work with. I was also bartending at the Playboy mansion during the end of the glory days for Hefner and the Mansion. It’s tough to just walk away from all of that and you are making decent money in Hollywood. You are just one step or script away from “it” happening.
After not much happened with the TV Pilot I started to realize that Hollywood and LA are still going to be here. I wrestled a year or two of how to leave it behind after I had started a life. As I approached 30, I looked in the mirror and decided to join the Army because if I waited longer, the military wouldn’t let me join – I’d be too old. I would have regretted to my dying day if I did not serve. There were no questions in life. I knew joining as an older guy would be different when compared to most recruits. But I wanted to volunteer my time and some of the years of my life to serve my country, but I had to step up and go do it. I gotta do this and gotta do it now. I knew my goal was to come back to LA with this accomplishment and service to my country being complete.
Hanson at Fort Benning. Photo credit BH.
WATM: What made you want to become a Ranger and what was your experience like?
I didn’t know all the details when I enlisted as an 11Bravo (infantry), but I knew that Rangers and Green Berets were the high-speed special-operations units. One day in Basic Training at Fort Benning, the Ranger recruiters came out to ask for volunteers and my Drill Sergeant SFC Metcalfe looked at me and said, “Hanson, you better f’n volunteer.” So, I volunteered on the spot and a few months later I was reporting to Ranger Assessment Selection Program. Unfortunately, SFC Metcalfe was killed in action a year later when he deployed to Afghanistan with the 173rd. I thank SFC Metcalfe for pushing me to go Ranger.
I was stationed at Fort Benning with 3rd Ranger Battalion where it is a high-speed training cycle. You train for six months and then deploy for about 3 to 4 months. There is always a Ranger Battalion deployed. Just operating at that tempo, at all times, is exciting and inspiring to see your NCOs, squad leaders and platoon sergeants are on their sixth or tenth deployment. It was very inspiring to see their commitment to the unit at the cost of their family and personal time. When you are a single young, enlisted person it is very inspiring to see that level of motivation. Rangers hold themselves up to the highest standard of leading the way. You are always being tested. It is uncomfortable and you never have a chance to relax. It is a great way to stay sharp. It is a tough head space to always be in. You are always being watched. The young (new) guys compete like professional athletes to deploy, like trying to make the starting roster. Once you deploy you want to be on that mission every time. I deployed to FOB Salerno in Afghanistan on the border real close to Pakistan. My second deployment was at Camp Leatherneck/Camp Bastion and then my last deployment I was at FOB Shank aka “Rocket City”. That place was hit like all day with nonstop rockets. It’s funny how used to it you get.
The Taliban used a lot of ingenious guerrilla tactics like setting ice on the mortars to eventually melt and then go off at some point during the day. Apaches would launch to try and find the culprits however they were not there. We ran the night shift out there for High Value Targets (HVT) where we went on night raids. To see how targets were acquired and track and intel was gathering where the strike force commander was the CO. From top to bottom the whole thing was a collection of assets. We worked with the Air Force, Navy, Marines, big Army, DIA and had civilians running the drones. It is amazing to see people come together for these task forces where all of these people work together on the fly. Being 30 and seeing this strike force run by young soldiers/civilians is amazing because in Hollywood most 23-year olds close to me are up and coming bartenders/actors/writers/directors. In Afghanistan we had 23-year-old Forward Observers bringing in Chinook helicopters into dangerous LZs to pick us up for a night raid. 24-year-old squad leaders are ensuring that everyone is accounted for and that no one is left behind on the side of a mountain in Afghanistan. It is amazing to see what young people can do where they have been trained at such a high level and have high expectations. They achieve and are motivated. I think Hollywood is an amazing place where things get done, but I think a lot of it is a 10-year delay. It is a bit of an arrested development sometimes.
In a training incident I was a towed jumper. We were doing our yearly training for airfield seizures which is an entire battalion operation to seize an airfield. I was the last guy to jump out of a C-17 at night with a full combat load and got hung up on the plane which made me a towed jumper. I was hanging outside of a C-17 at 1000 to 1500 feet circling Fort Benning banging against the side of the plane and fully conscious. Thinking that I might die at any moment and this is not a normal thing to happen to people. My static line wrapped around my weapons case where when you are jumping your weapons case is attached to your thigh and your harness. Somehow there was too much slack in the static line to where it wrapped around the weapons case so it wouldn’t release me. The static line stays clipped inside the plane and it is supposed to pull the back of the pack tray. You jump and it pulls it out, but it got wrapped around and it pulled me.
I was okay with a tight body position and covered my reserve chute, so it didn’t release. I was out there for six minutes. I thought they were going to cut me loose to where all I have left is my reserve chute to land on some trees at night next to the Chattahoochee River. Then I started looking at my boots flying through the air and thought this is what parasailing must be like. Then I thought, did they forget about me and is the C-17 going to try to land? Do they not know I am out here, and I am going to do some high-speed combat roll on a tarmac as the C-17 lands? You are trained to keep a tight body position out there, so they know you are not unconscious. I kept slamming against the side of the C-17 behind a gigantic turbine engine. I hit the plane and stayed there where I started to get dragged across the skin of the plane. I felt hands underneath my arms and they pulled me in. Everybody was so glad to see I was alive and in one piece. I was just relieved as I was out there so long, I went beyond any initial shock, concern to just cut me loose guys so I can land on a tree with my reserve shoot.
They pulled me in and did a great job making sure I was okay. I had to retell the story for weeks to a lot of soldiers, especially Sgt Majors at the DFAC wanted to hear the story of a towed jumper. It was a very bizarre story because no one wants to be a towed jumper. It is a total nightmare scenario short of both chutes failing. It all ended well and twelve stitches in my chin was it. After all of that my 1stSgt checked on me and made sure I was alright. He then told me, “Get ready you are jumping tomorrow.” We had another jump the next day. The 3rd Ranger Battalion was like you are jumping tomorrow to get over any fear of jumping again. Just get out there and do it. I jumped not 24 hours later and believe me I was concerned. I said, “There is no way that can happen twice.” I got out the door and was fine. There is not a lot of pity or sympathy it is like get back up and do it again unless you are truly hurt, alright get up and do it as there is no time to think about. That is something I take with me to this day.
All of the pre-jump training you do these repetitive and boring things you already know, and I did one of those things without even thinking about it. It dawned on me why I do this training every single time. When that one time does happen, you are ready and have gone over the worst-case scenario. You will be that much quicker to save your own life or someone else. It seems so mundane and so repetitive and a waste of time until you need it. That repetitive action like weapons malfunctions….but when you need that instantaneous second nature habit it is the most important thing you could have known at that point.
Hanson at Camp Leatherneck. Photo credit BH.
Hanson on his last mission at FOB Shank. Photo credit BH.
Paratroopers jumping from C-17 Globemasters.
View of Camp Salerno. Photo credit wikipedia.com.
WATM: What are you most proud of from your service in the Army?
I am proud I stepped up to the challenge of 75th Ranger Regiment (thank you SFC Metcalfe) and made the team. Severing with my Ranger buddies was like the saying goes: “I was no hero, but I walked amongst a few.” I did my part and I know guys that are still out there doing it. I know squad leaders that are now getting their own platoons. Some guys have gone into elite units like Delta Force and the 160th Special Operations Aviation Regiment. I still think about them often and stay in touch. I want to make them proud because of the work they are still doing…I try to keep pushing myself in a way that would do right by the effort they are putting on…I am proud to have been on a team with those guys and seen what leadership means…and at such a young age and for so many people. I am proud to have seen it and been associated with that level of person.
Frankie and Paige Muniz, Kayli, Chelsea and Brian at Dances with Films. Photo credit BH.
WATM: What values have you carried over from the Army into Hollywood?
One thing that you see among some twenty something bartenders or Hollywood newbies that is unacceptable in the Ranger Regiment and also unacceptable in the Army are excuses. It is the same on production, there are no excuses. There are just no excuses. I don’t want to hear it other than a solution. Maybe an, “I’m sorry,” and that is it where I don’t even want to hear an excuse. Unless there is something disastrous you need to untangle. No excuses, just solutions. The high-level professional types of productions have that mentality where I really appreciate it. I do see the correlation between military units and productions. You have one mission where everyone comes together to accomplish it.
Also, you see this in the military and it is a career everything, keep moving forward just like a twenty-mile ruck march. You worry about the next step, then the next phone pole, then the next quarter mile where they will all add up. You can be overwhelmed by all of it if you look at it all at once where if you do it one step at a time you see that you can do it. Those are two crucial lessons I learned in the Army.
Hanson, Frankie and crew at Dances With Films. Photo credit BH.
WATM: What was one of the toughest lessons to learn coming from the service to Hollywood?
Even though I had worked in Hollywood before leaving, I came back a veteran, and still had to learn that there is a system in Hollywood. The system is not as rigid perhaps as the military. It isn’t just this artistic endeavor where you get to be a genius and be Quentin Tarantino or you are Steven Spielberg because you say you are. There is a hierarchy and there is a smart way to navigate. There is a way to get oriented and to a very real map of how this town works and have very realistic expectations. I think that veterans and others think of their prior accomplishments, whether a lawyer or a company commander of an infantry company, where you are not going to be a 1st AD. That is a ten-year path that is very regimented. The biggest challenge is understanding what the path to success is and how to realistically pursue those things. Know that they all take time and embrace that.
***Since leaving the Army I have learned so much by working as a Production Assistant on HBO’s Barry, Silicon Valley, Room 104 and worked as Assistant to Matthew Rhys on Perry Mason. Being on set and working for top level professionals has been an incredible learning experience and given me insight to become a better filmmaker on my own projects. I also greatly appreciate the film/tv mentorships, education and opportunities I was given through Veterans in Media Entertainment (VME), USVAA and WGF. It has been very important to find mentors and work for professionals.
Hanson with members of the cast and production staff at the Austin Film Festival. Photo credit BH.
WATM: What was it like writing, producing and directing your own feature film, The Black String?
The story was percolating for a long time before making the film such as Donnie Darko, Repulsion, Jacobs Ladder, which does a great job of blending horror and military, and Rosemary’s Baby. It was conceived with my bartending buddy Andy Warrener before I joined the Army. We wanted to explore in that story what it is like to be on that edge where you are experiencing something and no one else believes. It is you against the world. How do you convince someone of something that crazy of a witch conspiracy or a coven of witches? Or some really wild, evil cabal? The moment you say those words you already sound like you are having mental problems. Doctors will definitely not be going to believe.
The challenge we wanted was for a character to have to convince his family, his friends and his doctors of something that is inconceivable where no one in the real world is going to believe that. We put that in a genre we enjoyed which was horror. Now we thought maybe we would make that movie, but I joined the Army and Andy got married and moved to Florida. The wild thing is that you never know what you write today may be a movie in five or ten years. I lived a whole crazy life in between thinking of the story while tending bar with my buddy and then going into the Army. The difference in the time gap was about seven years. I could not have guessed that would have happened, especially with Frankie Muniz.
The creative part I was very comfortable with in the directing and writing having made many short films. I got an MFA from Mt. Saint Mary’s University with the GI Bill, which is a beautiful thing, loves the GI Bill. I owe so much to the GI Bill. So, I got very comfortable with the directing portion where you get very creative to bring this vision and feeling and this emotion you have to life in a very technical way. It is running the business, the producing part of things, to where you are starting a business, you are an entrepreneur. My producing partner Richard Handley, he is a Navy veteran and was an officer and Physician’s Assistant, he runs a contracting business with the DoD. We ran a business together where many purely creative types don’t understand what that level of dedication and commitment is.
To this day I have had probably had equal amounts of discussions about corporate taxes, LLCs, investor shares and running a business as I have about storyboarding shots. When you are doing an independent film like this, truly a passion project, you are building a team that is not a whole lot different…then opening a small company. You and your business partner are shouldering the burden if not for months, but for years. You have to love it and I do where it has been a great journey to where we had such great crew members and other producers that have helped us along the way. It is a multiple year endeavor when you do something like that in the independent world. You really are from the very beginning of raising money all the way to negotiating with distributors and foreign distributors and how you cut checks to your investors. It’s a true business education and kind of feels like I got this mini MBA education.
That was unexpected but the directing part was just amazing. Working with such talented people and friends that I had before joining the Army…we really were able to bring a lot of relationships such as Ravi Patel I bartended with as well. Cullen Douglas and Ravi and I did a TV pilot in like 2008. It was amazing to be able to reach back to my pre-Army friends that are so talented and my post Army, new team of filmmaking friends and bring everybody together. We called on so many favors. We had such great support from Mt. Saint Mary’s, VME and Vega Baby. We called in every favor where it is such a positive experience. When we landed in Frankie Muniz where he is a champ.
He brought his “A game” even for the tiny movie it was. He loved the character and the chance to do something different. He gave everything to our tiny project as he would have to our multi-million-dollar project. He treated us with respect, and he treated the script with respect. He came to set daily with a big folder of his personal notes. He was meticulous like a pro and his level of preparation and how he kept track of everything and what he brought was just amazing. He took that movie and made it really something different than perhaps something we thought. Frankie made it his Breaking Bad character. Like his Malcolm in the Middle dad, Bryan Cranston did on Breaking Bad. He was still kind of that funny person but had a much darker take on it. It is a dark twist on that guy you already know. Frankie imbued the role in the film with his Malcolm in the Middle persona, but whoa that is the dark side of it. What happened? Like Breaking Bad, what went wrong? To work with a pro, I learned.
To be able to work with actors like Ravi, Frankie, Cullen, Oded and Chelsea where they are people that do this for a living to be able to work with people like that and be creative partners with them for my first feature was inspiring. To see how a team can really work with everybody really contributing some high-level creativity. Everyone on the team had so much to add. You have to shepherd the project to where everyone stays on track, but still allow personal creative contributions from cast members. A director is like a manager of a company. You have to work with the talent, resources and the money of your company. You still have to get to the goal, but you can’t be resistant to some things that are great new ideas.
Poster for The Black String. Photo credit IMDB.com.
Screen capture of The Black String. Photo credit BH.
Rich and Mari Handley with Yani and Brian. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Hanson and Handley on stage at the GI Film Festival. Photo credit BH.
WATM: What leadership lessons in life and from the Army have helped you most in your career?
“No excuses” and intense preparation for a project. It is preparing like you are the best and spending hours a day preparing. Don’t assume, always do pre-combat inspections. It is having everything truly ready to go. Because once you arrive on set and once you arrive at that location it needs to be ready and needs to be operational. If not you, need to have a back-up plan. Research and having contingency plans. Checking your equipment and your team. It can be seen as micromanaging, but it doesn’t have to be that bad. In the military everybody checks their troops. It’s just how it is to make sure your guys and your buddies are ready to go. I think that can be transferred to the civilian world and film production.
Frankie Muniz and Richard Handley in The Black String. Photo credit IMDB.com.
More of Muniz in The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
WATM: As a service, how do we get more veteran stories told in the Hollywood arena?
We need support from great organizations to promote veteran voices and veteran creators. Such organizations as We Are The Mighty, Veterans in Media and Entertainment (VME), of which I volunteer heavily with, the USVAA, United States Veteran Artistic Alliance, and the WGA Writer’s Guild Foundation do support veterans. We need the support from industry professionals and organizations. They are out there, and they are growing. I think that with the people in the position in power right now, the producers and executives that can green light things, I do think they do a really good job where there is always a presence of the military and law enforcement. There are always more and different perspectives. To keep in mind and do the rote, stereotypical type of story lines. There are a lot of really nuanced, interesting and unexpected perspectives that veterans can bring to the time-honored tradition of military inspired entertainment. The producers, executives and showrunners should be open to finding those unexpected angles to veteran stories.
Hanson with Steve Fiorina and Handley at the GI Film Festival. Photo credit BH.
WATM: What would you like to do next in your career?
I plan on directing my second film in 2021. My first one was the horror genre where my next one is likely going to be a thriller with a military character. I always want to do things that are thought provoking. I definitely want to challenge viewers and explore philosophies. …Christopher Nolan makes great entertainment and with challenging ideas and philosophies. He is an independent filmmaker making giant movies, which is something to strive for. Since I have completed my first film…I have been working to get on great television shows as a writer. There are so many stories to tell and I joined the Army and lived this life to help tell authentic stories. I would love to be in day in and day out be in a room with other story tellers creating an amazing show. Creating stories with a team. I will continue directing but would love to be in that writer’s room doing innovative television.
Brian Matthew Rhys on “Perry Mason”. Photo credit BH.
WATM: What are you most proud of in life and your career?
I am most proud of serving in the 75th Ranger Regiment. In a sense in my career I may never do anything as meaningful as that even if I make ten more movies or even if nominated for an Academy Award. I don’t think that I’ll ever be prouder than spending those days with my Ranger buddies in Afghanistan or sweating in Fort Benning. I am also proud of making that first movie and everyone that contributed to that colossal effort from nothing. Rich Handley and I being these recent film graduates decided to make a movie where we built that coalition from the ground up. It is an effort we are very proud of and what we did and everybody that was able to help us achieve that.
On the back end we got distribution through Grindstone and Lionsgate to where we had to find everything from scratch. The studio didn’t fund this. Movie making is a risky endeavor and long commitment over many years. The movie has been out now over a year and we are still making producer phone calls and receiving emails four years later. When you divide the money, you might make on the back end of an indie film and divide the hours by what you put in it, there might not be much money so that passion that drives you to keep working. There is a bond between people that have that level of passion to work 15-hour days. You are not really thinking about the paycheck where you are there to get the job done because you believe it is similar to the military mindset.
My wife Yani Navas-Hanson is from Venezuelan; she left the country and I met her in Atlanta when I was at Fort Benning and she was studying at Georgia Tech. She was the accountant by trade and then was our accountant on the movie. She left her country, learned English here in the US and transitioned from corporate accounting to entertainment accounting and from taking on the challenges of an independent film. What someone like her can accomplish if they are driven and keep pushing forward and to be able to accomplish that in a few years is amazing. People do have to surround themselves with the right people. If you are in a relationship with someone who is not supportive with this career path or your family is not supportive, then you might have a tough time during the ups and downs. Family and friend support is crucial. I have fantastic and supportive friends and family.
Brian and Yani at Sitges Film Festival. Photo credit BH.
Summer is officially here, which means it’s perfectly acceptable to drink outside again. Whether you’re at a backyard barbecue or a baseball game, beer is often the drink of choice when the temps heat up. And what’s not to love? It’s cold, refreshing, and (usually) cheap. But with all of the different styles on the market, ordering a simple cerveza can get confusing if you don’t know what you’re looking for.
A list of beers on tap at a bar can give you all kinds of anxiety. And without someone there to explain it all, you throw up your hands and order a Long Island Iced Tea instead. But fear not, we’ve decoded the differences between some of the most common types of beers so you can have a little more confidence the next time you want to order a cold one (or two).
All beers contain a combination of water, grain, yeast, and hops — the plant that preserves the beer and gives it its unique flavor. The distinguishing factor between the different types is how they are brewed, which affects the look and taste. Lagers and ales are different varieties that fall under the larger beer umbrella. In fact, IPAs are a subcategory of ales (more on that later).
They say necessity is the mother of invention, and this is definitely true in the case of the IPA. India pale ale was invented by a London-based brewer for English troops stationed in India.
India’s warm climate was not ideal for making beer, and English brews would not survive the six-month journey journey at sea. So in the late 1700s, George Hodgson exported a strong pale ale to Englishmen in India. He added extra hops and increased the alcohol content, which helped preserve the beer over the long journey. The soldiers even claimed it had a better taste. IPAs gained popularity in the United States in the 1970s.
An essential part of filmmaking is acknowledging the audience’s familiarity with the subject matter and the themes common to the genre.
Unfortunately for screenwriters, dialogue that may have once been clever and poignant becomes cliche and induces eye-rolling laughter when we hear the same lines repeated ad nauseam from one movie to the next.
Well, yeah, no sh*t. We’re fighting a war. Plus, the word “company” evokes the same feelings as the arrival of a house guest. Try something like, “We’ve got opposing forces! Ahhhh!” I’m just spit-balling here.
(Warner Brothers’ Dunkirk)
6. “You just don’t get it, do you?”
This line typically precedes some terribly narrated flashback or montage.
It’s an excuse for one character to plainly explain to movie-goers what they already know because the studio doesn’t respect the intelligence of its audience. When you hear this line, brace yourself while some secondary character inanely spews out backstory.
5. Some variation of, “We can do this the easy way — or the hard way.”
This one happens a lot… but I’ll admit it is a little fun watching various directors reimagine this trope.
4. “You look like sh*t.”
What? Yeah, well, maybe you look like sh*t, too!
(Sony Pictures’ Black Hawk Down)
3. “Is that all you’ve got?”
The character who drops this line almost always immediately dies or watches the opposing force bust out their biggest gun. It’s like a curse.
2. “I got a bad feeling about this.”
Do you really? Was there something unsettling about the fact that you’re about to go to shoot at guys who are shooting at you?
Singer-songwriter Bob Dylan and Soviet political leader Joseph Stalin are famous for different reasons.
Dylan has been influential in popular music and culture for over five decades. Stalin, on the other hand, governed the Soviet Union from the mid-1920s until his death in 1953.
Despite, their differences, when it comes to influencing people, they are both masters of poetry. We gathered some of their most famous quotes to make this quiz. Did the dictator or the folk singer say these things?
People enlist in the military for a number of reasons, ranging from anywhere between the insane, “I love shooting stuff” to the more pragmatic, “I need the college money.” Many of us also join because it’s the right thing to do — at least, in our minds. Many who joined the U.S. military in the days following the September 11th attacks are looking down the barrel at their 20-year anniversary. Others joined because the rise of ISIS gave a clear picture of what evil looks like in this world.
Some needed a more direct route to the fight against ISIS. So, they traveled through Iraq or elsewhere to get to Syria, where they could join the Kurdish YPG, the People’s Protection Units, and the YPJ, the Women’s Protection Units, to form the front line against ISIS onslaught in Syria.
You can now actually watch the struggle to liberate the people of Iraq and Syria from the grips of the Islamic State. Hunting ISIS is on History every week on Tuesday at 11pm and it is a no-holds-barred look at the Westerners with the Kurds. Watch the pain and horror of those who suffer under ISIS as well as the elation of civilians and children as their homes are liberated.
The series follows a lot of vets around, but features primarily PJ, a Marine Corps veteran, and his team of Western volunteers as well as Pete, from New Jersey, who leads a team of medics supporting Peshmerga fighters in Iraq.
The lives of American combat veterans fighting ISIS in Syria was documented by camera crews who followed them through checkpoints and training and into their front-line lives in Syria. They came from all over America and all walks of life. Some picked up where they left off as veterans of the Iraq War and others simply wanted to stop the reign of terror, theft, rape, extortion, and violence that comes with ISIS occupation.
But they’re risking a whole lot more than their lives — they could be risking their own freedom.
United States law says anyone who “enlists or enters himself, or hires or retains another to enlist or enter himself, or to go beyond the jurisdiction of the United States with intent to be enlisted or entered in the service of any foreign prince, state, colony, district, or people as a soldier or as a marine or seaman … shall be fined under this title or imprisoned not more than three years, or both.”
But that all depends on the interpretation. In the 1896 Supreme Court decision of Wiborg v. United States, the Court held that it was only illegal if the American was recruited into a foreign service. In the case of Wiborg, Americans armed themselves and made their way to Cuba to train and assist Cuban rebels fighting Spain while the U.S. was at peace with Spain.
The Kurds don’t actively recruit Western fighters, but they also don’t have a state. The Kurds are the world’s largest ethnic minority without a country of their own. Before the ISIS war, there were some 23 million Kurds in the region. But that all depends on how the Kurdish armed forces act on their own. The Peshmerga in Iraq is a pro-Western fighting force. But the Kurdish YPG in Syria – home of the International Brigades – is considered a terrorist organization by America’s NATO ally, Turkey.
You may remember the name John Walker Lindh, an American captured fighting with the Taliban in the days after 9/11. One of the key components to his defense was that he was in the armed forces of another state – the Taliban were the recognized government in Afghanistan – and that he personally didn’t attempt to join al-Qaeda or attack the United States.
The exact number of Americans and other western volunteers fighting ISIS isn’t known for sure, but the Kurds know most of them are military veterans. Though considered terrorists by Turkey, the United States considers all Kurdish forces to be an essential part of the fight against ISIS.
The one thing that is clear is that they can expect no direct help from U.S. troops on the ground in Iraq and Syria. The military and State Department are not obligated to aid volunteers in the two countries (American volunteers have, in fact, been turned away by the U.S. military). If they were caught at the checkpoints on their way back, they would go straight to a local jail.
That said, the military’s got gear that might give Zordon (played by Bryan Cranston) some inspiration.
1. M1A2 Abrams tank
This is one tough vehicle. In “Armored Cav,” Tom Clancy related the tale of how one Abrams tank survived being hit multiple times by T-72 main gun rounds from as close as 400 yards!
The Abrams also has superb firepower in the form of its 120mm main gun, a M2 .50-caliber machine gun, and two M240 7.62mm machine guns. In essence, this tank is already a Zord in many respects.
Might as well make it official.
2. B-1B Lancer
This plane carries a lot of firepower – 84 Mk 82 500-pound bombs – and that is considering that its external weapons carriage was disabled as a result of the United States signing the Strategic Arms Reduction Treaty. The plane is also fast, and capable of flying at treetop level.
3. A-10 Thunderbolt
There is no reason why the A-10 – and its ability to BRRRRRT the bad guys with the GAU-8 — shouldn’t be a Zord. It is very tough (remember how Kim Campbell brought back a busted-up A-10?). It also carries a lot of bombs.
Put it this way — even a skyscraper-sized minion of Rita’s would be hard-pressed to stand up against a squadron of baseline Warthogs, but against an A-10 Thunderbolt Zord?
4. M270 MLRS
This vehicle gets the nod for its firepower. The various rockets it fires can spread bomblets or a unitary charge. That ruins the day for infantry and enemy vehicles, but when it uses the MGM-140 ATACMS – or the Army Tactical Missile System – it could probably put the hurt on one of the skyscraper-sized monsters as well.
5. M50 Ontos
This is more a blast from the past. That said, the six 106mm recoilless rifles provide a huge punch. The rifles could fire anti-personnel or anti-tank rounds.
In Vietnam, the Ontos was deadly against enemy infantry – and given that the fighting against Rita’s minions is likely to involve a lot of hand-to-hand fighting (until she calls in her big guns), the Ontos makes sense.
6. M1097 Avenger
A lot of this has been focused on the air-to-ground aspect. But it never hurts to be ready for some ground-to-air action. DefenseNews.com notes that Boeing is proposing some upgrades to the baseline Avenger, notably the AIM-9X Sidewinder and the Longbow version of the AGM-114 Hellfire.
Now, we have no idea what any Megazord from these vehicles would look like, but given their firepower – would they need a Megazord configuration? We doubt it. We’d also like to know, what military vehicles do you think Zordon should use as the basis for his next generation of Zords?
Hollywood has the ability to spark every veteran’s imagination and when the big screen explores what future militaries may become, it’s enough to make even the most content retiree dream of taking the oath all over again.
Let’s explore the fantastic armies any veteran would love to be a part of.