If you’re a parent, you probably know exactly where your child is and if they are strong with the Force. But for Rey, the questions of where her parents are and who they are remain, after two Star Wars movies, a giant mystery. Chris Terrio, screenwriter of “The Rise of Skywalker,” says important information about Rey’s parents will be revealed in the next big Star Wars film. In fact, he says two questions will be addressed. Will we be happy with the answers? Maybe not! But, that’s not what counts right now.
On Oct. 2, 2019, a new excerpt from an Empire magazine story revealed that J.J. Abrams’s screenwriting partner, Chris Terrio, says there are two big questions that will be answered in “Star Wars: The Rise of Skywalker.” And those questions are:
“Who is Rey?”
“How strong is the Force?”
In terms of the first question, Terrio made it clear that this question is literal as well as philosophical.
Star Wars: The Rise Of Skywalker | D23 Special Look
“‘Who is Rey?’…is a question that people not only wonder about quite literally but wonder about in the spiritual sense,” Terrio told Empire. “How can Rey become the spiritual heir to the Jedi? We kept coming back to, ‘Who is Rey?’ and how can we give the most satisfying answer to that not only factually — because obviously, people are interested in whether there’s more to Rey’s story — but more importantly, who is she as a character? How will she find the courage and will and inner strength and power to carry on what she’s inherited?”
In regards to the other question — “How strong is the Force?” — Terrio says that “It sounds a little simple, but actually, when you get down to it, that is a sort of Zen Koan that we would really meditate on.”
Right now, it’s totally unclear what Terrio means by this, but if you’re placing bets on the answer to “How strong is the Force?” is simply: “about as strong as my toddler when they are resisting bedtime” you’re either very wrong or very right.
“Star Wars: The Rise of Skywalker” is out everywhere on Dec. 20, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Movies are badass! That’s why producers spend millions of dollars making them. Sometimes the films we watch are so freaking compelling audience members forget they watching a movie and believe everything they see.
We’re all guilty of falling for it.
Many moviegoers get sold on the narrative as the story unfolds across the big screen — even to the point where the performances feel real, and the delicate line between truth and fiction becomes too thin to spot.
3. Wearing dogs tags outside of your shirt is okay…especially in PT gear.
As much as we love the film “Black Hawk Down,” Sgt. Eversmann is technically out of military reg for wearing his ID tag that way.
Shame on you for setting a bad example.
4. “Military grade” crap doesn’t freakin’ exist.
Hollywood and commercial marketing love to use this term to make products sound more durable and reliable. The truth is, the techy term sounds super authentic, but unfortunately everything we use in the military can break under certain conditions.
Like they say, “You take care of your gear, your gear will take care of you.” Write that down.
We’re not saying troops don’t take life and death chances while in battle — they risk their lives all the time. But when someone consistently puts himself or others at risk, it’s time to get rid of them.
You have no idea what the hell they’re planning on doing when the bullets start flying — not someone you want to ride into battle with.
Before Jon Favreau produced his wildly popular space Western about a little-known segment of the Star Wars universe, the only reference to Mandalorians on the big screen was a passing one in Star Wars Episode 2: Attack of the Clones, where it’s revealed that Jango Fett — the genetic donor for the entire clone army — is a Mandalorian. Seventeen years later, Disney released the most popular addition to the franchise since Obi-Wan turned Anakin into Lieutenant Dan. You ain’t got no legs, Anakin!
Thanks to Favreau, Star Wars fans now have a live-action show about one of the greatest warrior cultures in the Star Wars universe. What fans of the show may not know is that much of Mandalorian culture and mythology is borrowed from real history — specifically, Viking culture. But before we talk about everyone’s favorite maritime raiders, here’s a brief history of Mandalorians.
Behind the Scenes
During the production of Star Wars Episode V: The Empire Strikes Back, concept artist Ralph McQuarrie and visual effects artist Joe Johnston developed a design for a team of Imperial Super Commandos with weapons built into their armor specialized for the purpose of killing Jedi. As production continued, they scrapped the idea and rolled the special forces team into the bounty hunter Boba Fett.
The first reference to the Mandalorians was in the Empire Strikes Back novelization by Donald F. Glut, where he described them as “a group of evil warriors defeated by the Jedi Knights during the Clone Wars.”
For the next 30 years, Mandalorian culture was expanded in myriad Star Wars novels, comic books, and other sources. In the Knights of the Old Republic (KOTOR) video game series, Mandalorians were portrayed as some of the most dangerous antagonists in the galaxy, second only to the Sith. Throughout the extended canon, it was only hinted that Boba Fett was connected to the Mandalorians.
In 2010, during Season 2 of The Clone Wars animated series, fans finally got to see the fully fleshed-out concept behind Mandalorian warrior culture. “The Mandalore Plot” episode introduced viewers to the Death Watch, a Mandalorian terrorist group bent on continuing their ancient warrior traditions. The Death Watch was pitted against a new modern pacifist movement led by the sister of Bo-Katan, the blue-armored Mandalorian played by Katee Sackhoff in Favreau’s live-action series.
Viking Raiders of the Galaxy
The introduction of Mandalorians to The Clone Wars cemented them as the Viking raiders of the Star Wars franchise. Animation producer Dave Filoni wanted to give the Mandalorians a “Nordic flavor” using the traditional V-shaped breastplate worn by many Norsemen during the tail end of the Viking era as the foundation for the design behind all Mandalorian armor.
The Clone Wars also cemented the idea that Mandalorians were not a race but a way of life. Mandalorians are willing to take anyone who swears to live by the creed and adhere to Mandalorian tradition regardless of their species. This sets them apart from The Empire, which is portrayed as favoring humans over other “inferior” races. Obvious racial metaphors aside, this idea of adopting people into the tribe was one shared by Vikings, who often adopted the children of their slaves.
The comparisons with the ancient maritime raiders doesn’t stop there. Proving oneself through combat is the cornerstone of Mandalorian self-identity and culture, and they all follow the Mandalorian Creed, which — frustratingly for nerds like me — has never been written out or vocalized. Mandalorian fans may remember the creed as the reason Din Djarin (Mando) has to return Grogu (Baby Yoda) to the Jedi, but good luck figuring out what the creed actually says. Like, how am I supposed to join if I don’t even know their mission statement?
One thing we know for sure about the creed is that it instills a love among Mandalorians for single combat. It’s the only other rule in the creed ever mentioned, and it pops up continuously during the Clone Wars and Rebels cartoons. Mandos can invoke a Game of Thrones-style trial by combat for pretty much anything. Don’t like your boot lieutenant? Fragging him just gets you another boot replacement, but if you slay him in single combat, now you’re the LT! Want your buddy’s car? Slay him in single combat, and it’s yours — no pink slips required. This is essentially the Viking code of honor/succession, too.
For this fictionalized group of war-hungry space pillagers, the Mando creed pretty much rewards those who are really good at mercilessly killing without moral reservations. This probably explains their long history of warlords vying for power, the constantly changing heads of state, and nonstop wars, which is how real Vikings actually lived.
During the centuries leading up to the Viking Age, which began in 793 AD, the peoples of Norway and their surrounding territories were in a near-constant state of war. Small tribal groups were scattered across the harsh, cold country. Long winters and short farming seasons meant raiding other tribes was a necessary part of surviving in their world. Just like the Vikings, Mandalorians spent a lot of time warring and vying for power.
In 865, Vikings finally stopped slaughtering one another long enough to form what historians call the Great Heathen Army, which invaded England with the intent to conquer new worlds, much like their Mando counterparts did when they nearly wiped out the Jedi during the time of the Old Republic.
Perhaps the most Viking part about Mandalorian culture is just how much we don’t know about it. Just as Djarin has to piece together a thousand years of forgotten history to try and understand what it means to be Mandalorian, historians have faced a similar challenge in studying the exploits of the West’s most notorious maritime raiders. Thankfully, that’s never stopped anyone from making great shows about Vikings — and Viking-like warriors.
In 1999, writer/director Todd Robinson was at Kirtland Air Force Base to attend a PJ graduation ceremony. In attendance was William F. Pitsenbarger, the father of Airman 1st Class William H. Pitsenbarger, a PJ who was killed in action on April 11, 1966, when he volunteered to stay behind with the soldiers of the Big Red One during Operation Abilene.
During his speech, Mr. Pitsenbarger lamented the things his son, who died at the age of 21, would never do: fall in love and have a son of his own, and in doing so, understand his father’s love for him.
“I was floored,” recalled Robinson, “I remembered my own father’s fear for me during the Vietnam War and I thought about my own son.” He reflected on the brutality of the draft during the Vietnam War and what the experience was like for the veterans who were called to serve — and their families they left behind.
Robinson didn’t know if he wanted to make a war film until that moment. He became committed to the veterans. “If I could make a small contribution by looking into what the personal experiences were like for these men, it would be the least I could do,” he shared.
“I began to interview the veterans of that battle. Their stories were just so tragic, brutal, moving, unrequited…and they were looking for purpose: it was so important to them to see that this man’s valor was recognized before his father passed.”
He spent the next 20 years creating The Last Full Measure, a powerful retelling of the courageous acts of Airman 1st Class Pitsenbarger and the men who fought for his Medal of Honor.The Last Full Measure – Arrives on Digital 4/7 and on Blu-ray, DVD, and On Demand 4/21
The Last Full Measure is best described as a military movie made by a director who “gets it” — who understands that war is chaotic and that the complexities of PTSD for combat veterans require a conversation from our society as a whole.
One of the biggest takeaways he gained about the military community through the making and screening of this film was the notion of “service greater than self,” Robinson told WATM. Screening the film for veterans across the country, Robinson saw the spirit of Pitsenbarger’s sacrifice reflected in the men and women in uniform today. When it comes down to the wire, service members are there for the person at their side.
He also noticed that the film triggered a real need to have a conversation about the wellness of veterans — especially combat vets.
“We, as civilians, the people who benefit from the service of these people, don’t understand what they’ve been through. We don’t always embrace our own complicity in sending service members overseas. If you’re a taxpayer or voter, whether you agree with the policy or not, you’re responsible. We’re also responsible for bringing them home. They need to be given more attention than just a pat on the head, a business-class trip home, and some medication from the VA. We need to embrace our military community when they come home. We need to employ them. And we need to say, ‘You’re not alone,'” Robinson affirmed.
Robinson felt like he owed something back and this film was part of what he could give. Of course, it came with many challenges. In his own words, “Making a movie is organized chaos.” Robinson and his producing partner Signey Sherman, noticed a uniform error in one scene and a folded flag that was coming undone in another. They spent ,000 out of pocket to correct the errors in post-production. “It just looked disrespectful to me,” Robinson lamented.
Somehow a bootleg copy was released overseas containing the original errors and viewers complained. “Those kinds of things pop up. I suppose the real challenge is trying to explain to an audience, without feeling too sensitive, that a film is an impression of a story. My job was to identify the metaphor of the story and what we could say about the men who fought in Operation Abilene. It always came back to service before self.”
To help accomplish that goal, Robinson hired veterans on and off camera. In the Medal of Honor ceremony scene, real PJs wear their maroon berets while veterans of Charlie Company fill the audience. There that day was retired Air Force Senior Master Sergeant John Pighini, a decorated Vietnam War-era PJ and active member of the Pararescue community.
After that scene, Pighini came on-board as a technical advisor for the shoot on location in Thailand, where Robinson and his cast and crew had six days to shoot the entirety of the Vietnam scenes for the film — no small undertaking.
He had a crew of 300 with battle scenes featuring helicopters and explosions. There was no luxury of time. He gives credit to his editor, Richard Nord, and the expertise of his cast and crew. At the end of the day, the film, decades in the making, wasn’t done for financial profit or gain.
“We made this film for our veteran community. We tried to reflect back and let them know that people see them and we want to be part of the solution to whatever problems they face when they come home.”
The Last Full Measure is available now on Blu-ray/DVD and Digital from Lionsgate and features several special features such as a “Medal of Honor Ceremony Shoot” featurette and “The Others May Live: Remembering Operation Abilene” featurette.
Dune is a legendary sci-fi/fantasy novel that has just been waiting for the right filmmaker to bring it to life (much like The Lord of the Rings). Many have tried. All have failed (sorry, David Lynch). Frank Herbert’s novel built a rich world with fascinating characters but — for modern readers who have honed their tastes on Patrick Rothfuss and even Orson Scott Card — Dune is boring dense, yo.
And I’ll just say it. The Lord of the Rings was dense, too. The pacing of these novels do not hold up for readers — but, as Peter Jackson proved, they can still make for epic films.
Enter Denis Villeneuve (Arrival, Blade Runner 2049). The Oscar nominee will direct the latest adaptation of the iconic film — and I gotta say, based on the trailer, I’m feeling hopeful:
Dune tells the story of Paul Atreides (played by Little Women’s Timothée Chalamet), a young man destined to rule the most dangerous planet in the universe, where forces battle over a substance with the ability to unlock humanity’s greatest potential. When betrayal leaves him and his gifted mother exiled in the unforgiving sands of Arrakis, only their unique powers — and their mastery over the mind-killer — can save them.
Villaneuve set himself up for success with an absolutely killer cast: obviously, Chalamet is super hot right now, as are Zendaya (Euphoria, Spider-Man: Homecoming), Oscar Isaac (Star Wars Episodes VII-IX), Marvel alumni Josh Brolin and Stellan Skarsgård, and Rebecca Ferguson (Stephen King’s Doctor Sleep, Mission: Impossible – Fallout).
Hebert’s book is so detailed that the film will be told in two parts, with the first set to release December 18, 2020 (if humans can survive that long). Villaneuve’s adaptation has been a massive undertaking — he spent a year on the design of the iconic sandworms alone.
“We talked about every little detail that would make such a beast possible, from the texture of the skin, to the way the mouth opens, to the system to eat its food in the sand,” the director told Empire magazine for the publication’s Summer 2020 issue. “It was a year of work to design and to find the perfect shape that looked prehistoric enough.”
Check out the trailer above to see one in action and to behold the glory of Arrakis.
In comic books and superhero movies, there’s a constant trope about average troops being given superpowers to match their immense bravery and honest heart. From a story perspective, it makes sense. And according to the bumper stickers on most military spouses’ mini-vans, not all heroes wear capes after all.
But in real life, if you manage to survive a super-soldier project, you won’t be doing much superhero work. Take a look at Captain America for instance.
1. Uncle Sam would get his money’s worth
There isn’t an exact number put to how much it would cost to become a super soldier, but Forbes estimates the cost of Captain America at $54.6 Million. There’s no way you’d get away with having that much money spent on you without constantly having to do military stuff.
You probably won’t be doing Special Ops stuff, either. Your name and face would be everywhere and that’s simply too much money to put on the line. Plus, if the Army learned you could clean an entire Connex in one minute, guess what you’ll be doing…
2. Everyone expects the best from you
Good luck trying to take it easy for a single moment.
You’re going to be constantly working. You’ll be on the move non-stop, saving everyone and doing the right thing. Even if the pressure weighs you down, you’ll have to keep saving everyone.
3. No more private life
A common theme in comic books and movies is the protagonist trying to balance their public, superhero life and a personal life. That balance wouldn’t be a thing for super soldiers.
They just don’t get the opportunity to BE civilians. If they do have a personal life, it’ll still just be doing regular military stuff.
Veterans who are fans of the hit series “Drunk History” will appreciate a new, hilarious vet version of the show. “Drunken Debrief” features real U.S. military veterans drinking real whiskey and telling true stories from their time in service. It’s like listening to a bunch of your fellow vets sitting around recounting stories from their time in service over and over, only this time the stories are on YouTube and they’re actually funny (and true).
Drunken Debrief is the brainchild of Eli Cuevas, who came up with the idea one day while figuring out production ideas for video games with his friend and fellow veteran Justin Ennis while working for RocketJump, a video game-oriented company. Cuevas enlisted help from Ennis, and Guy Storz, guys with whom he deployed to Iraq in 2007-08 while attached to the 2nd Infantry Division Strykers, first to Combat Outpost Blackfoot, then to Diyala Province. After they all got out of the Army, they started Double Tap Gear, a company whose clothing sales fuels the video production. The team also includes a civilian, Gallagher Scott, who does their concept art. From start to finish, the team wants the best possible product.
“We shoot on RED,” Cuevas said. “No expense spared, I want this to to be as high quality and professional as possible.”
Cuevas also wants to include veterans in the production of the Debrief, and is looking for veteran actors (that is to say, actors who are also veterans) to reach out to Double Tap via their Facebook page. Cuevas and company are also looking for veterans to share their stories the same way. If your story is picked, Cuevas will fly you out to sit with the Double Tap crew and knock back some Leadslinger’s Whiskey as you share your stuff with the world.
The first series is a trilogy and features Army veteran Luke Denman telling the story of a fellow soldier with whom he served. The story of “Staff Sergeant Walker” (named changed for obvious reasons) was just too big to be kept to one video.
“I knew Luke from growing up together,” Cuevas says. ” I knew he was a good storyteller. I remembered one time, he told us a story about some dude on a deployment who brought a dildo. We got drunk, turned on the camera, and he just killed it.”
“The Big Flopper” is just part one in the series. Part two tells the story of Staff Sgt. Walker’s “Negligent Discharge,” and part three is about Walker’s inability to remember his radio call sign. Double Tap will put out new Drunken Debriefs every other week, while the weeks in between will feature “Military Minute,” a quick, funny way to keep their fans informed and entertained while they finish new debriefs. If you love Double Tap’s shirts, you can get your own at TeeBlaster.
Cuevas and the crew at Double Tap have plans to expand, and new episodes of Military Minute and Drunken Debrief are in the works. Cuevas will be collecting barracks stories from the guys at Article 15 and Black Rifle Coffee.
If you’re a fan of Watchmen and you’re worried about the upcoming series from HBO, rest assured: it is in the hands of a true fan as well.
Set in the same alternate history as the graphic novel, Damon Lindelof’s (Lost, Star Trek) series will take place in the modern day where superheroes are mistrusted and the vigilante Rorschach appears to have made quite the impact.
The teaser runs against the ‘tick tock’ of a timeline we can’t yet understand, but it sets a gritty and intense tone:
In anticipation of fan’s reactions (and also to address the reactions of original creators Alan Moore and Dave Gibbons), Lindelof penned a lengthy (and amazing — seriously, read the whole thing) missive, which he shared on Instagram in 2018:
[instagram https://www.instagram.com/p/BjFsj6JHEdq/?utm_source=ig_embed expand=1]Damon on Instagram: “Day 140.”
“We have no desire to ‘adapt’ the twelve issues Mr. Moore and Mr. Gibbons created thirty years ago. Those issues are sacred ground and they will not be retread nor recreated nor reproduced nor rebooted. They will, however be remixed.”
Lindelof goes on to assert that “Watchmen is canon. Just the way Mr. Moore wrote it, the way Mr. Gibbons drew it and the way the brilliant John Higgins colored it.” (By the way, the omission of an Oxford Comma here is just as Mr. Lindelof wrote in his letter, which I will discuss with him when I get the chance.)
That being said, he goes on to say that neither is this series a sequel. It will take place in the world the creators built, but it will be entirely its own — including a contemporary (albeit alternate) time period.
Rorschach isn’t the only character hinted at in the teaser. The ticking time clock itself harkens to Dr. Manhattan (whose father was a watchmaker) and the Doomsday Clocks that appear in the original graphic novels, counting down to catastrophe.
As for the rest, well, most of them are Oklahoma cops, who also wear masks.
The cast includes Regina King, Jeremy Irons, Don Johnson, Jean Smart, Tim Blake Nelson, and Adelaide Clemens. Produced for HBO by White Rabbit in association with Warner Bros. Television, based on characters from DC. It is set to debut on HBO in the fall of 2019.
Consider the values that military service instills. Honor. Purpose. Prestige. Service members wake up with a daily mission to embody those values and while on active duty, they are provided the means and the circumstances to do so.
But when they leave the service, does the drive to live by military values diminish? Veterans across the country will assure you, it does not. That’s why the transition back to civilian life is such a hot topic. Finding a new outlet for warrior values is a bear that every veteran has to wrestle and tame.
So what if there was a school whose founding mission was to teach returning veterans the skills necessary to put those values to work? As it turns out, that school exists. It’s the Culinary Institute of America and it was founded to teach returning WWII vets the fighting arts of gourmet cooking.
The troops, lined up for inspection. (Meals Ready To Eat screenshot)
Meals Ready To Eat host August Dannehl visited Hyde Park, NY, to get a first hand taste of daily operations at CIA.
It sure beats latrine duty. (Meals Ready To Eat screenshot)
What he found there was an atmosphere of rigor, discipline, and sky high expectations — in other words, a culinary boot camp. And why not? A busy kitchen is its own kind of battlefield and cooks are the troops who serve there. At CIA, students, including notable veterans, learn what it takes to become a new generation of American chefs.
Joe Avella: In the span of three movies the “John Wick” films have racked up a body count of nearly 300. And to do that, you need guns.
John Wick: Lots of guns.
Joe: Meet Taran Butler. He’s a world champion competitive shooter. He’s also the owner of Taran Tactical. They’re responsible for teaching some of Hollywood’s top action stars how to handle firearms for film and television. Today, for the first time ever, I’ll be shooting a pistol, a shotgun, and an assault rifle just to see how Keanu learned to look like an expert marksman for the big screen. What’s the worst that could happen?
Could you imagine if we were doing this with the loaded guns? I would’ve shot all my feet off.
First, the stars of “John Wick” had to learn some basics before they could start shooting like international assassins.
Jade Struck: So we have this thing called 180-degree line. So when you’re the shooter on the firing line, think of it like there’s a force field pulling your muzzle downrange. Never bring the muzzle back past the 180-degree line. Finger off the trigger, unless you’re shooting. And always treat every gun as if though it’s loaded. I’m gonna teach you how to check to make sure that they’re not.
Joe: After getting a feel for the pistol, it was time for the real deal.
How Keanu Reeves Learned To Shoot Guns For ‘John Wick’ | Movies Insider
Taran Butler: So we’ve got the three primary pistols of “John Wick” two and three. This is the gun you were training with with Jade. The gun that you see Keanu training with here on the range with a lot. In “John Wick 3,” Charon suggests, he goes, “John, since you’ve been gone something new has come out. The 2011 Combat Master. Loaded in 9 millimeter major, 125 grain bullet, major business.” So both guns shoot 9 millimeter.
Taran: The difference is, is this gun here can shoot 9 millimeter major. This is the 9 millimeter major, it’s a lot taller ’cause it’s got a lot more powder in it. The only difference is more powder. So, regular 9 millimeter on the left, 9 major on the right.
Joe: Yeah, that was awesome.
Taran: This gun here is Halle Berry’s Glock 19 from “John Wick 3.” So when the shoot-out takes place, she grabs this gun off one of the bad guys. She enjoyed the hard work and training. She had three broken ribs through most of the training here. So she wasn’t at her top. Same with Keanu, getting beat up on the horses. But she just got really good at it, and I’d say, hands down, she’s the best female weapons handler in Hollywood.
Joe: Taran has Hollywood’s action stars start with a small firearm and a simple combo.
Taran: Let’s do something fun and fast first. First off, no surfing, you were laid back like Jeff Spicoli. OK, start on this guy, easiest guy in the world. I’m gonna say, “Shooter ready, stand by.” When you hear the beep, you’re gonna come up, two to the body, one to the head. It’s called the Mozambique.
Joe: Two to the body, one to the head.
Taran: Yeah. Shooter ready, stand by.
Joe: Did I get him? Taran: You got in the head, it counts. Pop the safety on when you’re done. Finger off the trigger. OK, that’s 4:41, let’s destroy that time. Just do one more clean one, no box-offices fiascos. Shooter ready, stand by. Good, OK, that was 1:63.
Joe: Hey, all right!
Taran: You went from 4:41 to 1:63 in a couple rounds.
Joe: Booyah. It’s easy.
The next level is rifle handling. Placement is key, as is learning how to smoothly replace your ammo.
John Wick: I need something robust, precise.
Sommelier: Robust, precise. AR-15. 11.5 inch, compensated with an iron-bonded bolt carrier.
Joe: All right, so it’s, like, here?
Jade: Left hand out farther. Boom boom boom, drop. Yep, you’re good, keep it going.
Joe: As I’m going.
Jade: Watch it go in. Button. Paddle.
Joe: What button?
Jade: It’s this paddle right there.
Joe: Oh, why do I…? Oh, Jesus!
Jade: So, drop the bolt. Drop the bolt, and then you’re back on.
Joe: Gotcha. Boom boom, boom boom. Oh no, I’m out.
Jade: Feed, button, on. Good! We’re learning how to manipulate our weapons without ammunition in them so we know all of the functions.
Joe: Could you imagine if we were doing this with the loaded guns? I would’ve shot all my feet off.
Jade: Oh, goodness.
Joe: The true test was a more complicated combo. One similar to the kind Keanu and Halle had to master before hitting the set.
Taran: The director, Chad Stahelski, he wanted everything. He wanted three-gun loading, he wanted all kinds of ways to load the shotgun, all kinds of pistol reload, transitions, rifle, shotgun, pistol, everything.
Boom boom boom, boom boom, boom boom, ding. That’s it.
Joe: All right, this might take a while.
Taran: You can do it, Mr. Wick. Shooter ready, stand by. Faster. Little guy. Good!
Joe: All right.
Taran: Safety on? Joe: Yes, sir.
Taran: You’re at 13:67, a lot better than 27 seconds. You want to do it again?
Joe: Yeah, of course.
Taran: Are you sure you’re not bored yet?
Joe: Yeah, this is awesome.
Taran: Let me fix that one plate so it’s not in your way this time.
Joe: It’s funny, he’s so good with guns, he’s just like, “Let me move that for you,” ba-bam. Now, it was Taran’s turn. Shooter ready, stand by. 5.17, that’s ridiculous. Last but not least, it was time to try out a “John Wick” fan favorite.
Sommelier: May I suggest the Benelli M4? An Italian classic.
Taran: In “John Wick 3,” by far the coolest part was the quad loading with the shotgun. That’s something, no movie would ever have done that. Quad loading is a very difficult thing to learn, and only a few people can do it really good. So we got that going, and towards the end he did amazing.
Joe: Is this thing gonna, like, have a real big kick that’s gonna hurt?
Taran: No, there’s no recoil at all on this one. Good, that guy. Little guy.
Jade: Lean into it.
Joe: Ah, I think I’m out.
Taran: Oh, match saver! Ah, “You set me up!” All right.
Joe: Oh, that’s what that last one was for.
Taran: Yeah, the match saver.
Jade: Good job!
Joe: Thank you very much.
Joe: How come those guys didn’t fall down?
Taran: They did, but they came back up.
Joe: Oh, OK. Thank God.
Taran: I’ll finish them off.
Joe: I love this habit you have of being like, “Let me take care of that,” bang. Are you walking around the house like, “Let me get the lights,” pow pow?
Taran: Pretty much.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Operation Deadstick was the first engagement of D-Day but many people don’t know the awesome story of how a small group of British glider soldiers captured two bridges intact and held them against German counterattacks. Now, the epic fight is becoming a movie.
So, on Jun. 6, 1944, the men of D Company, 2nd Oxfordshire and Buckinghamshire Light Infantry crash-landed in gliders at only 16 minutes past midnight. A brilliant performance by pilots put the closest group of paratroopers only 47 yards from the first objective while avoiding anti-glider poles that were still being emplaced around the bridges.
The British commander had a fright when thought he had gone blind, but he realized the crash had dislodged his helmet and slid it over his eyes. He put it on right and led his men up the nearby embankment and onto the first bridge.
There, Lt. Den Brotheridge led First platoon across the Caen Canal Bridge, firing from the hip. Brotheridge gunned down a German soldier on the bridges who fired a flare, achieving the first ground kill of D-Day. Tragically, he himself was shot just moments later and became the first Allied casualty of the day.
Still, the company was able to complete the assault only 10 minutes after landing, grabbing both bridges before the Germans could detonate the explosives on them. Sappers immediately got to work cutting wires and fuses to make sure a German counterattack would not be able to easily destroy them.
It turns out, the reason the bridges weren’t destroyed was two-fold.
First, the German commander had ordered the bridge wired to explode, but that the actual charges be stored nearby so that French partisans or an accident could not destroy the bridges unnecessarily. He had reasoned that the explosives could be placed and destroyed faster than a paratrooper assault could capture the bridges. He was wrong.
Second, only he could order the charges put into place and the bridges destroyed and he was busy visiting his girlfriend in the nearby village. He was drinking wine and eating cheese with her when he heard all the gunfire coming from the direction of the bridges.
He decided to investigate the noises but apparently thought an attack was unlikely because he packed a picnic basket and tried to bring his girlfriend. He ended up dropping her off when she begged and cried, but he continued to the bridge with little caution.
His driver approached the bridge so fast that the two Germans actually blew past the British lines and were on the bridge before they realized that the German defenders had been killed. The British quickly captured both Germans and the picnic basket while the commander started crying about having let down his fuhrer.
The British then got ready for the inevitable counterattacks. The first came quickly as a German tank made its way to a nearby intersection in an attempt on the bridges. One of the glider troops engaged it with a Piat anti-tank grenade launcher, killing it with a single hit.
Luckily for the British, larger counterattacks wouldn’t come for some time. While Lt. Col. Hans von Luck, the Panzer commander who would lead the counter assault, had his entire formation ready to go by 3 a.m., he wasn’t allowed to move forward without Hitler’s say-so. And Hitler slept in on D-Day.
Von Luck sent his grenadiers, one of the few units he could move forward without authorization, to the bridges but the British had been reinforced with paratroopers by that point. The British were able to stop the grenadiers’ advance and the Germans dug in, sure that armored support would be coming soon.
Forward German units did come to assist and were able to begin pushing the British back. The British were picked at by snipers and German rocket fire and were slowly surrounded, but they managed to hold out until the afternoon despite dwindling ammo and a limited number of men.
In the early afternoon, reinforcements in the form of British commandos finally came and the combined force held off German armored attacks, killing 13 of 17 tanks and plenty of German soldiers. They also had to fight off a German gunboat that attacked from the river.
The successful capture and defense of the bridges is a major part of British airborne history. Both bridges were renamed in honor of the British. The Caen Canal Bridge was renamed Pegasus Bridge after the symbol of the British airborne soldiers. The nearby river bridge was renamed Horsa Bridge after the Horsa gliders the first troops rode in on.
Movie premieres are usually the same. Celebrities walk the red carpet in glamorous clothes, get their pictures taken thousands of times and maybe give a few interviews. Dec. 12, 2018, at the Aquaman premiere, Jason Momoa and his kids decided to liven up what would have been a typical movie premieres and honor their heritage in the same awesome moment.
Momoa took off his suit jacket and necklace and performed a traditional haka, which is a Māori ceremonial dance that includes chanting and stamping. His Aquaman castmembers, including Temuera Morrison who plays Aquaman’s father in the film, and Momoa’s two children, 11-year-old daughter Lola and 9-year-old son Nakoa-Wolf, joined him.
Together, they showed the red carpet the Māori “Ka Mate,”which is a dance often performed by New Zealand rugby teams before games. Momoa did this dance while holding a golden trident, but Aquaman’s trident was no match for this dance. Moma snapped it easily over his knee.
This energetic and exciting dance set the tone for the rest of the evening. This premiere isn’t going to be forgotten any time soon. No doubt, Momoa is a proud papa that his kids are so enthusiastic about celebrating traditions. In an interview with ET, Momoa revealed that his kids are super fast learners. Although they looked like pros on the red carpet, they were picking it up as they went.
“They just learned right now,” Momoa told ET. “But they’ve done a lot of hakas. I used to do it too when I was little, so they already knew how to do it.”
He also told ET that was a little nervous for his kids to see Aquaman where Momoa plays the titular hero. This is the first stand-alone Aquaman movie that reveals the DC superhero’s origin story.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
This weekend, a sequel to a movie series that you kind of like is trying to have it both ways. “Terminator: Dark Fate” is many things, but the easiest way to describe it a sequel to “Terminator 2: Judgement Day” and also the start of a new franchise of Terminator movies in a new timeline.
Right now, there are a ton of spoilers out there about the movie, but we’re not going to do that. (Though seriously, be careful, because there is some crazy stuff that happens in like the first few minutes.) The big question is right now, does “Terminator: Dark Fate” have a post-credits scene? And does that post-credits scene set-up a sequel? Here’s the non-spoiler answer.
No! “Terminator: Dark Fate” does not have a post-credits scene of any kind, though the ending of the film does strongly imply a sequel is coming. The director of Dark Fate, Tim Miller has gone on record saying that he thinks a post-credits scene is a “Marvel thing.”
Terminator: Dark Fate – Official Trailer (2019) – Paramount Pictures