It may take a few years, but the Rock might punch Superman in the face on the big screen. When Dwayne Johnson slips into the suit of DC superhero/supervillain Black Adam, there’s a chance he could brawl with Henry Cavill’s version of the Man of Steel. It happened in the comics, and, right now, the people making the movie with the Rock aren’t ruling out a Black Adam/Superman grudge match.
Speaking to ComicBook.com, the producer of Black Adam, Hiram Garcia, basically said that the idea of bringing in Superman to fight the Rock is totally on the table.
“I think the DC Universe is a wonderful universe and we’re open to everything,” Garcia said. “We have big aspirations for it[Black Adam]. We’re friends with Henry. [The Rock and Henry are friends, it’s a huge comic book brand as well. And I always just loved the idea. Who knows?”
Though the Rock has been confirmed to play Black Adam for a while, the Rock recently confirmed the release date of the film — Dec. 22, 2021 — alongside concept art of him as Black Adam. Technically speaking, Black Adam is a misunderstood supervillain within the DC Universe, sometimes the nemesis of Shazam. Now, because the film version of Shazam featured a Superman-cameo, it’s reasonable to assume that some version of Superman could show up in Black Adam.
But, if even Superman did appear in Black Adam and throw down with the Rock, it wouldn’t necessarily be Henry Cavill playing him. Basically, other than the upcoming film The Batman, the future the DC comics movies is somewhat in flux. So, if Black Adam did feature Superman, it could be a brand new actor playing the part, or perhaps, someone we’ve already seen like Herny Cavill.
In the meantime, if you’re jonesing for Superman, three different versions of Superman are crashing the CW’s mega-crossover event in just a couple weeks, including Tom Welling from Smallville and Brandon Routh from Superman Returns.
It’s a testament to the everlasting mythology of the SEAL Teams when a screenwriter – who also happens to be an Air Force Pararescue Jumper – and his Marine veteran dad team up to write a TV show about them. That’s exactly what happened with History’s show Six, now in its second season.
David Broyles is the son of Hollywood (and Vietnam) veteran William Broyles, writer of some of the best military films and television in recent memory, including China Beach, Apollo 13, Jarhead, and Flags of Our Fathers. Now father and son can add Six to that list.
Before David joined the military, he watched the Twin Towers fall with his father, who was a lieutenant of Marines in Vietnam. He had just finished his degree at the University of Texas at Austin. Within a week, he was looking at joining the military, judging them by their special operations teams.
Yes, he considered joining the Navy to be a SEAL. What he chose was Air Force Pararescue.
(Courtesy of David Broyles)
“I looked at the SEALs, I looked at the Marine Corps, and I found Pararescue,” says David Broyles, co-creator and one of the main writers on Six. “It seemed really challenging with the high washout rate. But also the job was to save lives, so after watching the towers come down I wanted to help. I want to make a difference. And probably like most of us, I wanted to challenge myself.”
There were 82 would-be pararescue jumpers in Broyles’ initial class. By the time he graduated there were only two (and four more would graduate later). Broyles spent his career in places like Iraq, Afghanistan, Karshi-Khanabad in Uzbekistan. There were good times and there were bad.
“I never felt more alive and never felt more terrified,” Broyles says. “The bonds of brotherhood that I experienced have always stuck with me and the things I saw and did have always powered my writing.”
Broyles always knew he would be a writer. After the military, he attended Columbia Film School in New York City. When the opportunity came to write Six, it was a chance to express in writing what it all meant to him and his friends that went through the war together.
“It was a way to work through that through writing,” he told We Are The Mighty. “A cathartic way to explore it and really honor the guys that were still in there and the guys that didn’t come back.”
With his father William Broyles, the two wrote the pilot for Six, the elder Broyles bringing his experience in Vietnam while the younger Broyles brought his experience in Iraq and Afghanistan. For Six, however, William Broyles was also bringing his experience as a father who watched his son go off to war.
(Photo courtesy of David Broyles)
William Broyles went off to Vietnam as a youth and didn’t really think about how his mother or father felt during his time away. his recent experiences with war put him in just that position. While his son was deployed, William Broyles would go to his cabin in the mountains and not answer the phone. It was a trying time for the families back home.
So while Six highlights the military family in the field, it doesn’t forget the family at home that gets left behind.
The father-son duo knew they couldn’t please everyone (they acknowledge how hard it is to please the entirety of the military-veteran community) but were determined to zero-in on the emotional truth of those moments of what it meant to serve and to be part of a brotherhood.
And they succeeded.
David’s friends and colleagues in the special operations community reached out to him to voice their support and admiration for the show and appreciate his message of what it means to be part of that team.
“I think they respect what we’re trying to do,” Broyles says “But, it’s the toughest group to please. There’s no doubt about it. We’re constantly straddling the line between reality and drama. We try to straddle the worlds between the hard authenticity, the tactics, the equipment, the movement. We wanted to make it as real and authentic as possible without putting any of the guys who are actually doing the job at risk.”
The other side of the coin is telling the story to those who have no experience in war and loss, but making them come to understand what is to be part of that bigger picture.
“That is drilling down to the emotional truth of the moment,” he says. “It’s not just about war, it’s about brotherhood and loss and family. I think people respond to those kind of broader, deeper issues regardless of whether or not you have military experience.”
If you’ve watched the HBO Miniseries Band of Brothers, you can understand why it’s one of the most critically acclaimed TV series out there. The series mixes amazing storytelling with fantastic cinematography and special effects. But there’s something else this series brings to audience — an authentic glimpse into the life of an American Soldier during WWII.
When one of us veterans watches Band of Brothers or its counterpart, The Pacific, we’re reminded of the lifestyle that brought us so much pride. It feels like Tom Hanks and Steven Spielberg (who also worked together on Saving Private Ryan) took a lot more time than most Hollywood types to really nail their portrayal of life in the service.
But outside of giving veterans a warm, fuzzy, nostalgic feeling, Band of Brothers teaches civilians about major things we learn while serving.
The show, in large part, centers around a theme of what it takes to be a good leader. You’ll see plenty examples of great leadership — and enough bad examples to make you wonder why certain characters held that in the first place. A few things you learn about leadership from the series include knowing your subordinates, caring more about their well-being than your career, and being confident enough in yourself to make choices in the face of adversity.
In Band of Brothers, the importance of troop morale is obvious
Throughout the show, you’ll see the soldiers of Easy Company ride the highest highs and sink to the lowest lows. When tragedy strikes, you see it in the posture and action of each and every soldier.
This show, better than most, shows how important it is for a leader to understand that the morale of their troops is a big deal.
The soldiers of Easy Company are undoubtedly courageous, but this series doesn’t make them out to be superheroes. Instead, Band of Brothers depicts them as your average Joe who volunteered to be a part of something bigger than themselves. You constantly see the fear on their faces — but you also see them act in spite of it, and that is courage.
The Band of Brothers philosophy
Towards the end of the series, you start to see how the soldiers of Easy Company begin to question the overall purpose of the war. Of course, this question is unshakably answered when they come across a concentration camp.
But the theme that show explores beautifully is that, at the end of the day, war is about humans fighting humans.
Dealing with loss
The series doesn’t shy away from showing the pain of the tremendous losses experienced in war. Not just among warfighters, but among civilians and their homes. They take an entire episode to establish the relationship between the medic, Eugene Roe, and a civilian nurse who volunteered to help — only to have her die in the end.
Marvel has proved itself to be a master of balancing action and high stakes with compelling heroes navigating realistic emotional experiences. The pilot episode of The Falcon and the Winter Soldier could have been a basic buddy cop series, but instead the creators have set up a show that will explore trauma and PTSD and systemic racism while deconstructing modern America and its flaws. It hit its emotional beats succinctly and set up its two heroes — without even uniting them yet.
The episode begins with a cool opening, showing off Anthony Mackie’s Sam Wilson AKA The Falcon and his wingéd suit. After thirteen years of action sequences, Marvel’s creative teams keep finding ways to get creative — in this case, Wilson teams up with U.S. military forces to recover a soldier kidnapped by wingsuit terrorists led by Georges Batroc, the acrobatic terrorist from Captain America: The Winter Soldier.
Wilson is aided by a soon-to-be-fan-favorite Joaquin Torres, who gives intel support from the ground and, after their mission success, fanboys a bit over Wilson and asks him to confirm a conspiracy theory that Steve Rogers is operating on the moon. This slyly reminds us that the Avengers are famous, and while we know their stories, the people in their world don’t necessarily.
In fact, most civilians in the Marvel Cinematic Universe are normal people living out their lives, watching aliens attack Manhattan, trying to cope as half of the population disintegrated into ash then reintegrated five years later. Those kinds of events have taken a toll — including radicalizing terrorist groups, whom we’ll see later in this episode, and impacting the economy, as we’ll also see.
Wilson returns to D.C. to do “moon stuff,” where he offers the Captain America shield to the Smithsonian for Steve Rogers’ exhibit. Wilson still doesn’t feel worthy of the mantle of Captain America. His sister struggles to keep the family fishing business afloat — pun intended — and she doesn’t blink an eye when they are denied a loan from the bank, in spite of Wilson’s fame and status. He’s not the only person who had no source of income for the past five years (due to being snapped out of existence by Thanos) and now needs financial assistance. The undertones of the scene show that systemic racism is at hand as well.
Next we catch up with a haunted Bucky Barnes, who, despite his healing respite in Wakanda, suffers from symptoms of PTSD. He has nightmares and carries guilt from his 90 years of enslavement as a brainwashed assassin for HYDRA and the Soviet Union. He has a notebook filled with names of people he hopes to make amends to, including an older man grieving the mysterious death of his son — a man who was in the wrong place at the wrong time and was killed by the Winter Soldier.
His therapist offers an insightful observation that should resonate with many veterans: “I was an excellent soldier, so I saw a lot of dead bodies and I know how that can shut you down. And if you are alone, that is the quietest, most personal hell. And James, it is very hard to escape.”
With both of their introductions, we can see that Sam is trying to figure out who he is. He’s comfortable being an airman — but he’s not ready to be Captain America and carry the weight of all Steve Rogers stood for.
Bucky was a good man who spent almost a hundred years doing terrible things. He was basically still a kid when he enlisted and was taken captive by HYDRA. In one scene, he brings a date flowers and she calls him “adorably old-fashioned.” Sebastian Stan’s acting in that moment is very nuanced; he captures Bucky’s vulnerability beautifully. His family grew old and died while he was enslaved by HYDRA, his best friend returned home to the past without him, and now all he has for company is his guilt and trauma.
It’s clear the two will need each other, which sets up their future friendship for a satisfying connection. Meanwhile, young Torres has uncovered a terrorist cell aided by an operator with superhuman strength, which points the way this series will go.
The most painful moment came at the end of the episode when the U.S. announced that there will be a new Captain America afterall — not Sam, the rightful shield-bearer, but some smarmy white chap. So that’s awkward.
It was announced last year that Vincent ‘Rocco’ Vargas would be a main character in FX’s new series, Mayans M.C. This week, at San Diego Comic Con, fans got to see a little bit more of the series and, in short, it looks amazing. Yes, it’s awesome that the series is going to take off where Sons of Anarchy ended (Spoiler alert:The series that was basically a modern retelling of Shakespeare’s Hamlet ended in pretty much the same way as Shakespeare’s Hamlet) — but the fact that one of the veteran community’s own made the cut is a win for all of us.
There’s a long history of veterans taking up acting careers after serving. Steve McQueen, Chuck Norris, and Morgan Freeman all served before becoming on-screen legends. Even several post-9/11 veterans have graced the big screen, like Adam Driver and Rob Riggle.
Now, Vincent ‘Rocco’ Vargas joins that list.
Vargas has been making a name for himself ever since leaving active duty. He became the Chief Operations Officer of Article 15 Clothing and has appeared in many of their YouTube videos. He also appeared in a bit role in Ross Peterson’s Helen Keller vs Nightwolves before both of them went on to star in Range 15.
Vargas also appears in many episodes of the YouTube series, Dads in Parks, created by Navy veteran and comedian Jamie Kaler.
Vargas is set to play Gilberto “Gilly” Lopez, a good-natured MMA fighter that rides for the Santo Padre chapter of the Mayans Motorcycle Club. Unfortunately, he’s only listed as being in two episodes on IMDb, but we’ll still count this as a win.
Not much else is known at this time about the series, but we do know it’ll star JD Pardo as a potential recruit to the Mayans M.C. Check him out when the series premieres on September 4th on FX.
Having more veterans in Hollywood is a win for every veteran who wishes to take on more artistic and creative roles after service. Just as Adam Driver’s work with the Arts in the Armed Forces proves, Vincent ‘Rocco’ Vargas is also showing the world that veterans are capable of much more than just grunt work.
All of his videos, blogs, podcasts, and films are proof that the world wants to hear the veteran’s voice. But for further proof that Vargas has the interests of the veteran community at heart, watch this short film he wrote and starred in calledThe Long Way Back.
Retired NASA astronaut Nicole Stott experienced two spaceflights and 104 days living and working in space on both the International Space Station and the Space Shuttle. She was the 10th woman to perform a space walk and, just for funsies, she painted the first watercolor in space (it’s now on display at the Smithsonian Air and Space Museum).
In the video below, Stott breaks down scenes in classic space films, from Total Recall to Gravity to getting sucked into space in Alien: Resurrection. If you’ve ever wondered what would happen if an astronaut’s helmet cracks in space or what happens when a member of the crew is exposed to the vacuum of space (“there was a case of a guy who was doing a spacesuit test and somehow got exposed to the vacuum; he reports that he felt the boiling of his spit on his tongue…” she shared, to my horror), Stott has answers.
In Total Recall, a cracked helmet results in convulsions and eyes popping out of their sockets, emitting a laugh from Stott. “The helmet itself is really very durable. We try our best to avoid contact with anything, because they can scratch, too. When we do space checks, we’re always talking about doing a glove check or a crew member check where you look each other over and make sure you don’t see anything that might be a problem,” she explained. “But overall, the suits and helmets overall are really very durable and have done a great job of protecting us in space.”
She had a lot of great things to say about the realism in Gravity, although “there’s definitely not as much chatter as what you’re hearing [in the film]. We try very hard to keep it to what the tasks are about. We might be playing music inside the shuttle but that’s not something you’ll hear throughout all the comm that’s going on.”
She described how choreographed a space walk is, down to five minute increments. For safety, there’s always someone inside the shuttle during a space walk, as well.
“The thing that stands out the most to me is that you’d never have George Clooney, or any other crew member, just jet-packing around while the space walk was going on,” she clarified.
She went on to describe emergency procedures (and why unexpected debris in space is rather unlikely), as well as what she described as one of the greatest fears of any spacewalker: spinning out into space. She also commented on astronaut training, including simulation and virtual reality.
Stott giggled a bit before breaking down the ludicrous speed in Spaceballs, comparing it to the 17,000 miles per hour (5 miles per second!) that the Space Shuttle travels.
The topic of training came up again with the Armageddon training montage. “The underwater work looks just like what we would do if we were training to do a space walk. Thankfully, in space, it’s easier to move around in those suits! You just have to figure out how to stop if you start moving too fast!” she recalled with a bit of wistfulness in her voice. Check out the video above for more Armageddon and everything from pulling G’s in Interstellar tothe artificial intelligence of 2001: A Space Odyssey.
Editor’s Note: On April 15, 2018, R. Lee Ermey passed away from complications of pneumonia. His long time manager, Bill Rogin, made the announcement via Ermey’s twitter handle. In honor of his passing, We Are The Mighty is proud to share these facts about America’s favorite Gunny.
Most people know R. Lee Ermey from his role as Gunnery Sergeant Hartman in Stanley Kubrick’s Full Metal Jacket. And if you somehow joined the military and never saw Full Metal Jacket, the first question anyone would ask is “How is that even possible?” But the second would be “How much do you know about this guy, anyway?”
Ermey didn’t go right into acting and if it weren’t for his Marine Corps-level determination, we might never know him at all. Which would be a shame, because his life before and after Full Metal Jacket is equally interesting.
1. His first job after the military was untraditional.
Ermey was medically retired from the Marine Corps and was at a loss about what to do as a civilian. He told Entertainment Weekly in a 1997 interview that he “bought a run-down bar and whorehouse” in Okinawa. He had to leave the business behind when the Japanese FBI caught wind of his black marketing. He escaped to the Philippines, where he met his wife.
2. His first role was an Army helicopter pilot.
It was while in the Philippines that the future Gunnery Sergeant was cast in Apocalypse Now by Francis Ford Coppola himself. Ermey was studying drama and did a number of Filipino films before Coppola discovered him. You can see him in yet another legendary war movie scene.
Ermey was doing his job as technical advisor, reading the part of Sgt. Hartman while interviewing extras for the film. They already hired another actor for the part but Ermey had a plan to get the part. He got the job as technical advisor because of his other roles in Vietnam movies. He taped the interviews he did as Hartman and Kubrick cast him after seeing those tapes.
Interestingly enough, Ermey wrote the insults he hurled at the Marines in the film. Kubrick never gave him input on what a drill instructor might say. He wrote 150 pages of insults.
4. Ermey is the only Marine to be promoted after retiring.
He rose to the rank of Staff Sergeant after spending 14 months in Vietnam and doing two tours in Okinawa. He was medically retired for the injuries he received during his service. But it was in 2002, that Marine Corps Commandant James L. Jones promoted Ermey to E-7, Gunnery Sergeant, the rank he became so well-known for. It was the first and only time the Corps has promoted a retiree.
5. He originally joined the Corps to stay out of jail – and almost went Navy.
In the old days, joining the military was an option for at-risk youth and juvenile delinquents to avoid real jail time. Ermey was arrested twice as a teen. He admits to being a bit of a hell-raiser. And he didn’t even know about the Marine Corps the day he decided to join.
“Basically a silver-haired judge, a kindly old judge, looked down at me and said ‘this is the second time I’ve seen you up here and it looks like we’re going to have to do something about this,'” Ermey told a gathering in 2010. He wanted to join the Navy because his father was in the Navy, but they rejected him on the grounds that he was a troublemaker.
As the dust settles on Game of Thrones, and the wheel is broken with the new king unable to sire any children, the four remaining Stark siblings went their separate ways. Arya, Sansa, Jon, and Bran moved decisively toward the future, with Arya traveling to the edge of the universe, Sansa becoming the queen of an independent north, and Jon traveling beyond the wall, likely to never return to Westeros. The Stark siblings arguably had the most satisfying narrative arcs in the entire show, and so be it, considering the first season they lost most of their living family and were separated and scattered across Westeros itself. So, now that they are going their separate ways, it’s easy to want to stay with them forever. Here are the spin-off shows we want to see the most.
1. The Arya Stark Road Show
Arya Stark’s final scene of the series is her facing the great unknown as she looks towards new adventures and a new life. Wouldn’t it be great to follow her into worlds unknown, and to see what wacky adventures she gets into? Would she ever do some more face-swapping? Would she become a freedom-loving pirate? Would she find love, or would Gendry come after her, renouncing Westerosi culture and choosing to be her adventurous life partner? We’d love to watch it and find out.
2. Sansa Stark the Queen
It’s arguable that Sansa Stark won the Game of Thrones. After all, her major motivation for the past two seasons, ever since being free of the shackles of Ramsay Bolton, was to secure a free and independent Winterfell and north kingdom for her people. Now that she’s done it and is officially a Queen — maybe even the Queen that Cersei was warned about in Maggy’s prophecy. What wacky hijinks will she get up to in the North? Will she find a stable romance? Will she secure grain for Winter?
3. Jon Snow Goes Solo
Jon Snow’s punishment for murdering his girlfriend and Queen Daenerys was to be returned to Castle Black to serve out his life on the Night’s Watch. Although there may not be a reason for Castle Black anymore given that the wildlings can more or less move freely throughout the North and beyond the wall, and the threat of the wights and White Walkers is exterminated, Jon’s return to where he began the show is a sort of divine justice, and may have actually been what he wanted. After all, his final scene in the series shows him smiling just a little bit as he rides his horse out beyond the wall with Ghost, his beloved direwolf, his best friend Tormund, and a group of wildlings that he helped save from the Long Night. Seeing him beyond the wall for the next decade or so would be really thrilling stuff. Will he find someone to talk to about all of his girlfriends dying in his arms? Will he find love again, or will Ghost find someone to make babies with? Will he and Tormund star in their own buddy comedy?
4. Drogon 24/7
Poor Drogon. All he’s known is a life of pain and war. When he was born to his mother, he had two siblings, Rhaegal and Viserion, and both of them die within a few months of one another. He also has to deal with the fact that he’s a weapon of war and, given the fact that he is deeply intelligent, might have known the destruction he was razing on a city of half a million Westerosi citizens. That must have hurt. To top it off, all that sacrifice and his mom dies like five minutes after the battle? Let’s see a spin-off of wherever the hell Drogon goes with his mom’s body after her death. Is it to Valyria? Does he return to his birthplace? Does he take her body to dragonstone? Even King Bran wants to know! And that’s why we deserve a spin-off!
5. Grey Worm Relaxes
Grey Worm reveals in his last scene of the series that he is going to liberate Naath with the Unsullied. Naath is the place that he and Missandei discussed going to after their less-than-friendly reception upon their arrival to Winterfell. The beaches, Missandei said, were what she missed the most. That he and the Unsullied are going there is a fitting end to his character arc, but most importantly, it’s a new land to explore and it would be great to see Grey Worm find happiness after being trained from birth to be a soldier and then finding love and a purpose and losing them both in about one week. He deserves better! Will he finally put his toes in the sand? Will he get to relax and take off the armor? We’ll never know, but it would be nice too!
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
It’s no secret that Hollywood has a knack for getting the military wrong in war movies. Whether it’s diverging from reality in movies that are “based on a true story” or it’s pretending grenades create massive fireballs when they explode, the movie industry will always favor drama and spectacular visuals over realism… and to be totally honest, I’m cool with that.
Over the years, I’ve devoted a great deal of my professional life to analyzing the way narratives take shape in the public consciousness. I’ve dug into how different nations leverage media to affect public perceptions (I even wrote a book about it). I’ve explored the ways cultural touchstones like exchanging engagement rings manifested inorganically in corporate board rooms. I’ve even pointed out the ways World War II propaganda still shapes our dietary choices. That’s a long-winded way of saying that my professional interests have long been tied to exploring the undercurrent in mass communications, and further analyzing the ways that undercurrent can shape our perspectives of the world.
With the understanding that I’ve devoted so much of my time to exploring the narrative behind messaging, you can probably imagine that I can be a real party pooper when it comes to watching war movies. Like most vets, I get frustrated when I see uniforms worn incorrectly or when dialogue between service members feels forced or clunky… but unlike many vets, I also can’t help but look past the surface level messaging to try to figure out what filmmakers are trying to say with their choices in presentation.
Film, like any art form, is really an exercise in evoking emotion. When we really love a movie, it’s almost always because we loved the way the movie made us feel as we watched it. Whether we were excited by incredible action sequences or we were enraptured by a budding romance, it’s the experience, our experience, that we actually cherish. Good filmmakers know that, so they often choose to place a larger emphasis on creating an experience than they do on recreating a realistic event. Good movies aren’t good because they’re real–in other words–they’re good because the feelings they create are.
When a movie sucks, however, it’s usually because the director fails to evoke real emotions in the viewer. Bad filmmaking can be just as realistic or unrealistic as good filmmaking. Warner Brother’s famously bad “Green Lantern” movie, as a good example, is often made fun of for its use of an entirely CGI costume on Ryan Reynolds. You might think that’s because CGI costumes are just too unrealistic to be taken seriously… until you realize that most of the costumes you see in the wildly successful Marvel movies are entirely CGI as well. The difference isn’t that one is realistic while the other isn’t–the difference is that the Marvel Cinematic Universe is better at making you care about its characters. Iron Man’s CGI suit simply becomes set-dressing for the character that you’re emotionally invested in.
Marvel isn’t the only studio to get the feeling right, even when it gets facts or realism wrong. In fact, there are a number of war movies that manage the same feat.
Full Metal Jacket (the first half)
Marines, in particular, tend to hold the first half of Stanley Kubrick’s “Full Metal Jacket” in high esteem, and we tend to disregard the second half of the movie as an auteur opining about Vietnam (in a way that doesn’t leave the audience nearly as invested in the characters). Depending on who you ask, they’ll tell you that Marine recruit training is exactly like the movie or not like it at all–and that likely has a lot to do with individual experiences and feelings from one’s own time at the depots.
But whether you ever had to choke yourself with a drill instructor’s hand or not, most Marines feel a distinct kinship with J.T. “Joker” Davis’ platoon. It’s safe to say that most of us didn’t see a fellow recruit shoot our drill instructor in the bathroom (or head, as we call it), but that scene does capture something about recruit training that’s not easy to articulate. For many of us, Marine Recruit Training is the first place we’d ever been where violence is a commodity. We’re learning to fight, to kill, and when you begin broaching the subject in your mind, the experience can be jarring. I recall distinctly the first time I ever truly thought about taking another person’s life and what it would entail, and it was inside a squad bay just like the one you see in “Full Metal Jacket.”
The Hunt for Red October
If we’re grading war movies on realism, it would be tough to gloss over the fact that Sean Connery’s Marko Ramius is a Russian submarine captain that talks with a thick Scottish accent. But in terms of capturing the reality of the Cold War as a feeling, “Red October” hits the nail right on the head.
In real life, would we pull a CIA analyst out of his cubicle and drop him into the ocean to climb aboard a nuclear submarine hot on the tail of a rogue Russian captain? Probably not–but by doing so in the film, “The Hunt for Red October” effectively captured the sense of urgency, confusion, and distrust that characterized so much of the Cold War for both American and Soviet officials. Many defense initiatives in the U.S. were driven by concerns that the Soviet’s had developed a technological or strategic advantage, and in a real way, intelligent men and women like Jack Ryan devoted their entire lives to both offsetting those perceived capability gaps, and of course, to preventing nuclear war amid an international, nuclear-fueled, staring contest.
“The Hunt for Red October” may not be the most realistic exploration of Cold War tensions, but it expertly crafts the feeling that permeated the defense community throughout the conflict.
I won’t lie to you, I still take great issue with certain elements of “Jarhead” — specifically its depiction of Marines as singularly driven by the desire to take lives. However, as an exploration into the emotional ride that is Marine training and service, the desire to get a confirmed kill in “Jarhead’s” second act that I find so abrasive actually perfectly captures the feelings so many service members and veterans have about not seeing combat.
The vast majority of people in the military never take that “kill shot” “Jarhead’s” Anthony Swofford (Jake Gyllenhaal) is so focused on, and to be honest, lots of service members wouldn’t want to–but therein lies the point. “Jarhead” is a war movie that tells the story of training extensively for a job that you never get to do, and then returning to a world full of other people’s expectations that you know, inside your head, you’ll never amount to.
Lots of veterans find that they don’t feel “veteran enough” after their time in uniform is up. Maybe they didn’t see combat, or they didn’t see as much combat as others. Maybe their job had them mopping floors in Japan instead of kicking in doors in Iraq, or maybe they never left the wire during their time in the sandbox. Whatever the reason, many veterans (and even active service members) carry a chip on their shoulder created by society’s expectation that we all return home like John Rambo. The truth is, every veteran is veteran enough–but “Jarhead” does an excellent job of sharing that insecurity on film.
Tears of the Sun
This nearly forgotten 2003 action drama starred Bruce Willis as Lieutenant Waters, a U.S. Navy SEAL charged with leading his team into Nigeria to evacuate a U.S. citizen and medical doctor amid a bloody coup d’etat. When Waters and his SEAL team arrive, however, the doctor refuses to leave without the rest of the members of her small community who will likely be wiped out by rebel soldiers in the area.
What follows is a fairly unrealistic depiction of how military operations are carried out, complete with bloody last stand on the nation’s border in which many of the SEALs ultimately give their lives to protect the fleeing civilians. The movie is, to be honest, some pretty heavy handed American military propaganda (honestly, some of the best war movies are), but it’s precisely because of that arguably jingoistic idealism that this movie so effectively captures the feeling that drives so many of us to sign our enlistment papers.
Most folks in the military chose to join because of a combination of personal interest and idealism. We could use a good job, some help with college, and benefits for our families–but we also want to make a difference in the world. We want to help protect not just our nation’s people, but the ideals our nation represents. “Tears of the Sun” is a story about American service members giving up their lives to do what’s right, and because of that, it strikes the patriotic chord in many of us in a way that resonates deeply, even if the movie itself isn’t a masterclass in filmmaking.
There’s a widespread belief that MPs will look the other way for other MPs in certain situations. Now, I am in no way saying that there should be unfair advantages given when it comes to the law. That being said, there is no denying that this practice exists in various ways.
MPs hold one another to a standard that is often a few pegs above the written, established standard. So, a lot of times the “looking out” comes in the form of keeping other MP to task and up to snuff when the human element rears its head. Sometimes, “looking out” means offering just a ride home — it depends on the variables.
4. People want to be cool with you… when they don’t hate you
Everyone wants to be cool with MPs. It means they’ll probably get through the gate on personal recognition a little more frequently and, if they have an encounter with an MP, it’ll likely be pleasant.
This rapport is typically built through politeness, a few well-timed store runs, and some glazed pastries.
3. Face of the base
These days, we hear a lot of references to the ‘tip of the spear.‘ The expression is typically reserved for those special few among us who are truly and undeniably badass.
As a Military Policeman, not only are you the first face to greet every single visitor and vehicle to enter the base, you are, by definition, the tip of that extremely local spear. Not to pat ourselves on the back too much, but hey, that is a pretty big deal.
2. Rapid maturity
Having an authority that supersedes rank can be a lot to handle. With young MPs, you typically get one of two types:
Type A is someone who has walked with a big stick for most of their life and now they have some actual weight behind their actions. They are likely to push the limits of their authority a bit further than most until they learn better.
Type B is someone who is timid and unsure of how to impose their authority the right away. They’re more likely to tiptoe towards competence with fewer mistakes along the slower road.
Both of these guys are going to have to make their way through the gauntlet fast if they hope to survive through their enlistments.
American bombs rain down on the Japanese soil of Iwo Jima. Lt. Surge, an American patriot, pilots his aircraft over the island of imperial injustice but suffers a catastrophic hit to the plane’s energy supply. He has no option but to adapt and overcome – ‘Go Raichu!’ The Pokemon can power the B-29 aircraft long enough for Lt. Surge to return to a friendly airfield.
The alternate universe of Nintendo’s Pokemon adapted real world events into the game. This World War II veteran’s story is being gradually erased with each new generation of Pokemon games in the name of political correctness. This is a tribute to Lt. Surge before Japan removes him completely from the pages of the Pokedex.
Lt. Surge was a pilot in the Army Air Corps
Like most combat veterans, Lt. Surge doesn’t talk about the war outright, we must piece together from different sources what happened.
“I tell you, kid, electric Pokémon saved me during the war!” – Lt. Surge
The Army Air Corps was the predecessor to the Air Force and operated in the Central Pacific Area. In the Pokemon game’s Vermilion City there is a journal that states:
“Lt. Surge is rumored to have been a pilot while home in America. He used the electricity generated by Pokémon to power his plane.”
Lt. Surge was a harsh but fair officer
The young officer booby trapped his entire gym with a double locking mechanism hidden in trash cans. I’ve never felt more personally attacked by a Nintendo game because at one time, I too, booby trapped my barracks room. Gentleman Tucker, a trainer at his gym said, ‘When I was in the Army, Lt. Surge was my strict CO. He was a hard taskmaster.’
He probably fought in the Battle of London before deploying to the Pacific
In the games HeartGold and SoulSilver he can be found at the magnet train station in Saffron City after you get his pokegear number (a cell phone number) and you’ve spoken to him at the power plant. He will offer to trade his French Pikachu named Volty. In WWII during the Battle of London from 10 July – 31 October 1940, there were only eight Americans serving in that theater at the time. By the time the invasion of Japan on Iwo Jima from 19 February – 26 March 1945, he would have had more than enough time to fight on both sides of the world. How likely is that possible? It’s a video game and he has a French electric rat as a sidekick. So, I’m going to need you to get all the way off my back on this one.
He was also a high-ranking officer of Team Rocket
In the manga, Lt. Surge is responsible for trainers losing their Pokemon on the famous cruise ship U.S.S. Anne. He is identified as a Team Rocket Executive, the main villains, and captures a trainer named Red. Red is tortured with electricity and thrown overboard. His plans to exploit Pokemon for his personal gain are foiled by a mysterious trainer named Yellow. Team Rocket had been using the U.S.S. Anne cruise ship as a means to transport stolen Pokemon from Vermillion City to Viridian City.
However, in the video games there is no mention of Lt. Surge as a member of Team Rocket. That may have been a marketing choice to remove the risk of offending an American audience by portraying a veteran as a bad guy. Later in the Gold and Silver series of the Manga he turns into a good guy and helps the main character on a quest.
There is amazing fan art with pokemon being used in combat
The greatest thing about the Pokemon fanbase is that there are no limits to their imagination. When I was eight years old and played Pokemon Yellow on Christmas – it was the greatest day of my life. That impact was also shared by millions of other children across the world. We grew up and filled in the blanks. Here are some of the best artwork so far with pokemon fighting side by side in combat.
For many people, music is a form of therapy. A song can help you get through tough times, great times, or just get you through the day. So we’ve put together the ultimate list of music playlists that are perfect for those in the military. Whether you’re child just left for basic training, your spouse deployed, or you’re just looking for some great patriotic music – here are some of the perfect military song playlists.
In Honor of Our Fallen Protectors – Memorial Day Tribute
Memorial Day is often times misinterpreted as a celebratory holiday, but for many it’s a very solemn day filled with heavy hearts. While Memorial Day marks the unofficial to summer and a season of fun, this is a great military song playlist to remind us all the importance of Memorial Day and those that made the ultimate sacrifice.
Country Music 101: The Military
If you love country music and you love the USA, then both of these playlists are for you. Both playlists feature a mix of oldies and new songs that are sure to bring out the red, white, and blue in you.
4th of July Party
Summer is practically here which means outdoor bbqs, late night bonfires, and enjoying the outdoors. This playlist is perfect for a laid back relaxed day in the sun with a mix all of different genres from pop, country, alternative, and rock.
Looking for the perfect playlist to hit the gym with? Whether you’re preparing for military basic training or looking to keep up your physical fitness this playlist is sure to get you in the mindset for ultimate strength building. This playlist features rock and alternative music.
Letters From Home
Writing letters to someone at basic training? This military song playlist will give you all the feels as you write letters to your recruit.
Basic Training Graduation
Graduation ceremonies might be canceled, but that doesn’t mean you have to pass on celebrating your new service member’s accomplishment. This playlist is the perfect mix of songs to get you in the celebration mood.
Looking for more playlists? Spotify is a great place to browse.
Hollywood seems to have a skewed idea of veterans who return to the civilian world. They’re either over-the-top action junkies, like John Rambo (in movies outside of First Blood), or they’re a broken-down husk of who they once were, like, well, basically any character in any drama set after a war’s end.
In real life, veterans are cut from the same cloth as everyone else. You’ve got your outstanding, Captain America-types, your aggressive Punisher-types, and just about everyone in between. But all of the characteristics of your everyday veteran can be seen clearly in Chris Pratt’s character, Owen Grady, in 2015’s Jurassic World.
Grady’s service is barely hinted at in the movie. In the scene where Owen and Claire are trying to find her nephews, Claire implies that Owen could, simply, just track them down by their scent or footprints. Owen quickly (and hilariously) responds with, “I was with the Navy, not the Navajo.”
This one line gives a whole new meaning to everything that he does throughout the film.
Owen is reclusive, professional, mission-oriented, and reasonable — much like a real-life veteran. They don’t have him claim some overly badass job description — he just says that he was in the Navy. He, like 97% of the military, wasn’t a special operator.
In fact, his role in the military is never explicitly stated, but when you look at his skills in leading Blue and the raptors, he shows talents very similar to those of a dolphin and marine animal trainer — which makes sense since it explains why the film’s antagonist, Vic Hoskins, hired him directly out of the Navy. Vic also mentions Owen’s military service and refers him as a “dog of war,” which Owen shrugs off.
But what really defines Owen as a character is he demeanor. He’s smart enough to know the ins-and-outs of the island while also being jaded enough to only speak up once. This usually involves him telling people that raptors aren’t able to be controlled right before the raptors rips someone to shreds. Hey, at least he tried to tell ya.
It’s unclear if they will further elaborate on Owen’s backstory in the upcoming Jurassic World: Fallen Kingdom but, so far, Owen Grady’s character is an excellent, authentic representation of veterans that doesn’t make us look like heroes or broken men — but rather just like any other guy who’s good at surviving bad situations.