Remember that scene in “The Empire Strikes Back” when Luke Skywalker and Han Solo brown-bag some forties of Miller High Life at Echo Base on Hoth? Oh, you forgot? I think it’s in my super-secret directors cut. But, anyway, the point is, people in Star Wars usually drink booze when they are in space cantinas, which is mostly true of real life, too. At Disneyland’s Star Wars: Galaxy’s Edge, if you want to drink space booze, you have to do it in Olga’s Cantina. But, soon, if you want to feel the Force-buzz in Florida, you won’t even need to be inside of a bar.
On Aug. 1, 2019, WDW News (Walt Disney World News) broke the news that although two food courts in Galaxy’s Edge were dry at Disneyland, their Disney World counterparts will have alcohol. According to the report from WDW: “Disney has confirmed the presence of alcoholic beverages at both food locations that did not have alcohol at Disneyland. Both Docking Bay 7 Food and Cargo and Ronto Roasters will each feature two alcoholic beverages.”
The report also claimed that Disney World will add alcoholic versions of Blue Milk and Green Milk to Star Wars: Galaxy’s Edge, which again, did not exist at the Disneyland version of the attraction. And in case you forgot, Blue Milk is what Luke drank at the dinner table in the original Star Wars movie in 1977, and green milk is what Luke drank out of that alien sea cow’s breast in “The Last Jedi.” So, yes, Disney World is now offering you a booze-filled version of something that is basically space-animal breast milk. Let’s try explaining that one to the kids, shall we?
Galaxy’s Edge will open at Disney World in Orlando, Flordia on Aug. 29, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Kim Jong Un, North Korea’s supreme leader, may preside over the most propaganda-inundated, oppressed, and ruthless country on earth, but he’s not crazy.
In fact, under the Kim dynasty, North Korea has time and time again shown strategic thinking and cunning, essentially staying one step ahead of international efforts to curb the regime’s power.
North Korea has, for decades, gotten its way without a major military campaign, and without a single attack on Americans on US soil. North Korea will continue to get what it wants in a broad sense, though sanctions and isolation will slow it down.
And North Korea will continue to get what it wants, enjoying a growing economy, powerful nationalism, and ever-improving nuclear and missile capabilities.
But if North Korea ever, ever fires one of those missiles in anger, the US will return fire in devastating fashion before you can say, “Juche.”
“Their primary concern is regime survival,” a senior US defense official working in nuclear deterrence told Business Insider.
North Korean statements traffics heavily in propaganda, but all sides seem to sincerely believe the Kim regime cares deeply about its preservation, and has built the weapons for defensive purposes.
“The North Koreans having nukes is a bad thing and we don’t want it. But if we lose that one, we survive it,” said the official.
This statement from a currently-serving US official knowledgeable with nuclear deterrence is a rare admission that North Korea gaining a nuclear ICBM capability isn’t the end of the world.
It’s time to stop thinking of Kim as some dumb and “crazy fat kid” as Republican Sen. John McCain recently put it.
Kim’s thinking seems cold-blooded and ruthless to the US, but he’s not crazy, and he’d have to be to attack the world’s most powerful country.
In Michael Bay’s “13 Hours: The Secret Soldiers of Benghazi”, the actors were mentored by the type of warfighters they portray in the film in order to accurately depict their abilities and experiences. Each of these men was a member of an elite group called the Global Response Staff, which draws from the full suite of special operations units.
We Are The Mighty partnered with “13 Hours” to bring together spec ops vets of each branch to discuss the differences between Army Rangers and Green Berets, Air Force Pararescuemen, Navy SEALs, and Marine Recon.
Their explanations are specific and nuanced and explained as only those who’ve “been there and done that” can.
Chapter 3: The Sin has a few choices in it that were easy to predict and a few that I didn’t see coming. By the end of it, I’d been on a satisfying emotional journey and I’m genuinely curious about where the series will go next.
Before we get started, though, let’s talk about Ludwig Göransson‘s music for a minute. That drumbeat is so bitchin’ I’m ready to add it to my workout mix. It’s suspenseful with a bit of levity, which is the tone that series creator Jon Favreau (Iron Man, Chef) captures really well in his work. It’s no surprise that Göransson also scored films like Black Panther and Creed.
Alright. Let’s get to it. Spoilers for the third episode of The Mandalorian ahead:
I’m gonna say what is on everyone’s mind: that Yoda Baby is so goddamn cute. Like, I don’t know if I want kids, but I will take that little guy. Every scene where our Mandalorian isn’t cuddling that baby makes me anxious. HOLD THE BABY AND TELL HIM EVERYTHING IS GOING TO BE OKAY, YOU MONSTER.
Instead, “Mando” (I still…hate that nickname, okay? I hate it) surprises me and actually takes the Yoda Baby to The Client. He’s got a guilty conscience about it, though. AS WELL HE SHOULD.
But then again, he’s being paid a lot of beskar steel (like, a lot), so I get it. Still, zero part of me believes that our Mandalorian isn’t going back for the baby…after he suits up with a nice new cuirass that is.
I totally get why he wanted that new armor. My DND rogue just got a Mithril breastplate and, well, it’s thrilling.
The Mandalorian, Disney+
Our Mandalorian heads to The Armorer so we can get a female with a speaking role some more information about Mandalorian lore. The importance of keeping his helmet on is repeated here (I have so many questions: can he take it off when he’s alone? How does he brush his teeth?), as is the protection of foundlings, who “are the future.”
As other Mandalorians follow our Mandalorian and his ice cream maker of beskar steel, we learn how much they revile the fallen Empire and, presumably, its attacks against their people. “When one chooses to walk the way of the Mandalore, one becomes the hunter and the prey,” intones The Armorer.
In addition to his new armor, she gives our Mandalorian “whistling birds” which have just become the new Star Wars version of Chekhov’s Gun.
Is that beskar steel in your pocket or…
The Mandalorian, Disney+
Our Mandalorian heads back to Greef Karga (Carl Weathers) to accept another assignment (a Mon Calamari — fun easter egg or foreshadowing?) and we get a heavy-handed reveal that every bounty hunter in the room has a tracking fob for the Yoda Baby. Neither talk of the bounty hunter guild’s code about what happens to assets when they’re delivered (it’s basically a don’t ask, don’t tell policy) nor our Mandalorian’s boarding of his ship make me think for a second he’s leaving that baby.
Where does he store the fuel?
The Mandalorian, Disney+
Sure enough, he heads back and makes quick work of the shoddy Stormtroopers with his marksmanship, flame throwers, and whistling birds (remember the Jericho Missile in Iron Man? They’re that, but pocket-sized). The creepy clone guy begs for his life and claims that he saved the life of the Yoda Baby, who is asleep and hooked up to machines.
Personally, I think we could have gotten some intelligence from this cowering dude, but I guess our Mandalorian wanted to get the hell out of dodge. Luckily I got what I’ve been waiting for: Pedro Pascal cradling the Yoda Baby in his arms.
Don’t judge my biological responses and I won’t judge yours.
Speaking of Disney+, how great is The Rocketeer?
The Mandalorian, Disney+
Just when you think the showdown is over, our Mandalorian exits The Client’s stronghold and is confronted by dozens of bounty hunters and their tracking fobs, lead by Karga. They want the baby, our Mandalorian wants the baby, I want the baby, we all want the baby.
A firefight commences.
Our Mandalorian does a pretty stellar job, considering he’s outnumbered. We also get to see the impressive capabilities of his rifle, which disintegrates enemies much like the Tesseract weapons from Marvel. Still, he’s in a bind…and then, a fun surprising-yet-inevitable deus-ex-machina arrives in the form of a tribe of Mandalorian, who fly in with their rocket packs and take on the bounty hunters so our Mandalorian can escape with the cutest little bounty in the universe.
After outing themselves, the Mandalorian will be forced to relocate. With a salute, our Mandalorian is waved off by one of his wingmen. He makes a mental note to get himself a rocket pack, hands the Yoda Baby a toggle from his ship (which is definitely a choking hazard, but whatever, they’re bonding), and he shoots off into the stars.
Loving the vibe of the #Mandalorian! I can’t wait until episode 3.pic.twitter.com/rcOaAhmufP
Let’s face it, everybody loves Danaerys Targaryen’s dragons. And why not? They bring the rain… well, more like they bring the kind of fire and brimstone that’d make Col. Kilgore from “Apocalypse Now” smile in the morning.
There are planes that are very loved as well… like the A-10 Thunderbolt II. This plane is best known for its GAU-8 “Avenger” cannon, which brings a load of firepower. But the dragons have more payload than the beloved “Warthog.” In fact, they can devastate an entire area. Just look at this clip from “The Spoils of War.”
As you saw, Drogon is essentially delivering an “Arc Light” of fire on the Lannister/Tarly army. The plane that carried out the “Arc Light” missions is none other than the Boeing B-52 Stratofortress, also known as the Big Ugly Fat F@cker, or “BUFF.”
And like the BUFF, Drogon unleashes long, long trails of fire, like the string of 51 Mk 82 500-pound bombs (or M117 750-pound bombs) that a B-52 delivers in those carpet-bombing raids. Who remembers the dragons tearing apart the slavers’ fleet? Did you know that B-52s have been equipped to carry AGM-84 Harpoon anti-ship missiles?
But Drogon was doing a fair bit of that in a close-air support role. That is the bread-and butter mission of the A-10 Thunderbolt. His first pass cut a hole through the Lannister lines. And like the A-10, which is legendary for taking damage and getting back home, Drogon showed he could take a hit and still remain very dangerous. Hell, he even pulled the same “fire from the ground” maneuver Doug Masters did, and Jamie Lannister is darn lucky he isn’t a crispy critter after that “gun run.”
This does seem perplexing. Are Drogon, Viserion, and Rhaegal more like BUFFs, or are they more like the Warthogs that our ground troops love? There are good arguments both ways.
In this case, the best answer may be that they combine the best of both of these legendary planes. They can handle the close-air support mission, but they are also very dangerous against strategic targets. The Mother of Dragons would have beaten Cersei a long time ago if she’d used `em properly at the beginning, instead of making big-time blunders.
Emmy-Award winner Alec Baldwin will be playing Colonel Jessep in NBC’s live production of “A Few Good Men.” The role was played iconically by Jack Nicholson in the 1992 film of the same name.
According to a report by Variety, Baldwin, along with Aaron Sorkin, Craig Zadan, and Neil Meron, will be credited as executive producers of the live telecast. Sorkin, who wrote the 1992 film and the 1989 play it was based on, is writing the teleplay adaptation.
“Alec is one of our greatest actors. Having him play this role — live onstage for a television audience — is a dream come true. This will be a brand new take on Nathan Jessep and I expect that Alec is going to bust through TV screens and right into living rooms,” Sorkin, also known for producing the television series “The West Wing,” told Variety.com in response to the casting announcement.
Baldwin has played other roles in military-related projects, including Jack Ryan in “The Hunt for Red October,” and Jimmy Doolittle in “Pearl Harbor.” He also has extensive live television experience, being a 17-time host of “Saturday Night Live.”
Back in 2008, Samuel L. Jackson’s Nick Fury emerged from the shadows to talk to Tony Stark (Robert Downey Jr.) about “the Avengers initiative.” Now, 11 years and more than 20 films later, Marvel has released an alternate version of that famous post-credits scene, and it’s pretty surprising. Not only is the scene a bit longer than the 2008 release, but it also somehow teases both Spider-Man and the X-Men, even though neither was anywhere close to the MCU at that point in time.
On Sept. 14, 2019, at the Saturn Awards, Marvel boss Kevin Feige screened an alternate version of the famous Nick Fury post-credits scene. You can watch it right here.
In the scene, Nick Fury complains about “assorted mutants” and “radioactive bug bites” obvious references to both Spider-Man and the X-Men. At the time, in 2008, Iron Man was distributed by Paramount Pictures, and the umbrella term of “Marvel Studios” and the idea of the Marvel Cinematic Universe was still fairly new. Obviously, the rights issues to the X-Men were still owned by Fox at that point, and Spider-Man was still with Sony. Still, it seems like this scene cleverly got around those issues by not outright naming Spider-Man or the X-Men, specifically. (Though, it’s conceivable that the term “mutants” was maybe too far, in terms of legality at the time.)
The interesting thing is, that now, of course, Spider-Man has been a part of the MCU, and the X-Men are set to be incorporated into the new Marvel canon at some point in the future. But now, it’s almost like Marvel Studios is retroactively saying that the X-Men were always a part of these movies because, in a sense, Tony Stark and Nick Fury already had a conversation about them. We just didn’t see that conversation the first time around.
At this time, there’s been no official announcement about reboot X-Men films in the MCU. But, that could change any day now.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
One day in 1964, TV producer Sherwood Schwartz received a strange message – from the U.S. Coast Guard. And that wasn’t the only message. Schwartz received a series of telegram forwards from the Coast Guard. He had just launched a new show on CBS about seven castaways stranded on a desert island…and Americans were demanding that the Coast Guard mount a rescue.
In a paper for the Center for Media Literacy, William F. Fore wrote that Schwartz was “mystified” by the telegrams. Concerned and delusional viewers were angry that the Coast Guard couldn’t spare one ship to send for those people.
“For several weeks, now, we have seen American citizens stranded on some Pacific island,” one viewer wrote to the Coast Guard. “We spend millions in foreign aid. Why not send one U.S. destroyer to rescue those poor people before they starve to death?”
Part of what was mystifying to the producer was the existence of a laugh track on the show.
“Who did they think was laughing at the survivors of the wreck of the U.S.S. Minnow?” Schwartz told Entertainment Weekly. “It boggled my mind. Where did they think the music came from, and the commercials?”
In his book “Inside Gilligan’s Island,” Schwartz recalled discovering the telegrams for the first time. When the show was only ten weeks old, Schwartz received a call from a Commander Doyle of the U.S. Coast Guard. Having spent time in the Army as a Corporal, Schwartz was still impressed by rank, and took the call.
Doyle told Schwartz he would tell him the important message over the phone, but he wasn’t sure the Hollywood producer would believe him. So a few days later, Doyle was in Schwartz’ office, presenting the producer with a number of envelopes containing messages, like the one above, demanding to rescue the Minnow.
The telegrams he received from Doyle stayed with Schwartz his whole life. He noted that there is a subset of people watching who believe everything they see.
“It seems to me a great opportunity for producers to accentuate the positive in those viewers,” Schwartz wrote, “Instead of inspiring the negative.”
The hero has been the most popular archetype of human-storytelling for as long as stories have been told. From the Epic of Gilgamesh to the Odyssey to comic books to the epic film franchises that bring in billions of dollars in revenue, superhero stories are here to stay.
Superheroes all have origin stories, which tell how they gained their powers and chose to fight against evil.
But some heroes felt the call to serve before being recruited by special agencies — some even before having heightened abilities.
Get ready because this is your SPOILER WARNING: we’ll be discussing plots from comics and films — both released and upcoming — from the DC and Marvel universes.
“You might remember that ‘annoyed’ is my natural state.”
10. Logan aka James Howlett (Wolverine)
Wolverine’s mutations — accelerated healing powers and longevity; heightened senses, speed, and stamina; and retractable bone claws which were later plated with nearly indestructible adamantium — render him a powerful fighting machine.
According to the film, X-Men Origins: Wolverine, Logan was born in the 1800s. He fled his childhood home and fought as a soldier in the American Civil War, both World Wars, and the Vietnam War. That’s a century of combat, by the way.
When he was discovered by Maj. William Stryker — a military scientist biased against mutants and intent on destroying them — Wolverine’s military career came to an end, leading him on a path towards the X-Men.
In the comics, Wolverine has many storylines, including a journey to hell, but we’ll stick with the cinematic telling of his life. He can never fully escape his painful past, and even when he’s fighting for the good guys, he’s got a bad attitude. He’s like the Senior NCO who doesn’t have any more f*cks to give but is so great at his job that everyone just lets him do his thing.
Nonetheless, his moral compass remains true until the end.
“I’m more of a soldier than a spy.”
9. Sam Wilson (Falcon)
Sam Wilson is a former Air Force Pararescue Jumper, which made him a great candidate for the superhero with a tendency to jump into the middle of a combat situation to ice evildoers and save lives.
Wilson is important for many reasons. Created in 1969 by Stan Lee and artist Gene Colan, he was the first African-American superhero in mainstream comics, making his mark on the civil rights movement of the 60s.
In the comics, Wilson has a telepathic link to his bird, Redwing, which allows him to see through the bird’s eyes. He’s also skilled in hand-to-hand combat and operating the Falcon Flight Harness.
In the Marvel Cinematic Universe, the powers are gone, but the harness remains. It was actually a secret military asset, which Wilson somehow stole… and, somehow, there were never consequences levied by the U.S. government for that, but okay…
Most importantly, Wilson counsels veterans with post-traumatic stress issues, embodying the ideal of service after service and the value of supporting our fellow brothers- and sisters-in-arms.
“But being the best you can be…that’s doable. That’s possible for anybody if they put their mind to it.”
8. Carol Danvers (Captain Marvel)
Major Carol Danvers is a trained military intelligence officer and erstwhile spy. She’s one of the most distinguished officers in the superhero universe and a graduate of the Air Force Academy, where Nick Fury recruited her for the CIA.
In the comics, she retired from the Air Force as a Colonel to be Chief of Security at NASA before becoming half-Kree (a militaristic, alien race in the Marvel Universe). She became Captain Marvel after meeting a Kree alien named Mar-Vell, but she acquired superpowers after an explosion merged her DNA with the first Captain Marvel… well, it’s complicated.
Danvers is an author and feminist and her powers include flight, enhanced strength and durability, shooting energy bursts from her hands, and being able to verbally judo one Tony Stark.
“The future of air combat… is it manned or unmanned? I’ll tell you, in my experience, no unmanned aerial vehicle will ever trump a pilot’s instinct.”
7. James Rhodes (War Machine)
There’s a bit of a discrepancy here. In the Marvel Cinematic Universe, James Rhodes is an airman. In the comic books, he’s always been a Marine. If I told you that a hero was named “War Machine” and had little understanding of ammo consumption, would you think he was an airman or a Marine?
Screw it — let’s dive into both!
First, the comics: A former pilot in the Marine Corps, Rhodes met Tony Stark aka Iron Man while he was still deployed in Vietnam. Rhodes was shot down behind enemy lines when he encountered Stark in the prototype Iron Man suit. The two teamed up and became best friends. Rhodes conducts himself according to military honor codes, which often contrasts with Tony Stark’s relativistic heroism, and even assumes the mantle of Iron Man when Stark struggles with alcohol addiction.
In the MCU, Rhodes becomes War Machine and struggles to balance his loyalty to the Avengers with the legal obligations of the military and the Sokovia Accords. This tension eventually earns him a court-martial, when he’s forced to disobey the Accords to help Captain America travel to Wakanda.
But hey, is a military infraction even that big a deal when half of the universe is being wiped out?
“Three minutes and twenty seconds, really? If you were my agents, it wouldn’t be for long.”
6. Maria Hill
Maria Hill commissioned in the Marine Corps before joining S.H.I.E.L.D. She quickly rose through its ranks and was appointed Deputy Director under Nick Fury. She possesses normal human strength, which makes her participation in supernatural phenomenon even more impressive.
As a S.H.I.E.L.D. agent, she is experienced in espionage, hand-to-hand combat, weapons expertise, and tactical vehicle operation.
In the comics, Hill served under Fury until after Marvel’s Civil War, when she assassinated Captain America. But that’s okay because she was only evil because she was controlled by Red Skull — and no one stays dead in comics anyway (except Uncle Ben).
In the MCU, Hill provides intel and support for the Avengers and remains the one person Nick Fury can trust.
“Daddy needs to express some rage.”
5. Wade Wilson (Deadpool)
Deadpool is the guy in your unit that just won’t take anything seriously. That’s true for his character, both in the comics and on-screen, but it’s also true for the actual creators of Deadpool, who break convention in more ways than one. For example, he knows that he is a fictional character and he commonly breaks the fourth wall. Most antiheroes are dark and tortured, and Deadpool certainly is that… but he’s also… just… uncouth and rather undignified, which is what makes him so unique.
His origins are rather vague and are subject to change. Stories have been retconned, conveniently forgotten, or just ignored (like what we’re going to do with Deadpool’s appearance in X-Men Origins: Wolverine…). Nonetheless, there seems to be a consensus that Wade Wilson (if that’s even his name) served in the U.S. Army Special Forces before he was dishonorably discharged.
In the film, he is diagnosed with terminal cancer and undergoes an experiment where he is injected with a serum meant to activate his mutant genes. After prolonged stress and torture, the experiment works. Cancer continues to consume his body, but his superhuman healing allows him to cure it simultaneously, leaving him disfigured, but unkillable.
He becomes a mercenary who continues to fight the chaotic-good fight.
“I’m all out of wiseass answers.”
4. Jonah Hex
Though he initially joined the United States Army as a cavalry scout, Jonah Hex‘s story really began during the Civil War. As a southerner, he fought for the Confederacy, but he found himself increasingly uncomfortable with slavery. Unwilling to betray his fellow soldiers, but loathe to fight for the South, Hex surrendered himself to the Union.
Tried for treason and exiled to the wild west, Hex would later be branded with the mark of the demon and be forced to walk the land as a supernatural bounty hunter. At some point, he’d also travel time (because comic logic) and fight alongside other superheroes.
He also fought alongside Yosemite Sam. Yeah, the Looney Toons’ Yosemite Sam.
Hex didn’t have supernatural abilities, but he was an outstanding marksman, a quick draw, and an expert fighter in the wild west.
“I still believe in heroes.”
3. Nick Fury
As with many comic book heroes, whose stories continue for decades, Nick Fury has a sliding history that keeps him current in conflicts. His first appearance was in Sgt. Fury and his Howling Commandos #1, which took place during World War II.
Fury served as a colonel during the Cold War before becoming the director for S.H.I.E.L.D. (then known as “Supreme Headquarters International Espionage Law-enforcement Division”). His skills and experience with espionage were put to use against the Soviet Union and primed him for his position at S.H.I.E.L.D. and the Avengers Initiative.
From leading his Howling Commandos to becoming the Director of S.H.I.E.L.D. to transforming into the silent observer of Earth, Nick Fury has done it all without any actual abilities — and with only one eye. He obtained the Infinity Formula, which kept him from aging, but it was his mind and skill on the battlefield that allowed him to take down nearly every superhero in the Marvel universe.
“I can do this all day.”
2. Steve Rogers (Captain America)
Steve Rogers is the ultimate example of patriotism, bravery, and sense of duty. In fact, that’s why he was chosen for the Super Soldier Serum project in the first place.
During World War II, Rogers made multiple attempts to enlist, but failed to meet the physical requirements. But his tenacity caught the eye of a scientist who recognized that Rogers’ attitude made him the perfect Project Rebirth candidate.
Rogers began his career doing propaganda to support the war effort, but he would eventually be unleashed in Europe in the fight against the Nazi faction, HYDRA.
His military service ended when he sacrificed himself to save the United States from a HYDRA-coordinated WMD attack. He was suspended in ice until he was revived by S.H.I.E.L.D. in the modern day.
Rogers later joined the Avengers, but his sense of duty and his compulsion to act in the face of injustice — no matter what the laws are — pitted him against other Avengers after creation of the Sokovia Accords, which established U.N. oversight of the team.
“If you want peace, prepare for war.”
1. Frank Castle (Punisher)
The Punisher is a psychologically troubled antihero, which makes his story both unsettling and, in many ways, very familiar for combat-veterans. He is a vigilante who fights crime by any means necessary, no matter how brutal those means might be.
Frank Castle joined the Marines after dropping out of Priest school when he was asked if he could ever forgive a murderer. Because of Marvel’s sliding timeline, through which they avoid putting firm dates on characters, Castle’s story changes every now and then to reflect modern, real-world events.
Hands down, the most “Marine” story in The Punisher canon goes to Punisher: Born. Set in Vietnam, it is essentially the origin story of how Castle goes from being the gun-slinging badass that Marines think they are to actually being the gun-slinging badass Marines know they are.
Fan theories speculate the narrator of the story is actually Ares, the Greek God of War, who makes an unsuspecting Castle his avatar.
Editor’s Note: Parts of this article have appeared previously on We Are The Mighty.
You’ve probably heard of the Memphis Belle, especially after the 1990 film starring Matthew Modine and Harry Connick, Jr.
That film took a lot of liberties with the story of the actual B-17 that was the subject of a documentary done during World War II, “Memphis Belle: The Story of a Flying Fortress.”
But history can also be very malleable, especially in the hands of Hollywood.
When Hollywood director William Wyler was doing a documentary for the U.S. government on the first Allied bomber crew to complete a 25-mission “tour” over Europe, he took some liberties. Why? Because it was World War II, and the bombing campaign over Europe was a bloody affair. In fact, the Directors Guild of America notes that during the filming of the documentary, cinematographer and World War I vet Harold J. Tannebaum was killed when the Nazis shot down the B-24 Liberator he was in.
According to the memoirs of Robert Morgan, the pilot of the Memphis Belle, Wyler had picked a different bomber for the feature film, a B-17 known as “Invasion 2nd.” That plane – and five others – were shot down on an April 17, 1943, mission to Bremen. The Memphis Belle was chosen to replace Invasion 2nd – Morgan related how he was told that another plane had a back-up film crew on a bomber called “Hell’s Angels” in case the Memphis Belle went down. Wyler actually filmed parts of multiple missions for the documentary – the mission portrayed on the film was actually the Memphis Belle’s 24th mission.
Of course, the Memphis Belle did complete the tour – and she got all the accolades of being the “first” to do so. The crew of Hell’s Angels, though, actually flew their 25th mission a week before the Memphis Belle flew her 25th mission. The documentary, though, became a classic.
Wyler went on to direct a documentary about the Republic P-47 Thunderbolt’s operations in Italy, titled, “Thunderbolt!” He was wounded by an exploding anti-aircraft shell, losing some of his hearing.
After the war, he went on to direct the classic films “The Best Years of Our Lives” — a movie about veterans who returned home that won nine Oscars, including Best Picture and Best Director — and “Ben Hur,” featuring former B-25 gunner Charlton Heston, which won 11 Oscars.
Today, “Memphis Belle: The Story of a Flying Fortress” is available via the Internet Archive and Netflix is also streaming the film. It is also on Youtube. Feel free to watch it below. The Memphis Belle is currently being restored at the National Museum of the United States Air Force at Wright-Patterson Air Force Base, near Dayton, Ohio.
UrselD: How did the Stan Lee cameo in the Marvel movies thing start?
Born Stanley Martin Lieber almost a century ago in 1922, the man who would become far better known by his pen name, Stan Lee, was born into a family of very modest means with Stan, his brother, and Romanian immigrant parents sharing a single room apartment in New York during the 1930s.
As Lee would recall, “I grew up in New York City during the Depression. My earliest recollections were of my parents, Jack and Celia Lieber, talking about what they would do if they didn’t have the rent money. Luckily, we were never evicted. But my father was unemployed most of the time. He had been a dress cutter, and during the Depression, there wasn’t much need for dress cutters. So I started working when I was still in high school. I was an office boy, I was an usher, I wrote obituaries for celebrities while they were still alive. Lots of jobs.”
Showing an interest in writing from his teens, Lee’s mother was his #1 fan at that time, “She thought I was the greatest thing on two feet. I’d come home with a little composition I had written at school and she’d look at it and say, “It’s wonderful! You’re another Shakespeare!” I always assumed I could do anything. It really is amazing how much that has to do with your attitude.”
Stan Lee in “Ant-Man and the Wasp.”
In 1939 at the age of 17, Lee landed a job with a company owned by his cousin, Jean Goodman’s, husband, Martin Goodman. The company was called Timely Publications. While the pay wasn’t much, a mere per week (about 7 today), it was potentially a path to a professional writing gig, though not quite the one he originally envisioned for himself.
When I got there, I found out that the opening was in the comic book department. Apparently, I was the only guy who had applied for the job. I figured it might be fun. So I became a gofer — there were only two guys, Joe Simon, the editor, and Jack Kirby, the artist. They were the creators of Captain America, and that’s what they were working on at the time. I would fill the inkwells, go down and buy lunch, and erase pages and proofread.
Two years into the job, he was finally granted a chance to write filler text in the 1941 Captain America #3 comic. Called, Captain America Foils the Traitor’s Revenge, the story, along with being warmly received by fans, introduced the idea of Captain America being able to throw and ricochet his trademark shield, now a defining aspect of the character. It was also the first comic in which Lieber, as he was then known, wrote under the pseudonym Stan Lee. According to Lee, he chose not to write under his then real name since he still hoped to one day write “proper literature” and had dreams of writing the “great American novel”. Thus, he didn’t want his name to be sullied by his work in comics.
Plans changed, however, when he randomly got a promotion to head editor of the comic department at just 19 years old.
[Simon and Kirby] were fired for some reason. Martin had no one to run the department. He said to me, “Can you do it?” I was . When you’re , what do you know? I said, “Sure, I can do it.” Martin must have forgotten about me, because he just left me there. I loved it. I was so young, it was sometimes embarrassing. Someone would come into the office and see me there and say, “Hey, kid, can I see the editor?”
At this point, in order to give the illusion of a large staff, Lee took to using a variety of other pseudonyms as well.
In 1942, a temporary editor was hired while Lee served in the US Army with the Signal Corps. He never saw combat, instead working at repairing communications equipment and later writing field manuals and military slogans as a part of the Training Film Division. Also in that division were the likes of Frank Capra, Theodor Geisel (Dr. Seuss), and the creator of The Addam’s Family, Charles Addams.
Despite being in the army, Lee still kept up with his work at Timely as best he could from afar, with weekly letters mailed to him explaining exactly what he needed to produce content for that week. Once he was done, he’d mail it back.
Lee’s service ended in 1945 and he went back to Timely full time.
It was two years later that Lee, with an awkwardness befitting a man who would come to create the characters nerds the world over would grow to love, Lee met and wooed his future wife.
There are conflicting accounts on whether one of Lee’s friends dared him to ask out some red headed model or his cousin set him up on a blind date with said model. Either way, Lee went to her office to see about that date. However, when he arrived and knocked at the door of the modeling agency, the woman who answered was someone completely different — a hat model from England by the name of Joan Boocock. Joan had come to America after marrying one Sanford Dorf, who had been serving in the UK during the war.
Stan Lee in “Doctor Strange.”
Stunned when he saw her, rather than play it cool, instead Lee apparently almost immediately professed his undying love for her, and then followed this awkward exchange up by telling her he’d had her face in his mind and been drawing it since he was a kid… (According to Lee, this wasn’t any sort of cheesy line, but the absolute truth.)
Rather than finding any of this weird or creepy, despite being married at the time, Joan agreed to go out on a date with Lee. As to why, despite by her own admission being in a happy marriage, she found it completely boring. (I guess as you’d expect from marrying someone named Sanford Dorf.)
But Stan Lee, she states, “He wore a marvelous floppy hat and scarf and spouted Omar Khayyam [an 11th/12th century Persian poet] when he took me for a hamburger at Prexy’s. He reminded me of that beautiful man, [British actor] Leslie Howard.”
As for Lee, he said he knew right on his first date he wanted to marry Joan. Two weeks later, not caring in the slightest that she was already married, he proposed and she said yes.
The problem was that she now needed a divorce, which was prohibitively difficult in New York at the time. Where there is a will, there’s a way, however, and she simply moved to Reno temporarily. You see, in Reno, you only needed to live there six weeks before you could file for divorce in the area, and the judges there were much more accepting of such.
However, during her time in Reno, being a beautiful young model and all, suitors flocked to her like the salmon of Capistrano. With Lee back in New York and their relationship not exactly built on a firm foundation, Lee said at one point he got a letter from Joan with the implication being she was thinking of breaking off their whirlwind courtship.
Not going to give her up without a fight, Lee took a trip to Reno and convinced her he was the love of her life and she his. The two then got married in Reno on the same day she got a divorce, and by the same judge who granted it, mere minutes after the divorce papers were signed.
While you might think such a relationship was doomed to end in failure. In fact, the couple spent the next 69 years together, before Joan’s death in 2017 at the age of 95.
Stan Lee in “The Amazing Spider-Man.”
Said Lee of Joan in their twilight years together, “My wife and I are really so close. And yet, I’m not sure if she’s ever read a story I wrote. She’s not into comics at all.”
Going back to Stan Lee’s career, as for Timely’s strategy in those days, it was essentially just copy whatever the competition was doing.
Martin was one of the great imitators of all time. If he found that a company had Western magazines that were selling, he would say, “Stan, come up with some Westerns.” Horror stories, war stories, crime stories, whatever. Whatever other people were selling, we would do the same thing. I would have liked to come up with my own stuff, but I was getting paid.
This all changed, ironically, from copying someone again–
Martin mentioned that he had noticed one of the titles published by National Comics seemed to be selling better than most. It was a book called Justice League of America and it was composed of a team of superheroes… “If the Justice League is selling, he spoke, “Why don’t we put out a comic book that features a team of superhereos?”
At this point in his career, Lee had grown weary of writing comics, seeing the medium as stagnant and devoid of interesting characters. He was, in fact, planning on quitting.
That’s when Joan told him he should take the opportunity in trying to copy the Justice League concept to create the character’s he’d find interesting. Lee says she stated, “Why not write one book the way you’d like to, instead of the way Martin wants you to? Get it out of your system. The worst thing that will happen is he’ll fire you — but you want to quit anyway.”
Simultaneously, Lee states, “[My wife] Joan was commenting about the fact that after 20 years of producing comics I was still writing television material, advertising copy, and newspaper features in my spare time. She wondered why I didn’t put as much effort and creativity into the comics as I seemed to be putting into my other freelance endeavors… [Her] little dissertation made me suddenly realize that it was time to start concentrating on what I was doing — to carve a real career for myself in the nowhere world of comic books.”
Lee then decided,
For just this once, I would do the type of story I myself would enjoy reading…. And the characters would be the kind of characters I could personally relate to: they’d be flesh and blood, they’d have their faults and foibles, they’d be fallible and feisty, and — most important of all — inside their colorful, costumed booties they’d still have feet of clay.
While this might all seem pretty normal today, at the time in the superhero genre it was groundbreaking. Said Lee, “That’s what any story should have, but comics didn’t have until that point. They were all cardboard figures….”
The product of this was The Fantastic Four. The results surpassed his wildest expectations.
We had never gotten fan mail up until that point… Sometimes we might get a letter from a reader that would say, “I bought one of your books and there’s a staple missing. I want my dime back.” And that was it. We’d put that up on the bulletin board and say, “Look! A fan letter!” Suddenly, with Fantastic Four, we really started getting mail…”We like this… We don’t like that… We want to see more of this.” That was exciting! So I didn’t quit… After that, Martin asked me to come up with some other superheroes… And we stopped being a company that imitated.
With business booming, Lee states, “[We] realized we were onto something. I figured we needed a new name, because we were not the same company we had been. I remembered the first book Martin published when I started there was called Marvel Comics. It had the Human Torch and the Sub-Mariner, and it was very successful. Why don’t we call the company Marvel? There are so many ways you can use that word in advertising. I came up with catch phrases like ‘Make mine Marvel’ and ‘Marvel marches on!'”
At this point while Martin was open to giving Lee fairly free rein, he still had his limits, which was a problem for Spider-Man, who Lee dreamed up as follows:
The most important thing in those days was the cover. All these books were on the newsstand, and you had to hope your cover would compel somebody to buy the book. And everything depended on the name. A character like Hurricane was a guy who ran very fast. Later on, when I was looking for new superheroes, it occurred to me that somebody crawling on walls would be interesting. I thought, Mosquito Man? It didn’t sound very glamorous. Fly Man? I went down the list and came to Spider-Man. That was it.
The concept of Spider-Man, however, was a little too far out.
Stan Lee in “Spider-Man.”
[Martin] didn’t want me to do it. He said I was way off base. He said, “First of all, you can’t call a hero Spider-Man, because people hate spiders.’ I had also told him I wanted the hero, Peter Parker, to be a teenager, and he said, “A teenager can’t be the hero… teenagers can just be sidekicks” Then when I said I wanted Spider-Man to have a lot of financial problems and family worries and all kinds of hang-ups, he said, “Stan, don’t you know what a hero is? That’s no way to do a heroic book!” So he wouldn’t let me publish it.Later, we had a book that we were going to cancel. We were going to do the last issue and then drop it. When you’re doing the last issue of a book, nobody cares what you put into it, so — just to get it off my chest- I threw Spider-Man into the book and I featured him on the cover. A couple of months later when we got our sales figures, that had been the best-selling book we’d had in months. So Martin came in to me and said, ‘Do you remember that Spider-Man character of yours that we both liked? Why don’t you do a series with him” After that, it was much easier… Whatever I came up with, he okayed. After that, came The X-Men and Daredevil and Thor and Dr. Strange… and the rest. The books did so well that I just gave up all thoughts of quitting.
With business booming, Martin decided to sell the company, with Perfect Film and Chemical aquiring Marvel in the late 1960s. Not long after that, Lee got a promotion,
[They] made me the president and even chairman. But I was never a businessman. I remember when the board asked me to come up with a three-year plan for the company. I said, “Guys, I don’t know how to predict where we’ll be in three years. I don’t even know what I’m going to have for breakfast tomorrow.” I resigned as president after about a year. I mean, I can add and subtract, but I hate to read sheets of numbers. I like to write stories.
This brings us finally to the cameos and how that whole thing got started.
His first cameo of sorts was text only, occurring in an All-Winners comic in 1941 where various characters petition Lee to add more characters. Next up, Wayne Boring and Hank Chapman decided to put their boss in the 1951 Astonishing #4.
Where the cameos really became a thing though started in 1963, when Lee and his long-time collaborator, Jack Kirby, appeared in The Fantastic Four #10 in which the pair are featured on the cover, as well as inside. On the cover, it shows the duo with Lee saying, “How’s this for a twist Jack? We’ve got Doctor Doom as one of the Fantastic Four!!” With Kirby adding, “And Mister Fantastic himself as the villain!! Our fans oughtta flip over this yarn!!”
Stan Lee in “Captain America: The Winter Soldier.”
Beside them, it also states, “In this epic issue surprise follows surprise as you actually meet Lee and Kirby in the story!! Plus a gorgeous pin-up of the invisible girl!”
As for inside the issue, it has Doctor Doom demanding that Lee and Kirby get the Fantastic Four to walk into a trap, which they then do.
Said Lee of this sort of thing, “The artists back then would draw me in as a joke or just to have fun. And I would put some dialogue balloons there and it looked as if I intended it. I didn’t try to do cameos in those days.”
But fans loved it, as well as the chance to get to know the people behind the comics, which were featured in a section of their own as well. The point of all of this, along with the little quips and notes in various areas was, according to Lee, “[For] the reader to feel we were all friends, that we were sharing some private fun that the outside world wasn’t aware of.”
From here the occasional cameo caught on, with Lee stating, “Anything that seemed fun and anything that the readers seemed to enjoy we kept doing and those things brought in a lot of fan mail. And we weren’t doing movies or television, our whole existence depended on comic books, so if you see that something is interesting to the fans you stay with it.”
Since then Lee, and to a lesser extent Kirby (who was notably more camera shy), appeared numerous times across many forms of media. These cameos range from simple background characters in comics bearing Lee’s likeness to full on self-referential roles in Marvel’s numerous works. The most egregious example of the latter is arguably the 1990s Spider-Man cartoon in which Spider-Man is transported to the “real” world via magical comic shenanigans and meets Stan Lee, who reveals that he created Spider-Man and spends some time conversing with his creation before being left stranded on a roof.
Moving on to Lee’s first cameo in video form, this appeared in the 1989 The Trial of the Incredible Hulk where Lee appears in the jury at the trial.
Arguably Lee’s most unusual cameo is one in a property owned by Marvel’s single biggest rival, DC — Superman: The Animated Series. In the episode, Apokolips… Now! Part 2, Lee, along with characters who bear a striking resemblance to members of the Fantastic Four, appear in a brief crowd shot of the funeral of the character, Dan Turpin. Said character’s appearance was largely based on the aforementioned Jack Kirby, who’d sadly died the year earlier. Out of respect for his memory and his contribution to the world of comics, the animators for the episode snuck in a character who looked like Lee along with several other Marvel characters Kirby had helped create. The commitment to accuracy was such that the graveyard shown in the episode was modeled on the one Kirby is buried in, in real life and the crew hired an actual rabbi to read a kaddish that was included in the episode’s audio. Lee’s cameo was removed in the subsequent DVD release of the episode, but he can still be seen in the episode’s storyboards.
Speaking of cameos, a slightly lesser known fact is that Lee’s beloved wife, Joan, who was the inspiration for a few female characters in the Marvel universe, also did voice work for the 1990s Fantastic Four and Spider-Man animated series, as well as a cameo of her own in X-Men: Apocalypse where she appears alongside Stan Lee.
This all brings us to Stan Lee’s final cameo, where he appears as a de-aged hippie alongside a woman who is meant to be a de-aged Joan Lee — very fittingly for them both, this final cameo appeared in Marvel’s Endgame.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
The newest “Star Wars” story has arrived on Disney Plus, and with it comes a whole new cast of interesting characters from around the galaxy. There is the unnamed title character, “The Mandalorian” himself, plus several others played by Carl Weathers, Werner Herzog, and more.
Keep reading for a list of all the major characters on “The Mandalorian” you should know. We’ll be updating this list with each new episode as new faces join the protagonist bounty hunter.
Warning: Spoilers ahead for “The Mandalorian” episode one.
Pedro Pascal as the bounty hunter in “The Mandalorian.”
The main character in “The Mandalorian” is an unnamed bounty hunter.
Known simply as the Mandalorian, not much was revealed about this guy other than his prowess for fighting and connection to the warriors of the planet called Mandalore. The Mandalorian says he was a “foundling” once, but has now become part of the Mandalorian troop. So far this mystery man hasn’t shown his face.
We know underneath is the face of actor Pedro Pascal, best known for his role as Oberyn Martell on “Game of Thrones” and Netflix’s “Narcos.”
Carl Weathers as Greef Carga on “The Mandalorian.”
Greef Carga is the man who gets the Mandalorian bounty assignments.
Greef Carga is the name of the man who the Mandalorian delivers his bounty assets to. Carga pays the Mandalorian, and then gives him info about an off-the-books job with a new client who has deep pockets.
Werner Herzog as the Client on “The Mandalorian.”
The Client is a mysterious man who commissions the Mandalorian for a new bounty hunt.
Similar to the Mandalorian, very little information about the “Client” is given on the first episode.
We know he has access to the rare metal called Beskar, and he wears an Imperial insignia — which means he’s still loyal to the fallen Empire. This was made clear thanks to his Stormtrooper bodyguards, too.
Omid Abtahi as Doctor Pershing on “The Mandalorian.”
Doctor Pershing appears to be working with the Client to try and acquire the Yoda-like baby.
When the Mandalorian gets his new assignment from the Client, a man named Doctor Pershing appears. This doctor seems to greatly prefer that the “asset” (aka the little baby Yoda-like being) is acquired alive.
The Client tells the Mandalorian he’ll pay out half of the bounty fee if the asset is killed, as long as the bounty hunter can confirm its death.
Nick Nolte is the voice of Kuill on “The Mandalorian.”
Kuill is an Ugnaught (a type of alien species) who helps the Mandalorian.
The Mandalorian follows the Client’s information to a new planet, where he’s quickly attacked by two Blurrgs. Kuill saves the bounty hunter, and helps him get to the building where the asset is being held.
Taika Waititi as IG-11 on “The Mandalorian.”
IG-11 is a bounty droid who was also commissioned to find the Yoda-like baby.
The Mandalorian encounters the IG-11 droid (voiced by “Thor: Ragnorok” director Taika Waititi) when he arrives to the compound. Together they kill the guards, but the Mandalorian soon learns that this droid’s orders are to terminate the asset.
The Mandalorian “kills” IG-11 to protect the baby. It’s possible we’ll see IG-11 again, since he can theoretically be repaired and restored to working order.
Gina Carano as Cara Dune on “The Mandalorian.”
Cara Dune is another outcast fighter we’ll meet later on the show.