If you want to wear a Jedi robe or a Stormtrooper helmet to Star Wars: Galaxy’s Edge, you’ll likely get tossed into the Sarlaac Pit. Disney has released dress code guidelines for guests attending Galaxy’s Edge, and you’re going to have to leave your blasters and Darth Vader helmets at home or in the hotel.
On June 10, 2019, the official Disney Parks blog released specific guidelines around what is okay to wear at Galaxy’s Edge and what will get you on an Order 66-style blacklist. Essentially, anything that presents a safety issue will not be allowed, which means no helmets, masks, or big flowing clothes of any kind. Blasters and blaster holsters are also outlawed as are “full body suits” so if you’re planning on coming dress as Jar Jar Binks, that little Gugan vest is cool, but the masks and bug-eyes are a NO.
Here’s some good news: Lightsabers are allowed, which, let’s face it, is pretty civilized.
(Disney Parks Blog)
In a small paradox, obviously some of the stuff you can’t wear inside Galaxy’s Edge can be purchased at Galaxy’s Edge. Plenty of the shops at Galaxy’s Edge sell helmets, masks, and blasters. But, the rule is you gotta keep that stuff in the package until you get back to your hotel room.
For any sane person, these rules totally make sense. Galaxy’s Edge might be a delightful hive of geek and nerdiness, but, in the end, Disneyland is for kids. And kids need to feel safe, even when they are traversing that lawless galaxy, far, far away.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
It’s not bravado, it’s not some Hollywood publicity stunt, and it sure as hell isn’t special effects. Arnold Schwarzenegger not only owns a tank, he knows how to drive it and operate it in every possible way. It wouldn’t have done him much good in the Army if he didn’t know how to use its weapons. But the tank he has is a special one – to him, anyway.
The Terminator’s tank is the same one he used to learn his tank skills while serving in the Austrian Army.
Schwarzenegger (left, duh) in his Army days.
Austria is one of few countries in Europe to have mandatory civil or military service upon graduating from high school at age 18. A young Arnold Schwarzenegger, never one to shirk his duties, did what he had to do. He joined up and became a tanker in the Austrian National Army in 1965. His tank is a 1951 M-47 Patton tank, designed for the U.S. Army and Marine Corps to take the place of the Pershing tank in the early days of the Cold War.
He’s owned his tank since 1991, paying ,000 to have it shipped from Austria.
The 50-ton behemoth uses a V-12 Chrysler twin turbo gas engine and cranks out 810 horsepower for a max speed of 30 miles per hour and a whopping 2.3 miles per gallon. But Schwarzenegger doesn’t use it to get around the streets of Southern California.
He uses it to keep kids in school.
Disadvantaged or at-risk students come to Schwarzenegger’s home to check out the tank and have fun with him in a series of after-school programs. The ones who stay in school get to drive the tank. With Arnold. And maybe even driving it over a few cars.
He even put a day in the tank up as an Omaze reward, offering donors to The After-School All-Stars Program the chance to crush stuff and “blow sh*t up” with him. Before that, the tank was housed at the Motts Military Museum in Ohio. In 2008, the then-Governor of California decided his role would soon include driving over a few jalopies to support youth enrollment. The program has been ongoing ever since.
Remember those days back in the barracks playing hours of GoldenEye? Well, grab your battle buddies and license-to-kill because GoldenEye: Source, an unofficial and free remake of the N64 classic GoldenEye 007, has received its first major update in more than three years.
While there’s no single player campaign, the remake features 25 maps, 28 weapons, and 10 game modes. GoldenEye: Source has been a labor of love for the creators for the past decade, and that reverence for the original game shines through in the attention to detail evident in the trailer.
The remake runs on Valve’s Source engine — the same used for Counter Strike and Half-Life — so while the graphics aren’t quite Skyrim quality, it’s still a major facelift. The “choppers” look like actual hands instead of pork chops, and that should be enough. The option to use a keyboard and mouse or modern gamepad will also be a breath of fresh air for anyone who’s recently dusted off the old N64-console and tried to stumble through the original GoldenEye‘s outdated control scheme.
“The goal of the new branch is to ‘defend satellites from attack’ and ‘perform other space-related tasks’…or something,” announced the teaser.
Daniels, whose producer credits include The Office, The Simpsons, and Parks and Recreation, along with co-creator Carell, were given a straight-to-series order for their new show, a work place comedy about the men and women tasked to create the Space Force. The episode count and release date have not yet been announced.
So far, details about the actual Space Force have yet to be determined — although the announcement has launched the inception of hilarious memes — but if Netflix is smart, their new show will take a few notes from Veep, which is probably the most realistic depiction of government workings (you just know the government is even more balls crazy than the military — you just know it).
There have been a lot of discussions about whether the Space Force is actually necessary. That’s above our pay grade, but we did make a video about what missions it could actually perform. Check it out below:
The craziest thing we could do for this franchise was to fly people and equipment to Hawaii and try to tell a story that has all the elements people love about Jurassic Park but from a tactical military perspective,” producer and Army veteran Gregory Wong told We Are The Mighty.
It was crazy — and somehow he pulled it off.
Wong brought members of the military, firearms, and Jurassic community together to execute his vision: an epic fan film for one of the most iconic franchises of all time.
Hold on to your butts.
Whatever it takes to get the shot.
“We had so many partners on this project and every one of them helped with different aspects of the film. Paradise Park welcomed us in to their home for two days in the most authentic ‘Jurassic Jungle’ any filmmaker could dream of,” said Wong.
The cast and crew had 5 days to get every shot they needed on the island. Like any indie filmmakers could attest, it meant a brutal schedule. Dogs of War helped with three locations and active duty service members stationed on the island helped transport cast and crew — and jumped in for stunts and background work.
Back at base camp, Travis Haley conducts tactical training.
Force Reconnaissance Marine Travis Haley, along with his company, Haley Strategic, was involved with development of prototype gear and equipment just for the film. Haley brought his Spec Ops background and weapons expertise to the film, and he got to learn first-hand how challenging it can be to navigate the military-Hollywood divide.
His knowledge brought authenticity to the film that’s often difficult for filmmakers to get right. Military operations might not always look dynamic on film, but Haley was up to the challenge of portraying realistic tactics while telling an entertaining story.
“The filming schedule was rough but the people made it worthwhile. Most of us did this on our own dime and I hope the audience sees the passion we had for bringing this vision to life,” reflected Jones.
Baret Fawbush, a pastor and fundamental shooting instructor, was another social media influencer new to a narrative film set, but he was more than prepared to lend his expertise to the film, personally demonstrating the “manual of arms” for each cast member with a weapon.
U.S. Marine Robert Bruce conducts location scouting on Oahu.
Many, many brands came together to help Wong bring the film to the screen. A few of the major ones included Evike, JKarmy, PTS, Krytac, GP, and GG, who donated replica prop firearms and uniforms for the production. Ballahack Outdoor helped outfit the film’s leads with tip-of-the-spear footwear. There’s even a raptor puppet involved, created by Marco Cavassa, a prop builder for the film industry.
“I think a lot of people will appreciate the attention to detail and production value. Never before has a Jurassic fan film been so ambitious and daring. The making of such a project was a wild ride which we hope to embark on again soon,” said Wong.
Congratulations, Greg, you did it. You crazy son of a bitch, you did it.
Bob Hope was a British-born, American immigrant born on May 29, 1903, and died on July 27, 2003. This comedian was instrumental in keeping American troops entertained overseas throughout his career. He dedicated his life to U.S. troops in areas of conflict that other entertainers did not dare venture to. He worked on Broadway, in radio and feature films. Hope was the star of his own TV show in the 1950s with NBC. Later in his career he won an Emmy in 1966 for one of his Christmas specials. He started entertaining troops in 1941 and entertained Marines, soldiers and sailors in the Pacific throughout theWWII.
In Vietnam, where the horrors of war were an everyday reality for volunteer troops and draftees, he was able to distract them – even if it was temporary. He travelled with beautiful women to ‘remind the troops what they’re fighting for.’
He was an American patriot that was crucial to lifting the morale of veterans. An extraordinary example of the impact an immigrant can have on the lives of those who keep our country free.
Families of GIs who died would send a letter to Dad writing that the last thing they heard from their loved one was they had seen the Hope show and what a fun time that was, how grateful they were Dad had given them that respite from the awful conditions.
Linda Hope, Producer and daughter, USO
It wasn’t all fun and games, when forward deployed, active duty troops see the worst side of humanity. Hope would go out of his way to accommodate troops who missed his show because they were out on a mission or on duty. He would do one man shows and arrived unannounced due to security concerns.
This year marks the 48th anniversary of his last show in Vietnam.
The 1972 show marked Hope’s ninth consecutive Christmas appearance in Vietnam. Hope endorsed President Nixon’s bombing of North Vietnam to force it to accept U.S. peace terms, and received South Vietnam’s highest civilian medal for his “anti-communist zeal.”
A+E Television Networks
Bob Hope was also a humanitarian that advocated for the release of POWs held by the North Vietnamese. Troops would write to him to negotiate their release on their behalf and it’s alleged Hope would sometimes be successful in brokering an agreement.
At Fort Springfield on The Simpsons, Bob Hope played himself entertaining the troops by making fun of the mayor.
On Oct. 29, 1997, he became the first American designated by Congress as an ‘Honorary Veteran of the United States Armed Forces.’
Bob Hope’s career stretched almost 80 years and he lifted the spirits of troops across three generations of war fighters. He took an active role in entertaining our troops in Vietnam and did everything in his power to aid them. He was known for getting as close to the fighting as possible, in fact, in some of his recorded shows you can hear combat in the background. The airport in Burbank, California is named after Bob Hope and so are other roads, buildings — and even a Navy ship. Bob Hope was important to the war effort in Vietnam and gave the troops…hope.
UrselD: How did the Stan Lee cameo in the Marvel movies thing start?
Born Stanley Martin Lieber almost a century ago in 1922, the man who would become far better known by his pen name, Stan Lee, was born into a family of very modest means with Stan, his brother, and Romanian immigrant parents sharing a single room apartment in New York during the 1930s.
As Lee would recall, “I grew up in New York City during the Depression. My earliest recollections were of my parents, Jack and Celia Lieber, talking about what they would do if they didn’t have the rent money. Luckily, we were never evicted. But my father was unemployed most of the time. He had been a dress cutter, and during the Depression, there wasn’t much need for dress cutters. So I started working when I was still in high school. I was an office boy, I was an usher, I wrote obituaries for celebrities while they were still alive. Lots of jobs.”
Showing an interest in writing from his teens, Lee’s mother was his #1 fan at that time, “She thought I was the greatest thing on two feet. I’d come home with a little composition I had written at school and she’d look at it and say, “It’s wonderful! You’re another Shakespeare!” I always assumed I could do anything. It really is amazing how much that has to do with your attitude.”
Stan Lee in “Ant-Man and the Wasp.”
In 1939 at the age of 17, Lee landed a job with a company owned by his cousin, Jean Goodman’s, husband, Martin Goodman. The company was called Timely Publications. While the pay wasn’t much, a mere per week (about 7 today), it was potentially a path to a professional writing gig, though not quite the one he originally envisioned for himself.
When I got there, I found out that the opening was in the comic book department. Apparently, I was the only guy who had applied for the job. I figured it might be fun. So I became a gofer — there were only two guys, Joe Simon, the editor, and Jack Kirby, the artist. They were the creators of Captain America, and that’s what they were working on at the time. I would fill the inkwells, go down and buy lunch, and erase pages and proofread.
Two years into the job, he was finally granted a chance to write filler text in the 1941 Captain America #3 comic. Called, Captain America Foils the Traitor’s Revenge, the story, along with being warmly received by fans, introduced the idea of Captain America being able to throw and ricochet his trademark shield, now a defining aspect of the character. It was also the first comic in which Lieber, as he was then known, wrote under the pseudonym Stan Lee. According to Lee, he chose not to write under his then real name since he still hoped to one day write “proper literature” and had dreams of writing the “great American novel”. Thus, he didn’t want his name to be sullied by his work in comics.
Plans changed, however, when he randomly got a promotion to head editor of the comic department at just 19 years old.
[Simon and Kirby] were fired for some reason. Martin had no one to run the department. He said to me, “Can you do it?” I was . When you’re , what do you know? I said, “Sure, I can do it.” Martin must have forgotten about me, because he just left me there. I loved it. I was so young, it was sometimes embarrassing. Someone would come into the office and see me there and say, “Hey, kid, can I see the editor?”
At this point, in order to give the illusion of a large staff, Lee took to using a variety of other pseudonyms as well.
In 1942, a temporary editor was hired while Lee served in the US Army with the Signal Corps. He never saw combat, instead working at repairing communications equipment and later writing field manuals and military slogans as a part of the Training Film Division. Also in that division were the likes of Frank Capra, Theodor Geisel (Dr. Seuss), and the creator of The Addam’s Family, Charles Addams.
Despite being in the army, Lee still kept up with his work at Timely as best he could from afar, with weekly letters mailed to him explaining exactly what he needed to produce content for that week. Once he was done, he’d mail it back.
Lee’s service ended in 1945 and he went back to Timely full time.
It was two years later that Lee, with an awkwardness befitting a man who would come to create the characters nerds the world over would grow to love, Lee met and wooed his future wife.
There are conflicting accounts on whether one of Lee’s friends dared him to ask out some red headed model or his cousin set him up on a blind date with said model. Either way, Lee went to her office to see about that date. However, when he arrived and knocked at the door of the modeling agency, the woman who answered was someone completely different — a hat model from England by the name of Joan Boocock. Joan had come to America after marrying one Sanford Dorf, who had been serving in the UK during the war.
Stan Lee in “Doctor Strange.”
Stunned when he saw her, rather than play it cool, instead Lee apparently almost immediately professed his undying love for her, and then followed this awkward exchange up by telling her he’d had her face in his mind and been drawing it since he was a kid… (According to Lee, this wasn’t any sort of cheesy line, but the absolute truth.)
Rather than finding any of this weird or creepy, despite being married at the time, Joan agreed to go out on a date with Lee. As to why, despite by her own admission being in a happy marriage, she found it completely boring. (I guess as you’d expect from marrying someone named Sanford Dorf.)
But Stan Lee, she states, “He wore a marvelous floppy hat and scarf and spouted Omar Khayyam [an 11th/12th century Persian poet] when he took me for a hamburger at Prexy’s. He reminded me of that beautiful man, [British actor] Leslie Howard.”
As for Lee, he said he knew right on his first date he wanted to marry Joan. Two weeks later, not caring in the slightest that she was already married, he proposed and she said yes.
The problem was that she now needed a divorce, which was prohibitively difficult in New York at the time. Where there is a will, there’s a way, however, and she simply moved to Reno temporarily. You see, in Reno, you only needed to live there six weeks before you could file for divorce in the area, and the judges there were much more accepting of such.
However, during her time in Reno, being a beautiful young model and all, suitors flocked to her like the salmon of Capistrano. With Lee back in New York and their relationship not exactly built on a firm foundation, Lee said at one point he got a letter from Joan with the implication being she was thinking of breaking off their whirlwind courtship.
Not going to give her up without a fight, Lee took a trip to Reno and convinced her he was the love of her life and she his. The two then got married in Reno on the same day she got a divorce, and by the same judge who granted it, mere minutes after the divorce papers were signed.
While you might think such a relationship was doomed to end in failure. In fact, the couple spent the next 69 years together, before Joan’s death in 2017 at the age of 95.
Stan Lee in “The Amazing Spider-Man.”
Said Lee of Joan in their twilight years together, “My wife and I are really so close. And yet, I’m not sure if she’s ever read a story I wrote. She’s not into comics at all.”
Going back to Stan Lee’s career, as for Timely’s strategy in those days, it was essentially just copy whatever the competition was doing.
Martin was one of the great imitators of all time. If he found that a company had Western magazines that were selling, he would say, “Stan, come up with some Westerns.” Horror stories, war stories, crime stories, whatever. Whatever other people were selling, we would do the same thing. I would have liked to come up with my own stuff, but I was getting paid.
This all changed, ironically, from copying someone again–
Martin mentioned that he had noticed one of the titles published by National Comics seemed to be selling better than most. It was a book called Justice League of America and it was composed of a team of superheroes… “If the Justice League is selling, he spoke, “Why don’t we put out a comic book that features a team of superhereos?”
At this point in his career, Lee had grown weary of writing comics, seeing the medium as stagnant and devoid of interesting characters. He was, in fact, planning on quitting.
That’s when Joan told him he should take the opportunity in trying to copy the Justice League concept to create the character’s he’d find interesting. Lee says she stated, “Why not write one book the way you’d like to, instead of the way Martin wants you to? Get it out of your system. The worst thing that will happen is he’ll fire you — but you want to quit anyway.”
Simultaneously, Lee states, “[My wife] Joan was commenting about the fact that after 20 years of producing comics I was still writing television material, advertising copy, and newspaper features in my spare time. She wondered why I didn’t put as much effort and creativity into the comics as I seemed to be putting into my other freelance endeavors… [Her] little dissertation made me suddenly realize that it was time to start concentrating on what I was doing — to carve a real career for myself in the nowhere world of comic books.”
Lee then decided,
For just this once, I would do the type of story I myself would enjoy reading…. And the characters would be the kind of characters I could personally relate to: they’d be flesh and blood, they’d have their faults and foibles, they’d be fallible and feisty, and — most important of all — inside their colorful, costumed booties they’d still have feet of clay.
While this might all seem pretty normal today, at the time in the superhero genre it was groundbreaking. Said Lee, “That’s what any story should have, but comics didn’t have until that point. They were all cardboard figures….”
The product of this was The Fantastic Four. The results surpassed his wildest expectations.
We had never gotten fan mail up until that point… Sometimes we might get a letter from a reader that would say, “I bought one of your books and there’s a staple missing. I want my dime back.” And that was it. We’d put that up on the bulletin board and say, “Look! A fan letter!” Suddenly, with Fantastic Four, we really started getting mail…”We like this… We don’t like that… We want to see more of this.” That was exciting! So I didn’t quit… After that, Martin asked me to come up with some other superheroes… And we stopped being a company that imitated.
With business booming, Lee states, “[We] realized we were onto something. I figured we needed a new name, because we were not the same company we had been. I remembered the first book Martin published when I started there was called Marvel Comics. It had the Human Torch and the Sub-Mariner, and it was very successful. Why don’t we call the company Marvel? There are so many ways you can use that word in advertising. I came up with catch phrases like ‘Make mine Marvel’ and ‘Marvel marches on!'”
At this point while Martin was open to giving Lee fairly free rein, he still had his limits, which was a problem for Spider-Man, who Lee dreamed up as follows:
The most important thing in those days was the cover. All these books were on the newsstand, and you had to hope your cover would compel somebody to buy the book. And everything depended on the name. A character like Hurricane was a guy who ran very fast. Later on, when I was looking for new superheroes, it occurred to me that somebody crawling on walls would be interesting. I thought, Mosquito Man? It didn’t sound very glamorous. Fly Man? I went down the list and came to Spider-Man. That was it.
The concept of Spider-Man, however, was a little too far out.
Stan Lee in “Spider-Man.”
[Martin] didn’t want me to do it. He said I was way off base. He said, “First of all, you can’t call a hero Spider-Man, because people hate spiders.’ I had also told him I wanted the hero, Peter Parker, to be a teenager, and he said, “A teenager can’t be the hero… teenagers can just be sidekicks” Then when I said I wanted Spider-Man to have a lot of financial problems and family worries and all kinds of hang-ups, he said, “Stan, don’t you know what a hero is? That’s no way to do a heroic book!” So he wouldn’t let me publish it.Later, we had a book that we were going to cancel. We were going to do the last issue and then drop it. When you’re doing the last issue of a book, nobody cares what you put into it, so — just to get it off my chest- I threw Spider-Man into the book and I featured him on the cover. A couple of months later when we got our sales figures, that had been the best-selling book we’d had in months. So Martin came in to me and said, ‘Do you remember that Spider-Man character of yours that we both liked? Why don’t you do a series with him” After that, it was much easier… Whatever I came up with, he okayed. After that, came The X-Men and Daredevil and Thor and Dr. Strange… and the rest. The books did so well that I just gave up all thoughts of quitting.
With business booming, Martin decided to sell the company, with Perfect Film and Chemical aquiring Marvel in the late 1960s. Not long after that, Lee got a promotion,
[They] made me the president and even chairman. But I was never a businessman. I remember when the board asked me to come up with a three-year plan for the company. I said, “Guys, I don’t know how to predict where we’ll be in three years. I don’t even know what I’m going to have for breakfast tomorrow.” I resigned as president after about a year. I mean, I can add and subtract, but I hate to read sheets of numbers. I like to write stories.
This brings us finally to the cameos and how that whole thing got started.
His first cameo of sorts was text only, occurring in an All-Winners comic in 1941 where various characters petition Lee to add more characters. Next up, Wayne Boring and Hank Chapman decided to put their boss in the 1951 Astonishing #4.
Where the cameos really became a thing though started in 1963, when Lee and his long-time collaborator, Jack Kirby, appeared in The Fantastic Four #10 in which the pair are featured on the cover, as well as inside. On the cover, it shows the duo with Lee saying, “How’s this for a twist Jack? We’ve got Doctor Doom as one of the Fantastic Four!!” With Kirby adding, “And Mister Fantastic himself as the villain!! Our fans oughtta flip over this yarn!!”
Stan Lee in “Captain America: The Winter Soldier.”
Beside them, it also states, “In this epic issue surprise follows surprise as you actually meet Lee and Kirby in the story!! Plus a gorgeous pin-up of the invisible girl!”
As for inside the issue, it has Doctor Doom demanding that Lee and Kirby get the Fantastic Four to walk into a trap, which they then do.
Said Lee of this sort of thing, “The artists back then would draw me in as a joke or just to have fun. And I would put some dialogue balloons there and it looked as if I intended it. I didn’t try to do cameos in those days.”
But fans loved it, as well as the chance to get to know the people behind the comics, which were featured in a section of their own as well. The point of all of this, along with the little quips and notes in various areas was, according to Lee, “[For] the reader to feel we were all friends, that we were sharing some private fun that the outside world wasn’t aware of.”
From here the occasional cameo caught on, with Lee stating, “Anything that seemed fun and anything that the readers seemed to enjoy we kept doing and those things brought in a lot of fan mail. And we weren’t doing movies or television, our whole existence depended on comic books, so if you see that something is interesting to the fans you stay with it.”
Since then Lee, and to a lesser extent Kirby (who was notably more camera shy), appeared numerous times across many forms of media. These cameos range from simple background characters in comics bearing Lee’s likeness to full on self-referential roles in Marvel’s numerous works. The most egregious example of the latter is arguably the 1990s Spider-Man cartoon in which Spider-Man is transported to the “real” world via magical comic shenanigans and meets Stan Lee, who reveals that he created Spider-Man and spends some time conversing with his creation before being left stranded on a roof.
Moving on to Lee’s first cameo in video form, this appeared in the 1989 The Trial of the Incredible Hulk where Lee appears in the jury at the trial.
Arguably Lee’s most unusual cameo is one in a property owned by Marvel’s single biggest rival, DC — Superman: The Animated Series. In the episode, Apokolips… Now! Part 2, Lee, along with characters who bear a striking resemblance to members of the Fantastic Four, appear in a brief crowd shot of the funeral of the character, Dan Turpin. Said character’s appearance was largely based on the aforementioned Jack Kirby, who’d sadly died the year earlier. Out of respect for his memory and his contribution to the world of comics, the animators for the episode snuck in a character who looked like Lee along with several other Marvel characters Kirby had helped create. The commitment to accuracy was such that the graveyard shown in the episode was modeled on the one Kirby is buried in, in real life and the crew hired an actual rabbi to read a kaddish that was included in the episode’s audio. Lee’s cameo was removed in the subsequent DVD release of the episode, but he can still be seen in the episode’s storyboards.
Speaking of cameos, a slightly lesser known fact is that Lee’s beloved wife, Joan, who was the inspiration for a few female characters in the Marvel universe, also did voice work for the 1990s Fantastic Four and Spider-Man animated series, as well as a cameo of her own in X-Men: Apocalypse where she appears alongside Stan Lee.
This all brings us to Stan Lee’s final cameo, where he appears as a de-aged hippie alongside a woman who is meant to be a de-aged Joan Lee — very fittingly for them both, this final cameo appeared in Marvel’s Endgame.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
Well, the coronavirus got one of our favorites. Oscar winning actor, amazing fun guy and a man who has gone out of his way to bring amazing stories about our American heroes to the screen told us late Wednesday that he and his wife Rita came down with the COVID-19 bug while in Australia.
(Yes, we know there are a lot of stories that need to be covered, but we want to add a little levity too.)
We were putting out an article about the release of the trailer to his new movie Greyhound, which featured some amazing action scenes from the Battle of the Atlantic, and wanted to also give a shoutout to Tom by giving a ranking of his top 10 best films.
This was hard. There are too many good ones and a lot of great characters. Not everyone reading this will be happy. Don’t blame us! Blame Tom for making so many great movies. Before we do, we also have to shout out his great TV career before he even became a big movie star. He was on the Love Boat, had the great show Bosom Buddies, and even had a martial arts fight with Fonzie.
On the list of greats but just missing the cut are Sleepless in Seattle, Bachelor Party, That Thing You Do!, Turner & Hooch, Charlie Wilson’s War, Road to Perdition. All great with some awesome scenes, but as you will see the rest are hard to top.
**There are spoilers, so don’t get mad if you haven’t seen a movie yet and continue to read.**
When we were kids we all wanted to be grown up. When we grew up, we kinda wished we could be kids again. Arguably, no movie sums this up as well as Big. The great comedy from 1988 had Hanks as Josh Baskin, the kid that made a wish (Zoltar still creeps me out) and grew up overnight. He realized how good he had it and went back to being a kid, but not before giving everyone the two songs they must try to play whenever they see a keyboard.
“We never turn our back on it and we never ever allow ourselves the sin of losing track of time.”
The FedEx man who was all about time and efficiency, Hanks’ character Chuck Nolan has the misfortune of becoming a modern-day Robinson Crusoe. Stranded on a deserted island with his thoughts and a volleyball named Wilson, Nolan adapts to life alone before realizing he doesn’t want to die alone.
Also, extra props to FedEx for taking the movie and giving us one of the funniest Super Bowl commercials of all time.
Hanks is masterful as Paul Edgecomb, a death row prison guard who encounters a life-changing man in John Coffey. He initially is dismissive of Coffey and tries to ignore him, although he is still drawn to him. As he gets to know him, he realizes that a mistake has been made and now has to deal with the fallout of what he learned. An allegory of the story of Jesus, the movie has moved many to tears.
Captain Phillips get rescued by navy seals movie scene
The line gave birth to plenty of memes (especially for us military types) but the movie is pretty well done. Hanks plays the title character and delivers an amazing performance of a by-the-book guy that keeps as cool a head as he can when dealing with pirates. As cool as the Navy sniper who made that awesome shot.
Philadelphia (1/8) Movie CLIP – I Have A Case (1993) HD
For his role as Andrew Beckett, Hanks won his first Academy Award. Playing a man dying of AIDS who sues his employer for wrongful termination, Hanks gave a performance of a lifetime while educating the world at the time about the humanity of AIDS sufferers (especially in the LGBT community) in the early 90s. His transformation from a young vibrant man to a dying shell of his former self changed Hanks from the comedic actor of the 80s to the powerhouse thespian that he’s been for the rest of his career.
Playing Jim Lovell, Hanks teams up with Bill Paxton and Kevin Bacon to portray the almost disastrous Apollo 13 mission. The special effects and cinematography are amazing, it’s directed by Ron Howard so you know its good, and the rest of the cast back on Earth deliver amazing performances (failure is not an option, right?)—but Hanks is the rock of the movie. Showing steady leadership the entire time, from when things are great, to when the shit hits the fan, to when you just have to sit back and pray, Hanks brings it on home.
Jimmy Dugan yelling at poor Evelyn is the icing on the cake for probably the best comedic performances of his career. A drunk has-been, Dugan gets the chance at redemption managing a team of female ball players during World War II. The journey from uninterested drunk to cynical doubter to teetotalling motivational manager is pretty fun to watch until Dottie drops the ball.
In a movie that literally changed the way animation was done, Hanks gave us one of the most endearing and lovable animated characters of all time, and then three more times after that. Playing the favorite (until Buzz shows up) toy of Andy, Woody is the boss of his own toy universe. When we were kids, we all imagined how our toys would be if they came to life. We all imagined they would be like Woody. How much did we love him and his buddies… you know you just about lost it at that scene in Toy Story 3, don’t lie.
Bubba Goes Home – Forrest Gump (4/9) Movie CLIP (1994) HD
You can say Pulp Fiction should have won Best Picture that year. You can say Jenny is a truly evil person. You can say that the movie is overly sentimental. But who cares? It is still an amazing film that shows the journey of America through the life of a simpleton. Hanks is a ping pong player, runner, star football player, shrimp boat captain, and a whole bunch of other things.
But his portrayal of a soldier in Vietnam and his relationships with his friends Bubba and Lt. Dan resonates with every veteran. Holding one buddy in his arms as he dies and being there for another as he lives is a journey most of us can relate to.
That. Opening. Scene. There have been plenty of great war movies over the years, but this one made you feel as if you were there. The opening was so powerful some D-Day veterans had to take a step outside. In the midst of that opening, we are introduced to Captain John Miller. Miller is the guy we wish was our Commanding Officer and the guy we would follow into combat. Follow, because as a true Ranger, he led the way up until the very end. Hanks’ portrayal as the teacher turned warrior is his best performance to date.
After Tim Miller built a successful career in visual effects with his company, Blur Studio — whose work spans from the Ninja Ninja arcade sequence in 2010’s “Scott Pilgrim vs. the World,” to the opening credits in 2011’s “The Girl with the Dragon Tattoo” — he became a savior in some corners of the fanboy space by directing 2016’s long-delayed “Deadpool” feature film.
The movie went on to be the highest-grossing R-rated movie ever at the worldwide box office until it was recently dethroned by “Joker.” But due to creative differences, Miller exited “Deadpool 2” before it was made.
Now Miller is back to helm of another IP in triage.
“Terminator: Dark Fate” (in theaters Nov 1, 2019) is a complete overhaul of the franchise. “Dark Fate” ignores parts three, four, and five, and picks up where “Terminator 2: Judgement Day” left off. This time there is a new future in despair, and a new Terminator, but Linda Hamilton is back to play Sarah Connor, along with franchise creator James Cameron in a producer role (the most hands-on he’s been since “T2”).
Miller talked to Business Insider about some of the major decisions made behind-the-scenes, including talk of the movie having simultaneous PG-13 and R-rated releases, and the disagreement Miller had with Cameron over a time-travel element.
Jason Guerrasio: These are some of the better reviews a “Terminator” movie has had in over a decade. That has to make you feel warm and fuzzy inside.
Tim Miller: Well, there are enough split reviews that I just feel warm maybe not fuzzy. I know lots of people have franchise fatigue and it was going to get dinged for being the sixth “Terminator” film, even though it’s the third one. So I was disappointed but not surprised.
Guerrasio: When you came on the project was it already established that the other movies were going to get essentially erased from the canon and this one would take place after the events of “T2”?
Miller: When I came onto the project Jim [Cameron] had not even decided to come back. There were a lot of rights issues, who had what rights, and it was messy. So when I came in it was sort of blank page. [Skydance Media CEO] David [Ellison] asked me to rebuild the franchise. I told him that two things were very important to me: that Jim comes back and that we continue the “T2” story. Many people made different choices since then, which is fine, but I didn’t want to feel beholden to those choices.
Guerrasio: And is it true that while you were filming it wasn’t decided yet if the movie would be PG-13 or R rated, so there was talk at one point that the movie be released simultaneously in a PG-13 cut and an R cut?
Miller: You’re absolutely right, which I think was slightly problematic but overall I think it was a good thing. And here’s why: the disparity of budgets that come with PG-13 and R.
Guerrasio: And not to mention box-office projections.
Miller: Totally. So we didn’t decide to make it an R movie until we were into post. That meant I got all the benefits of making a PG-13 movie in terms of budget and scope and then we switched it to R, which is what we all hoped for.
(L-R) Mackenzie Davis and Natalia Reyes in “Terminator: Dark Fate.”
Guerrasio: So when you were shooting did you basically act like you were making an R movie and if that didn’t happen you would tweak in post?
Miller: I would have just used alternate takes. Say I did five takes of a moment, four of them would have “f–k” in it and one of them would not have it. I didn’t think we would do an R because of the temperature at the studio and Skydance, so worse case we do an R-rated release along with a PG-13. So we did talk about a simultaneous release.
Guerrasio: But why does everyone eventually agree it should just go out as R?
Miller: This is going to sound arrogant, I don’t mean it to be, but I do I feel a little bit indirectly responsible for that. “Deadpool” was successful at an R rating, that allowed “Logan” to be made with an R rating, and because “Logan” made more money than any PG-13 Wolverine movie I think there was a realization that some stories are meant to be told a certain way. The DNA of “Terminator” is R rated, and when you change that the fans punish you for it because they feel the false step.
Guerrasio: I don’t think you should feel arrogant at all because I was going to ask, through all this back and forth on if “Dark Fate” should be R or not, couldn’t that all have stopped by you speaking up and saying, “Guys, I made ‘Deadpool’ as an R, why are we f-ing around?”
Miller: [Laughs.] If only I had that kind of juice, oh would I use it. But we did make the case that there are two directors who have made enough money on R-rated movies to justify the budget of “Terminator.” One of them is directing the movie and the other created the franchise.
Guerrasio: How difficult is it to make a movie with a time-travel element in it?
Miller: Well, I think you can do it poorly and make it really confusing because by its nature it’s a confusing structure. We had a lot of conversations and a lot of complexity in making it simple because I don’t believe the audience wants to hear a lot of exposition and theoretical talk about time travel.
Terminator: Dark Fate – Official Trailer (2019) – Paramount Pictures
Guerrasio: But give me a glimpse behind the scenes, were there some involved with the movie who really wanted to go far out in regards to time travel?
Miller: Everybody was pretty on board with keeping it simple. At the beginning of the writers’ room, Linda hadn’t agreed to come back. Jim had to make that call to Linda and he didn’t get a no, let’s say, so that made us go down that road feeling she would eventually say yes. The biggest discussion with Jim was at some point there has to be a first time that someone comes from the future. Is Dani (the person the Terminator is on the hunt for, played by Natalia Reyes) a natural in this movie? Is everything that’s happening to her happening for the first time? And that was really the decision to be made, which Jim held onto for a while but I immediately knew we couldn’t do it. Jim really wanted to try to do that and eventually he came around. It wouldn’t have worked when you add in certain plot points in the movie that Grace (a soldier from the future ordered to protect Dani, played by Mackenzie Davis) knows. Future Dani wouldn’t know all that stuff if this was the first time.
Guerrasio: That’s what I mean by time travel getting messy.
Miller: But we do think all that s–t out. For instance, you get dinged in a few reviews when people say, “Why are they calling them Terminators when it’s a new future,” and I thought about that. Dani calls them Terminators because when she meets up with Sarah, she calls them Terminators. So Grace calls them Terminators because Dani called them that. So the cycle makes sense.
Guerrasio: How has the experience of “Deadpool 2” and making this movie made you grow as a filmmaker?
Miller: That’s a tough question to answer. I honestly don’t feel I’m any different a person than I was before I made “Deadpool.” I felt pretty fortunate then. I had a good career in visual effects, I own my own company and get to work with artists everyday. What I love about the live-action filming experience is it’s an intense experience that creates these relationships with people. Many people have said it was the best movie they worked on in terms of the experience, because we have a good time on set. I have some fights with the people above me in the chain of command but never below. Then you’re a dick. Save the anger and fight the people above you. I don’t shy away from that. I feel I used my 15 minutes of fame to collect the greatest concentration of nerd projects ever. I’m the luckiest guy around.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Marvel has proved itself to be a master of balancing action and high stakes with compelling heroes navigating realistic emotional experiences. The pilot episode of The Falcon and the Winter Soldier could have been a basic buddy cop series, but instead the creators have set up a show that will explore trauma and PTSD and systemic racism while deconstructing modern America and its flaws. It hit its emotional beats succinctly and set up its two heroes — without even uniting them yet.
The episode begins with a cool opening, showing off Anthony Mackie’s Sam Wilson AKA The Falcon and his wingéd suit. After thirteen years of action sequences, Marvel’s creative teams keep finding ways to get creative — in this case, Wilson teams up with U.S. military forces to recover a soldier kidnapped by wingsuit terrorists led by Georges Batroc, the acrobatic terrorist from Captain America: The Winter Soldier.
Wilson is aided by a soon-to-be-fan-favorite Joaquin Torres, who gives intel support from the ground and, after their mission success, fanboys a bit over Wilson and asks him to confirm a conspiracy theory that Steve Rogers is operating on the moon. This slyly reminds us that the Avengers are famous, and while we know their stories, the people in their world don’t necessarily.
In fact, most civilians in the Marvel Cinematic Universe are normal people living out their lives, watching aliens attack Manhattan, trying to cope as half of the population disintegrated into ash then reintegrated five years later. Those kinds of events have taken a toll — including radicalizing terrorist groups, whom we’ll see later in this episode, and impacting the economy, as we’ll also see.
Wilson returns to D.C. to do “moon stuff,” where he offers the Captain America shield to the Smithsonian for Steve Rogers’ exhibit. Wilson still doesn’t feel worthy of the mantle of Captain America. His sister struggles to keep the family fishing business afloat — pun intended — and she doesn’t blink an eye when they are denied a loan from the bank, in spite of Wilson’s fame and status. He’s not the only person who had no source of income for the past five years (due to being snapped out of existence by Thanos) and now needs financial assistance. The undertones of the scene show that systemic racism is at hand as well.
Next we catch up with a haunted Bucky Barnes, who, despite his healing respite in Wakanda, suffers from symptoms of PTSD. He has nightmares and carries guilt from his 90 years of enslavement as a brainwashed assassin for HYDRA and the Soviet Union. He has a notebook filled with names of people he hopes to make amends to, including an older man grieving the mysterious death of his son — a man who was in the wrong place at the wrong time and was killed by the Winter Soldier.
His therapist offers an insightful observation that should resonate with many veterans: “I was an excellent soldier, so I saw a lot of dead bodies and I know how that can shut you down. And if you are alone, that is the quietest, most personal hell. And James, it is very hard to escape.”
With both of their introductions, we can see that Sam is trying to figure out who he is. He’s comfortable being an airman — but he’s not ready to be Captain America and carry the weight of all Steve Rogers stood for.
Bucky was a good man who spent almost a hundred years doing terrible things. He was basically still a kid when he enlisted and was taken captive by HYDRA. In one scene, he brings a date flowers and she calls him “adorably old-fashioned.” Sebastian Stan’s acting in that moment is very nuanced; he captures Bucky’s vulnerability beautifully. His family grew old and died while he was enslaved by HYDRA, his best friend returned home to the past without him, and now all he has for company is his guilt and trauma.
It’s clear the two will need each other, which sets up their future friendship for a satisfying connection. Meanwhile, young Torres has uncovered a terrorist cell aided by an operator with superhuman strength, which points the way this series will go.
The most painful moment came at the end of the episode when the U.S. announced that there will be a new Captain America afterall — not Sam, the rightful shield-bearer, but some smarmy white chap. So that’s awkward.
I love Bond. But, for very obvious reasons, I don’t want to actually be James Bond. For one thing, that dude is surely riddled with STDs and for another thing, having that many arch enemies would make going to the grocery store to buy diapers a real pain in the ass. But, after seeing a photo of Daniel Craig working out on the set of the newest James Bond movie, I realize I do wish I was more like our incumbent 007 actor. The man just had ankle surgery and he’s already back to work, pumping iron like a boss, making me realize my complaints about too much cream cheese on my bagel the other day are really lame.
Now, here are the ways I am exactly like Daniel Craig: I have blond hair, I am a father, and sometimes, minor setbacks occur while I’m trying to do something that can derail my entire day. For me, these setbacks often involve being frustrated that there is no mustard in the refrigerator or that I have again, forgotten to buy the correct kind of plastic bags for the recycling bin. For me, these kinds of things can knock me down quicker than a flying kick from an assassin. I sigh deeply. I grit my teeth. And through it all, I generally feel sorry for myself. Will I now have to spend 20 minutes going to the hardware store to locate one specific kind of screw for the weed-eater because I managed to lose the only type of screw that will fit? Yes, yes I will. And I am going to grumble about it! It isn’t fair!
Grumbling and complaining might seem to be the God-given right of every father, but I gotta say, seeing D. Craig working out with an ankle cast made me feel like shit. Am I really going to be the guy who lets his day get ruined because the barista screwed up my coffee order? As a dad, I never have outbursts of anger around my daughter, but sometimes the fatigue and frustration of parenting will crop up in other, more petty ways. Would Daniel Craig do this? I mean, I’m sure he swore a lot when his ankle got screwed up while filming Bond, but would he really throw a hissy-fit? I mean, I know the guy has great health insurance because he’s a movie star, but still, I bet he would be a little bit more chill about this stuff.
This photograph of Daniel Craig has changed me the same way an ejector seat can quickly get rid of an unwanted ninja chilling in your passenger’s seat. Petty baggage is dumb. Setbacks happen. Let’s be like Daniel Craig and just get on with it. Dads of the world, hear me out on this one: Let’s all channel our inner Daniel Craigs more often. If this guy can hit the gym and be James Bond two weeks after ankle surgery, surely, all of us can complain a little less about cleaning baby food up off the ground or taking the trash out on time.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In the fog of war, service members are forced to make decisions that will haunt them for the rest of their lives. Some decisions are based on actionable intelligence, and others are based on gut intuition; ultimately, anyone who deploys and sees combat will come up against the question of whether or not they’re making the right decision.
Recon, Robert Port’s latest film, explores just that. Stationed in Italy during the middle of WWII, Recon follows four American soldiers over a day as they’re ordered out on patrol on what might be a suicide mission. The men witness their sergeant kill a local right before they’re ordered out on patrol, so none of the foursome know if they’re being sent out to perish or succeed.
Unlike other war movies that explore the external motivating forces that drive the plot, Recon examines the internal challenges that deployed soldiers come up against. Recon is based on the 2010 novel Peace, written by Air Force veteran Richard Bausch.
Recon is the feature debut for Port, who won an Oscar for his 2003 documentary short, Twin Towers. Recon stars Alexander Ludwig (Vikings), Sam Keeley (68 Whiskey), Chris Brochu, and RJ Fetherstonhaugh. Franco Nero (Django, Die Hard 2, Django Unchained, John Wick: Chapter 2) stars as the local who leads the unit through the forest.
The film initially premiered at the Austin Film Festival last year. Despite its relatively low budget, Recon features some impressive production values. Most surprisingly, the entire film was shot in Canada – a fact that’s not obvious since the entire film takes place in a wintry forest.
So, what makes Recon different than all the other WWII movies out there?
In an interview with WATM, Port noted that Recon isn’t just a film for WWII veterans – it’s a film for all veterans. It’s also a film that asks much of its viewers – namely how to be empathetic toward America’s veterans. He wants the viewers of Recon to question their morality and mortality, just as the film’s characters do.
“What’s something I should do the next time I see a veteran? What’s it like to walk in their shoes? It’s easy for us to judge, but unless we were there, we don’t know,” said Port.
That’s something Port spent his life trying to imagine. After narrowly escaping Hitler’s invasion, Port’s grandfather came to America and then enlisted in the military to fight in Europe.
“He never talked, as many of the greatest generation don’t do, about the actual killing. Instead, he talked about how human beings needed to look out for one another,” said Port, noting that that’s a commonality that all veterans share.
It’s a question that Port has spent much of his life trying to answer, so when the opportunity came to work on the film, he jumped at the chance. Port hopes that his audience will watch Recon and then explore how they can give back to the veteran community.
In an interview with WATM, the film’s star Alexander Ludwig, of Vikings, said that working with a script where the main character was driven by internal forces rather than external obligations was life-changing.
“For me, that really helped me get into the psyche of what it would be like to be someone in 1944 in Italy and deal with the psychological and physical trauma they had to endure,” Ludwig said.
Aware of his ability to go back to his hotel room each night after filming, Ludwig said he still isn’t sure how the WWII soldiers endured.
“I can’t even say I know what it’s like to go through anything like that. It was one of the hardest things I’ve ever done and I’m so grateful to be able to share this wonderful story with the world,” Ludwig added.
Recon launched November 10 as a one-night Fathom event in AMC, Cinemark and Regal theaters nationwide and is now available On Demand Everywhere, learn more at http://www.reconmovie.com, #ReconMovie.
First, the augmented reality game swept the barracks, and that was all right. But then it started filtering into the command suites and company headquarters.
When Pokemon Go got its claws/talons/hands/vines/paws/etc. into the commander, these 6 things happened:
1. Rare Pokemon delayed formations
Sure, he told all of you to be formed up behind the company headquarters at 1730 for release formation, but that was before he found out a Charizard was hiding in one of the training areas.
Once that happened, he and his driver were jetting through the backwoods trying to get to it before its timer ran out. Meanwhile, the platoon leaders were left trying to find enough rocks for everyone to paint until he got back.
2. There were a lot more ruck marches and company runs
It starts to seem like your commander has more eggs than the dining facility. And each of those eggs needs a nice, short run before it will hatch. Unfortunately, the runs aren’t so short when he has nine eggs stored up because his dog will no longer run with him.
Then there are the rucks. If some eggs still need love after the run, you can bet everyone is heading out for land nav or a long march.
3. Range operations gained a strange, new dynamic
Everyone is used to stopping range ops when wildlife appears, but it’s a whole other thing to have to cease fire because the commander spotted an Eevee and wants to try catching it and naming it “Rainer” to get a Vaporeon.
If you don’t understand that last sentence, it just means you haven’t played Pokemon Go much. If you did understand it and have an Eevee, then try renaming it before it evolves. It usually works.
4. The unit kept getting volunteered for missions to obscure places
You can get any Pokemon in an egg, but amid all the rumors that trainers can only catch Mr. Mime in Europe and Kangaskhan only wanders the plains of Australia, the commander started volunteering us for every overseas trip he could find.
Sure, he said that we were “voluntold,” but the company orderly room folks overheard first sergeant’s shouting match with him after the battalion planning meeting.
5. The ‘E4 Mafia’ taught him to cheat
Luckily, the local cell of the E4 mafia stepped in to salvage the situation. They hosted a secret meeting in the motor pool and invited the commander. Rumors circulated about the negotiations, but the final result was that the commander stopped his rampant volunteering, and the Joes in S6 borrowed the commander’s phone for a while.
When he got it back, the old Android had been rooted and hacked, and the commander could travel around the world with just his imagination and a GPS spoofing program.
6. Once the E4 Mafia owned the commander, everything got … topsy turvy
Of course, the E4 Mafia got plenty out of the deal. A few connexes fell off the property books and are now home to a shamming lounge and skating rink. The commander moved out of his office and the supply sergeant, a long supporter of the Mafia, is enjoying his new digs with the view.