If you want to wear a Jedi robe or a Stormtrooper helmet to Star Wars: Galaxy’s Edge, you’ll likely get tossed into the Sarlaac Pit. Disney has released dress code guidelines for guests attending Galaxy’s Edge, and you’re going to have to leave your blasters and Darth Vader helmets at home or in the hotel.
On June 10, 2019, the official Disney Parks blog released specific guidelines around what is okay to wear at Galaxy’s Edge and what will get you on an Order 66-style blacklist. Essentially, anything that presents a safety issue will not be allowed, which means no helmets, masks, or big flowing clothes of any kind. Blasters and blaster holsters are also outlawed as are “full body suits” so if you’re planning on coming dress as Jar Jar Binks, that little Gugan vest is cool, but the masks and bug-eyes are a NO.
Here’s some good news: Lightsabers are allowed, which, let’s face it, is pretty civilized.
(Disney Parks Blog)
In a small paradox, obviously some of the stuff you can’t wear inside Galaxy’s Edge can be purchased at Galaxy’s Edge. Plenty of the shops at Galaxy’s Edge sell helmets, masks, and blasters. But, the rule is you gotta keep that stuff in the package until you get back to your hotel room.
For any sane person, these rules totally make sense. Galaxy’s Edge might be a delightful hive of geek and nerdiness, but, in the end, Disneyland is for kids. And kids need to feel safe, even when they are traversing that lawless galaxy, far, far away.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
With a $716 billion budget and the mission to be the best at everything, the Pentagon finds some pretty creative ways of going about it. No, they didn’t have an actual underground boxing club among the military’s highest-ranking chiefs at the Pentagon (that we know of), but they did have some experiments that could have proven fruitful in giving America’s enemies a black eye.
The only problem is that Congress found out about it. That’s why the first rule is not to talk about it.
The Mantis Shrimp, club cocked (more on that later).
In 2015, Arizona Sen. Jeff Flake decided he was going to take on wasteful spending, releasing a “Wastebook” that detailed what he believed was government spending run amok.
Quoting the movie Fight Club, Flake says,“We buy things we don’t need with money we don’t have,” in the Wastebook, which is titled The Farce Awakens. Flake is referring to a 6,800 research grant given to Duke University researchers, who allegedly used it to pit 68 Panamanian mantis shrimp against each other to see who would win and why.
“To see so much money so outlandishly wasted, it’s clear that Washington’s ballyhooing over budget austerity is a farce,” Flake said. “Hopefully, this report gives Congress – which only ever seems to agree when it comes to spending money – something to Chewie on before the taxpayers strike back.”
This is the cover of the wastebook, no joke.
But the study wasn’t really useless, as it turns out. In fact, there’s an entire field of science called biomimetics dedicated to the idea of solving human problems with abilities and designs from animals found in nature. Duke University was doing research in just that vein. So far, they’ve been able to harness the mantis shrimp’s weapons and armor for human needs. It turns out the mantis shrimp (neither mantis nor shrimp) is one of the ocean’s premier brawlers.
The study didn’t really spend 0,000 on a fight club of shrimp. The grant covered the entire span of research on the mantis shrimp. What they discovered is a roving tank on the ocean floor. Its two main appendages act as underwater clubs to knock its prey out in a single punch – and that punch is what had the researchers so fascinated.
Did you see that? I doubt it. Read on!
The mantis shrimp punch goes from an underwater standing start to 50mph in the blink of an eye. It generates 1,500 newtons of force, the equivalent of a 340-pound rock hitting you in the face. If a human could manage 1/10th of that force with its arms, we’d be chucking baseballs into low Earth orbit. To top it all off, those clubs pop out with the velocity of a .22-caliber bullet (one that isn’t underwater) and the sudden change in water pressure causes the water around them to boil at several thousand degrees Kelvin. If the punch doesn’t kill the prey, the punch’s shockwave still can.
But wait, there’s more.
The researchers also wanted to know how mantis shrimp defend against this kind of attack – how their natural armor protects them from other mantis shrimp super weapons. This punch goes right through the shells worn by crabs and clams as well as the natural protections of some species of fish (and aquarium glass, FYI. In case you’re thinking you want one). The clubs themselves are also intensely durable, maintaining their performance throughout the mantis shrimp’s lifespan.
Its primary weapon is a complex system of three main regions, all lightweight and durable, tougher than many engineered ceramics. Civilian applications could improve the performance of cars and airplanes while military applications include body armor and armor for vehicles and potentially aircraft.
“That’s the holy grail for materials engineers,” said University of California professor and researcher David Kisailus, who is pioneering such studies these days.
“If you think of the first 18 minutes or so of ‘Saving Private Ryan,’ ” Dye said, “This will be that but airborne. This will be guys coming out of those aircraft and sky full of tracers.”
Dye wrote the script for “No Better Place to Die” from a story he’d studied during his active duty days. He felt the story perfectly exemplifies what Americans troops can do when they come together after everything goes wrong.
It’s about the 82nd Airborne Division paratroopers during the D-Day invasion and their contribution to winning the war. If it weren’t for these troops, the German’s may have pushed the allied beach invasion back out to sea, according to Dye.
While the filmmaking world knows him as Hollywood’s drill sergeant, Dye has reserved the director’s seat for himself.
“Given what I’ve done in my 30-year career the only way this going to get done right — the only way this is going to blow people right out of their seats — is if I direct it because I know how,” Dye said. “I know how to do this cool.”
As for hiring veterans, Dye is looking to fill on and off camera roles to make a filmmaking statement.
“My absolute promise is that I’m going to make this movie with as many veterans in front of the camera and behind the camera as I can find,” Dye said. “That’s the way I’m going to do it. I’m hoping that it will serve as a showcase to Hollywood. It will show them the talent that’s out there and what these folks can do. What they bring to the table and how motivated they can be, and I want to demonstrate that.”
Before Dale Dye was making some of our favorite military movies, he was fighting America’s wars overseas, eventually retiring as a Marine Corps captain. Having been around infantrymen all his life, he knew we were badly represented on film. The majority are intelligent, creative, and full of heart.
He felt the image of the dumb boot blindly following orders was a grave disservice to those brave service members who had risked and often gave their lives so that our nation could survive and prosper. So he looked for the best medium available to reach the hearts and minds of the public to spread his message — film and television.
Marine recruiters talk a good game to get prospects to sign on the dotted line, but words can only carry so much motivation. For some, it’s visual representation that can genuinely inspire a young adult to sign a contract and serve in the Corps.
Although posters are pretty cool, epic commercials that put adventure and self-righteousness on display are better.
One of the great recruiting commercials highlights the transformation of driven, young women into the ultimate Marine. Katy Perry may have intended to make her music video Part of Me feel like this motivating video, but she fell short.
Released in the late 1980s, this commercial showcases the Corps’ fighting spirit. The video symbolizes how troops will be trained to eliminate any threat that challenges their nation’s existence, even if that threat is a giant, flaming monster.
Taking a page out of the Legend of King Arthur, the Marines’ 1987 commercial invokes medieval knights to tell young men that if they become a part of the Corps, they would be seen as one of the greatest warriors who ever lived.
Now, who wants to sign up?
(Marines | YouTube)Do you agree with our list? Comment below and rank these videos yourself!
Operation Deadstick was the first engagement of D-Day but many people don’t know the awesome story of how a small group of British glider soldiers captured two bridges intact and held them against German counterattacks. Now, the epic fight is becoming a movie.
So, on Jun. 6, 1944, the men of D Company, 2nd Oxfordshire and Buckinghamshire Light Infantry crash-landed in gliders at only 16 minutes past midnight. A brilliant performance by pilots put the closest group of paratroopers only 47 yards from the first objective while avoiding anti-glider poles that were still being emplaced around the bridges.
The British commander had a fright when thought he had gone blind, but he realized the crash had dislodged his helmet and slid it over his eyes. He put it on right and led his men up the nearby embankment and onto the first bridge.
There, Lt. Den Brotheridge led First platoon across the Caen Canal Bridge, firing from the hip. Brotheridge gunned down a German soldier on the bridges who fired a flare, achieving the first ground kill of D-Day. Tragically, he himself was shot just moments later and became the first Allied casualty of the day.
Still, the company was able to complete the assault only 10 minutes after landing, grabbing both bridges before the Germans could detonate the explosives on them. Sappers immediately got to work cutting wires and fuses to make sure a German counterattack would not be able to easily destroy them.
It turns out, the reason the bridges weren’t destroyed was two-fold.
First, the German commander had ordered the bridge wired to explode, but that the actual charges be stored nearby so that French partisans or an accident could not destroy the bridges unnecessarily. He had reasoned that the explosives could be placed and destroyed faster than a paratrooper assault could capture the bridges. He was wrong.
Second, only he could order the charges put into place and the bridges destroyed and he was busy visiting his girlfriend in the nearby village. He was drinking wine and eating cheese with her when he heard all the gunfire coming from the direction of the bridges.
He decided to investigate the noises but apparently thought an attack was unlikely because he packed a picnic basket and tried to bring his girlfriend. He ended up dropping her off when she begged and cried, but he continued to the bridge with little caution.
His driver approached the bridge so fast that the two Germans actually blew past the British lines and were on the bridge before they realized that the German defenders had been killed. The British quickly captured both Germans and the picnic basket while the commander started crying about having let down his fuhrer.
The British then got ready for the inevitable counterattacks. The first came quickly as a German tank made its way to a nearby intersection in an attempt on the bridges. One of the glider troops engaged it with a Piat anti-tank grenade launcher, killing it with a single hit.
Luckily for the British, larger counterattacks wouldn’t come for some time. While Lt. Col. Hans von Luck, the Panzer commander who would lead the counter assault, had his entire formation ready to go by 3 a.m., he wasn’t allowed to move forward without Hitler’s say-so. And Hitler slept in on D-Day.
Von Luck sent his grenadiers, one of the few units he could move forward without authorization, to the bridges but the British had been reinforced with paratroopers by that point. The British were able to stop the grenadiers’ advance and the Germans dug in, sure that armored support would be coming soon.
Forward German units did come to assist and were able to begin pushing the British back. The British were picked at by snipers and German rocket fire and were slowly surrounded, but they managed to hold out until the afternoon despite dwindling ammo and a limited number of men.
In the early afternoon, reinforcements in the form of British commandos finally came and the combined force held off German armored attacks, killing 13 of 17 tanks and plenty of German soldiers. They also had to fight off a German gunboat that attacked from the river.
The successful capture and defense of the bridges is a major part of British airborne history. Both bridges were renamed in honor of the British. The Caen Canal Bridge was renamed Pegasus Bridge after the symbol of the British airborne soldiers. The nearby river bridge was renamed Horsa Bridge after the Horsa gliders the first troops rode in on.
Joker was always going to be a different kind of Batman movie. It might not even to be fair to call it a Batman movie, centered as it is on Gotham’s most infamous criminal and not its most famous orphan. But besides a narrative focus beyond good vs. evil, what sets this movie apart is its relationship with its source material.
“We didn’t follow anything from the comic books, which people are gonna be mad about,” writer-director Todd Phillips said in an upcoming interview with Empire. You read that right: instead of basing the script on a graphic novel or cobbling it together from different comic books, Phillips wrote an original story.
“We just wrote our own version of where a guy like Joker might come from. That’s what was interesting to me. We’re not even doing Joker, but the story of becoming Joker. It’s about this man,” Phillips added.
Instead of pitting the character, be it zoot suited Jack Nicholson in a zoot suit or a shirtless Jared Leto, against Batman, the Joker script is about Arthur Blank’s descent into Travis Bickle-like madness. If it sounds like a role designed for Phoenix, a notoriously intense actor, that’s because it is.
“We had a photo of him above our computer while we were writing,” he told the magazine. We constantly thought, ‘God, imagine if Joaquin actually does this.'”
Well, he actually did it, but you’ll have to wait until Oct. 4, 2019, to see exactly where on the “inspired by” to “based on” spectrum Phillips’s film falls.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
If you’re hunting for great Vietnam war movies about the conflict and its afterrmath, look no further.
Compiled by the staff of Military.com, some of these are surprising and possibly controversial.
Check out our Vietnam movie recommendations below and share your favorites in the comments.
1. Full Metal Jacket
Besides adding the phrase “major malfunction” to the lexicon of American pop culture, “Full Metal Jacket” gave us the most riveting, foul-mouthed boot camp scene in the history of cinema. R. Lee Ermey’s portrayal of “Gunny Hartman” dominated the movie’s first half. Such a sustained volley of X-rated insults, hurled effortlessly at petrified recruits, could only come from years of experience as a Marine Corps drill instructor – and Ermey had been one. “The more you hate me, the more you will learn,” he tells his Vietnam-bound grunts. Gunny’s six-minute tirade sets the stage for the murderous outcome that closes the first act of Kubrick’s Vietnam movie masterpiece. Casting a real-life DI as a DI: Pure genius. — Marty Callaghan
One of Robin Williams’s best roles, this movie brilliantly captures the experience of the Vietnam War through the eyes of someone not actively engaged in the fighting: real life Air Force radio personality Adrian Cronauer. His battles against inept leadership and the mindless bureaucracy that survives–even in a war zone–are something many service members can relate to. His rebellion against what he’s told to do is inspiring and then as he seeks to make his tour less of a soup sandwich by engaging with the local population and helping them, he is ultimately reminded that he is there to fight a war and war does in fact rage all around him. — Sarah Blansett
“Rolling Thunder” is neither sensitive to nor concerned with the actual experiences of returning Vietnam POWs. It didn’t win any awards or play in any theater more prestigious than the local drive-in. It’s a low-budget fever dream written by Paul Schrader (Taxi Driver, Raging Bull) and directed by the underrated John Flynn (“Out for Justice” starring Steven Seagal and “The Outfit” starring Robert Duvall are both worth tracking down. What you get is a revenge fantasy for every Vietnam war vet who felt the hate when he returned from service.
Major Charle Rane (William Devane) and Johnny Vohden (Tommy Lee Jones) are prisoners of war who get a hero’s welcome on the tarmac when they return to Texas, but things come unraveled immediately thereafter. Devane’s wife announces on his first night home that she’s leaving him for Jody and taking their son. He later gets awarded a Cadillac convertible and a huge box of silver dollars (one for each day in captivity) by the San Antonio city fathers. Some criminal hillbillies see the exchange on the TV news and track him down to steal that money. When he refuses to cooperate, they feed his arm into the garbage disposal and kill his soon-to-be ex-wife and son when they drop by the house to get their stuff.
Rane gets himself a hook to replace his mangled hand and takes up with Linda Forchet (Linda Haynes), a young woman who wore his POW bracelet while he was in North Vietnam. Rane goes on a hunt to deliver justice to the men who killed his family and picks up Johnny in El Paso along the way to help with the mission.
It’s lurid and cathartic, tapping into the same frustration and rage that many of the more awards-friendly Vietnam war movies on this list try to highlight. Sometimes primitive and outlandish works just as well as sensitive and thoughtful when you’re trying to work things out. — James Barber
Part “The Deer Hunter” (see roulette scene) and part “The Killer” but one hundred percent highly stylized John Woo.
After trouble with local gangsters in Hong Kong, three best friends flee to Vietnam at the height of the war in hopes to profit from black market penicillin and gold. The trio is soon captured by the Vietcong who force them to make a choice that will test the limits of their friendship.
Woo’s subtext to the movie relies on and attempts to recreate (as does “The Deer Hunter”) the infamous news photo of General Nguyen Ngoc Loan executing a Viet Cong prisoner in Saigon. While some scenes seem contrived, when taken in context of the Vietnam war, the chaos feels right at home, even welcome. — Sean Mclain Brown
“Hamburger Hill” is a gritty war film that focuses on the lives of 14 soldiers from the 101st Airborne Division’s B Company, 3rd Battalion, 187th Infantry Regiment during the 12-day battle that occurred May 10-21, 1969, in the northern part of South Vietnam near the A Shau Valley.
I saw the movie when it came out in 1987 as a young infantryman in the 82nd Airborne Division. I still remember that the film’s depiction of the actual battle left me, and other members of my platoon, in awe of how these Screaming Eagles endured an up-hill fight against a well-entrenched enemy under the most miserable conditions.
The Vietman war movie features a young Don Cheadle, Dylan McDermott and Steven Weber, who later played Brian Hackett in the 1990s sitcom “Wings.” One of the most powerful performances came from Courtney B. Vance who played Spec. Abraham “Doc” Johnson.
The real battle of Hamburger Hill left about 500 enemy soldiers dead. Taking the hill claimed the lives of 39 soldiers from the 187th and left 290 wounded.
To me, “Hamburger Hill” stacks up to “Platoon,” “We were Soldiers” or any other film out there that focuses on the sacrifices infantrymen made during the Vietnam War. — Matthew Cox
When you think of Vietnam war movies you generally don’t think about Rambo. But the first movie in the Rambo series, “First Blood,” was in my opinion one of the best Vietnam war movies made.
Rambo meets a megalomaniacal small town police chief who doesn’t want any long-haired drifters hanging around his town, veteran or not. Rambo just wants to be left alone, the police chief wants to make a point, and you know the rest of the story.
Many people around today don’t remember when every veteran wasn’t told “thank you for your service”, or given discounts at every store. This movie shows much of the hate and discontent that returning veterans faced after Vietnam.
Vietnam veterans were drafted and sent away to somewhere that even today 90% of Americans couldn’t find on a map. The war dragged on forever and many think that we could have won.
This Vietman war movie educated the general public to the fact that Vietnam veterans lived through hell, both in the war and when they came back home, for that it deserves to be watched again and appreciated as a statement on the reality that all veterans face when they return to civilian life. — Jim Absher
Apocalypse Now (1979) Official Trailer – Martin Sheen, Robert Duvall Drama Movie HD
“Apocalypse Now” contains a lot of things I love in film – heavy use of symbolism and themes as well as exceptional acting and cinematography. Coppola does a great job of reworking Conrad’s Heart of Darkness for the Vietnam War, extending the themes of imperialism to include the madness of war, while also mixing in Dante. However, the movie feels like an abstraction, not a realistic depiction, and you could easily adapt the same script to our current involvement in Afghanistan. — John Rodriguez
Platoon Official Trailer #1 – Charlie Sheen, Keith David Movie (1986) HD
“Platoon” on the other hand plays like a more realistic depiction of the Vietnam War from a soldier’s perspective, which makes sense as Oliver Stone is a Vietnam combat vet. In general the characters are more fleshed out than in similar movies like “Hamburger Hill,” although I do have a hard time taking Charlie Sheen seriously; he’s no Martin. — John Rodriguez
Other Vietnam War movies have more grandeur or explosive moments, but Michael Cimino’s “The Deer Hunter” cuts the deepest. Never before had a movie about the conflict tackled head-on the emotional issues that afflict those who serve, come home, and struggle to find a place for themselves — and it’s fair to say no Vietnam War movie has ever captured the rhythms and sorrows of small-town life in the US as well as “The Deer Hunter “does.
The cast alone elevates the movie to among the best ever made: Robert De Niro, Meryl Streep, Christopher Walken in a star-making performance, and John Cazale (Fredo from the “Godfather ” movies) in his very last role before his tragic early death from bone cancer.
Looking for memorable moments? Just utter the words “Russian roulette,” and any movie aficionado will recall the harrowing POW sequences in this film. “The Deer Hunter” is not without controversy — director Cimino reportedly claimed he was in an Army Green Beret unit, but records show he only served briefly before the war started — and watching the movie can be a punishing experience. But as a lyrical, moving piece of cinema that sticks with you, very few movies can come close. — Ho Lin
There’s a new mobile streaming app in town that’s hoping to corner the market on the white space in your day — specifically, those seven to 10 minute gaps where you’d love to be entertained. Introducing Quibi, whose name and premise are based upon giving you quick bites of big stories.
After watching some of their trailers, we can assure you: you won’t be disappointed. Spoiler alert: The release we’re looking forward to the most? We Are The Mighty’s very own show, TEN WEEKS — the first look inside U.S. Army basic combat training in two decades. Make sure you download Quibi now to know when TEN WEEKS is available.
Quibi Founder Jeffrey Katzenberg Goes Over The New Streaming Service
The daily essentials are a great way to get your news or recaps in just a few minutes. The movies in chapters and shows are equally captivating with excellent storytelling and star-studded casts.
From Reese Witherspoon narrating an animal documentary to the story behind the I Promise School with LeBron James, the cast of these shows is nothing shy of impressive. With celebrities like Jennifer Lopez, Kristin Bell, Ben Stiller, Will Arnett, Ozzy Osbourne, Jay Leno, Ariana Grande, James Corden, Zooey Deschanel, Matthew McConaughey, Tina Fey, Jack Black and the list goes on — it’s easy to see how co-founders Jeffrey Katzenberg and CEO Meg Whitman put id=”listicle-2645654109″.75B into content.
A group of terrorists huddle in a house in an al-Shabab controlled area of Kenya. Among them are high-value individuals who perpetuate terror attacks throughout East Africa. They pray and then rig their suicide vests. Drones overhead beam the scene to allied forces, but time is running out and there is potential for collateral damage and civilian casualties.
The new movie “Eye In The Sky” tackles this scenario. The allied mission commander, British Army Colonel Katherine Powell (Helen Mirren), orders a U.S. military drone strike on al-Shabab terrorist organizers and would-be suicide bombers, but her call is made more complicated by the fact that a little Kenyan girl (Aisha Takow) will likely be killed in the strike.
The film, which premiered last year at the Toronto Film Festival, shows a unique vision of how calls are made in the heat of battle. From Col. Powell and the drone pilot, 2nd Lt. Steve Watts (Aaron Paul) to the highest rungs of the British and American governments, those watching the camera feeds decide the fates of the terrorists and the innocent bystander. They each make their own arguments in turn as the situation evolves.
The film shows a number of thought-provoking moral questions in the microcosm of this one drone strike. It weighs morality against the tactics of modern warfare. The characters try to minimize the damage done by drone strikes while suicide bombers prepare to kill as many people as possible. The film also questions the value of targeted killings over real human intelligence in the war on terror. But the moral calculus has to be figured out in a hurry. The clock is ticking on this potential strike. A decision must be reached before the terrorists are allowed to disappear into the sprawling city to carry out their suicide missions.
“Eye in the Sky” depicts the divide between civilian leaders and the men and women who conduct targeted operations. Civilian leaders want to achieve political goals but dislike the means by which they have to achieve them. The warfighters have to educate elected leaders on weighing the risks of collateral damage while the civilians have to remind the them about the propaganda value of targeted killings for the enemy. Neither side comes away clean as they argue over the fate of civilians who are otherwise going about their daily lives while this international debate unfolds.
The film’s final scene features the late Alan Rickman in his final onscreen role as British Lt. Gen. Frank Benson. In one of his finest moments as an actor, he delivers a harsh rebuke to a civilian Member of Parliament: “Never tell a soldier he does not know the cost of war.”
“Eye In the Sky” is a thrilling nail-biter that also asks questions about the ethics of fighting a high-tech war.
Vigilance Elite just released footage from a training session with Reeves for John Wick: Chapter 3 – Parabellum, and you can see that he’s training like an operator, not just an actor. In the video below, trainer and former Navy SEAL Shawn Ryan walks Reeves through room clearing with a rifle — in particular, negotiating the “fatal funnel.”
This kind of dedicated training is just one reason why Reeves is highly respected and his films are so fun. Check out the video for a bit of Reeves-worship…but stay for the refresher in case you ever get into a sh*t sandwich.
Keanu Reeves Tactical Training for John Wick 3 with Vigilance Elite .MP4
“My character’s always in shit sandwiches,” jokes Reeves.
Reeves maintains a professional, respectful demeanor throughout the process, which is exactly the kind of attitude that bridges the divide between military and civilian audiences. Reeves is believable as an assassin because he puts in the work to understand weapons and tactics; military audiences can spot a phony a mile away and it ruins the cinematic experience.
During his time in the Corps, Hackman was demoted three times for leaving his post without proper authorization.
After Hackman had been discharged, the San Bernardino native went on to study journalism and TV production at the University of Illinois. By 30, he had broken into a successful acting career and would be nominated for five Academy Awards and winning two for his roles in “The French Connection” and “Unforgiven.”
Hackman is credited with approximately 100 film and TV roles and is currently retired from acting.
A senior Army modernization official said that the service needs to look to the visionaries of Hollywood for ideas on how future tech could change the Army in 20 years.
“I often tell people ‘hey, if you want look to the future … don’t look toward the people that wear this,'” said Lt. Gen. Paul Ostrowski, principal military deputy to the Assistant Secretary of the Army for Acquisition, Logistics and Technology, pointing to his camouflage uniform.
“Where are you going to look? Hollywood. Think about it. How many things do we have in our hands today, or just right around the corner, that you saw on the movies when you were growing up?”
But it’s up to Ostrowski, and other senior Army leaders, to carry out the service’s ambitious new modernization strategy.
The Army announced its new modernization effort in October 2017 that’s designed to replace its Cold-War era, Big Five combat platforms — the M1Abrams tank, Bradley fighting vehicle, Black Hawk helicopter, Apache attack helicopter and Patriot air defense system.
UH-60 Black Hawk helicopter
(U.S. navy photo by Clayton Weis)
Speaking at a breakfast, hosted by the Association of the United States Army, Ostrowski explained how the new Army Futures Command — to be based in Austin, Texas — will create a future force capable of operating in the unknowns of 2036.
“What is the battlefield going to look like in 2036?” Ostrowski said. “What are … the tactics, techniques and procedures that we are going to need to have to fight and win in that war, in that battle?
“Where is it going to be conducted?” He continued. “Megacities? What will be our unit of action? Right now we are organized around brigade combat teams. Is that what we are going to need to be organized in the future?”
The futures and concepts group within Army Futures Command will be working on these issues as well as figuring out how future technologies such as quantum computing, high-energy lasers, directed-energy weapon, hypersonics and artificial intelligence will play a role in the future force, Ostrowski said.
“What is going to be capable of being produced and available in 2036? The visionaries of the futures and concepts group have to get after that particular piece,” Ostrowski said.
The Army is actively recruiting talent to work on the technological challenges of the future — Hollywood may be the place to start, Ostrowski said.
“We have to get after those visionaries to help us get after that fight and what it is going to look like in 2036,” he said.
This article originally appeared on Military.com. Follow @military.com on Twitter.
Francis Ford Coppola was originally worried his soon-to-be iconic Apocalypse Now would be “too weird” for audiences, so he made major cuts to his film. Now, you’ll be able to see it in all its wacky glory, including 300,173 restored frames of depth, detail, and napalm.
Turn on your sound and watch this epic trailer, people:
APOCALYPSE NOW FINAL CUT – 4K Restoration in Theaters 8/15 & on 4K Combo Pack 8/27!
If Walkürenritt or Ritt der Walküren Ride of the Valkyries doesn’t get your juices flowing, I don’t know what will.
On Aug. 27, 2019, in honor of the 40th anniversary of the film, Lionsgate will release Apocalypse Now on a 4K Ultra HD™ Combo Pack (4K disc, plus three Blu-ray discs and Digital copy) and on Digital 4K Ultra HD for the first time ever.
But more importantly, on Aug. 15, 2019, you can see it in select theaters.
This isn’t the first time Coppola has made changes to his film. In 2001, Coppola released Apocalypse Now Redux, which added an additional 49 minutes to the original film, and while Roger Ebert gave Redux 4 stars, Coppola still wasn’t satisfied. With Apocalypse Now: Final Cut, Coppola has finally released his vision (which will run 183 minutes, about a half hour longer than the original).
But it’s not just the visuals that are being remastered. Sound technology has advanced since 1979, allowing Coppola to achieve effects that weren’t available in the 70s, including low frequency sound design meant to create a visceral reaction during war scenes.
Make no mistake, this is a sensory theater experience fans of the original film should take advantage of.