If you’re looking to make a movie about the Afghanistan War, it should be obvious that you’re not going to be filming in Afghanistan itself. We’re coming up on the 19th anniversary of the war’s beginning, and things are still far too violent in the country to allow a movie crew to work safely.
That hasn’t stopped Hollywood from making films about the war, and they’ve tried multiple locations around the world in an attempt to capture that unique Hindu Kush vibe.
Movies like “Rock the Kasbah” have traveled to Morocco, a country that has also been a stand-in for Iraq (“American Sniper”), Libya (“13 Hours”) and Somalia (“Black Hawk Down”). The Gen. David Petraeus-inspired satire “War Machine” filmed in Abu Dhabi.
Most recently, “The Outpost” was filmed in Bulgaria, a Balkan nation with mountains that did a convincing job of subbing for Kamdesh, Afghanistan. Director Rod Lurie told Page Six that he originally wanted to film in Morocco, but local rules made that impossible.
“Places to film were Bulgaria or Morocco, but Morocco wouldn’t allow us to bring weapons. Soldiers need weapons. Morocco needed to know how many blanks we’d fire. So we went to Bulgaria. Great equipment, crews, props, makeup people. We stayed in a castle in Sofia.”
Things certainly have changed in Morocco since Ridley Scott made “Black Hawk Down” in the African country back in 2000.
Morocco, Bulgaria, Abu Dhabi. They’re all far from home and expensive. What if there was a location that was a quick two-hour flight from Los Angeles, gave excellent tax credits to motion picture companies, and had killer cuisine based on a local variety of chiles?
New Mexico welcomes you. The state has a booming movie and television economy and has been home to television series like “Breaking Bad,” “Better Call Saul,” “The Night Shift,” “Longmire,” “Get Shorty” and “The Brave.”
It’s also been a location for movies like “The Avengers,” “Only the Brave,” “No Country for Old Men,” “Hostiles,” “Hell or High Water” and “Logan.”
New Mexico’s got the infrastructure and the crews, and it’s got the mountains and desert that have allowed three outstanding movies to tell stories about Afghanistan.
Let’s all hope that someday we get to see a great movie about Afghanistan that’s actually filmed there because the country has found peace and stability.
In the meantime, here are the best Afghanistan war movies shot in New Mexico.
Director Peter Berg and actor Mark Wahlberg began a long and fruitful collaboration with this movie based on Navy SEAL Markus Luttrell’s memoir about the 2005 Operation Red Wings mission to capture Taliban leader Ahmad Shah.
Luttrell was the only team member to survive the mission. Michael Murphy, Matthew Axelson and Danny Dietz lost their lives in an ambush after the team elected not to kill a young goat herder who stumbled across the mission.
The movie, nominated for two Oscars, proved there was an audience for well-made military films about our modern wars and kicked off a cycle of successful military films. Berg and Wahlberg have gone on to make “Deepwater Horizon,” “Patriots Day,” “Mile 22” and “Spenser Confidential.”
Whiskey Tango Foxtrot
Based on journalist Kim Barker’s Afghanistan War memoir “The Taliban Shuffle,” “Whiskey Tango Foxtrot” stars Tina Fey as “Kim Baker,” a television journalist who learns the war correspondent ropes from journalists played by Margot Robbie and Martin Freeman.
Billy Bob Thornton shines as Baker’s primary military contact, and Nicholas Braun (now famous as Cousin Greg on “Succession”) plays her cameraman.
It’s hard to believe that it took until 2018 for Hollywood to make a movie about the legendary “horse soldiers,” the Green Berets who landed in Afghanistan in early October 2001 to lay the groundwork for the overthrow of the nation’s Taliban government.
Maybe they were waiting for the war to be over. Maybe they were worried how to film the horseback riding battle scenes while working with unfamiliar animal handlers in a foreign country.
Whatever the reasons, Black Label Media stepped up and figured out that it could make the movie in New Mexico after working there to film “Sicario,” “Only the Brave” and the sequel “Sicario: Day of the Soldado.”
Chris Hemsworth, Michael Shannon and Michael Pena star as Green Berets based on the real men who led the critical mission that began our military response to 9/11.
Ridley Scott’s “Blade Runner” hit theaters in 1982, but it takes place in Los Angeles of November 2019.
The movie showed audience member in 1982 a dystopian future world, one where the earth is dark and polluted. Blade runners, like Harrison Ford’s character, are tasked with tracking down human-like robots called replicants, and killing, or “retiring,” them.
Some things the film predicted about 2019 have turned out to be mostly right. Although the earth isn’t in as bad of shape as it is in the movie, climate change is an increasingly pressing issue. Robots play bigger roles in our lives than ever before, and voice assistant are fairly common. But, not every prediction in the 1982 film has come true, at least not yet.
Here are five things the movie got wrong about 2019.
1. The movie predicted flying cars, and we’re not even close.
Some companies have built prototypes for flying vehicles that are branded as “flying cars” or “flying taxis,” but they’re far less capable than those in “Blade Runner.” More progress has been made creating and testing self-driving cars.
2. We would have robots that are so human-like, they require a test to distinguish between humans and robots.
Despite recent advances in AI, we don’t have replicants, and modern robots are definitely not easily mistaken for humans.
3. In Blade Runner’s 2019, smoking was still common, even indoors.
Many states in the US have banned or limited smoking indoors in a public space, including California, which is where “Blade Runner” is set.
The movie didn’t see the rise of vaping coming.
(Blade Runner Warner Bros)
4. In the film, people have colonized parts of space.
Today, despite the hopes of tech execs like Elon Musk, we’re still years away from that being a reality.
(Blade Runner Warner Bros)
5. Polaroids play an important role in the film, and digital photos don’t really exist.
Polaroids are still around today, but they’re mostly for fun and not anyone’s primary way of taking and storing photos.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Video gamers got a taste of military operations when Marine veteran and former Green Beret Chase Millsap took them through an obstacle course in actual armor with dummy weapons.
As you might expect, the civilians struggle with the low crawls, fireman carries, and other tasks they’re asked to perform. Both teams drop their weapons and leave them behind at some point, and a few of the players have trouble even getting their armor on.
The USO was formed on Feb. 4, 1941 as the nation prepared for the possibility that it would get dragged into another World War. Now, over 80 years later, the USO serves America’s warfighters with an estimated 10 million “connections” every year in the form of entertainment tours, homecoming celebrations, care packages, and more.
Here are 7 facts about how the USO got where it is today:
1. The USO began at the request of President Franklin D. Roosevelt
With the “War in Europe” spreading in the early 1940s, President Roosevelt knew he might soon have a massive military that would need morale assistance. He asked six private organizations — the YMCA, the YWCA, the National Catholic Community Service, the National Jewish Welfare Board, the Traveler’s Aid Association, and the Salvation Army — for their help.
Rather than just draw straws or split up areas on a map, the six organizations combined into a sort of entertainment Voltron that focused on one demographic, the troops.
2. The first services were USO shows and free Coke, both of which continue today
As the Army and Navy grew in preparation for the war, the most urgent mission of the USO was giving service members the feeling and tastes of home. The USO began a partnership with Coke (that continues to this day) and started bringing in talented soldiers and entertainers to perform for crowds of troops.
3. The USO had a break in service
In 1947 the occupying forces in Europe and Asia were shrinking and the USO was granted an “honorable discharge” from service by President Harry S. Truman. The Korean War kicked off in 1950 and the USO was back in service by 1951. It wasn’t until after American forces were withdrawn from Vietnam that the USO officially dedicated itself peacetime operations as well as wartime.
4. Bob Hope performed at the first USO center in a combat zone
While the USO is now known for setting up shop in combat zones, no large USO facilities existed in contested areas during Korea or World War II. The first was in Saigon, Vietnam where Bob Hope performed a Christmas Special in 1964. He would perform a Christmas special for U.S. troops nearly every year until 1973, most of them in Vietnam.
5. The USO is headquartered in the Bob Hope Building
Bob Hope had a long and enduring relationship with the USO. He first performed with them a few months after their formation and before World War II even started. He continued to headline tours and recruit other entertainers through World War II, Korea, Vietnam, and the Persian Gulf War in addition to smaller conflicts and peacetime performances.
In 1985 the USO moved into a new headquarters building that they named for the performer in recognition of his hard work and dedication to the organization.
6. Stephen Colbert’s stint in the Army was in partnership with the USO
While a lot of people remember when Stephen Colbert “enlisted” in the U.S. Army in 2009, not everyone remembers that his week-long trip to Iraq was a USO tour. Colbert filmed his show from the country for that week and allowed Gen. Ray Odierno to shave his had.
7. The longest-running USO tour is a Sesame Street experience
The Sesame Street/USO Experience for Military Families started touring the world in 2008. In 2014, it celebrated a milestone as it reached its 500,000 military family member. The show was performed over 1,000 times at more than 140 military bases worldwide.
The second coming of Deadpool to the Marvel Cinematic Universe comes just a few weeks after the long-awaited, much-anticipated third installment of the Avengers series. And honestly, I’m a lot more excited for the Merc with the Mouth.
Avengers: Infinity War was a long time in the making. An incredible 18 films since 2008 have led to this moment, a tribute to the idea of truly building a complex series of interwoven stories that often collide — just like in comic books. The D.C. Universe should take note: Wonder Woman is awesome, but she’s not going to carry an entire franchise that viewers aren’t truly invested in.
But there’s something to be said for brevity, especially in terms of wit, and that’s something Wade Wilson (and the Deadpool series) has in spades. Audiences new to the character won’t need a week-long primer to understand every character and nuance of Deadpool 2. They probably won’t even need to see the first Deadpool movie (but totally should).
In the new trailer, Deadpool makes digs at DC (of course, that’s easy) but also makes fun of Marvel, calling Josh Brolin’s character Cable by the character Brolin plays in Infinity War, Thanos.
That’s just true to the character. In the recent Deadpool comic series, ‘The Marvel Universe Kills Deadpool,’ he also makes a dig a Marvel’s failed Inhumans series.
We all knew the MCU’s X-Force was unlikely to include the lineup found in the original Deadpool comics, whch was Deadpool, Psylocke, Archangel, Fantomex, E.V.A., and freaking Wolverine. Just take look at how much Hugh Jackman costs — ain’t gonna happen. But that’s not important. The X-Force is a super duper f-ing group and though there aren’t as many big names in Deadpool 2, there are many reasons to be pumped to see the second incarnation of the Regenerating Degenerate.
First off, Josh Brolin as Cable? Awesome. Secondly, the time-traveling psychokinetic cyborg has tangled with Deadpool so many times in the comics (Deadpool even killed Cable recently in The Despicable Deadpool), watching the two actually fight onscreen is going to be action-sequence gold.
The goofy, powerless dad who “just saw the ad” is right there with the X-Force when they get into action.
Negasonic Teenage Warhead needs her own movie.
2. The MCU X-Force
Stefan Kapicic’s Colossus was so awesome in Deadpool, It’s great they brought him (and Negasonic Teenage Warhead, of course) back for the sequel. Zazie Beetz and Terry Crews as Domino and Bedlam (respectively) are awesome choices to round out the X-Force.
1. Deadpool isn’t for everyone and doesn’t pretend to be.
He’s called “The Merc With the Mouth” for a reason. Wade Wilson has never been politically correct, polite, entirely ethical, or even likable. And that’s the way it should be.
There’s nothing more irritating to troops and veterans than sitting down and watching a military film only to be distracted by inaccuracies. We’re not just talking about uniform infractions or other minor goofs — everyone makes mistakes. Sometimes, however, the scripts are just so fundamentally flawed that us veterans can’t help but start chucking things at the screen.
Thankfully, for every stinker that insists on ignoring the on-set military advisor, there’s a great film that gets it right.
The team here at We Are The Mighty recently got a chance to sit down with Gerard Butler, star and producer of the film Hunter Killer, to discuss the production crew’s commitment to portraying the lives of U.S. sailors as accurately as possible in the upcoming thriller.
The wardrobe department pulled off some outstanding attention to detail. From the bottom of our hearts at We Are The Mighty, BZ, ‘Hunter Killer’ wardrobe department! BZ!
There really isn’t any better way for filmmakers to faithfully capture the essence of military life than by deferring to those who serve — and that’s exactly what Gerard Butler and the crew of Hunter Killer did throughout pre-production and rehearsal.
Butler spent three days aboard a real Virginia-class submarine, carefully watching every detail and nuance of actual submariner life to better tell their story. Even the tiny details — like the order in which commands are given — were analyzed, written down, and implemented when it came time to shoot. And when they put theory into practice, the authenticity was immediately apparent.
That extra step helped put all the actors into the frame of mind they needed to truly portray submariners in the heat of combat. Butler told us,
“We actually wrote [the details of submariner life] into the script and we realized it was a whole other character in the story. And when we started — the difference that it made!”
Butler knows full-well that the devil’s in the details when it comes to military movies. He told us about his time aboard the USS Houston, when he sat down to watch a much-beloved naval film with the sailors. It was the eye-opener to say the least.
“When I sat to watch… with the submarine crew, and they’re all like taking ownership of the movie and they’re like, ‘that’s bullsh*t!’ while the captain is like, ‘That’s sh*t! You think that’s good, but that’s bullsh*t! He’d never wear that hat! What are those stripes? He wouldn’t say that!'”
Needless to say, Butler and the rest of the Hunter Killer crew recognized how important these details are for us and our community.
Be sure to check out Hunter Killer when it’s released on October 26th.
Fans now have one more reason to be excited for the upcoming release of Avengers: Endgame. According to the film’s director, the fourth flick will feature Stan Lee’s final cameo in a Marvel movie.
“It’s his last one committed to film,” Joe Russo told Mashable at a press day in Los Angeles, squelching the rumor that had been going around that Lee’s final appearance would be in July 2019’s Spider-Man: Far From Home.
Russo went on to add, “I have to say, I think it’s astonishing that this would be his last cameo. It’s just kind of mind-boggling that he made it to the end of this run. I can’t believe it.”
Since Iron Man in 2008, the comic book legend, who passed away in 2018 at the age of 95, has found his way into every installment of the Marvel franchise, even after his death. His most recent cameo was in Captain Marvel, which came out in March 2019. In the brief clip, Lee plays himself as a passenger on a train, rehearsing lines from a script.
And while the upcoming film will be the last time viewers get to see Lee on-screen, some wonder whether the Avengers movie will contain more than one cameo due to its three-hour length. After all, at just over two hours long, Guardians of the Galaxy Vol. 2had not one but two appearances from Lee.
Regardless, fans of the superhero series don’t have to wait much longer to find out. Avengers: Endgames is set to be released in theaters nationwide on April 26 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Remember how awesome The Empire Strikes Back was? You can stream that particularly great Star Wars movie on Disney+ right now. And, as of Nov. 15, 2019, Disney+ just added some context to one classic Boba Fett and Darth Vader beef. In the latest episode of The Mandalorian, we finally understand why Darth Vader said “no disintegrations.”
Spoilers ahead for The Mandalorian Chapter 2: The Child.
In the second episode ofThe Mandalorian, our titular bounty hunter continues his make-it-up-as-you-go-along journey to protect a little baby Yoda-looking creature. Throughout his misadventures in this episode (which culminate in getting a giant space rhino egg) the Mando tangoes with a bunch of Jawas who have stripped his spaceship of much-needed parts. In an effort to get his stuff back, the Mando busts out his nifty rifle, which, as it turns out, turns anyone he points it at into a puff of smoke. He vaporizes a few of the on the lizard-like Trandoshans who ambush him at the top of the episode, and later on, a few pesky Jawas.
The Mandalorian gets ready to disintegrate some punks.
Later, when he has to make peace with the Jawas to barter for some of his parts back, he mentions “I disintegrated a few of them.” In terms of what we’ve seen in the Star Wars movies so far, this specific tech hasn’t been witnessed, but it has been mentioned. When Vader hires a bunch of bounty hunters to capture the Millennium Falcon in The Empire Strikes Back, the Dark Lord very pointedly shakes his finger at Boba Fett (a dude who rocks Mandalorian armor) and says “no disintegrations.”
Boba Fett and IG-88 in ‘The Empire Strikes Back’
So, there you have it. Vader was well-aware that this weapon was probably in Boba Fett’s arsenal, and now, just a about six years after the events of Empire Strikes Back, in The Mandalorian, we get to see what that weapon looks like. The most surprising thing? In The Mandalorian, the disintegrations are shockingly mess-free. Less like a blaster, and more like a civilized vacuum for a more elegant bounty hunter.
After every episode of The Mandalorian you watch on Disney+, it invariably suggests you watch The Empire Strikes Back. Kind of makes sense now, right?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Robert Duvall has had a remarkable career. With iconic roles in The Godfather I and II, Lonesome Dove, The Apostle, Tender Mercies, To Kill a Mockingbird, Apocalypse Now, Days of Thunder, and many more, Duvall is best known for his roles on screen and as an accomplished filmmaker. Perhaps lesser known is that he served in the Army for two years during the 1950s and comes from a military family where his father was a Rear Admiral.
WATM had the opportunity to speak with Duvall to hear about his fascinating life, from growing up as an Admiral’s son to working with some of the greatest minds in entertainment of all time.
WATM: What was your family like and your life like growing up?
We moved a lot because of being in a military family. We lived in San Diego and then Annapolis, MD, at the Naval Academy. I remember seeing a movie when I was really young at Camp Pendleton for a dime back in the 1930s when we lived in Mission Hills in San Diego. Right before WWII started, my dad was transferred from Pacific Fleet to the Atlantic Fleet, which led to our move to Annapolis for eight straight years. My father’s first ship was in the Atlantic. My grandmother lived with us for a while as well back then. As a young boy, I watched athletic events at the Academy and became inundated with their sports as a kid. I remember watching Army and Navy games when Army players such as Doc Blanchard and Glenn Davis were on the field.
My father was a good line officer and had a solid war record where he retired as a Rear Admiral. His first command was in San Pedro which was the USS Clark, which was a minesweeper. He was with destroyers from Europe to North Africa where his last command was USS Juno, which was a light cruiser. My father served on the USS Indianapolis (famous for delivering parts for Little Boy and then being sunk by the Japanese losing a large percentage of the crew to sharks) and carried President Roosevelt’s bags for him while he was on the ship. My father kept quiet about his service in retirement and didn’t go out on ships once retired..
We prayed and did our bit at home while he was abroad fighting in the war. One funny thing was how my father stopped smoking during the war, so we sent him chewing gum instead. My father worked with the British Navy and enjoyed serving with them. He told us how the British Navy would toast the Queen but not the President of the U.S. After they would have dinner and wine, the British would have wrestling matches where it was best two out of three falls. My dad respected the British and Churchill. Thank God for Churchill as he was likely the greatest man in the 20th century.
The USS Indianapolis- U.S. Navy photo 80-G-425615
As a young teen, me and my siblings went out to our uncle Harold Prescott’s 40,000-acre cattle and sheep ranch in Montana for two summers in a row. This happened at the end of WWII. These memories and experiences at the ranch I’ll never forget; they embedded in me a certain culture. We would go there by train on the Empire Builder of the Great Northern. It would take us from Chicago where we took the Baltimore Ohio the first way and my aunt would pick us up when the Empire Builder would stop in the open fields.
We rode horses, cleaned out the chicken coop, went camping in the mountains and fly fishing with my uncle. I met Jimmy Morrison, a great veterinarian and immigrant from Scotland, while at the ranch and learned a lot about handling animals from him. He was just good to be around where we pitched horseshoes every night with him. Jimmy roped a baby coyote from his horse once and he raced full speed on his quarter horse and touched a galloping antelope on the neck.
They would have big dances there in Montana where if you asked the wrong woman to dance the whole place would turn into a gigantic fist fight, thereby ending the dance. My uncle even gave us a salary at the end of the summer for the work we did around the ranch. He told us, “With your father off fighting the war the least I can do is pay you boys something for your work around here.” My uncle Harold fought in WWI in the Battle of Belleau Wood as a Marine.
Empire Builder of the Great Northern. Credit: Great Northern Railway Historical Society.
I went into a small college, Principia College where my military family pushed me into acting. I changed my major to drama after my first A in an acting course and found myself.
WATM: What is the most distinct memory of your mother and your father?
My mother ran the home while my father was away. My father could be gone for eight months and we respected him for his service. He was a good man and taught us work ethic by example. My mother ran a cotillion for dancing as we grew up where we learned social graces and how to interact with people, especially women. She made for us a good and stable home life with great experiences.
The US Naval Academy in the 1940s. Credit:HipPostcard.com
WATM: What values were stressed at home?
We were taught to believe in God, do good for other people and to be patriotic. We were taught to keep positive thoughts even in hard times.
Norman Rockwell’s “Saying Grace” painting. Credit Norman Rockwell.
WATM: What influenced you to join the U.S. Army and what lessons did you take away from your service?
I was drafted and went in for two years where the Army was okay. I did a lot of imitations of people I met in the Army which was shared with my family and friends. One experience really stuck with me was with a fellow soldier nicknamed 3-D, who was like six feet six inches tall and could hardly see. We were marching one night and he disappeared as he had fallen into a fox hole. It struck me as strange that Mickey Mantle was 4F, but that 3-D was considered service worthy. How is a star center fielder for the Yankees not able to serve but this guy is?
I really brought away humor and the ability to tell stories from the Army and served my time. It served me later for playing military roles and allowed me to have a respect for the part. I have a respect for the military, so I played those parts with credence and professionalism.
President George W. Bush stands with recipients of the 2005 National Medal of Arts, from left: Leonard Garment, Louis Auchincloss, Paquito D’Rivera, James DePreist, Tina Ramirez, Robert Duvall, and Ollie Johnston. Credit: White House photo by Eric Draper – whitehouse.gov
WATM: What are the best lessons that Sanford Meisner taught you?
I trained with Sanford on the GI Bill where he taught me how to be as simple as possible in connecting with people. He showed us how to be basic and get to the core of communication. He taught me a legitimate and helpful shortcut in acting. Meisner once said he was easier to please than Lee Strasberg at the Actors Studio. Meisner was friends with Horton Foote, who gave me my first film in “To Kill a Mockingbird.” Horton had seen me in a play that Meisner had directed at the Neighborhood Playhouse and liked what they saw, so from that I got Boo Radley. It was a wonderful part to start off with and Horton really helped me a lot in my career.
A photo of a young Robert. Credit unknown.
WATM: What was it like transitioning from stage actor to Film/TV actor?
I started out in the theatre and did summer stock. The main difference is you just speak up a little more on stage than you do in film and TV. You are still believing in an imaginary set of circumstances and going into an imaginary world. It is you doing it yourself where you are appearing as you are becoming something else as we have only one set of emotions and psyche. One of my favorite stage parts ever, American Buffalo, I did on Broadway, which is the Mamet play, it was the best. You do eight shows a week which can wear you down. I would nap between shows and just get up and stumble on stage from that deep nap. Rest is very important.
And Robert Duvall in the “Miniature” episode of the “Twilight Zone.” Credit IMDB.com
WATM: What are some of your best memories from your early to mid-career working on great shows and films?
There were parts I was able to grow in and was able to get better as I got older. There are always some parts you do better than other parts for whatever reasons. Eastwood was good to work with and I liked working with John Wayne as well. The Duke was just neat to be around. He did some good work and stuck up for me on the set of “True Grit.” I was having struggles working with the director of the film where Duke chimed in to balance the odds.
Ulu Grosbard was a close friend and gave me a lot of help early in my career. He directed me in Broadway and Off-Broadway plays. If I needed something from him, he would help me right away. He was a great guy.
Brando was the great one to work with and was so innovative. A memorable story is where I met a great English stage actor that went to see a Streetcar Named Desire when Brando was in it on Broadway. The English actor got embarrassed because he thought a stagehand had wandered on stage by mistake. The “stagehand” was so natural, but it turned out that it was just Brando on stage. The English actor went to see it seven times. Gene Hackman, Dustin Hoffman and I would meet at Cromwell’s drug store two or three times a week for an hour. We mentioned Brando nearly every day in those conversations. Working with Brando was amazing; he turned the world upside down when he came around.
Jimmy Caan is super funny and an extremely quick wit. James has a lot of talent and is a wonderful actor where we stay in touch with each other. De Niro was wonderful and I did summer stock with Gene Hackman. One note on Gene, when I busted my pelvis on set a long time ago, he offered me his last 0. I didn’t take it but he is a great guy to be around. Gene Hackman was a Marine and played on the USMC Football team with Joe Bartos, a Naval Academy grad and professional football player for the Redskins. Gene also served in Korea and stood duty in the cold there. He used to tell me stories about his time in Korea. Dustin Hoffman was my roommate and was a character where he belongs in the business. I kept in touch with Wilford Brimley as well when he was a bodyguard for Howard Hughes and a Marine.
Robert in his first feature film “To Kill a Mockingbird.” Credit IMDB.com
Francis Ford Coppola, Robert, and Marlon Brando on set for “The Godfather.” Credit IMDB.com
Robert with George Lucas and Donald Pleasance working on “THX 1138.” Credit IMDB.com
Robert and Tommy Lee Jones in “Lonesome Dove.” Credit IMDB.com
Robert Duvall with Clint Eastwood while filming Joe Kidd. Credit IMDB.com
WATM: What was your experience like working on the military films “Apocalypse Now” and “The Great Santini?”
When I went in to read for “Apocalypse Now,” the initial writing for the character I played wasn’t written very well. Colonel Carnage was the original name for LtCol Kilgore and was made more of a caricature of the Army than a realistic portrayal. It was just too much for me. Coppola allowed me to adjust the LtCol for the film and to find the uniform and the hat for the character. Coppola always allowed me to find the character and was very instrumental in my career. He helped me a lot. Coppola and I were so close, we would have arguments on the phone about artistic points, but we had a mutual respect. I really like working for him.
When I did “The Great Santini,” I went down early to location to get settled in Beaufort, South Carolina. I found a place to live and went into a real estate office where they thought I was a Marine. One funny memory was when I went up to a beautiful house on the hill when looking for a place to rent. I went up to the door with the real estate people where this sweet, little southern lady opened it and I asked her if she would allow me to rent the home from her. She had the most honest and funniest response with her draw, “Well where would I go?” I thanked her for her time, and we left.
I would get up at 5:30 in the mornings and go hang out with the drill instructors at MCRD Parris Island. They seemed more beat up and tired than the recruits were. They were hoarse and exhausted from their work training them. I went to the officers and non-commissioned officers’ ball while on base where I had a great time with them. I always try to be as accurate as I can with military parts, especially in “The Great Santini.” Overall, working with the Marines was great! I love Marines!
As LtCol Kilgore in “Apocalypse Now.” Credit IMDB.com
Robert Duvall with Francis Ford Coppola on set of “Apocalypse Now.” Credit unknown.
Robert Duvall in The Great Santini. Credit IMDB.com.
WATM: What are your favorite moments from your mid-career to now on such films?
“Tender Mercies” comes to mind where I insisted on Wilford being in the film with me where he had my back in dealing with the director. Wilford helped with the common distance between a foreign director and a native actor, which was taking place in my situation. One of the best memories from that set is when the director, Bruce Beresford, told us to, “pick up the pace,” on set. Wilford responded with, “I didn’t know anybody dropped it.” . Wilford’s retort drew laughter from the cast and crew.
I once walked into the dining room on “Lonesome Dove” and told them, “We were making the Godfather of Westerns.” I really believe that and playing Gus is probably my most favorite part to play overall.
“Days of Thunder” was a lot of fun working with Tom Cruise. Tom Cruise is a good guy to work with and he bought me a ,000 jumping horse. He really is a terrific and very giving guy. It was great to be with him again on “Jack Reacher.” I played a retired Marine in that film with him.
Working on “Falling Down” with Rachel Ticotin was wonderful. She is a smart and fun actress to work with. We had a great time on set for the film.
“The Apostle” was a wonderful film to make. Miranda Richardson was so talented in the film and we had Farrah Fawcett, who was underrated, in it as well. I put my own money in that film and we got it back. Marlon Brando loved it and so did Billy Graham, so I got praise on both sides from the secular and religious. Brando wrote me a letter that is framed on my wall and it still means a lot to me what he wrote.
Hank Whitman is another talented professional to work with where we worked together on “Wild Horses” in 2015. He is a Texas Ranger and served in the Marines. He is a classy guy and a man of his word.
My favorite film to work on recently was “Get Low,” just loved the character. It was just a nice production to work on, especially with Lucas Black who I worked with on “Sling Blade.”
Robert with Tess Harper in “Tender Mercies,” which he won the Oscar for Best Actor in 1984. Credit IMDB.com.
Susan Rinnell, Robert Duvall, Glenn Close, Jason Presson, Gail Youngs and Wilford Brimley in “The Stone Boy.” Credit IMDB.com.
Robert working on “The Natural.” Credit IMDB.com.
Robert with Tom Cruise while filming “Days of Thunder.” Credit IMDB.com.
Robert and Gene Hackman in Geronimo: An American Legend. Credit IMDB.com.
Rachel Ticotin and Robert Duvall in “Falling Down.” Credit IMDB.com.
Robert wrote, directed, produced and starred in “The Apostle.” Credit IMDB.com.
Robert with Nic Cage filming “Gone in 60 Seconds.” Credit IMDB.com.
On set in “Get Low” with Bill Murray. Credit IMDB.com.
WATM: What are you most proud of in your life and career?
I am proud of my wife Luciana and we have a nice relationship. She is a great cook, she is going for her brown belt in Brazilian Jiu-Jitsu and is studying Kali which is Filipino knife training. She has a great family she comes from in Argentina where she is the granddaughter of Argentinian aviation pioneer Susana Ferrari Billinghurst. We love our dogs and they are like kids.
Picture of Robert with his wife Luciana at an event for “The Judge.” Credit IMDB.com.
“Hobbs & Shaw,” the Fast & Furious spin-off film starring Dwayne “The Rock” Johnson and Jason Statham, came strong out of the gate Aug. 2, 2019, earning $60 million at the box office. The movie was filled with quippy dialogue, badass action, and a few surprise cameos, including Ryan Reynolds playing Locke, a CIA agent who recruits Hobbs (Johnson) to help takedown the semi-superpowered Brixton (Idris Elba). Reynolds’ performance has been met with praise (and a few fan theories), however, a few fans are upset that his character gave a major “Game of Thrones” spoiler at the end of the movie.
Warning: This post obviously features spoilers about “Game of Thrones.”
Throughout the movie, Hobbs is shown discussing “Game of Thrones” with his daughter, including making a reference to the show’s most iconic catchphrase (you know nothing, Jon Snow). Later, in the post-credits scene, Hobbs receives a call from Locke, who ends up spoiling the ending of the show in a very Reynolds-esque way.
Hobbs & Shaw Final Trailer (2019) | Movieclips Trailers
“Jon Snow had sex with his aunt and then he killed her!” Locke says.
It’s a throwaway joke but it’s also accurate, as Snow does end up killing Daenarys in the series finale after she unleashes her dragon on civilians. Of course, we live in the age of post-spoilers, so it’s hard to imagine anyone getting too worked up about the show’s ending getting spoiled months after the series finale aired.
Still, if you know someone who has been holding off watching the divisive finale, you may want to give them a heads up before they watch “Hobbs Shaw.” Otherwise, they may end up holding a life-long grudge against Reynolds.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Troops headed into combat know that an entire medical chain exists to keep them alive and as healthy as possible for as long as possible if they’re hit. The goal is to get them out of harm’s way within the “Golden Hour,” the first hour after injury, to maximize their odds of survival and recovery. But while medics and corpsmen are the backbone of that chain, the Air Force has teams of specially trained personnel who exist solely to put their lives on the line to save others in the most dire of combat medical crises.
These Air Force pararescue personnel deploy forward with other elite forces and fly into combat to save troops already under fire. They live by the motto, “that others may live.”
William Pitsenbarger embodied service. He volunteered for service in Vietnam, he volunteered to be lowered into a minefield to save a Vietnamese soldier, and, in April 1966, he volunteered his way into a massive firefight that would claim his life.
Still, he stayed on the ground, running ammo to American positions under fire. Sadly, due to at least two gunshot wounds, he was killed. He was credited with directly saving nine lives and with medical aid and battlefield actions that may have helped save dozens more.
His award was upgraded to the Medal of Honor, making him the first airman to earn the award.
His first Purple Hearts came almost immediately after he arrived in Vietnam. A .30-caliber round struck him in the leg and he got a fellow pararescueman to treat it so he could stay in the fight. He was awarded the Air Force Cross for extracting a downed pilot from a fierce firefight, immediately getting shot out of his helicopter during extraction, and then doubling back to the crashed helicopter to check for survivors before finally evacuating again. He received that award in a ceremony where he also got the Silver Star for bravery during a completely unrelated rocket attack. In short, he’s built one hell of a resume.
Despite surviving a combat tour of Vietnam that started with a Purple Heart and ended with an Air Force Cross, Hackney volunteered to stay for another three years.
(From left to right) Tech. Sgt. Keary Miller, Senior Airman Jason Cunningham and Staff Sgt. Gabe Brown pose for a photo just weeks before March 4, 2002, where Miller and Cunningham would earn the Air Force Cross and Brown would earn a Silver Star.
(U.S. Air Force)
3. Tech. Sgt. Keary Miller
Pararescue specialist Tech. Sgt. Keary Miller was involved in the Battle of Takur Ghar in Paktia Province, Afghanistan. On March 4, 2002, he was inserting with an Air Force Combat Search and Rescue Team to rescue two service members that had become separated after their helicopter was shot up on the ridge. Miller’s team faced heavy fire while landing and was forced down, crashing onto the mountain.
Senior Airman Jason Cunningham was on the same MH-47E helicotper as Tech Sgt. Miller when it was shot down. Cunningham immediately began treating the wounded when they hit the ground and moved injured personnel from the burning helicopter. He was critically wounded while defending patients, but he kept doing everything he could to save others.
He directed the disposition of the wounded and handed their care over to a medic before succumbing to his injuries. He was posthumously awarded the Air Force Cross on Sept. 13, 2002.
(Video Still by Air Force Senior Airman Stephen Ellis)
5. Master Sgt. Ivan Ruiz
On Dec. 10, 2013, pararescue craftsman Master Sgt. Ivan Ruiz was attached to an Army Special Forces and Afghan Commando team for a raid in Kandahar Province, Afghanistan. The nighttime operation met enemy contact almost immediately, and Ruiz’s team took out four insurgents. Ruiz moved forward with two others into a courtyard where the others were hit.
He’s credited with saving their lives and helping to pin down and kill 11 enemy insurgents.
(U.S. Air Force)
6. Staff Sgt. Thomas Culpepper
Pararescueman Staff Sgt. Thomas Culpepper was part of a call to rescue three members of an Army Pathfinder team trapped in an IED belt on May 26, 2011. One Pathfinder was severely injured and the other two were trying to keep him alive, but extracting them from what was essentially a minefield would be tricky.
As Culpepper was raising the second soldier to the helicopter, it suddenly lost power and entered free fall. Culpepper kept control of his casualty and the helicopter came to a stop just a few feet from the ground. They escaped the IED belt and made it home — the injured soldier, tragically, did not survive his wounds.
A small office in Los Angeles is responsible for determining whether the Department of Defense will support some of Hollywood’s biggest military blockbusters.
Overseen by former Navy videographer Phil Strub at the Pentagon, the Wilshire Blvd. office houses personnel from the Air Force, Navy, Army, and Marines. In Hollywood, it’s the first place filmmakers look if they need support from the military.
“Our criteria [for which films we support] are very broad and rather subjective,” Strub told the Army Times in 2013. “We’re looking for an opportunity to inform the American public … At the same time, we look at whether we can support it logistically. We’ve been pretty busy.”
Hollywood is usually willing to play ball with Strub because his blessing means a huge break for a film’s production budget.
[Last year’s] Oscar-nominated “Captain Phillips,” for example, used a U.S. military guided missile destroyer, an amphibious assault ship, several helicopters, and members of SEAL Team Six, who play themselves but are not on active duty — all courtesy of the U.S. Navy, who were able to work the shoot into their training.
Hollywood has enjoyed support from the U.S. military for almost as long as films have been made. Indeed, the first film to receive an Academy Award for Best Picture in 1927 was the silent film “Wings,” which had support from the Army Air Force to accurately portray training and combat during World War I, according to DoD Live.
In addition to films, the office also helps with television shows, music videos, and video games. Recent projects that were supported include “Iron Man 2,” “Army Wives,” and “Terminator Salvation.” But it has also offered support to other massive Hollywood blockbusters, such as “Top Gun,” “Act of Valor,” and “Black Hawk Down” — which received military technical advisors, weapons, vehicles, helicopters, and even a real-life Ranger regiment to ensure accuracy, according to About.com.
Not all military movies get the Pentagon green-light however. “Apocalypse Now,” “Platoon,” and “The Deer Hunter” received no military support, according to About.com. The same goes for recent films like “Zero Dark Thirty” and “Argo,” according to Business Insider.
“Films are denied Pentagon support by Strub if they show the military in a negative light, such as scenes that include drug use, murder, or torture without subsequent punishment,” writes Aly Weisman at BI.
In March 2018, the United States Paralympic Team sent 18 U.S. military veterans to PyeongChang, South Korea to compete for Olympic gold. That’s just under a quarter of the whole U.S. team. They competed in alpine skiing, curling, and sled hockey, bringing home more than a couple of gold medals — 36 medals in all.
They represented all branches of the U.S. military and have deployed to all areas of the Earth in support of the United States. According to the New York Times, the games are, in a way, getting back to their military roots. The Paralympic Games started off as the Stoke Mandeville Games in 1948 which, at the time, were specifically for wounded World War II veterans.
Today, funding for Paralympic athletes is more readily and widely available to aspirants who are also military veterans. Even as the number of returning, wounded veterans gets lower overall, the number of vets on the Team USA roster swells. It’s just more difficult for a non-veteran to get a start, considering the support that comes from the Department of Veterans Affairs and nonprofits like the Semper Fi Fund.
But once on the team, they’re Team USA — all the way. There is no rift between the veterans and non-veterans. This year’s USA Sled Hockey Team featured five Marines and two Army veterans among the 17 members of the team. They took home the gold.
I’m honored and proud to be able to wear our colors and the big ‘USA’ on the front of our jerseys,” says Rico Roman, one of the two Army veterans. “It’s great to be out there with other veterans and to be able to represent our country on the highest level of Paralympic athletics in our sport of sled hockey.
Justin Marshall, who is a non-veteran member of the USA’s Wheelchair Curling Team, says he would never be resentful of the extra funding available to veterans. They’re his teammates.
“Almost every guy in my family served in the military, and I probably would have followed except I had my spinal cord stroke when I was 12,” Marshall told the New York Times. “It helps them so I can’t be mad at them for it. I wish I had that extra funding, but I don’t, so I just try to find another way to take care of that.”