The latest movie in the long-running “Terminator” series, “Terminator: Dark Fate,” reeled in just $29 million in the US over the weekend and has made $123 million total worldwide so far. The domestic opening is well below studio projections and a disappointing result for a movie that cost $185 million to produce and millions more to market.
“Dark Fate” stands to lose more than $120 million for the studios Skydance Media, Paramount, and Fox, according to The Hollywood Reporter. Fox handled international distribution, marking another post-Disney merger flop for Fox’s film business, which suffered a $170 million third-quarter operating loss earlier this year.
“The mythology has been rebooted so many times without much success,” Jeff Bock, the Exhibitor Relations senior box-office analyst, said of the “Terminator” franchise. “It’s pretty clear audiences have had enough.”
“Dark Fate,” the sixth movie in the series, is flopping despite receiving the best reviews for the franchise in years. It has a 70% critic score on Rotten Tomatoes compared to 27% score for 2015’s “Terminator Genisys” and the 33% score for 2009’s “Terminator Salvation.”
Linda Hamilton in “Dark Fate.”
While “Genisys” was a dud in the US with just under million, it ultimately earned over 0 million worldwide thanks to international box office. “Dark Fate” will likely not experience that boost. The movie flopped hard in its China opening, debuting in second place with million, behind the local holdover “Better Days.”
Paul Dergarabedian, the Comscore senior media analyst, is perplexed by “Dark Fate’s” failure.
“Finally, after many attempts since 1991’s ‘Terminator 2: Judgment Day,’ the movie had the creative pedigree, point-of-view, cast, and storyline that seemingly everyone had been waiting for,” Dergarabedian said. “And yet the film came in under expectations.”
“Dark Fate” acted as a direct sequel to “Judgment Day” and brought back actress Linda Hamilton and James Cameron, who directed the first two movies, as a producer. It’s similar to what Blumhouse did with last year’s “Halloween,” which ignored all other sequels and was a follow up to the original 1978 movie.
(Photo by Gage Skidmore)
“Halloween,” however, was a major success with two sequels in development.
“Nostalgia is a tricky beast and in ‘Dark Fate’s’ case, audiences had been fooled one too many times,” Bock said. “Horror, on the other hand, can be retooled for modern audiences without much scrutiny, as scare tactics aren’t beholden to the same ‘lofty’ set of parameters.”
Furthermore, there’s the “Joker” problem. The movie is still a major box-office force, even over a month after its release, and it crossed the 0 million mark globally over the weekend.
“‘Joker’ is having a long-term impact on virtually every movie that has opened in its wake,” Dergarbedian said.
Cameron told Deadline in August 2019 that “Dark Fate” could launch a new “Terminator” trilogy if it performed well at the box office. But considering the weekend numbers, the franchise might not be back for a long time.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
Despite how common it is to see movies marketed as being “based on a true story” or “inspired by real events,” there’s often very little realism to be found in the 90 minutes between credits. Hollywood’s depictions of violence are always muddled by a combination of plot convenience, budget constraints, and a genuine lack of understanding of how real violent encounters play out, but as an audience, we tend not to care all that much.
Realism isn’t really what we go to the movies for, of course, otherwise the new Rambo flick would be about his battle with arthritis, and “Top Gun: Maverick” would tragically be about how many of his fellow aging pilots are dying of prostate cancer due to the high levels of radiation they’re exposed to in the cockpit. For the most part, we’d prefer that our movies make sense, but they don’t necessarily need to be tied to the laws of reality as we know them.
But there’s a downside to our willingness to suspend disbelief at the cinema: it eventually colors the way we see real violence. Thanks to movies, there are a number of misconceptions many of us harbor about how a fight plays out. Like the idea that the police owe you one phone call after you get arrested (it’s much more complicated than that), we eventually accept movie shorthand as the gospel truth, and before you know it, we just assume these things we see time after time are basically realistic.
Martin Riggs was saved by this trope in the first Lethal Weapon
Getting shot in a bulletproof vest would totally ruin your day
One of the most commonly unrealistic tropes in any movie or TV show that depicts a gunfight is how effective “bulletproof vests” are at stopping inbound rounds. The scenes even tend to play out in the same way: the bad guy gets the drop on our hero, shooting him or her center mass and sending them sprawling backward. For a brief moment, it seems all is lost… that is, until our hero stands back up, revealing their magical bulletproof vest and, occasionally, acting a bit dazed from the experience.
Of course, in real life, getting shot in most bullet-resistant vests will feel like getting hit in the ribs with a baseball bat… and that’s assuming it stops the bullet at all. In real life, ballistic protection is broken down into ratings, with lighter, more malleable Kevlar vests usually good for little more than pistol caliber attacks, and large, heavy ballistic plates required to stop more powerful platforms like rifles. There’s a solid chance the 7.62 round from an AK-47 would go tearing right through the sorts of vests often depicted in films as being “bulletproof,” and even if it didn’t, the recipient of that round would be in a world of hurt for days thereafter.
The face you make when you realize you haven’t hit anything.
Dual-wielding pistols helps make sure you don’t hit anything
There’s a long list of reasons you never see highly trained police officers or special operations warfighters engaging the bad guys with a pistol in each hand, but for some reason, movies keep coming back to the dual-wielding trope because somebody, somewhere just thinks it looks cool.
Some gunfighters will attest that in a close-quarters firefight, aiming can give way to something more akin to pointing, as you keep your field of view as open as possible to identify threats and move to engage them as quickly as you can. Even in those circumstances, however, managing the battlespace and the weapon requires your full attention, and splitting it between two pistols is a sure-fire way to lose the fight.
Without a spare hand to reload, clear malfunctions, and stabilize your weapon, your best case scenario is burning through the magazine in each pistol before having to drop them both to reload, and because you’re splitting your attention between weapons, chances are really good that you won’t manage to hit anything before you have to reload either.
This scene’s a lot darker when you realize Frank probably would have died in real life.
Any tranquilizer dart that immediately puts you to sleep would probably just kill you
Tranquilizer darts are like quicksand traps: we all grew up worried about them, but they’re surprisingly absent from our actual adult lives. Of course, there’s good reason for that — neither are nearly as threatening as they’ve been made out to be.
The thing about tranquilizing someone with a dart is that the sort of drugs used to put a patient (or animal) to sleep are also very capable of simply killing them when administered in too high a dose. That means dosages of tranquilizers must be very carefully calculated based on the size, weight, and makeup of the target. A high enough dose to instantly put a subject to sleep (as is often shown in movies) would be far more likely to kill than subdue.
There’s a reason surgeons use anesthesiologists, or doctors that specialize in administering anesthesia, to “tranquilize” their patients… when it comes to the sort of drugs that can simply kill you, it pays to be careful.
Steve Rogers’ career has been extraordinarily long and eventful. Just like our own careers, his has evolved over time and, with it, so have his personality and looks. Now, with the latest Avengers installment, Infinity War, set to hit theaters soon, we’re getting a look at his superb, post-career beard.
It should make veterans take pause and reflect on how far we’ve all come. It really is amazing to see just how much of a true veteran Captain America really is.
Stage One: Full boot
When Steve Rogers first joined the military (in case you haven’t seen Captain America: The First Avenger), he was enhanced by an experimental serum that turned him into a super soldier. Unfortunately, it did nothing for his haircut.
No, he wasn’t getting an awful cut by his buddies in the barracks or from an overzealous PX barber, but his fantastic WWII-era mane carried on through his first film.
Stage Two: Comfortably military
Now that the novelty of being in the military has worn off and he’s busted his combat cherry, Cap can relax the hair standards a little bit and upgrade to a more modern look.
At this stage in your career, it’s ok to be normal, have a little personality, and reconsider his earlier, standard looks – while staying in regs, of course.
Stage Three: ETS comin’
In Captain America: Civil War, Steve Rogers’ service is coming to an end. Cap is letting his hair grow out and, while there’s no stubble yet, you can practically see the conspiracy theorist inside him coming out.
Stage Four: Full veteran
Mistrustful of a government that seems to have turned on him, Captain America goes off the grid with his best friends for a while. He doesn’t reappear until the world needs him again, for whatever reason.
They’re probably armed to the teeth and have been living in the woods as survivalists…
American bombs rain down on the Japanese soil of Iwo Jima. Lt. Surge, an American patriot, pilots his aircraft over the island of imperial injustice but suffers a catastrophic hit to the plane’s energy supply. He has no option but to adapt and overcome – ‘Go Raichu!’ The Pokemon can power the B-29 aircraft long enough for Lt. Surge to return to a friendly airfield.
The alternate universe of Nintendo’s Pokemon adapted real world events into the game. This World War II veteran’s story is being gradually erased with each new generation of Pokemon games in the name of political correctness. This is a tribute to Lt. Surge before Japan removes him completely from the pages of the Pokedex.
Lt. Surge was a pilot in the Army Air Corps
Like most combat veterans, Lt. Surge doesn’t talk about the war outright, we must piece together from different sources what happened.
“I tell you, kid, electric Pokémon saved me during the war!” – Lt. Surge
The Army Air Corps was the predecessor to the Air Force and operated in the Central Pacific Area. In the Pokemon game’s Vermilion City there is a journal that states:
“Lt. Surge is rumored to have been a pilot while home in America. He used the electricity generated by Pokémon to power his plane.”
Lt. Surge was a harsh but fair officer
The young officer booby trapped his entire gym with a double locking mechanism hidden in trash cans. I’ve never felt more personally attacked by a Nintendo game because at one time, I too, booby trapped my barracks room. Gentleman Tucker, a trainer at his gym said, ‘When I was in the Army, Lt. Surge was my strict CO. He was a hard taskmaster.’
He probably fought in the Battle of London before deploying to the Pacific
In the games HeartGold and SoulSilver he can be found at the magnet train station in Saffron City after you get his pokegear number (a cell phone number) and you’ve spoken to him at the power plant. He will offer to trade his French Pikachu named Volty. In WWII during the Battle of London from 10 July – 31 October 1940, there were only eight Americans serving in that theater at the time. By the time the invasion of Japan on Iwo Jima from 19 February – 26 March 1945, he would have had more than enough time to fight on both sides of the world. How likely is that possible? It’s a video game and he has a French electric rat as a sidekick. So, I’m going to need you to get all the way off my back on this one.
He was also a high-ranking officer of Team Rocket
In the manga, Lt. Surge is responsible for trainers losing their Pokemon on the famous cruise ship U.S.S. Anne. He is identified as a Team Rocket Executive, the main villains, and captures a trainer named Red. Red is tortured with electricity and thrown overboard. His plans to exploit Pokemon for his personal gain are foiled by a mysterious trainer named Yellow. Team Rocket had been using the U.S.S. Anne cruise ship as a means to transport stolen Pokemon from Vermillion City to Viridian City.
However, in the video games there is no mention of Lt. Surge as a member of Team Rocket. That may have been a marketing choice to remove the risk of offending an American audience by portraying a veteran as a bad guy. Later in the Gold and Silver series of the Manga he turns into a good guy and helps the main character on a quest.
There is amazing fan art with pokemon being used in combat
The greatest thing about the Pokemon fanbase is that there are no limits to their imagination. When I was eight years old and played Pokemon Yellow on Christmas – it was the greatest day of my life. That impact was also shared by millions of other children across the world. We grew up and filled in the blanks. Here are some of the best artwork so far with pokemon fighting side by side in combat.
Just a few years ago, Americans were stunned at the amount of oil spilled into the Gulf of Mexico by the British Petroleum-leased oil rig Deepwater Horizon. On April 20, 2010, a blowout during the drilling of an exploratory well caused an explosion visible from 40 miles away that killed 11 of its crew.
Over nearly three months, the spill from the Deepwater Horizondumped 210 million barrels of oil into the Gulf of Mexico.
Now a film about the disaster, “Deepwater Horizon,” is set to hit theaters Sept. 30.
Mark Wahlberg plays Mike Williams, an electrician and Deepwater Horizon survivor, in a film that takes an in-depth look at the people who were working on the rig that night. Kurt Russell, John Malkovich, Gina Rodriguez, Dylan O’Brien, and Kate Hudson round out the ensemble cast.
We Are The Mighty met up with the cast – and the real Mike Williams – at the film’s premiere in New Orleans and talked with them about the film and the motivations behind it.
Netflix subscribers on a trip outside the U.S. are sometimes surprised to find their accounts are blocked while overseas, primarily due to licensing issues. Some content is only licensed to the streaming service for viewers inside the United States (or is restricted in certain countries). And, by the way, Netflix is known to add users who circumvent the site’s security to blacklists.
In 2015, Netflix announced it would block Virtual Private Networks (VPN), which allow viewers from overseas to view the site and its contents as if they were in the United States. This week, the site announced it would start a heavy crackdown on those users. Here are a few of the military/war movies those subscribers won’t be able to watch:
This is Sebastian Junger and Tim Hetherington’s war documentary masterpiece featuring the U.S. Army’s Second Platoon, B Company, 2nd Battalion, 503rd Infantry Regiment, 173rd Airborne Brigade Combat Team in the Korengal Valley of Afghanistan. The film (and the outpost defended in the film) is named after Pvt. 1st. Class Juan Sebastián Restrepo, a medic killed earlier in the deployment. Four years later, Junger would make another film, Korengal, which would pick up where Restrepo left off. Korengal is also on Netflix.
Here’s a military movie that requires no introduction and no explanation outside of a volleyball scene. This is a flick that probably guaranteed the Navy wouldn’t have to put any money into recruiting pilots for the rest of eternity. If the United States ever falls as a civilization, archeologists in future millennia are going to wonder where they can sign up.
The Civil War
The documentary series and style that allowed Ken Burns to turn a blowup and motion effect into a career is on Netflix in its’ entirety. Also on the streaming service is Burns’ epic-scaled but fairly “meh” World War II documentary in the same vein, called The War.
Five wounded post-9/11 veterans have the opportunity to explore their experiences through humor. The film follows them and their work with professional comedians Zach Galifianakis, Lewis Black, Bob Saget, and B.J. Novak, who help them write and perform their own personal stand-up routines. One vet refers to the Iraq War as “a pretty aggressive study abroad program.”
This is a film about vigilante groups fighting drug cartels in the Mexican Drug Wars. The most shocking part of Cartel Land is that its a documentary, and you can see the characters and events unfold as they did in the real world. It garnered a 94% audience rating on Rotten Tomatoes and is currently nominated for an Academy Award. It will also probably inspire Bundy clan copycats to take to the Arizona desert to “help” the U.S. Border Patrol keep ‘Murica free of invaders.
No one really needs an introduction to Forrest Gump. People still quote this movie to death in lame jokes and it’s now more than a decade old. It makes this list because of Gump’s Army service in Vietnam and Gary Sinise’s epic portrayal of Lieutenant Dan Taylor.
The Unknown Known
How do you feel about former Defense Secretary Donald Rumsfeld? Master documentarian Errol Morris’s 2014 film will either infuriate you or soften your feelings toward the lifelong government official with the most punchable face.
Beasts of No Nation
Netflix made a foray into conflict films this year with its critical hit Beasts of No Nation, starring Idris Elba as a warlord recruiting child soldiers to fight in a civil war in Liberia. The government of a West African country falls as the warlords forces attack a village under international protection. A young boy named Agu flees after his father is shot and is captured by the NDF rebel guerillas. Do not watch this film with kids, teenagers, anyone with emotions, or anyone who expects to not be traumatized.
Team America: World Police
Few movies are as epic as Trey Parker and Matt Stone’s Team America. If you’re a post-9/11 military veteran and haven’t seen this film, you must have been in such a secret squirrel MOS that the military kept you under a rock.
Less of a military movie and more of a horror movie in a military setting, Ravenous feature Guy Pearce visiting a remote U.S. Army outpost in post-Civil War California, a base full of the worst Blue Falcons of all time. Also featuring the worst trailer ever made for a decent film. Seriously, it looks like a fan trailer.
Bonus: TV Shows
Perfect viewing for anyone who ever wanted to pretend Catherine Bell was like the typical military spouse. I think the Army missed an opportunity here. There was never a better recruiting tool.
This is what we who grew up watching this show always hoped a real deployment would be like. If U.S. troops were allowed to build liquor distilleries in their barracks, we’d all become amateur engineers. Sadly, deployments are nothing like this
Five seasons of everyone who matters’ favorite secret agent for hire lives on Netflix, with the sixth season coming (phrasing!).
Bishop and motion capture actors for EA’s Battlefield4 video game.
Greg Bishop advanced from private in the Army to Lieutenant Colonel, across a spectrum of specialties from Infantry to the Signals Corps and finally to Public Affairs. He had a dream to work in Hollywood when he was young which he fulfilled through his military service. Bishop runs MUSA Consulting now for the entertainment industry advising on different projects. Bishop has produced his own feature Ktown Cowboys and worked on projects such as Transformers: Revenge of the Fallen, The Day the Earth Stood Still, GI Joe: The Rise of Cobra, Battlefield4 and Snitch.
1. Can you share about your family and your life growing up?
I grew up in the suburbs of Louisville, KY, in a normal, all-American, middle-class family and experience. I was the third of four boys, I had loving parents who are still married today. My father, who was a Marine Corps officer and Vietnam Veteran, was tough but a great role model. My mother took great care of us boys and she was our superhero. We grew up in the pre-home-video game era, so we spent most of our time outside, playing sports, riding bikes, chasing girls and getting into normal boyhood trouble complete with skinned knees and elbows, broken bones and hearts.
2. What values were stressed at home?
With my father being a Marine, and having four boys within six years of one another, discipline, hard work and personal responsibility were paramount in the Bishop household. A strong work ethic was instilled in all of us, so all of the Bishop Boys worked as soon as we were big enough to rake leaves, shovel snow, or cut grass. Our family also pretty much had a newspaper delivery dynasty in the neighborhood for several years. All of us delivered papers until we were old enough to have a regular job, and that was back in the days when newspapers were delivered two times a day. Once old enough, we all had after school jobs washing dishes, busing tables, working in fast food, or whatever we could do to make money legally.
We all went to private Catholic high schools and we were expected to pay half of our tuition for the first three years; our parents covered all of it in our senior year. At the time it was tough. My friend’s parents were giving them money for their hobbies and entertainment while I had to work to pay for the things I wanted or wanted to do. My Mom would slide us a couple bucks if she knew we were tight on cash, but for the most part if I wanted to go to the arcade and play video games, those were my quarters going in the machine. I bought my first car at 15 before I even had a driver’s license. It was a lot of work for a kid, but in the end, my parent’s lessons paid off. All of my brothers currently work for themselves in one capacity or another.
3. What made you want to become a soldier and what was your experience like?
I wasn’t the best student in high school. I had to go to summer school my freshman year, and I think I only had two A’s in my four years…one in Physics and one in Film Appreciation. Don’t ask me to explain that. In my junior year I was cast as an actor in a local educational video on teen suicide. The director allowed me to tag along throughout the production and post-production process. That was my first taste of video production and I really loved it. My senior year, in the film appreciation class, I made a Super-8 movie as the final project, and that’s when I really fell in love with film and video production. I loved the process and everything about it. I knew I needed to go to film school.
Now, there were no film schools in Louisville, so I attended a couple regional colleges for a couple of years, but it wasn’t really doing anything for me. I desperately wanted to go to film school. Then one day I saw an Army commercial promoting the GI Bill and the Army College Fund which just so happened to be the amount of money I needed. I went to see a recruiter; told him I wanted the college money and if I was going to join the Army, I also wanted to paint my face green and run through the woods with a gun. I signed up for the infantry and I shipped off to Basic Training February 27, 1989. While at Fort Benning, I was offered the opportunity to apply for Army OCS (Officer Candidate School). I was accepted and made it through OCS. I was commissioned a year and a day after I arrived at Basic Training and spent the first half of my career as an Army Signal Officer serving in Korea, Fort Campbell and Germany. I wasn’t really thrilled with being a Signal Officer.
While at Fort Campbell I met, fell in love and married my amazing wife, and then the Army let me finish my degree through their Degree Completion Program. I got my bachelor’s degree from Austin Peay State University, which is right outside of Fort Campbell. I studied public relations there and did a summer internship in an advertising firm. At this point the film school dreams began to dwindle, but I enjoyed advertising because it was still very creative. So while still serving I took the GMAT, applied for MBA programs, all with the intention of getting out of the Army and going to work in advertising.
I still owed the Army a few years because of the time they gave me to finish my degree, so fast forward a couple of years, in the mid-90’s, I was stationed in Germany and deployed to Bosnia. One day I stumbled on an article in the Stars and Stripes, about Army Advertising, that changed my life. I learned that I could do advertising IN the Army. I loved being a Soldier, I just didn’t like the Signal Corps. I learned I needed to become a public affairs officer to get that job, so after my company command time in the Signal Corps, I transitioned over to Army Public Affairs, and my first job in that career field was with Army Recruiting Command’s Advertising Directorate at Fort Knox.
While stationed at Fort Knox I was accepted into the Army’s Advanced Civil Schooling program and I went to USC (University of Southern California) where I got my MA in Strategic Public Relations. While there, I learned about this awesome job in LA where a Public Affairs Officer served as the Army’s liaison to the entertainment industry. I really wanted THAT job one day.
While at USC, OIF and OEF started, so after graduating I was assigned to Fort Campbell and deployed to Iraq with the 101st Airborne Division from ’05-’06. I was one of the first brigade combat team PAOs during the Army’s “Transformation” period. I had a great team, an important mission, and was part of one of the best divisions in the Army. It was a tough but rewarding year.
After Iraq I was assigned as the Deputy PAO for the Headquarters of the U.S. Army Corps of Engineers in downtown DC. After serving there for a couple of years it was again time for a reassignment. I learned an important lesson from a senior officer once and it was to not just accept any assignment the Army offers you. If you want something, you have to fight for it. I fought very hard to get the PAO job in Hollywood. My branch manager told me that the entertainment office position was open, but he would not fill the slot because the Chief of Public Affairs (2-star general) believed it didn’t need to be filled. I told my branch manager that that position was one of the most important public affairs jobs in the Army, but he assured me the general had made his decision, and it was “final.” I told him that I was going to write a white paper on why it was such a critical position and why I was the right guy for it…I asked him to promise me that he’d read it. He did, and he agreed, but now had to go change the mind of a 2-star general to put me into that position.
The general called me into his office a couple weeks later, told me my white paper made sense and he thanked me for keeping him from making a mistake. I admired him for his humility. He told me to pack my bags, you’re going to Hollywood. A few months later, I was on the set of Transformers: Revenge of the Fallen and I thought to myself, “Holy shit, the Army got me to Hollywood.” It was a surreal experience. I retired from the Army about 10-years ago and have been working in the entertainment industry ever since.
Bishop with his Drill Sergeant on Basic Training graduation day.
4. What are you most proud of from your service in the Army?
I am most proud of just being a soldier and serving. I am proud to represent our country. I’m proud that I began my Army career as a Private First Class with no degree and finished as a Lieutenant Colonel with a master’s degree. My proudest achievement in service was the year I spent in Iraq where I like to say we fought the information war. Serving as a PAO doing media relations with major news agencies was interesting but working with the Iraqi people to set up their own newspapers and media outlets was the most rewarding. I helped Iraqi citizens run their own businesses, instructing them on how to create a revenue model for their newspapers, radio and TV stations. I also helped my two interpreters create a market research company that helped the local government, the U.S. Army and the U.S. State Department understand the concerns and opinions of local Iraqi citizens. We advised the police, fire and government public affairs of what it means to tell their citizens the truth. We were there for the first election in Iraq and I got to be a small part of it. It was an incredible experience.
Bishop (top left) deployed in Bosnia.
5. What values have you carried over from the Army into Hollywood?
The military and entertainment business are very similar. I told Michael Bay once that, “you shoot film and we (the Army) shoot bullets, everything else is the same.” People in entertainment might be shocked to hear this, but both industries require teamwork, leadership, planning, and even OPSEC. You deal with fiefdoms, budgets and timelines. Hard work and discipline are key. Understanding the commander’s intent, or the director’s vision, it’s the same. Neither culture suffers fools for very long. Both are meritocracies for the most part. I think it’s more so in the military than in Hollywood, and Hollywood is more nepotistic that the military, even though that exists in both worlds. But if you’re good at what you do, you’ll succeed. I knew the Army trained me to be a producer, I just needed to learn the entertainment industry language.
6. What project did you most enjoy doing while working in Hollywood?
I worked in Hollywood as a soldier and as a civilian. As a soldier, Transformers: Revenge of the Fallen was the most fun. It was a Michael Bay movie, so we blew things up and we fired thousands of rounds on set. We had nearly everything in the Army inventory in that movie. There were so many explosions. We shot live rounds from Abrams tanks and Bradley Fighting Vehicles on set. The set caught on fire a couple times. Everybody was out there putting the fire out. Even Michael Bay had a hose in his hand putting out the fire. Every day was just a blast.
As a civilian, it has to be producing my first movie Ktown Cowboys with my business partner Brian Chung. We took it from script all the way to distribution. It premiered at SWSX (South-by-Southwest) in 2015 and it was a nerve-racking experience having so many strangers watching our film. But there’s nothing more rewarding than watching an audience laugh and enjoy a film that your team made. Finishing a movie is very tough. Making a bad movie is hard, making a great film is almost impossible. The military trained us to face challenges and solve difficult situations. That’s true in a military operation and it’s true in the film business.
MLRS from the Army in Transformers Revenge of the Fallen. Photo credit Paramount Studios.
MLRS from the Army in Transformers Revenge of the Fallen. Photo credit Paramount Studios.
The film that Greg produced. Photo credit IMDB.com
7. What was it like transitioning to Hollywood?
Even though I had worked in the Entertainment industry for the Army it was harder than you may think. The industry doesn’t have the time to help anybody else achieve their dreams unless it’s a family member. Most people stop returning my phone calls once I no longer “had the keys” to Army helicopters, troops, vehicles, locations, etc.
I knew some people at Electronic Arts who worked on the Battlefield franchise. Working with them was one of our first gigs. One of the early challenges we had was knowing how much to charge for our services. As a Soldier, you work as long as it takes to accomplish the mission and your pay is the same regardless of outside circumstances. There’s really no relationship between pay and time in the military. I remember in one of our early phone calls with EA one of the producers asked us how much we charge for our services. At the time we had no idea what our time and expertise was worth. We threw out a number and the EA guys laughed at us. They literally said, “We can pay you more than that!” Lesson learned.
We probably wasted a lot of money and time starting a business immediately after retirement because we were career military guys and not trained businessmen. We made some mistakes, learned a lot, but we’ve been doing this for more than 10-years now.
One other similarity between Hollywood and the military is both cultures tend to slap labels on people. In the military we literally wear those labels on our uniform. That’s one of the things that always bothered me about the military culture. Promotions and career paths tend to be very rigid and bureaucratic. In the civilian world there are 25-year old CEOs and they’re judged on performance of their leadership and the company. There aren’t any 25-year-old generals. The entertainment industry is similar though because if you’re a consultant, in their mind you’ll always be a consultant. It’s tough to use that role as a stepping stone into something bigger like acting, or directing, or producing.
Our consulting company was essentially our film school. It helped us learn the language of the industry. In 2012 we created our production company, and while our consulting company is still operating and growing, our production company is our primary focus these days.
Bishop working with Norman Lear on Netflix’s reboot of “One Day at a Time”.
Keanu Reeves in The Day the Earth Stood Still. Photo credit IMDB.com
A screenshot of Battlefield 4. Photo credit imdb.com.
GI Joe: The Rise of Cobra released in 2009. Photo credit IMDB.com.
8. What leadership lessons in life and from the Army have helped you most in your career?
I have a few leadership lessons.
For big challenges, eat the elephant one bite at a time. Don’t let the scope of the challenge intimidate you. Take it on incrementally.
You have to do the work. A lot of young people think accomplishing something is as easy as Googling it. It isn’t. You have to do the work, and oftentimes the work is more difficult than you imagine.
Don’t take “no” for an answer. Write the white paper telling the two-star general he is making a mistake.
Teamwork. It’s critical that you come together to achieve a common mission or objective. You won’t do it alone.
For those getting out of the military soon, I recommend that you find and do something you’re passionate about. Do something that excites you. Do something that will make you look at weekends as a distraction and look forward to Monday mornings. Whatever you are passionate about and love doing, find a way to do it and make money from it. If it doesn’t work, you can always get a government job or contracting job or whatever job other retired military people do.
9. As a service, how do we get more veteran stories told in the Hollywood arena?
In 1927 the first Academy Award for Best Picture went to the Army for a movie called Wings. The military has been part of Hollywood ever since and military stories have always been a part of the DNA of filmmaking and storytelling in Hollywood. For decades Hollywood was patriotic and told mostly pro-American stories portraying our troops against foreign enemies. Yes, it was probably borderline propaganda, but it was a unifying effort from people who loved their country. After the Vietnam War, and even more so after 9/11, most films and television programs about our troops were about fighting their own government, their chain of command or themselves. The politics in the industry shifted along with the way Hollywood portrayed our military. Hollywood struggles with telling authentic stories about our military. It seems we’re mostly portrayed as superheroes or broken mental patients. To answer your question, the only way we can change Hollywood is to do it ourselves. That is the only way it is going to get done authentically. We need to work to become the writers, or producers, or financiers to fund our own content. It’s easier to do that today than it’s ever been, but it’s still extremely difficult.
A scene from Wings in 1927 that won the first Oscar for Best Picture. Photo credit Paramount Studios.
10. What are you most proud of in life and your career?
Personally, I am most proud of my marriage to my wife of 25 years. She is my life’s purpose. Career wise, building three businesses with my business partner Brian Chung. But I am not done yet, so we will see what comes next.
When we think of war heroes, what comes to mind is the vigilant soldier, coastie, airman, sailor, or Marine, dutifully keeping his/her post, always on guard. What we don’t realize is our four-legged friends – the ones we bring into war with us – can also be war heroes. In the new HBO documentary War Dog: A Soldier’s Best Friend, the voices of our canine warriors and their close relationship with their handlers is brought to the forefront.
It quickly becomes clear these dogs are not just dogs — they are trusted companions, soldiers, friends, and family to their human counterparts. The separation between animal and man is completely shattered because both souls face the same hardship, the same war. They also share the effects of those wars and the aftermath of traumatic situations.
Highlighted in the documentary are stories of three canine heroes — Layka, Mika, and Pepper — along with an intimate look into the lives of their handlers, who battle to be reunited with their canine partners after they come home from war.
Among the three stories is that of Army Ranger John Dixon and his canine partner Mika. We see the struggle that both of them experience when Dixon gets wounded in battle and then gets permanently separated from Mika. The heartbreak is real when Mika won’t even go back to work, due to the separation and traumatic events that occurred while her partner was injured.
It’s hard to watch, especially when such trauma, sadness, and real life stories are being conveyed. But these stories need to be told — not only for our human heroes but for our canine heroes who cannot speak for themselves. War Dog reveals the cost of war from a different angle while allowing an unfiltered look into the lives of our military personnel, both human and animal.
War Dog: A Soldier’s Best Friend is directed and produced by Deborah Scranton and executive produced by Channing Tatum. You can catch it on HBO, or HBO apps HBOGo and HBONow.
If you haven’t given Triple Frontier a go on Netflix, you definitely should. If you’re unfamiliar, the story follows five Special Forces veterans who travel to a multi-bordered region of South America to take money from a drug lord. It stars Ben Affleck, Oscar Isaac, Charlie Hunnam, Pedro Pascal, and Garrett Hedlund, who all do a fantastic job capturing the attitudes of their characters. But one thing especially helped make this film feel realistic: the presence of Special Forces veterans.
While Hollywood productions generally do have military advisors, it isn’t necessarily common that those advisors take the time to work with the cast to really nail down things like tactics and weapons handling. In this case, J.C. Chandor had two Special Forces veterans who did just that — Nick John and Kevin Vance.
Here’s why they were the most important part of the production:
This may not seem like a big deal but nicknames are a huge part of military culture and knowing how service members earn their nicknames can help you really understand the culture itself.
They taught the actors about nicknames
Charlie Hunnam plays William Miller who goes by the nickname “Ironhead,” and, of course, he wanted to know why, so he asked one of the advisors who explained that the nickname likely comes from the character having survived a gunshot to the head.
This film will have you saying, “Wow, these actors actually know what they’re doing with that weapon.”
They taught the actors how to handle weapons
Most of us who spent a lot of time training in tactics can really tell when the actors on screen haven’t had enough training, if any at all. It’s probably most evident in the way they handle weapons. In the case of Triple Frontier, Nick John and Kevin Vance really took the time to train the actors, and it shows.
They trained the actors with live ammunition
When learning how to handle a weapon, it helps to shoot live ammunition. Well, at the end of the first day of the two-week training, Nick John felt the actors were prepared to handle it. So, they gave them live ammunition and let them shoot real bullets, which is not standard for a film production, but it really pays off in this film.
The way these actors clear buildings is very smooth and convincing.
They taught tactics
After trusting the actors with live ammunition, Nick John and Kevin Vance ran them through tactics. From ambushes to moving with cover fire, the actors learned the basic essentials to sell their characters on screen, and they do so extremely well.
Actor Charlie Hunnam said, “It was amazing. I was shocked by how much trust they put in us. Very, very quickly, they allowed us to be on the range with live fire, doing increasingly complex maneuvers. We started ambush scenarios, shooting through windows and panes of glass, doing cover fire, and operating movements I’ve never done before.”
Veterans have a tendency to spot inaccuracies immediately. But, what Triple Frontier brings to the table is realism. While not perfect, it does a great job of really making you believe these characters are real and all the work Nick John and Kevin Vance put into teaching the actors really pays off.
If you haven’t checked out Triple Frontier on Netflix yet, you definitely should.
In Michael Bay’s “13 Hours: The Secret Soldiers of Benghazi”, the actors were mentored by the type of warfighters they portray in the film in order to accurately depict their abilities and experiences. Each of these men was a member of an elite group called the Global Response Staff, which draws from the full suite of special operations units.
We Are The Mighty partnered with “13 Hours” to bring together spec ops vets of each branch to discuss the differences between Army Rangers and Green Berets, Air Force Pararescuemen, Navy SEALs, and Marine Recon.
Their explanations are specific and nuanced and explained as only those who’ve “been there and done that” can.
Joker was always going to be a different kind of Batman movie. It might not even to be fair to call it a Batman movie, centered as it is on Gotham’s most infamous criminal and not its most famous orphan. But besides a narrative focus beyond good vs. evil, what sets this movie apart is its relationship with its source material.
“We didn’t follow anything from the comic books, which people are gonna be mad about,” writer-director Todd Phillips said in an upcoming interview with Empire. You read that right: instead of basing the script on a graphic novel or cobbling it together from different comic books, Phillips wrote an original story.
“We just wrote our own version of where a guy like Joker might come from. That’s what was interesting to me. We’re not even doing Joker, but the story of becoming Joker. It’s about this man,” Phillips added.
Instead of pitting the character, be it zoot suited Jack Nicholson in a zoot suit or a shirtless Jared Leto, against Batman, the Joker script is about Arthur Blank’s descent into Travis Bickle-like madness. If it sounds like a role designed for Phoenix, a notoriously intense actor, that’s because it is.
“We had a photo of him above our computer while we were writing,” he told the magazine. We constantly thought, ‘God, imagine if Joaquin actually does this.'”
Well, he actually did it, but you’ll have to wait until Oct. 4, 2019, to see exactly where on the “inspired by” to “based on” spectrum Phillips’s film falls.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Scott Kelly didn’t always know that he was going to be an astronaut. In fact, he wasn’t even a particularly good student.
“As a student, it’s just really hard, especially at first, when you don’t have the habit-patterns to study and pay attention,” Kelly told Business Insider for the podcast “Success! How I Did It.” “But once I got over that, I was able to go from a kid at 18 years old that was always like a very average, underperforming student and then fast forward almost to the day 18 years later, I flew in space for the first time. It was a pretty remarkable comeback, I think.”
Kelly remained an average student until he went to college, where he stumbled across Tom Wolfe’s book, “The Right Stuff.”
“I read this book, and I could relate to a lot of the characteristics these guys had, with regards to their personalities, their risk-taking, their leadership abilities, ability to work as a team. That made me think,” Kelly said.
“I related to a lot of those characteristics with one exception, and that is I wasn’t a good student, especially in science and math,” he continued. Kelly said he then thought, “Wow, you know, if I could fix just that thing, then I could maybe be like these guys.”
“At the time I was thinking you’ve got to be really smart to be an engineer or scientist. What I realized is really what it takes is just hard work, and it’s not any particular gift you might have.”
He continued: “It was the spark I needed to motivate me to do more with my life than I was currently doing.”
You can subscribe to the podcast and listen to the episode below:
“The Right Stuff” inspired Kelly, but it was a phone call from his brother that showed him what hard work really looks like.
According to Kelly, his twin brother Mark, who also became a NASA astronaut, was also a mediocre students — but Mark turned things around in high school, while Scott kept skating by. Mark pinpoints his turnaround to an event Scott doesn’t remember.
“I was this kid that could not pay attention. Was not a good student,” Kelly said. “Always wondering how in the ninth grade my brother went from being like me to getting straight A’s — I never knew how that happened.”
“But apparently, what [Mark] tells me, is that our dad sat us down in like the eighth grade, and said, ‘Hey, guys. You know, you’re not good students, not college material. We’re going to start thinking about a vocational education for you.'” Kelly said. “And my brother thought, ‘Whoa! I want to go to college and do something more.”I, on the other hand, had no recollection whatsoever of this conversation,” Kelly said. “Probably only because there was like a squirrel running outside the window and I was like, ‘Squirrel!’ Otherwise, I probably would have been a straight-A student, too.”
In his memoir “Endurance,” Kelly wrote that his mind began to wander and he lost focus as a student at the State University of New York Maritime College.
His grades had risen above average and he was studying for his first calculus exam. Having decided to take a break, Kelly planned to attend a big party at Rutgers. When Mark found out about his brother’s attempt to forgo more studying for a party, he scolded Kelly over the phone.
“Are you out of your goddamn mind?” Kelly remembered Mark telling him. “You’re in school. You need to absolutely ace this exam, and everything else, if you want to get caught up.”
Scott Kelly buckled down, became a NASA astronaut, and has been to space four times.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Think of the most famous starfighters of film and TV. You know them — The X-wing, the Y-wing, the VF-1 Valkyrie, the Colonial Viper, the F-302 — pop culture has gifted us with many famous planes we fly in our dreams… or on our personal computers and game consoles.
But if they existed for real, which squadrons would they be assigned to?
Here’s what We Are The Mighty is thinking:
Valkyrie from Robotech
Suggested Markings: VF-84 “Jolly Rogers”
The cartoon Robotech gave us this variable-configuration multi-role aerospace fighter in its first season, which was based on the Japanese anime Super Dimension Fortress Macross. With the jet mode looking like an F-14 and the famous “Skull One,” the markings from VF-84, the “Jolly Rogers,” are really the only call you can make.
Colonial Viper from Battlestar Galactica (Either Series)
Suggested Markings: VMFA-323 “Death Rattlers”
The Colonial Viper was an icon of whichever iteration of Battlestar Galactica you watched, whether it’s the classic one with Lorne Greene as Commander Adama and Dirk Benedict as the Starbuck, or whether it’s the new version with Edward James Olmos as Adama and Katie Sackoff as Starbuck. A number of squadrons have adopted nicknames based on snakes, but Marine Fighter Attack Squadron-323’s “Death Rattlers” seem particularly appropriate. The Vipers dominated their opponents when not caught by surprise or disabled by a cyber-attack – dealing death out far more than they received it.
Cylon Raider from Battlestar Galactica (Either Series)
Suggested Markings: VFA-127 “Cylons”
Yes, this is an adversary unit. But there is no other squadron arsenal appropriate for the front-line fighter used by the villains of either version Battlestar Galactica.
Incom X-Wing Fighter from Star Wars
Suggested Markings: VF-194 “Red Lightning”
“Red Five standing by.” Luke Skywalker’s call in the first Star Wars movie makes this designation a good one. Coincidentally, one of the planes flown by Navy Fighter Squadron-194, the F-8 Crusader, featured four 20mm cannon – while the X-wing has four lasers that proved to be capable of destroying TIE fighters easily.
Koensayr BTL Y-wing from Star Wars
Suggested Markings: VA-128 “Golden Intruders”
Best known as the fighters flown by the ill-fated Gold Squadron in the first Star Wars movie, the Y-wing was intended as an attack plane – and in the first movie, the Y-wings were torn to bits by Darth Vader’s TIE fighters (with only one surviving the Battle of Yavin). So, Attack Squadron-128, which flew the A-6 Intruder, seems to be appropriate markings for this space fighter.
This is another case where an easy call comes in. Gou’ald were called “snakes” by the heroes of Stargate SG-1. So, the 160th Fighter Squadron, Alabama Air National Guard — also called the “Snakes” — is really the only fitting mockup for this fighter.
This was a space-superiority fighter designed to take on other fighters. The 1st Fighter Squadron flew the F-15C Eagle, the definitive “not a pound air-to-ground” fighter in Air Force service. Appropriately, the 1st Fighter Squadron was called the “Fighting Furies.”
Thunderfighter from Buck Rogers in the 25th Century
At the start of the 1980s series Buck Rogers, the title character went into space on a rocket before things went south and he had 500 years in a deep freeze. Using the livery of the 336th Fighter Squadron makes a lot of sense, particularly since the F-15E is also a multi-role fighter that can be a capable dogfighter.
PWF-12 Peregrine Fighter from Deep Space Nine
Suggested Markings: VF-96 “Fighting Falcons”
This fighter is another multi-role vessel, which could handle opposing fighters like the Romulan Scorpion or take on capital ships with proton torpedoes. With a decent war load, and a two-man crew, it seems reminiscent of the F-4 Phantom. Fighter Squadron-96 saw several tours during Vietnam, and was notable for producing the only Navy ace of that conflict. Their nickname also fits with this Starfleet fighter.
Sienar Fleet Systems TIE Advanced x1 from Star Wars
Suggested Markings: VMF(AW)-114 “Death Dealers”
Darth Vader dealt death in this fighter in the first Star Wars movie, scoring six kills and becoming an ace in a day for the bad guys. This fighter was arguably able to take on the snub fighters of the Rebel Alliance in a one-on-one fight. This would make it a “Death Dealer” to any overconfident Rebel pilot.