This weekend, a sequel to a movie series that you kind of like is trying to have it both ways. “Terminator: Dark Fate” is many things, but the easiest way to describe it a sequel to “Terminator 2: Judgement Day” and also the start of a new franchise of Terminator movies in a new timeline.
Right now, there are a ton of spoilers out there about the movie, but we’re not going to do that. (Though seriously, be careful, because there is some crazy stuff that happens in like the first few minutes.) The big question is right now, does “Terminator: Dark Fate” have a post-credits scene? And does that post-credits scene set-up a sequel? Here’s the non-spoiler answer.
No! “Terminator: Dark Fate” does not have a post-credits scene of any kind, though the ending of the film does strongly imply a sequel is coming. The director of Dark Fate, Tim Miller has gone on record saying that he thinks a post-credits scene is a “Marvel thing.”
Terminator: Dark Fate – Official Trailer (2019) – Paramount Pictures
Sebastian Junger spent nearly twenty years writing about dangerous professions, most notably those surrounding war and other conflicts. Although he retired from war reporting after longtime collaborator Tim Hetherington was killed during the Libyan Civil War, he has a lot of experiences on which to reflect. In his new book, Tribe: On Homecoming and Belonging, he contextualizes a life spent close to death and danger and provides lessons for modern societies that have struggled with the fact that technological improvements and material wealth haven’t necessarily made their populations happier.
Tribe is the 54-year-old Junger’s own homecoming of sorts. He was a Vanity Fair contributor when he spent time in Afghanistan’s Korengal Valley, which was also his first collaboration with photographer Tim Hetherington. That collaboration led to three films based on the pair’s time in the valley: “Restrepo,” “Korengal,” and “The Last Patrol,” as well as Junger’s book, War. After Hetherington was killed in Misrata, Libya in 2011, Junger produced “Which Way is the Front Line From Here? The Life and Time of Tim Hetherington” for HBO documentary films.
Junger’s lifetime of covering conflict led him to write Tribe, the theme of which is how modern society has isolated individuals and marginalized the value of groups – a phenomenon to which returning warfighters can relate. Junger notes there are positive effects of war on mental health and long-term resilience, using examples of war trauma from Sri Lanka to Israel and Liberia to Cote d’Ivoire to illustrate the effects of war. He explains the utility of the “shared public meaning” and why it’s crucial for warriors to return to a society that understands them. He argues that “honoring” veterans at sporting events, letting uniformed service people board planes first, and formulaic phrases like “thank you for your service” only serve to deepen the divide between the military and civilians by highlighting the fact that some serve and some don’t.
Junger’s main discussion about combat veterans is that they require three things: a society that is egalitarian and gives them the chance to succeed, to not be seen as victims, and to feel as necessary and productive as they were on the battlefield. According to his findings, the U.S. ranks very low on all of these because there’s no cultural perception of any shared responsibility. The shared responsibility of the whole for the one is what Tribe is all about.
The book isn’t about just veterans or victims of conflict. The recurrence and spread of individualism have an effect on all of us. Junger delves into the history of the native tribes of the United States to illustrate his points: tribal societies were more socially progressive and conscious of the suffering of its members, especially those who went to war. Collective societies tended to be happier units because they cultivated collectivized happiness. Everyone in a tribe has a role to play, and everyone feels useful.
Sebastian Junger’s newest book isn’t about veterans, but Tribe is full of lessons all veterans should heed when seeking their tribes. More broadly, Tribe’s lessons should be heeded by the entire nation, especially during this election season that seems to be more divisive with each step in the process of finding those who would lead us in bringing us all together.
There are a lot of war movies to choose from, but not many of them are directed from the perspective of a man who lived through the mental torture that was the Vietnam War.
With Platoon, critically acclaimed writer-director Oliver Stone (an Army veteran) transports audiences back to that politically charged time in American history where the war efforts of our brave service members were met with disdain upon returning home.
Platoon, fueled by Stone’s unique vision, features some of the most electric, emotionally driven scenes to ever hit the big screen. Although the film won several awards, there are a few things you probably didn’t know about this iconic war movie.
Filipino protesters linked arms whenever forces attempted to disperse them.
(Photo by Romeo Mariano)
The Philippines Revolution of 1986
Talented actor Willem Dafoe, who played Sgt. Elias in the film, decided that he needed to head to the Philippines before the rest of the cast to get acclimated before shooting. After arriving and taking a brief nap, Dafoe awoke and opened his hotel room’s curtains only to watch a column of tanks drive down the street.
The Philippines Revolution had just kicked off.
From the moment the actors landed, they were treated like infantrymen
Capt. Dale Dye (a Marine veteran) made the actors get haircuts and speak to one another using only character names. Many of the actors were sitting pretty stateside just 48 hours earlier. Suddenly, they were being treated like soldiers.
While the actors were digging their fighting holes with e-tools in the jungle, one of the special effects masterminds on set, Yves De Bono, planted explosive charges nearby to help transform the thespians into hardened grunts.
Once Capt. Dye gave the signal, the charges exploded as planned, taking the actors by complete surprise.
Lerner (played by Johnny Depp) carries a young girl through a Vietnam village
Johnny Depp fell asleep on post
While in training, Depp was assigned to man a post when he started drifting off to sleep. The young actor woke to a gun pressed to the back of his neck. Capt. Dye informed Depp that he had just been killed.
Remember that scene where everyone got high? Well, that was real, according to actor Willem Dafoe. During an interview for a behind-the-scenes documentary, the cast got pretty high before the lights and camera were set up. However, once they were ready to film, their marijuana “high” was more like a “Mary Jane down.”
The castmates became very sleepy and, according to a chuckling Dafoe, everyone was “useless.”
It’s definitely not canon, but this video of Gunnery Sgt. Donald Duck ripping into new recruits from the Disney Universe is hilarious, featuring Goofy trying to pull off a satisfactory war face as Pluto attempts to keep a straight face and the Duck rips into them both. Full Metal Jacket has never been so whimsical.
In the clip, made with a little audio engineering and one of the best scenes from Full Metal Jacket, Goofy, Pluto, and Mickey join the Marine Corps and run right into one of the angriest characters from classic Disney, Donald Duck, now a gunnery sergeant and drill instructor in the “beloved corps.”
He wasn’t particularly great at it, so maybe that’s why, two decades later, he’s just a recruit in Marine Corps basic.
Or, you know, alternate theory: The Full Metal Jacket mashup is just a fun joke on the internet and not actually part of the characters’ storylines. Since it’s clearly not sanctioned by Disney and features Donald Duck letting out a string of profanities and a few colorful suggestions, we’re gonna go out on a limb and say this isn’t canon.
Military movies are emotional to watch as many are based on real and fascinating stories of man’s ability to overcome any obstacle and fulfill his or her goals and destiny and all that sh*t.
With so many important aspects to pay attention to, filmmakers commonly make mistakes that veteran moviegoers can spot.
So check out some epic mistakes we managed to find in our favorite Hollywood war films.
1. Where did the German tank go?
“Saving Private Ryan” is one of the best war movies ever recorded on film, but that doesn’t mean it’s flawless. In the 3rd act — just as the final firefight is about to end — Capt. Miller fires his pistol at a tank headed toward him. After firing a few shots, the tank blows up, bursting into flames and stopping dead in its tracks.
The tank surprisingly blowing up isn’t the mistake, but moments later the Tiger tank vanishes.
It must have been magic, right? (Source: Dream Works)
2. Playing musical chairs
In Mel Gibson’s “Hacksaw Ridge,” Desmond Doss sits on the right side of the bus saying his goodbye to his girl.
Cut to a few moments later and Desmond is now sitting on the left side of the bus after it departs the station.
3. No force protection…at all
In the Clint Eastwood directed “American Sniper,” the SEAL team enjoys a meal with an Iraqi man and his family who is about to be discovered for being a bad guy. Although the team is on a crucial mission, the lights are on, and someone forgot to close the curtains on the window.
4. A non-combatant?
We love the film “Full Metal Jacket” just as much as other veterans, but this Stanley Kubrick directed film has a lot of screw-ups — especially here. As the Marine squad advances on the Vietnamese sniper, you can spot a crew member in the bottom of the frame. Oops!
5. Marine sniper training on an Air Force base?
In 2006, Universal pictures gave us the Desert Storm film “Jarhead,” directed by Sam Mendes. In this scene, Anthony Swofford (played by Jake Gyllenhaal) reports for bugle tryouts at the Marine Corps parade deck. Look at the water tower behind him; the Air Combat Command emblem is clearly represented in this shot. The A.C.C. is a major command of the Air Force and wouldn’t be located on the Marine Corps base.
Movies are an art medium where every frame can answer a question before it’s even asked. The clever use of symbols, juxtaposition or a turn of phrase can lead the audience down a rabbit hole of their own interpretation. In some movies, the symbols are more obvious, such as the little girl wearing a red coat in Schindler’s List who symbolizes innocence.
These hidden clues are easier to spot in dramas because we’re subconsciously expecting them. We’ve accepted they should be there. In a comedy, however, they’re easy to miss because we aren’t ready for depth. Jo Jo Rabbit is a comedy about a little boy who joins the Hitler youth in Berlin with his imaginary friend Adolf Hitler. At face value, the movie pokes fun of Nazi Germany, but there are a few subtle details that offer a deeper look into life on the other side.
(Warning: spoilers ahead)
When Fraulein Rahm (Rebel Wilson) says, “It’s a great year to be a girl,” after saying she’s had 18 kids and would rate an award called The Mother’s Cross. At face value, it’s a tongue-in-cheek joke that there is a lot of cardiovascular value to a woman’s place aiding the Reich. Hitler really did approve and encourage the procreation of more soldiers for the party. Although she isn’t wearing it in the scene, she would have rated the highest tier of the award after her seventh child.
Hitler doesn’t smoke
The real-life Hitler loathed smoking and wouldn’t allow it in his presence. Yet, in the movie, he offers Jojo cigarettes. During the 1940s, if you were old enough to work, you were old enough to smoke. Since Jojo never met Hitler in real life, he would never have known this. The offer highlights how little the main character knows about the real dictator.
Captain K may have been a spy
At the start of the movie, Captain Klenzendorf says he lost an easily winnable battle due to the incompetence of the Nazi High Command. In reality, the micromanagement by general officers and Hitler himself did play a decisive role in losing the war. Yet, when you hear Captain K state how much he loathed their meddling, and now he has to train the next generation of soldiers, he says he’s using actual grenades.
It is suspicious that when one does blow up it fails to kill Jojo at point blank range. Are they practice grenades and he’s just saying they’re real? Was Jojo just lucky? Could Captain K have sabotaged his own mission? Is he attempting to sabotage training? It’s a stretch if that were the only piece of evidence.
The isolated incident could’ve just been a coincidence, but when the Gestapo raid Jojo’s home, the Captain was on his way to warn him. That scene confirms he is part of the resistance. How long was he part of the resistance? It’s plausible that he was a member from the start.
Real-life espionage has inspired other Hollywood films like Valkyrie and Inglorious Bastards where there is an active resistance against the Reich. So, although many people followed Hitler, there was also a handful who went against the grain.
Also known as the inverted pink triangle, the Rosa-Winkel found on gay concentration camp uniforms. When throwing “undesirables” into the camps, the Nazis also had a system of identifying which undesirable group they belonged to. When Captain K makes his last stand and reveals his true colors (literally), he and his partner both have them on their uniforms. The film hints at their sexual orientation and then confirms it without distracting the audience during his last stand. He no longer has to hide that important part of his life. To put it simply: pride.
There have been many iterations of the Power Rangers, but the upcoming film from Lionsgate is packing some punch, not only in it’s killer cast (Elizabeth Banks and Bryan Cranston? Say no more!), but it’s progressive inclusion of an LGBQT superhero — the first for a blockbuster film.
With a new film comes new bad guys, so let’s take a look at how the military would combat the evil Rita Repulsa and her minions. The usual terrain will be the fictional city of Angel Grove, which was located in California (where early seasons of the TV show were filmed).
1. When Rita’s minions are normal size
In this case, Rita’s minions will have a lot of problems. If the present-day United States military has had a lot of experience in anything during the Global War on Terror, it’s what they call MOUT — military operation in urban terrain.
That’s a fancy way of saying, “full-scale street fire-fights.”
The California location means that the closest active-duty units on the scene would be the 1st Marine Division at Camp Pendleton and the 11th Armored Cavalry Regiment at Fort Irwin, plus whatever brigade is at the National Training Center.
These units would be springing into action, looking to evacuate civilians from the city while trying to inflict casualties on the invaders.
Here, they would also have the advantage of armored support from M1 Abrams tanks, M2 and M3 Bradley Fighting Vehicles, artillery support from M777 and M109 howitzers, and close-air support.
This is one fight that Rita’s minions would have no hope of winning. The experience of American troops in this sort of combat in places like Fallujah, Baghdad, and Ramadi would come through very quickly.
2. When the bad guys are kaiju size
Of course, when the fight goes badly, Rita often had her monsters grow into kaiju-size robots (call it about 300 feet tall, roughly the same height as Godzilla in most of his film appearances).
Once the battle reaches this stage, the infantry will shift to evacuating civilians almost exclusively.
From the ground, artillery systems like MLRS and HIMARS would be used to hammer the skyscraper-sized bad guy, along with fire from the M1 tanks.
The Navy would also get involved, using Tomahawk cruise missiles from submarines and surface vessels. Naval gunfire would also be used in the fight.
But the main attack would come from aircraft. While Navy and Marine Corps units around San Diego would be the closest, Air Force units in Utah and Arizona would also be capable of quickly responding, as would any active units carrying out a Red Flag exercise at Nellis Air Force Base.
Here, the best weapons would be laser-guided bombs, hoping to score a penetrating hit that would put the monster down.
The United States military might not succeed in actually killing the monster with conventional systems, but it would distract it long enough to carry out an evacuation of civilians. To actually kill the monster, it might come down to a B61 tactical nuclear weapon.
In either case, the United States military would be able to give Rita Repulsa one hell of a headache.
A video story produced by VA focusing on a veteran boxing training program at Gleason’s Gym – America’s oldest active boxing gym – received an Emmy Award at a ceremony June 22, 2019, in Bethesda, Maryland.
The National Capital Chesapeake Bay Chapter of the National Academy of Television Arts and Sciences recognized the segment produced for VA’s “The American Veteran” video series, and honored the series with its second Emmy since the show was relaunched in 2017 after a three-year hiatus.
The recognition was announced at the 61st annual regional Emmy Awards ceremony and was presented in the Health/Science – Program Feature/Segment category. The segment, titled “The American Veteran: Veteran Boxing Training,” was produced, shot and edited by VA’s digital team, which is part of the Office of Public and Intergovernmental Affairs (OPIA).
The production team included lead producer/photographer/editor Ben Pekkanen, co-producer Timothy Lawson, executive producer Lyndon Johnson, and VA NY Harbor Healthcare System Adaptive Sports Program’s developer, Jonathan Glasberg.
Historic New York boxing gym opens its doors to Veterans
Located on the banks of the East River in the DUMBO (Down Under the Manhattan Bridge Overpass) neighborhood of Brooklyn, Gleason’s Gym is owned and operated by Vietnam veteran Bruce Silverglade. Silverglade, who has owned the gym since 1983, had long been interested in creating a training program for veterans, but wasn’t sure he could do it on his own. “I got a call from the VA hospital in Manhattan, from a fella by the name of Jonathan,” said Silverglade. “He came over to talk to me about a program they had.”
In the following weeks, Silverglade and VA’s New York Harbor Healthcare System’s clinical coordinator for prosthetics, Dr. Jonathan Glasberg, developed the framework for the veterans in the Ring boxing training program offered at Gleason’s Gym.
The video is one part of VA’s ongoing effort to engage and reach out to the veteran community directly. The VA digital portfolio includes: more than 150 Facebook pages, most of which belong to individual VA medical centers; the VAntage Point blog; nearly 100 Twitter feeds; Instagram; a Flickr photo library; and a YouTube channel. The department also distributes the “Borne the Battle” podcast.
“The American Veteran” was produced by VA for more than a decade before going on hiatus in 2014. During its active season, the show garnered numerous Telly, CINE and Aurora awards, as well as multiple Emmy awards and nominations.
According to its website, the National Academy of Television Arts Sciences (NATAS) is dedicated to the advancement of the arts and sciences of television and the promotion of creative leadership for artistic, educational and technical achievements within the television industry. NATAS recognizes excellence in television with the coveted Emmy Award; regional Emmys are given in 19 markets across the United States.
The first season of The Terror centered around a failed British expedition to find the Northwest Passage. The second season of this horror anthology takes place in the (fictional) Colinas de Oro War Relocation Center, a Japanese Internment Camp during World War II.
Star Trek’s George Takei stars in the show and came aboard this season as a consultant.
“Set during World War II, the haunting and suspenseful second season of the horror-infused anthology The Terror: Infamy centers on a series of bizarre deaths that haunt a Japanese-American community, and a young man’s journey to understand and combat the malevolent entity responsible,” reads the official synopsis.
The Terror: Infamy Season 2 Trailer | Coming This August
Screenshot from official trailer for ‘The Terror: Infamy’
The 10-episode season is co-created by Max Borenstein (Kong: Skull Island) and Alexander Woo (True Blood). The first season was praised for its supernatural suspense and currently has a 95 percent approval rating on Rotten Tomatoes. The second season will premiere on Monday, August 12 at 9/8c.
It’s the classic battle between masters of the martial arts.
Snipers embody the best of stealth, reconnaissance and camouflage and are at the top of their game when it come to dispatching targets with precision from a great distance.
“One shot, one kill” is no joke.
And when it comes to the best way to combat an enemy sniper, there’s no better weapon than a good guy sniper.
But what happens when the bad guy turns the tables and the good guy becomes the hunted? That’s exactly what happens in the new film from Amazon Studios and Roadside Attractions titled “The Wall.”
Starring Aaron Taylor-Johnson and WWE superstar John Cena, “The Wall” depicts a sneak attack on a U.S. sniper team in Iraq by a diabolical enemy sharpshooter called “Juba,” played by Laith Nakli. The movie explores the psychological jiujitsu from each side as they try to outmaneuver one another in a battle where moving an inch in the wrong direction could mean certain death.
The enemy sniper from “The Wall” is loosely based on the infamous insurgent sharpshooter with the Juba nom de guerre in Iraq. The real Juba was reportedly killed by ISIS in 2013.
The brotherhood of an infantry squad is hard to match. No matter where you go after you leave, you’ll struggle to find that same type of camaraderie. Sure, there are civilian jobs out there that offer something similar, but let’s face it — nothing will ever rival getting sh*tfaced in the barracks on the weekend with your best buds after a long week of putting up with your command’s bullsh*t.
That’s why we love watching shows like Sons of Anarchy.
The fictional motorcycle club happens to embody a lot of the things we loved about “being with the homies” in our squads. The way they interact with each other and their overall lifestyle runs eerily parallel to the way grunts conduct themselves.
If you’ve watched the show, this won’t come as a surprise but, in case you haven’t, these are the ways Sons of Anarchy Motorcycle Club, Redwood Original are a lot like your infantry squad:
Nothing else compares…
(U.S. Marine Corps photo by Cpl. A. J. Van Fredenberg)
SAMCRO is all about the brotherhood. They’re always looking out for each other and going to extreme lengths to help one another. It’s not just about your duty, it’s about the love you have for the people with whom you serve. Being in an infantry squad helps you develop this mentality.
And sh*t like this will suck less.
(U.S. Marine Corps photo by Lance Cpl. William Chockey)
Oftentimes, you won’t have to be asked to do things because you’ll want to do them without being asked. You know that your actions are for the betterment of the squad. The guys to your left and right depend on you and you them. This loyalty will be a driving desire in everything you do.
Even working out is something that benefits your squad mates.
(U.S. Marine Corps photo by Cpl. A. J. Van Fredenberg)
You go beyond “for the club”
After you get used to your squad and you’ve established your loyalty and brotherhood, you’ll begin to go beyond what’s required of you to help out the squad. You might even start taking MarineNet courses you’re interested in to help boost your squad’s effectiveness.
At the end of the day, SAMCRO members make choices and do things because of their love and loyalty to the club.
You’ll do anything for your squad.
(U.S. Marine Corps photo)
Dedication to one another
When one of your brothers is going through a rough time, you’ll feel a drive to do whatever you can to help them out. If someone hurts your squad mate in one way or another, no matter what it is, you’ll be out for blood. This is honestly one of the things that makes the Sons of Anarchy such an interesting group of people to watch.