This weekend, a sequel to a movie series that you kind of like is trying to have it both ways. “Terminator: Dark Fate” is many things, but the easiest way to describe it a sequel to “Terminator 2: Judgement Day” and also the start of a new franchise of Terminator movies in a new timeline.
Right now, there are a ton of spoilers out there about the movie, but we’re not going to do that. (Though seriously, be careful, because there is some crazy stuff that happens in like the first few minutes.) The big question is right now, does “Terminator: Dark Fate” have a post-credits scene? And does that post-credits scene set-up a sequel? Here’s the non-spoiler answer.
No! “Terminator: Dark Fate” does not have a post-credits scene of any kind, though the ending of the film does strongly imply a sequel is coming. The director of Dark Fate, Tim Miller has gone on record saying that he thinks a post-credits scene is a “Marvel thing.”
Terminator: Dark Fate – Official Trailer (2019) – Paramount Pictures
Bravery is a thing you see every day in the military. In all branches, in moments great and small, it’s an expression of the fundamental courage it takes to put your life on the line for love of country and to serve those you swore to protect.
Former Navy SEAL David Meadows proved exemplary in this capacity, serving 11 years in some of the harshest theaters of war throughout the Middle East.
But unlike many of his fellow Oscar Mike alumni, Meadows chose, upon reentry, to translate his habituated bravery into a civilian arena that would, honestly, make most servicemen and women want to crawl out of their natural born skins…
Yeah, he became an actor.
And we can tell you from experience that there are few professions that require a more constant personal brokerage with public shame, mortal embarrassment, insecurity, and rejection — in short, all of the types of feelings that normal people avoid like their lives depend on it.
Being the Special Ops-trained bad ass that he is, though, Meadows surveyed this new theater of war and then dove in head first. Acting for a living takes guts.
“I think that if there is a magic left in the world…it’s really for a person to be affected, to be changed — by one human being actually affecting somebody else on a really human, natural, soulful level. Does that make sense? And performing artists have that power. And I thought…that’s absolutely amazing. And I want to be a part of that.”
To get a taste of the kind of courage an actor has to muster every day, Oscar Mike host Ryan Curtis visited Meadows at his acting studio in Los Angeles and submitted himself to a battery of drills that actors employ to help them behave truthfully under imaginary circumstances.
Each exercise is designed to increase physical sensitivity, dial up emotional availability, and to inure actors to the fear of ridicule that can shut them down at crucial moments. Like all high-stakes training, it’s effective — but it ain’t pretty.
Today’s lesson is clear: in a successful civilian life, emotional bravery matters. But you don’t have to take our word for it, you can just watch as Curtis cracks under the pressure and and begs to postpone the big payoff in the video embedded at the top.
If you’re like the rest of us, you’re running out of things to keep yourself occupied while we wait out the pandemic. In the earlier days of “Inside Time,” it seemed so exciting to be forced to stay inside – it gave us lots of time to catch up on house projects, organization, and of course, catching up on our favorite shows and movies. But six months in, maybe you need a new list of shows to watch because how many times can you re-watch TWD before you know it line for line? To help you find something new worthy of a weekend (or weeknight!) binge, we’ve put together this list of military shows that are definitely worth your time.
Band of Brothers
Chances are you’ve seen this HBO classic, but just in case you’ve been living under a rock for the last few years, here’s your gentle reminder to stop what you’re doing right now and go watch this award-winning WWII series. Produced by Tom Hanks and Steven Spielberg, Band of Brothers follows “Easy” Company, 2nd Battalion, 506th Parachute Infantry Regiment, 101st Airborne as they land in Normandy and make their way through France. After surviving the Battle of the Bulge, the soldiers end the war drinking Hitler’s wine atop Eagle’s Nest in Germany.
So this isn’t an outright military show, but there are enough Marine Corps undertones that anyone who’s ever worn a uniform will notice and appreciate. After a successful decades-long career as a hitman, Barry Berkman (played by Bill Hader) decides to give it all up and become an actor. Ridiculous, right? Yes, until we start to get to know Barry, who sits in his sad apartment all day playing Xbox, an “I love me” wall behind him that proudly displays a Marine Corps flag and his awards. Barry’s shift from “civilian Barry” to “Marine Barry” is so authentic and well done, making it incredibly relatable for anyone who’s tried to blend their military buddies with their civilian life.
Find this six-part miniseries on Hulu, which claims it’s not a war hero story. In fact, it’s about a man who does everything he can to ensure he’s not a hero. Based on Joseph Heller’s novel by the same name, Catch-22 offers humor and levity, making light of some of the most difficult challenges service members face. If you’re looking for something that scoffs at the nonsense of bureaucratic red tape, this is the show for you.
This WWI miniseries is often overlooked in military show roundups, but it’s well worth your time. Gallipoli explores the relationship and changing friendships of a group of soldiers who enlist in the Australian and New Zealand Army Corps together. The miniseries follows these service members during the historic Gallipoli campaign, which took place in Turkey from February 1915 until January 1916. This miniseries offers the same kind of buddy vibes of Band of Brothers against the backdrop of WWI.
Quite possibly one of the most accurate portrayals of Marines during the 2003 invasion of Iraq, Generation Kill is based on the non-fiction book by Evan Wright. This brutal dusty odyssey follows Marines from the 1st Recon Battalion. This HBO miniseries tells the true story of war, looking closely at the moral ambiguity and how shifting mission parameters, along with poor leadership, can erode trust when it’s needed the most.
Our World War
A WWI miniseries produced by the BBC with three distinct episodes that explores what life was like for Britain as it entered the war. It follows soldiers with the Royal Fusiliers as they dig in outside Mons, Belgium, in preparation for the advancing German army. This is an accurate portrayal of WWI combat and each episode focuses on a different battle.
Bonus pick: The Pacific
The brutal and unforgiving combat depicted on The Pacific makes this series one of the most accurate portrayals of the Pacific Theater during WWII. The series follows three different characters as their units fight from Guadalcanal to Peleliu, Okinawa and finally on to Iwo Jima.
In a press release on March 7, 2019, the company finally announced the opening dates for Star Wars: Galaxy’s Edge — and it’s ahead of schedule. The 14-acre expansion will open on May 31, 2019, at Disneyland in California and on Aug. 29, 2019, at Disney’s Hollywood Studios in Florida.
“On opening day for phase one, guests will be transported to the remote planet of Batuu, full of unique sights, sounds, smells, and tastes,” the release describes. “Guests can become part of the story as they sample galactic food and beverages, explore an intriguing collection of merchant shops, and take the controls of the most famous ship in the galaxy aboard Millenium Falcon: Smugglers Run.”
Star Wars: Galaxy’s Edge to Open May 31 at Disneyland Resort, Aug. 29 at Disney’s Hollywood Studios
According to the statement, however, the park will open in phases “to allow guests to sooner enjoy the one-of-a-kind experiences that make Star Wars: Galaxy’s Edge so spectacular.”
Phase two won’t open until later in 2019. It will feature the park’s largest attraction, Star Wars: Rise of the Resistance, where guests will board a full-size starship and join the battle against the First Order, including a face-off with Kylo Ren.
To visit the Disneyland park between May 31 and June 23, 2019, Disney says that guests will not only need valid theme park admission but also a “no-cost reservation.” Details on how to make that reservation have not yet been released but will be posted on Disneyland.com. The park will then open to the general public on June 24, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The D23 Expo is officially underway in Anaheim, giving Disney fans a peek at what they can expect from the massive entertainment company over the next year. And while we are all hoping for some awesome new trailers to drop, the biggest reveal so far has been about the Disney parks, as we finally got a look at the upcoming Marvel land that will be opening at California Adventure in 2020. And unsurprisingly, the entire thing looks totally awesome.
The highly-anticipated Marvel land, which will be replacing “A Bug’s Land”, will not actually be called Marvel Land. Instead, Disney announced that it will be called Avengers Campus and will be based on the idea of visitors being recruited to join the super-superteam. Avengers Campus will be opening in two phases, with the first phase set to open sometime in 2020.
So what will actually be at Avengers Campus? The big attraction appears to be a Spider-Man ride that is rumored to be an interactive shooting game that hopefully will let riders become amateur web-slingers. There are also rumors about an Ant-Man brewery, along with a Dr. Strange stage show that will probably feature some real trippy effects.
Perhaps the biggest reveal is the fact that Disney sees Avengers Campus as the first step in expanding Marvel theme parks around the globe, with a map showing another Avengers Campus in Paris, a Stark Expo in Hong Kong, and a Xandarian Outpost in Orlando. These cities are, of course, home to Disney parks so don’t be surprised if the next decade features Marvel theme parks spreading all over the world. And based on the fact that Endgame is officially the highest-grossing movie of all time, we can’t imagine anyone will be too upset.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
After the stories of Jango and Boba Fett, another warrior emerges in the Star Wars universe. “The Mandalorian” is set after the fall of the Empire and before the emergence of the First Order. We follow the travails of a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic.
Pedro Pascal, best known as Game of Thrones‘ Red Viper of Dorne (Prince Oberyn, for those of you who refuse to become obsessive fans), stars as the titular character, a bounty hunter heavily inspired by the infamous Boba Fett. The series will take place after Star Wars: Episode VI — Return of the Jedi and before The Force Awakens.
Check out the trailer right here:
The Mandalorian | Official Trailer | Disney+ | Streaming Nov. 12
The Mandalorian | Official Trailer | Disney+ | Streaming Nov. 12
“I’m trying to evoke the aesthetics of not just the original trilogy but the first film. Not just the first film but the first act of the first film. What was it like on Tatooine? What was going on in that cantina? That has fascinated me since I was a child, and I love the idea of the darker, freakier side of Star Wars, the Mad Max aspect of Star Wars,” creator Jon Favreau told The Hollywood Reporter.
The opening scenes contain bloody stormtrooper helmets on spikes, so I’d say he’s off to a great start!
The Mandalorian, Disney+
The show, the first Star Wars live-action TV series, will be one of the biggest releases on the new streaming platform Disney+, which will also house Marvel Cinematic Universe shows about Scarlet Witch and Vision, Loki, The Falcon and Winter Soldier, and Hawkeye, among others.
Fans got a peek at footage from The Mandalorian at Star Wars Celebration Chicago, but finally the teaser trailer has been released at D23. In addition, the new poster has been released, unveiling the bounty hunter himself — and that fancy new Disney+ logo.
The Mandalorian will be available to stream right when Disney+ launches on Nov. 12, 2019. The service will cost .99 a month or can be purchased as a bundle with ad-supported Hulu and ESPN+ for .99 a month.
After a full season of plunging into the high-octane, post-service worlds of veterans like Russell Davies, Mike Glover and Jacqueline Carrizosa, Oscar Mike host Ryan Curtis was feeling understandably uneasy about the state of his own manhood.
After all, over the span of 9 episodes, he’d been out-driven, out-paddled, out-shot, out-jumped, and, well, knocked out — not to mention the emotional pasting he took in Navy SEAL-turned actor David Meadow’s acting class.
Each of these vets has taken some slim notion of a civilian future, paired it with the skills and discipline he or she learned in the military, and then proceeded to kick ass with nary a backward glance.
Curtis, however, found himself in need of some help.
Luckily for him, he had a team of “Oscar Mike” vets ready and willing to support their brother, starting with Meadows. Of course, it didn’t go smoothly.
In the season one finale, Curtis learns the most important lesson of all: Lean on your mates. Be there for them to lean on you. Do that, and we’ll all be “oscar mike” together.
Watch him limp toward enlightenment in the video embedded at the top.
In order for a horror film to work, you need to have relatable characters. The more easily the audience can put themselves in the shoes of the cast, the more real the terror. That’s why, when a horror film is geared towards a younger crowd, the characters are primarily teenagers who are made to be as average and generic as possible.
Of course, while veterans come from every walk of life, one thing they all have in common is that they aren’t average. We’re generally brash, crude, and perform well in environments that would freeze your average horror film character.
And to be fair, there have been horror films that feature characters with military backgrounds, like Predator. The problem here is that troops and vets would easily turn any horror film into an action film. In fact, the 2018 sequel to the Schwarzenegger classic seems to be embracing this action/horror dynamic of “vets versus monster.”
But here’s why vets wouldn’t make the best fit in most horror flicks:
We’re not easily scared
Veterans often have a desensitized “fight or flight” reflex. When vets are spooked, it’s rare for them to freeze in place or scream like children. They’re conditioned to hop right into fight mode.
If a twig snaps, vets look in that direction. When someone screams off in the distance, they’re not just going to shrug it off and continue their party in the middle of the woods.
We would organize survivors
Veterans instinctively take control of situations when everyone stands around confused. It doesn’t need to be a life-or-death situation, either. At a kid’s birthday party, for example, vets expertly knifehand their way into getting balloons inflated and cake cut.
Vets would identify who’s useful and smack some sense into the idiots that say, “let’s split up!”
We could make due with few resources
In horror films, survivors often run around looking for supplies. Most would probably settle for finding a pair of safety scissors that they would then inexplicably throw at the unkillable monster.
Meanwhile, the veteran has fashioned a ghillie suit using mud, sticks, and leaves and they’ve found the sturdiest club they could get their hands on — and set it on fire.
We’d probably be carrying
Chances are, the veteran probably doesn’t need to scavenge. The moment the idiot who went skinny-dipping starts screaming bloody murder, a veteran would chamber a round.
Unless the vet is fighting some supernatural force, the credits would start rolling shortly after the knife-wielding clown starts rushing them.
We know how to actually run and start cars
From the most macho grunt to the wimpiest supply guy, everyone has done Land Nav enough times to not trip on their own feet every ten seconds while running through the forest.
If the monster couldn’t be shot to death, the vet probably wouldn’t even bother and, instead, leave. Especially if the monster just comes at them at a walking pace…
We’ve secretly been preparing for this forever
Ask any veteran why they stockpiled arms and supplies and they may joke that it’s for the zombie apocalypse. The moment an actual zombie apocalypse happens, that cache is definitely coming in handy.
We also have at least seven different plans on what to do in every situation. Catching us completely off-guard isn’t a realistic plot point.
*Bonus* The downside to being a veteran in a horror film
But realistically our f*ck-off attitude would get us killed. The masked killer would probably show up, covered in blood, and we’d mock them for whatever reason. That’s maybe not the best idea…
On stage, Gary thanked Second World War veterans for “defeating tyranny over 70 years ago”.
“Just imagine the world if we had not succeeded in defeating that tyranny all those years ago,” he said.
“I’m grateful for these heroes and all who continue to defend us. It’s a gift to be able to use some of the success that I’ve had in the movie and television business to try to do some good for those who serve and sacrifice each day for our precious freedom,” he added.
“It’s a great country. I’ve been so blessed over the years.”
General Robin Rand, head of the US Air Force Global Strike Command, described Gary as a “true American patriot”.
Addressing Gary on stage, he said: “My friend and brother Gary doesn’t stop. Like a tiger in battle, he doesn’t quit. He’s just there for us, quietly and without fanfare. You’re a humble servant and you’re a valued friend to American warriors who serve in ill forgotten places. Your star is a legacy of service and a legacy of love.”
Other guest speakers at the event included “Everybody Loves Raymond” actress Patricia Heaton and “Criminal Minds” star Joe Mantegna.
Gary was presented with the 2,606th star on the Walk of Fame.
The Falcon and the Winter Soldier finale had a lot of loose ends to tie up — and a lot of Phase 4 fun to set up. The series began with Sam hesitant to accept the legacy left to him by Steve Rogers and Bucky traumatized from his past. By the end of the action-packed finale, both men have found what they were looking for.
The focus of this episode — and one of the most timely and relevant arcs of the series — was Sam’s journey to become Captain America. After a lot of struggle, he became Captain America the same way that Steve Rogers did — through the integrity of his actions. With his new flight suit from Wakanda, Sam was able to hold his own against Super Soldier Flag Smashers, the acrobat, crashing helicopters and plummeting trucks.
In sharp contrast to John Walker’s downfall, Sam’s heroics were also caught on camera and seen by the public. The message was clear: This is what Captain America looks like.
And while for many Black people in America and around the world a happy ending may feel too perfect, too unrealistic, Marvel has made it clear they are bringing messages of hope in their stories.
Sam’s final victory was not in combat: it was in speaking to the lawmakers in the Global Resettlement Council and asking them, “Who is in the room with you when you’re making decisions?” He pointed out unless the people in power consult with the people who need their help, they’ll never actually be of service.
A moment that hits hard is when Bucky, seeing his friend in action, finally calls Sam “Cap.”
Bucky remains a stalwart wingman, an epic fighter and a man of humor throughout this episode, but it’s in the finale’s final moments when we really see his healing come to fruition. He finally crosses the last name off his list: Yori, the father of the man he’d killed as The Winter Soldier. In offering Yori closure, Bucky found some of his own. Seeing him celebrate with Sam’s family, laughing and playing with the children feels like the happy beginning for the World War II vet.
Sam returns to Isaiah’s home, where we can see the healing that has transpired for Isaiah through Sam’s actions. Isaiah acknowledges that Sam accomplished something he’d never dared dream of: a Black man has become Captain America.
More than that, in one of the most touching moments of the show, Sam brings Isaiah to the Captain America exhibit at the Smithsonian and reveals that Isaiah and his men have been included in a tribute of their own, finally telling their story that the world may never forget.
John Walker makes an appearance here in an “the enemy of my enemy is my friend” moment. It was a nice touch to give him a choice between attacking the Flag Smashers or saving a truck filled with hostages. Walker chose to save the hostages, reminding us of the man he was — the man with Medals of Honor who served with valor in the Army.
No one is ready for a full John Walker redemption story — but perhaps he will be more understood going forward. It’s clear Marvel has plans for him. Contessa Valentina Allegra de Fontaine gives Walker his new suit and title — U.S. Agent — and warns us all that “things are about to get weird.” Can’t wait.
When Sharon shows up with WMDs and straight up murders a Flag Smasher with a chemical agent, I knew it wasn’t good. We learn that during her time on the run, Sharon was the eponymous Power Broker, responsible for funding Dr. Nagel’s Super Soldier research, running the criminal underworld of Madripoor, and influencing the actions of the Flag Smashers.
She kills Karli Morgenthau, the teenager she was responsible for radicalizing, and finally earns her pardon from the U.S. government, who offer her a position within the CIA. She accepts and makes a call to an unknown entity, promising access to “government secrets, prototype weapons, you name it.”
Whether Marvel will order more from these heroes remains unknown (though Sebastian Stan has reportedly said he’s down for anything) but it feels great to see the Disney+ title card shift at the end of the episode. Though it would have been even better to see “Captain America and the White Wolf”… just saying…
Based off the book, “The Liberator: One World War II Soldier’s 500-Day Odyssey from the Beaches of Sicily to the Gates of Dachau,” written by Alex Kershaw and produced by A+E Studios for Netflix, is the story of Captain Felix Sparks (Bradley James) and the Thunderbirds’ incredible battle against the Axis Powers in Nazi controlled Europe. Using state of the art Trioscope Enhanced Hybrid Animation, the story is coming to life this Veterans Day, November 11, only on Netflix.
War movies have always been a bastion of innovation when it comes to experimental new styles and effects that, when successful, influence the film industry for years to come. Every tink, bang and boom draw us closer in an attempt to push the limits of movie magic. Between the rounds and dirt, the audience and characters, leave home behind to experience something greater than themselves.
Experimental visuals, cutting edge sound design and a strong narrative backed by a best selling book about a bad ass warrior?
Yeah, I’d watch that.
Trioscope Enhanced Hybrid Animation looks similar to the art style of Telltale Games used in The Walking Dead video game series. The Walking Dead Telltale series was cancelled due to behind the scenes changes but the audience demanded the series finished – and it was. Unprecedented proof that a strong story and this captivating style choice is enough to keep fans demanding for more.
GLENN ASAKAWA Getty Images
Felix Laurence Sparks
Felix Sparks was born on August 2, 1917 in San Antonio, Texas, and enlisted in the U.S. Army in 1935. His leadership would guide him and the 157th Infantry Regiment, 45th Infantry Division, through a literal odyssey across Nazi controlled Europe from Sicily to stepping through the threshold of the Dachau concentration camp.
There are no words for Dachau, and even the pictures of its horrors are pale beside its realities. Veterans of six campaigns to whom death was commonplace, sickened and vomited at Dachau. Not the sight and smell of death did this, but the decaying evidence of human cruelty that was beyond the understanding of the normal mind. Dachau was rot and stench and filth. Dachau was Hitler and the SS. And, deny it though its people did with every breath, Dachau was Germany of 1933-45. Let Dachau live in our memories. – Personal account by Felix L. Sparks Brigadier General, AUS(Retired)
Captain Felix Sparks is played by Bradley James whom you may recognize as Giuliano de’ Medici in another of Netflix’s powerhouse TV series Medici: The Magnificent. His portrayal of Captain Sparks stays true to the book. Historical accuracy has always been important to our warrior community and Bradley’s performance lands it.
45th Infantry Division, Thunderbirds
When you hear about the 45th Infantry in WWII as a history buff you know you’re in for a wild ride. First of all, the Division’s symbol used to be the a Swastika before the war. It was an ancient Native American symbol and used to honor the population of the South Western United States. However, once the Swastika was affiliated with the Nazi Party, it was charged to the Thunderbird we know today.
Second of all, the battles. The 45th goes through it all, from being on the sidelines as a National Guard Unit in Oklahoma to kicking down the doors of the Reich in Germany. I will not mention them here as to not risk any spoilers but if you’re a history buff like me, you know which parts I’m looking forward to.
Lastly, this is definitely something to curl up with a MRE and a beer to watch on Netflix on Veterans Day. ‘Murica!
Your division is one of the best, if not the best division in the history of American arms.” – General George S. Patton
Don’t miss the premiere on Veteran’s Day November 11th, 2020!
A small office in Los Angeles is responsible for determining whether the Department of Defense will support some of Hollywood’s biggest military blockbusters.
Overseen by former Navy videographer Phil Strub at the Pentagon, the Wilshire Blvd. office houses personnel from the Air Force, Navy, Army, and Marines. In Hollywood, it’s the first place filmmakers look if they need support from the military.
“Our criteria [for which films we support] are very broad and rather subjective,” Strub told the Army Times in 2013. “We’re looking for an opportunity to inform the American public … At the same time, we look at whether we can support it logistically. We’ve been pretty busy.”
Hollywood is usually willing to play ball with Strub because his blessing means a huge break for a film’s production budget.
[Last year’s] Oscar-nominated “Captain Phillips,” for example, used a U.S. military guided missile destroyer, an amphibious assault ship, several helicopters, and members of SEAL Team Six, who play themselves but are not on active duty — all courtesy of the U.S. Navy, who were able to work the shoot into their training.
Hollywood has enjoyed support from the U.S. military for almost as long as films have been made. Indeed, the first film to receive an Academy Award for Best Picture in 1927 was the silent film “Wings,” which had support from the Army Air Force to accurately portray training and combat during World War I, according to DoD Live.
In addition to films, the office also helps with television shows, music videos, and video games. Recent projects that were supported include “Iron Man 2,” “Army Wives,” and “Terminator Salvation.” But it has also offered support to other massive Hollywood blockbusters, such as “Top Gun,” “Act of Valor,” and “Black Hawk Down” — which received military technical advisors, weapons, vehicles, helicopters, and even a real-life Ranger regiment to ensure accuracy, according to About.com.
Not all military movies get the Pentagon green-light however. “Apocalypse Now,” “Platoon,” and “The Deer Hunter” received no military support, according to About.com. The same goes for recent films like “Zero Dark Thirty” and “Argo,” according to Business Insider.
“Films are denied Pentagon support by Strub if they show the military in a negative light, such as scenes that include drug use, murder, or torture without subsequent punishment,” writes Aly Weisman at BI.