It’s right up there with Rogue One as one of the greatest Star Wars stories yet. From Jedi lore to fan favorite characters to stunning visuals, this is the kind of episode we’ve been waiting for from The Mandalorian.
Spoilers through Season 2 Episode 5 ahead.
We’ve suspected for a while now that Rosario Dawson would make her appearance as Ahsoka Tano in this episode and we were not disappointed. Episode writer and director Dave Filoni nailed this episode, beginning with the foggy outskirts of Calodan on the planet Corvus. The brownness of the forest wastes mixed with the white blades of Ahsoka Tano’s lightsabers made for an incredible display of her abilities.
And her character.
For anyone who has not seen Star Wars: The Clone Wars, Ahsoka Tano was assigned by Master Yoda as the apprentice and Padawan learner of Anakin Skywalker. She served in the Grand Army of the Republic, fighting against enslavement and oppression across the galaxy. She faked her own death during Order 66 and, among other notable adventures, she confronted Darth Maul, Darth Sidious, and Darth Vader — her old Jedi Master.
So it was no surprise that she would now be taking on an Imperial tyrant known as Morgan Elsbeth, who threatens to torture and kill civilians if Tano refuses to comply with Elsbeth’s orders. Tano, instead, gives Elsbeth one day to give her the information she seeks before disappearing into the mist.
The next morning, Djarin and his little charge arrive on Corvus and enter the city. Elsbeth tries to hire him to kill Tano, thinking a Mandalorian would jump at the opportunity to take out a Jedi. She offers a spear made of pure Beskar Steel as payment.
Without accepting her offer, Djarin asks where Tano can be found.
After a pretty cool confrontation (Beskar vs. Lightsaber — fun!), Djarin announces that he’s been sent by Bo-Katan — but it’s the moment that Tano sees the Yoda Baby that really makes things interesting. Remember, Tano knew Master Yoda; she recognizes the Child’s species. She’s then able to communicate with him and she learns many things.
First and foremost, his name is Grogu. He was a Jedi Padawan during the purge of the Jedi, when he was secreted away for his protection. After he was captured by the Empire, he suppressed his powers in order to hide and survive.
Tano senses much fear in him and decides not to train him. Instead, she tells Djarin that his connection with the child is strong and they should let Grogu’s abilities with the Force fade. Djarin, still mission-oriented, insists that the Yoda Baby be returned to the Jedi. He offers to help Tano free Corvus from Elsbeth in exchange for taking the child.
They make an excellent team, swiftly taking out Elsbeth’s forces — along with a few small hero moments from brave civilians — very in line with one of the best themes of Star Wars wherein any one person can make a difference. Tano fights Elsbeth in a cinematically fantastic scene, demanding to know where her mysterious master is. Upon her victory, we also learned the name of said master: Grand Admiral Thrawn.
To which I gleefully shouted, “Oh sh**!”
Because when I was a nerdy middle-school kid, you better believe I was reading Timothy Zahn’s Heir to the Empire and the Thrawn trilogy. Though those books have since been decanonized, Thrawn was re-imagined in Star Wars: Rebels, where he served as the final main antagonist. He was last seen disappearing into hyperspace with the Rebels protagonist, Ezra Bridger — and Tano was last seen setting off on a quest to find him (along with the Mandalorian Sabine).
It would seem that Disney is, very cleverly, opening doors for live action films or series about not only Bo-Katan, but Tano, Ezra, Sabine, and of course Thrawn, as well.
In the end of this episode, Tano still refuses to teach little Grogu — but she does tell Djarin of a sacred Jedi site where Grogu can choose his own path, and perhaps call out through the Force to one of the few remaining Jedi. Oh, and she gives Djarin the spear.
The world is abuzz for the new trailer for Top Gun: Maverick that dropped during the San Diego Comic-Con – and no one is more curious than the United States Department of Defense, who lent considerable support to the film’s production. And why not? The first Top Gun was quite possibly the Navy’s best tool for recruiting new sailors since the draft.
But support from the Pentagon didn’t come without some strings attached (it never does). In exchange for support from the DoD, the film’s producers and Paramount Pictures had to agree to give the top brass an exclusive screening before the film is made public.
Not a bad exchange.
Most importantly for the filmmakers of Top Gun 2, the production staff was able to fly aircraft around secured facilities and restricted airspace usually reserved for Naval Aviators. Also important for a movie depicting Naval Aviators, the production crew received escorted access to a Nimitz-class aircraft carrier. For safety, the cast and crew were also trained by the Navy’s sailors in the art of water survival and aircraft ejection seats.
Two things Goose could have really used.
On top of the unparalleled access to Navy facilities, ships, and F/A-18 Super Hornets (as well as the ability to place cameras in the cockpits and on the fuselage of these Super Hornets), the Navy gave Top Gun: Maverick staff a staff of Public Affairs troops in order to “review with public affairs the script’s thematics and weave in key talking points relevant to the aviation community.” On top of the PA crew, a Navy subject matter expert was on hand during filming to ensure action scenes were depicted with accuracy. Of course, the Navy also reviewed the days’ footage to ensure there were no security violations.
The coolest part (if you were in the Navy at the time, I mean) is that active-duty troops and real Naval Aviators were used as extras and background in the film. Tom Cruise and Val Kilmer reprise their original roles and are joined in the cast by Ed Harris, Jon Hamm, Miles Teller, Glen Powell, and Monica Barbaro. Top Gun: Maverick hits theaters in 2020 and the Pentagon shortly before that.
Every year, a new “Call of Duty” game comes out — it’s an annual franchise, like “Madden” and “FIFA,” except it’s a first-person shooter instead of a sports game.
2017 is no different, and this year’s “Call of Duty” is on the verge of being revealed. On Friday we found out one crucial detail about the unannounced game, demonstrated in this image:
The new game is named, “Call of Duty: WWII.”
That’s important for a few good reasons, but one stands out: It means that the “Call of Duty” franchise is returning to a type of warfare it otherwise abandoned years ago. Aside from the setting, the time period means slower weaponry with less precision and fewer bullets — a notable change from the type of futuristic weaponry seen in recent “Call of Duty” games.
2016’s “Call of Duty” was set in space, in a near-future that leaned more sci-fi than gritty realism. You could literally run on the walls, and double-jump with rocket boots.
The newest game in the “Call of Duty” franchise is being created by Sledgehammer Games, the same studio behind “Call of Duty: Advanced Warfare.” That’s also a good sign, as “Advanced Warfare” was an especially good entry in the annual franchise.
There’s no release date or game console specified in the information provided, but we’d guess that “Call of Duty: WWII” will arrive in November on the Xbox One, PlayStation 4, and PC. And maybe Nintendo Switch? Maybe.
In 2001, DreamWorks and HBO Films released one of the most critically acclaimed miniseries. Band of Brothers follows a group of well-trained Army Paratroopers as they go from grueling training to being thrust into the hell that is World War II. The story chronicles the unique bond of the brave men of Easy Company, 506th Parachute Infantry Regiment, 101st Airborne Division.
Spielberg proved his ability to faithfully capture the intensities and personalities of World War II in his 1998 blockbuster, Saving Private Ryan. This time around, Spielberg took the executive producer’s chair.
Although many people are familiar with this amazing piece of film, there are a few facts about the classic miniseries that even the most die-hard fans don’t know.
The actors went through a tough, 10-week boot camp
To get the actors to appear like real paratroopers, the producers turned to decorated Marine veteran Capt. Dale Dye to get the on-screen talent up-to-speed on World War II-era infantry tactics. Capt. Dye was on a mission to not only educate the talented cast on how to maneuver and communicate, but to expose the actors to the real exhaustion that paratroopers endured in combat.
This way, the actors would get an emotional understanding. When it was time to film a tough scene, they had their own personal references to draw from, making their reactions organic and realistic.
Since the miniseries covers multiple characters from different countries, the costume designers had to come up with 2,000 authentic German and American combat uniforms — including approximately 500 pairs of era-appropriate jump boots.
In order to get the details just right, the costume designers spent countless hours researching materials, manufacturing techniques, and design choices.
Tom Hanks watches as dozens of extras fall in line and head to the set
The massive production took a total of three years and cost over 0 million. The scenes were shot primarily on a 1,100 acre back lot located in Hatfield, England. 12 acres of land were continuously modified in order to work for 11 different on-screen locales.
“It’s about five things bigger than what we had on Saving Private Ryan,” executive producer Tom Hanks reported.
Nearly every fan of film has seen 1998’s Saving Private Ryan. Aside from the powerful performances from talented actors, the audience enjoyed incredibly lifelike explosions and gunshots. By the time the crew had finished filming the third episode of Band of Brothers, they’d already surpassed the number of explosions and squibs used in entirety of Saving Private Ryan.
While setting to film TheBattle of the Bulge,the production department constructed a massive forest inside an airport hangar. To make the scene feelrealistic, they neededvegetation. So,the production turned to the special effect department whobuilt nearly250 hollowed-out trees,made from fiberglass, hemp, and latex.
When a tree exploded on set, most of the debris fell on top of the actors,helping them deliver an authenticon-screen performance.
Stories of heroism have been a fascination for humans for as far back as we can trace our sentient history. From ancient tales like The Epic of Gilgamesh and The Iliad to modern blockbusters like Saving Private Ryan and Band of Brothers, war stories permeate our culture and entertainment.
It’s especially poignant when warfighters themselves share their own experiences. As military veterans transition from their service to a career in the arts, so too do the military stories themselves begin to morph, adding insight into the warrior that hasn’t always been associated with the archetype.
It can be easy to place the hero on a pedestal, but it is critical to remember that every war story is, at its core, a story about mankind. With this in mind, stories told from the perspectives of the veterans themselves carry with them the authenticity and the humanity of the military.
These are five veteran storytellers to watch in the coming months:
“SEAL Team” partners with former special forces for guidance
“What we’re trying to do as a group is make something that’s not real, obviously, but to make something that’s authentic and feels authentic,” said Tyler Grey about SEAL Team on CBS. Former Army Ranger Tyler Grey was, in his own words, “blown up on a nighttime raid in Sadr City, Baghdad, in 2005.” He was medically retired after sustaining a critical injury to his arm, which still bears the scars from that attack.
Now, he gets to use his training and experience to help tell the stories of U.S. Navy SEALs. His role on SEAL Team has ranged from consultant to actor to producer. This season, Grey tackled another title: Director. He helmed Season 3 Episode 10, which will mark his first foray into television directing.
After his military service, U.S. Marine Graham Roland started his writing career working for iconic projects like LOST, Fringe, and Prison Break. In 2018, he released Tom Clancy’s Jack Ryan on Amazon with co-Showrunner Carlton Cuse.
“I may never do a show that big again, in terms of budget,” he told We Are The Mighty. “We shot all over the world, on five continents. It was awesome and a huge learning experience. It was a huge property and there were a lot of people involved with a lot at stake.”
After creating a second season of the successful show, Roland has now shifted his focus to a new project with HBO that is based on the Navajo Nation in the 1970s.
Fox has given a put pilot commitment to #ChainOfCommand, a one-hour drama from writer April Fitzsimmons, @jamieleecurtis, Berlanti Productions and Warner Bros. TVhttps://deadline.com/2019/10/fox-drama-chain-of-command-april-fitzsimmons-jamie-lee-curtis-greg-berlanti-put-pilot-1202766505/ …
U.S. Air Force veteran April Fitzsimmons is writing Chain of Command, a Fox pilot that will tell the story of “a young Air Force investigator with radical crime-solving methodology who returns to her hometown to join a military task force that doesn’t want her, a family who has traumatized her, and must confront the secrets that drove her away,” reports Deadline.
This isn’t the first adventure into military storytelling for Fitzsimmons, whose credits also include Doom Patrol, Valor, Chicago P.D., and Chicago Justice. She is also the director of the Veterans Workshop at the Geffen Playhouse in Los Angeles, where she mentors veterans as they write and perform original monologues that deconstruct the idea of a hero.
She’s also a mentor for the Veterans Writing Workshop at the Writers Guild Foundation, paying it forward to a community of future writers who served.
ABC Developing Navy Flight School Drama Produced By Freddie Highmore http://dlvr.it/RFmSGy pic.twitter.com/0iDHPb6V4n
After his active duty service in the United States Navy, David Daitch joined the Naval Reserves and started working as a technical advisor and a writer. Together with his writing partner, Katie J. Stone, Daitch’s writing credits include USA’s Shooter and Call of Duty: Modern Warfare Remastered. In October 2019, Deadline announced that Daitch’s next endeavor will be Adversaries, a drama that centers on the leader of the Navy’s Top Gun fighter pilot school in Key West.
Daitch and Stone have teamed up with Sean Finegan to write and executive produce the pilot, with Freddie Highmore producing. Adversaries will tackle the intensity of the male-dominated pilot training environment.
Our writer for the finale…. Brian Anthony and our very own @monty11bravo who was an actor this evening @NBCNightShift #NightShiftpic.twitter.com/3RHTsnFxKj
U.S. Army vet Brian Anthony has a steady career in service of adding authenticity to film and television’s portrayal of the military. Most notably, he has been a producer and writer for series like FBI and The Night Shift, the latter of which notably created an episode that was both written and directed by military veterans and featured them in multiple guest roles on camera.
Anthony also serves as a mentor for the Writers Guild Foundation Veterans Writing Workshop, where he helps his fellow vets develop their writing careers.
Featured Image: David Boreanaz and Tyler Grey in SEAL Team (CBS Image)
If your battle buddy fought in 17 major battles, saved an entire regiment from a chemical attack, and then pulled everyone out of an artillery barrage before he went back to find the missing and wounded, you’d probably feel pretty good about having him around.
No wonder he was the only dog to ever receive a combat promotion.
Yes, the aforementioned heroic NCO that saved upwards of a thousand American GIs on World War I’s Western Front was a bull terrier mutt named Sgt. Stubby. There was even a movie made about him in 2018, just in time for Stubby’s 100th anniversary of becoming a soldier.
A private in the U.S. Army’s 102nd Infantry, 26th Yankee Division named J. Robert Conroy smuggled Stubby to Europe along with the rest of the American Expeditionary Forces in 1918. Though not specifically trained to fight the Germans, Stubby was like any other soldier. He learned the bugle calls, the drills, and even a sort of pup-salute when called to attention.
Stubby was more than a mascot. His unit fought in four major offensives that are now enshrined in history books as pivotal battles of World War I: Aisne-Marne, Champagne-Marne, Saint-Mihiel, and Meuse-Argonne. With 17 battles total, Stubby and the 102nd fought for a total of 210 days – more than any other American division during the war.
He was able to sniff out mustard gas before it became a danger to his fellow troops – especially when they were sleeping. He earned his first combat promotion to Private First Class for just such an action. He even had his own gas mask when needed. Not to spoil the ending, but Stubby survived the war. That doesn’t mean he escaped unharmed.
At St. Mihiel, Stubby was wounded by shrapnel after an artillery barrage decimated the 102nd. He wasn’t out of the fight for long. During the Meuse-Argonne Offensive, he chased down a German spy hiding in nearby bushes and dragged the man back to the American lines. For his effort, his fellow soldiers awarded Stubby the Iron Cross – removed from his captured prisoner’s uniform.
After the war ended, Stubby was a hero. He was invited to the White House many times and met three Presidents: Woodrow Wilson, Warren G. Harding, and Calvin Coolidge. As a soldier, however, his greatest honor was the gold medal awarded to him and his fellow soldiers from the 102nd from Gen. John J. Pershing himself.
Since Stubby was a stray, no one really knows how old he lived to be. But he died in Conroy’s arms in 1926, a life member of the American Legion, YMCA, and the Red Cross. After he died, his body was preserved by a taxidermist and sent to the Smithsonian Institution. You can see the actual Stubby at the Smithsonian in Washington, D.C., in uniform – along with all his medals and awards.
Watch the trailer of Stubby’s movie below, or see the whole movie on Hulu Premium.
Before he was wielding lightsabers in Star Wars or blowing up Twitter with Marriage Story, Adam Driver was a Marine with 1/1 Weapons Company, 81’s platoon, out in Camp Pendleton, California.
“I joined a few months after September 11, feeling like I think most people in the country did at the time, filled with a sense of patriotism and retribution and the desire to do something,” he stated in his opening remarks.
He joined the Marines and found that he loved it.
“Firing weapons was cool, driving and detonating expensive things was great. But I found I loved the Marine Corps the most for the thing I was looking for the least when I joined, which was the people: these weird dudes — a motley crew of characters from a cross section of the United States — that on the surface I had nothing in common with. And over time, all the political and personal bravado that led me to the military dissolved, and for me, the Marine Corps became synonymous with my friends,” he shared, voicing the brotherhood that many veterans feel while in service.
Then, months before deploying to Iraq, he dislocated his sternum in a mountain-biking accident and was medically separated.
“Those never in the military may find this hard to understand, but being told I wasn’t getting deployed to Iraq or Afghanistan was very devastating for me,” he confessed.
Those of us who wore the uniform but never deployed know exactly what he means.
It’s a different type of survivor’s guilt, a common response to surviving a life-threatening situation. In this case, it’s about not even going into that situation. In the eighteen years since the 9/11 attacks, our military has kept a high deployment tempo. Many of our friends never returned.
And for those of us left behind — whether because our mission was elsewhere in the world or, like Driver, we were medically ineligible for combat — well, it’s a shitty feeling.
“I have a very clear image of leaving the base hospital on a stretcher and my entire platoon is waiting outside to see if I was OK. And then, suddenly, I was a civilian again,” blinked Driver.
“It’s a powerful thing, getting in a room with complete strangers and reminding ourselves of our humanity, and that self-expression is just as valuable a tool as a rifle on your shoulder.” Or a lightsaber at your hip?
“I was surprised by how complex the transition was from military to civilian. And I was relatively healthy; I can’t imagine going through that process on top of a mental or physical injury. But regardless, it was difficult,” he shared, voicing what many veterans have felt after their service.
He struggled with finding a job. “I was an Infantry Marine, where you’re shooting machine guns and firing mortars. There’s not a lot of places you can put those skills in the civilian world,” he joked.
He also struggled with finding meaning in acting school while his friends were serving without him overseas.
“Emotionally, I struggled to find meaning. In the military, everything has meaning. Everything you do is either steeped in tradition or has a practical purpose. You can’t smoke in the field because you don’t want to give away your position. You don’t touch your face — you have to maintain a personal level of health and hygiene. You face this way when “Colors” plays, out of respect for people who went before you. Walk this way, talk this way because of this. Your uniform is maintained to the inch. How diligently you followed those rules spoke volumes about the kind of Marine you were. Your rank said something about your history and the respect you had earned.”
Find out more about how he went from Marine to actor in the video above — and how he has found peace in service after service — in the video above.
“Avengers: Endgame” was one of the biggest films of 2019, earning more than $1 billion at the box office.
The film, which was a culmination of a decade of Marvel movies, featured time travel, heartbreaking moments, and a major battle sequence. Larger-than-life moments were made possible through the use of computer-generated imagery (also known as CGI) and other special effects. And oftentimes, the most exciting scenes in the movie were filmed in front of a green screen.
In a new video shared by Marvel Entertainment, “Endgame” visual effects supervisor Dan DeLeeuw broke down the film’s major battle sequence with Ryan Penagos.
Keep reading to see how different “Endgame” looks without special effects.
The superheroes returned after stepping through portals.
WARNING: CONTAINS SPOILERS FROM “DRAGONSTONE,””STORMBORN,” AND “THE QUEEN’S JUSTICE.”
Daenerys Targaryen (played by Emilia Clarke) has had a bad couple of weeks in this penultimate run of “Game of Thrones.” As of the first three episodes in season seven, her forces are well on their way to being defeated in detail.
For the audience, this makes for satisfying conflict and suspense. Most everyone is rooting for fall of Cersei at the hands of Khaleesi, and this will make their final showdown exceptional.
But we can’t help but note that if the Mother of Dragons had studied a little U.S. military history, she might not have suffered such losses. Instead, Daenerys has managed to blunder away large parts of her forces — and her advantage over the Lannisters — and she did it with a number elementary mistakes that cadets at West Point or Annapolis could have pointed out in an instant.
This is not exactly a resume-enhancer for the Commander-in-Chief of the Seven Kingdoms.
Check out her four biggest mistakes since returning to Westeros:
1. Dispersion of Forces
She made the decision to split her naval forces, trying to do too much at once. She sent part of her fleet to pick up the Dornish Army and to bring them back to Dragonstone, while sending the rest to deliver the Unsullied to take Casterly Rock.
Japan made similar mistakes in the weeks leading up to the Battle of Midway, costing them a light carrier sunk, two fleet carriers rendered combat ineffective due to battle damage or losses, and two other carriers with substantial combat power diverted to a secondary task.
2. Failure to Secure Control of the Sea
Knowing that Yara and Theon Greyjoy were fleeing from the person who had usurped the throne of the Iron Islands, Daenerys should have sought to replicate the Battle of the North Cape, in which a pair of convoys was used to draw out the German battlecruiser Scharnhorst to where it could be destroyed by a superior force (or in this case, by the dragons). After that she could transport armies at leisure.
Instead, she didn’t deal with the enemy fleet, and look what happened.
3. Acting with Inadequate Intelligence
Daenerys also failed to establish a means to determine enemy intentions, which, as Joe Rochefort proved, can be vital to defeating a foe. As a result, the Tyrells, not to mention their fortune and bannermen, fell to the combined Lannister/Tarly army.
4. Observing Restrictive Rules of Engagement
Daenerys did have the option of going straight at Cersei Lannister, but declined due to concerns about civilian casualties.
This has been a subject of controversy during conflicts throughout history. Every military leader is faced with measuring out the cost of “collateral damage” and so, too, must Daenerys — especially when her opponent has no sense of moral restraint. How many more losses will she suffer before she resorts to fighting at Cersei’s level?
Hopefully by now she must know not to underestimate her enemy…especially considering Cersei’s hiding a surface-to-air missile under King’s Landing…
Brace yourselves — the death of at least one dragon is coming. (Game of Thrones screenshot | HBO)
Peter with his platoon at Army boot camp. He is third row from bottom, far right. Photo credit Peter Markle.
Peter Markle grew up during a period of intense change for the country with the Civil Rights Movement and the Vietnam War etched into his mind. His father proudly served in WWII in the Pacific where he brought those hard-learned lessons and values back to the family, which greatly impacted Peter. After time in the U.S. Army Reserves and on the USA Hockey Team, Markle decided to become a filmmaker. He has directed many great films, especially military and historical ones, to include Bat 21, Faith of my Fathers, Flight 93, Saving Jessica Lynch, Nightbreaker and Youngblood. Markle has also directed numerous episodes for hit shows including the X-Files, CSI, Without a Trace, Life, NYPD Blue, Burn Notice, Rescue Me, ER and Homicide: Life on the Street.
WATM: Tell me about your family and your life growing up?
I was born in Danville, PA. in the Geisinger Hospital that my mother’s father started. We lived on a farm outside Hazelton, PA. I have vivid memories from my first years there. The barn and particularly the hay loft, the fresh fruit that was picked daily in season, the creek where one of the workers killed a water moccasin one day. In first grade we moved to Minneapolis where my father got a job at a bank and I was introduced to a real winter. And the rink directly across the street in the park where I discovered ice hockey.
When I grew up there was no social media and absolutely no restrictions what you did with your free time when not in school. We had a black lab that left the house in the morning with us, went on his own way when he got bored with our activities which included exploration, sports, fishing etc. My dad hung a huge bell that could be heard
a half a mile away which was rung for lunch and dinner. The dog was always the first one back. Times have changed. We had enormous freedom and there was no temptation to bury our faces in smart phones. All activity was self-created.
I distinctly remember being fascinated the movies and got completely lost in them at the local cinema which is still there today. One of my favorites was Shane with Alan Ladd. Years later his son, Alvan Ladd, Jr. greenlit one of my films (Youngblood).
Markle with Flint Generals (IHL). Photo credit PM.
I continued hockey throughout high school and my senior year was asked to join the Olympic Hockey development program which ran through the summer. I played at Yale, had a tryout after my senior year with Boston, played minor league hockey and then three years with the US National team participating in two World tournaments.
Markle with the USA team. First row second from the right. Photo credit PM.
WATM: What is the most distinct memory of your mother and your father?
My parents were very social and community involved. My dad was one of the founders the youth hockey program in our area which started with one team and expanded in a few years into 500 participants. My mother worked throughout her life for hospitals concentrating on rehabilitation. Her interest in health care no doubt emanated from her father who was first assistant surgeon to Will and Charlie Mayo and at one point in his career became President of the American College of Surgeons. They were both extremely social and the vast majority of their best friends served in some way during WW2, many as Naval pilots. My dad was interested in everyone he met. He was the best listener I’ve known. That did not imply he didn’t have a point of view. His advice was judicious and more than often accepted. My mother was a community organizer. That would include in her community as well as her hospital work. Her friends would call her in the morning for their marching orders for the day.
WATM:What values were stressed at home?
It was the traditional ‘Golden Rule’. It’s a timeless aphorism and sometimes hard to follow in a competitive world like film but being honest and empathetic wins out in the short and long run. My mother also told me that lying not only was reprehensible but far more difficult to keep track of than the truth. Both underscored that failure was the inevitable pathway to success. It all depends on how you react to it.
WATM: What influenced you to join the US Army, what was your experience and what lessons did you take away from your service?
I graduated from college at the height of the Vietnam conflict and joined the rest of my class in deciding what was the next move. A significant number of the class including myself applied for the Naval OCS (officer candidate school) in the language division which was in Monterey, Ca. The sample copy of the test which was based on a made-up language was circulated around the campus. I remember looking at it and getting the gist of the concept. Apparently, the other students there got the gist as not one of several hundred who took it missed a question. There was some sort of investigation by the Navy, but it was dropped. I did not attend OCS and assumed upon graduating I would be drafted. I was playing professional hockey when I was told to report to Fort Snelling where the Minnesota Army Reserve was located. I was with four other players at the end of a 200-person line when our names were called, and we were told to report to the front. We were all inducted into the Reserves and told that we would all get time off when playing for the US National hockey team including world tournaments. A month later I was in Stockholm.
Peter lining up for the action shot even before becoming a director. Photo credit PM.
I did basic training at Fort Leonard Wood in the middle of the summer. It was incredibly hot and humid. I made fast friends in my platoon and had a great drill sergeant. It was a lot like summer football camp but with longer hours. Up at 4am for a 5-mile run in army boots to lights out at 10pm. I was told that you had to learn how to stand in formation while asleep. Done. We had soldiers who gained 80 pounds (never had more than one meal a day) and others who lost 80 (never ran over 10 yards in their lives before). It was a very different mix from my fraternity in college where we had 4 Olympic Swimmers (including Don Schollander who won 5 gold medals and Calvin Hill who was All Pro in the NFL. As a footnote The President of the frat my sophomore year was Fred W. Smith, founder/CEO of FedEx and decorated US Marine in Vietnam, and for my senior year it was George W. Bush who also ended up in the Air Force Reserves.
The harassment was handed out pretty democratically until the PT contest. Parallel bars, low crawl, 100-yard man carry, the 6-minute mile in army boots, push ups etc. I scored the only perfect score in my company (200 men) and was given the weekend off. That would not have happened if my 98-pound roommate, Eddie Pragg, didn’t let me use him for the man carry.
I have to underscore that my boot camp experience on every level was positive. It was tough but extremely well organized. The officers were exacting but fair. The staff was totally professional. It ran like clockwork at a time when so many were going through the turnstile each day. There are some correlations to making a film where it demands a unified front and an ability to make quick adjustments according to the situation at hand. I was just a grunt in the machine but there were numerous examples among the staff on every level as well as my fellow platoon mates that have stayed with me my entire life.
No one knew other than a small handful of reservists as to whether they would end up in Vietnam. I did not have to confront the prospect of being shipped out. I realized that I was uniquely privileged. I did OJT (on the job training) at Fort Ord in Chicago before ending back in Minneapolis for weekend duty once a month at Fort Snelling. Motor pool, clerical work, city public projects. No riots or disasters to contend with. We did summer camp at Fort McCoy in Wisconsin and in addition to my normal duties and drills I was an editor of the camp newspaper distributed the last day. I decided to take a somewhat satirical angle on the experience and was surprised at the reception. There was laughter, soldiers reading bits out loud and fortunately no reprisals from the brass. I was encouraged to write by my freshman English professor in college and never took it seriously until listening to the reception of my version of ‘The Onion’ distributed around camp.
I would be remiss not to mention that it was my father who was the real soldier. He dropped out of the University of Pennsylvania to join the Navy. He got his pilot license at 17 and became one the youngest flight instructors in the armed forces during WW2. He was assigned to the USS Bataan, a light aircraft carrier, and fought in the last years in the Pacific through the surrender which he witnessed being docked next to the Missouri in Tokyo Bay. Because of his flight experience he was put in charge of the CIC (combat information center) directing planes when airborne, spotted bogies (enemy planes) and skunks (unidentified surface ships) basically directing aerial combat operations along with the brass. They were in the middle of the kamikaze blitz and had numerous close calls. He witnessed both the Bunker Hill and the Franklin take direct hits some less than 200 meters away with the loss of over 1000 sailors. During one Kamikaze attack a sister ship got hit and 19 soldiers were thrown overboard. Dad marked his ship’s position using the DTR (dead reckoning system) and he convinced the brass to take 8 ships after dark for a search. They implemented a staggered zig zag course for six hours and miraculously found the sailors within 10 minutes of the search stop order. To be noted as well, his brother, Alvan, landed on Omaha Beach, fought 5 major battles in the Bulge as an artillery captain and was honored the Chevalier of the Legion of Honneur by the French. He attended the 70th Anniversary of Normandy.
Peter’s father (Thomas) during WWII. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
WATM: What values have you carried over from the Army into directing and writing?
It’s a tiresome analogy but it would be teamwork. I’ve been on series where one show had 4 stages in use at the same time. One devoted primarily to build sets designed for a particular episode, another three with sets for shooting a current episode, pickups from previous episodes and for the next one. Well over 100 people will be working to accomplish the same goal. Each department head is crucial to the mission (production; accounting; director and assistant directors; art; camera; casting; catering; construction; costume; lighting; grip; locations; makeup/hair; medic; post-production; property; publicity; research; script supervision; set dressing; sound; special effects; stand-ins; stunts; transportation; video playback; visual effects. The similarity to the chain of command in the military is obvious. Lots of departments. Lots of personnel. And all interdependent with one another. I guess the ‘weakest link in the chain’ is a prevalent dynamic in both film and the armed forces. I was shooting a film in Borneo (Bat 21) and the special effects department head had set a series of explosions along a path through the jungle Gene Hackman and Danny Glover would run by. This was primarily done using a nail-board which each nail represented an explosion. After going hot contacting the individual nails with metal (could be a screwdriver) set off the blast. The department head said that he was going to use a computer program instead of the old system, the ‘eyeball approach’. I questioned whether it made sense to switch now but he said it was safer. I called action and Danny and Gene started running along a riverbank. An explosion (representing a bomb) goes off so close to them that they both instinctively duck and cover their faces but continue running. The second explosion is closer, and we get the same reaction for the talent. I look over at effects and he is white as a ghost. The shot was incredible, but we almost lost two actors. Back to the nail board. We never told Gene or Danny.
WATM: What is the most fulfilling project you have done and why?
I guess it’s always the first one because you actually pulled off the impossible. It was a low budget comedy called The Personals where no one was paid. It got great reviews and a crazy learning experience. Bat 21 was up there for the subject matter, the location and working with Gene and Danny. Flight 93 was the first 9/11 film and it was done for AE TV. It was nominated for and won a bunch of Emmys. It was also a challenge to write because the majority of the account took place on the plane. The 9/11 Commission report had just come out and had a great deal of information that I was able to incorporate into the film. We covered not only the drama on the plane but also the families as well as the air traffic controllers and military involvement on the ground.
WATM: What was your experience like in working with such talents as Gene Hackman, Danny Glover, Senator John McCain, Kiefer Sutherland, Dennis Hopper, Daryl Hannah, Rob Lowe, Patrick Swayze, Keanu Reeves, Cynthia Gibb, John Candy, Jerry Reed, Joe Pantoliano, Ed Lauter and the like?
After a tryout with the New York Islanders and being assigned to a farm team I made the abrupt decision to become a filmmaker. A good friend of my parents told me something that I never forgot – ‘If you do something you love you increase the odds a hundred-fold that you will be happy and successful.’ I gave it a shot. I ended up doing several military related projects including Bat 21 with Gene Hackman, Faith of my Fathers with Scott Glenn and Shawn Hatosy, Saving Jessica Lynch, Flight 93 and Nightbreaker with Martin Sheen and Emilio Estevez.
All were based on true stories. Bat 21 chronicled the rescue of a 52-year-old Air Force Colonel who was flying a mission to identify through electronic surveillance SAM missile sites that would be knocked out by fighter jets prior to a B52 carpet bombing. His plane was hit by a SAM and he ended up in enemy territory with no ground combat experience. He was guided to his rescue by a spotter plane that flew daily missions tracking him. Gene Hackman played the Colonel and Danny Glover the pilot. Both actors were terrific to work with. Gene prepped at night and arrived early in the day to walk the ‘set’ (only locations in our case). I don’t think I ever did more than 3 takes with him in a scene. Danny is a natural and had great insights into his character. All day aerial shooting was done with him in the plane. It was 95 degrees, humid and our takes had to be limited to seconds in some cases. It was major hazard duty, but Danny embraced it. At times he had control of the stick and relied on our stunt pilot in the other seat to let him know when to bank away.
On the set of Bat 21 with Gene Hackman and Peter. Photo credit Peter.
Clayton Rohner and Danny Glover in Bat 21. Photo credit IMDB.com
Faith of my Fathers was based on John’s McCain’s early days at Annapolis through his release from the Hanoi Hilton where he was imprisoned for 5 years. Shawn Hatosy was remarkable as he had to age 20 years over the course of the film in portraying John. Scott Glenn was perfect, giving an understated yet powerful performance as his father who was commander of all U.S forces in the Vietnam theater. McCain himself visited the set in New Orleans where we reconstructed an abandoned brewery into the prison. One day I watched him walk over to a cell by himself and enter. I joined him and asked him what he thought. His reply, ‘it’s identical. But you know at times I actually miss it.’ Perplexed, I asked, ‘miss what?’ John replied, ‘being there. I made some great friends. It was one of those shared experiences that forms you for the rest of your life.’ That summed up John McCain for me.
Peter, Shawn Hatosy and Senator John McCain on the set of Faith of my Fathers. Photo credit Peter.
Saving Jessica Lynch was a jingoistic, short of the facts script when I received it. I did extensive research which included interviewing soldiers who were in Iraq and one we hired as an extra who was part of the actual rescue effort. The final product told the real story: A convoy consisting of essentially non-combat personnel (cooks and clerks) made a couple of bad decisions and ended up driving through a town inhabited by Fedayeen. The New York Times and other reputable news outlets broke stories that our film debunked. Lynch did not shoot back during the attack. Eleven American soldiers died. She was taken to a hospital and was on her back through her rescue. The Times wrote a retraction after the film aired praising the film for its authenticity.
Laura Regan in Saving Jessica Lynch. Photo credit IMDB.com
Pete and Laura on set. Photo credit PM.
A scene from Saving Jessica Lynch. Photo credit IMDB.com.
Peter directing a scene of Saving Jessica Lynch. Photo credit PM.
Just before filming starts on the set of Saving Jessica Lynch. Photo credit IMDB.com
An action sequence from Saving Jessica Lynch. Photo credit PM.
Nightbreaker was a pet project of Martin Sheen. It chronicled the use of army soldiers as guinea pigs to determine the short- and long-term effects of being exposed to a nuclear blast. This was a story from the 50s when nuclear proliferation was at its apex. Emilio plays Martin role as a young man during the actual tests. It tracks the character in middle age trying to come to terms with his involvement. Both actors were terrific to work with and inhabited the pervasive guilt from being involved in the malignant endeavor. Joey Pantoliano played a Sergeant who was in charge of a platoon of guinea pig soldiers and brought the entire range of conflicted emotions to his part.
Peter with Martin Sheen on the set of Nighbreaker. Photo credit Peter.
Joe Pantaliano, Peter and Emilio Estevez on set for Nightbreaker. Photo credit IMDB.com
Peter and Martin on set. Photo credit Peter.
Flight 93 was the first film about 9/11. Obviously, there was a military component as soon as it was discovered that it was a coordinated terrorist attack. I remember someone seeing the film and mentioning that it must have been harrowing to make. I noted that our fuselage (the real interior of a 757) was flying at an altitude of one meter, zero knots and within a 15 second walk to craft services (snacks). The best we could do would imagine how we would have reacted in the situation. Would we have been that heroic? Would we be at the head of the conga line attacking the cockpit or hiding in the bathroom in the back? Maybe somewhere in the middle? The coordination between the military and the civilian air services was impressive even though three of the four targets were hit. The passengers on 93 had more time to gather information and communicate with ground control so enable them to coordinate an attack.
Peter on the set of Flight 93. Photo credit IMDB.com
What the outside of the set looked like. Photo credit PM.
Peter working with the cast on Flight 93. Photo credit IMDB.com
More on set work for Flight 93. Photo credit IMDB.com
93 was an intense journey as are all films. Lots of moving parts, decisions, conflicts and compromises. But ultimately it is teamwork that wins out.
Rob Lowe, Pete and Patrick Swayze on set for Youngblood. Photo credit IMDB.com
Pete (bottom center) with the cast and some crew of Youngblood. Photo credit IMDB.com
Youngblood was a passion project and a blast to make. It was about a young hockey player from the US trying out for an elite Canadian junior team. Rob Lowe, Pat Swayze and Cindy Gibb were the leads. Keanu Reeves played a goalie and it was his first job in a film. Goalies are characters because it’s such an insane position and he was totally quirky in the audition. Rob was great to work with. He had no previous experience skating but progressed quickly enough for us to make it work. He had two doubles who filled in the action scenes who were both elite players.
Pat was a figure skater and quickly adjusted to hockey skates. Rob would agree with me that Pat was a force of nature. He’d be working on 10 other personal projects when not on the set. He composed the song ‘She’s like the Wind’ in his hotel room using a portable mixing setup. We had two scrimmages a week during prep with crew and our hockey extras. Our extras were elite players (two went into the NHL a month after wrap and had huge careers). An executive from MGM came up to make sure I wasn’t participating in the games for obvious reasons and was taken to the rink and just as he sat down, he saw me collide with another player. Pat who knew the exec was there skated over to me and said ‘stay down. He’ll have a heart attack.’
Rob, Peter, Ed Lauter and Ken James. Photo credit PM.
Pete on the ice with his DP Mark Irwin. Photo credit PM.
Tony Danza, Pete, Nick Tuturro and Samuel L. Jackson on the set of Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Frank Vincent, Tony Danza and Pete on Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Danny Glover and Pete sharing a moment. Photo credit PM.
Dayton Callie, Michael Madsen, Pete and Dennis Hopper on the set of The Last Days of Frankie the Fly. Photo credit IMDB.com
Pete on the set of “The X-Files” with David Duchovny. Lily with the poncho, Pete, David and Melinda (Pete’s wife) Photo credit IMDB.com
Peter and Louis Gossett Jr. on the set of El Diablo. Photo credit IMDB.com
Pete and Daryl Hannah taking a break on The Last Days of Frankie the Fly. Photo credit IMDB.com
WATM: As a veteran, how do we get more veteran stories told in the Hollywood arena?
There are so many diverse stories that can be told. The multiple perspectives include what branch of service, when, the mission, the soldiers involved, fact or fiction etc. Like any project it depends on the strength of the narrative and its ability to attract the actors that help finance the project and the studio/production company to green light it. Personally, I think the number is infinite. All conflicts are different just like every individual is different.
Dennis Hopper, Pete and Kiefer Sutherland on The Last Days of Frankie the Fly. Photo credit IMDB.com
Gillian Anderson and Peter on the set of “The X-Files”. Photo credit IMDB.com
WATM: What are you most proud of in life and your career?
First would be having a family which I did at an advanced age. I met my wife, Melinda, while casting a television film. I guess you could call it an acceptable version of the casting couch. That is to say I wasn’t the only one in the room and it wasn’t at the Peninsula Hotel. She was the best actress for the part, and I was immediately attracted to her by her performance and presence. We laughed and argued (about the role) in the room. I knew she was going to be a challenge, but it has made our lives infinitely interesting. And, of course, I’m a guy and like most of our species have not progressed that much from the stone age. We have two kids, Lily and Lucas. As moms and dads know, when children make an appearance, life as you knew it evaporates. But in a good and challenging way. When they got into their teens, I learned so much. Such as I was a horrible dresser and not to yell at basketball or soccer officials. We taught them both to ski and the progression of literally carrying them down the hill to not being able to ski any of their favorite double black runs with them is humbling. You realize that you can give them some direction but that they are on their own paths and need to fumble and fall and learn to pick themselves up again.
Per career I think it would be not willing to quit. To keep trying. I never had a film gross 100 million and did not play one game in the NHL, but I was rewarded in countless ways for my efforts. I have met so many wonderful, dedicated, talented people along the way which is one of the most valid ways to judge one’s life. And I can say that my time spent in the Army was an integral part of the on-going journey.
The first trailer for “Top Gun: Maverick” dropped July 18, 2019, at Comic-Con in San Diego and in case there was ever any doubt, Tom Cruise proves that even at 57, he is still one of the most badass action stars on the planet.
We learn little about the actual plot but the trailer is able to give viewers a clear idea of the tone of the sequel, as the titular fighter pilot appears to be as talented, fearless, and reckless as he was when we last saw him over 33 years ago. As one of his superior officers — played by Ed Harris — lists off Maverick’s career accomplishments, we see Maverick has not lost his need for speed, as he flies through a desert at full-throttle before ascending up to the sky at nearly a 90-degree angle.
However, it is also made clear that Maverick’s loose canon persona has likely cost him in his career, as Harris’ character notes “you can’t get a promotion, won’t retire, and, despite your best efforts, you refuse to die.” Perhaps Maverick’s love for the sky has kept him from creating a successful five-year plan? Or maybe he just isn’t interested in getting a fancy title if it means giving up his seat in the cockpit. Only time will tell.
Top Gun: Maverick – Official Trailer (2020) – Paramount Pictures
The rest of the trailer is a lays on the nostalgia pretty thick while giving us brief glimpses of new characters. We see Maverick donning his signature aviators and leather jacket and he even hops on his motorcycle to ride alongside a couple of fighter planes. While Harris is the only new cast member featured prominently in the trailer, we do get to see a few new faces, including Jon Hamm, Monica Barbaro, and Glen Powell as one of the new hotshot pilots playing some shirtless volleyball. The cast also features Val Kilmer returning to reprise his role as Ice Man, Maverick’s frenemy, and Miles Teller, who will be playing the son of Maverick’s deceased co-pilot Goose.
The sequel reportedly focuses on Maverick returning to Top Gun as an instructor, where he trains a group of young pilots, including Goose’s son. But, thankfully, the debut trailer lets viewers know that the film will still feature plenty of Cruise in the sky, which should not come as a surprise to anyone who has followed his career over the past three decades. We can’t wait to see Maverick back in action.
“Top Gun: Maverick” come to theaters on June 26, 2020.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
At some point in our military life, most of us pick up a nickname. Most of the time, that nickname is hilarious…to everyone else. How we came by it is a story for the ages. But that seems to be the way it’s been in any armed force for a long time.
After Vikings raiding villages during the Middle Ages, they would then write their exploits in great sagas that detailed their deeds and combat adventures.
But the problem with that was they didn’t have name tapes on their raiding gear. And if they did, a LOT of them would read “OLAF.” How do you tell the story of what two (or more) Olafs did on a single Viking raid, when none of them have last names?
Like military nicknames and callsigns, they came from stories of the person in real life or descriptions of the Viking in question – like “Hálfdan the Generous and the Stingy with Food.”
But they are a critical piece to the warrior’s story and even influence the plot. For example, “Ǫlvir the Friend of Children” earned his nickname because he wouldn’t catch children on spears, which was a custom of the time. That could be a critical piece of literary characterization.
Times have definitely changed since “Þórir Leather Neck” earned his nickname. Today, Marines wear that title with pride, but Þórir was being made fun of for the goofy cowhide armor he tried to make.
And then there are the less family-friendly nicknames.
Like you and your buddy who nicknamed someone “Fartbox” and made it stick, the Vikings of yesteryear were no more mature. Nicknames included Kolbeinn Butter Penis, Herjólfr Shriveled Testicle, Skagi the Ruler of Sh*t, and Hlif the Castrator of Horses.
And then there were the badass nicknames like Ásgeirr the Terror of the Norwegians, Þorfinnr the Splitter of Skulls, and Tjǫrvi the Ridiculer.
The Medievalists tells us that the best source for Viking nicknames comes from the saga that details the colonization of Iceland in the 9th and 10th Centuries.
“Transpecos,” winner of the SXSW Film Festival’s Audience Award, deals with what happens to a Border Patrol agent when he gets dragged to the other side by a drug cartel. It’s an impressive directorial debut from independent filmmaker Greg Kwedar.
Kwedar, whose work includes commercials, documentaries, and short films, took six years to make “Transpecos.” To research the film, he worked with the U.S. Border Patrol, an agency that’s reluctant to share its methods – for good reason. Their mission isn’t just keeping illegal immigrants out of the United States, they’re also fighting a massive, brutal enemy with unlimited funding and firepower, and no rules.
“Transpecos” is the story of three Border Patrol agents, a rookie named Davis (played by Johnny Simmons), a seasoned professional, Flores (Gabriel Luna), and salty veteran Hobbs (Clifton Collins, Jr.). They man a remote checkpoint somewhere near the U.S.-Mexican border. When one stop goes from routine to nightmarish, all three end up fighting for their lives.
“There’s this famous Western line: ‘silver or lead?,'” says Greg Kwedar, the director who co-wrote the script with Clint Bentley. “Money’s not a vulnerability for everyone. They [Border Patrol] have higher standards to live by. The leverage can be their own personal safety or that of their family. If an agent can rise above that then the cartel might say, “Who do you care about? We’ll use them.”
That’s exactly what happens in the film. Drug cartels use an agent’s family to force him to allow shipments of cocaine across the border. The Border Patrol agents find themselves torn between duty and family, between fulfilling their mission and protecting their own.
(Samuel Goldwyn Films)
To get access to the real Border Patrol agents Kwedar and his team went out into the desert and got lost (or pretended to be) in the hopes of finding agents who were on the job — a highly unorthodox and potentially dangerous process.
“Once they realized we weren’t antagonistic, that we really wanted to know more about them and their work, they really opened up to us,” Kwedar says. “They invited us into their world and from that we found real friendships, running the gamut from grabbing a beer in a one-stoplight town to sitting down with their families at dinner.”
The characters – Davis, Flores, and Hobbs – are the heart of the film. The Border Patrol depicted in “Transpecos” could just as well be any military checkpoint or remote combat outpost anywhere in the world. It’s hot and desolate. The guys manning the checkpoint can be just as bored as any troops on deployment at any given time. They even have to go out on foot patrols.
“It was 110 degrees Fahrenheit on some of those days,” says Johnny Simmons, who portrays the green Agent Davis. “Our boots were melting, we were covered in sweat at the end of the day when we took off our Kevlar. My brother is a Marine and working on this film brought me a little closer to what it must be like for him … only he and so many others do it every day.”
The credit for this realism goes to the film’s technical advisor, Sam Sadler. Sadler is a retired Border Patrol agent who joined the service at age 17. Before he retired, he was the second in command at Deming Station, New Mexico, the area where “Transpecos” was filmed. He rode ATVs; he rode horseback. He tracked people through the desert by their footprints, the way Native American tribes used to – a practice still in use by agents today. By the end of his 25 years on the border, Sadler was the go-to guy.
“[Kwedar and Sadler] gave us a great roadmap to the script,” said Clifton Collins, Jr., who plays the experienced, by-the-book Agent Hobbs. “They took us off the leash in regards to the research and I really brought a lot of that to the table.”
At heart, Kwedar made the film for Border Patrol agents and their families. Sadler taught the actors the protocol and search methods to make sure they got the details right.
“These guys are so isolated, and it takes a special person to be able to do that,” Gabriel Luna, who plays Agent Flores, said. “Working on this film really cleared up my view of the Border Patrol. These men and women are just regular people. They’re human, they’re doing this job day in and day out, and it’s such an incredible thing.”
“Transpecos” is now available nationwide on demand and digital including Comcast, DirecTV and iTunes. It will be released on DVD September 27, 2016.