Disney+ launched a Comic-Con@Home 2020 panel for their new scripted series The Right Stuff, which will explore the early days of the U.S. space program through the “Mercury Seven” — the military pilots who became the first NASA astronauts during the space race of the Cold War. “Competing to be the first in space, these ordinary men achieve the extraordinary, inspiring America to turn toward a new horizon of ambition and hope,” boasted Comic-Con International.
The first original scripted series from National Geographic for Disney+ promises to take a “clear-eyed look” at the newly-formed NASA. Set to release in late 2020, the series debuted a first look in a panel moderated by Former NASA Astronaut Dr. Mae Jemison.
Yes, that Dr. Mae Jemison.
Jemison was not only the first African American woman selected for the NASA astronaut program — she was the first woman of color in the world to go into space. Watch the full panel right here:
Blast Off with Disney+’s “The Right Stuff” | Comic-Con@Home 2020
The panel revealed the first official clip of the series, introducing Alan Shepard to the uninitiated. Shepard, of course, went on to become the first American to travel to space and he remains on the short list of men who have walked on the moon.
“You gentlemen are accustomed to testing dangerous, unproven aircraft and yet somehow you’ve made it this far in one piece. Most of you have families. You have careers. You have lives. That could all come to an abrupt halt if you sign on to this endeavor. We want to take thirty-two of you to Lovelace Clinic for medical evaluations, but only seven of you will have what it takes. And those seven will be the Mercury Astronauts,” intone the recruiters in the clip.
Warning of the Russian advances, the clip sets the stage for America’s acceleration in space.
The original seven astronauts who flew for Project Mercury were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Deke Slayton, and of course, Alan Shepard. Also known as the Original Seven and Astronaut Group 1, they were among America’s finest military pilots. Each of the trailblazers is now deceased, but their legacy lives on.
If you’re someone who is worried about seeing great Star Wars movies after 2019, stop worrying. The dude who made all the awesome Marvel movies sing is suddenly crossing over to the Force. As of now, it’s official, Marvel Studios president Kevin Feige will collaborate with Lucasfilm president Kathleen Kennedy on at least one new Star Wars movie.
According to The Hollywood Reporter, a collaboration between Feige and Kennedy was written in the stars: “It made sense for these two extraordinary producers to work on a ‘Star Wars’ film together,” said a Disney studios rep. Right now, Kevin Feige is not taking over for Kennedy at all, but some people think this is a first step toward the Marvel boss becoming the Star Wars boss. Which, if you think Star Wars is kind of stalling lately, this might be great news.
Since 2015, the Star Wars comeback has been mixed. Everyone seemingly loved The Force Awakens and Rogue One, but these days, you gotta be careful if you randomly want to chat about The Last Jedi or Solo over casual beers. As far as universal love, even if you’re barely interested in this stuff, Marvel movies are generally more consistent than Star Wars movies at this point. So, if you grant the premise that Star Wars needs help, Feige seems like the kind of guy who would be perfect for the job. Back in 2018, Kevin Feige even appeared on the official Star Wars Show on YouTube and professed his love for all the old Star Wars books you loved in the ’90s.
Feige talking about Star Wars in 2018.
Relevantly, Feige is not the first big Marvel honcho to crossover to Star Wars. The new Disney+ TV series, The Mandalorian, is set after the events of Return of the Jedi and is being helmed by Jon Favreau, the guy who directed the first Iron Man in 2008.
Because Star Wars and Marvel are both controlled by Disney, some might think the Kevin Feige thing is the sign of an Avengers/Skywalkers crossover, but Lucasfilm will probably never let that happen. And yet, if you’re holding out hope that a new Star Wars movie will be just as a good — or at least as entertaining — as Avengers: Endgame — it looks like that wish will be granted very soon.
As of this writing, there’s no word yet when the Kevin Feige-produced Star Wars project will drop.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In 1986, Paramount released Top Gun, story about a hotshot Naval aviator named “Maverick” who had some extreme daddy issues. The film was action-packed with awesome dogfights and a classic rivalry.
Did you ever wonder how different Top Gun would have been if Iceman — Maverick’s only competition — was the star of the film?
We did and here are seven reasons why we think the movie should have been about Iceman.
1. We would have seen way more pen flipping.
There nothing more badass than a classic stare-down to start off an epic rivalry. But add in a slick gold pen being flipped through the fingers of a top-notch Naval aviator, and you have the coolest introduction to a character (pun intended).
2. There would have been way more classic insults.
Let’s face it, Maverick wasn’t known for his sh*t talking other than “flipping off” an enemy pilot while being inverted — but Iceman was pretty damn good at it.
“The plaque for the for the alternates is down in the ladies room.” — Iceman
3. It would have had way more sex scenes in it — and they wouldn’t have been in complete darkness.
Iceman wasn’t looking to hook up with an instructor — he was much more interested in every single girl that was near the base.
Iceman wears sunglasses at night — and he totally pulls it off. (Source: Paramount/ Screenshot)
4. They would have finished the iconic volleyball game since Iceman is no quitter.
Need we say more?
5. No one would have traumatized over Goose’s death.
It would have just been another accident from a “military exercise” resulting in a fatality. That is all.
6. Iceman and Maverick would have totally got into a fistfight.
Do you really think Maverick could have beaten Iceman in a brawl? Well, if Iceman was the star of the movie, we probably would have found out for sure.
7. The Top Gun graduation would have been shown since Iceman did beat out Maverick.
We think it would have been cool to know how he got the gold pen he was flipping around his fingers earlier — he might have told the story during his plaque presentation.
Gamers playing “Battlefield 1,” a game set in World War 1, stopped shooting to participate in a ceasefire during an online match at 11 a.m. Canberra time to commemorate the 100th anniversary of Armistice Day, which marks the end of the first World War.
The ceasefire in the game took place on the same day and same time that the annual World War 1 commemoration typically occurs around the globe: On November 11 at 11 a.m.
The player who helped arrange the ceasefire posted a short video of the event on Reddit, but it’s hard to tell from the video everyone actually stopped shooting. It looks like some players either didn’t hear about the planned ceasefire at the specified time or they ignored the effort altogether. The game’s background audio and effects, like loud explosions and artillery from battleships were also still ongoing, which diminished the silence. There’s also a player in a plane who performs a strafing run on a bunch on players who are partaking in the ceasefire, which somewhat ruins the moment.
EA/Dice developer Jan David Hassel posted the video on Twitter:
Still, you can tell that some players abided to the ceasefire by the fact that the player recording the video was surrounded by enemy players (with red icons above their heads) and didn’t get shot. Any other day and time and the player recording the event would have been killed in seconds when surrounded by so many enemy players.
Ultimately, however, the player recording the event was stabbed and killed. The player doing the stabbing apparently apologized for doing so.
“Battlefield 1” players like myself will know how surprising it is that anyone partook in the event, considering how difficult it is to communicate with others in the game.
The player, known as u/JeremyJenki on Reddit, who helped set up the event and recorded the video posted on Reddit how they did it:
“At the start of the game, me and a couple others started talking about having a ceasefire. We made it known in the chat and many people were on board with it, deciding that this armistice should be held on the beach (This didn’t seem like a great idea to me at the time). Players started heading down to the beach early and for a few minutes it was amazing. When editing the video I cut out most of the in between, only showing the beginning and end. But hey, against all odds, we did it, and while short it was the coolest experience in Battlefield I had ever had.”
The film A Private War follows the real life of Marie Colvin, a journalist who covered stories of war and conflict from ahead of the front lines in places from Iraq and Afghanistan to Sri Lanka and Syria, but its greater contribution may be the light it shines on the human cost of conflict.
Marie Colvin explains a point to her friend Paul Conroy in the 2018 film, A Private War.
Spoiler alert: This article focuses on Marie Colvin and how the new movie illuminates her life and contributions, but it does contain some minor spoilers of the movie, including the nature of Colvin’s death and the accompanying scene in the film.
Colvin was famous for donning an eyepatch and wearing designer lingerie under her body armor, but among journalists, she was known for coverage that saved thousands of lives, telling the stories of those besieged by government forces under tyrants. In coverage from East Timor in 1999, she stayed behind when many other journalists fled, keeping the pressure on Indonesian Forces who were besieging 1,500 refugees in a U.N. compound.
Thanks to the efforts of Colvin and other journalists, U.N. personnel remained at the compound until the refugees were able to peacefully leave.
Now, Matthew Heinneman, himself a documentary filmmaker who has covered conflict in Syria, Mexico’s drug wars, and other places, has made a narrative film that aims to not only tell Colvin’s life to whoever might be interested, but also sheds light on the human stories Colvin worked so hard to tell.
Marie Colvin attempts to surrender to government forces in the 2018 movie, A Private War.
“I really didn’t want to make this film as a traditional biopic,” Heinneman told WATM. “I wanted to make it more of a psychological thriller examining what pushes someone to go to these places, and then show the effect that it had on her. I wanted to examine what she suffered from. I wanted to examine PTSD. I wanted to examine all the sort of ramifications of what she saw and what she experienced.”
“At the same time,” he continued, “I also wanted to obviously highlight the work that she did and her effort in shedding light on these stories. I guess in another way, the film is a continuation of her work. Sadly and tragically, what she died covering, the conflict in Syria, has persisted until this day. And I think she would be devastated to know over half a million civilians have been killed since the conflict began. She probably would be in Idlib, or somewhere else right now covering the story if she were still alive.”
Colvin was tragically killed in Homs, Syria, in 2012.
Paul Conroy takes a photo of refugees during the 2018 movie A Private War.
The movie really hits its stride when showing the plight of the vulnerable populations that Colvin covered. While Rosamund Pike and Jamie Dorman do a great job playing Colvin and Paul Conroy — Colvin’s longtime journalism partner — they both fade into the background as victims of government forces or insurgent strikes tell their stories to the journalists.
Heinemann credits this to the people he cast into these “roles.” He didn’t cast actors, he recruited actual refugees to tell the real stories of what they suffered at the hands of Bashir Al-Assad, ISIS, or others. These scenes were filmed in Jordan, a country allied with the U.S., which has accepted large numbers of refugees.
“In the film, [Colvin] is walking into a room filled with Syrian refugees. In real life, the two women that [Rosamund Pike] speaks to are real women from Homs, telling their own real stories and shedding their own real tears.”
Refugees huddle together in the 2018 movie A Private War. The filmmakers recruited actual refugees to play the parts of hunted populations in the movie.
“It’s a really deeply emotional atmosphere on set,” he continued. “In another scene taking place in the hospital in Homs, a man brings his injured son after a mortar attack into the room. He also was from Homs. He was at a protest with his nephew who was shot off his shoulders and bled out in front of him.”
“The grief and the trauma that he brought into that room was almost unbearable. And it really created an atmosphere that felt both incredibly intimate and incredibly real that I think helped give the film the feeling that it has.”
One of the recurring events in the film is that Colvin goes into a combat zone to cover violent events, then heads back home to cities where people want to toast her for her accomplishments. This rapid, hacksaw motion between violent areas and parties is something many veterans can understand, and Heinemann used quick cuts between the two extremes to play up the difference.
Marie Colvin accepts an award for her coverage in the 2018 movie A Private War.
“…those transitions in life are never that graceful, and so, editorially, artistically, stylistically sort of smashing in and out of those two worlds was something that was in the script, but definitely something we played with and discovered a lot in the editor room with our editor, Nick Fenton,” Heinemann said. Quick cuts allowed them to “sort of drop you in and out of these war zones in a way that makes you uncomfortable and disoriented and as it was her experience. As much as possible in this film, I tried to put you in her shoes.”
This focus on Colvin’s experience shifts in the final moments of the film when Colvin is killed by a government airstrike. In the movie, as in real life, Colvin is killed while trying to escape the city with Conroy and a French photographer, Remi Ochlick. Ochlick was also killed and Conroy was severely wounded, barely surviving a massive wound in his leg.
“Dealing with the final moments of her life was something that was quite obviously delicate and something that I ruminated over for many, many, many months.”
Marie Colvin, Remi Ochlick, and Paul Conroy try to escape a Syrian government airstrike in A Private War.
“Through Conroy’s face, we feel her loss so immensely.”
But Conroy’s grief slowly morphs into the grief for a lost city as the camera moves upwards.
“But also as we move away from her and as the camera lifts,” he said. “I wanted to show that she was just one person amidst a sea of devastation, and that yes her death was tragic, but so is all that she was covering.”
“I think journalism and journalists are under attack, obviously, as we’ve seen with the murder of Jamal Khashoggi. When Marie Colvin started her career, the traditional dangers of being a journalist were that of being embedded with soldiers. It was being shot or being blown up by an IED or being hit by a mortar. It wasn’t that journalists were being targeted. And this, obviously, has changed over time.”
A Private War had a limited release on November 2. It has a much wider release, meaning it will likely be available near you, on November 16.
Canadian filmmaker Paul Gross was never a soldier, but he has great respect for them. He comes from a military family; his grandfather and his father both served. Gross ended up in the arts, but he believes that soldiers represent their countries with an enormous amount of dignity and honor and they should be acknowledged for that.
“A soldier signed a piece of paper at one point, saying ‘I am willing to die for my country,'” Gross says. “That’s an extraordinary fucking thing. Did you ever sign such a piece of paper? I know I sure as shit didn’t.”
Gross wrote, directed, and stars in Hyena Road, a film about a Canadian Forces effort to build a road into the heart of enemy-held territory in Afghanistan. Gross plays Pete Mitchell, a sage intelligence officer responsible for convincing the local warlords to stop planting improvised explosive devices along the construction path .
“My character is loosely based on this real officer who was my guide,” Gross says. “Through this intelligence guy I started to learn stuff about Afghanistan. Not just the combat, I started to learn about Afghans.”
Mitchell needs to understand Afghan culture as he tries to bring a mysterious former Mujahid known as “the Ghost” to his side of the fight. The Ghost, played by Niamatullah Arghandabi, is a local Afghan elder who has a hidden identity as a legendary warlord who disappeared after the Russians withdrew.
Gross made two trips to Afghanistan to visit the Canadian Forces fighting there. The second time, he decided to film everything he could. He didn’t have a story at the time. A lot of that footage wound up in the final cut of Hyena Road. He talked to a lot of soldiers and took a lot of notes. When he returned to Ontario, he wrote a screenplay.
“Everything in the movie is pretty much based on stuff that I either heard or witnessed or was sort of common knowledge,” Gross says. “In other words, I didn’t make up anything.”
The film also features a very non-traditional actor in Arghandabi. He now serves an advisor to the Afghan government, and in 1979 he was a mujahid during the Soviet invasion.
“Since he was a kid, he was fighting Soviets,” the director says. “When he was 16, he was living in a cave coming out with Stinger missiles to knock down helicopters. I dragged him out and made him an actor.”
The director met the Arghandabi at Kandahar Airfield while on a visit there in 2011.
“I sat down with this guy and talked with him through an interpreter for about two and a half hours,” Gross recalls “I thought to myself, ‘I could spend the rest of my life with this guy and I would not understand one thing about him.’ That’s how different our cultures are.”
‘The Ghost’ told Gross of the time he met Osama bin Laden. To him Bin Laden wasn’t a fighter; he was a “clown.”
“It’s the weirdest thing,”Gross remembers of Arghandabi. “Talking to these people who knew all these bad guys. Bin Laden was one of the baddest guys we ever thought of, and [Arghandabi] thought he was a clown.”
Gross wants people to walk away from the film entertained, but also better informed because in his opinion, everyone should understand what it is they’re asking their military forces to do.
“That doesn’t mean you have to be against war,” Gross says. “It’s just that most of us wander around with blinders on. We should know what our neighbors, our cousins, our friends are doing there because we’re the one sending them there.”
Hyena Road is in theaters and on iTunes on March 11th.
“Star Wars: The Rise of Skywalker” is heading for the worst opening at the China box office of Disney’s new “Star Wars” movies.
The movie had earned $2.2 million in the region by 8 p.m. local time on Friday, according to Variety, and was trailing behind three Chinese movies. The Chinese ticket service Maoyan is projecting “The Rise of Skywalker” to earn just $18 million during its theatrical run in China.
The “Star Wars” franchise has struggled to build an audience in the country, where Hollywood is increasingly relying on its box office to boost its blockbusters. The Chinese theatrical market has been growing at a rapid pace and is even projected to dethrone the US as the world’s box-office leader within the next few years.
Each Disney-era “Star Wars” movie has made less in China than the previous one. Here’s how each of them performed there:
“The Force Awakens” — 4 million
“Rogue One” — million
“The Last Jedi” — million
“Solo” — million
Despite the lack of enthusiasm in China, all of those movies except “Solo” grossed over id=”listicle-2641661309″ billion worldwide. “The Force Awakens” earned over billion globally and 6 million domestically.
“The Rise of Skywalker” is expected to have a big opening domestically this weekend — despite negative reviews — but still less than the previous movies in the new trilogy. Boxoffice.com is projecting the movie to debut between 0 million and 0 million. “The Force Awakens” opened with 8 million domestically and “The Last Jedi” with 0 million.
“The Rise of Skywalker” so far has a 57% critic score on Rotten Tomatoes, making it the worst-reviewed “Star Wars” movie since “The Phantom Menace.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Military movies are a lot of fun, and the Department of Defense loves how they prime plenty of young folks to join the service. But while military service and military movies are both great, there’s a huge gap between how military life is portrayed and how it actually works. So, here are nine scenes from military movies that are fun to watch but few troops ever get the chance to do:
This poor man hasn’t had a peaceful cup of coffee sicne the ’90s.
Buzzing the deck or tower
Yeah! Top Gun! And not the beach scene that makes our sisters act weird for 20 minutes afterward! But if you’re thinking about joining naval aviation in order to fly super fast past control towers on ship and shore, you should probably know that the beach scene is more likely to happen (but much less sexy) than “buzzing the tower” against orders.
See, F-14 Tomcats cost about million each. So, pilots taking dangerous risks with their birds weren’t told off by an angry commander, they were investigated and had their wings taken away. And Top Gun is a school, and the commander definitely should’ve had some pilots ready to go to school besides the one who keeps taking unnecessary gambles with aircraft.
Do not let this sexy archaeologist select your cup. She chooses poorly.
Hunt for lost technology with sexy archaeologists
In The Mummy, another awesome Tom Cruise flick, the hero is an elite soldier who, after a series of illegal mishaps, finds himself searching a tomb with a sexy archaeologist. The Nazi soldiers in Indiana Jones also spend a lot of time in ruins with sexy archaeologists (I’m talking about Dr. Elsa Schneider, but if you’re into Dr. René Emile Belloq, go for it).
But actually, modern military weapons typically come from laboratories, not ancient ruins. And the number of entombed monsters the Air Force is sent to re-secure like in The Mummy is also shockingly low. You’ll spend much more time in smelly port-a-johns with a smartphone than you will in Egypt with models.
Godzilla (1998) – Godzilla Babies Scene (7/10) | Movieclips
But about that weapons-coming-out-of-labs thing from the last paragraph — plenty of movies also show soldiers running into academics and being all superior because the soldiers are brave and covered in muscles and the scientists are pencil necks. For those of you lucky enough to have forgotten the 1998 Godzilla, the military ignores about 30 warnings that Godzilla may have laid eggs.
But scientists aren’t actually assigned to combat units very often. And the few scientists who do end up with military units aren’t typically biologists tracking the local zombie outbreaks that you can laugh off until you get bit. They’re usually anthropologists telling you that the local Afghans don’t like you much, mostly because of all the shooting. Thanks, scientists!
Alien invasions aren’t real. And if they ever are, pray the aliens don’t have miles-wide aircraft carriers.
We loved Independence Day and hated Battlefield: LA as much as the next guy but, and brace yourselves here, aliens have never invaded Earth, and that’s not what the Space Force is for. Offensive wars against aliens don’t happen much either. We won’t be mining unobtanium from Pandora.
I know, big shocker. You might get to work against the “immigrant” form of aliens, but that’s mostly putting up barbed wire and providing medical aid while you sit in the middle of the desert during Christmas. So, I guess what we’re saying is: weigh your options.
Pictured: Coolest way to kill a giant bug.
Slaughtering bug armies
The best kinds of armies, alien or otherwise, to kill are easily bug armies and zombies. So much killing, so much gore, so little moral squeamishness. No one worries much about the bugs in Starship Troopers, even when heroes are climbing on top of them, shooting a hole through their exoskeletons, and then throwing a grenade inside of them.
Sigh. Unfortunately for die-hard action fans, American forces actually spend most of their time fighting other humans. While this is often necessary (looking at you, Hitler), it also means a lot of real people just swept up in the currents of their times are killed (looking at you, all of the Wehrmacht who weren’t dedicated Nazis). Not nearly as much fun as killing the bugs.
Survive bomb after bomb, grenade after grenade
Also, you’re not nearly as survivable in future combat as movies and video games would have you think. Bombs, artillery fire, grenades, and even bullets can kill you very easily. You’re basically a big bag of soup with a little brain pushing it around the world, and wars are filled with all sorts of flying metal that can shred your bag.
When the enemy shows up with massive walker tanks, they probably have a dozen weaknesses. Aim for those before you count on the common cold taking them out.
(Alvim Correa, from 1906 War of the Worlds)
Defeat the enemy thanks to their one critical weakness
Luckily, your enemies will usually have the same weakness. Unfortunately, they won’t also have one big weakness that can be exploited by some savvy Jeff Goldblum type saying, “I gave it a cold. I gave it a virus, a computer virus.” Instead, when the British start rolling the first tanks against your lines, you just have to hit them with artillery and hope they get caught in the mud.
And you press every weapon in your arsenal against the new threat. Turns out, machine guns could break off rivets inside early tanks and injure or kill the crew. High-powered rifles would split the armor and send shards into the crew. Incendiary devices could set off gas and force the crew to evacuate. So, German soldiers used all of these things.
Retrain in four jobs before the final credits roll
Remember when Jake Sully in Avatar took over his brother’s job as a scientist and pseudo-alien, then became a spy for the human military, then became a pilot for the alien resistance, then a small strike team leader? Those are all still different jobs, right?
In reality, most soldiers spend weeks or months learning their first job, and they can only switch jobs with more weeks or months of training. Any movie realistically showing them moving from job to job would need to be a biopic with a story spanning years of the soldier’s life.
Fun fact: There’s only been one documented underwater submarine battle in history. And that was an exchange between two submarines in World War II. But that hasn’t stopped movie after movie that showed submarines hitting each other or even divers fighting to the death under the waves.
It is exciting, exciting stuff — I’m partial to the underwater spear gunfight in Thunderball — but actual underwater fighting is super rare since almost no military forces specialize in it or want to fight in the water. Even SEALs generally fight above the waves.
It’s that time of year when everyone turns on their TVs, sits down with a nice bowl of popcorn, and gets a little spooky. That horror flick you’re watching for the 13th time isn’t throwing any curve balls. Obviously, the supernatural killer with a highly marketable mask/face is going to slay those oblivious teenagers who’ve never heard of strength in numbers.
But there’s one glaringly stupid trope that happens in nearly every zombie film or show ever made.
At one point, the lone survivor of the group ends up stumbling across the remains of what used to be a military unit. Turns out, the odds are so stacked against mankind that even the world’s best-trained fighters didn’t stand a chance against a swarm of undead monsters. Our protagonist then arms themselves with the leftover military gear and sets off in search of a more pleasant ending.
In reality, however, this just wouldn’t happen. Not in a million years. In fact, it’s more difficult to find a single scenario in which the zombies did stand a chance against the U.S. Armed Forces. — but we tried, anyway. Let’s take a look at what kind of damage those lifeless shamblers could do, given a perfect scenario, before taking yet another trip to the dirt.
Also, a zombie outbreak wouldn’t last long against sailors either since their vessels are filled with the one barrier zombies lack the motor skill to navigate through: ladders.
(U.S. Navy photo by Mass Communication Specialist 1st Class Steven Hoskins)
There are countless different types of zombies, depending on the fiction to which you subscribe, but, in all likelihood, the U.S. military actually does have a plan to counter each and every one of them outlined in CONPLAN 8888. From your standard Romero/Walking Dead zombies to the 28 Days Later, rage-virus zombies to voodoo zombies to, hell, even the Plants vs. Zombies zombies, all accounted for. Sure, each plan may be written by a bored staff officer as part of a clearly tongue-in-cheek thought experiment, but it’s still official military doctrine.
But for the sake of this article, we’re going to need to make a few assumptions:
First, we’re going to stick with the standard zombies — you know, the slow, shuffling type you’re used to seeing in pop culture.
Second, we’re going to face those zombies off against the military at its lowest level of self-sufficient operations: a battalion-sized force. Shy of any single platoon going on a patrol, military commanders would never spread their units any thinner than this in such a dire emergency. A battalion has enough of every type of support troop to keep the operation moving along until they can reconnect with a larger force.
Finally, the zombies are going to exclusively face infantrymen in engagements because once you add the might of an A-10 Warthog or an Abrams tank, it’s just unfair. In the event of an actual world-ending apocalypse at the hands of brain-eating zombies, the military has thousands upon thousands of vehicles that wouldn’t take a scratch from corpse claws.
So, a battalion of infantrymen it is.
Basically nothing would change from how they’re built in Iraq and Afghanistan, except maybe they’d add a sealable gate.
(U.S. Army photo by Staff Sgt. David Salanitri)
There are only a handful of ways that the zombies could ever gain a tactical advantage: surprise or vastly superior numbers. Both are lost after a battalion sets up a perimeter and holds off an area. The U.S. Army has finely honed an ability to create a fully-functional forward operating base in just 72 hours. This time-frame is good anywhere in the world. That number would presumably be even lower if said base was needed near an existing military installation and they have the means to production.
There will be guards posted at every angle of approach, so there’s no way any zombies could get past the constant guard duty. Even their number advantage is negated when impenetrable barriers are placed. Given enough zombies, they could probably push down a chain-linked fence, but the military makes good use of hastily-made and ready-to-go Hesco Barriers and concrete T-walls. This impassable wall would force any attacking zombies into a funnel, moving towards the one and only entrance, which we can assume is heavily guarded.
MREs. Built to last through a zombie apocalypse.
(U.S. Army photo by Sgt. Elizabeth Taylor)
If the zombies fail to overrun the troops in those first 72 hours, their only bet is to pick them off slowly as they patrol outward. Even then, the outcome doesn’t look so great for the visitors.
Troops live by the military strategy of asymmetrical warfare, meaning that there’s no such thing as “fair fight” in war. Since zombies are a clear-cut bad guy that troops have been itching to fight, don’t expect them to go easy on ’em just because they’re slow. Even pitting one troop against a swarm of the undead would likely end in favor of the living. Not only are Zombies slow, they also tend to stack up their weak points (the head, for those who’ve never seen a movie before) in a nice row, all lined up for a rain of machine gun fire.
But let’s pretend that the troops and the zombies play a game of attrition and see who lasts the longest. The troops would still win. Depending on weather conditions, a lifeless body left outside starts decomposing in about 24 hours and turns to goop after about a month. So, supplies, both scavenged and rationed, for a month? The military knows logistics.
Okay, let’s say they don’t decompose while “alive.” The only thing troops would need a constant replenishment of is food, and there are MREs left in connexes found all over military installations. The shelf life of an MRE in moderate conditions is five years.
“You’re getting the body prepared for a number of motions,” Saladino told Men’s Journal. “These are more expansive than your typical lifting movements.”
He allows for flexibility in his workout routine.
Saladino noted that, while he and Reynolds tried to stick to a weekly strength plan that included two days off, it was constantly adjusted to fit the needs of his body and schedule.
“The biggest mistake that people make when making an exercise plan is not to listen to their body every day,” Saladino told Men’s Journal. “Ryan was a recent father and traveling a lot [when “Deadpool” was being filmed], so if he had been up all night with the baby, or just gotten off a plane from Singapore, you can best believe we were changing up the program.”
He took it upon himself to work out in his downtime.
“Don [Saladino] gave me a plan so I could train whenever I needed to,” Reynolds told Men’s Health in 2016. “It made things more manageable. And if I wanted to spend a little extra time with my daughter in the morning, I could do that.”
Reynolds has said that he has a “functional” approach to training rather than a “fashionable” one, so he usually prefers to work out alone and on his own time.
Saladino admitted that he is never concerned about Reynolds’ commitment to the workout regimen.
“Ryan’s such a hard worker,” Saladino told Men’s Health. “If anything, I had to scale him down. One day he came up to see me having been working out on his own and I was like, ‘Holy sh-t!’ He looked like a different person.”
“I like using these traditional movements with little twists,” Saladino explained. “This move, in particular, is not only maintaining the strength that he built up to play Deadpool but also encourages stabilization and balance. We have done exercises similar to this over the course of the past few years, but sometimes with a kettlebell and without the vest during our warm-ups.”
However, the father of two did admit that he can battle this aversion with outdoor exercises and activities.
“I love being outdoors,” he said. “There are forests all around [where I live] and I get to hike, mountain bike … just move. I’ll even bring the baby with me, put her in a little baby carrier thing and off we go. In a weird way, it’s a great workout because you’re adding 20 pounds to your bodyweight.”
It’s certainly admirable that Reynolds juggles his responsibilities as an action star with his growing family of four— but his DIY style when it comes to fitness can work for just about anyone.
The final season of Game of Thrones is less than a week away, leaving fans wondering what’s next for the franchise. Which is what the cast of Saturday Night Live brainstormed last weekend. The episode, hosted by Kit Harington, who plays Jon Snow, featured every hilarious spin-off imaginable of the HBO hit show.
First up on the list of “prequels, sequels, and spin-offs,” is “Castle Black,” described as “a sexy, moody drama about forbidden love.” There’s also the animated “Arya,” a remake of ’90s MTV series Daria. And on the lighter side, Kyle Mooney and Cecily Strong spoofed sitcom The King of Queens with “The King of Queens Landing.”
Fans were then treated to a sneak peek of different crossover shows, like “Cersei and the City,” The Marvelous Mrs. Melisandre,” “No Ballers,” and “Wildling Out.” There are even some ideas for HBO Kids, including a parody of popular show Paw Patrol (renamed “Dire Guys” and featuring the dire wolves) and “Hodor’s House,” a nod to Pee-Wee’s Playhouse.
But perhaps the best spin-off idea was the final one: “Game of Thrones: Special Victims Unit,” starring real-life Law and Order: SVU stars Mariska Hargitay and Ice T.
“You tell me some sick son of a bitch cut this dude’s thing off, then fed it to his dog, then gouged the man’s eyes out, then fed him his own eyes, then wore his skin to an orgy, then got busy in the holes where his eyes used to be?” Ice T asks Hargitay in the teaser, as they investigate a murder at Flea Bottom on the east side of Rhaenys’ Hill.
When “Black Hawk Down” hit theatres in 2001, it was marketed as a cast of ‘no names’. The real “stars” were the elite troops depicted onscreen: the Army Rangers, Delta Force soldiers and 160th SOAR pilots who made up Task Force Ranger in the fall of 1993 in Mogadishu, Somalia. The movie chronicles their 18-hour battle with Somali militias in which 18 Americans died.
But in the 15 years since, BHD’s cast has turned into a roster of certified Hollywood A-listers or perennial movie “That Guys.” In fact, BHD’s alumni have made more big movies than any other military ensemble cast.
BoxOfficeMojo.com is a website that tracks career box office earnings of hundreds of actors. All told, the movies featuring Black Hawk Down alumni have been in have earned a staggering $12.6 billion – more than the combined career box office for the cast of Oceans 11.
The cast falls into three military groups:
The $B-Boys – Black Hawk Down actors who crossed the billion-dollar line (in the book, though less so in the movie, Delta Force is nicknamed “D-boys”)
The Regulars – you know their faces, if not their names
Asymmetric Warriors – Two roles – a Delta Force operator and a 24th Special Tactics Squadron pararescueman – were played by actors who now have massive careers, but not as traditional movie stars. We had to measure their careers differently (leave it to JSOC to be hard to pin down).
Orlando Bloom, “PFC Todd Blackburn”
Career Box Office: $2,815,831,431
You hardly recognize him when he’s not: an elf or a pirate.
The wispy, slightly-sour-faced Brit spends just a few minutes on screen and hardly speaks. But after five installments of “Lord of the Rings” and three “Pirates of the Caribbean,” movies starring Bloom have made more money than those starring George Clooney or Brad Pitt (whom Bloom starred with in “Troy”).
Ewan McGregor, “PFC John Grimes”
Career Box Office: $2,080,785,955
You hardly recognize him when he’s not: a Jedi; lusting for life.
He was a brash talking, un-Tabbed underachiever consigned to coffee duty until pushed outside the wire, but McGregor’s John Grimes – “Grimesy” – was the closest thing to an Everyman in the movie. But by the time BHD hit screens, McGregor had already played Obi Wan Kenobi in the “Phantom Menace,” with two other mega Star Wars prequels just ahead. Together, they pulled in $1.1 Billion.
William Fichtner, “SFC Jeff Sanderson”
Estimated Box Office*: $1,495,000,000
You hardly recognize him when he’s not: getting killed.
Fichtner, one of the all-time That Guys in movie history, might be America’s answer to Sean Bean, the oft-murdered Englishman. Fichtner dies a lot. He’s met his on-screen fate on George Clooney’s doomed fishing boat (“The Perfect Storm”) and as an outlaw in Johnnie Depp’s wild west (“The Lone Ranger”), and only barely survived Bruce Willis’ doomed space shuttle (“Armageddon”). In BHD, Fichtner’s fiction Delta soldier Sanderson is a battlefield Svengali, coaxing a team of scared, out-gunned Rangers through the day’s fight. He grows ever cooler as the fire gets heavier, dispensing tactical hints that also serve as deep life wisdom (“stay off the walls”).
*Fichtner, like several BHD actors, doesn’t register on BoxOfficeMojo. So we added up only the giant hits you’ve almost definitely forgotten he was in.
Tom Hardy, “Pvt. Lance Twombly”
Box Office: $1,242,535,310
Oh, it’s the guy from: “driving for his life in a desert hell hole. But with girls.”
For 12 years after the movie’s release, Hardy wasn’t even the most famous actor among his small trio of Rangers separated from the main force. One of the soldiers, Nelson, is temporarily deaf, a condition played for laughs by Ewan Bremner, a.k.a. Spud from “Trainspotting.” But in 2012, he played Bane in “The Dark Knight Rises” and stole the summer of 2015 in “Mad Max: Fury Road.”
Jason Isaacs, “Cpt. Michael Steele”
Box office: $1,952,955,239
Oh, it’s the guy who is usually: a punchable, dickish authority figure. But in a wig.
Some guy you definitely don’t know has made two billion dollars – pretty funny, hooah? As one of many roles in a classic “That Guy” career, Isaacs plays Cpt. Steele, the uptight Ranger commander who spends most of the movie not getting along with Delta’s cool kids. His most famous moment is as the butt of Eric Bana’s classic joke, “this is my safety, sir.” Steele was right on type for Isaacs, who was also a total dick to Harry Potter as Lucius Malfoy and to 18th-century churchgoers in “The Patriot.”
Ioan Gruffudd, “Lt. John Beales”
Oh, I think he was in: A total disaster, probably (“San Andreas,” “Titanic”).
A career character actor, Gruffudd has played small-to-medium roles in almost 20 films that, combined, have brought in a little over $800 million. He also played a bit part in one of the biggest hits of all time, “Titanic.” The role was so small that BoxOfficeMojo doesn’t count it, but we’re giving it to him. Grufford plays 5th Officer Harold Lowe, who in both the movie and real life, was the only officer who went back to rescue survivors in the water. It’s Grufford who rescues Kate Winslet – and what is “Black Hawk Down” at heart if not a rescue mission? We’re counting it in Gruffudd’s total.
Eric Bana, “Sgt. 1st Class Norm ‘Hoot’ Gibson”
Box Office: $1,029,166,799
Oh, isn’t that the guy from: Tough one. You know you know Bana.
He’s definitely “a movie star.” But he’s never held top billing in a major hit. His fictionalized Delta operator Gibson – who bookends the movie with meditative soliloquies on combat and soldiering – might be Bana’s defining role. Still, Bana is a hell of a 2nd Chair, scoring 9-digit box office in “Troy,” “Star Trek,” and “Lone Survivor.” And as a sheer badass, he reached near-“Hoot” levels as an Israeli assassin in “Munich.”
Tom Sizemore, “Col. Danny McKnight”
Box Office*: $780,000,000
Oh, it’s that guy from: same character type, different war.
Sizemore’s career has been a string of grizzled combat leaders, including Sgt. Horvath in Saving Private Ryan, another NCO in Pearl Harbor and shoot-first detective Sgt. Jack Scagnetti (great name!) in Natural Born Killers. In BHD, when gunfire breaks out, he memorably orders a nervous Ranger: “shoot back.”
*Like Fichtner, we looked at Sizemore’s biggest hits and rounded up.
Josh Hartnett, “Sgt. Matt Eversmann”
Box Office: $678,425,308
Wait, was he in…: not much lately, tbh.
With all the future superstars and famous faces, it’s a little jarring to look back and realize that Hartnett was the guy featured on BHD’s original movie poster. Much of the movie tracks his trial by fire as a new Ranger team leader. But after BHD, Hartnett’s career stalled. He played the lead in Pearl Harbor, as bad a military movie as BHD is a good one, and hasn’t been in a big hit – or big poster – since.
Jeremy Piven, “CW3 Cliff ‘Elvis’ Walcott”
Box Office: $575,659,624
Hey, it’s: Ari!
Jeremy Piven has played in about 60 films but he’ll never escape being Ari Gold, the preening talent agent in HBO’s “Entourage.” Unfortunately, Piven plays his role as 160th pilot Walcott in full proto-Gold style, with cocky, hot-shot dialogue that sound more like “Top Gun” than 160th operators. Piven isn’t on BoxOfficeMojo, but he did make six movies with John Cusak, so we modified Cusak’s career box office total for Piven.
Tom Guiry, “Staff Sgt. Ed Yurek”
Box Office: $388,375*
Guiry is a chalk leader in BHD, where he’s unrecognizable from his only other well-known role, the kid-classic “The Sandlot.” I just hope that when he “fired” his weapon on set, his intended target always yelled, “You’re killing me, Smalls!”
(*the record price paid for a Babe Ruth autographed baseball)
Oh, it’s the guy who: hasn’t been funny since Season 2.
In late 1998, about when BHD came out as a book, I was a trainee at the Pararescue Indoctrination course in San Antonio – a ‘cone’ as you’re called before graduating – when Wilkinson visited. Our class knew Wilkinson as one of two Air Force PJs that fast-roped into the heart of the fighting. He gave our class a great pep talk about sticking together and, even more impressively, jumped into our training for a day. That night, our class went out for a team dinner at an Outback. Wilkinson and two of our instructors were there. After eating, we tried to sneak out but the instructors caught us and put us through several sets of feet-up pushups in the parking lot as confused diners looked on. As we knocked them out, I remember seeing Wilkinson with his arms folded, laughing his ass off.
I tell this story here to distract you from noticing that one of the most decorated PJs in history is played by the dad from “Modern Family.”
*guess-timate of Modern Family’s total ad and syndication revenue
Nikolaj Coster-Waldau, “SFC Gary Gordon”
Box Office: $560,000,000*
Oh, it’s: Cersei’s Bro With Benefits.
Waldau plays Gary Gordon, one of two Delta soldiers awarded the Medal of Honor for volunteering to be dropped on a crash site to defend an injured crew. Both were killed in the firefight. And now he’s the Kingslayer. That’s about as badass as a “That Guy” gets.
(*we used the total revenue Game of Thrones effect on HBO in subscriptions, DVD sales and rights fees).