Yesterday, we revealed that the new movie “Top Gun: Maverick” will feature what appears to be a Russian Su-57, but that’s not the only fictional-fighter shown in the movie’s trailers. Another scene seems to show Maverick flying a next-generation fighter dubbed “Darkstar,” according to the movie’s Matchbox toy line.
The Darkstar aircraft shown only briefly at the end of the movie’s trailer is very clearly not based on anything in operation today… but that doesn’t mean it’s without an analogous real-world platform. While we get a quick peek at the underbelly of the streamlined jet in the trailer, Matchbox’s toy line has actually offered us the best view of this aircraft to date.
Based on the shockwave visible as the jet passes overhead in the trailer, it seems likely that this exotic-looking aircraft will introduce hypersonic platforms to the Top Gun universe. Supersonic aircraft (Top Gun’s F-14 Tomcat and F/A-18 Super Hornet) are capable of flying faster than the speed of sound (Mach 1). Hypersonic aircraft travel much faster — in excess of Mach 5, or around 3800 miles per hour.
Russia and China both claim to have hypersonic missiles in operation, with the United States lagging slightly behind. Thus far, no public aviation program has announced plans to build a hypersonic fighter plane, but there are programs already in motion that could certainly produce one.
The SR-72 in “Top Gun?”
Lockheed Martin, for instance, has been working on developing a successor to the SR-71 Blackbird, the fastest military aircraft in history, that they claim will be able to fly at speeds even higher than Mach 6. Engine testing has already taken place, and it’s feasible that technology demonstrators for the aircraft may already exist. Interestingly enough… the Darkstar toy bears a striking resemblance to Lockheed’s own artist’s depictions of what the forthcoming SR-72 may look like.
There are some differences between the two — most notably the use of two vertical stabilizer fins on the back of the “Darkstar,” with only one central stabilizer on the SR-72. However, because the Lockheed Martin image is nothing more than a conceptual drawing, the final platform (if it ever comes to fruition) could feasibly have either.
If the Darkstar is indeed a stand-in for the SR-72, it may not be intended as a fighter, but rather as a high speed, high altitude reconnaissance platform like its SR-71 predecessor. However, thanks to highly capable spy satellites, this semi-fictional aircraft may well be armed (in the movie, and in real life).
How does a massively successful director like Zack Snyder follow up box-office smahes (and future box-office smashes) like 300, Man of Steel, Batman v Superman, and Justice League? If you answered a film retelling the magnificent rise of the first president of the United States in the style of 300, you guessed correctly. Speaking with Bloomberg Business, Snyder explains that George Washington is next on the docket.
He has a picture in his office of the Revolutionary War hero crossing the icy Delaware on his way to decimate the British in the Battle of Trenton. “We were talking about it,” Snyder says. “The first thing we asked was, well, how are we going to make it look? I pointed at this painting. It looks like 300. It’s not that hard.”
He isn’t wrong, but we’re guessing it will look something like a mix between the iconic painting and the epic illustration above.
Shortly after Orville and Wilbur stopped making bicycles and started hanging out around Kitty Hawk, Hollywood took to making movies about those who venture into the wild blue yonder.
Here are the best Air Force characters they’ve created over the years. Remember: half of these guys are real people. That’s what makes being in the military so great – the chance to do something someone might make a movie about one day.
1. Captain Virgil “The Cooler King” Hilts — “The Great Escape”
The Great Escape is one of the best heist-style films of all time. It’s also one of the best military films of all time, based on the true story of a group of Allied POWs put together in a Nazi “escape-proof” camp because of their ability to escape from POW camps.
Captain Hilts of the Army Air Corps constantly frustrates guards with escape attempts, landing him in solitary confinement, or the “cooler.” Hilts is easily #1 on this list, not only because he’s depicted on screen by Steve “The King of Cool” McQueen, but also because the real guy this character is based on David M. Jones.
Jones was an Air Corps pilot who started World War II as a Doolittle Raider (the character can also be seen in “Thirty Minutes Over Tokyo”), and flew sorties over North Africa before being captured and held by the Germans for nearly three years. Jones survived the war and went on to a 37-year career in the Air Force.
2 . Lt. Col. James Rhodes aka War Machine — “Iron Man”
James Rupert “Rhodey” Rhodes is not based on a real character, though having the War Machine around IRL would make life a lot easier for much of the Air Force (and the lawless areas of Pakistan too… probably).
Rhodes is the stable, dependable version of Tony Stark in the Marvel Cinematic Universe (In the Marvel Comic, Rhodey is a Marine). Colonel Rhodes is also Stark’s best friend and the DoD liaison to Stark Industries, which means he gets to pal around on private jets and hang with the Avengers while taking down terrorists and robot drones (that aren’t American).
3. Lt. Colonel Iceal Hambleton — “BAT 21”
BAT 21 is a the dramatized story of the rescue of Lt Col. Hambleton (whose call sign was BAT 21 Bravo), the largest, longest and most complex search and rescue operation of the Vietnam War. He was the navigator on a USAF EB-66 aircraft and an expert in signals intelligence whose aircraft was destroyed by a surface-to-air missile. Hambleton was the only survivor, but his parachute took him well behind the North Vietnamese lines.
With the amount of classified information in Hambleton’s head, capture by the communists would have been extremely detrimental to U.S. security. Hambleton (played by Gene Hackman, who is awesome in every movie) makes radio contact with Birddog and makes his way South to be picked up.
To communicate his intended path, Hambleton, in true Air Force fashion, uses a code comprised of various golf courses he knows. The actual rescue of Hambleton took 11 days, six American troops’ lives, a lot more ARVN lives, and another plane being shot down.
In real life Hambleton was rescued by Navy SEAL Thomas R. Norris (who was awarded the Medal of Honor for the rescue) and a South Vietnamese Navy Petty Officer.
4. Capt. John Yossarian — “Catch-22”
Alan Arkin headlines the legendary cast of Catch-22 as Yossarian, a US Army Air Forces B-25 Bombardier, stationed in the Mediterranean during WWII. He’s committed to flying the dangerous missions as quickly as possible so he can go home, but his squadron commander keeps raising the required number of missions.
Yossarian can’t even claim a mental breakdown to go home because famously, Airmen “would be crazy to fly more missions and sane if he didn’t, but if he was sane he’d have to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t, he was sane and had to.”
5. Airman Second Class Adrian Cronauer — “Good Morning, Vietnam”
Another real Airman, A2C Cronauer is an Armed Forces Radio Service DJ stationed in Vietnam whose DJ style is less than appreciated by his superiors but beloved by the men in the field.
When Cronauer is suspended for his style and his determination to read the news, the command is flooded with letters demanding his reinstatement. Few things in life are more satisfying than someone thumbing their nose at a stodgy old command.
Cronauer’s real-life show was called “Dawn Buster” and its opening was immortalized forever by Robin Williams’ GOOOOOOOOOOOOOD MORNING VIETNAM.
6. Hannibal Lee — “The Tuskegee Airmen”
Some points have to be added when the whole world is against you, even your own government. Lee was loosely based on Robert W. Williams, an actual Tuskegee Airman who helped co-author the screenplay.
In the film (and IRL), the famous group of African American pilots struggling to join the US war effort as capable fighter pilots finally get their chance when Hannibal Lee (Fishburne) and his wingman get the chance to protect B-17s over Italy and sink a destroyer for good measure.
7. Robert “Dutch” Holland — “Strategic Air Command”
Jimmy Stewart plays Holland, a St. Louis Cardinals baseball player who is on inactive reserve in the Air Force who gets recalled to active duty for 21 months, which would be unbelievable for anyone else but Jimmy Stewart. Stewart, whose family military tradition dated back to the Civil War, enlisted in the Army Air Corps as a private, was an officer pilot within a year, and so enjoyed bombing Germans in his spare time he would eventually retire from the Air Force Reserve after 27 years. Holland’s life is on constant hold as he is on alert status to deter the Soviets from starting WWIII. He forces a landing of a damaged aircraft in Greenland after his crew bailed out then flies new jets to Japan with a broken arm from that landing, an injury which ends both his military career and his baseball career, and he seems mildly okay with it.
Holland’s life is on constant hold as he is on alert status to deter the Soviets from starting WWIII. He forces a landing of a damaged aircraft in Greenland after his crew bailed out then flies new jets to Japan with a broken arm from that landing, an injury which ends both his military career and his baseball career, and he seems mildly okay with it.
8. Brigadier General Jack D. Ripper — “Dr. Strangelove”
A commie-obsessed Air Force General, he starts World War III after describing a Communist plot to pollute the bodily fluids of Americans. He launches an all-out attack on the USSR and refuses to give the codes that will belay the launch orders.
While the Kubrick’s masterpiece obviously isn’t based on a real war, the crazed General is based on Air Force General Curtis LeMay, who once threatened to bomb the Soviet Union back into the Stone Age.
9. Colonel Jack O’Neil — “Stargate”
Who better to lead a team through an alien-created wormhole navigated by hieroglyphs uncovered in Giza than a career Air Force Special Operations officer? No one, obviously, as Colonel Jack O’Neil (Kurt Russell, with a severe flat top) takes a day off of contemplating suicide to lead one last mission to destroy the Stargate and ends up saving humanity by beaming a nuclear weapon onto an alien ship.
It’s not (just) science fiction. It’s what we do every day.
10. American Astronaut George Taylor — “Planet of the Apes (1968)”
George Taylor’s background doesn’t specifically mention his Air Force affiliation, but does mention he was a West Point grad in 1941 and flew missions in World War II and Korea, and his then becoming an astronaut is clearly indicative of a U.S. Army Air Corps to Air Force transition.
So the Air Force gets Charlton Heston (also Marky Mark Wahlberg‘s Capt. Leo Davidson from the 2001 remake, clearly identified his tribe as United States Air Force). Taylor earns a spot on this list because of Charlton Heston’s iconic performance.
Edit 5/28 2:07 pm:
Twitterati and US Air Force Pararescue Jumper @PJMatt reminded me about the 1983 epic The Right Stuff and Sam Shepard’s badass take on the legendary USAF test pilot Chuck Yeager.
@PaulSzoldra@blakestilwell So The Right Stuff never happened? You could put Chuck Yeager, correctly, at 1 (Sam Neil) and 2 (drunk in bar)
The author hangs his head in shame as both a film student and Air Force veteran. Few scenes in cinema rival the scene where Yeager is walking away from a smoldering heap, badly burned, holding his parachute because anyone who’s ever met Yeager in real life knows that’s the kind of badass sh*t he did every day of his career.
Is another Disney+ show about to undo some big plot points from Avengers: Endgame? A new look at the Hawkeye TV series has led to some big questions.
There aren’t any trailers yet for the next phase of Marvel movies and Disney+ TV series, but that doesn’t mean there’s not a bunch of crazy information about them floating around. Loki will be a show about time travel. WandaVision is somehow going to be a show about 1950s domestic life. Natalie Portman is going to be the new Thor. Tony Stark might come back from the dead. You get it. What’s clear is that the next phase of Marvel won’t be like what’s come before, and not just because Spider-Man won’t be there. But now, we might know what a lot of this stuff will look like, specifically the opening title of the Hawkeye series.
On Sep. 8, 2019, a video leak hit Reddit showing off all of the title sequences for the upcoming Disney+/Marvel TV series, including a longish look at the upcoming Hawkeye TV series presumably surreptitiously shot at last month’s D23 expo.
[reddit_embed https://www.reddit.com/r/marvelstudios/comments/d1asfw/all_the_phase_4_official_title_intros/?utm_source=share&utm_medium=web2x expand=1]r/marvelstudios – All the Phase 4 official title intros
If you think that Hawkeye title sequence has a little bit of sixties flair to it, you’re not crazy. In fact, as of this week, Jonathan Igla, known for his writing on Mad Men, was named showrunner of the new series. In it, Jeremy Renner will return as Clint Barton, but the twist is he’ll be training a new Hawkeye: Kate Bishop. Right now, this seems to differ from what we saw at the beginning of Endgame, in which Clint referred to his daughter as “Hawkeye.” Will the Hawkeye show change the continuity of Endgame? Is Kate Bishop replacing Clint’s daughter? Is Kate Bishop Clint’s daughter? What’s going on?
Right now, it’s totally unclear how the various Marvel shows will work with the definitive ending of Avengers: Endgame; after all, WandaVision is set to bring Vision back from the dead and Lokiwill apparently focus the time-traveling version of the character who somehow isn’t also the guy who got killed by Thanos. In other words, the new Marvel shows are all nuts.
But, if this title sequence leak is any indication, it all looks great and will be exactly the kind of nuts we can get behind.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Before Jon Favreau produced his wildly popular space Western about a little-known segment of the Star Wars universe, the only reference to Mandalorians on the big screen was a passing one in Star Wars Episode 2: Attack of the Clones, where it’s revealed that Jango Fett — the genetic donor for the entire clone army — is a Mandalorian. Seventeen years later, Disney released the most popular addition to the franchise since Obi-Wan turned Anakin into Lieutenant Dan. You ain’t got no legs, Anakin!
Thanks to Favreau, Star Wars fans now have a live-action show about one of the greatest warrior cultures in the Star Wars universe. What fans of the show may not know is that much of Mandalorian culture and mythology is borrowed from real history — specifically, Viking culture. But before we talk about everyone’s favorite maritime raiders, here’s a brief history of Mandalorians.
Behind the Scenes
During the production of Star Wars Episode V: The Empire Strikes Back, concept artist Ralph McQuarrie and visual effects artist Joe Johnston developed a design for a team of Imperial Super Commandos with weapons built into their armor specialized for the purpose of killing Jedi. As production continued, they scrapped the idea and rolled the special forces team into the bounty hunter Boba Fett.
The first reference to the Mandalorians was in the Empire Strikes Back novelization by Donald F. Glut, where he described them as “a group of evil warriors defeated by the Jedi Knights during the Clone Wars.”
For the next 30 years, Mandalorian culture was expanded in myriad Star Wars novels, comic books, and other sources. In the Knights of the Old Republic (KOTOR) video game series, Mandalorians were portrayed as some of the most dangerous antagonists in the galaxy, second only to the Sith. Throughout the extended canon, it was only hinted that Boba Fett was connected to the Mandalorians.
In 2010, during Season 2 of The Clone Wars animated series, fans finally got to see the fully fleshed-out concept behind Mandalorian warrior culture. “The Mandalore Plot” episode introduced viewers to the Death Watch, a Mandalorian terrorist group bent on continuing their ancient warrior traditions. The Death Watch was pitted against a new modern pacifist movement led by the sister of Bo-Katan, the blue-armored Mandalorian played by Katee Sackhoff in Favreau’s live-action series.
Viking Raiders of the Galaxy
The introduction of Mandalorians to The Clone Wars cemented them as the Viking raiders of the Star Wars franchise. Animation producer Dave Filoni wanted to give the Mandalorians a “Nordic flavor” using the traditional V-shaped breastplate worn by many Norsemen during the tail end of the Viking era as the foundation for the design behind all Mandalorian armor.
The Clone Wars also cemented the idea that Mandalorians were not a race but a way of life. Mandalorians are willing to take anyone who swears to live by the creed and adhere to Mandalorian tradition regardless of their species. This sets them apart from The Empire, which is portrayed as favoring humans over other “inferior” races. Obvious racial metaphors aside, this idea of adopting people into the tribe was one shared by Vikings, who often adopted the children of their slaves.
The comparisons with the ancient maritime raiders doesn’t stop there. Proving oneself through combat is the cornerstone of Mandalorian self-identity and culture, and they all follow the Mandalorian Creed, which — frustratingly for nerds like me — has never been written out or vocalized. Mandalorian fans may remember the creed as the reason Din Djarin (Mando) has to return Grogu (Baby Yoda) to the Jedi, but good luck figuring out what the creed actually says. Like, how am I supposed to join if I don’t even know their mission statement?
One thing we know for sure about the creed is that it instills a love among Mandalorians for single combat. It’s the only other rule in the creed ever mentioned, and it pops up continuously during the Clone Wars and Rebels cartoons. Mandos can invoke a Game of Thrones-style trial by combat for pretty much anything. Don’t like your boot lieutenant? Fragging him just gets you another boot replacement, but if you slay him in single combat, now you’re the LT! Want your buddy’s car? Slay him in single combat, and it’s yours — no pink slips required. This is essentially the Viking code of honor/succession, too.
For this fictionalized group of war-hungry space pillagers, the Mando creed pretty much rewards those who are really good at mercilessly killing without moral reservations. This probably explains their long history of warlords vying for power, the constantly changing heads of state, and nonstop wars, which is how real Vikings actually lived.
During the centuries leading up to the Viking Age, which began in 793 AD, the peoples of Norway and their surrounding territories were in a near-constant state of war. Small tribal groups were scattered across the harsh, cold country. Long winters and short farming seasons meant raiding other tribes was a necessary part of surviving in their world. Just like the Vikings, Mandalorians spent a lot of time warring and vying for power.
In 865, Vikings finally stopped slaughtering one another long enough to form what historians call the Great Heathen Army, which invaded England with the intent to conquer new worlds, much like their Mando counterparts did when they nearly wiped out the Jedi during the time of the Old Republic.
Perhaps the most Viking part about Mandalorian culture is just how much we don’t know about it. Just as Djarin has to piece together a thousand years of forgotten history to try and understand what it means to be Mandalorian, historians have faced a similar challenge in studying the exploits of the West’s most notorious maritime raiders. Thankfully, that’s never stopped anyone from making great shows about Vikings — and Viking-like warriors.
The internet is a giant dumpster fire but it is made slightly redeemable based on pop-culture content shared by your favorite Air Force vet random and completely unnecessary but much-needed gems like the reviews of the Three Wolf Moon shirt or everything surrounding the Storm Area 51 event.
The internet also gives us access to hot takes we never knew we needed, like Sean Kelly’s deepest, most pure thoughts on Star Trek transporters.Twitter
In the Star Trek franchise, a matter transportation device — or “transporter” — dematerializes matter (humanoids, objects, etc) and sends their constituent particles in the form of energy to another location before reconverting them back to their original form.
It’s cool futuristic technology, but it also makes for convenient story-telling. Need to get your characters down to that strange alien ship? Energize away! Need to rescue them in the knick of time before a singularity in a planetary core destroys them all? Beam them up, Scotty, and don’t be a b**** about it!
But, as Kelly points out, there are some missed opportunities for the inhabitants of the many Star Trek worlds when it comes to transporter capabilities. Why? Well, because television is only entertaining when the characters have obstacles to overcome.Twitter
Still, thanks to Kelly, we can debate the implications of transporter potential to our little hearts’ content. From medicinal achievements to murder, those transporters could do some crazy sh** if Star Trek writers wanted them to.
Not to mention the Ship of Theseus Paradox, which fans of The Prestige might be familiar with. The paradox poses the philosophical question about whether a ship that has systematically had all of its parts replaced is actually the same ship at the end of the journey. In other words, if a person’s matter is dematerialized, will that actual person rematerialize on the other end — or have they essentially died while their copy continues to live?
The D23 Expo is officially underway in Anaheim, giving Disney fans a peek at what they can expect from the massive entertainment company over the next year. And while we are all hoping for some awesome new trailers to drop, the biggest reveal so far has been about the Disney parks, as we finally got a look at the upcoming Marvel land that will be opening at California Adventure in 2020. And unsurprisingly, the entire thing looks totally awesome.
The highly-anticipated Marvel land, which will be replacing “A Bug’s Land”, will not actually be called Marvel Land. Instead, Disney announced that it will be called Avengers Campus and will be based on the idea of visitors being recruited to join the super-superteam. Avengers Campus will be opening in two phases, with the first phase set to open sometime in 2020.
So what will actually be at Avengers Campus? The big attraction appears to be a Spider-Man ride that is rumored to be an interactive shooting game that hopefully will let riders become amateur web-slingers. There are also rumors about an Ant-Man brewery, along with a Dr. Strange stage show that will probably feature some real trippy effects.
Perhaps the biggest reveal is the fact that Disney sees Avengers Campus as the first step in expanding Marvel theme parks around the globe, with a map showing another Avengers Campus in Paris, a Stark Expo in Hong Kong, and a Xandarian Outpost in Orlando. These cities are, of course, home to Disney parks so don’t be surprised if the next decade features Marvel theme parks spreading all over the world. And based on the fact that Endgame is officially the highest-grossing movie of all time, we can’t imagine anyone will be too upset.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
U.S. Marine Corps veteran James LaPorta is “nervous as hell” for season four of the critically-acclaimed NBC drama This is Us because for him, the story couldn’t be more personal.
An infantry Marine with multiple Afghanistan deployments, LaPorta understands the impact of war. He also has some strong opinions about Hollywood’s depiction of it, which he shared for Newsweek when This is Us explored the Vietnam War during season three.
“While Hollywood has improved upon its depiction of military veterans in recent years, the majority of characters produced are still one dimensional. Usually, the audience is delivered a stereotype of either the incredibly heroic service member or the tragically broken veteran who is unable to function. In reality, these are plot vehicles for lazy writing that garner cheap emotional responses and that can contribute to the civilian-military divide that is already occurring,” he wrote.
Many in the military community agree and are quick to condemn military stories in film and television, but it was the Vietnam storyline that first caught LaPorta’s attention. In his opinion, This is Us had figured out the right way to tell veterans’ stories — though he couldn’t have predicted that he would sign on to be part of the team that would tackle the war in Afghanistan.
A war that, in LaPorta’s own words, is “being forgotten even as it’s being fought.”
LaPorta, already a fan of This is Us, was impressed by the Vietnam storyline and its depiction of how our veterans of that war were treated when they came home. LaPorta reached out to This is Us creator Dan Fogleman, who told Newsweek that the story was “not just about combat in war—[it was] about what veterans, and in particular, veterans of that generation, kept from their families, from significant others. Things they may have even kept from themselves at certain times.”
Fogleman invited LaPorta to visit the set and talk with the staff writers, which lead to LaPorta’s involvement on the show. He was hired as a military advisor for season four, which introduces the character of Cassidy Sharp (played by Jennifer Morrison), a soldier who struggles to return home from Afghanistan.
The story comes with pressure to “get it right.” LaPorta didn’t want to depict another military caricature, but the balance between telling an entertaining story and showing what it’s truly like for veterans is a tricky one. For LaPorta, it’s not only personal in that he shares his own experiences, but he also wove the stories of people he served with into this season.
Late post from last night’s @NBCThisisUs premiere. Actor Rich Paul is also a @USMC veteran. His character is Sgt. Lasher, which is also an homage to another #Marine I served with in Afghanistan. Lance Cpl Jeremy Lasher was killed in combat on July 23, 2009
LaPorta not only provided guidance about uniforms and weapons, but he was intent on getting every detail right, down to the proper tourniquets for the military units or the red dye in the beards of Afghan locals. He wanted it to be visually authentic at a minimum.
But he took his role as military advisor further by truly bridging the divide between the military and civilians in the cast and crew. One of the more meaningful ways he did this was by making and gifting memorial bracelets to honor the memories of fallen service members.
Among those who received bracelets were Fogleman and Morrison, the writing team, Executive Producer and Director Ken Olin, and Milo Ventimiglia, who plays a Vietnam War veteran in the show (and whose father was an actual Vietnam War veteran).
It was quite powerful and important to us my friend. Our North Star for her story this season. #ThisIsUshttps://twitter.com/JimLaPorta/status/1176714723280244736 …
When I asked what he was most excited about with this season’s story, LaPorta mentioned that female veterans in particular are underrepresented on-screen. “We’ve seen my story before, in terms of the male infantryman. We’ve seen it. But we haven’t really seen what women go through,” he insisted.
While Cassidy Sharp isn’t based on Kent or any one veteran in particular, she is a character who is serving in a combat zone, which many Americans are surprised to discover is the reality of post-9/11 wars. Female service members are risking their lives every day and their experience is unique.
“As we’re making this storyline, there are actually people fighting these wars,” LaPorta shared. “It’s something I’ll never forget, and I wanted to give the memorial bracelets so the cast and crew can remember that fact, too. It was a way to thank them for telling this story.”
This is not how we expected Cassidy to cross paths with the Pearsons…pic.twitter.com/dVtxFAVwws
One of those CIA operatives was Michael D’Andrea, state TV said, according to BBC Monitoring, which first reported the claims made on Iranian TV.
Iranian TV did not provide any evidence for its claim that D’Andrea was killed Monday.
But instead of airing a photograph of the real D’Andrea, Iran’s Channel One chose to show the face of Fredric Lehne, a US actor who played a character inspired by D’Andrea in the 2012 movie “Zero Dark Thirty.” The movie is a dramatization of the US assassination of al-Qaeda leader Osama Bin Laden.It is not know if the choice of photo was an error, or a last resort due to a lack of available photographs of D’Andrea.
Gathering Storm is an intense new show on National Geographic featuring the United States Navy, Coast Guard and Air Force. Each branch is highlighted as they race against time to complete vital missions during catastrophic storms.
Keo Films spent over a year developing the six-part series for National Geographic. The show will bring viewers inside the intensity of the world’s most powerful storms and outline the devastating impacts of climate change. Keo Films gave hundreds of cameras to maritime workers to document a year at sea and what happens during a major storm. Cameras also followed the three military branches serving in the midst of deadly storms.
The Coast Guard can usually be found right in the middle of it all, always ready.
Chief Warrant Officer Paul Roszkowski is a part of the leadership within the Coast Guard Motion Picture and Television office and was involved in the series from the start. “The Coast Guard worked with Keo Films for more than a year to coordinate filming part of our mission the public generally doesn’t get to see. This involved getting international film crews cleared to film at a moment’s notice at a number of Coast Guard units across the country and prestaging cameras at some units in case a storm formed. We are grateful to all of the units that participated in this which include USCGC Cypress, USCGC Alex Haley, Sector Guam and Sector Miami. Gathering Storm will give a peek behind the curtain of what Coast Guard personnel are doing before a major storm hits and the rescues start,” he shared.
Sector Miami is one of the busiest areas of responsibility for the Coast Guard. When hurricane season approaches, that responsibility increases tenfold. “We have two of the busiest cruise ports in the country… The port coordination team is vital. The decisions that are made [during a storm] are impactful. When we set those port conditions, the implications they have on all the stakeholders in the area are huge,” Coast Guard Lieutenant Commander Daniel Delgado explained.
As the Incident Management Division Chief for Sector Miami, Delgado worked closely with Keo Films for the series. “They were interested in seeing the preparation that goes into the ‘before the storm’ work. A group of people were here with us here in the sector building and also gave cameras to our teams that went out to verify pre-storm preparations. It was great working with the crew and they were very respectful of us and the work we had to do and didn’t impede it,” Delgado shared.
When hurricanes are approaching, the Coast Guard receives daily updates from the National Hurricane Center, which is a part of the National Oceanic and Atmospheric Administration (NOAA). Although the public has probably heard of the term “hurricane hunters,” they may not realize who’s flying many of those planes to gather vital weather data that gets dispersed to the Coast Guard: the United States Air Force.
In the first episode, viewers watch as the production crew follows members of Sector Miami navigating the Coast Guard’s response to Hurricane Dorian, a Category 5 hurricane which devastated the Bahamas and Abaco Islands in 2019. The damage left the islands in ruins and Hurricane Dorian was soon declared the worst natural disaster in Bahamian history. The Coast Guard saved the lives of over 400 people, flying and sailing through hurricane force winds and almost zero visibility to do it.
While the first two episodes focus on powerful hurricanes, the series then takes viewers into typhoon alley and through the roughest and most deadly fishing ground on the earth – the Bering Sea. Then watch as the Coast Guard and Navy rush to respond to typhoons in the Pacific, all while the Air Force is flying through the storms to gather the important data needed to respond.
“We featured the ‘Hurricane Hunters’ of the 53 Weather Reconnaissance Squadron of the USAF Reserve, based out of Keesler Air Force Base in Biloxi, Mississippi,” Executive Producer Matt Cole said. He shared that he enjoyed getting to personally interview veteran Hurricane Hunter Lieutenant Colonel Sean Cross about what it’s like flying into powerful storms.
Viewers will also watch the Navy become storm chasers with their advanced technology. “It was fascinating to see how the US Navy center in Pearl Harbor, Hawaii plays a lead role for the whole of that region in tracking typhoons and even providing life-saving forecasts. So, out there where typhoons are such a serious and life threatening problem, the forecasts provided by the US Navy using satellite data are invaluable,” Cole said.
The Keo Films also learned a lot during the filming process. For instance, prior to working on the series Cole and the film crew thought ships were safer in harbor during a storm – an assumption the Coast Guard was quick to correct.
“The folks who work out at sea face these huge storms at their fiercest. By filming with maritime workers on ships at sea we were able to capture the reality of cyclonic weather events and to track their development, through the eyes of these people who work in their path,” Cole explained. Although Hurricanes receive a lot of attention from the media during hurricane season, the show goes even deeper by revealing what it’s like to be in the middle of it all.
Film taken from over 1000 cameras paint a stark and terrifying picture of the impact of storms and climate change, felt on every corner of the globe. “I think that like us, the viewers of the series will come away with a lot more respect for the workforce that makes a living out on the ocean and the military teams that are on constant vigil to try to keep them safe when storms are brewing, through understanding the power and scale of the dangers they face,” Cole said.
The six-part series on National Geographic will air two episodes in a row each Saturday beginning August 15th, 2020 at 10pm.
Although we’re not always keen to admit it, the way we see the world and how we function in it tends to be largely informed by the pop-culture we consume along the way. The movies and TV shows we watch as kids not only help us to perceive a world beyond our views out the window, they have a habit of planting the seeds of foolish thought in our brains Inception-style; leaving us with a skewed idea of things like what really goes on in a fight, thanks to how often we see them depicted inaccurately on screen.
In fact, if you’ve never had the misfortune of suffering a nasty injury on one of your limbs, getting knocked out, or being in close proximity to an explosion, you might be harboring some pretty unrealistic ideas about just how deadly each can be. It might sound silly to suggest that people can’t tell the difference between something Wolverine can do and something your average Joe can… but many of these movie tropes have become such deep-rooted parts of our cultural lexicon that it starts to get difficult to discern truth from fiction. That is, unless you’ve been there first hand.
This is actually how Chuck Norris babysits people’s kids.
Being knocked out is totally fine
It’s Batman’s bread and butter, it helped Marty McFly’s mom gets handsy with her time traveling son, and it’s the most common workplace hazard for henchman and thugs, but the truth is, getting knocked out could seriously mess you up.
Movies may make it seem like getting knocked out with a single blow is basically the same thing as racking out for an impromptu nap, but here in the real world, blunt force trauma to the head tends to come with some serious repercussions. The Riddler’s henchman may come to in a few hours and complain of feeling groggy, but if you’re ever knocked out for hours, you’ll almost certainly wake up in the ICU of your local hospital, surrounded by some very concerned family members (and hopefully you’ll still know your name).
Head trauma that’s sufficient to knock you unconscious actually creates a neurochemical reaction in the brain that causes cell death that can potentially affect you for the rest of your life.
Fire is apparently the only dangerous part of explosions
Watching a protagonist walk toward the camera while a slow-motion explosion unfolds in the background might be one of the most overused (and somehow still rad) shots in cinematic history… but it’s also totally ridiculous. Movies treat explosions like it’s the fireball you have to be worried about, but the most dangerous part of an explosion is usually invisible to the naked eye: the shockwave.
Way back in the first “Mission Impossible” movie, Tom Cruise’s Ethan Hunt actually managed to seemingly ride the shockwave of an exploding helicopter (that was foolishly made out of dynamite, apparently) onto a speeding train. The shot is incredible, and it actually makes the superhero-like sequels make a lot more sense, since Ethan Hunt must actually be dreaming in a coma from that point on, while surgeons try to do something about the soup that used to be his organs.
Anyone that’s ever thrown a grenade can tell you that explosions are far faster and more dangerous than they’re depicted in movies. Most happen so quickly that we perceive them as little more than a thunderous impact and sudden poof of smoke, but it’s the shockwave that will literally liquify your inside parts (like your brain). In the medical community, they call this internal mushification “total body disruption,” which may not sound as cool as “internal mushification” but is apparently just as deadly.
I mean, the bleeding has already stopped. This guy might actually make it if he quits now.
Flesh wounds are no big deal
There’s no faster way to show us how badass a movie hero really is than to watch him dismiss a gunshot to the arm as “nothing but a flesh wound.” John Mcclane loses enough blood in the “Die Hard” movies to keep the Red Cross from chasing down donations for at least a year, but somehow those injuries never seem to slow him down at all.
These “flesh wounds” usually exist only so the female lead’s character arc can develop from annoyed at the hero to empathetic: “You’re hurt!” She exclaims as she runs to check the flap of skin hanging off of our hero’s tricep.
“It’s nothing,” he grimaces as he loads another seemingly infinite magazine into his weapon. As Jesse Ventura said in “Predator,” and probably at least once as Governor of Minnesota, “I ain’t got time to bleed.”
The problem is, you can absolutely die from a wound on your arm or leg. In fact, you can die pretty damn quickly if you rupture an artery. When it comes to unchecked bleeding, what you really don’t have time for is ignoring it.
Remember those days back in the barracks playing hours of GoldenEye? Well, grab your battle buddies and license-to-kill because GoldenEye: Source, an unofficial and free remake of the N64 classic GoldenEye 007, has received its first major update in more than three years.
While there’s no single player campaign, the remake features 25 maps, 28 weapons, and 10 game modes. GoldenEye: Source has been a labor of love for the creators for the past decade, and that reverence for the original game shines through in the attention to detail evident in the trailer.
The remake runs on Valve’s Source engine — the same used for Counter Strike and Half-Life — so while the graphics aren’t quite Skyrim quality, it’s still a major facelift. The “choppers” look like actual hands instead of pork chops, and that should be enough. The option to use a keyboard and mouse or modern gamepad will also be a breath of fresh air for anyone who’s recently dusted off the old N64-console and tried to stumble through the original GoldenEye‘s outdated control scheme.
The Vietnam War was one of the most politically charged military campaigns in American history. Scores of brave, young men were drafted into service to fight against the spread of communism and a well-trained North Vietnamese Army.
Each man who fought in the war came away with their own personal story. Oftentimes, those stories feed the creative process and are adapted to resonate with a wider audience. The result is a huge assortment of stories, told through books, feature films, or television series.
But for every great piece of media, there are plenty of not-so-good Vietnam movies and TV shows that hit the shelves. So, we’ve put together a list of classics that won’t ever get old.
Created by John Young and William Broyles Jr., the show follows Army Nurse Colleen McMurphy while she works at an evacuation hospital and USO center during the Vietnam War. The show featured various storylines of troops rotating in and out of the war.
Plus, the show’s opening credits showcased one of the most famous songs from that era: Reflections, as performed by the Supremes.
Fun fact: The title of the show, China Beach, refers to the nickname of My Khe Beach in the city of Da Nang, Vietnam.
Created by Steve Duncan and L. Travis Clark, the show initially aired on CBS in 1987 and followed a group of Army soldiers as they moved through the unforgiving jungles of Vietnam. It was considered the first dramatic television show to regularly display combat events in a narrative setting. Tour of Duty was intended to be the spin-off to Oliver Stone’s Platoon.
The show only lasted three seasons, but many Vietnam vets were fans of this short-lived series.
Directed by Michael Camino, the 1978 classic follows three lifelong friends from a steel mill town in Pennsylvania as they experience the grim realities of POWs in Vietnam. The powerful acting performances and gruesome Russian Roulette scenes are why the film took home the Oscar for Best Picture that year.
Directed by the late Stanley Kubrick, Full Metal Jacket is considered one of the greatest war movies ever made. It showcases the journey of a recruit who makes his way through basic training and is thrust into the dangerous, combative pit known as Vietnam in the late 1960s.
With Platoon, critically acclaimed writer-director Oliver Stone pulls from his own experiences (an Army veteran) to take audiences directly into one of the most politically charged times in American history. Platoon follows a young soldier, Chris Taylor, who enters the war as a complete newbie and exits full of emotional scars.
Based on the real events, We Were Soldiers focuses on the heroism and outstanding leadership abilities of Lt. Colonel Harold G. Moore. This intense war epic displays both the vigors of war on the frontlines and the emotional strife endured by faithful Army spouses back home.