A sharp-eyed aviation photographer caught a photo of a U.S. Navy F/A-18F Super Hornet two-seat variant transiting through the Star Wars canyon, one of the most popular western U.S. low-flying areas, earlier this month during what appears to be filming of in-cockpit sequences for the upcoming “Top Gun: Maverick” movie.
The photo, posted to Instagram by Christopher Lohff (@lohffingfoto), shows the pilot/front-seater wearing the same HGU-68/P lightweight flight helmet with custom graphics as seen in previously leaked photos from the production of “Top Gun: Maverick”. The upcoming film, slated for release on June 26, 2020 in the U.S., is likely entering the final stages of its production phase before going to post-production and editing.
[instagram https://www.instagram.com/p/BvdEMuyAKOK/ expand=1]Christopher Lohff on Instagram: “Someone’s excited for the Top Gun sequel! This VFA-122 Flying Eagles F/A-18F pilot was sporting what I can only recognize as Maverick’s…”
Another interesting detail in the photo is the appearance of an array of what appears to be four of the new Sony VENICE CineAlta video cameras on the coaming of the rear cockpit. The new Sony VENICE CineAlta is a full-frame, 36x24mm digital video camera that shoots at a maximum resolution of 6048×4032 and can be modified to shoot at even higher quality resolution. The cameras cost about ,000 USD each without lenses or upgrades for higher resolution.
The Sony VENICE CineAlta array seen in the F/A-18 appears includes four rearward-facing cameras in the aft cockpit of the F/A-18 with various focal length lenses including at least two very wide-angle lenses. The camera array is fitted to the top of the rear cockpit coaming at the top of the instrument panel with a custom machined mount.
These photos give a clue about what some of the in-cockpit sequences may look like when the film debuts next year.
Just before the photos from the western low-flying areas appeared on Instagram, the Internet was filled with “spy” photos of an F-14 Tomcat being used in filming for the upcoming movie. The appearance of the Tomcat suggests a retrospective sequence, some kind of “flashback” to the original “Top Gun” in this upcoming release.
[instagram https://www.instagram.com/p/BvkSnlkl6uJ/ expand=1]Skid Voodoo on Instagram: “Our Hero Tomcat should be returning to the San Diego Air & Space Museum Annex soon. Its service to the new film is coming to a close after…”
The F-14 Tomcat that was sighted around Coronado Island and North Island NAS also showed up on the deck of the nuclear-powered aircraft carrier USS Theodore Roosevelt (CVN-71) for some filming sequences. One sequence included the aircraft being stopped in the large net/arresting barrier used for emergency recoveries onboard ship. The F-14 used in the filming is likely Grumman F-14A Tomcat #159638, an aircraft previously on display at the San Diego Air Space Museum’s Gillespie Annex in El Cajon, California.
This article originally appeared on The Aviationist. Follow @theaviationist on Twitter.
Conventional wisdom would tell you that any ship going unnoticed by the enemy, especially an enemy submarine in World Wars I and II, would be the best-case scenario. But the Navy’s “Dazzle” camouflage was clearly anything but conventional. The ships feature a paint job that looks more Picasso than Portsmouth, but anything that could save a ship’s crew and cargo was worth a try.
Try not to have a seizure.
The “camouflage” used on each of the Navy’s “Dazzle Ships” was unique to the ship, and its purposes were many. First, it prevented the enemy from identifying the ship, its class, its cargo, or even what kind of ship it was. It also made determining the ship’s course and speed difficult. If an enemy u-boat can’t determine the ship’s course, then it will also have difficulty moving to the best firing position, course and speed being necessary factors in targeting a ship with a torpedo.
Dazzle camouflage also made rangefinding for artillery and other ship-borne weapons very difficult, as it disguised many features used by captains and gunners for determining the range of the enemy target. One enemy captain called it the best camouflage he’d ever seen:
“Since it was impossible to paint a ship so she could not be seen by a submarine, the extreme opposite was the answer – in other words, to paint her not for low visibility, but in such a way as to break up her form and thus confuse a submarine officer as to the course on which she is heading.”
A U-boat commander’s periscope view of a merchant ship in dazzle camouflage and the same ship uncamouflaged.
By the end of World War I, the United States and the United Kingdom had thousands of ships in service wearing dazzle paint. While there is little statistical data available that the dazzle patterns actually worked, the U.S. and Royal Navy both tested it extensively on small boat operation before implementing it, and anecdotal evidence suggests it was effective, as does a 1918 song by Gordon Frederic Norton, called “A Convoy Safely By.”
Captain Schmidt at the periscope You need not fall and faint For it’s not the vision of drug or dope, But only the dazzle-paint. And you’re done, you’re done, my pretty Hun. You’re done in the big blue eye, By painter-men with a sense of fun, And their work has just gone by. Cheero!
Hollywood works hard to produce great movies, there’s no doubt about that. Plenty of industry professionals are working around the clock, 7 days per week, to provide top-shelf entertainment to the masses. And while (most) studios try their best to depict military tactics as accurately as possible, they often fall short. One area in particular where they always seem to get things wrong is urban combat — specifically, the most fundamental component: clearing buildings.
Now, don’t get us wrong — there are plenty of movies that nail it perfectly (typically the ones with a good military adviser, hint hint) but we’ve seen plenty of mistakes make it all the way to the silver screen. After all, there’s a reason I’m writing this article.
Here are some of the most basic rules that get broken consistently in movies.
If you’ve got someone watching your back, no worries.
(U.S. Marine Corps photo by Sgt. Melanie A Wolf)
Never enter a room alone
It’s the cardinal rule of military operations in urban terrain (or, MOUT): You should never, under any circumstances, enter a room by yourself. At minimum, you need to bring one other person with you. If you enter a room alone, you could get cut down by an enemy and there’d be nobody to back you up.
Time and time again, we’ll see brazen heroes kick down doors solo — even when they’ve got teammates available.
Drop your gun, enemy drops you.
(U.S. Marine Corps photo by Cpl. Jesus Sepulveda Torres)
Keep your gun up
Keep your gun up; keep your guard up. If a building hasn’t been cleared yet (we’ll get to that in a minute), your gun should remain ready to go. If you drop it in an unclear house, you could be caught off guard at the wrong moment — and it could mean the end of you.
We can’t tell you how many times we’ve seen characters walk through houses with their muzzles pointed at the dirt.
You better yell like someone’s life depends on it.
Everything you see, everything you hear, and everything in between needs to be communicated or repeated. No one can see every space of the room, so it’s your job to tell everyone else what you see. This way, if you find enemies, everyone in your unit knows immediately.
We’ve seen plenty of shows and movies that feature silent warriors that rely on hand signals. In fact, one of the only times we’ve seen it done right was in Sons of Anarchy. In the second episode of the third season, the Sons close in on the location of the leader of a rival gang. As they move through the house, they communicate every little thing loudly and clearly. Leave it to the lawless to abide by the rules of war.
Make sure to maintain muzzle awareness as well.
(U.S. Marine Corps photo by Cpl. Jesus Sepulveda Torres)
Move your muzzle with your eyes
If you turn your head, your gun goes with it. If your gun isn’t locked with your eyes, you’ll need an extra second to get it there if things go south. Needless to say, your enemy doesn’t want to give you that extra second.
Characters in movies are always looking around without their gun, even when the character is supposed to be some Special Ops badass.
You never know when an enemy is hiding in a corner or under a table.
(U.S. Marine Corps photo by Cpl. Garrett White)
Check every space
A building can only be declared “clear” when every space has been observed. If a building has a basement, attic, or both — you better check ’em. Drawers, cabinets, closets, shelves, holes in the walls — it all gets inspected. If it doesn’t, that one drawer you decided was okay could have a f*cking bomb in it.
Funnily enough, in movies, when a character doesn’t follow this rule, they’ll often been made an example for the rest of the squad.
It seems like every veteran entrepreneur opens a coffee shop, a t-shirt company, or a brewery. We ain’t mad atcha, especially if it’s a brewery.
This Veterans Day, raise a glass full of veteran-brewed goodness to toast all the great ones before us, those who have served with us and those yet to come. Here are 8 veteran-brewed beers to drink this Veterans Day (and hell, all year round):
What could be better than toasting the brotherhood than by buying a beer that gives back to it? A portion of every beer sold in the series is donated to the Navy Seal Foundation.
According to their website, this brew is fermented at a higher temp (72F) to blow up the fruity and juicy yeast strain esters. This series features a single hop profile of Azacca Hops to bring big citrus and tropical fruit tones. Protector is one of the fastest-growing breweries in SoCal and is owned and operated by a veteran Navy Seal.
Start your day right with a W.A.S.P. Waffle Ale that honors the Women Air Service Pilots (W.A.S.P.) from World War II. While it was brewed by women to honor women in uniform, this beer is for anybody who likes to be happy. With subtle caramel notes and a maple vanilla finish, Callsign promises you’ll be saying “leggo my beer.” We’ll drink to that.
The Frogman Lager is a fan favorite at this Norfolk brewery with a combination of caramel and bready-malt flavors and floral and earthy notes courtesy of the Bold Saaz hops. With 24 IBU, this is an easy beer to drink and an easier one to love.
We give the KA-BAR Brown Ale two fierce knife hands. Their flagstaff beer, this is a rich, dark brown ale with notable nuttiness up front. It’s also described with a “slight roasty character and a hint of chocolate and toffee come through before ending with a subtle bitterness.”
While this beer is bottled, if you can make a trip to the taproom, it’s worth seeing in person: the tap handles for the KA-BAR Brown Ale come directly from the KA-BAR factory in New York.
One of our favorite beers to drink, the pineapple hefeweizen, is packed with sweet and tangy fruit flavors, perfectly complemented by spicy clove and hints of banana. This is one pin you’ll want to pull over and over again.
“The foot soldiers of the Infantry belong to the oldest and proudest branch of the army, their boots ‘always ready, then, now and forever.’ Our Ground Pounder Pale Ale honors those that have worn out their soles preserving the freedoms we cherish.”
The Ground Pounder is all around a great beer. It has nice spice and citrus notes with some bold, piney hop and a little bit of caramel. And, just because we know the Army is always a little extra, there’s some lime and crushed black pepper in this bad boy.
No matter what you’re drinking this Veterans Day, raise your glass not only to those around you who have served, but give a little toast to yourself, too. Here’s to you – cheers.
Graham Roland always knew he wanted to be a writer. The problem out of high school was that he didn’t really know what he was going to write about. The answer would come when he joined the United States Marine Corps in November of 2000, becoming a Forward Observer. After nearly a year of training, he reported to his reserve unit.
Two months later, the 9/11 attacks occurred. For the next three years, he experienced a series of false alarms before finally deploying to Fallujah in 2005. He experienced what many service members do when transitioning out of the military, and certainly when returning home from a combat deployment: culture shock and heightened anxiousness, though he didn’t recognize it at the time.
Instead, he jumped right into film school — a fortuitous decision.
Thanks to the mentorship of one of his professors, Robert Engels, Roland was encouraged to write a television script. In 2006, television was just beginning to morph into the epic storytelling platform it is today. With shows on the air like Dexter, The Sopranos, The Shield, Deadwood, and of course LOST, television was becoming a new beast for dramatic writing.
Roland’s script was strong enough to land him management with Gotham Group and a job as a staff writer for the final season of Prison Break in 2008.
For anyone unfamiliar with the writing industry, landing a high-caliber manager and a staff writing position are both extremely coveted and competitive accomplishments. Roland didn’t take the opportunity lightly.
“To this day, that was the longest single writing contract I’ve ever had. That was more my film school than actual film school,” he recalled. The showrunner, Matt Olmstead, made the effort to mentor his young writers, offering them the chance to write a script. It was up to them to excel.
After the series finale of Prison Break, Roland’s writing landed him another epic show: LOST. By joining the writers’ room in its final season, Roland was able to enter as a fan first, which he described as intimidating.
“It wasn’t just a phenomenon for everyone else; I was also a huge fan so it was also a very important show for me. When I came on board, it was like a peek behind the curtain. It’s a process of people going to work every day, only now I was writing these characters that I had loved,” he shared.
Roland’s role was a unique one because he was joining the team as a fan; he literally got to help share what he wanted to see based on watching the first five seasons along with the rest of us.
“I don’t know that there will ever be another LOST. There will never be another show that so many people watch live and then talk about it. Game of Thrones did it but so few people watch shows in real time. Especially now when there are hundreds of shows to watch, it’s rare for people to care enough to watch it live. TV is evolving.”
From LOST, Roland transitioned into another Bad Robot enterprise: Fringe. There, he was not only a writer — he received his first producer credit as well. He worked on seasons 3-5 of Fringe, which he described as the most imaginative writers’ room of his career.
“For me, this was the job where I actually got my confidence. I’m still learning to this day, but on my first two shows I really still felt like a student.” It was on Fringe that he had bosses who encouraged him to produce episodes, to go to set, and to take ownership of creative responsibilities. He was able to expand and grow in an environment where he was trusted and valued.
After the stream of successes, Roland experienced a few creative set-backs. In 2013, he was brought on to Almost Human to work on the show midway through the first season, which would ultimately also be the last. The show was cancelled after its first season.
“Sadly, by the time we were cancelled, we had just started to figure out what the show should be,” he reminisced.
Not one to sit still for long, Roland reunited with LOST’s Carlton Cuse to create The Returned, an experiment for AE that would prove to be a great experience for Roland as a producer, if not a success for a network built on an audience accustomed to reality television.
Though The Returned would also be cancelled after its first season, his working relationship with Cuse, however, was just beginning.
Tom Clancy’s Jack Ryan Season 1 – Official Trailer | Prime Video
In 2015, Roland took an open writing assignment from Paramount, who was looking for someone to bring a fresh take to the iconic character of Jack Ryan. They liked his take, but they were wary of hiring him as a first-time showrunner (“rightly so,” Roland generously stated).
So he teamed up with Carlton Cuse.
Together, they created the first two seasons for release on Amazon. It was an entirely new experience for Roland. By then, HBO and Netflix had significantly raised the bar for the production value of television, which Amazon was eager to reproduce. The first season took nearly three years to create, expanding over five continents.
“I will always be grateful for the opportunity it gave me to travel all over the world and make a TV show. I’m proud of how ambitious we were,” he said, looking back on the experience.
After the first two seasons, Roland decided to step aside and explore something closer to his own roots.
Graham Roland and director Morten Tyldum on the set of ‘Tom Clancy’s Jack Ryan’ in Marrakech.
(Image courtesy of Graham Roland)
HBO and beyond
“The things I’m working on now are all things I’m really passionate about. Not that I wasn’t passionate about my previous jobs, but Jack Ryan has afforded me the opportunity to pick and choose what I want to work on,” he shared. One of the things he’s working on next is a show for HBO based on the Navajo Nation in the 1970s, which gives Roland a chance to reconnect with and explore his own Native American heritage.
Another project he has in the works is a film about the cartels in the 90s.
When I asked him for how his military service has informed his career, he shared that there’s a misconception that the military community isn’t necessarily artistic. “But that’s not correct,” he affirmed. “There are a lot of people with an artistic drive who ended up serving. If you get out of the military and you want to work in this industry, whether as an actor, writer, or director, the door is open to you.”
Roland is a mentor for the Writers Guild Foundation’s Veterans Writing Workshop, which helps veterans develop screenplays and pilots. SAG-AFTRA has also been holding classes for military veterans as well.
“When I first started working, I didn’t know any other veterans. I felt behind, but I learned that the industry is now starting to recognize that veterans carry professionalism, tact, and leadership skills with them from their service. To get anything made, it takes intense collaboration, which the military does well.”
With thousands of confirmed cases of COVID-19 in China and South Korea, and a rapidly growing number in Europe and the United States, the question is no longer if the coronavirus will have an effect on the global economy but rather whether it’ll be a small scratch or a giant crater.
Increasingly, the latter appears to be a distinct possibility. On Monday, analysts at the Organization for Economic Cooperation and Development predicted that a continued spread of the novel coronavirus would cut worldwide GDP growth fully in half.
This is a scary prospect for a lot of reasons, although the most immediate impact has been a hammering of 401(k)s and other investment accounts. Last week alone, the SP 500 took a nearly 12-percent hit as skittish investors ran for the exits. No doubt, many others are thinking about the same move.
That it’s a fool’s errand to time something as complex and unpredictable as the stock market is pretty much Retirement Planning 101. And yet there’s a basic human instinct to run for the nearest exit when danger looms. Surely, it’s better to jump before the ship sinks any further, right?
Well, no. The speed with which stocks plunged last week can lead one to conclude that the freefall is going to continue. But the fact is, no one knows whether that’s true or not. Stocks actually gained nearly five percent Monday on news that central bankers are ready to take serious counter-measures (although even that doesn’t mean the sell-off is over).
Certainly, emotions are going to run high when you open your online account and see a dramatically smaller balance than the one you glimpsed just a couple weeks earlier. Now, more than ever, it may be time to simply look away for a while. For long-term investors, in particular, it’s important to keep in mind that volatility is part of the game when it comes to stocks. The point is that, over periods of a decade or longer, the market has consistently rewarded patience.
You don’t have to look back very far to see what can happen when investors start hitting the panic button. As the housing market collapse started to expose some pretty egregious risk-taking from Wall Street banks in 2007, the stock market fell into its worst bear market in recent memory. In the span of 17 months, the SP 500 lost more than half its value, falling to 676.
But here’s the key point: those who kept buying during the downswing saw the biggest gains when things eventually turned around. Even after last week’s bloodbath, the index is now past the 3,000 mark.
Kevin Mahoney, CFP, of the Washington, DC-based financial planning firm Illumint says he’s telling his primarily Millennial-age clients to sit tight when it comes to their retirement accounts. “Whether this is the bottom or not, I’m not particularly concerned,” says Mahoney. “They’re keeping their money in for another 30 or 35 years.”
Indeed, this is the beauty of dollar-cost averaging, where you invest a fixed dollar amount from each paycheck, even when the financial news looks ugly. By continuing to buy when prices drop, you end up obtaining more shares with the same amount of cash. When the market eventually turns the corner, this steady-as-she-goes investing style ends up providing you with bigger gains.
For those who have money on the sidelines in, say, a savings account, this may actually be the perfect time to enter the market. Warren Buffett himself has used this contrarian approach to great effect, once declaring: “Be fearful when others are greedy and greedy when others are fearful.”
As long as people can tolerate a fair amount of volatility in the short term, Mahoney says the recent headlines shouldn’t cause would-be investors to lay low. “Stocks are now lower than in previous weeks, so if they need motivation to act on their savings, they can view this as a financial opportunity,” he says.
Things are a little trickier, of course, for couples who own brokerage accounts that they hoped to tap in the next few months for a new home or other big-ticket purchases. “These individuals may want to evaluate whether they can be flexible with the timing of their upcoming financial goal, such as funding a down payment,” says Mahoney. “If the market continues to struggle, they may be better off waiting and continuing to save.”
For anybody else, obsessing over the latest financial news isn’t going to do you any favors. Just ask the folks who exited the market the last time stocks took a nose-dive.
In the first-ever Stand Up and Rock Out benefit event, American Legion Post 43 in Hollywood, California, got a heavy dose of comedy and heavy metal; attracting celebs, rockers, and plenty of vets. Held in the new, beautifully remodeled theater at The Legion, the sold-out event featured sets from Bill Burr, Jeff Ross, and Bob Saget and a performance by Eagles of Death Metal.
Rounding out the show was Joe Derosa with American Legion member Jon Stites hosting the whole event.
Jon is no stranger to comedy, having made the rounds all over LA and abroad. Before becoming a professional standup comedian, Jon was a grunt in the Army and even spent a little time as a college language professor. Now, he helps the iconic Hollywood American Legion get the street cred it deserves by bringing them acts like Bill Burr and Eagles of Death Metal. Check out the video above for a taste of the epic jam session and stay tuned for news about more rock shows coming to a Legion near you.
If you want to check out more Jon Stites, catch Mandatory Fun, where he breaks down the most hilarious clips from across the military.
In 1949, Chinese Communists under Mao Zedong finally managed to chase the Chinese Nationalists off the mainland and to Taiwan, where they remain to this day. After 70 years of communism and varying degrees of personal and economic freedom for the Chinese people, the Chinese are finally able to call Chinese Communism something of a success – and China doubled down on the formula, celebrating its platinum jubilee with a military parade, unlike anything it threw before.
Communists love a parade. Dictators do too. Few events are more associated with Communist dictatorships than a good ol’ fashioned parade of ground troops, tanks, and maybe some nuclear missiles. This trait was on full display in China on Oct. 1, 2019, as Chinese President Xi Jinping watched the armed forces of the People’s Republic of China goose step their way into the world headlines on China’s 70th birthday.
The Chinese President was dressed for the occasion, wearing the distinctive “Mao Suit,” popularized by the Chairman and founder of the PRC, a simple button-down tunic with baggy pants. The suit is a functional form of dress, encouraged by Mao for citizens of all social strata to wear. It soon became a symbol of Chinese communism. He spent part of the parade in a limousine, shouting encouragement at Chinese soldiers, who shouted catchphrases back at the leader.
A float featuring China’s national emblem travels past Tian’anmen Gate during a parade marking the 70th anniversary of the founding of the People’s Republic of China, on its National Day in Beijing, China Oct. 1, 2019.
The parade itself was a showcase of Chinese capabilities, engineered to remind the world just what China’s capabilities are. Along with the standard presence of Chinese-built tanks, missiles, and even drones, the parade included China’s homebuilt DF-41 intercontinental ballistic missile, a first for any Chinese parade. The ICBM is the world’s longest-range nuclear missile, capable of reaching the United States in 30 minutes with six to ten warheads per missile.
Also on display for the first time was China’s JL-2 submarine-launched ballistic missile, which is not capable of reaching the United States from Chinese waters, but provides China with its own complete nuclear triad. The two missiles are the most powerful weapons in the PRC’s arsenal. Also marching in the parade were 15,000 Chinese communist troops and 70 floats describing the history of China and the different cultural parts of the country.
Notably missing from the parade were any of the billion-plus average Chinese citizens who were shut out of the parade. Despite the celebrations, China isn’t the unified bastion of communism it appears to be, as it faces opposition in areas nominally under its control, including the Muslim Xinjiang Province, as well as Tibet and Hong Kong, where the Communist leadership is facing a mountain of protests to Beijing’s rule.
Bob Ross might be one of the last names you’d think of when considering all the celebrities that have served. The videos of him “painting a happy little bush in the corner right there” exude calmness and tranquility — exactly the opposite of what you’d expect from a training instructor turned hardened, twenty-year First Sergeant turned retiree, but that’s exactly who he is.
What makes Bob Ross’s story even more awesome to the military community is that nearly every aspect of his hallmark zen was directly inspired by — or intentionally the exact opposite of — his time spent as First Sergeant of the U.S. Air Force Clinic at Eielson AFB, Alaska.
Yep. That’s Alaska alright.
(Bob Ross, “Winter Night,” 1984)
His choice in scenery
As you can imagine, at Eielson AFB, there’s nothing but the Last Frontier for as far as the eye can see. It’s 26 miles from Fairbanks and another thousands before you reach what most consider normal civilization.
While Bob Ross was stationed there, this was his view — and it’s what inspired him to draw. A beautiful backdrop of snow-capped mountains and rivers flowing through verdant woods just needed to be captured somehow. The world needed to see the majesty that he saw.
His style of wet-on-wet oil painting and his use of bigger brushes meant that this masterpiece was made in just 25 minutes.
(Bob Ross, “Mountain Retreat,” 1984)
His quick art style
As the first sergeant of an entire medical facility, he needed to find some sort of distraction from the constant stress. He found his outlet one day at the Anchorage USO Club when he attended an art class. Drawing became his passion and he would often paint during his brief lunch breaks.
Within his hour of break for lunch, he’d have to finish an entire painting — and eat. This time constraint proved handy later on. He was already trained in creating an entire painting within brief, half-hour episodes when it came time to create the show.
His soft voice
Bob Ross served many years as a training instructor and yet found no pleasure in raising his voice to give orders. He swore to himself that when he retired out of the Air Force, he’d never yell again. After twenty years of service, he retired in 1981 and kept his word.
His soft voice was the tune to which many picking up painting as a hobby. As anyone who’s drawn or painted knows, you will often make mistakes while creating art. You’ll crumple the paper up or set fire to the easel because you got one line wrong. But that’s not the Ross way. According to First Sergeant Bob Ross (Ret.), “there are no mistakes. Only happy accidents.”
When they start selling Chia-pets in your likeness because of your wacky hair, no one will let you cut it.
His signature hairdo and beard
Today, he’s known as the man with the poofiest perm and a glorious vet beard, but it wasn’t always this way. In fact, for a long time after his retirement, he kept up a professionally done crew cut and would shave every week. But times were tough for Ross.
He would have to skip a hair cut every other week until, eventually, he started skipping them altogether. All the while, he was trying to get the first version of The Joy of Painting on the air. By the time he was able to support himself through the show and associated art supplies, his ‘fro and beard had become part of his identity. This look stuck with him, no matter how much he wanted to shave it and go back to the crew cut.
Hands down the best “post DD-214” life by a long shot!
(Bob Ross Inc.)
His desire to teach
Deciding to leave the military and start a public access show about painting isn’t part of anyone’s get-rich-quick scheme. He did it because it was one of his proudest moments of being in the Air Force: being an instructor, only now he could do it without raising his voice.
Later on, Bob Ross Inc. paint supplies and books brought in money, but that’s never what mattered most to him — he donated plenty of it away. He was just a veteran who wanted to share his Joy of Painting with the world.
A team of six Air Force men and women bested the Army and Navy to capture the first-ever Inter-Service Alpha Warrior Final Battle held at Retama Park on the outskirts of San Antonio Nov. 17, 2018.
Capt. Mark Bishop of Air Mobility Command, Capt. Noah Palicia of Pacific Air Forces, Capt. Jennifer Wendland of Air Force Global Strike Command, 1st Lt. Stephanie Frye of PACAF, 1st Lt. John Novotny of AMC, and Senior Airman Stephanie Williams of U.S. Air Forces in Europe completed the course in 2:17:33 to win the championship, a 110-lb trophy and armed forces bragging rights for the next year.
Fashioned after the popular American Ninja Warrior TV competitions, Alpha Warrior tested the competitors’ strength, coordination and endurance through more than 20 obstacles.
The two-day event featured Air Force finals on Nov. 16, 2018, and the inter-service finals the next day. Air Force Installation and Mission Support Center and the Air Force Services Activity hosted the event.
In kicking off the finals Nov. 17, 2018, Maj. Gen. Brad Spacy, AFIMSC commander, talked about how teammates would pull each other through.
Capt. Mark Bishop nears the end of the bridge obstacle of the proving rig during the first Inter-service Alpha Warrior Final Battle Nov. 17, 2018, Retama Park, Selma, Texas.
(U.S. Air Force photo by Debbie Aragon)
“These young soldiers, sailors, and airmen are going to push through this course and they’re going to get to a point somewhere where they think they can’t make it, and they’re going to get through it and their teammates are going to get them through it. In the end, someone will be the winner, but they’re all going to win together,” he said.
It wasn’t too surprising the previous day’s Air Force Final Battle first place male and female athletes, Palicia from Yokota Air Base, Japan, and Williams from Royal Air Force Lakenheath, United Kingdom, came out on top again in the individual category. Palicia finished with the overall fastest time at 16:57.9. Williams finished at 24:03.2.
“The competition was really tough but I’m really pumped that the Air Force is able to do this,” Palicia said. “It feels incredible to be part of the first inter-service battle.”
He said the team walkthroughs and understanding proper technique really helped them complete the obstacles.
Navy Lt. Cmdr. Ryan Bareng, who is no stranger to fitness programs, said the atmosphere motivated him.
“I wasn’t only getting motivated by my teammates but actually had Air Force and Army guys rooting me on,” he said. “It’s been one team-one fight mentality this whole time and it’s been inspiring to be alongside our sister services.”
Senior Airman Stephanie Williams, women’s category winner, tackles the rings obstacle of the proving rig during the first Inter-service Alpha Warrior Final Battle Nov. 17, 2018, Retama Park, Selma, Texas.
(U.S. Air Force photo by Debbie Aragon)
The finals provided an opportunity for friendly competition while building camaraderie and esprit de corps among the competitors, said Army Sgt. Cameron Edwards.
“The event was challenging,” Edwards said. “It was the first event that I’ve been around Navy and Air Force together. It was a very unique time together. We competed not only against — but with — each other through the end.”
The program expanded from an Air Force-only event in 2017 to include Army and Navy competitors in its second season.
“This event has been a year in the making,” said Col. Donna Turner, AFSVA commander. “Airmen had to compete at the installation-level and regionals where the top two male and females were selected to compete in the Air Force Final Battle. The top six male and females moved on to our first inter-service battle.
“We have a phenomenal partnership with Alpha Warrior, to be able to bring this type of training and tactical fitness to our armed forces,” she said.
“This is the new way to train. This is functional fitness put into a complex environment where airmen have to think, as well as be fit and strong. We call it the revolution in fitness and this is the way of the future,” Spacy said.
Military movies are emotional to watch as many are based on real and fascinating stories of man’s ability to overcome any obstacle and fulfill his or her goals and destiny and all that sh*t.
With so many important aspects to pay attention to, filmmakers commonly make mistakes that veteran moviegoers can spot.
So check out some epic mistakes we managed to find in our favorite Hollywood war films.
1. Where did the German tank go?
“Saving Private Ryan” is one of the best war movies ever recorded on film, but that doesn’t mean it’s flawless. In the 3rd act — just as the final firefight is about to end — Capt. Miller fires his pistol at a tank headed toward him. After firing a few shots, the tank blows up, bursting into flames and stopping dead in its tracks.
The tank surprisingly blowing up isn’t the mistake, but moments later the Tiger tank vanishes.
It must have been magic, right? (Source: Dream Works)
2. Playing musical chairs
In Mel Gibson’s “Hacksaw Ridge,” Desmond Doss sits on the right side of the bus saying his goodbye to his girl.
Cut to a few moments later and Desmond is now sitting on the left side of the bus after it departs the station.
3. No force protection…at all
In the Clint Eastwood directed “American Sniper,” the SEAL team enjoys a meal with an Iraqi man and his family who is about to be discovered for being a bad guy. Although the team is on a crucial mission, the lights are on, and someone forgot to close the curtains on the window.
4. A non-combatant?
We love the film “Full Metal Jacket” just as much as other veterans, but this Stanley Kubrick directed film has a lot of screw-ups — especially here. As the Marine squad advances on the Vietnamese sniper, you can spot a crew member in the bottom of the frame. Oops!
5. Marine sniper training on an Air Force base?
In 2006, Universal pictures gave us the Desert Storm film “Jarhead,” directed by Sam Mendes. In this scene, Anthony Swofford (played by Jake Gyllenhaal) reports for bugle tryouts at the Marine Corps parade deck. Look at the water tower behind him; the Air Combat Command emblem is clearly represented in this shot. The A.C.C. is a major command of the Air Force and wouldn’t be located on the Marine Corps base.
From a troop’s first day in the military to their last, they’ll pick up various leadership traits that will (hopefully) propel them into a positive, productive future. Although most of us won’t ever know what it’s like to lead a whole platoon or battalion, we’re often thrown into temporary leadership roles as we take boots under our wings, showing them how sh*t gets done while fostering a level of respect.
Leadership can be taught during training, but it’s not truly understood until you’re in the field. The following skills are the cornerstones of leadership.
We’ve all experienced first-hand how infuriating it is when someone constantly feels the need to put in their two cents — just because they can. Many young leaders, eager to meaningfully contribute, will feel compelled to change something to their liking, even if it won’t help better complete the mission at hand.
It’s an important to know when you should back away.
Show one, do one, teach one
It’s up to the military’s leaders to impart their knowledge onto junior troops. As essential part of the military is training troops to win battles. When a troop doesn’t know how to pass a certain test, it’s up to their leader to teach them.
The winning strategy here is, “show one, do one, teach one.” The leader will first show a troop how to do something, that troop will then do it for themselves, and then, finally, that troop will go teach another how to complete the task.
They say that teaching is the best way to learn — this method benefits both a leader and his troops.
All too often, we see orders get passed down by people who wouldn’t dare complete the task themselves. These so-called leaders tell you, “good luck,” and then show up in the end to take all the credit.
Don’t do this. Instead, lead from the front. Help with the dangerous missions you helped plan.
Know your team’s strength and weakness
When you walk onto the battlefield, either literally or metaphorically, it’s important to know what each individual in the team is best at in the event something pops off. We’ve encountered leaders who don’t know elbows from as*holes when it comes to their squad.
We’d all like to be appreciated for our hard work, but victories are rarely due to a single act. Recognize that the military is a team environment. Each member plays an important role in achieving victory. Taking all the credit for a group’s hard work only makes you look dumb.
Afghan special forces have freed 61 captives held by the Taliban in an operation in the southern province of Helmand, the military says.
Jawid Saleem, a spokesman for the elite commando units, said the operation was conducted late on Aug. 2, 2018, in the Kajaki district in Helmand, a stronghold of the Taliban.
Saleem said at least two Taliban militants were killed during the rescue mission by Afghan special forces.
The Taliban did not immediately comment on the matter.
The prisoners were transferred to the provincial army headquarters, said Munib Amiri, an army commander.
Those held had been captured for a range of reasons, Saleem said, from cooperating with Afghan security forces to belonging to the local police force.
According to Saleem, the prisoners were held in poor conditions, including a lack of proper food and health care. They were also tortured, Saleem added.
Hundreds of prisoners have been freed from Taliban prisons by Afghan security forces in Helmand Province in recent months.
On May 31, 2018, Afghan special forces freed 103 people held at two sites run by the Taliban in Kajaki district.
According to the latest report by the Special Inspector-General for Afghanistan Reconstruction, an independent U.S. federal auditor, the militants control nine of 14 districts in Helmand. Half of the population of the province lives in areas under Taliban control.