The DoD has a detailed strategy set for a possible zombie apocalypse, complete with a contingency for zombified chickens.
The DoD has a detailed strategy set for a possible zombie apocalypse, complete with a contingency for zombified chickens.
We invited over 100 veterans to a special screening of Jack Reacher: Never Go Back, hosted on the historic Paramount Studios lot in Hollywood. Here’s what they thought.
Here’s WATM’s tribute to our troops celebrating Thanksgiving overseas.
Shortly after Orville and Wilbur stopped making bicycles and started hanging out around Kitty Hawk, Hollywood took to making movies about those who venture into the wild blue yonder.
Here are the best Air Force characters they’ve created over the years. Remember: half of these guys are real people. That’s what makes being in the military so great – the chance to do something someone might make a movie about one day.
The Great Escape is one of the best heist-style films of all time. It’s also one of the best military films of all time, based on the true story of a group of Allied POWs put together in a Nazi “escape-proof” camp because of their ability to escape from POW camps.
Captain Hilts of the Army Air Corps constantly frustrates guards with escape attempts, landing him in solitary confinement, or the “cooler.” Hilts is easily #1 on this list, not only because he’s depicted on screen by Steve “The King of Cool” McQueen, but also because the real guy this character is based on David M. Jones.
Jones was an Air Corps pilot who started World War II as a Doolittle Raider (the character can also be seen in “Thirty Minutes Over Tokyo”), and flew sorties over North Africa before being captured and held by the Germans for nearly three years. Jones survived the war and went on to a 37-year career in the Air Force.
James Rupert “Rhodey” Rhodes is not based on a real character, though having the War Machine around IRL would make life a lot easier for much of the Air Force (and the lawless areas of Pakistan too… probably).
Rhodes is the stable, dependable version of Tony Stark in the Marvel Cinematic Universe (In the Marvel Comic, Rhodey is a Marine). Colonel Rhodes is also Stark’s best friend and the DoD liaison to Stark Industries, which means he gets to pal around on private jets and hang with the Avengers while taking down terrorists and robot drones (that aren’t American).
BAT 21 is a the dramatized story of the rescue of Lt Col. Hambleton (whose call sign was BAT 21 Bravo), the largest, longest and most complex search and rescue operation of the Vietnam War. He was the navigator on a USAF EB-66 aircraft and an expert in signals intelligence whose aircraft was destroyed by a surface-to-air missile. Hambleton was the only survivor, but his parachute took him well behind the North Vietnamese lines.
With the amount of classified information in Hambleton’s head, capture by the communists would have been extremely detrimental to U.S. security. Hambleton (played by Gene Hackman, who is awesome in every movie) makes radio contact with Birddog and makes his way South to be picked up.
To communicate his intended path, Hambleton, in true Air Force fashion, uses a code comprised of various golf courses he knows. The actual rescue of Hambleton took 11 days, six American troops’ lives, a lot more ARVN lives, and another plane being shot down.
In real life Hambleton was rescued by Navy SEAL Thomas R. Norris (who was awarded the Medal of Honor for the rescue) and a South Vietnamese Navy Petty Officer.
Alan Arkin headlines the legendary cast of Catch-22 as Yossarian, a US Army Air Forces B-25 Bombardier, stationed in the Mediterranean during WWII. He’s committed to flying the dangerous missions as quickly as possible so he can go home, but his squadron commander keeps raising the required number of missions.
Yossarian can’t even claim a mental breakdown to go home because famously, Airmen “would be crazy to fly more missions and sane if he didn’t, but if he was sane he’d have to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t, he was sane and had to.”
Another real Airman, A2C Cronauer is an Armed Forces Radio Service DJ stationed in Vietnam whose DJ style is less than appreciated by his superiors but beloved by the men in the field.
When Cronauer is suspended for his style and his determination to read the news, the command is flooded with letters demanding his reinstatement. Few things in life are more satisfying than someone thumbing their nose at a stodgy old command.
Cronauer’s real-life show was called “Dawn Buster” and its opening was immortalized forever by Robin Williams’ GOOOOOOOOOOOOOD MORNING VIETNAM.
Some points have to be added when the whole world is against you, even your own government. Lee was loosely based on Robert W. Williams, an actual Tuskegee Airman who helped co-author the screenplay.
In the film (and IRL), the famous group of African American pilots struggling to join the US war effort as capable fighter pilots finally get their chance when Hannibal Lee (Fishburne) and his wingman get the chance to protect B-17s over Italy and sink a destroyer for good measure.
Jimmy Stewart plays Holland, a St. Louis Cardinals baseball player who is on inactive reserve in the Air Force who gets recalled to active duty for 21 months, which would be unbelievable for anyone else but Jimmy Stewart. Stewart, whose family military tradition dated back to the Civil War, enlisted in the Army Air Corps as a private, was an officer pilot within a year, and so enjoyed bombing Germans in his spare time he would eventually retire from the Air Force Reserve after 27 years. Holland’s life is on constant hold as he is on alert status to deter the Soviets from starting WWIII. He forces a landing of a damaged aircraft in Greenland after his crew bailed out then flies new jets to Japan with a broken arm from that landing, an injury which ends both his military career and his baseball career, and he seems mildly okay with it.
Holland’s life is on constant hold as he is on alert status to deter the Soviets from starting WWIII. He forces a landing of a damaged aircraft in Greenland after his crew bailed out then flies new jets to Japan with a broken arm from that landing, an injury which ends both his military career and his baseball career, and he seems mildly okay with it.
A commie-obsessed Air Force General, he starts World War III after describing a Communist plot to pollute the bodily fluids of Americans. He launches an all-out attack on the USSR and refuses to give the codes that will belay the launch orders.
While the Kubrick’s masterpiece obviously isn’t based on a real war, the crazed General is based on Air Force General Curtis LeMay, who once threatened to bomb the Soviet Union back into the Stone Age.
Who better to lead a team through an alien-created wormhole navigated by hieroglyphs uncovered in Giza than a career Air Force Special Operations officer? No one, obviously, as Colonel Jack O’Neil (Kurt Russell, with a severe flat top) takes a day off of contemplating suicide to lead one last mission to destroy the Stargate and ends up saving humanity by beaming a nuclear weapon onto an alien ship.
It’s not (just) science fiction. It’s what we do every day.
George Taylor’s background doesn’t specifically mention his Air Force affiliation, but does mention he was a West Point grad in 1941 and flew missions in World War II and Korea, and his then becoming an astronaut is clearly indicative of a U.S. Army Air Corps to Air Force transition.
So the Air Force gets Charlton Heston (also Marky Mark Wahlberg‘s Capt. Leo Davidson from the 2001 remake, clearly identified his tribe as United States Air Force). Taylor earns a spot on this list because of Charlton Heston’s iconic performance.
Edit 5/28 2:07 pm:
Twitterati and US Air Force Pararescue Jumper @PJMatt reminded me about the 1983 epic The Right Stuff and Sam Shepard’s badass take on the legendary USAF test pilot Chuck Yeager.
— M White (@PJMatt) May 28, 2015
The author hangs his head in shame as both a film student and Air Force veteran. Few scenes in cinema rival the scene where Yeager is walking away from a smoldering heap, badly burned, holding his parachute because anyone who’s ever met Yeager in real life knows that’s the kind of badass sh*t he did every day of his career.
They’re the swimmers that everyone else counts on.
Coast Guard rescue swimmers are rarely the subjects of much media attention, that 2006 Kutcher-Costner film notwithstanding. But this tiny cadre of athletes, typically numbering between 300 and 400, conduct some of the highest risk, highest-stakes rescues around the world.
Remember when the Deepwater Horizon oil rig exploded in the Gulf of Mexico? One part of that crisis response was the rescue swimmers who helped airlift out survivors and establish triage to save all the lives they could. Over 100 people jumped from Deepwater Horizon or were blown off the rig into the water. Tragically, 11 died, but over 100 survived.
They jump into the water from helicopters or planes and then swim into burning ships or complicated, underwater cave systems. They can save ship crews in hurricanes and downed aviators in combat if they get the call. And they can even fight any of their rescuees underwater for control if a panicking survivor tries to resist.
The video embedded above shows a group of these swimmers going through the grueling Coast Guard school to earn their place in the lifesaving profession.
But while the video and most descriptions of their duties focus on the extreme physical requirements for these Coast Guardsmen, equally important is their ability to maintain and troubleshoot their own gear and the gear on their aircraft. This can include everything from parachutes to oxygen systems, pumps to protective clothing, and cargo to flotation equipment.
And they are expected to attain and maintain medical qualifications, because they could be the only emergency technician available for crucial minutes or hours. This requires an EMT qualification at a minimum.
And, finally, they have to be comfortable working on a variety of aircraft. Their most iconic ride is the Sikorsky MH-60 Jayhawk, that distinctive orange and white beauty based on the Navy’s SH-60 Seahawk and the Army’s UH-60 Black Hawk.
But they can also be assigned to the HH-65C Dolphin or, more rarely, fixed-wing aircraft.
Feature image: screen capture from YouTube
While typically rooted in true events, war films often take “creative liberties” in the portrayal of military members and their exploits. Heartbreak Ridge is no exception, but there’s one famously far-fetched scene in the cult classic that may have actually happened.
The 1986 film depicts the efforts of Medal of Honor recipient and thoroughly crusty Gunnery Sgt. Tom Highway (Clint Eastwood) as he whips a group of undisciplined Marines into combat shape just in time for the 1983 invasion of Grenada. While Heartbreak Ridge is known for its over-the-top depictions, the scene where Gunny Highway finds himself in a jail cell for bar fighting and urinating on a police cruiser might be the most accurate depiction of a battle-hardened Marine staff NCO in history.
In the film’s depiction of Operation Urgent Fury in Grenada, there is no shortage of hip firing from the highly trained Recon Marines, who use almost no structure or tactical maneuvering. And at a climactic point in the battle, the pinned-down Marines use a house phone and credit card to make a collect call back to Fort Bragg to request air support.
As unlikely as that last one seems, it may have actually happened.
Operation Urgent Fury is infamous for the innumerable blunders and SNAFUs that occurred before and during the operation. The US military of the early ’80s was a largely untested force that was undergoing a large-scale downsizing and restructuring (stop me if this sounds eerily familiar).
President Ronald Reagan sent an initial force of 2,000 troops to rescue the nearly 1,000 Americans in Grenada at the time and settle the turmoil there, but the Pentagon ultimately had to send in roughly 4,000 additional military members to complete the operation. Short notice, bad planning and intel, and poor interservice communication plagued the operation.
US forces ultimately succeeded, and that was due, in no short part, to the boots on the ground doing what they do best — adapting and overcoming. Many stories are told from this operation, but none encapsulate the event and also the versatility of the American warrior quite as well as the legend of the American who called for indirect fire from a pay phone.
As the tale goes, US service members were pinned down by enemy fire and were in dire need of artillery to gain the upper hand. Communication to any kind of support was cut off, spurring one quick-thinking soldier to action. The soldier allegedly took out his credit card and utilized the nearest pay phone to call Fort Bragg. The call was relayed through several channels and the necessary artillery was provided — saving the soldiers and winning the day.
To date, there are a couple of different versions of this legend. One involves a Navy SEAL making the call from a governor’s mansion for air support from an AC-130. However, Marines claimed the fire came from a naval destroyer positioned just off the island. Another involves a member of the 82nd Airborne actually using a pay phone to call his wife back at Fort Bragg who then relayed the message to his command.
We may never know what really went down, but the legend of the phone call for fire inspired screenwriter and Vietnam veteran James Carabatsos to incorporate the impromptu call in his script for Heartbreak Ridge.
Now you know. And knowing is half the battle.
Feature image: Warner Bros.
Or…licences. With a C. Because they’re British.
In any case, it’s probably the coolest thing any movie spy was ever issued. James Bond, with his “00” designation has one, and maybe a whole handful of real-world MI6 agents do too — because they’re real.
A 2008 Reuters report on the inquest into Princess Diana’s death covered the testimony of MI6 intelligence operatives. The goal of the inquest was to determine if the Britain’s royal family ordered Diana killed.
The result was no, of course they didn’t. But what it did reveal was a look at how the intelligence agency operates, especially in regards to targeted killings. It turns out British operatives are allowed to kill their enemies.
But first they need a Class Seven Authorisation and the personal signature of the Foreign Secretary.
Richard Dearlove, the former head of Britain’s spy agency, revealed this during the inquiry. Diana and her lover, Dodi al-Fayed, were killed in a 1997 car accident in Paris. Ten more agents were required to give testimony in 2008 as the royal family faced accusations of wrongdoing from al-Fayed’s father, Mohamed.
Actually getting the Class Seven Authorisation is easier than it sounds. According to Dearlove’s testimony, once the paperwork is finished, it has to be signed off by a “senior regional official.” Then, it would have to go through the chief of the agency — in Diana’s case, it would have been Dearlove.
After that, it would have to “go down restricted channels to the Foreign Secretary.”
Socialism turns even the smallest tasks into a whole bureaucratic ordeal. I bet the process was much smoother when Maggie Thatcher was in office.
Mark Hamill has just seemingly confirmed what every person who has ever seen a Star Wars movie or accidentally heard about Star Wars would have already assumed by just thinking about it for a second. Still, because figuring out the plots to Star Wars movies before they come out is more fun — and easier to do — than forecasting political elections, the following piece of information has to come with a massive warning. What Mark Hamill has said could be viewed as a spoiler that will ruin your enjoyment of Star Wars: The Rise of Skywalker, which isn’t really even out for a half-a-year anyway. So, you’ve been warned, if you want to keep reading, this article contains some stuff that Mark Hamill said about how he’s appearing in The Rise of Skywalker. (But if you’ve ever read any kind of book or seen a movie, of any kind, you will have seen this coming by virtue of the fact that you are a person in the world.)
Ready? After Luke Skywalker faded away and joined the Force in The Last Jedi, he will reappear in The Rise of Skywalker as…a Force ghost! On June 20, 2019, the Associated Press posted a brief interview with Hamill in which he said he “hopes” that The Rise of Skywalker is his last Star Wars movie and detailed exactly how Luke will return in the film.
“The fact that I’m involved in any capacity is only because of that peculiar aspect of the Star Wars mythology where if you’re a Jedi, you get to come back and make a curtain call as a Force ghost.”
That’s right, Luke is doing exactly what everyone expected him to do, show up with a little blue aura around his body, and vaguely explain what he can’t and can’t do as a creepy spirit. Then again, who knows? Yoda was a ghost in The Last Jedi and that motherfucker was able to conjure a lightning bolt from the sky and burn down a tree, mostly just to pull a prank and make a complicated diss about Luke not being able to finish reading like six books that had been sitting on the planet for who knows how long.Star Wars: The Last Jedi Yoda’s Force Ghost Scene [1080p HD]
So, will Luke be the kind of ghost who says ghostly things from the sidelines or the kind of ghost who takes Kylo Ren on a Dickensian adventure to show him the error of his ways? Either way, at this moment, we know Mark Hamill’s Luke isn’t the only ghost haunting the next Star Wars film; the long-dead Emperor Palpatine is back, too!
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Author’s note: If you haven’t seen “The Mandalorian” yet, go watch it and come back — spoilers ahead. For the rest of you: this is the way.
The internet has been buzzing about “The Mandalorian,” the “Star Wars” series that follows a Mandalorian bounty hunter (of the same tribe and iconic armor as Boba Fett) who finds a young, force-sensitive creature who looks like a baby Yoda. The series hasn’t just produced a slew of new memes, it’s crushed the ratings on several platforms — IMDB has it at an 8.9, and Rotten Tomatoes rates it at 94 percent on the Tomatometer (with an audience score of 93 percent).
It has all the familiar, nostalgic elements of “Star Wars” — spectacular scenes in space, fun action-adventure, weird creatures, the conflict of good and evil, and, of course, the force. However, “The Mandalorian” also includes a host of cowboy movie tropes, which adds a freshness to the story. It’s not like any old Western we’ve seen — after all, it’s set in space with little alien wizards. It’s also not a repeat of other “Star Wars” stories because it’s basically an old Western set in a fantasy universe.
We can’t publish an article on “The Mandalorian” without showing “the child” at least once.
(Photo courtesy of Disney+)
In order to understand old Western films, we need to understand where they came from. Many of the old Western tropes are American, but some are borrowed from older Japanese cinema. The obvious connection is the Japanese classic “Seven Samurai” being remade into the American cowboy classic “The Magnificent Seven.” While this is the most famous connection between the two genres, it’s not the only one. The music, the stories, the filmmaking techniques — watch any film by Akira Kurosawa and you’ll see elements of the Western left and right.
“The Mandalorian” borrows from both.
It makes sense to begin with the Mandalorian’s religion — his weapons. Our protagonist carries around his handheld blaster and a disintegration rifle (known as a modified Amban Rifle). These are clearly the equivalent of a revolver and a rifle, the cowboy’s typical loadout in most Westerns. Mando generally draws and fires his blaster from the hip, just like the classic Wild West draw. Any bigger weapons brought onto the battlefield are typically large, mounted weapons — the equivalent of the evil antagonist breaking out a Gatling gun mounted to a train or on a tripod. The lasso is another quintessential tool for the cowboy of old Westerns — depicted in “The Mandalorian” by his grappling line. Mando wraps a few enemies up in his “lasso” throughout the story, hog-tying his targets.The Mandalorian
Several specific moments also call directly back to the films of the Wild West. For example, the classic “horse whisperer” scene where Mando tames and breaks a blurrg. He is bucked and thrown as the wise, old man watches from the edge of the corral. Finally, our hero mounts the beast and they ride into a few sunsets together.
We mentioned that the Japanese film “Seven Samurai” was the direct inspiration for “The Magnificent Seven” — both films feature bandits who are hell bent on raiding a village, forcing the townspeople to enlist the help of some elite warriors to train them and defend them against the next onslaught. Sound familiar? This same story played out in a chapter of “The Mandalorian” with some unique, sci-fi twists — we don’t remember an AT-ST in “Seven Samurai.”
The comparisons are obvious.
(Photo courtesy of Disney+.)
On top of congruent storylines, one of the most significant ways that Japanese cinema inspired old Westerns was with its music; “Star Wars” also features some of the most iconic music in film history. Ludwig Goransson’s score of “The Mandalorian” fuses the two by combining elements from old Westerns (and perhaps old Japanese films) like the heavy beating of drums with “primitive” sounding percussion, bizarre flutes, and interesting stringed instruments. The hollow melody of the main title would be just as at home if it was played over a lone gunslinger in the Wild West, riding off to save a small town from nefarious bandits. The score cloaks the Mandalorian himself in a shroud of mystery.
Start with some old Japanese film score elements, mix in a bit of Ennio Morricone, then top it off with heavy sprinkles of classic “Star Wars” sweeping scores — and you’ve got yourself a soundtrack fit for the halls of Mandalore.
“The Good, The Bad, and the Ugly” (left), and “The Mandalorian.”
(Photos courtesy of United Artists and Disney+.)
The setting and wardrobe also highlight the connection of this magical, dystopian science-fiction narrative to the Wild West. Most of the events in “The Mandalorian” are set in barren places — not on the lavish planet of Naboo or the bustling cities of Coruscant, but out in the lawless desert where guns and criminals abound. And Pedro Pascal (the Mandalorian) sports a cape eerily similar to how Clint Eastwood wears his poncho in classics like “A Few Dollars More” and “The Good, the Bad, and the Ugly.” Instead of high-tech visors, many of the inhabitants of these barren locations wear old-school goggles, and they wear their blasters low on their hip just like the cowboys we know from the Old West. The Mandalorian even keeps rounds strung across his chest — one wouldn’t expect the need for that in a science-fiction universe, but it all falls in line with the classic Western aesthetic.
A lot of old Westerns are films about rugged individualism. They follow rough characters who have to navigate their way through an even rougher world. The protagonist then finds at least one redeeming aspect about the unforgiving, desolate landscape on which they fight — something precious among the thorns. Upon that discovery, the cowboy or lawman or mercenary finds that their ability to fight, to be strong, to kill — it all suddenly has meaning — it suddenly turns into the ability to protect a village, a woman, a friend… or a child.
Jon Favreau has taken a beloved franchise and breathed new life into it by fusing it with these classic elements from old Western films, and it’s been a wild success. Audiences around the world have expressed how thrilled they are at this new installment of “Star Wars,” and I, for one, can’t wait for the second season.Embedded With Special Forces in Afghanistan | Part 2
After separating, Marine Corps veteran Chloe Mondesir was bitten by the acting bug. She moved to Los Angeles to pursue her acting dream and found success . . . by surprise. Check out her unusual Hollywood story.
In a proclamation signed before he left on the first foreign trip, President Donald Trump proclaimed the third Saturday of May to be Armed Forces Day.
“For almost 70 years, our Nation has set aside one day to recognize the great debt we owe to the men and women who serve in the Army, Navy, Air Force, Marine Corps, and Coast Guard,” Trump said in a statement. “On Armed Forces Day, we salute the bravery of those who defend our Nation’s peace and security. Their service defends for Americans the freedom that all people deserve.”
According to the Department of Defense website, the celebration of Armed Forces Day first began in 1950, following a proclamation on Aug. 31, 1949, by then-Secretary of Defense Louis Johnson. Johnson’s intention was to replace separate holidays for the Navy, Army, Marine Corps, and Air Force.
“I invite the Governors of the States and Territories and other areas subject to the jurisdiction of the United States to provide for the observance of Armed Forces Day within their jurisdiction each year in an appropriate manner designed to increase public understanding and appreciation of the Armed Forces of the United States. I also invite veterans, civic, and other organizations to join in the observance of Armed Forces Day each year,” Trump said in the proclamation, which has been issued by his predecessors in virtually the same form, including George W. Bush, George H. W. Bush, and Ronald Reagan.
Trump’s proclamation did make special note of the 100th anniversary of America’s entry into World War I, citing the 4.7 million Americans who served in that conflict. Trump also re-tweeted a Defense Department tweet featuring a video.
“Finally, I call upon all Americans to display the flag of the United States at their homes and businesses on Armed Forces Day, and I urge citizens to learn more about military service by attending and participating in the local observances of the day,” Trump’s proclamation concluded.
— Donald J. Trump (@realDonaldTrump) May 20, 2017
With a $716 billion budget and the mission to be the best at everything, the Pentagon finds some pretty creative ways of going about it. No, they didn’t have an actual underground boxing club among the military’s highest-ranking chiefs at the Pentagon (that we know of), but they did have some experiments that could have proven fruitful in giving America’s enemies a black eye.
The only problem is that Congress found out about it. That’s why the first rule is not to talk about it.
The Mantis Shrimp, club cocked (more on that later).
In 2015, Arizona Sen. Jeff Flake decided he was going to take on wasteful spending, releasing a “Wastebook” that detailed what he believed was government spending run amok.
Quoting the movie Fight Club, Flake says, “We buy things we don’t need with money we don’t have,” in the Wastebook, which is titled The Farce Awakens. Flake is referring to a 6,800 research grant given to Duke University researchers, who allegedly used it to pit 68 Panamanian mantis shrimp against each other to see who would win and why.
“To see so much money so outlandishly wasted, it’s clear that Washington’s ballyhooing over budget austerity is a farce,” Flake said. “Hopefully, this report gives Congress – which only ever seems to agree when it comes to spending money – something to Chewie on before the taxpayers strike back.”
This is the cover of the wastebook, no joke.
But the study wasn’t really useless, as it turns out. In fact, there’s an entire field of science called biomimetics dedicated to the idea of solving human problems with abilities and designs from animals found in nature. Duke University was doing research in just that vein. So far, they’ve been able to harness the mantis shrimp’s weapons and armor for human needs. It turns out the mantis shrimp (neither mantis nor shrimp) is one of the ocean’s premier brawlers.
The study didn’t really spend 0,000 on a fight club of shrimp. The grant covered the entire span of research on the mantis shrimp. What they discovered is a roving tank on the ocean floor. Its two main appendages act as underwater clubs to knock its prey out in a single punch – and that punch is what had the researchers so fascinated.
Did you see that? I doubt it. Read on!
The mantis shrimp punch goes from an underwater standing start to 50mph in the blink of an eye. It generates 1,500 newtons of force, the equivalent of a 340-pound rock hitting you in the face. If a human could manage 1/10th of that force with its arms, we’d be chucking baseballs into low Earth orbit. To top it all off, those clubs pop out with the velocity of a .22-caliber bullet (one that isn’t underwater) and the sudden change in water pressure causes the water around them to boil at several thousand degrees Kelvin. If the punch doesn’t kill the prey, the punch’s shockwave still can.
But wait, there’s more.
The researchers also wanted to know how mantis shrimp defend against this kind of attack – how their natural armor protects them from other mantis shrimp super weapons. This punch goes right through the shells worn by crabs and clams as well as the natural protections of some species of fish (and aquarium glass, FYI. In case you’re thinking you want one). The clubs themselves are also intensely durable, maintaining their performance throughout the mantis shrimp’s lifespan.
Its primary weapon is a complex system of three main regions, all lightweight and durable, tougher than many engineered ceramics. Civilian applications could improve the performance of cars and airplanes while military applications include body armor and armor for vehicles and potentially aircraft.
“That’s the holy grail for materials engineers,” said University of California professor and researcher David Kisailus, who is pioneering such studies these days.
There’s been a ton of great Captain America movies over the last few years, but they’re far from the first. Check out some of Chris Evans’s predecessors below!
Let’s look back at previous times Captain America graced the silver screen and “marvel” at how far he’s come. Some of these films have stood the test of time better than others, but all had some part in the way that the Cap has evolved over time:
This one stars Dick Purcell as Cap. He still rides a motorcycle, but in this one his alter ego is Grant Gardner. It’s a serialized cinematic version where Captain America hunts down the Scarab and his minions who poison their enemies and destroy buildings with a stolen device that uses vibrations to wreak havoc.
This must have looked awesome in the 1940s, but at about nine minutes in it feels like a goofy man in pajamas is just beating old-timey gangsters to death.
This 1979 made-for-TV movie featured Reb Brown as Captain America, complete with everything you’d expect from a show made during the late ’70s. In this adaptation Brown plays Steve Rogers, whose father was a government agent in the 1940s. His father’s zeal for America earned him the nickname “Captain America” and despite the fact that this name was used to ridicule his father, Rogers assumes the moniker. His strength and agility are boosted by a super steroid (you read that right). Cap drives around in a van (this is the 70s after all) which launches a high-tech motorcycle.
This film spawned a made-for-TV sequel called Captain America II: Death Too Soon.
This version’s plot is eerily similar to the Marvel Cinematic Universe’s Captain America: The First Avenger, complete with Red Skull, dramatic super serum scene, and an ice-watery doom. This one has the added bonus of Ned Beatty in giant eyeglasses. Cap is played by Matt Salinger who looks like your dad in a skin tight onesie catching a frisbee.