How does a massively successful director like Zack Snyder follow up box-office smahes (and future box-office smashes) like 300, Man of Steel, Batman v Superman, and Justice League? If you answered a film retelling the magnificent rise of the first president of the United States in the style of 300, you guessed correctly. Speaking with Bloomberg Business, Snyder explains that George Washington is next on the docket.
He has a picture in his office of the Revolutionary War hero crossing the icy Delaware on his way to decimate the British in the Battle of Trenton. “We were talking about it,” Snyder says. “The first thing we asked was, well, how are we going to make it look? I pointed at this painting. It looks like 300. It’s not that hard.”
He isn’t wrong, but we’re guessing it will look something like a mix between the iconic painting and the epic illustration above.
When Matthew Callahan was first introduced to the movie Top Gun at 2 years old, the film became an instant favorite.
So when the award-winning video producer for the Navy’s All Hands Magazine was tasked with producing a series of videos for Naval Air Station Oceana’s Virtual Air Show last month, Callahan drew inspiration from director Tony Scott’s Cold War classic.
“Top Gun was my first true love of cinema,” Callahan told Coffee or Die Magazine. “It’s a movie of its time — the late ’80s, when they were just overdoing everything — but the way it’s filmed is beautiful. I’ll never forget that opening scene with footage at sunrise or sunset on the ship. You don’t often see military personnel and equipment framed that way, where it’s kind of treated like a total spectacle, and I try and capture that same feeling with a lot of my stuff because it cuts through a lot of noise.”
Callahan was part of a three-man production team including All Hands video producer Jimmy Shea and Mass Communication Specialist 2nd Class Michael Jorge. Together, they spent five days producing eight videos for NAS Oceana’s virtual air show. Trying to convey the excitement and spectacle of an air show with a series of short videos is no easy task, but Callahan and his team worked hard to translate their own passion for viewers.
“We produced eight or nine video products in five days,” Callahan said. “The tempo was pretty nonstop. It was exhausting but also amazing.”
The Next Generation: VFA-106 Prepares F/A-18 Aircrew For Fleet
The standout production from the trip is a roughly three-minute video about NAS Oceana’s Strike Fighter Squadron (VFA) 106. The Virginia Beach-based training squadron prepares freshly minted F-18 aircrews for fleet service.
Callahan said for that video he supplemented the team’s production from Virginia with footage provided by the Navy’s advertising agency.
“I asked for cool, sexy carrier footage, and the ad agency really delivered,” Callahan said. “It seems like Top Gun really set a kind of visual precedent for filming jets on an aircraft carrier, and I wanted to produce something fast but serious in a brass-tacks kind of way.”
Callahan said that while he realizes most of his audience engages with his productions online or on mobile devices, he still tries to include some audio and visual treats for true cinephiles who might watch on a larger TV screen or with noise-canceling headphones.
“I’m always editing and creating soundscapes for that one person who might wanna watch these stories on a big display with a good sound system,” he said. “It’s almost never the case, with most folks engaging on mobile, but there’s always gonna be someone who does. I hope that there’s a payoff for those few who chose to watch that way.”
2015 was a good year for movies. Anticipated series continuations from franchises like Terminator, Jurassic Park, and James Bond met with mixed success. Star Wars came back in a big way, as did the Avengers. Marvel’s Ant-Man was a surprise hit while The Fantastic Four saw even the most die-hard Marvel fans struggle to stay in the theatre for the duration of the movie.
But it was a good year for military movies the world over. The world’s best war and conflict films from the past year are at your fingertips. A few movies are a great way to recover from New Years’ Eve.
1. Beasts of No Nation
Netflix made a foray into conflict films this year with its critical hit Beasts of No Nation, starring Idris Elba as a warlord recruiting child soldiers to fight in a civil war in Liberia. The government falls as the warlords forces attack a village under international protection. A young boy named Agu flees after his father is shot and is captured by the NDF, rebel guerillas.
The film captures the brutality of life as a child soldier, with rampant drug use, rape, and murder of civilian noncombatants. The powerful film holds a 93% audience score on Rotten Tomatoes.
2. Cartel Land
This is a film about vigilante groups fighting drug cartels in the Mexican Drug Wars. The most shocking part of Cartel Land is that its a documentary, and you can see the characters and events unfold as they did in the real world.
The brutal film was shot in Mexico and Arizona. It garnered a 94% audience rating on Rotten Tomatoes and is currently shortlisted for an Academy Award nomination.
3. Kilo Two Bravo
Released in 2014 in Europe as Kajaki, Kilo Two Bravo is the story of a small group of British soldiers stationed near the Kajaki dam in Afghanistan.
Though set during the modern day Afghan War, Kilo Two Bravo is more horror-thriller than a traditional set piece war film. The outcome is a realistic, critical success with a 100% Rotten Tomatoes critical rating.
4. Krigen (“A War”)
Danish Army Company commander Claus Michael Pedersen and his men are stationed in Helmand Province, Afghanistan. During a routine mission, the soldiers are caught in heavy Taliban crossfire. In order to save his men, Claus makes a decision that ultimately sees him return to Denmark accused of a war crime.
Claus’ wife Maria is trying to hold everyday life together with a husband at war and three children missing their father. This film is remarkable for its depiction of what life is like for the wife and children of deployed troops. The war hits those at home every bit as much as it affects the men who fight it. The film also uses real Danish Army veterans.
5. April 9th
2015 saw a lot of WWII films produced the world over. April 9th, also from Denmark, depicts the Nazi invasion of Denmark as bicycle and motorcycle companies are deployed to hold off the German Blitzkrieg until reinforcements arrive.
Denmark, of course, couldn’t resist the Nazi onslaught and fell in only six hours.
In the last full year of World War II, the Eastern Front was the most brutal battleground in the world. This Estonian film depicts the 1944 Battle of the Tannenberg Line through the Battle of Tehumardi. The war for Estonia was very different, as it bordered both Nazi Germany and the Soviet Union, each with mutually exclusive ideologies.
More than ideology, its location forced Estonians to choose sides during the war, pitting Estonians in the Wehrmacht against Estonians in the Soviet Red Army. The film shows the war from both sides.
7. Baahubali: The Beginning
This film is a Telgu and Tamil film. It’s the fictional story of two ancient brothers at war. One prince returns to free his mother the queen who was wrongfully usurped by his elder brother.
The two-part blockbuster is also the most expensive Indian film ever made. It took a full year of preproduction, 25 artists made 15,000 storyboards, there were 380 shooting days over three years, 2,000 stuntmen worked on it, and thousands of weapons and props were used.
8. Hyena Road
This Canadian film is eagerly anticipated outside of Canada. It’s the story of Canadian forces building a road deep into Taliban territory, creating a dirt track that can only be driven in armed convoys protected by snipers. The road is strategically crucial to defeating the Taliban.
The theme of war being bad while those who fight are inherently good continues in Hyena Road but the depiction of the deployed life and combat by Canadian Forces by Canadian writer Paul Gross is authentic and realistic.
9. The Battle for Sevastopol
When the Nazis invade the Soviet Union in 1941 a young girl, Lyudmila, joins the Red Army. She turns out to be a natural sniper, and her impressive skills impress those around her. Her wounds keep her from fighting on, so she travels to the United States to press for a second front.
This film is actually about a real Red Army sniper, Lyudmila Pavlichenko, one of WWII’s deadliest snipers. The movie hero fights in the Battles of Odessa and Sevastopol. She racks up 309 confirmed kills, she is sent to the US to campaign for American support. She meets Eleanor Roosevelt, just as the real Pavilchenko did. This joint Russian-Ukrainian project is like the Mockingjay on steroids but, you know, real.
Christmas romance movies have become a 21st century holiday phenomenon, first on the Hallmark Channel, then on Lifetime and now Netflix. There are literally hundreds of these movies, with dozens premiering in 2020 alone.
Holiday filmmakers have started to add the military to their formula, and there have been a couple of high-profile releases this year. Those movies inspired us to try to figure out just what’s going on here.
These are assembly-line products made for an audience that expects every plot to follow basic rules: Two people meet and irritate each other, but they’re irritated because they recognize a fellow special soul who doesn’t quite run with the pack.
One of them thinks the holidays are a crock. After some sassy back-and-forth, the doubter learns the meaning of Christmas, and that allows their love to flower. There are cookies, eggnog, flannel shirts and pajamas, a spectacular tree, possibly some chopping of wood, family members who saw it coming all along and, usually, a dog.
Regular readers know that we typically write about movies that feature combat, patriotism, world-changing shifts in power or the chain of command, ass-kicking and explosions, so this was a totally foreign experience.
If you’re the kind of person who gets your kicks complaining about breaches of military protocol in movies, have we got a totally new genre for you! Christmas romance movies are produced on such shoestring budgets that they make those late-period filmed-in-Romania Steven Seagal cheapies look like a Marvel movie. There’s no money for a military adviser, so they’re mostly just winging it.
It’s like these movies exist in an alternate universe. Apparently, there are actors who’ve appeared in multiple Hallmark and Lifetime movies, and the channels promote their starring roles as if they’re Brad Pitt and Jennifer Lawrence.
Let’s agree that these movies have a huge and devoted following because they make some people happy. If you’re one of those people, please continue to watch and enjoy.
This article is for the rest of us who find the whole thing kind of weird. Here are five of the most startling military Christmas romance movies we found during our investigation.
1. USS Christmas (2020)
Filmed in Wilmington, North Carolina, this Hallmark movie had the full cooperation of the Navy, so it features a few scenes filmed aboard a carrier and a lot of stock footage of planes taking off and landing. Did someone in the Navy Office of Information want to reach out to an audience that would never seen “Top Gun: Maverick” or “Hunter Killer,” two other movies that got full Navy support? Or was someone just a big Christmas fan?
This time, a sassy reporter who’s the daughter of an aviator gets convinced to join her mom and aviator sister for a holiday Tiger Cruise. The commander served with her late dad, and his son is also an aviator who hates the holidays, mostly because his parents divorced and he’s still mad at dad.
How much does he hate Christmas? Well, his call sign is “Grinch.” Yep, that’s how obvious everything is here. Grinch learns to love the holidays, forgive dad and appreciate an independent woman. Our reporter learns that maybe it’s best not to be so independent and that a military spouse‘s life might not be so bad after all.
Where these two will be in five years after a few deployments is hard to predict, but there’s reason to suspect that neither of them truly realizes what they’re getting into here.
2. Operation Christmas Drop (2020)
This 2020 Netflix movie had a higher-than-usual budget and was filmed on Guam with the full cooperation of the Air Force, so it looks a bit shinier than the usual fare. Since it’s set in the South Pacific, there’s no snow or hot cocoa or fluffy scarves.
A congressional aide has to cancel Christmas with her family to investigate just why the Air Force is wasting money on this “Christmas drop” every year. The congressional rep (played by Virginia Madsen, an actual movie star) is looking to cut budgets so she can save a base in her district. She sets her sights on Guam.
OK, they never call it “Guam” in the movie, but this is where they lose anyone with an interest in world peace. Why would we shut down an important strategic base in the South Pacifc to keep a base in some random U.S. state open? That’s a movie foul far worse than a sloppy salute.
Anyway, our aide Erika Miller (Kat Graham, “The Vampire Diaries”) doesn’t want to be there and knows her mission is to collect the dirt that will allow her boss to shut down the base. What she doesn’t expect is her encounter with Capt. Andrew Jantz (Alexander Ludwig, “Recon”), the laid-back architect of the current mission to provide presents and supplies to remote Pacific islands during the holidays.
The two clash, she finds herself falling for the captain and his island spirit, and her boss mysteriously cancels her own Christmas to fly to the island to see why Erika’s reports aren’t negative enough. Everyone goes on the holiday flight and then sees the light: Operation Christmas Drop is exactly the kind military holiday maneuver the world needs!
Erika finds her Christmas spirit. Will she find long-term love with Andrew? We’ll have to wait for an “Operation Christmas Drop 2” to find out.
3. Home for Christmas Day (2017)
Everyone knows that many civilian parents don’t want their daughters falling in love with a soldier. Long-distance romance is hard, and there’s usually a neighbor boy named Jody who’s willing to step in and help with the loneliness.
The single mom in “Home for Christmas” has an even more powerful reason to discourage her daughter. The big reveal is that her late husband was killed in combat himself, and she doesn’t want her child to face the same heartache when her new love is deployed.
To explain just how manipulative this one is, we have to go deep into spoiler territory. Our young lover learns that her mom is right when she hears her boyfriend’s name on a list of troops killed in action read aloud at a Christmas concert.
The girl is devastated, but mom realizes she was wrong to discourage her daughter’s true love and they reconcile. Have we reached a breakthrough moment in Christmas romance movies, when the harsh realities of real life must be addressed in the happy holiday world?
No, we have not! Those boobs at the Pentagon mixed up the dead troop records, and our hero is actually alive. He shows up on the doorstep, unannounced and on crutches, and everyone enjoys the best Christmas ever!!
4. A Welcome Home Christmas (2020)
This Lifetime movie takes the ethics manual, sets it on fire and throws a party in the town square. Chloe Marquee (actual character name) is working as a counselor for troubled veterans, and she’s assigned a particularly tough case named Michael Fischer.
She learns that Fischer led a toy drive while stationed overseas and recruits him to start a new one for military families here in their tranquil, picture-postcard, Christmas-loving town. What should be a great project turns sinister when Chloe starts having romantic feelings for her patient.
Well, that’s not how the movie sees it. Chloe heals Michael’s wounded soul through the power of love, and all the kids get some excellent toys after they overcome a few scheduling obstacles. Could a little eggnog and some smooching under the mistletoe be the miracle cure for PTSD that we’ve all been searching for? Lifetime says maybe!
5. Christmas Homecoming (2017)
This Hallmark movie answers the question, “What are the best cures for a grieving military widow and a wounded warrior recovering back home?” The answer may surprise you if you haven’t been paying attention. Why, it’s a little Christmas romance, of course!
Julie Benz (“Dexter,” and kind of a big star for one of these things) plays a military widow whose loss has destroyed her faith in Christmas. She rents a room in her house to an Army captain (Michael Shanks), a wounded warrior whose injuries have not shaken his love for the holidays.
The two team up to raise money to save the town’s failing military museum with a Christmas fundraising event, and these two self-described “wounded birds” find that the holiday spirit kindles a new romance.
Will both get the counseling and support they need going forward? Let’s hope so because both are coming into this relationship with a cartload of baggage. For now, though, tune in and enjoy the spell of mistletoe and twinkling lights.
Of course, there are more of these Christmas movies that try to work in military themes. If you haven’t picked up on it so far, look for titles with “home” or “homecoming” in the title, and you’ll go a long way toward finding what you’re looking for.
Of course, true fans of the genre will also be tuning in for the book editors, real estate brokers, high-powered attorneys and other assorted type-A personalities who need a little holiday spirit to help them get over themselves and fall in love.
If you want to watch them all, one movie a day, make a note on your calendar for Memorial Day 2021 and maybe you’ll have caught up by Christmas next year.
In last year’s Rogue One: A Star Wars Story, they finally sealed the thermal exhaust port sized plot hole of how to destroy the First Death Star without “many Bothans” dying.
Jyn Erso, a former criminal turned rebel soldier, leads her team in the Battle of Scarif where they capture the blueprints — and vulnerabilities — of the Death Star, which helps Luke Skywalker eventually destroy the moon-sized weapon. Before she goes on that mission she’s given another: hunt down and locate Saw Gerrera for Capt. Andor to kill.
Makes sense in the logic of the series. The group labelled “The Rebel Alliance” is a ragtag group comprised of many different rebel groups to restore the Galactic Republic. Gerrera was an extremist who gave the Rebellion a bad name and needed to be removed so they could claim morale superiority over defeat the Empire and the Dark Side.
However, in Saw Gerrera’s final moments, he isn’t given the “good riddance” treatment as with most villain deaths — he has a sweet farewell. Nothing about his character was deserving of that moment.
Comparing him to all of the heinous and messed up things done by the real world Osama bin Laden isn’t too far of a stretch.
The Rebels aren’t exactly without blood on their hands. Remember, they were willing to blow up a Death Star — and everyone on it — three times.
Gerrera isn’t just a one-off character in the Star Wars canon. He’s appeared in novels, cartoons, and comics as well. In the novel “Rebel Rising,” Saw proves that he’s willing to do just about anything to achieve his ends — including gunning down thousands of innocent lives to get to just a few Imperials.
The Mujahideen did the same thing happened to Osama after the Soviet-Afghan War.
It’s very subtly talked about and most people gloss over it, but the book mentions that he trained Jyn Erso from a young age. She mentions the reason she left was because she couldn’t handle the fighting at age 16.
This is not unlike how the Taliban uses child soldiers to fight and plant IEDs. The Taliban knows that Americans and our NATO allies would hesitate before pulling the trigger on a child. So they use kids.
Just this scene in Rogue One
To set the scene: a group of soldiers are patrolling through an occupied desert city. Some on foot, others in the vehicle. An insurgent grenade is tossed in the crowded street, taking out a few. The insurgents pull weapons out of their robes and start gunning down the soldiers.
It’s true the soldiers cause collateral damage, but the insurgents intentionally kill innocent to get to the soldiers. The insurgents are not afraid to blow themselves up to kill a soldier or two.
Which am I talking about? The real life fight in Afghanistan or Rogue One: A Star Wars Story?
Today, with its prevalence in pop culture and its sequel waiting in the wings, it’s difficult to imagine that Top Gun was anything but a surefire hit. But, in the time leading up its 1986 release, Top Gun‘s production had its share of problems and setbacks. In fact, plenty of people doubted that the idea of fighter jets would even work as a movie.
1. People didn’t want to be part of Top Gun
After producer Jerry Bruckheimer saw a picture of an F-14 in a magazine, he came up with the idea of a fighter jet movie that would be like “Star Wars on earth.” After their successes with Flashdance and Beverly Hills Cop, Bruckheimer and his production partner, Don Simpson, went around pitching the idea to Hollywood studios. Though they were rejected by studio after studio, Paramount Pictures eventually picked up the movie and cautiously agreed to fund it.
The next challenge was getting actors onboard. At that time, a young Tom Cruise was known only for his role in Risky Business. Bruckheimer and Simpson were adamant that he be cast as their lead actor and sent him script after script to get him to sign on.
Cruise rejected every offer made to him, so Bruckheimer pulled out all the stops.
He called up Navy Admiral Peter Garrow and asked him to send Cruise up in a fighter jet to convince him to join the film. The Admiral arranged for Cruise to ride along in a Blue Angels A-4 Skyhawk and be put through his paces. After a wild ride (during which he reportedly threw up on everything), Cruise stumbled from the jet to the nearest payphone and called Bruckheimer to take the part. The only non-negotiable part in his contract was that he had to fly in an F-14 Tomcat.
Pete and Charlotte sing with the Bradshaws, Nick, Carole, and their son. Weird hearing their real names, isn’t it? (Credit Paramount Pictures)
With no real script and unable to send every potential actor up in a fighter jet, it was difficult for the producers to cast the rest of the movie. The part of Charlie was originally pitched to Ally Sheedy of Brat Pack fame, but she turned it down reportedly saying, “No one would want to see Tom Cruise flying around in an airplane.” Fresh off of filming Witness, Kelly McGillis only signed on because she didn’t expect the film to be the blockbuster hit that it would become. Val Kilmer was actually forced into the role of Iceman due to a contractual obligation with the studio. The rest of the cast like Tim Robbins, Meg Ryan and Anthony Edwards were still years away from becoming household names for their roles in The Shawshank Redemption, When Harry Met Sally and ER, respectively.
2. Danger Zone was attempted by Toto and REO Speedwagon
Bruckheimer and Simpson implemented the same formula that worked for them with Flashdance and Beverly Hills Cop and put together a top-notch soundtrack for Top Gun. Soundtrack producer Giorgio Moroder originally had Toto record the song, “Danger Zone,” but Bruckheimer disliked it and the recording was scrapped. The song was then offered to REO Speedwagon who wanted to be part of the film, but insisted that the song be their own. They recorded an original song and submitted it to the producers, but it was never used.
Kenny Loggins and his collaborators were hot off of their successes with Caddyshack and Footloose and decided to write the song “Playing with the Boys” for the volleyball scene. Assuming that other bands would be vying for the opening song, they figured that this scene would have less competition. While recording “Playing with the Boys,” Loggins was asked by Moroder to give “Danger Zone” a shot. “I walked in and I sang ‘Danger Zone’ and messed with it a little bit, you know, and had a good time with it,” Loggins recalled. The rest is history. “I wasn’t supposed to be the guy to sing it. I just lucked into it.”
Moroder had more luck pitching “Take My Breath Away” to Berlin lead-singer Terry Nunn. After hearing the song and watching the love-making scene that it would be set to, Nunn was on board. Less enthused was her bandmate, John Crawford, who didn’t want to perform a song written by someone else. Their band manager, Perry Watts-Russell, also had his doubts and said that he would shave his head if the song became a number one hit. Of course, Berlin recorded the song and it did reach number one. While Watts-Russell kept his word and shaved his head, Crawford was less pleased with the song’s performance as it meant that Berlin had to play it at every live performance following Top Gun‘s release.
3. There was a constant struggle between the producers, the director, Paramount and the Navy
Director Tony Scott was unpopular in Hollywood after his box office flop The Hunger, and clashed constantly with Paramount Pictures over the creative direction of the film. In fact, Scott was fired and rehired by studio execs three times over the course of Top Gun.
While filming aboard the USSEnterprise on a foggy Sunday morning, Scott lost the ideal lighting for his shot when the carrier altered its course. He implored that the captain return to his previous course so that they could film the scene. When the captain refused, Scott asked, “What does it cost for this aircraft carrier to run per minute?” The captain gave him a figure and Scott retrieved his checkbook from his bunk and wrote the captain a check for ,000. The captain returned the ship to its previous course and Scott was able to get his shot. He later bounced the check.
The opening scene gives me goosebumps every time (Credit Paramount Pictures)
Rear Admiral (ret.) Pete “Viper” Pettigrew, whose callsign was loaned to Tom Skerrit’s character, was hired as the film’s technical advisor for a sum of ,000 and served as a liaison with the Navy. Per his contract, he had a brief cameo in the film as Charlie’s boss, the “older guy” in the bar that she sits down with after Maverick’s rendition of “You’ve Lost That Loving Feeling.” Pettigrew’s job was to keep the film grounded in reality, though his protests to the film’s eccentricities were always overridden by Bruckheimer and Simpson.
He argued against the locker room argument between Maverick and Iceman and the shower scene, saying that pilots just get changed after a hop and go to the bar. However, paying id=”listicle-2646420686″ million to have Cruise in the film, the producers insisted that Cruise show as much skin as possible to appeal to a female audience. As the script took shape, the Navy raised concerns regarding the increased focus on the relationships between the characters over the fighter jets and aerial combat. “Right now, I’m just trying to keep it from turning into a musical,” Pettigrew responded.
Though it played a major role in production, the Navy authorized only two missile shots to be filmed for the movie due to the cost of the weapon system. The shots were filmed from several angles to make the most of them. Additional missile shots were filmed using models of the planes and missiles. However, the company that produced and fired the model missiles did such a good job that the Navy launched an investigation to determine if additional missiles were fired beyond the two that were previously authorized.
One of the two authorized missile shots (Credit Paramount Pictures)
4. More trouble off-screen
Bruckheimer and Simpson worked well together because they complemented each other. While Simpson was bold and brash, Bruckheimer was calm and collected. However, Simpson’s alleged love of fast cars, women, hookers and drugs were reportedly negatively impacting his job as a producer. Having already been to rehab at least twice before, he checked himself in again midway through production. Little had changed by the time he checked out though. After renting a car, he sped down to the production office, crashed the car in the parking lot, barged into a meeting and declared, “We’re not shooting that f***ing scene!” He then proceeded to fire people and start rewrites to the script. Simpson’s self-destructive lifestyle came to a head when he overdosed in 1996.
Though Cruise and McGillis had to maintain a sexual tension and chemistry on set, McGillis had fallen for another actor during the filming of Top Gun. “We were walking across the street and she actually fell down, and I thought it was the funniest thing I’d ever seen,” Barry Tubb remembered of McGillis. “She fell down on her face in the middle of the street and she had my heart.” Tubb played a supporting role in the film as Wolfman.
Tubb and McGillis’ relationship off-screen threatened to weaken Charlie and Maverick’s relationship on-screen. To create more tension and add more lead-up to their eventual chase and kiss on W. Laurel Street, McGillis and Cruise were brought back to film one more scene months after production had wrapped.
In the elevator scene that follows the dinner at Charlie’s Oceanside house, Maverick’s hair is wet and slicked back while Charlie’s is hidden under a hat. Both actors had different hairstyles by that time which needed to be masked in order to preserve the continuity of the film. The scene succeeded though in adding more tension and lead-up to the relationship.
5. A tragedy occurred
Top Gun‘s production also saw a real-life death. While capturing footage for Maverick and Goose’s flat spin, stunt actor Art Scholl lost control of his Pitts S-2 camera plane. Filming about five miles off the coast of Carlsbad, California, Scholl radioed to his ground spotter, “I have a problem – I have a serious problem.” He was unable to recover from the spin and crashed into the ocean. The aircraft and his body were never recovered. As a tribute, Top Gun was dedicated to Scholl.
Scholl and his dog, Aileron (Credit Smithsonian Institution)
6. Bruckheimer and Scott thought the movie was a flop
Having wrapped production, an advance screening of Top Gun was scheduled for January 29, 1986, in Houston, Texas. With the rather lukewarm release of Iron Eagle two weeks before, receiving mixed reviews and grossing just million more at the box office than its budget, Top Gun‘s future as the second fighter jet movie of the year seemed unsure.
The advance screening was also clouded by the Space Shuttle Challenger disaster just the day before. “We’re in that theater, and I tell you, it was like a funeral,” Bruckheimer recalled. “I watched the movie with this audience and nobody reacted. I mean, they didn’t laugh, they didn’t applaud, it was nothing.” As a result of this screening, Bruckheimer thought that the movie would be a disaster upon its full release.
Director Tony Scott felt similarly following the Houston screening. “It was the worst experience of my life,” Scott said. “I can’t remember even hearing the audience.” Thinking he had failed directing another movie, Scott left the screening and went to a bar to get drunk.
However, contradicting the lack-luster advance screening, Top Gun was well-received by the rest of the cast and crew when it was screened for them. During that screening, Kenny Loggins was thoroughly impressed with what they had created. “I just held my wife’s hand and went ‘Holy s**t’,” he recalled.
Of course, Bruckheimer and Scott’s fears were misplaced and the film’s release in the summer of 1986 was perfect; Ronald Reagan was in the White House, the military was cool again and the country was going through a patriotic renaissance. Since its blockbuster release, Top Gun has gone on to become one of the most successful and iconic films of all time.
It took 20 movies with male protagonists for Marvel to give a female superhero her own film. That’s objectively pretty bad, but the studio does seem to be trying to make up for it. Remember that scene in Avengers: Endgame when the female heroes assembled behind Captain Marvel to fight Thanos? That was awesome.
Now imagine an entire movie that awesome. There’s a rumor — an enticing, exciting, but ultimately unconfirmed rumor — that such a movie, an all-female Avengers flick, is in the works.
We’re talking about a movie based on A-Force, a comic book series published in 2015 and 2016. The 15 issues chronicled Marvel’s first all-female team of Avengers: Captain Marvel, Medusa, She-Hulk, Singularity, Dazzler, Nico Minoru, and Dazzler Thor. It was canceled despite positive reviews due to weak sales, including a 79 percent drop from the first issue to the second-to-last.
But despite that stumble, which did happen in a much different medium, there’s no shortage of rich female characters (and storytelling possibilities) in the MCU.
The women who played some of those characters — Tessa Thompson, Brie Larson, and Karen Gillan specifically — pitched Marvel boss Kevin Feige on the idea of an all-female Avengers movie on the set of Endgame in 2017. It’s easy to imagine (but again, unconfirmed) that their suggestion combined with the strong box office performance of Captain Marvel prompted Feige to think about how to add more women to the MCU.
But whatever the impetus, it’s already happening. There are two female-led superhero movies in the Marvel pipeline with Black Widow and Thor: Love and Thunder as well as Ms. Marvel, She-Hulk, and WandaVision coming to Disney+.
Sources told We Got This Covered that the first step toward an A-Force movie is She-Hulk, which won’t premiere until 2022. That means we’ve got a while to wait, but if Marvel pulls it off the way then the wait will have been worth it.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
United States Coast Guard personnel live by this credo: “You have to go out; you don’t have to come back.” Here’s a WATM salute to the United States Coast Guard for being “Semper Paratus” for 225 years:
It’s one of the most cinematic forms of storytelling in war or action movies. Morale is down and all of the dejected troops look up to their great leader, the protagonist of the film, to deliver some sage words of wisdom and inspire them onto the pathway to glory.
We, the audience, know that the protagonist is more than likely going to win the battle and we can assume that, in real life, there’s no speech powerful enough to miraculously change troops’ minds about wanting to, you know, not die. That being said, whenever we see our sublime hero stand in front of their troops and deliver one hell of a speech, it gets our blood pumping.
And don’t just take our word for it — the films that feature the top four speeches on this list also swept the Oscars when they were released. Critics and moviegoers both love a powerful, pre-battle speech.
Ragnar Lothbrok — ‘Vikings’
There’s a disconnect between Hollywood and actual warfare. Normally, before a gigantic battle or fight, a leader won’t stand in front of their warfighters and give a rousing speech. The fight is just moments away — there’s no time to wax eloquent. In History’s Vikings, they get it right.
This is typically how pre-battle speeches typically go down in real life: “Don’t do anything stupid. Let’s kill the enemy. Here’s a a few tactics we should follow.”
In the brief speech below, delivered during the first episode of the series, we get a good look at how these speeches probably looked during the viking golden age.
Agent Maya — ‘Zero Dark Thirty’
This one also falls under the “how it actually happens” category. The fact is, the closest that pre-battle speeches usually get to the front lines is on base, miles away. The speech outlines mission objectives and is (typically) subject to questions/snarky comments from the people going into the fight.
There is honestly no better example in film history of this actually being done right than in Zero Dark Thirty, moments before SEAL Team Six flies out to finally get Osama Bin Laden. The speech is even complete with a “he’s there… and you’re going to kill him for me.”
President Whitmore — ‘Independence Day’
The world is under attack by hostile aliens and it’s up to the what remains of the military to stop them. Realistically, there’s no chance at survival, but just the right people are listening in to this speech, gaining the strength to fight on.
Not only does the speech unite everyone that’s about to go fight the aliens, but it also calls for human to unite and stand together. And you know, it also includes one of the best title drops in cinematic history.
General Maximus — ‘Gladiator’
Character introductions are one of the hardest parts of a script to write. The audience needs to know, in an instant, who a character was before the movie started, what we need to know about them now, and why they deserve to be the main character. There is perhaps no greater introduction than the one for Roman General Maximus, shown at the height of his power
After making sure that everything is going according to plan, Maximus has a little time to joke with his troops and tells them that he will be going back to his farm. It takes Maximus all of twenty seconds to put instill his men with pride and confidence as the enemy rides ever nearer.
General George S. Patton — ‘Patton’
This speech is far deeper than most people realize today. Yeah, it’s technically being given to the Third Army right before battle, but the film, instead, depicts it as being delivered in a theater.
That’s because the speech isn’t being directed at the troops. It’s directed at the audience, 1970s movie-going America. It’s brilliantly re-purposed and given a new meaning by being presented in a way that highlighted much of the uncertainty and debate surrounding the then-ongoing Vietnam War.
Aragorn — ‘The Lord of the Rings: The Return of the King’
Everything in the Lord of the Rings leads up to one moment. A gathering all of the living warriors across Middle-Earth is charged with taking down the unstoppable scourge of Sauron’s forces. While the audience knows that Frodo and Sam are alright, Aragorn and his men believe them to be dead. They believe that Frodo has been killed, the ring was not destroyed, and it is instead in the hands of the enemy.
In their eyes, there was no way to win. They were all gathered just to die in front of the Black Gates. But not this day. They may all die, but they’ll make a valorous attempt to survive, spurned on by Aragorn’s courage.
William Wallace — ‘Braveheart’
William Wallace had finally banded the clans of Scotland together to finally make their stand against the English, but when they see the massive army they’re going against, they lose the will to fight. They come to the sudden realization that this “mythical” William Wallace that was supposed to lead them in battle is a mere man and, just as quickly, everyone wants to go home.
This is the perfect example of how the pre-war speech is supposed to go down. It’s up to William Wallace to remind everyone that there is no going back. There is no alternative to fighting, even if it means many of them will die. But if they die, they’ll go knowing they were slain for freedom.
Gamers playing “Battlefield 1,” a game set in World War 1, stopped shooting to participate in a ceasefire during an online match at 11 a.m. Canberra time to commemorate the 100th anniversary of Armistice Day, which marks the end of the first World War.
The ceasefire in the game took place on the same day and same time that the annual World War 1 commemoration typically occurs around the globe: On November 11 at 11 a.m.
The player who helped arrange the ceasefire posted a short video of the event on Reddit, but it’s hard to tell from the video everyone actually stopped shooting. It looks like some players either didn’t hear about the planned ceasefire at the specified time or they ignored the effort altogether. The game’s background audio and effects, like loud explosions and artillery from battleships were also still ongoing, which diminished the silence. There’s also a player in a plane who performs a strafing run on a bunch on players who are partaking in the ceasefire, which somewhat ruins the moment.
EA/Dice developer Jan David Hassel posted the video on Twitter:
Still, you can tell that some players abided to the ceasefire by the fact that the player recording the video was surrounded by enemy players (with red icons above their heads) and didn’t get shot. Any other day and time and the player recording the event would have been killed in seconds when surrounded by so many enemy players.
Ultimately, however, the player recording the event was stabbed and killed. The player doing the stabbing apparently apologized for doing so.
“Battlefield 1” players like myself will know how surprising it is that anyone partook in the event, considering how difficult it is to communicate with others in the game.
The player, known as u/JeremyJenki on Reddit, who helped set up the event and recorded the video posted on Reddit how they did it:
“At the start of the game, me and a couple others started talking about having a ceasefire. We made it known in the chat and many people were on board with it, deciding that this armistice should be held on the beach (This didn’t seem like a great idea to me at the time). Players started heading down to the beach early and for a few minutes it was amazing. When editing the video I cut out most of the in between, only showing the beginning and end. But hey, against all odds, we did it, and while short it was the coolest experience in Battlefield I had ever had.”
Although “The Daily Show” host Jon Stewart pulls no punches when talking foreign policy, specifically that which pertains to the war efforts in Iraq and Afghanistan, he’s a strong supporter of the people serving in the military. When American Corporate Partners approached him about mentoring a veteran, he responded by creating the Veteran Immersion Program and taking on 24 veterans instead of one, according to ACP.
The program is a five-week boot camp for veterans looking to break into the entertainment industry. Participants learn first hand about the technical and creative opportunities that exist by working at The Daily Show. The program ends with a career fair with over twenty influential production organizations.
Even though Jon Stewart is ending his run with “The Daily Show,” rumor has it that he’s just getting started with helping veterans.
In the meantime, this video hosted by our very own August Dannehl and Veteran Immersion Program alumni shows the impact the program has had on those who’ve attended.
Hollywood works hard to produce great movies, there’s no doubt about that. Plenty of industry professionals are working around the clock, 7 days per week, to provide top-shelf entertainment to the masses. And while (most) studios try their best to depict military tactics as accurately as possible, they often fall short. One area in particular where they always seem to get things wrong is urban combat — specifically, the most fundamental component: clearing buildings.
Now, don’t get us wrong — there are plenty of movies that nail it perfectly (typically the ones with a good military adviser, hint hint) but we’ve seen plenty of mistakes make it all the way to the silver screen. After all, there’s a reason I’m writing this article.
Here are some of the most basic rules that get broken consistently in movies.
If you’ve got someone watching your back, no worries.
(U.S. Marine Corps photo by Sgt. Melanie A Wolf)
Never enter a room alone
It’s the cardinal rule of military operations in urban terrain (or, MOUT): You should never, under any circumstances, enter a room by yourself. At minimum, you need to bring one other person with you. If you enter a room alone, you could get cut down by an enemy and there’d be nobody to back you up.
Time and time again, we’ll see brazen heroes kick down doors solo — even when they’ve got teammates available.
Drop your gun, enemy drops you.
(U.S. Marine Corps photo by Cpl. Jesus Sepulveda Torres)
Keep your gun up
Keep your gun up; keep your guard up. If a building hasn’t been cleared yet (we’ll get to that in a minute), your gun should remain ready to go. If you drop it in an unclear house, you could be caught off guard at the wrong moment — and it could mean the end of you.
We can’t tell you how many times we’ve seen characters walk through houses with their muzzles pointed at the dirt.
You better yell like someone’s life depends on it.
Everything you see, everything you hear, and everything in between needs to be communicated or repeated. No one can see every space of the room, so it’s your job to tell everyone else what you see. This way, if you find enemies, everyone in your unit knows immediately.
We’ve seen plenty of shows and movies that feature silent warriors that rely on hand signals. In fact, one of the only times we’ve seen it done right was in Sons of Anarchy. In the second episode of the third season, the Sons close in on the location of the leader of a rival gang. As they move through the house, they communicate every little thing loudly and clearly. Leave it to the lawless to abide by the rules of war.
Make sure to maintain muzzle awareness as well.
(U.S. Marine Corps photo by Cpl. Jesus Sepulveda Torres)
Move your muzzle with your eyes
If you turn your head, your gun goes with it. If your gun isn’t locked with your eyes, you’ll need an extra second to get it there if things go south. Needless to say, your enemy doesn’t want to give you that extra second.
Characters in movies are always looking around without their gun, even when the character is supposed to be some Special Ops badass.
You never know when an enemy is hiding in a corner or under a table.
(U.S. Marine Corps photo by Cpl. Garrett White)
Check every space
A building can only be declared “clear” when every space has been observed. If a building has a basement, attic, or both — you better check ’em. Drawers, cabinets, closets, shelves, holes in the walls — it all gets inspected. If it doesn’t, that one drawer you decided was okay could have a f*cking bomb in it.
Funnily enough, in movies, when a character doesn’t follow this rule, they’ll often been made an example for the rest of the squad.
With Extraction director Sam Hargrave set to direct, Combat Control will tell the story of the late Medal of Honor recipient John Chapman. Based on the book Alone at Dawn by Dan Schilling and Lori Chapman Longfritz, the film tells the true story of Air Force Combat Control Technician Chapman, who was killed in action on March 4, 2002 in Afghanistan. It would take another 16 years before he was posthumously awarded the Medal of Honor.
Schilling, who was also a Combat Control Technician within Air Force special operations, will serve as a military advisor for the film.
In March 2002, in conjunction with Operation Anaconda, Chapman was tasked to establish observation posts in strategic locations in Afghanistan. Chapman and his reconnaissance team were ordered to Takur Ghar to report al Qaeda movement in the Shi-Kowt area.
“This was a very high profile, no-fail job, and we picked John,” said retired Air Force Col. Ken Rodriguez, Sergeant Chapman’s commander at the time. “In a very high-caliber career field, with the highest quality of men – even then – John stood out as our guy.”
During the initial insertion onto the Takur Ghar mountaintop, Chapman and his team were ambushed when an RPG struck their Chinook, throwing Navy Petty Officer 1st Class Neil Roberts into enemy territory. The crew managed to perform a controlled crash landing and began a rescue mission in a second MH-47 for Roberts, drawing heavy enemy fire.
In the battle that commenced, Chapman repeatedly maneuvered himself to protect his team, even at his own risk. He was struck and critically wounded by gunfire but continued to fight for over an hour before he died. His actions saved the lives of his teammates, who remember him for his selflessness and his valor.
Chapman was originally awarded the Air Force Cross for his actions, but was recommended for an upgrade to the Medal of Honor. In 2018, he finally received the recognition he deserved and, in accordance with Air Force policy whereby Medal of Honor recipients are promoted one grade, he was posthumously promoted to the rank of master sergeant.