As the US military is focusing on the Russian and Chinese threat, the Arctic becomes an ever more important region. The bountiful natural resources reportedly existing under the endless ice of the Arctic make the contested region highly desirable for all contestants — and there’s a lot of them.
In addition to the US, the European Union, China, Russia, Canada, and the United Kingdom all present some claim to the Arctic and are claiming sovereignty over portions of the plentiful natural resources that are hidden underneath the ice.
US special operations units, thus, have every interest to prepare for action in an arctic environment since they are at the tip of the spear of the American military.
In September, a Special Forces mountain team from 1st Battalion, 1st Special Forces Group, participated in exercise Valor United 20. The exercise, which brought together special operations and conventional troops, took place in Seward, Alaska. Its aim was to boost the experience and expertise of the participants in arctic warfare and increase the interoperability between special operations and conventional forces.
A Navy SEAL with a Special Operations Military Working Dog training in arctic conditions (US Navy).
The participants focused on patrolling, arctic, alpine, and glacier movement, crevasse rescue, and long-range communications under the austere conditions of the arctic environment. Regarding the last aspect of the training (long-range communications), the Special Forces team’s communications sergeants were able to send high-frequency messages from their positions to their headquarters in Okinawa, more than 4,400 miles away. In doing so, they tested their ability to securely transmit a message over an extremely long distance without being compromised. It’s important to remember that in a near-peer conflict, the enemy’s capabilities compete with or match those of the US military, unlike what has been happening in the Middle East for the past 20 years where US troops have been fighting a technologically inferior enemy.
A Special Forces communication sergeant (18E) with 1st Battalion, 1st Special Forces Group (Airborne) sets up an antenna for high-frequency transmission during Valor United 20, an arctic warfare training exercise in Seward, Alaska (1st SFG).
While they were in the area, the 12-man Special Forces Operational Detachment Alpha (ODA) had the chance to work alongside the 212th Rescue Squadron and assist the Air Commandos in wilderness search and rescue missions.
“This was a great opportunity to refine previous Small Unit Tactics training and expand our proficiency to conduct arctic operations in an austere mountain environment,” said the ODA’s team sergeant in a press release.
Training offers units the opportunity to test tactics, techniques, and procedures, the utility of gear, and the rationale of established concepts in different environments. For example, a soldier moving and fighting in the arduous arctic environment needs significantly more calories than a soldier who sits on a forward operations base most of the day and goes out on a direct action mission at night or from a troop who is training a partner force. Thus, exercises like Valor United 20 are a great opportunity to answer the “what” and “how” questions units might have about operating in different geographical environments.
Rangers undergoing the Cold Weather Operations Course (US Army).
Army Special Forces soldiers aren’t the only ones who are getting additional arctic warfare training. The 75th Ranger Regiment, arguably the world’s premier light infantry special operations unit, has been sending troops to the Cold Weather Operations Course (CWOC) with increased frequency.
The Army has recognized the increased importance of and emphasis on arctic warfare by introducing the Arctic Tab. Since January, soldiers who successfully complete the Northern Warfare Training Center’s Cold Weather Leaders Course (CWLC) are awarded the Arctic Tab. This decision sparked some controversy since many feel that another tab would diminish the value of the preexisting ones, such as the Special Forces Tab, Ranger Tab, Honor Guard Tab, or Sapper Tab.
(Photo Credit: Hollywood Reporter via Lou Pitt. Used with permission.)
Manager/producer and former Agent at ICM Lou Pitt shares about his life and experiences in the entertainment industry. His current clients include Oscar winning actor Christopher Plummer, New York Times best-selling authors Brad Meltzer, Lorenzo Carcaterra. Tilar Mazzeo, A.J. Hartley, Visual Effect Oscar winner John Bruno and Director Jason Ensler.
Former clients include Arnold Schwarzenegger, Gale Anne Hurd, Dudley Moore, Bruce Lee, Rod Serling, Nick Nolte, Blake Edwards, Howie Mandel, Paul W.S. Anderson and Jessica Lange.
WATM: Tell me about your family and your life growing up?
Pitt: I was born in Brooklyn, NY, where I spent the first six years, but my growing up years were in Miami Beach and Sarasota, Florida, until I moved to Los Angeles the summer of 1957. At 14, my single working mother wanted me to go to Kentucky Military Academy (KMI) which had its winter quarters in Venice, Florida, some 18 miles south of Sarasota. The Fall/Spring terms were in Lyndon, Kentucky, adjacent to Louisville. I spent all four years there. One of my roommates went on to West Point and retired as a Lt. Colonel after serving two tours in Vietnam. All the regimentation was on preparing teens for the military with a full ROTC program recognized by the Army with dedicated instruction by active military officers. Upon my initial arrival at KMI as a freshman, I found that my best friend from Sarasota, Jay Lundstrom had also committed to going there. We had become great friends and played Little League and Pony League together. In fact, it was really because of him that got me on my first team after badgering one of the coaches that I should be selected. Nobody should be left out, he reasoned. A classy gesture from a 9-year-old that became a life lesson about friendship in its purest form. We roomed together for most of the 4 years we were there and have remained good friends to this day. When I was chosen to be Captain of the KMI baseball team in my senior year, I said, “not without Jay.” We served as co-captains of the team.
Lou (left) with his buddy Jay (right) on the KMI baseball team where they were both co-captains.
WATM: Were you involved in any sports?
Pitt: I loved baseball and played shortstop. I continued playing throughout my years at KMI and beyond. My mother and I moved to California at the end of my junior year and returned to KY for my senior year in ’58. My dream was to play professional baseball where I was invited for a tryout with the Dodgers during the Christmas period 1957. It apparently went well with follow ups meant to happen following graduation. However, the rubber met road once in college following a pre-season workout with the start of season, a week away. The truth was, I came to the realization that I didn’t want to live out of a suitcase in pursuit of a dream. Went cold turkey and never picked up a baseball again until I played in a few Hollywood Stars games at Dodger Stadium thanks to my friend Jack Gilardi. I wanted to stay rooted in one place which had been absent most of my life. It was a decision I never looked back on or regretted. I went to Cal State Northridge and graduated in 1962 with a degree in theatre and a minor in English.
Fun fact: Famous actors Jim Bacchus (Gilligan’s Island, Mr. Magoo, Rebel Without a Cause), Fred Willard (Best in Show, Modern Family, Spinal Tap), and Vic Mature (Kiss of Death, The Robe, My Darling Clementine) attended and/or graduated from KMI as well.
Lou as a senior cadet at KMI in 1958.
WATM: Did you serve in the military?
Pitt: Yes, I was actually drafted into the Army but was fortunate to find a Reserve unit in Van Nuys in the nick of time. I was against the war and fortunate this option materialized given the dramatic escalation of the war. I did my Army Basic at Fort Ord and MOS school at Fort Gordon, GA. My MOS was a Military Policeman (MP).
While at Fort Gordon, a high security post at the time, I auditioned for a play that was being done on the base. I figured this would keep me out of trouble and away from the “lifers” (career EM’s and Officers). The play was “Look Homeward, Angel” and starred Army personnel and people from off-base. It was a great escape and I made a lot of friends from the local town along the way. One of them turned out to be Lt. Col. David Warfield who, as it turned out, was not one of the city folk, but the Adjutant General of Fort Gordon, the second man in charge of the base.
At the time, I didn’t know who he was as we were in “civvies” during rehearsals. He said if I ever needed anything, to let him know and gave me his card. Covered! The night of the first tech rehearsal, our barracks was subjected to a surprise inspection for drugs and each soldier was required to be sequestered by their bunks for however long it took. I knew I’d never make it to the theatre. Unexpectedly, he showed up at my barracks looking for me. His big black car rolled up outside of our building and heard determined footsteps that got louder and louder with each step. I was called out to the front of the barracks and he opened the car door himself. I had never seen a car that big in my whole life. The Col. said, ‘We can’t be doing this all the time, but hop in. I assume you’re not hiding drugs.’. I thought I was living in a Neil Simon play and it wasn’t going to end well after the final curtain.
Lou on stage in his role as Ben Gant in the stage production of “Look Homeward, Angel”
A newspaper clipping from the play “Look Homeward, Angel”. Lou is at the top.
WATM: How did you get involved in the entertainment industry?
Pitt: With an introduction by a friend’s dad, I secured my first job at Creative Management Agency (CMA) mailroom in 1964 predecessor of ICM Partners. At the time, it was the “Tiffany” of agencies with no more than 60 clients at the time and all of them big stars. The size of the mailroom was the average size of a closet. I was in the mailroom for about six months and then went to train on the desk of Alan Ladd Jr (Producer/Studio Executive; Star Wars, Blade Runner and Braveheart). Alan was my mentor along with Marty Elfand (Agent/Producer; Dog Day Afternoon, An Officer and a Gentleman).
While the agency was primarily motion picture focused, they sold variety shows and packaged Gilligan’s Island which made more for the agency than any star they represented. In the mid to late 60’s, I went to the Arthur Kennard Agency who represented TV stars (Raymond Burr-Perry Mason) and many stars of horror films like Boris Karloff, Bela Lugosi, Vincent Price, Lon Chaney, Christopher Lee, and Richard Kiley who was starring on Broadway in “Man of La Mancha.” It was there, I signed Bruce Lee who was in the series, Green Hornet. At nights, he taught classes in martial arts. Bruce introduced me to Kung Fu. Among his clients were Steve McQueen, James Coburn, Mike Ovitz (CAA), Marvin Josephson (CEO International Famous Agency) and Tom Tannenbaum (Universal TV Studio Executive;) and many other Hollywood luminaries.
Bruce charged a minimum of 0 an hour, which was a lot of money in those days. The Silent Flute (later produced in 1978 as the Circle of Iron) was a script that Bruce wanted desperately to put together but couldn’t get anybody in Hollywood to take an interest. Coburn did his best to bring it to life in LA. We were together for about two or three years when Bruce said, “I will never be a star here, and the only way I will get this made is in Hong Kong.” Off he went. The rest is history as they say. Bruce died before making the film where the produced 1978 version starred David Carradine. In 1971, I went to work at IFA who, in 1975 merged with CMA to become ICM and remained there until 1998.
A picture of a friend, James Coburn, Chuck Norris, and Bruce Lee.
WATM: What values have you carried over from the Army and military school into Hollywood?
Pitt: KMI’s motto was, “Character makes the man.” That to me, defined the traits which mattered most to me in life. Responsibility, honesty, discipline and keeping one’s word. Promises made and promises kept. The centerpiece at KMI was always about the team effort and found it so applicable in a business so dependent on others for success.
Graduation Day 1958 from KMI.
WATM: What are some of your favorite memories with your clients both past or present?
Pitt: Meeting Princess Diana a few years after she married Prince Charles, that came about when I represented Dudley Moore. He did a film in 1985, “Santa Clause, the Movie,” that had a Royal Premiere during the Christmas holidays in London. Dudley’s girlfriend, my wife Berta and I met the Royal Family before the screen presentation. The filmmakers were positioned in a circle for the prince and princess’ arrival. When introduced, they walked inside the circle and greeted everyone individually moving from one to the other. Princess Diana spent a lot of time with each person and was interested in chatting about the movie. She asked a lot of questions and was truly engaged. In truth, Princess Diana weakened my knees. She was extraordinary, as anyone who ever met her could attest. I remember she was still in conversation with the first person while Prince Charles was pretty much done with the group…while encouraging her to “move it along.”
The other that comes to mind was the July 4 holiday opening weekend of “Terminator 2.” At the time, it earned a box office record million over the five day holiday. Having put all the pieces of the film together that included the rights, which were overly complicated as they were jointly held by Gale and Hemdale (who needed to be bought out if it was to ever work), the financing (Carolco) with three high-profile stars; Arnold, Gale Anne Hurd and James Cameron, each with their own schedules that needed to marry organically. It took four and a half years to put that film together and its success was a career game changer for everyone involved.
Lou with Arnold in Budapest, Hungary.
WATM: What was/is it like to represent Rod Serling, Gale Anne Hurd, Bruce Lee, Christopher Plummer, Gena Rowlands and Arnold Schwarzenegger?
Pitt: Rod was my first writer client and I was working with him during the latter part of his career. It was after the Twilight Zone and the Night Gallery series. Rod was a straight-forward, clear headed thinker and smoked a lot. He was a great storyteller with a distinctive voice and an incredible mind. Someone you could listen to for hours. Rod was a WWII veteran as well. He walked the walk.
Bruce was intense and serious but couldn’t have been more grounded at the same time. But mostly, self- assured about his career and looking to break new ground. I can still see Bruce’s smile. His frustration was that he couldn’t get the buyers in Hollywood to take the martial arts action genre seriously enough. By the late 70s it was obvious Bruce was ahead of his time and the martial art films exploded. I never doubted Bruce’s eventual success because he was so centered and full of confidence, talented and focused. It was not a question of if, it was a question of when and how. I really liked him and can tell you he was not that character portrayed in Quentin Tarantino’s movie.
Christopher is simply a very classy man grounded in empathy…especially among other actors regardless of their profile and standing in the business. A man of mischief when it’s playtime but utter discipline when it’s time to prepare and go to work…in fact, obsessively so in a good way. He literally and figuratively never walks in front of you, always behind whether on the red carpet or to a restaurant. “What can I get you” precedes “Hello.” Maybe the greatest storyteller I’ve ever met. He is dedicated to his work and truly loves his profession. Chris inhales the work and the most prepared person I’ve ever met. He has old fashioned manners in a good way. Prefers writing letters then sending emails. Behavior matters and thoughtfulness matters. He’s the first to the set and the first to be “off the book”. We’ve worked together for 45 years and he is a truly special friend.
Love Gale! Her first agent. Smart and I always felt like a partner in “how do we make this work”. She has such a strength, determination and intelligence about her that’s inspiring. She was like a teammate and that we were on an adventure together. There was great trust between us and an unusual giver of herself for others. She’s a “get it done” person that was always open to ideas. A wonderful inner sensitivity that was never far below the surface. We created a “no frills” concept for film budgets that were below a certain level in addition to films she made with or without Jim as a way to introduce new talent or stories that needed special handling.
Arnold is simply one of a kind. 24/7 was not just a descriptive phrase, it was a lifestyle. He defined the word, “commitment” and made a believer that anything is possible. The challenges were exciting because he broke ground that was transformative that defined a movie culture for the 80’s and 90’s. He defied gravity.
Gena Rowlands –What an extraordinary, graceful person she is. Never one to “work the room”, read the trades or lay judgement on anyone’s work in idle chatting. In the 45 years together, she never asked me what she was up for or when she was going to work. She figured if I had something to say, I’d let her know. As warm on screen as she was in her living room. Legendary and an elegant person that’s simply comfortable to just be around whether on a set or in the kitchen. Her career with John was a family centric of gifted actors that spilled into a comfort zone for others that followed. She and John rolled the dice on how to make movies that didn’t have any rules. She just makes you feel you want to kick off your shoes and just chat about stuff.
Lou, Berta, Dudley Moore, Brogan Lane, Peter Sarah Bellwood in Bora, Bora
WATM: What was it like working your way up in the industry in the 60s and 70s?
Pitt: The 60s broke the ground for what the system is today. No longer exclusive contract players, writers, directors, make-up, casting, etc. that could be controlled, and contracted out to other studios or disciplined for whatever infraction the studio bosses captiously inflicted on their talent. The emergence of stars making films away from the studio system and putting together the films they wanted to make as Producers. The emergence of Kirk Douglas, Burt Lancaster, Gregory Peck and others opened the door to an independent way of thinking, putting movies together and taking them to studios became the new norm…a new freedom with new rules to play by.
Mr. Plummer as Kaiser Wilhelm – “The Exception” which Lou produced.
WATM: What are words that you live by?
Pitt: “There are no bad meetings”
Character Makes The Man
Respect for all no matter the rank or position
Mark Twain’s quote about, “If you tell the truth, you never have to remember what you said.”
I remember when I was learning to type, there was a sentence designed for a speed test that stuck with me. “Do all that you can do as quickly and as quietly as when you were told to do it.” For me it was about “get it done” and don’t waste a lot of time getting there. Keep your eye on the ball.
WATM: What are you most proud of in life and your career?
Pitt: I have a remarkable family who’ve been loving, emotionally supportive and inclusive. I’m immensely proud to work in a business that I really love. To have worked with so many extraordinary gifted clients and colleagues who challenged the world every day with their ideas, their talent and trust, has been inspiring and exhilarating. Everyone has been a gift to me.
Several new technologies are being developed that, once combined, will provide Soldiers an unprecedented overview of the battlefield.
That assessment came from Army personnel at Communications-Electronics Research, Development and Engineering Center’s Night Vision and Electronic Sensors Directorate here, who hosted a recent media visit.
Those technologies involve the marriage of micro-displays with augmented reality.
The Army’s preferred method of acquiring new technologies is to use what industry is already developing for consumers, or modifying that technology for its own use, said Rupal Varshneya, an electrical engineer at CERDEC.
The Army employs its scientists and research laboratories for designing needed technologies that industry is not interested in pursuing, she said. Such was the case when the Army needed a very bright, high-definition micro-display, about the size of a postage stamp.
(U.S. Army photo by David Vergun)
First off, the Army approached makers of smartphone, tablets, TVs and even the gaming industry, she said. None of them were interested in making the micro-display because they didn’t foresee consumer demand or profit potential.
So Army researchers at CERDEC went to work.
David Fellowes, an electrical engineer at CERDEC, said researchers worked in stages building displays with progressively greater capability. About eight years ago, they developed a monochrome version.
Then, several years later, researchers developed a new silicone technology and manufacturing methods that enabled the micro-display to increase in brightness, he explained.
“If you’ve ever tried looking at your cellphone on a sunny day, it’s really hard,” he said. The increase in display brightness was such that Soldiers would now be able to see the tiny micro-display in sunlight.
Although the technology was being developed for dismounted Soldiers, other program managers took notice, he said. For example the program manager responsible for Apache helicopters wanted their pilots to have them for head-mounted displays.
They are not yet fielded for the Apaches, but a contract for them has already been signed. Other program managers wanted them for night vision goggles and even for weapons sights, he added.
(U.S. Army photo by David Vergun)
The next step, he said, was to develop an extremely high resolution, 2048-by-2048-pixel display in full color. That advancement came to fruition recently, and some of them were on display.
The next phase of development had to do with taking the improved micro-display and pairing it with augmented reality, using the Nett Warrior system.
Sgt. 1st Class Justin Nelson, in charge of Soldier testing at CERDEC, was suited up in the Nett Warrior System, with a helmet-mounted micro-display attached. The media could see what he was seeing in his micro-display on a large TV screen.
Previously, Soldiers had a small radio attached to their chest, he said. Whenever they needed to get location coordinates or other data they had to look down and lost situational awareness to their front. Nelson compared it to a person walking across a busy street looking down at a cellphone. “Not good.”
The micro-display attachment to the helmet allows Soldiers to stay focused on what’s in front of them, he said.
The micro-display not only gives Soldiers a clear view of what’s ahead of them, night or day, it also can accommodate overlays such as maps and symbols showing friendly forces and enemy forces. In this way, it replaces traditional night vision goggles.
Furthermore, information that’s wirelessly fed into the micro-display, such as maps and symbols, can be shared among other Soldiers using the device, as well as leaders in the tactical operation center, he said.
(U.S. Army photo by David Vergun)
They all have the ability to share the same picture of the battlefield and can add or manipulate the symbols as needed, he said.
Researchers are also adding micro-displays on the Soldiers’ weapons and feeding that display into the one attached to the
Soldiers’ helmets via a tablet worn on the waist. That enables Soldiers to get a split view of what’s around them plus the target the weapon is trained on, he said.
So if the rifle is pointed rearward and the Soldier is looking forward, the image shows both views, he explained, adding that creates novel ways for Soldiers to fire their weapons, such as shooting over a wall without being exposed.
The entire system is currently being tested by Soldiers at Fort Benning’s Maneuver Center of Excellence, he said.
It seems like everyone is doing that dumb “ten year’s difference” thing on Facebook. Personally, I think this is just depressing for the military community no matter how you slice it.
Either you’re a young troop who’s now reminded of how goofy they looked as a civilian, you’re a senior enlisted/officer who’s now reminded of how much of a dumb boot they once were, or you’re a veteran who’s being reminded of how in shape you once were ten years ago.
If you’re an older vet who’s been out for longer than ten years, well, you’re probably the same salty person in the photo, and no one could tell the difference or that you aged. Maybe a bit more gray and less hair.
Anyways. The Coast Guard hasn’t been paid, but at least these memes are free!
There are a lot of reasons for soldiers to visit sick call. Sure, there are a lot of skaters among the ranks of U.S. troops, but most of the military is looking to stay away from doctors and stay in the fight — especially while deployed. No officer exemplifies this more than Gen. David Petraeus, who was shot in the chest due to a negligent discharge.
The doctors were not thrilled at the prospect of letting then-Lt. Col. Petraeus walk out of the hospital. Just days before, the colonel was participating in a live-fire exercise at Fort Campbell, KY when a soldier under his command tripped. The fall caused the soldier to fire his M-16 rifle, hitting Petraeus in the chest.
Of course, Lt. Col. Petraeus survived.
“Ooh, good attempt, Private Dipsh*t. If you had tried that at the range, you might have a sharpshooter badge.”
“I remember standing for a moment and then going down to my knees and slumping to the ground,” said Petraeus. “The next I recall was being worried about the effect on the unit and delaying training. So I instructed the leaders to just prop me up against a tree with a canteen.”
Then, like a true soldier, he instructed medics not to cut off his load-bearing equipment because it took him so long to get it together and put it on. Medics then tended to his wound just like it says in the Soldier’s Manual. They then airlifted him to Blanchfield Army Community Hospital where doctors were forced to tend to his wounds without anesthesia. He was later rushed to Vanderbilt University Medical Center for more care.
Despite having been shot, Petraeus couldn’t just languish in the hospital for months at a time. He was the commander of the Iron Rakkasans, not the Wet Paper Bag Rakkasans. He may not look like it at first glance, but the decorated Army officer is tough as nails and is willing to prove it. That’s exactly how he was able to leave the hospital soon after.
“Come at me, son. My life has its own Konami Code.”
The surgeon that operated on David Petraeus that day in Nashville would later go on to work with Petraeus as a General. Republican Senate Majority Leader Bill Frist helped save the young officer’s life and later took testimony from the general on how he intended to train Iraqi troops.
Before that, however, Lt. Col. Petraeus needed to get out of the hospital. To prove to his civilian doctors that he was fine and ready for duty, Petraeus did 50 pushups without resting – just days after being shot by a 5.56 round in the chest from 40 meters and then undergoing surgery to repair the damage.
“(It) feels like a combination of the most enormous blow imaginable and being hit in the back with a massive hammer from the force of bullet exiting the body,” Petraeus told The Leaf-Chronicle. “I was very fortunate that the bullet did not sever an artery… I was also very fortunate that the bullet hit over the ‘A’ in ‘Petraeus’ rather than the ‘A’ in ‘U.S. Army.’“
There’s a fun fact that you can’t escape in the South: Coca-Cola used to have cocaine in it. The Coke brand is everywhere down here, and every 14-year-old will bring up the cocaine fact a couple of times a week for the first six months after they learn about it.
The fact that cocaine used to be offered in every town usually gets written off as an odd quirk of history, but it turns out the inventor had a good reason to appreciate the coca plant: He had a number of gunshot and saber wounds from the Civil War.
Coke was invented by John Stith Pemberton (the drink is named after the coca plant, not the inventor or company founder). Pemberton became a doctor at the ripe old age of 19 in 1850. He was a successful surgeon and chemist in the 1850s, but he signed up for frontline service when the Civil War broke out.
He didn’t serve as a doctor, though. He started as a first lieutenant in a cavalry unit in 1862 and climbed the ranks to lieutenant colonel. He faced his fiercest fighting when Union Gen. James Wilson attacked Columbus in 1865. Pemberton suffered multiple gunshots wounds and even a saber strike to his chest.
Union Gen. James Wilson led Union troops during the Battle of Columbus.
(Brady National Photographic Art Gallery)
Pemberton would suffer for years from the wounds he took near Columbus, and he struggled against an opium addiction thanks to all the painkillers he was given. But Pemberton was, luckily, a skilled chemist and pharmacist. He moved to Atlanta after the war and developed new chemical products.
He became aware of a new European product already popular in Italy and France, wine infused with extracts from coca leaves. After a new business partnership in 1870, he was able to purchase the equipment to develop even more complex products.
And, in 1885, he made his own version of the coca-infused wines which he called Pemberton’s French Wine Coca. One thing worth noting here, this isn’t technically cocaine in a drink. Coca leaves are a precursor to cocaine, but you have to use a solvent to extract cocaine sulfate from the leaves in order to get actual cocaine out. But Pemberton’s wine did have anesthetic effects like cocaine would.
The jump from French Wine Coca to Coca-Cola came when wine was threatened by alcohol prohibition in Atlanta and Pemberton decided to replace the sweetness from the wine with sweetness from sugar. After a few more changes to refine the taste, the product was renamed Coca-Cola and released in 1886.
It has gone through a few formula changes since, including switching fresh coca leaves out for spent coca leaves which have had the cocaine sulfate extracted. So, you know, you can’t get high from Coke anymore.
Troops carry with them the reminder of their death on the battlefield. Nearly every military since has a variation of identification tags, but it’s American troops who truly intertwine them within their culture. There’s deep-rooted symbolism behind dog tags.
To the American war fighter, it is as much of a badge of honor as everything else carried with them. The tags give the survivors of the conflict all of the necessary information about the fallen warrior. When they go to meet their maker on the battlefield, one is collected for immediately for notification and the other is used in case cannot be immediately recovered.
Carrying around some sort of identification for a warrior’s remains is a time honored tradition. Going as far back as the ancient Spartans, the phrase “Come back with your shield or on it” had a deeper meaning.
Of course, it’s a cold way for a wife to tell her husband to win the fight or die with honor. But the intricate and deeply personal designs of the Spartan shield meant that the wife could have closure if he fell in battle. Even the Roman Legionaries carried lead disks in a pouch around their neck called “signaculum.”
The first time American troops would use tags to identify their bodies was with Gen. George Meade having his men write their name and unit designation on a piece of paper. In 1906, aluminum tags were introduced and by 1913, it became mandatory to wear.
Through out the years, what was written on the tags has changed, and each branch of the current U.S. armed forces has different information written on them, but what remains constant is the troop’s name, religion, and usually the blood type.
The term “dog tags” actually can’t be found in U.S. military regulations, where instead they’re called “identification tags.” The military always has ridiculous names for everything, right? A shovel is an “entrenching tool,” a bed is a “rack,” the bumbling idiot who just graduated college is “sir.” The list goes on.
Among the first instances of the identification tags being called “dog tags” comes from the Prussian Army in 1870. It comes from the term “hundemarken” which was similar to what each dog in the then Prussian capital of Berlin required. The American adaptation of the name dates to just before WWII.
During the Great Depression, President Franklin D. Roosevelt instituted the Social Security Act. Through enumeration, the idea was to give a social security number to all employees across America. Troops would be an easy group to convince to adopt this change. We already had identification tags and incorporating a social security number into it for further identification was a smooth transition.
Hearst began spreading a rumor about how the Social Security Act would label all workers with tags and probe them for all of their personal information. In reality, only one was ever created as a prototype in the massive brainstorm of ideas and was shot down early in favor of the cards we use today.
As troops adopted the SSN into their tags, it was further proof Hearst needed that FDR wanted to destroy America. The fear mongering of “you’re treated like dogs! Your personal information will be taken away! The government will own you!” continued. Soldiers, sailors, and Marines would read the papers by Hearst with indifference, gave a collective “Meh, we know,” and rolled with it.
Sharks have a reputation for being fearsome, man-eating killers — you can thank 1975’s Jaws for that. The shark, in nature, claims dominion over the seas, but its ferocious countenance has been painted on planes since the American Volunteer Group (also known as the “Flying Tigers”) put it on noses of their P-40s.
Russia has its own aeronautical shark, and it’s one of two attack helicopters the Soviet Union was developing in the 1980s to supplement — if not actually replace — the famous Mi-24 Hind. That helicopter is the Kamov Ka-50 Hokum, a single-purpose gunship.
The Kamov Ka-50 Hokum is a very unique helicopter. Like the vast majority of other Kamov designs, it uses contra-rotating main rotors. Most of Kamov’s helicopters have been used by the Soviet Navy — and were passed on to the Russian Navy once the USSR collapsed. Mil helicopters, like the Mi-24 Hind and the Mi-8/Mi-17 Hip, have historically gone to the Soviet Army (and, afterward, the Russian Army).
Kamov’s primary customer was the Soviet — and later the Russian — Navy. They’ve delivered a high-performance attack helicopter.
(Photo by Dimitri Pichugin)
While in development, the Hokum was competing with the Mi-28 Havoc. In fact, the Russian Army first selected the Hokum, but later settled on the Havoc. The end of the Cold War delayed the programs, but now both helicopters are being procured.
This three-view graphic shows off some of the Hokum’s unique features: The main rotors and the lack of a tail rotor, for instance.
The Hokum has a number of other unique features. It is a single-seat helicopter, while most other attack helicopters require a crew of two. It has an ejection seat for the pilot, which is commonly found on fixed-wing vessels, but not on rotary-wing aircraft.
A look at some of the weapons the Ka-50 can pack. Not easily seen: the same 30mm cannon on the BMP-2 infantry fighting vehicle is mounted on this helicopter.
(Photo by Tomasz Szulc)
The Hokum has a top speed of 193 miles per hour and a maximum unrefueled range of 393 miles. It can carry AT-16 missiles, rocket pods, gun pods, and even bombs, and it packs the same 30mm cannon as the BMP-2 does.
Currently, Russia has 32 of these lethal helicopters in service. Learn more about this airborne “Black Shark” in the video below!
Sometimes, civilians have a difficult time relating with troops. In many cases, they just don’t know how to talk to them. Realistically, it’s pretty easy. After all, we’re simple creatures; we like a handful of things — alcohol, tattoos, and anything else that’s fun with a dash of self-destruction. We’re, essentially, the kings and queens of counter-culture — “rebels with a cause,” as we were once described by a Marine general.
That being said, there are plenty of civilians out there who fit right in with the troops — usually those who work in a select few professional fields. The following are the civilian professionals that get a ton of love from the troops.
But, before we kick this off, I want to make it clear you don’t have to work in one of these fields for troops to appreciate you. Troops appreciate support of any kind — even if it’s a simple “thank you.”
You should never piss off your bartender, honestly.
(U.S. Air Force)
Easily topping this list is your friendly neighborhood beer-slinger. Troops love to drink and, although some troops might find themselves embroiled in “friendly” disagreements with their bartender after kicking back a few, a good service member will always respect the person behind the bar that helps them wind down after a long week.
Tattoo artists are almost always cool with service members.
Troops love tattoos, too. For each new piece, a troop will sit on the chair or bench for hours at a time — so you kind of can’t help but become friends with your tattoo artist. Artists in a military town tend to understand troops because they tattoo a lot of us. They know what we like to talk about and they can probably all draw a perfect eagle, globe, and anchor with their eyes closed.
Okay, okay. The ones from the shop on base aren’t always bad.
(U.S. Navy photo by Chief Photographer’s Mate Chris Desmond)
Troops need haircuts and a good barber is hard to find. If you’re lucky, you’ll find that one place off-base that isn’t too expensive and leaves you with a better cut than the clowns on base shop can offer.
A lot of respect goes both ways in this regard.
Life, especially one spent in the armed forces, leaves you with a lot of complications. As warfighters, we spend a lot of time working on our own bodies and training to deliver harm to the enemies’. Although doctors have a much more thorough understanding of human anatomy, troops certainly have a lot of questions.
Doctors specialize in fixing humans and grunts, well, we specialize in the opposite. Plus, grunts have medical professionals embedded with us in the form of medics and corpsman, who are usually the best friends any troop could have. So, we sort of lump all doctors in with them.
It might be easy to assume that military veterans get out and do something similar to what they did in the military, but that’s not always true. In fact, if you do a little research, you’ll find that plenty of us get out and become artists. We’re not just talking about painting and drawing; we’re talking about music and film as well. Either way, veterans can make some damn good art.
Service members may not always be seen as the artistic types, especially not those who served in the infantry, but the truth is that we go through the military and acquire all sorts of knowledge and experience that give us the tools we need to draw d*cks everywhere make great art.
Could it be that we all have stories to tell? Perhaps, but there’s a bit more to it than that.
The things that made our life tough are great for telling stories.
(U.S. Marine Corps)
We spend lots of time going places and collecting all sorts of experiences that one might not otherwise gain from sitting around their hometown. We get to experience life from a new perspective, and it helps us go from dumb, crayon-eating 18-year-olds to dumb, crayon-eating 22-year-olds with life experience.
This gives us a lot to say and the courage and wisdom to say it.
Even this photo is a great example.
(U.S. Marine Corps photo by Sgt. Jesse Stence)
Attention to detail
In the military, if you don’t notice even the smallest details, people can get hurt. That same quality contributes to making great art — attention to even the smallest of brush strokes.
We know how to stand almost completely still for hours.
(U.S. Marine Corps photo by Lance Cpl. Damon Mclean)
We can sit down and force ourselves to focus on anything and continuously find ways to get better at it.
Standing in lines for hours is a great way to build this quality.
(U.S. Marine Corps photo by Cpl. Walter D. Marino II)
Veterans know that good things come with patience. Creating art is no exception to this rule. You simply can’t rush great work. Those that do end up with something like Justice League, and we all know how that turned out (terrible — it was terrible).
Learning to never quit is your first lesson in the military.
(U.S. Marine Corps photo by Pfc. Emmanuel Necoechea)
We don’t give up. We refuse to quit. Ask any artist and they’ll tell you that they’ve dealt with a good amount of rejection.
We’ve been trained to keep attacking an objective until we succeed.
In late December 2020, the Senate made a step forward in protecting military service members from medical malpractice at the hands of military doctors.
The 2020 National Defense Authorization Act now allows service members to file a claim for compensation if they feel they have been the victim of medical malpractice while serving in the military. This includes medical, dental, and other medicinal practices. These claims can be denied and they do not cover an attorney fees a service member might accrue while seeking legal counsel.
Although this was heralded as a huge step for service members, many legal experts and families who have experienced medical malpractice while serving in the military see it otherwise. The Feres Doctrine, which was signed into law in 1950, states that military service members cannot sue military medical doctors for malpractice, giving them little to no recourse when malpractice has been committed. The new legislature in the 2020 National Defense Authorization Act modifies this, allowing claims to now be filed, but service members still cannot sue for compensation due to malpractice.
This issue has come to head several times over the past seven decades, but recently military families have begun to fight it more furiously. Families like those of Rebekah Daniel, a Navy lieutenant who died during childbirth due to medical malpractice, cannot sue the doctor or the hospital because she was the active duty service member giving the family no compensation and no closure to losing their loved one at the hands of a medical professional.
Others like Army Capt. Katie Blanchard, who was lit on fire by a colleague of whom she had complained about as being dangerous to her and others, at the clinic in Fort Leavenworth, Kanas have no legal recourse with the government or with her superiors at the clinic due to the Feres Doctirne.
What this Means for Military Families Who Experience Medical Malpractice
In short, the new legislation put forth by the 2020 National Defense Authorization Act makes little to no change to the current Feres Doctrine that is still held into place despite Congressional hearings and Supreme Court cases that have asked for it to be overturned. Service members can file a claim against the government but as with all compensatory claims, these can be denied at the discretion of governing party which in this case, is the United States government.
In addition, this also means that there is no legal discourse for the medical professional who causes the malpractice. Military service members and their families are barred from suing medical professional meaning they are still allowed to practice medicine without any repercussions for their mistakes.
In short, service members can be seriously injured or die at the hands of military medical professionals but they nor their families have no legal recourse for justice.
Military spouses and any dependent of the military service member who receives care from a military doctor or at a military Medical Treatment Facility (MTF) can sue for medical malpractice including medical professionals, hospitals, and clinics. Military spouses and dependents do not fall under the Feres Doctrine.
In addition, a military service member can sue a civilian doctor under civilian court if a military service member is seen at a civilian hospital (which can only be done in cases of emergencies when life or limb is at risk). They still have no legal recourse, however, if a civilian medical professional is employed at a military treatment facility where they are receiving care and they experience medical malpractice at the hands of the civilian medical professional.
Why the Feres Doctrine Should Be Overturned
Medical is known by the military community to be mediocre at best. Service members frequently joke (and there are memes to prove it) they are often gaffed off when reporting an injury and told to “take a Motrin and walk it off.”
But service members don’t have much of a choice. Unlike their civilian counterparts and even their dependents, they cannot choose another doctor or hospital if the one they are visiting for treatment isn’t giving them proper care.
They do not have the resources offered to civilians to seek second opinions without paying out of pocket to do so, or to visit another facility unless prescribed by a doctor. Their choices are limited as it is and service members cannot even do their own due diligence when they feel their treatment isn’t up to basic medical standards.
And then when something dire happens resulting in further injury or death, there is no recourse. Service members are left standing between a rock and a hard place when it comes to medical malpractice, with the Feres Doctrine dumping dirt on top of them to keep them down.
When military service members sign that dotted line, they are under the understanding that they are putting themselves at risk for bodily injury and harm given the nature of their jobs. But they have a right to decent and ethical healthcare just like any other civilian. Whether an injury was sustained while in combat, in training, or unrelated to military service, military service members and their families should have the right to gain compensation when their medical case was handled improperly, especially when it causes more harm or death.
Additionally, doctors and medical professionals should be held accountable when they do not perform their duties accordingly or put a service member in more harm.
The rigors of combat leave a lasting impact on many veterans who have proudly served. As painful as it is to admit, as a society, we’ve mostly left these troops to fend for themselves and find their own path in coping and healing.
No two roads to recovery are alike, but there’s one method that’s proven, time and time again, to be an effective way for veterans suffering from post-traumatic stress to see through the haze — and that’s adopting a support animal.
Whether it’s an officially certified and properly trained service animal or just a pet that offers its unconditional love, it’s been proven that animals can get veterans through their struggles.
As many veterans who are accompanied by a support animal can tell you, a little nudge of love can make the biggest difference in the world. Such is the story of Andrew Einstein and his dog, Gunner.
And the two have been inseparable ever since.
When he was deployed in August, 2011, a grenade went off near Andrew. He suffered a traumatic brain injury and lost the hearing on his right side. The road to recovery was long, lonely, and painful. Without adequate support, Andrew went through dark times. He reached his lowest point less than ten months after the injury, and intended to end his own life.
Thankfully, he made it through the night. The very next day, he met Gunner. He wasn’t the biggest or the most energetic dog, but this little puppy didn’t want to leave Andrew’s side. Gunner chose to stick by Andrew, despite of all the hardships he’s endured.
The bond between the two grew with each passing day. Today, Andrew and Gunner participate together in various runs and obstacle courses across the country. Competition after competition, the pride Andrew has for Gunner, as he successfully navigates the various challenges, can only be described as the pride a parent has for a child.
“Service dogs allow people to live a life they otherwise wouldn’t be able to live because of whatever issue or disability they’re suffering from,” says Andrew. “It’s near impossible to do anything on your own and having a support system — whether it be one dog, a team of people, it doesn’t matter the number — if you don’t get help, you’re gonna get worse. But if you ask for help, you’ll get better. You’re still the same person, nothing changes, except your life getting better.”
Andrew found that support system in Gunner.
To learn more about Andrew and Gunner’s incredible journey — and to explore the amazing ways a service animal can impact lives — visit Nulo’s website.
On September 2nd in 1945, just 75 years ago, World War II was officially over. Many celebrated August 15th as the end of the war when Japanese Emperor Hirohito announced Imperial Japan’s surrender, but it took two more weeks until the 2nd before the surrender was formally signed. 75 years is long enough for younger generations to have no memory of the catastrophic war, but there are still people alive today who experienced it firsthand.
On August 6th, 1945, the first atomic bomb was dropped on Hiroshima. Just three days later, a second detonated over Nagasaki. In total, more than 200,000 people were killed by the explosions, with thousands more experiencing long-term effects. Those who survived will never forget the experience. So what is it really like to be hit by a nuclear weapon and live? Let’s find out.
It starts out with a flash.
When an atomic bomb detonates, it goes through predictable stages. Nuclear bombs work by setting off a rapid chain reaction. Uranium undergoes the process of fission, which releases an almost incomprehensible amount of energy. About 35% of this energy is released as thermal radiation. Because thermal radiation travels at roughly the speed of light, a bright flash is the first thing one experiences after a nuclear bomb is dropped. We’re talking blinding. The initial flash is so bright, it can cause temporary blindness. Even closing your eyes isn’t complete protection. Larger nuclear weapons, which do exist in present-day, could cause flash blindness in people over 50 miles away.
The blinding light is accompanied by intense heat.
It’s not called thermal radiation for nothing. After the blinding flash, there’s a blast of intense heat. At the direct site of the explosion, the temperature can hit over 300K degrees C, visible as a massive fireball. At this temperature, which is about 300 times hotter than the temperature used for cremation, humans are instantaneously turned from people into basic elements. Just about everything within a 1-mile radius of the city of Hiroshima was completely flattened. The farther you are from the blast, the more likely you are to survive, but you’re unlikely to escape completely unscathed. First-degree burns can occur up to 6.8 miles away. Get just 2 miles closer and you’re at risk for life-threatening third-degree burns.
Wearing white might reduce effects.
Donning a wedding dress won’t save you if you’re in the middle of the blast, but it might help if you’re a few miles away. White clothing reflects some of the thermal energy while dark clothes absorb it, so you may be a little better off if you’re wearing light-colored clothing than if charcoal is your favorite color.
If you’re further away, pressure waves can still get you.
When a nuclear bomb explodes, it releases light and heat energy, but it also pushes air away from the initial explosion site with a tremendous amount of force. This creates a change in air pressure so intense that the wind can collapse buildings and crush most objects in its path. Within a half-mile of the blast, wind speeds can get as high as 470 mph. While you could potentially survive the force itself, the buildings around you most likely would not.
The world around you will resemble a scene from a horror film.
Shockingly, survival close to ground zero is possible. When Hiroshima and Nagasaki were dropped, some people were sheltered by the sturdy walls of banks or basements. The reports of those who did survive paint a very dark picture. Your hair is likely to be literally fried, and your clothes charred to rags. The people who were outside at the time of the blast are either severely burned or dead- with some of the deceased catching fire in the streets. Farther from the explosion, more people will lie injured or dead from glass and other projectiles. Human shadows are marked permanently on the ground and any walls left standing.
If you survive, you may feel the side-effects for the rest of your life.
Radiation poisoning caused a significant number of deaths in the weeks following the bombings of Hiroshima and Nagasaki. The effects of radiation are varied, ranging from milder symptoms like gastrointestinal distress, fever, headaches, and hair loss to death. Because radiation can cause a drop in the number of blood cells produced, wounds heal more slowly than normal. Even after you recover, your risk of cancer and other illnesses usually associated with age will be heightened.
A terrifying image, but an important lesson.
While the end of a war is always a reason to rejoice, the hundreds of thousands of lives lost at the hands of fellow mankind was an atrocity. The survivors have memories darker than most of us can imagine. Disturbingly, we now have the power to create an explosion larger than Hiroshima and Nagasaki combined. The largest bomb ever tested was the 50 megaton Tsar bomb, which released the equivalent energy of over 3,300 Hiroshima bombs.
Fortunately, our international agreements should prevent such catastrophic warfare from ever taking place. To learn more about what it was really like to experience a nuclear explosion, Time interviewed survivors who can tell you the real story.