The CIA has released a trove of unclassified files related to unidentified flying objects, or UFOs. Comprising more than 700 documents dating back to 1976, the CIA files reveal information about worldwide sightings of Unidentified Aerial Phenomena, or UAPs, which is the government term for UFOs.
The cache of documents is available for download at The Black Vault, an online archive that for years has been publishing declassified government UFO files, along with other declassified documents.
The Black Vault’s founder, John Greenewald Jr., has been filing Freedom of Information Act, or FOIA, requests with the CIA since 1996 — when he was only 15 years old — to gain access to the full sweep of the intelligence agency’s secret UFO files. The CIA ultimately compiled what it claimed was the sum total of its declassified UFO files onto a CD-ROM. Greenewald received a copy and posted it all online.
“Research by The Black Vault will continue to see if there are additional documents still uncovered within the CIA’s holdings,” Greenewald said in a statement posted on his website.
An online clearinghouse for US government records, The Black Vault has reportedly filed some 10,000 FOIA requests to amass a total of 2.2 million pages of material for its archives. Those records cover a broad range of topics, spanning the gamut from the CIA’s UFO files to military programs, law enforcement investigations, and political correspondence. The site even includes a repository of US government documents related to cloning and mind control.
The CIA allegedly opened up its complete UFO archive last year, adding to the number Greenewald had already collected. The Black Vault’s online archive now includes all the CIA UFO files Greenewald has amassed over his years of research. Despite the mountain of material now available for free public download, Greenewald has speculated that there’s still more the CIA has not yet declassified.
“Although the CIA claims this is their ‘entire’ collection, there may be no way to entirely verify that,” Greenewald wrote in a post on The Black Vault’s website. “Research by The Black Vault will continue to see if there are additional documents still uncovered within the CIA’s holdings.”
A 2009 CIA response to one of Greenewald’s FOIA requests stated that there were still classified documents related to UAPs that could not be publicly released. In the letter, the CIA cited the need to protect its intelligence collection methods and the identity of its personnel.
Online publication of The Black Vault’s UFO archive comes ahead of a June deadline for the Pentagon to release all of its UFO files to Congress — a provision attached to the $2.3 trillion COVID-19 relief bill that passed in December.
The mandate requires the director of national intelligence and the secretary of defense to compile an unclassified report on UAPs for congressional intelligence and armed services committees. In an addition to the unclassified portions, the report will include a classified annex — a provision that likely means any explosive information will remain hidden from public view.
While many of Greenewald’s CIA files mention the terms UFO or UAP in passing or out of context, there are, buried within the reams of photocopied pages, some interesting clues about the US government’s longstanding interest in the matter. For example, an April 1976 report cites a request by an unknown CIA official (the name is redacted) for the CIA’s assistant deputy director for science and technology to “see if he knew of any official UFO program and also to answer some of the questions posed by [name redacted].”
Regarding UFO research, the CIA document says that the assistant deputy director for science and technology “feels that the efforts of independent researchers…are vital for further research in this area.”
“At the present time, there are offices and personnel within the agency who are monitoring the UFO phenomena, but again, this is not currently on an official basis,” the 1976 CIA document states, adding: “Any information which might indicate a threat potential would be of interest, as would specific indications of foreign developments or applications of UFO research.”
A Sept. 23, 1976, document includes the subject line: “To immediate director – with personal request to investigate UFO sighted in Morocco.” Another file recounts Russian news reports about UFO sightings at the time of a “mysterious blast” in the Russian town of Sasovo in 1991. According to the CIA document, which includes an English translation of the Russian news report, some residents of Sasovo observed a “fiery sphere” in the sky prior to a “highly powerful explosion” that ripped off roofs and broke windows.
In April, the Department of Defense released three videos — one from 2004 and two from 2015 — taken by US Navy pilots showing what the military defines as UAPs.
The revelation of these unexplained aerial encounters sparked speculations in some quarters about the possibility of extraterrestrial life operating vehicles in Earth’s atmosphere. Yet, lawmakers in Washington are more concerned that these events could, in fact, be evidence of America’s adversaries putting advanced new weapons into action — including over US soil.
A group of US senators has drafted an order for the director of national intelligence to report to Congress about what UAP encounters have already been recorded and how that information is shared among US agencies. The report calls for a standardized method of collecting data on UAPs and “any links they have to adversarial governments, and the threat they pose to U.S. military assets and installations.”
The report also calls for the director of national intelligence, or DNI, to prepare a report for Congress on the sum total of reported UAPs. The report instructs the DNI to report to Congress “any incidents or patterns that indicate a potential adversary may have achieved breakthrough aerospace capabilities that could put United States strategic or conventional forces at risk.”
Dillon’s tweet is clearly in reference to the Pentagon’s claim that Russian airstrikes targeted the U.S.-backed, Kurdish-led SDF in Deir Ezzor east of the Euphrates River.
“Russian munitions impacted a location known to the Russians to contain Syrian Democratic Forces and coalition advisers,” the Pentagon said in a statement. “Several SDF fighters were wounded.”
No U.S. advisers embedded with SDF were hit, but a U.S. official told CNN that U.S. special operators were only a couple miles away from the location where the Russian airstrikes hit. The U.S. is still exploring the possibility that the strike was merely an error by the Russians, as opposed to a deliberate attack.
Russia shot back Sunday denying the Pentagon’s claim, stating instead that Russia only targets Islamic State fighters.
Both the SDF and Syrian Army have been in a race to take back Deir Ezzor from ISIS. While SDF was working on retaking Raqqa, Russian airstrikes backed the Syrian Army in breaking ISIS’ three-year-long siege on Deir Ezzor. Following Syrian Army advancements on Deir Ezzor, SDF quickly moved 86 miles south-east to the city from Raqqa, announcing Saturday it was launching a new offensive from the north and east, just as the Syrian Army is making major strides from the west.
Patriotic rock band Madison Rising and the Navy SEAL Foundation announced a unique partnership with the release of Madison Rising’s new song, “Men of Steel.” Madison Rising is donating 50% of the proceeds from the song to the Foundation in support of its mission of service to the Naval Special Warfare (NSW) community.
“Men of Steel” is a new rock anthem that pays tribute to all those who serve.
The song is a special collaboration that started when Madison Rising approached the NSF in 2019 about a potential partnership. “I had always wanted to figure out a way to have music support our mission at the Foundation, and Madison Rising was an ideal partner to make that happen,” said Chris Irwin, Director of Partnerships for the NSF in a press release.
As a result, Madison Rising worked with the Navy SEAL Foundation to write a song about teamwork, camaraderie and the service member experience, that directly supports those it honors. “By donating half of all proceeds on this song to the Foundation, Madison Rising is committing itself to not only raising awareness about our mission, but also raising funds to help us execute that mission,” Irwin stated.
Madison Rising’s mission is to honor veterans, first responders, and active-duty military members by making great rock music that reinforces true American values. This collaboration with the Navy SEAL Foundation is the latest initiative in support of that mission. The band is led by Rio Hiett, a retired Master Sergeant who served in the Air Force, “Madison Rising is on a mission to honor our military however possible and we know this song will have an incredible impact on the community,” he said. The band is well known for hard-charging, patriotic performances at venues including NFL games, NASCAR, and other special events.
“I started singing back in high school with producer and friend, Andrew Lane, in Muscle Shoals, Alabama,” Hiett told WATM. “This is where the love of performing and creating was started and as he went on to become a Grammy Award winning part of Atlanta’s and L.A.’s R B movement, I chose the route of military service.
I spent 20 years as an Air Force AMMO troop, having served half on active duty and half in the air guard.” Hiett served in several operations, including Allied Force, Iraqi Freedom and Enduring Freedom. “I spent nearly 3 years deployed to the AOR and lost that time with my oldest son Dante’,” Hiett said. “I felt he endured the impact of the deployments far more than anyone else in the family. From the moment I became the frontman for Madison Rising, I had always wanted to have my son be a part of something meaningful. He plays the drums and this was an incredible opportunity to have him be a part of a song [Men of Steel], that has the potential to go a long way in the veteran community.”
Hiett continued, “We were able to team up with Chet Roberts of 3Doors Down and record the song down in their studio in Nashville at Rivergate Studios. SEAL Chris Irwin was also a huge part of the track as it was brought forth from his original idea as we collaborated, rearranged/rewrote, then recorded. So at this point in time, I am incredibly proud of this song, the meaning behind the song and how it was created, but mostly that my son is a huge part of something so amazing.”
Madison Rising has shared the stage with rock legends Aerosmith, Lynyrd Skynyrd, Toby Keith, Weezer and many others, and they have a large following among veterans and first responders.
About the Navy SEAL Foundation:
The Navy SEAL Foundation’s mission is to provide immediate and ongoing support and assistance to the Naval Special Warfare (NSW) community and its families. The Foundation stands behind these warriors and their families by providing a comprehensive set of programs specifically designed to improve health and welfare, build and enhance resiliency, empower and educate families, and provide critical support during times of illness, injury, or loss. Like the community it serves, the Navy SEAL Foundation is a high-performing organization committed to excellence. It has received eight consecutive 4-Star ratings from Charity Navigator and it is one of less than 70 charities, from among more than 9,000, to have earned a perfect score of 100 for financial health, accountability and transparency, placing it in the top 1% of all rated charities.
For more information, please visit: www.navySEALfoundation.org.
In the worst military overreaction since the Faber College ROTC pledge pin incident of 1962, the Tennessee National Guard’s adjutant general announced April 18, 2018, that everyone involved in a recent viral video of a kooky reenlistment ceremony would have their careers wrecked, because that’s how you honor our military traditions, dammit.
The controversy revolved around an Air National Guard master sergeant in the Volunteer State who took her oath of reenlistment with a tyrannosaurus rex hand puppet mouthing her words. The internet being the internet, video of the ceremony got around, and some watchers decided it just wasn’t in keeping with the highest traditions of service… unlike all that readily available online imagery of service members reenlisting as imperial stormtroopers; at gunpoint; underwater; in gas chambers; in GameStops; or with rigged-up explosions behind them.
Unlike all those clearly well-intentioned, lighthearted reenlistments, this sinister dino-puppet thing “goes against our very foundation,” according to the Air National Guard’s commanding general. That grave assessment led to this not-at-all bonkers Facebook post from Maj. Gen. Terry M. Haston, the Tennessee Guard’s top cheese, announcing that the master sergeant with the puppet, the colonel who administered the oath to her, and the NCO who acted as cameraman are all fucked, absolutely and utterly fucked (emphasis added):
I am absolutely embarrassed that a senior officer and a senior NCO took such liberties with a time-honored military tradition. The Tennessee National Guard holds the Oath of Enlistment in the highest esteem because that oath signifies every service member’s commitment to defend our state, nation and the freedoms we all enjoy. Not taking this oath solemnly and with the utmost respect is firmly against the traditions and sanctity of our military family and will not be tolerated…
Over the past few days, the leadership of the Tennessee National Guard has conducted a thorough investigation of the event with the following results:
The Colonel (O-6) administering the oath was immediately retired at the rank of Lieutenant Colonel (O-5).
The Senior NCO taking the oath has been removed from her full-time position with the Tennessee Joint Public Affairs Office and other administrative actions are underway.
The Senior NCO who recorded the event has been removed from his position as a unit First Sergeant and has received an official reprimand, but will be retained in the Tennessee Air National Guard…
Let’s get this straight: A colonel was reduced in rank and sent packing, a senior enlisted leader who was reupping is now being drummed out, and the dude with the camera lost his billet and career momentum. Because of a dinosaur hand puppet.
John Hetlinger left the Navy pilot ranks for aerospace engineering. He succeeded in that field, working for NASA on the Hubble Space Telescope for NASA before retiring in his late 60s.
That’s when he got into karaoke, singing at karaoke bars in pleated shorts and pants and nice polo shirts. He’s apparently got a thing for polos with toucans, which is kind of sweet.
Oh, but the songs he sings are heavy metal, and Drowning Pool’s “Bodies” appears to be one of his favorites to perform:
That’s Hetlinger on his recently aired episode of “America’s Got Talent” where he wowed the judges with his performance. You can see Hetlinger perform a longer version of the song, where he includes some profanity, in this 2014 show from when he was a spry 80 years old.
While shopping privileges exclude the purchase of uniforms, alcohol and tobacco products, it includes the Exchange Services’ dynamic online retail environment known so well to service members and their families. This policy change follows careful analysis, coordination and strong public support.
“We are excited to provide these benefits to honorably discharged veterans to recognize their service and welcome them home to their military family,” said Peter Levine, performing the duties for the under secretary of defense for personnel and readiness.
“In addition, this initiative represents a low-risk, low-cost opportunity to help fund Morale, Welfare and Recreation programs in support of service members’ and their families’ quality of life. And it’s just the right thing to do,” Levine added.
The online benefit will also strengthen the exchanges’ online businesses to better serve current patrons. Inclusion of honorably discharged veterans would conservatively double the exchanges’ online presence, thereby improving the experience for all patrons through improved vendor terms, more competitive merchandise assortments, and improved efficiencies, according to DoD officials.
“As a nation, we are grateful for the contributions of our service members. Offering this lifetime online benefit is one small, tangible way the nation can say, ‘Thank you’ to those who served with honor,” Levine said.
NOW WATCH: Pentagon considers lifetime access to Exchange system for vets
Several Naval Academy alumni have asked the alumni association to rescind an award planned for former U.S. Sen. James Webb because of his decades-old essay questioning the decision to admit women into military service academies.
Webb, who also served as Secretary of the Navy, wrote the 7,000-word essay “Women Can’t Fight” for Washingtonian Magazine in 1979.
“There is a place for women in our military, but not in combat. And their presence at institutions dedicated to the preparation of men for combat command is poisoning that preparation,” Webb wrote.
He called the dormitory Bancroft Hall “a horny woman’s dream” and quoted former male alumni arguing that attending the academy is “scarring many women in ways they may not comprehend for years.”
The essay has been described by several alumni as a “manifesto” that potentially empowered male midshipmen to harass their female counterparts.
Retired Navy Cmdr. Laureen Miklos, a 1981 graduate, wrote in an email that the decision by the Naval Academy Alumni Association to give its Distinguished Graduate Award to Webb was “a hit to the gut.” She taught at the academy from 1998 to 2001 and described Webb’s essay as a “living document” still referenced by mids.
Miklos wrote the Annapolis-based association, arguing Webb’s essay validated those who thought women didn’t belong at the academy. She recalled an upperclassmen ordering a female classmate during her time at the academy to stand at attention at meals and shout “I am not a horny woman, Sir.”
Webb plans to be be present Friday when the association holds its Distinguished Graduate Award Ceremony. The award is given to alumni who have “personal character which epitomizes the traits we expect in our officer corps” and have made “significant contributions” as officers or leaders in industry or government.
Webb, who graduated from the academy in 1968, served as a rifle platoon and company commander during the Vietnam War. He earned the Navy Cross for “extraordinary heroism” and two Purple Hearts for injuries that ended his active-duty career.
Webb released a statement to The Capital on March 27, 2017, saying he wrote a “strongly argumentative magazine article” during the intense national debate of women serving in combat.
“Clearly, if I had been a more mature individual, there are things that I would not have said in that magazine article,” he wrote in the statement. “To the extent that this article subjected women at the academy or the armed forces to undue hardship, I remain profoundly sorry.”
But Webb, who ran a brief campaign for the presidency as a Democrat in 2016, said he doesn’t regret debating the “long-term process of properly assimilating women” into the military. He said he is “deeply proud” of the contributions he made as Secretary of the Navy and a senator from Virginia. He cited the Navy-wide study he commission as secretary, which he said “opened up more positions to women than any secretary in history.”
Retired Adm. Robert Natter, chairman of the Board of Trustees for the association, said in a statement that Webb’s most recent comments “reflect how his views have evolved since that article 38 years ago.” Natter said Webb was selected by an independent selection chaired by retired Adm. Mike Mullen, a classmate of Webb’s and a former chairman of the Joint Chiefs of Staff.
“His many years of service are a matter of very public record, and on that entire record he was selected as a Distinguished Graduate,” Natter wrote.
Retired Capt. Jack Reape, a 1984 graduate, said an upperclassmen handed him a copy of the essay as a plebe. Reape said he and his classmates didn’t “support the women at the academy” during his time but that has since apologized to several of his female classmates.
Reape said he doesn’t see the point of taking the award from Webb because he “couldn’t name anyone else on that list.” He also said the award doesn’t have a big impact.
“He wouldn’t have been on my list of people,” Reape said. “We were in the Navy, we’re used to things not going to our way and pressing on. It’s the way it goes.”
Kelly Henry, a 1984 graduate, also wrote the association with criticism of the award. Henry said Webb’s essay was highly-circulated while she was in Annapolis and it caused “harm” to many of her classmates.
“The women will tell you that article was like throwing gasoline on the fire,” she said.
Henry said she was one of the “lucky” ones during her time at the academy and was in a company that welcomed the female mids. She said she was surprised to see Webb honored with the award, since 2016 marked the 40th year of women attending the Naval Academy.
She attended the academy’s celebration in the fall.
“At that celebration I felt we were embraced in the community,” Henry said. “We are no longer seen as something that tainted it, but now to see this? It completely takes away that feeling.”
Other 2017 Distinguished Graduates
—Retired Adm. Harry D. Train II ’49 — Train served as NATO supreme allied commander Atlantic and was also commander of the U.S. Atlantic Fleet from 1978 to 1982. He retired in 1982 and became involved in civic affairs in Hampton Roads, Virginia.
— Milledge A. “Mitch” Hart ’56 — Hart is the founder/co-founder of seven companies. After serving as a Marine in Oklahoma and Okinawa, he worked with alumnus Ross Perot to found Electronic Data Systems, a information technology equipment and services company. He later co-founded Home Depot, which became the second-largest retailer in the country.
—Retired Vice Adm. Cutler Dawson ’70 — Dawson is president and CEO of the Navy Federal Credit Union and was in the Navy for about 35 years. Under Dawson, the Enterprise Battle Group conducted strikes for Operation Desert Fox in the Arabian Gulf and Operation Allied for in the Adriatic Sea. He retired from the military in 2004 and became president of the Vienna, Virginia-based credit union.
—Retired Adm. Eric T. Olson ’73 — Olson is the former commander of the U.S. Special Operations Command. He’s the first Navy SEAL to reach three- and four-star rank and the first naval officer to lead Special Operations Command. He retired in 2011 after serving for 38 years. After retiring, he founded ETO Group, an independent national security consulting firm.
US Air Force weapons developers plan to begin a new phase of construction and development for the emerging Long-Range Standoff Weapon in 2022, a move that will bring a new nuclear-armed, air-launched cruise missile closer to operational status amid fast-growing global nuclear weapons tensions, service officials said.
Due to emerging nuclear weapons threats, the Air Force now envisions an operational LRSO by the end of the 2020s — as opposed to prior thoughts that it may not be ready until the 2030s.
“The decision to move into the Engineering and Manufacturing Development phase is on track for 2022,” Maj. William Russell, Air Force spokesman, told Warrior Maven.
US Air Force weapons developers believe the emerging nuclear-armed Long-Range Stand-Off weapon will enable strike forces to attack deep within enemy territory and help overcome high-tech challenges posed by emerging adversary air defenses.
Early prototyping and design work is already underway with Air Force industry partners, Raytheon and Lockheed, now working on a $900 million Technology Maturation and Risk Reduction deal with the service.
Air Force officials tell Warrior Maven the developing LRSO is, by design, closely aligned with the Pentagon’s recently released nuclear weapons review.
“The Nuclear Posture Review reaffirms LRSO is critical to the airborne leg of the nuclear triad,” and “…will maintain into the future the bomber force capability to deliver stand-off weapons that can penetrate and survive advanced integrated air defense systems, thus holding targets at risk anywhere on earth,” Russell said.
The LRSO will provide an air-launched component to the Pentagon’s current wish to expand the attack envelope possibilities for its nuclear arsenal; the NPR calls for the addition of a new low-yield submarine-launched nuclear-armed cruise missile. The move is described by Defense Secretary James Mattis as an effort to further deter potential Russian aggression and bring them back into compliance with the INF Treaty.
These developments are receiving additional attention in light of Russian President Vladimir Putin’s inflammatory remarks about new Russian nuclear weapons.
A cruise missile armed with nuclear weapons could, among many things, potentially hold targets at risk which might be inaccessible to even stealth bombers, given the growing pace at which modern air defenses are able to detect a wider range of aircraft — to include the possibility of detecting some stealth bombers.
As a result, senior Air Force leaders continue to argue that engineering a new, modern Long-Range Standoff weapon with nuclear capability may be one of a very few assets, weapons or platforms able to penetrate emerging high-tech air defenses. Such an ability is, as a result, deemed crucial to nuclear deterrence and the commensurate need to prevent major-power warfare.
Therefore, in the event of a major nuclear attack on the US, a stand-off air-launched nuclear cruise missile may be among the few weapons able to retaliate and, as a result, function as an essential deterrent against a first-strike nuclear attack.
The LRSO will be developed to replace the aging AGM-86B Air Launched Cruise Missile or ALCM, currently able to fire from a B-52. The AGM-86B has far exceeded its intended lifespan, having emerged in the early 1980s with a 10-year design life, Air Force statements said.
Unlike the ALCM which fires from the B-52, the LRSO will be configured to fire from B-52 and B-21 bombers as well, service officials said; both the ALCM and LRSO are designed to fire both conventional and nuclear weapons.
Despite some earlier discussion about the weapon being integrated into the B-2 bomber, Russell said there are no current plans to arm the B-2 with the LRSO at the moment.
While Air Force officials say that the current ALCM remains safe, secure, and effective, it is facing sustainment and operational challenges against evolving threats, service officials also acknowledge.
UrselD: How did the Stan Lee cameo in the Marvel movies thing start?
Born Stanley Martin Lieber almost a century ago in 1922, the man who would become far better known by his pen name, Stan Lee, was born into a family of very modest means with Stan, his brother, and Romanian immigrant parents sharing a single room apartment in New York during the 1930s.
As Lee would recall, “I grew up in New York City during the Depression. My earliest recollections were of my parents, Jack and Celia Lieber, talking about what they would do if they didn’t have the rent money. Luckily, we were never evicted. But my father was unemployed most of the time. He had been a dress cutter, and during the Depression, there wasn’t much need for dress cutters. So I started working when I was still in high school. I was an office boy, I was an usher, I wrote obituaries for celebrities while they were still alive. Lots of jobs.”
Showing an interest in writing from his teens, Lee’s mother was his #1 fan at that time, “She thought I was the greatest thing on two feet. I’d come home with a little composition I had written at school and she’d look at it and say, “It’s wonderful! You’re another Shakespeare!” I always assumed I could do anything. It really is amazing how much that has to do with your attitude.”
Stan Lee in “Ant-Man and the Wasp.”
In 1939 at the age of 17, Lee landed a job with a company owned by his cousin, Jean Goodman’s, husband, Martin Goodman. The company was called Timely Publications. While the pay wasn’t much, a mere per week (about 7 today), it was potentially a path to a professional writing gig, though not quite the one he originally envisioned for himself.
When I got there, I found out that the opening was in the comic book department. Apparently, I was the only guy who had applied for the job. I figured it might be fun. So I became a gofer — there were only two guys, Joe Simon, the editor, and Jack Kirby, the artist. They were the creators of Captain America, and that’s what they were working on at the time. I would fill the inkwells, go down and buy lunch, and erase pages and proofread.
Two years into the job, he was finally granted a chance to write filler text in the 1941 Captain America #3 comic. Called, Captain America Foils the Traitor’s Revenge, the story, along with being warmly received by fans, introduced the idea of Captain America being able to throw and ricochet his trademark shield, now a defining aspect of the character. It was also the first comic in which Lieber, as he was then known, wrote under the pseudonym Stan Lee. According to Lee, he chose not to write under his then real name since he still hoped to one day write “proper literature” and had dreams of writing the “great American novel”. Thus, he didn’t want his name to be sullied by his work in comics.
Plans changed, however, when he randomly got a promotion to head editor of the comic department at just 19 years old.
[Simon and Kirby] were fired for some reason. Martin had no one to run the department. He said to me, “Can you do it?” I was . When you’re , what do you know? I said, “Sure, I can do it.” Martin must have forgotten about me, because he just left me there. I loved it. I was so young, it was sometimes embarrassing. Someone would come into the office and see me there and say, “Hey, kid, can I see the editor?”
At this point, in order to give the illusion of a large staff, Lee took to using a variety of other pseudonyms as well.
In 1942, a temporary editor was hired while Lee served in the US Army with the Signal Corps. He never saw combat, instead working at repairing communications equipment and later writing field manuals and military slogans as a part of the Training Film Division. Also in that division were the likes of Frank Capra, Theodor Geisel (Dr. Seuss), and the creator of The Addam’s Family, Charles Addams.
Despite being in the army, Lee still kept up with his work at Timely as best he could from afar, with weekly letters mailed to him explaining exactly what he needed to produce content for that week. Once he was done, he’d mail it back.
Lee’s service ended in 1945 and he went back to Timely full time.
It was two years later that Lee, with an awkwardness befitting a man who would come to create the characters nerds the world over would grow to love, Lee met and wooed his future wife.
There are conflicting accounts on whether one of Lee’s friends dared him to ask out some red headed model or his cousin set him up on a blind date with said model. Either way, Lee went to her office to see about that date. However, when he arrived and knocked at the door of the modeling agency, the woman who answered was someone completely different — a hat model from England by the name of Joan Boocock. Joan had come to America after marrying one Sanford Dorf, who had been serving in the UK during the war.
Stan Lee in “Doctor Strange.”
Stunned when he saw her, rather than play it cool, instead Lee apparently almost immediately professed his undying love for her, and then followed this awkward exchange up by telling her he’d had her face in his mind and been drawing it since he was a kid… (According to Lee, this wasn’t any sort of cheesy line, but the absolute truth.)
Rather than finding any of this weird or creepy, despite being married at the time, Joan agreed to go out on a date with Lee. As to why, despite by her own admission being in a happy marriage, she found it completely boring. (I guess as you’d expect from marrying someone named Sanford Dorf.)
But Stan Lee, she states, “He wore a marvelous floppy hat and scarf and spouted Omar Khayyam [an 11th/12th century Persian poet] when he took me for a hamburger at Prexy’s. He reminded me of that beautiful man, [British actor] Leslie Howard.”
As for Lee, he said he knew right on his first date he wanted to marry Joan. Two weeks later, not caring in the slightest that she was already married, he proposed and she said yes.
The problem was that she now needed a divorce, which was prohibitively difficult in New York at the time. Where there is a will, there’s a way, however, and she simply moved to Reno temporarily. You see, in Reno, you only needed to live there six weeks before you could file for divorce in the area, and the judges there were much more accepting of such.
However, during her time in Reno, being a beautiful young model and all, suitors flocked to her like the salmon of Capistrano. With Lee back in New York and their relationship not exactly built on a firm foundation, Lee said at one point he got a letter from Joan with the implication being she was thinking of breaking off their whirlwind courtship.
Not going to give her up without a fight, Lee took a trip to Reno and convinced her he was the love of her life and she his. The two then got married in Reno on the same day she got a divorce, and by the same judge who granted it, mere minutes after the divorce papers were signed.
While you might think such a relationship was doomed to end in failure. In fact, the couple spent the next 69 years together, before Joan’s death in 2017 at the age of 95.
Stan Lee in “The Amazing Spider-Man.”
Said Lee of Joan in their twilight years together, “My wife and I are really so close. And yet, I’m not sure if she’s ever read a story I wrote. She’s not into comics at all.”
Going back to Stan Lee’s career, as for Timely’s strategy in those days, it was essentially just copy whatever the competition was doing.
Martin was one of the great imitators of all time. If he found that a company had Western magazines that were selling, he would say, “Stan, come up with some Westerns.” Horror stories, war stories, crime stories, whatever. Whatever other people were selling, we would do the same thing. I would have liked to come up with my own stuff, but I was getting paid.
This all changed, ironically, from copying someone again–
Martin mentioned that he had noticed one of the titles published by National Comics seemed to be selling better than most. It was a book called Justice League of America and it was composed of a team of superheroes… “If the Justice League is selling, he spoke, “Why don’t we put out a comic book that features a team of superhereos?”
At this point in his career, Lee had grown weary of writing comics, seeing the medium as stagnant and devoid of interesting characters. He was, in fact, planning on quitting.
That’s when Joan told him he should take the opportunity in trying to copy the Justice League concept to create the character’s he’d find interesting. Lee says she stated, “Why not write one book the way you’d like to, instead of the way Martin wants you to? Get it out of your system. The worst thing that will happen is he’ll fire you — but you want to quit anyway.”
Simultaneously, Lee states, “[My wife] Joan was commenting about the fact that after 20 years of producing comics I was still writing television material, advertising copy, and newspaper features in my spare time. She wondered why I didn’t put as much effort and creativity into the comics as I seemed to be putting into my other freelance endeavors… [Her] little dissertation made me suddenly realize that it was time to start concentrating on what I was doing — to carve a real career for myself in the nowhere world of comic books.”
Lee then decided,
For just this once, I would do the type of story I myself would enjoy reading…. And the characters would be the kind of characters I could personally relate to: they’d be flesh and blood, they’d have their faults and foibles, they’d be fallible and feisty, and — most important of all — inside their colorful, costumed booties they’d still have feet of clay.
While this might all seem pretty normal today, at the time in the superhero genre it was groundbreaking. Said Lee, “That’s what any story should have, but comics didn’t have until that point. They were all cardboard figures….”
The product of this was The Fantastic Four. The results surpassed his wildest expectations.
We had never gotten fan mail up until that point… Sometimes we might get a letter from a reader that would say, “I bought one of your books and there’s a staple missing. I want my dime back.” And that was it. We’d put that up on the bulletin board and say, “Look! A fan letter!” Suddenly, with Fantastic Four, we really started getting mail…”We like this… We don’t like that… We want to see more of this.” That was exciting! So I didn’t quit… After that, Martin asked me to come up with some other superheroes… And we stopped being a company that imitated.
With business booming, Lee states, “[We] realized we were onto something. I figured we needed a new name, because we were not the same company we had been. I remembered the first book Martin published when I started there was called Marvel Comics. It had the Human Torch and the Sub-Mariner, and it was very successful. Why don’t we call the company Marvel? There are so many ways you can use that word in advertising. I came up with catch phrases like ‘Make mine Marvel’ and ‘Marvel marches on!'”
At this point while Martin was open to giving Lee fairly free rein, he still had his limits, which was a problem for Spider-Man, who Lee dreamed up as follows:
The most important thing in those days was the cover. All these books were on the newsstand, and you had to hope your cover would compel somebody to buy the book. And everything depended on the name. A character like Hurricane was a guy who ran very fast. Later on, when I was looking for new superheroes, it occurred to me that somebody crawling on walls would be interesting. I thought, Mosquito Man? It didn’t sound very glamorous. Fly Man? I went down the list and came to Spider-Man. That was it.
The concept of Spider-Man, however, was a little too far out.
Stan Lee in “Spider-Man.”
[Martin] didn’t want me to do it. He said I was way off base. He said, “First of all, you can’t call a hero Spider-Man, because people hate spiders.’ I had also told him I wanted the hero, Peter Parker, to be a teenager, and he said, “A teenager can’t be the hero… teenagers can just be sidekicks” Then when I said I wanted Spider-Man to have a lot of financial problems and family worries and all kinds of hang-ups, he said, “Stan, don’t you know what a hero is? That’s no way to do a heroic book!” So he wouldn’t let me publish it.Later, we had a book that we were going to cancel. We were going to do the last issue and then drop it. When you’re doing the last issue of a book, nobody cares what you put into it, so — just to get it off my chest- I threw Spider-Man into the book and I featured him on the cover. A couple of months later when we got our sales figures, that had been the best-selling book we’d had in months. So Martin came in to me and said, ‘Do you remember that Spider-Man character of yours that we both liked? Why don’t you do a series with him” After that, it was much easier… Whatever I came up with, he okayed. After that, came The X-Men and Daredevil and Thor and Dr. Strange… and the rest. The books did so well that I just gave up all thoughts of quitting.
With business booming, Martin decided to sell the company, with Perfect Film and Chemical aquiring Marvel in the late 1960s. Not long after that, Lee got a promotion,
[They] made me the president and even chairman. But I was never a businessman. I remember when the board asked me to come up with a three-year plan for the company. I said, “Guys, I don’t know how to predict where we’ll be in three years. I don’t even know what I’m going to have for breakfast tomorrow.” I resigned as president after about a year. I mean, I can add and subtract, but I hate to read sheets of numbers. I like to write stories.
This brings us finally to the cameos and how that whole thing got started.
His first cameo of sorts was text only, occurring in an All-Winners comic in 1941 where various characters petition Lee to add more characters. Next up, Wayne Boring and Hank Chapman decided to put their boss in the 1951 Astonishing #4.
Where the cameos really became a thing though started in 1963, when Lee and his long-time collaborator, Jack Kirby, appeared in The Fantastic Four #10 in which the pair are featured on the cover, as well as inside. On the cover, it shows the duo with Lee saying, “How’s this for a twist Jack? We’ve got Doctor Doom as one of the Fantastic Four!!” With Kirby adding, “And Mister Fantastic himself as the villain!! Our fans oughtta flip over this yarn!!”
Stan Lee in “Captain America: The Winter Soldier.”
Beside them, it also states, “In this epic issue surprise follows surprise as you actually meet Lee and Kirby in the story!! Plus a gorgeous pin-up of the invisible girl!”
As for inside the issue, it has Doctor Doom demanding that Lee and Kirby get the Fantastic Four to walk into a trap, which they then do.
Said Lee of this sort of thing, “The artists back then would draw me in as a joke or just to have fun. And I would put some dialogue balloons there and it looked as if I intended it. I didn’t try to do cameos in those days.”
But fans loved it, as well as the chance to get to know the people behind the comics, which were featured in a section of their own as well. The point of all of this, along with the little quips and notes in various areas was, according to Lee, “[For] the reader to feel we were all friends, that we were sharing some private fun that the outside world wasn’t aware of.”
From here the occasional cameo caught on, with Lee stating, “Anything that seemed fun and anything that the readers seemed to enjoy we kept doing and those things brought in a lot of fan mail. And we weren’t doing movies or television, our whole existence depended on comic books, so if you see that something is interesting to the fans you stay with it.”
Since then Lee, and to a lesser extent Kirby (who was notably more camera shy), appeared numerous times across many forms of media. These cameos range from simple background characters in comics bearing Lee’s likeness to full on self-referential roles in Marvel’s numerous works. The most egregious example of the latter is arguably the 1990s Spider-Man cartoon in which Spider-Man is transported to the “real” world via magical comic shenanigans and meets Stan Lee, who reveals that he created Spider-Man and spends some time conversing with his creation before being left stranded on a roof.
Moving on to Lee’s first cameo in video form, this appeared in the 1989 The Trial of the Incredible Hulk where Lee appears in the jury at the trial.
Arguably Lee’s most unusual cameo is one in a property owned by Marvel’s single biggest rival, DC — Superman: The Animated Series. In the episode, Apokolips… Now! Part 2, Lee, along with characters who bear a striking resemblance to members of the Fantastic Four, appear in a brief crowd shot of the funeral of the character, Dan Turpin. Said character’s appearance was largely based on the aforementioned Jack Kirby, who’d sadly died the year earlier. Out of respect for his memory and his contribution to the world of comics, the animators for the episode snuck in a character who looked like Lee along with several other Marvel characters Kirby had helped create. The commitment to accuracy was such that the graveyard shown in the episode was modeled on the one Kirby is buried in, in real life and the crew hired an actual rabbi to read a kaddish that was included in the episode’s audio. Lee’s cameo was removed in the subsequent DVD release of the episode, but he can still be seen in the episode’s storyboards.
Speaking of cameos, a slightly lesser known fact is that Lee’s beloved wife, Joan, who was the inspiration for a few female characters in the Marvel universe, also did voice work for the 1990s Fantastic Four and Spider-Man animated series, as well as a cameo of her own in X-Men: Apocalypse where she appears alongside Stan Lee.
This all brings us to Stan Lee’s final cameo, where he appears as a de-aged hippie alongside a woman who is meant to be a de-aged Joan Lee — very fittingly for them both, this final cameo appeared in Marvel’s Endgame.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
Hundreds gathered at Iowa Veterans Home Cemetery this afternoon to pay their respects to a once homeless Korean War Navy veteran named Charles ‘Chuck’ Lanam. They didn’t know Lanam — and they didn’t know each other — but today on the burial hill the strangers came together as family.
“This man would have been buried on his own,” said Simon Conway, Des Moines resident and radio host at 1040 WHO. “There was literally nobody coming to this … this man had nobody, no family, no friends. There was no one to carry his casket, there was no one to give the flag to … no one to tell us about our grateful nation. Today, Chuck was laid to rest with full military honors and around 400 Iowans in attendance. We make a difference.”
Lanam was born September 16, 1934 in Fairfield, Iowa. He was the son of Christopher and Marian (Byers). He attended school in the Fairfield area. He served four years in U.S. Navy aboard USS Valley Forge during the Korean conflict. After retiring from the military, Lanam resided in Tennessee and Iowa and did electrical contracting. He never married. He was homeless for a number of years until February 2015, when moved into the Iowa Veterans Home. He remained there until he passed away.
This veteran, who never owned a computer, much less a had Facebook page, posthumously became a viral topic on the social media platform last week. Mitchell Family Funeral Home director Marty Mitchell reached out to his friends and community after Lanam’s death asking for their help in honoring this veteran’s life with this post
I’m sitting in my office right now and contemplating the rest of the week- and really struggling with one thing that I would like to open up and share with all of you- and no, not a joke, something real. On Monday, we are going to bury a man who served our country honorably, and probably before many of us were born. He has no family – absolutely no family, so our staff and the chaplain from IVH will gather on a quiet hillside at IVH and put this man to rest. No pallbearers, no mourners, no flowers, no one to even present a flag to saying his service was recognized. If you so desire and it’s in your hearts, we are having a service at 1:30 p.m. at the cemetery at IVH. Even though you did not know him, this man Charles Lanam, you are welcome to come and honor his life or serve as a pallbearer or even as important, send your prayers. Death equalizes us in the end, but before that time, appreciate that you do have a family. God bless you all my friends!
That request was shared over 1,700 times. It attracted Patriot Riders and members of the Veterans of Foreign Wars and the American Legion. A suit was donated for Lanam to be buried in, and pallbearers volunteered. In response, Mitchell posted the following to his page:
“I truly think Mr. Lanam is smiling down at all of you for caring about him. He might be overwhelmed, but I do think he is happy. He now gets to rejoin his mom, his dad and his sister who went on before. Thanks to the Iowa Veterans Home for making his last years a home and family- a change he deserved from being homeless, and thanks for making his resting spot available. God bless all of you for focusing on what is important in life…”
This afternoon, Lanam’s coffin was draped in a flag with hundreds in attendance. “Last Wednesday, I expected to be standing on a lonely hill overlooking the veteran’s zone with Marty and a few staff members saying a quiet farewell to Chuck today,” Chaplain Craig Nelson said before beginning the eulogy. “Instead, I find myself surrounded by those who were moved by his story and wanted to come out so he might not be laid to rest alone.”
Mary Drake, business manager at Mitchell Family Funeral Home said any donations they receive in Charles’ honor will be sent to Iowa Veteran’s Home.
Turkey’s defense minister said Ankara was preparing for potential U.S. sanctions over its purchase of Russian S-400 missile defense systems, but also spoke of what he called a growing “rapprochement” with Washington over the issue.
The United States has demanded that Ankara call off the deal to purchase the Russian system, and NATO allies have also expressed concerns about the potential threat to U.S.-made F-35 fighter jets.
Washington has warned Ankara that it could invoke the Countering America’s Adversaries Through Sanctions Act (CAATSA) and impose financial penalties should Turkey go ahead with the deal.
An F-35B Joint Strike Fighter.
(U.S. Navy photo courtesy of Lockheed Martin by Michael Jackson)
Speaking to reporters late on May 21, 2019, Defense Minister Hulusi Akar said that during recent talks with Washington, Ankara had seen a “general easing and rapprochement” on the issue.
But he said Turkey was “making preparations” and “considering all options” against possible U.S. sanctions over the purchase.
Akar also said Turkish military personnel were receiving training to operate the S-400 missile defense system.
S-400 missile defense system.
(Flickr photo by Dmitriy Fomin)
Washington has said it could withdraw an offer to sell Ankara the U.S. equivalent — the Patriot anti-missile system — and warned that Turkey risks being ejected from the F-35 fighter-jet program.
Turkey is a member of the consortium involved in the production of the jet and a buyer.
Any attempt to make a network TV show about Marines feels forced. I mean, c’mon, if you’ve ever been around Marines for more than 5 minutes, they will already have: cussed 30 times, tried to talk you into day-drinking, and drawn a penis on something nearby. They can be hilariously fun.
But they’re in a courtroom for this one, so maybe this one will feel… different — right?
Not so fast. Maybe it’s the out-of-regs hair, maybe it’s the hacky love storyline, or maybe it’s the fact that every Marine is portrayed as so serious — but something about The Code feels off, in the same way, many others before it have…
The Code is basically if you put JAG and Law and Order in a blender with flat soda.
There have been a lot of shows about the military. As soon as one is dropped, another cookie-cutter copy is dropped in its place. It’s like one big hair-out-of-regs version of Medusa.
But some have been really good: M*A*S*H, Band of Brothers, JAG (for the first 8 seasons), even the under-appreciated The Unit. More have been not-so-good: The Brave, Valor (which ran walked alongside The Brave for the entirety of their short run walk), Combat Hospital, Last Resort, the last 2 seasons of JAG, and many more.
Some people enjoy the “not-so-good” ones, and that’s fine, too. It would be an awfully boring world if everyone loved the same things.
But the “flyover state” blue collar audience is often overlooked by major networks. There is something irksome about the military shows that are churned out; they’re interchangeable and one-dimensional, and therefore come across as pandering. None of it feels real, it feels like someone giving a book report on something you know they didn’t read—and you can only stand to stomach someone BS-ing the same classroom about Catch 22 for so long.
Yes, the show has to be dramatized for effect. Yes, some things are going to be “Hollywood” for the sake of a wider audience (at one point a judge literally declares “you will be held in contempt of court” like a Saturday Night Live cold open). I’m sure doctors are sick of the medical procedurals where everyone has lupus, but millions of people love and watch them.
But The Code has some inaccuracies that are particularly grating for a military audience that is worthy of something more dynamic.
One is obvious—get that man a damn haircut.
Also, it’s no surprise that the lead is a heartthrob with no discernible personality traits other than being uber handsome. Dude is literally a walking Ken doll. Not exactly an embodiment of the Marines I’ve met, many of whom are some of the zaniest and insanely crass men ever. They’re not a milk-toast copy/pasted trope—they’re fully dimensional people with faults and ambitions and shadows and humor. Reducing every Marine to a simple hardass archetype, (or worse, force an overly polished Marine without specificity) isn’t just hard to believe—it’s boring.
The uniform on the female captain does appear to be short for the military too. And private school. Maybe public school.
You could poke holes in the battle scene of any TV show, but this one is just annoying, you got the fore-grip man, use it! That’s like eating cereal with a fork, it works, but you look like you got some milk on your lip.
And lastly, you may be hard pressed to find someone who refers to the Uniform Code of Military Justice as “the code.”
Compile all of those, and it’s no wonder why it feels “off” to watch. But The Code does have redeeming qualities: it covers the increasingly significant issue of troops with traumatic brain injuries, it translates military-speak to a civilian audience in a seamless fashion, and it sidesteps being “preachy” or political.
So it’s not all bad. It’s just too familiar. We’ve seen this all before, and it leaves you with an itchy deja vu feeling.
Is the latest out-of-regs entry onto the head of Medusa. The Code? I guess we’ll have to wait and see.
The officer who’s running a massive Marine Corps and Navy war game in April that’ll test around 50 new technologies for storming beaches actually wants things to go wrong.
Navy Capt. Chris Mercer, a top tester for the service’s future concepts and technologies office, went so far as to say during a March 23 meeting with reporters: “If we don’t fail, I haven’t done my job.”
Now, before you start measuring Mercer for a new white coat with a very snug fit, think about this. With the upcoming Ship To Shore Maneuver Exploration and Experimentation Advanced Naval Technology Exercise 2017 in April, the Marines are looking to change how they carry out forced-entry operations. Forget what you saw in “The Pacific” – the renowned HBO series actually presents an outdated view on such operations. It’s not going to be sending hundreds of Higgins boats to storm a beach under heavy fire. Instead, the Marines, rather than storming a surveyed beach, will be looking for what Doug King of the Marine Corps Warfighting Laboratory called a “gap in the mangroves.”
But how will they find that gap? The answer lies in new technology – and this is what ANTX 2017 is intended to evaluate. With over 50 dynamic demonstrations planned for the 11-day exercise and another 50 static displays, ANTX 2017’s purpose is to find out what the state of today’s technology is – and to turn “unknown unknowns” into” known unknowns” or “known knowns” — to borrow from the logic former Secretary of Defense Donald Rumsfeld made popular.
“In these early stages of prototype demonstrations and experimentation, the intent is to push the envelope and take on higher risk technologies,” Mercer told We Are The Mighty. “We expect to find systems that perform well technically, but score low in the operational assessment and vice versa.”
“If everything is performing well and going exactly as planned, then we were probably not aggressive enough in our efforts to advance.”
So, that’s why Mercer is hoping to see failures during ANTX 2017 — if you don’t fail, you don’t learn.