U.S. Air Force Col. Michael Hopkins is leading an international crew of astronauts on a six-month mission to the International Space Station following a successful launch on the first NASA-certified commercial human spacecraft system in history.
NASA’s SpaceX Crew-1 mission lifted off at 7:27 p.m. EST Sunday from Launch Complex 39A at the agency’s Kennedy Space Center in Florida aboard their Crew Dragon spacecraft propelled by a SpaceX Falcon 9 rocketNASA astronauts Michael Hopkins, Victor Glover, and Shannon Walker, along with Soichi Noguchi of the Japan Aerospace Exploration Agency (JAXA), into orbit to begin a six-month science mission aboard the space station.
Selected as a NASA astronaut in 2009, Hopkins spent 166 days in space as a long-duration crew member of Expeditions 37 and 38 and completed two spacewalks totaling 12 hours and 58 minutes. Before joining NASA, Hopkins was a flight test engineer with the U.S. Air Force. As commander, Hopkins is responsible for all phases of flight, from launch to re-entry. He also will serve as an Expedition 64 flight engineer aboard the station.
Bookended by planning meetings with ground controllers, a day aboard ISS is packed with work from start to finish, said Hopkins during a 2017 interview with Airman magazine.
“It is usually going to involve three things; some type of maintenance, whether it’s a preplanned or something broke and you have to fix it; science, which is the primary reason for the space station, and exercise. We usually have at least two hours of exercise on our schedule every day. That’s really the next 12 hours.”
The Crew 1 mission is the first of six crewed missions NASA and SpaceX will fly as part of the agency’s Commercial Crew Program.
“I think that the development of these commercial vehicles isn’t involving just NASA. There’s a there’s a lot of good synergy that happens in programs like this. The Air Force is a part of and benefits from that effort”, Hopkins said.
“It’s not just the development of the new cap capsules per se, but it’s also the rockets that go along with that. Those same rockets can potentially be utilized by the Air Force for putting their payloads or platforms up in space. I think that’s one of the things that makes it very exciting, particularly for myself and some of the other Air Force astronauts. You’re not only supporting NASA but you’re also supporting your parent organization; in our case, the Air Force.”
The Crew 1 mission has several firsts, including: the first flight of the NASA-certified commercial system designed for crew transportation, which moves the system from development into regular flights; the first international crew of four to launch on an American commercial spacecraft; the first time the space station’s long duration expedition crew size will increase from six to seven crew members, which will add to the crew time available for research; and the first time the Federal Aviation Administration has licensed a human orbital spaceflight launch.
Hopkins, Glover, Walker, and Noguchi will join the Expedition 64 crew of Commander Sergey Ryzhikov and Flight Engineer Sergey Kud-Sverchkov, both of the Russian space agency Roscosmos, and Flight Engineer Kate Rubins of NASA.
The crew will conduct science and maintenance during a six-month stay aboard the orbiting laboratory and will return in spring 2021. It is scheduled to be the longest human space mission launched from the United States. The Crew Dragon spacecraft is capable of staying in orbit for at least 210 days, as a NASA requirement.
Crew Dragon also is delivering more than 500 pounds of cargo, new science hardware and experiments inside, including Food Physiology, a study of the effects of an optimized diet on crew health and, Genes in Space-7, a student-designed experiment that aims to better understand how spaceflight affects brain function, enabling scientists to keep astronauts healthy as they prepare for long-duration missions in low-Earth orbit and beyond.
Among the science and research investigations the crew will support during its six-month mission are a study using chips with tissue that mimics the structure and function of human organs to understand the role of microgravity on human health and diseases and translate those findings to improve human health on Earth, growing radishes in different types of light and soils as part of ongoing efforts to produce food in space, and testing a new system to remove heat from NASA’s next generation spacesuit, the Exploration Extravehicular Mobility Unit (xEMU).
During their stay on the orbiting laboratory, Crew-1 astronauts expect to see a range of un-crewed spacecraft including the next generation of SpaceX cargo Dragon spacecraft, the Northrop Grumman Cygnus, and the Boeing CST-100 Starliner on its un-crewed flight test to the station. They also will conduct a variety of spacewalks and welcome crews of the Russian Soyuz vehicle and the next SpaceX Crew Dragon in 2021.
What little free time astronauts have aboard ISS is spent checking email, talking with family, or taking a view that only a relative handful of humans have seen in person.
“You’re 250 miles above the earth, and you’re getting to see it in a way that very few of us get to see – live and in person”, Hopkins said. “Your see the images and those are very representative, it looks very real, but when you see it with your own eyes, it’s stunning.
“Sometimes with your free time you just go hang out by the window. Even at nighttime. When it’s dark out, you wouldn’t think there’s that much to see, but then you’d be going over Africa, and there’d be this huge storm front over the continent, and you get to see these lightning storms from above. You see this flash of light going here and there and just dancing across the whole continent. Amazing. It never gets old.”
See and read more about U.S. Air Force astronauts HERE.
Landing Home takes you right into the trenches, forcing you to acknowledge the impacts of America’s 20-year war. Viewers must confront the reality of veterans struggling after they return home.
Douglas Taurel plays Luke, an Army veteran returning home after serving in Afghanistan. Taurel himself is best known for his gripping one-man play, The American Soldier, in which he plays multiple characters, bringing the viewer from the Revolutionary War to the current conflict in the Middle East. The play itself and all of his unforgettable relationships built with veterans of every walk of life inspired Landing Home.
The child of Jewish Argentinian immigrants, he grew up with his father who was in love with America and her promises. A deep love he passed to his son.
“The thing that got me going was being involved in 9/11. I was coming out of the second tower when that second plane hit it,” Taurel shared. “I couldn’t join [the military] because I was blind in my left eye. But that’s what got me involved in working with veterans.”
Taurel began furiously reading and following America’s involvement in Iraq and Afghanistan. While researching other wars he read letters from soldiers who’d been involved in all of America’s conflicts, describing their experiences. As he was reading, he made a shocking revelation. They were all the same, whether it was written during the Civil War or modern times, the struggles of these veterans couldn’t be differentiated. That discovery led him on a six-year journey to creating The American Soldier.
But he wasn’t done yet.
“The series really came from the QA we always have after the play. Vets would come up to me after the show and share their stores. Everyone always said ‘you have to turn this into a movie’,” Taruel said. While he didn’t think it was feasible to fit all his characters into a movie, he decided to create a modern soldier who embodied those characters for a web series.
Taurel wanted it to be a real and true compilation of all of the veteran stories he’d been privy to. On set, 17 of the cast and crew were veterans themselves. Launched through Vimeo, the first episode is an immediate poignant reminder of how difficult reintegration is for veterans. Something as simple as a birthday party is overwhelming for a veteran suffering from post-traumatic stress disorder.
Landing Home brings viewers along on the journey of a former soldier trying to reintegrate into civilian life. The obvious struggle Luke walks through is a heartbreaking reminder of the cost of war, as his story is an accurate depiction of a true veteran. Each episode is filled with moments that bring you deep inside to feel the effects of combat.
“We have a history as a nation of not taking care of our veterans, that goes back to the Revolution,” Taurel said. “It is a beautiful country, but it has been paid in blood. If we honored our veterans more, we’d think about war a whole lot differently. It’s easy to go to war when you aren’t involved.”
There’s another scene, in a bar that stands out. Luke is obviously struggling and an older gentleman sits beside him. A quiet and heavy silence sits in the air. Then the man says, “Where did you serve?” This moment stands out because one veteran immediately knew another and their fight, on sight.
“We owe our veterans so much. I think we’ve become selfish as a country. We’ve forgotten the people who have given us the liberties and freedoms we have,” Taurel explained. He continued, “That’s why I do the projects that I have, I want people to understand what service really means.”
The series does not hold back. The raw and true compilations of the experiences of America’s veterans in Landing Home will move you. Taurel hopes that viewers walk away with a deep understanding of what “Thank you for your service” really means.
You can watch Landing Home by going to Vimeo. To learn about the other work Taurel is involved in, click here.
Faulty welding in missile tubes bound for the Navy’s newest submarines could create additional problems for one of the Navy’s most expensive and highest-priority programs.
The USS Virginia returns to the General Dynamics Electric Boat shipyard after the successful completion of its first voyage in open seas, July 30, 2004.
Twelve missile tubes built by defense contractor BWXT are being reviewed for substandard welds that were uncovered after discrepancies were found in the equipment the firm was using to test the welds before sending them to General Dynamic Electric Boat, which is the prime contractor for the Columbia-class ballistic-missile sub program, according to a report by Defense News.
BWXT was one of three firms subcontracted to build tubes for Columbia-class subs and for the UK’s Dreadnought-class missiles subs. The firm was one of two subcontracted to build tubes for the US’s Virginia-class attack subs.
GDEB had already received seven of the tubes and five were still being built. The Navy and GDEB have launched an investigation, according to Defense News.
The issue comes to light at the start of fabrication for the Columbia class subs, which is meant to replace the Navy’s Ohio-class ballistic-missile subs and begin strategic patrols by 2031. The Navy has to start building the new boats by 2021 in order to stay on that timeline.
A spokesman for Naval Sea Systems Command told Defense News that the problem, which appears to be limited to tubes made by BWXT, shouldn’t put the Columbia-class program behind schedule.
The Columbia-class sub program is already one of the Defense Department’s most expensive, expected to cost 2.3 billion, roughly .9 billion a boat, to build 12 boats, which are to replace the Navy’s current 14 Ohio-class missile submarines.
The guided-missile submarine USS Ohio arrives at Naval Base Kitsap-Bremerton to begin a major maintenance period at Puget Sound Naval Shipyard, April 4, 2017.
(U.S. Navy photo by Jeremy Moore)
The aging Ohio-class boats entered service between 1981 and 1997 with a 30-year service life, which was extended to 42 years with a four-year midlife overhaul. The Columbia-class subs will replace the Ohios as a leg of the US’s nuclear triad, built with an improved nuclear reactor that will preclude the need for a midlife overhaul and give the 12 Columbia-class subs the same sea presence as the 14 Ohio-class boats, Navy officials have said.
Because of nuclear submarines’ ability to move undetected, experts view them as more survivable than the long-range bombers and intercontinental ballistic missiles that make up the other arms of the US nuclear triad.
The ultimate impact of the problem with the BWXT-made tubes is not yet clear, according to Bryan Clark, a former submarine officer and now an analyst for the Center for Strategic and Budgetary Assessments.
Problems with one component can compound, and that could be especially challenging for GDEB, which is supposed to start building two Virginia-class attack subs alongside a Columbia-class boat annually in the coming years.
The Navy wants to continue building two Virginia-class subs a year — rather than reduce it to one a year once production of Columbia-class subs starts in 2021 — in order to head off a shortfall in submarines that was expected to hit in the mid-2020s. The Navy also wants to shorten the Virginia-class construction timeline and keep five of its Los Angeles-class attack boats in service for 10 more years.
“The problem is that this causes challenges down the line,” Clark said of the faulty tube welds. “The missile tubes get delayed, what are the cascading effects of other components down the line?”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
It’s official. U.S. troops in South Korea will have their curfew lifted. The United States Forces Korea put out the memo on June 16th, and it’s now in effect on a temporary basis to try this whole “treating troops like grown-ass adults” thing out. It’ll be up until around September 17th, when they will evaluate if the troops can handle not f*cking up the one good thing they’ve gotten in years.
Every U.S. troop in Korea has been briefed on this. One single f*ck up and it’s over for everyone. They’ll be on their best Sunday Morning behavior the entire time. This may have something to do with it not being a payday weekend and everyone’s NCO will be hounding them all weekend to not even consider doing dumb sh*t.
Who am I kidding? We know there’s still going to be that one asshole who screws it all up anyway and it’ll be gone before next weekend… Here are some memes for everyone not planning to be the biggest Blue Falcon in USFK.
Marine corporal and well-known TV and film actor Tim Matheson spent a morning with We Are The Mighty. He discussed everything from growing up in Hollywood, to his service in the Corps in the late 1960s and 1970s, to his starring in many great, classic films.
Matheson is notable to audiences worldwide for his performances in John Landis’ Animal House, Steven Spielberg’s 1941, Mel Brooks’s To Be Or Not To Be, with Chevy Chase in Fletch, as Vice President John Hoynes in the award-winning show West Wing and more recently as President Ronald Reagan in the TV movie Killing Reagan. He got his start in TV back in the 1960s on such series as Leave It to Beaver with Jerry Mathers; being the voice of Jonny Quest in Jonny Quest and guest-starring on Bonanza, The Virginian and Adam-12. His early film roles offered him the chance to work with Dick Van Dyke, Bob Hope, Jackie Gleason, Lucille Ball, Debbie Reynolds and Jane Wyman in such films as Divorce American Style; Yours, Mine, and Ours; and How to Commit Marriage. He starred with Clint Eastwood, David Soul, Hal Holbrook, Robert Urich and Kip Niven in the second installment of the Dirty Harry series Magnum Force.
Matheson described coming up in the industry as: “I learned on the job as an actor. I took classes when I was younger, but most of it was OJT. I’d get a day job here and a day job there. I sort of got the hang of it and it evolved into me learning my craft. The most interesting show I did was Yours, Mine, and Ours with Lucille Ball. It was like my first big movie and it was a big part with Henry Fonda, and he played a Naval Officer. It was based on a real story about this family. My character had a draft physical and then enlisted in the Marines. I think I was 18 and the day I was to shoot that scene. It was the day I actually had a draft physical. Passed it of course and became 1A, which means I am available to be drafted. Then I am wearing a Marine uniform (for the scene), I remember walking and didn’t know any of the etiquette or anything, I just knew I felt really strange wearing a uniform. I was actually out on the street. I had to walk from where I had lunch over to the studio, where someone yelled, ‘Hey Marine!’ I didn’t know what to do.”
Shortly after that experience, Matheson enlisted in the Marine Corps Reserve and went to bootcamp at MCRD San Diego. He kept his identity incognito during his bootcamp experience so as not to stick out as the “Hollywood” type in his platoon. During boot camp, he was chosen to be a squad leader and he picked up PFC out of bootcamp.
Matheson told a story while marching on base by the base theater which was showing a film he had worked on. The base was showing Divorce American Style with Dick Van Dyke and Debbie Reynolds as they marched by. He thought, “Oh dear, I don’t want to blow my cover now!” He considers boot camp the toughest time of his life. He described it as, “One of those things that you hated every minute of it and yet when you look back at it you learn so much. I think mostly about yourself and what you can do and what you are capable of doing. I was a Hollywood actor. I had never really done anything physically, I could run … there were these kids in my squads who were from the south and played football; I remember one kid, in particular, that would just break down. He couldn’t run. He’d just say, ‘I can’t do it,’ and broke down in tears. I would tell him, ‘Listen, look at me, if I can do it you can do it. I’m telling you seriously, you are in better shape than me. It’s all here (points to mind)…Get your mind right,’ and we nursed him all through that. That is the training that everybody gets. You all have your breaking point and you all have to learn how to get beyond it.
“There is a reserve and a resource inside you can call upon when is necessary and you can go farther than you think you can.” The Marines offered him the opportunity to compete for a slot at OCS. He declined the offer and was happy with being enlisted. He was stationed at the Naval and Marine Corps Reserve Center in Chavez Ravine, which is close to Dodger Stadium. It is now the Frank Hotchkin Memorial Training Center and run by the LAFD. He would go to 29 Palms with his reserve unit in the summers. He was part of his unit’s press department that would put out a paper even though he served in an artillery unit. Matheson made good friends in the Corps and enjoyed going through training with fellow Marines. He said, “There is a bond there you created that will never, ever go away. You have gone through something together. You’ve supported each other. You are there for each other….such a memorable time.”
One of Matheson’s funniest moments in boot camp was during pugil sticks training. His platoon fought against one of the platoons that was mostly made of up inner-city tough guys from Chicago. The tough guy platoon had a recruit named “Melson”, who looked, sounded and acted like Mike Tyson. Melson was considered the baddest guy in all of the platoons. While waiting for his pugil stick match, Matheson realized he was about ten recruits back from the start in which case Melson was about seven back, so he was in the “clear” or so he thought. He had not been paying attention when he realized he was six back and Melson was six back. His fellow recruits had been peeling off and going to the back, so they didn’t have to face Melson. Matheson was too close to the front of the line to get out of it. At the time he weighed about 160lbs and Melson was, “formidable.” His DI’s suited him and wished him luck in the pugil stick bout. Matheson said, “I’m just gonna go for it, I’m not going to just jab him. So, I go out there, KABAM! I hit him as hard as I could. He (Melson) looked at me, he throws down the pugil stick and dives on me. We have helmets on and he starts pounding my helmet. Everybody is laughing so hard.” The DIs separated the two of them.
Matheson found his way to the Corps through one of his industry friends, Mike Stokey Jr. Stokey’s family was in the Hollywood business as well. Matheson would take Stokey down to Camp Pendleton at times and his experiences of the Corps led him to pursue enlistment in the Marines. After boot camp, he did four weeks of ITR, which was that era’s infantry training. During ITR, the students of the school that ran the show were hardened street kids from Chicago. If other students didn’t go along with how things were being run, at night they would be chased through the billeting, likely en route to a beating of sorts. Matheson then went to radio school for his primary MOS of Field Radio Operator and was trained on the PRC-25.
While finishing up his time after radio school he was put on mess duty and then was sent to NYC to be on the “Ed Sullivan Show”. He shared, “…the Sergeant in charge of wherever I was….he said, ‘Matheson there is a car coming to pick you up tomorrow and you’re getting four days to go to NYC to do the Ed Sullivan Show for Yours, Mine, and Ours.'” Lucille Ball had called Bob Hope who then called HQMC to get Matheson permission to appear on the show. A car picked up Matheson and took him right to the airport. He had only one dollar in his pocket on the way to NYC; he didn’t have enough time to eat breakfast and couldn’t afford it arriving at The Plaza Hotel in the city. Until given some money, he was unable to eat. He said of being in NYC, “It was night and day different from being in training.” The Bee Gees were the guest of the week on the Ed Sullivan Show and he said, “It was a thrill to be on The Ed Sullivan Show (Matheson does his best Ed Sullivan impersonation).” Sullivan was filmed on Sunday and he was sent back to Camp Pendleton on Monday morning. By Tuesday he was back to swabbing the deck and he kept the visit to the show under wraps with Marines in his unit. He said of potential reactions, “Oh, here comes Hollywood, oh yeah, let’s get you down here. Scrub that toilet.” He made sure to fly below the radar most of the time, which made for a smooth enlistment.
When asked about Vietnam, Matheson shared, “I had mixed feelings about it and mixed feelings about what I should do, yet I did feel an obligation and sense of devotion to my country that I needed to do something. The Marine Corps Reserve was the perfect solution for me. If I am activated, at least I will be a Marine. With all due respect to the US Army, I did not want to be one of a huge number of people that was not seriously training. I knew the training in the Marine Corps was going to serve me well, so that if I ultimately ended up in combat I would be better prepared to handle it than I would if I had just been drafted and rushed through with the herd….it made me proud to be a brother of theirs (Marines that served and went to Vietnam), to stand alongside them and to feel that I had done a little bit for my country. And then it made me realize the obligation a citizen really does have in terms of service. It is so different today.” He said of the Corps, “I was proud to be part of that organization…I totally respected the price that was paid by all my brothers and sisters who did what they did and paid the ultimate price.” He shared, “It grew me up from being some kid in the valley…to seeing really what it was like to be trained and then shipped right over. Getting to know them when they came back or didn’t come back….You really learn the mettle of the men and women that you train with.”
Matheson retains a strong sense of pride, maturity and appreciation from his service. He carries over many values from his service such as, “Your word is your bond. It takes a team and you need leaders. Leadership was the thing I learned. I was a squad leader and then a guide at ITR. I learned how to take control and command. You couldn’t just stand in the back.” He credits the Corps with helping him ultimately become a director in TV and movies because of his leadership and initiative training. He believes running a film set is similar to running a military unit, especially in getting people to do things they don’t want to do yet need to be done. He was taught during automatic weapons training at Camp Pendleton if caught out in the open with no possible cover, to turn and to run toward the guns. His unit crossed paths in the chow hall with Navy SEALs and he was impressed with their toughness. “I had never seen any group eat as much and as fast as those guys. I thought we Marines were tough, and then I saw those guys! That was the first time I’d ever heard of SEALS. I never forgot them!”
Matheson is proud of his work with Clint Eastwood on Magnum Force. He said of Eastwood, “He was quiet, but filled with authority. He was the real deal.” He trained and qualified with the pistol for his role in the film. Matheson also did ride alongs with the police. He shared, “Clint always had a crew that just stayed with him through the years and they were the best.” Prop master Eddie Aiona on the film gave Matheson a .357 magnum to practice speed loading with to take back to his hotel room. Eastwood told Matheson of running lines and rehearsing before their scene, “No, I think there is something very special the first time that you hear those words and it should be on camera.” Eastwood’s comments surprised Matheson. He said of Eastwood, “He was the best listener I had ever worked with….he is totally listening to what I say and then I say what I had to say, and then he responded and changed one word that affected my next line…it was totally natural and totally spontaneous. I walked away at the end of that day saying, ‘This guy is the real deal; I mean wow.’ He was gracious to everybody and in public, he was very personable. Generally speaking, he had a way of moving around the city that you didn’t notice him. He just cut through all the blather. But if anybody stopped him, he would say ‘Hi’ and he would sign his autographs. He was the real deal and I just loved working with him.”
When asked who some of his more memorable colleagues were, Matheson shared, “Certainly John Belushi on Animal House was one of my favorites. He was one of the greatest guys, tremendous actor, wonderful improv. I remember the scene in the cafeteria where he is eating his lunch and stealing the food — he did it in one take. ” Belushi invented a lot of his work on the spot. “He couldn’t have been more gracious and generous to me. It was my first comedy.” Matheson speaks of the rivalry between New York and Los Angeles actors with, “None of that with John. Belushi set the tone of the film. John was just generous and loving and supportive of everybody and just great. Heartbreaking that his multiple successes took his life…that was when drugs weren’t bad for you…he just couldn’t get away from it. It was just a tragedy that we lost him.”
Matheson as a young actor got to work with many Vaudeville performers turned actors; Lucille Ball, Jackie Gleason, Bob Hope. “I learned a sense of discipline and how professional they were. Lucy was like a DI. I remember one scene with Lucille Ball where there were 11 kids around and there is a prop guy hiding under the sink … he has got to pop toast up that she’s gotta catch on a certain line. And at one point she looked around at everybody and she said, ‘Always rehearse with your props.’ It was just like a DI…it was one of those moments where this is what you do.” He is grateful for his good fortune in working with such greats and in the wisdom they imparted to their cast-mates.
Additionally, Matheson is grateful for having been able to work with great voice actors such as Mel Blanc (voice of Bugs Bunny), Dawes Butler (voice of Yogi the Bear, Snagglepuss, Huckleberry Hound, etc.) and Don Messick (voice of Papa Smurf, Scooby-Doo, Bamm Bamm Rubble, etc.). He got to see Mel Blanc perform a scene as two different characters/voices talking to each other, which floored Matheson. He said, “One of the finest actors I have ever worked with was Mel Blanc. Because he created the third-dimension voice, and you could see the character.” Matheson was a series regular on The Virginian,Bonanza and his own western with Kurt Russell called The Quest for a year each. His career was part of the waning time of western TV shows in the 1970s. He decided to start doing improv comedy to change the kind of parts he got which opened the door for doing Animal House, which opened even more doors for him.
He plans to keep on working as an actor with his current characters being more doctor roles now. “I must say the one thing I also learned from the Marine Corps was, ‘Get your ass in shape.’ I ran and ran and ran for years and did marathons until my knees started acting up. Now I am into spinning bikes and stuff like that. That was the main thing it instilled in me a sort of discipline; get up, work out…I see actors come to the set at 6:30 or 7 o’clock in the morning. They just woke up. I have been up for two hours, worked out because I want the blood flowing in my brain before I get to the dialogue — film is forever and pain is temporary so you are not embarrassed when your kids look at it in 20 years.”
Regarding veteran stories in Hollywood, Matheson sings high praises of Rod Lurie’s work directing The Outpost. He said, “ I thought it was an exemplary piece of work.” Matheson has positive feelings for Eastwood’s film Letters from Iwo Jima, as well. He shared, “I thought that was a masterful film…that he just threw together….I actually liked it better than the other film (Flags of Our Fathers)…I just think that those personal stories like that show the valor, gumption, strength and what it takes to be a leader in the service.” He said of working with Steven Spielberg on 1941: “Steven was one of the most wonderful, giving….and was very collaborative and encouraged me and my directing life and was quite an inspiration. He is just one of those guys that thinks differently. He is a genius and I look at his films and just study them because I find I learn so much in simply watching how he does things.” Working with Lurie on Killing Reagan was a great experience for Matheson and he describes Lurie as, “What a gem…and a gift he gave to me and Cynthia Nixon who played Nancy…to create an environment for us to play in…it was a memorable experience….I hold him (Lurie) in the highest esteem.” He said of political candidates that have served in the military: “I want them in our government. I want them to run a lot of different things.” His faith in military service and the Corps is still intact.
The Corps provided him with the following leadership takeaways: “The buck stops with me and I should be there for people that need help….To create a team in whatever situation you are in to do it better.” He is most proud of his kids in life and making them into responsible adults. He is glad to be in a position to keep learning his craft and is grateful to share the screen with great artistic craftsmen.
At least officially, there are no existing prototypes of the B-21 Raider, the U.S. Air Force’s next stealth bomber built by Northrop Grumman and destined to replace the B-1 and B-2 fleets.
In 2016, Air Force Secretary Deborah Lee James revealed the first artist rendering of the Long Range Strike Bomber designated the B-21, at the Air Force Association’s Air Warfare Symposium in Orlando, Florida, that showed a concept quite similar to the B-2’s flying wing design; then, more recently, on Mar. 3, 2018, Brigadier General Carl Schaefer, Commander of the 412th Test Wing at Edwards Air Force Base, publicly announced that the aircraft will be tested at Edwards: “the B-21 is coming to Edwards and we will be testing it here in the near future,” he said in his address at the Antelope Valley Board of Trade and Business Outlook Conference.
The fact that the aircraft will be tested “in the near future” seems to suggest that a prototype of the new platform has already been built or is about to be readied for testing.
Meanwhile something interesting, that might confirm the B-21 is something more than a concept, popped up on eBay: journalist and photographer Steve Douglass, has just found a B-21 Combined Test Force patch.
Flying units under the 412nd Operations Group of the 412nd TW are called flight test squadrons (FTS) and the squadron commander also usually fulfills the role of Combined Test Force, or CTF, Director.
“The CTF is an organizational construct that brings together the government developmental test and evaluation personnel (i.e., military personnel and government civilians and support contractors), the operational testers or representatives of the warfighters who will eventually employ the aerospace system in combat, and the contractors who develop and test the aerospace system.
Members of the CTF formulate the test program, develop the criteria for flight test missions, execute flight test missions, analyze data from the test flights and report on the results. The CTF military personnel, government civilians, and contractors all work together as a team. This concept enables a cheaper, faster, and more effective test program and produces a more effective aerospace system for the warfighter.”
For instance, the 411th Flight Test Squadron acts as the F-22 Raptor CFT whereas the 419th FTS acts as the Strategic Systems (B-52, B-1, B-2) CFT. Provided it is genuine, the new patch may suggest the existence of a B-21 CTF dedicated to the new bomber.
Interestingly, the patch features the text “Praenuntius” that means “Harbinger” and the Roman numerals XVII (17) with the latters [speculation on] possibly pointing to a squadron: the 417th FTS, officially inactivated on Feb. 14, 2012, formerly part of the 412th OG at Edwards AFB….
The seller has explained that organizations, personnel and infrastructure at Edwards AFB are all beginning to stand up in preparation for the testing and he purchased the patch there from personnel who are standing up the testing of the new aircraft. We don’t have many details about the aircraft but collectors can get the patch ahead of the unveiling.
By the way, at the time of writing the patch costs $31 (6 bids) but it is probably going to become more expensive…
A group of Microsoft employees are demanding that the company’s leadership abandon a contract with the US Army that they say makes them into “war profiteers” — a contract that relates to Microsoft’s HoloLens augmented-reality technology.
On Feb. 22, 2019, a group of workers at the Redmond, Washington-based tech giant released an open letter in which they slammed a $749 million contract the company holds to develop an “Integrated Visual Augmentation System” (IVAS) to build “a single platform that Soldiers can use to Fight, Rehearse, and Train that provides increased lethality, mobility, and situational awareness necessary to achieve overmatch against our current and future adversaries.”
“We did not sign up to develop weapons, and we demand a say in how our work is used,” the letter reads. “As employees and shareholders we do not want to become war profiteers. To that end, we believe that Microsoft must stop in its activities to empower the U.S. Army’s ability to cause harm and violence.”
Fifty employees have signed the letter so far, and organizers say that number is expected to grow.
The organized action comes just days before Microsoft is widely expected to unveil a new HoloLens headset at the Mobile World Congress technology conference in Europe and is a sign of the rising tide of labor activism in the American technology industry.
(Flickr photo by Franklin Heijnen)
“We are going public with the demand to cancel the Hololens DoD contract because we want our voices to be heard on this life or death matter,” a Microsoft worker who asked to remain anonymous told Business Insider. “We haven’t heard back from Microsoft officially, or from any execs at this point — we’re hoping this open letter will help get us a response.”
In June 2018, Google canceled a US military contract after internal uproar. Amazon has also faced protests over military contracts, though CEO Jeff Bezos has said the company has no plans to end them — even implicitly rebuking Google for its actions as unpatriotic. “If big tech companies are going to turn their back on the US Department of Defense, this country is going to be in trouble,” Bezos said in October 2018.
The same anonymous Microsoft worker challenged this argument, saying: “Jeff Bezos and other tech execs reap massive profits from military contracts. Patriotism is just a front. If we look at who benefits, it is certainly not the individual engineers working at these companies.”
Amazon founder Jeff Bezos.
In a statement, Microsoft spokesperson Liz Reisen said: “We gave this issue careful consideration and outlined our perspective in an October 2018 blog. We always appreciate feedback from employees and provide many avenues for their voices to be heard. In fact, we heard from many employees throughout the fall. As we said then, we’re committed to providing our technology to the U.S. Department of Defense, which includes the U.S. Army under this contract. As we’ve also said, we’ll remain engaged as an active corporate citizen in addressing the important ethical and public policy issues relating to AI and the military.”
Here’s the full letter:
“Dear Satya Nadella and Brad Smith,
“We are a global coalition of Microsoft workers, and we refuse to create technology for warfare and oppression. We are alarmed that Microsoft is working to provide weapons technology to the U.S. Military, helping one country’s government ‘increase lethality’ using tools we built. We did not sign up to develop weapons, and we demand a say in how our work is used.
“In November, Microsoft was awarded the 9 million Integrated Visual Augmentation System (IVAS) contract with the United States Department of the Army. The contract’s stated objective is to ‘rapidly develop, test, and manufacture a single platform that Soldiers can use to Fight, Rehearse, and Train that provides increased lethality, mobility, and situational awareness necessary to achieve overmatch against our current and future adversaries.’ Microsoft intends to apply its HoloLens augmented reality technology to this purpose. While the company has previously licensed tech to the U.S. Military, it has never crossed the line into weapons development. With this contract, it does. The application of HoloLens within the IVAS system is designed to help people kill. It will be deployed on the battlefield, and works by turning warfare into a simulated ‘video game,’ further distancing soldiers from the grim stakes of war and the reality of bloodshed.
“Intent to harm is not an acceptable use of our technology.
“We demand that Microsoft:
“1) Cancel the IVAS contract;
“2) Cease developing any and all weapons technologies, and draft a public-facing acceptable use policy clarifying this commitment;
“3) Appoint an independent, external ethics review board with the power to enforce and publicly validate compliance with its acceptable use policy.
“Although a review process exists for ethics in AI, AETHER, it is opaque to Microsoft workers, and clearly not robust enough to prevent weapons development, as the IVAS contract demonstrates. Without such a policy, Microsoft fails to inform its engineers on the intent of the software they are building. Such a policy would also enable workers and the public to hold Microsoft accountable.
“Brad Smith’s suggestion that employees concerned about working on unethical projects ‘would be allowed to move to other work within the company’ ignores the problem that workers are not properly informed of the use of their work. There are many engineers who contributed to HoloLens before this contract even existed, believing it would be used to help architects and engineers build buildings and cars, to help teach people how to perform surgery or play the piano, to push the boundaries of gaming, and to connect with the Mars Rover (RIP). These engineers have now lost their ability to make decisions about what they work on, instead finding themselves implicated as war profiteers.
“Microsoft’s guidelines on accessibility and security go above and beyond because we care about our customers. We ask for the same approach to a policy on ethics and acceptable use of our technology. Making our products accessible to all audiences has required us to be proactive and unwavering about inclusion. If we don’t make the same commitment to be ethical, we won’t be. We must design against abuse and the potential to cause violence and harm.
“Microsoft’s mission is to empower every person and organization on the planet to do more. But implicit in that statement, we believe it is also Microsoft’s mission to empower every person and organization on the planet to do good. We also need to be mindful of who we’re empowering and what we’re empowering them to do. Extending this core mission to encompass warfare and disempower Microsoft employees, is disingenuous, as ‘every person’ also means empowering us. As employees and shareholders we do not want to become war profiteers. To that end, we believe that Microsoft must stop in its activities to empower the U.S. Army’s ability to cause harm and violence.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Nikki Haley, the U.S. ambassador to the United Nations, says Syrian President Bashar al-Assad is “a war criminal” and that the United States would not accept that he could again run for election again in the war-torn country.
Haley on April 3 told a news conference that Assad has been “a hindrance to peace for a long time” and that his treatment of Syrians was “disgusting.”
“We don’t think that the people want Assad anymore,” she said. “We don’t think that he is going to be someone that the people want to have.”
Assad’s future has been the key barrier in negotiations aimed at ending the six-year civil war in Syria.
In August 2011, U.S. President Barack Obama said Assad must leave power. In 2015, then-Secretary of State John Kerry said Assad must go, but that the timing of his departure could be a subject of negotiation.
Haley on March 31 said the Trump administration was not pursuing a strategy to push Assad out of power, echoing comments made by other U.S. officials who said the focus for now is ending Syria’s six-year civil war and defeating Islamic State (IS) militants.
U.S. Secretary of State Rex Tillerson on March 30 said that Assad’s future was up to the Syrian people.
Reporters asked Haley at the April 3 news briefing if that meant Washington would accept that Assad could again run for the presidency in elections.
“No, it doesn’t mean that the U.S. will accept it,” she said.
UN-brokered talks in Geneva have failed to make progress toward ending Syria’s civil war, which began in March 2011 when protests broke out against Assad’s government.
Since then, at least 300,000 people have been killed and millions of others have been displaced.
The United States and Turkey support various groups fighting the government, while Russia and Turkey back Assad.
Islamic State fighters have also entered the conflict and are opposed by both sides.
While the Marine Corps has developed a well-earned reputation as a fierce opponent on the battlefield, that reputation wasn’t cultivated by only recruiting tenacious warfighters. Like every branch, the Marine Corps’s new recruits represent a cross-section of the American people, with men and women of varying ages and widely diverse backgrounds funneled into a training process that can be so grueling and difficult, some have referred to it as a “meat grinder.” For the rest of us, this training process is called the “accession pipeline,” – where kids from the block enter, and occupationally proficient professional warfighters emerge.
All Marines earn a tan belt in the Marine Corps Martial Arts Program before completing recruit training, and while that’s akin to earning a white belt in most martial arts disciplines, the Marine Corps is one place where your ability to actually use your martial arts training in a fight is considered the priority.
Martial arts in the Marine Corps is not a means to develop one’s self-esteem, a fun way to get active, or even about learning self-defense in bar fights. The Marine Corps Martial Arts Program (MCMAP) is, in many ways, an abbreviated introduction to the most brutal parts of warfare: where death is the most likely outcome, and the struggle is merely to decide which of you it comes for. While the techniques taught in the earliest belts (tan and grey) may seem simplistic, the intent is to provide all Marines with the basic building blocks required to bring others to a violent end, and of course, to try to prevent others from doing the same to you.
And if you want to win a fight, one of the first things you need to learn how to do is stop your opponent from force feeding you his fists. Hands have a nasty habit of moving faster than heads, so the boxing method of bobbing and weaving away from incoming strikes isn’t a feasible introduction to defense. Instead, the Marine Corps leans on the same approach to a rear hand strike as it would an ambush: once you see it coming, you attack into it.
The rear hand punch tends to be the most devastating of upper body strikes, and it can manifest in a number of ways. The same fundamental mechanics of using your legs and torso to swing your rear fist like a hammer at your opponent can make a right cross powerful enough to send you reeling, or give a hook the weight it needs to break a jaw. So when you see it coming, the appropriate response is to step into it at a 45-degree angle, closing the distance between your opponent and yourself, muting some of its delivery and re-orienting the point of impact on both your body and the arm of your opponent.
As you step into your opponent’s extending arm, your hands should already be raised to protect yourself. Make contact with the inside of your opponent’s swinging arm with the meaty portion of your left forearm while keeping your right hand up to protect your head. Once your left arm has made contact with your opponent’s right, his punch has been defused, but worse for him, his rear hand is now extended out to your side, leaving his head and torso open and undefended on that side.
At that point you can quickly wrap your left arm around your opponent’s extended arm at the elbow joint, creating a standing armbar you can use for leverage to deliver hammer strikes to your opponent’s face and head. You can also transition toward further joint manipulations, or you may maintain control of the arm and sweep your right heel as you drive your opponent to the ground, landing him face down while you maintain an armbar or basic wrist lock. For any but the most motivated of opponents, just about each of these results could feasibly be the end of the fight.
The important elements of this technique to master are simple, but fast-moving. Look for your opponent to telegraph a rear hand or round punch with their dominant hand. As they begin to throw it, step forward and into that punch, meeting your opponent’s arm with your own (if they throw a punch on your left, your left arm makes contact, on the right, your right arm does). The force of that impact alone should be enough to knock them a bit off balance, and all there is left to do is follow up with at least three techniques meant to harm or subdue the attacker.
And of course, if you’re in a multiple opponent situation, it’s imperative that you maintain situational awareness and create separation from your attacker as quickly as possible to prepare for the next attack. But if it’s just you and him… feel free to wrench on that arm a bit as you wait for law enforcement to arrive–ya know, just to make sure it doesn’t do him any good in lock up.
The nation, writ large, has a moral responsibility to ensure the needs of veterans are met, the chairman of the Joint Chiefs of Staff said at a ceremony where the Newman’s Own Foundation distributed funds to charities serving service members, their families and veterans.
Marine Corps Gen. Joe Dunford praised Newman’s Own for its dedication to service members, veterans and their families. The group distributed $200,000 to five organizations during the Oct. 5, 2018 ceremony in the Pentagon’s Hall of Heroes.
Actor and World War II veteran Paul Newman founded Newman’s Own in 1982 with the goal of donating all of the company’s after tax profits to charities. In the years since, Newman’s Own has donated more than $530 million to thousands of charities. In 1999, the company partnered with the Fisher House Foundation and Military Times publications to aim donations at innovative groups that improve the quality of life for service members, veterans and their families. Since it started, Newman’s Own has recognized 179 programs with awards totaling $1,925,000.
Quality service members
“The reason the United States military has been able to do the things it does … throughout my career is because of the quality of young men and women we’ve been able to recruit over time,” the general said at the ceremony.
When Dunford entered the military, the all-volunteer force, which began in 1973, was in its infancy. There were many critics who believed the force would fail. The all-volunteer military has become the superb force of today.
Marine Corps Gen. Joe Dunford, chairman of the Joint Chiefs of Staff, speaks to James Ferguson, founder of the Warrior Reunion Foundation of Cockeysville, Maryland, during the 2018 Newman’s Own Awards at the Hall of Heroes in the Pentagon, Oct. 5, 2018.
(DoD photo by Navy Petty Officer 1st Class Dominique A. Pineiro)
The American people do appreciate the military and the sacrifices military families make, Dunford said. “But I am concerned about keeping this up,” he said. “It goes back to something George Washington said … ‘The manner in which we treat our veterans will determine the willingness of future generations to serve.'”
He said the recipients of the Newman Own Awards this year cover the full spectrum of services Americans want their vets to have. “We would want them to have housing. We would want them to have a job. We would want them to have health care, and a piece of that is we would want them to be connected to men and women with which they served so they don’t feel isolated when they leave active duty,” he said.
Appreciation of troops’ service
What these groups — and many more like them across the nation — do “really does send a loud and clear message that we really do respect, we value, we appreciate the service of those in uniform,” he said.
In 2018, the Warrior Reunion Foundation of Cockeysville, Maryland, received a ,000 grant from Newman’s Own. The group looks to help combat vets reconnect with their comrades they served in combat with. It lets veterans sit down with each other knowing that they experienced the same conditions, same uncertainties and sometimes the same traumas.
The Vets on Track Foundation of Garrisonville, Virginia, received a grant of ,500. The foundation furnishes homes for vets and their families who were previously living in shelters or the streets.
Code Platoon of Chicago received ,500 to educate vets and spouses to become software developers.
The West Virginia Health Right of Charleston received ,500 to provide free dental care for West Virginia vets without dental coverage.
And finally, Healing Warriors Program of Boulder, Colorado received ,500 to help provide non-narcotic therapies for the treatment of pain and symptoms of post-traumatic stress for vets.
Sgt. 1st Class Charles Martland (Photo: Duncan Hunter)
Late Thursday night, Martland won the fight against the Army’s Qualitative Management Program, which gives the boot to soldiers with black marks on their records. The Army Board for Correction of Military Records reviewed the Green Beret’s performance history and pulled his name from the QMP list.
Martland admitted that Capt. Dan Quinn and he assaulted the Afghan official during his 2011 deployment to Afghanistan’s Kunduz Province. The commander was engaging in “bacha bazi,” or “boy play” — an Afghan practice where young boys in sexual slavery are often dressed up as women and forced to dance and serve tea. The practice was forbidden under the Taliban, but experienced a rebirth after the Taliban’s ouster by NATO forces and U.S. troops were ordered by their commanders not to intervene. When the Afghan confessed to raping the boy and beating the child’s mother for telling local authorities, Quinn “picked him up and threw him,” Martland said in his official statement. “I [proceeded to] body slam him multiple times.”
The line removed from his Army record read: “Demonstrated poor judgment, resulting in a physical altercation with a corrupt ALP member. Judgment and situational awareness was lacking during an isolated instance.”
Hundreds of veterans and other concerned citizens wrote letters and started petition drives in Martland’s defense. Even actor and Marine veteran Harvey Keitel got involved and urged California Congressman Duncan Hunter to intervene.
Hunter, a Marine Corps veteran and San Diego-area congressman, immediately came to Martland’s defense, calling the Army’s actions “totally insane and wrong,” and adding that Martland’s case “exemplifies the problems with the Army.”
An Army spokesman confirmed to Fox News that Martland will no longer be forced out.
“In SFC Martland’s case, the Army Board for Correction of Military Records determination modified a portion of one of SFC Martland’s evaluation reports and removed him from the QMP list, which will allow him to remain in the Army,” Lt. Col. Jerry Pionk said.
Quinn, now a civilian, said, “Charles makes every soldier he comes in contact with better and the Army is undoubtedly a better organization with SFC Martland still in its ranks.”
“I am real thankful for being able to continue to serve,” Martland told Fox News. “I appreciate everything Congressman Duncan Hunter and his Chief of Staff, Joe Kasper, did for me.”
He was injured while serving as an Infantry Officer during Vietnam, and after months of surgeries and recovery, he extended his commitment to teach counterinsurgency tactics before finally separating.
Deep down, Smallwood is a soulful artist. An actor, writer, singer, and musician, he has made a career for himself in theater and on-screen, but it’s his writing and his music that really makes him stand out.
We Are The Mighty sat down with him to talk about his relationship with music.
“I can hear some music and know the setting behind it, and it just goes straight to my part that feels.”
He couldn’t speak when he woke up in the hospital in Vietnam, but rest assured, his voice healed and transformed into something rich and soothing.
Check out his video, not only for the Battle Mix that makes him think of his time in service, but for a performance with his acoustic guitar that will leave you wanting more:
Russian special forces staged a mock invasion of an island in the Gulf of Finland just days before President Donald Trump is set to meet with Russian President Vladimir Putin in the Finnish capital.
The Russian forces parachuted onto the island of Gogland, which is part of Russia but located roughly 70 miles from Helsinki, from a Mi-8AMTSH helicopter at an altitude of 2,500 meters. The soldiers used satellite equipment to steer themselves to the landing site, according to a July 10, 2018 press release from the Russian Defense Ministry.
Once on the ground, the Russian forces camouflaged their parachutes and headed into the interior of the island to destroy a series of mock communications stations, radars, and ASM batteries, Defense One reports.
The island is equipped with a helipad, but after destroying the targets the soldiers prepared a landing site for the helicopter for their escape.
The soldiers who participated in the mock invasion had “not less than a hundred jumps with parachutes of various types,” according to the Russian Defense Ministry statement.
This exercise comes amid increasing concern from many European countries about Russian agression in the region in the wake of the 2014 annexation of Crimea.
Meanwhile, as Trump prepares to meet with Putin, some NATO member states seem to be concerned he’s too soft on the Russian leader and doesn’t fully value the historic alliance.
Trump was widely criticized for his rhetoric and demeanor at the summit. Nicholas Burns, a former US ambassador to NATO, accused the president of “diplomatic malpractice” and expressed concern over Trump’s disposition toward Putin.
“You cannot imagine any American president all the way back 75 years deciding to become the critic-in-chief of NATO,” Burns said on July 11, 2018. “I mean, it’s Orwellian. He’s making our friends out to be our enemies and treating our enemies, like Putin, as our friends, and he’s misrepresenting the facts.”
Trump is scheduled to meet with Putin in Helsinki on July 16, 2018.