In what many have defined as an upset victory, the United States Air Force announced the selection of the MH-139, to replace its fleet of UH-1N “Huey” helicopters. A 375M USD firm-fixed-price contract for the non-developmental item integration of four aircraft was awarded on Sept. 14, 2018. If all options are exercised the programme is valued at $2.4 billion for up to 84 helicopters, training devices, and associated support equipment until 2031.
The new choppers, based on the Leonardo AW139 and offered by Boeing as prime contractor, are expected to reach the IOC (initial operational capability) in 2021 (this is what Leonardo claims in its press release even though it appears a bit optimistic considered that the Lockheed Martin and Sierra Nevada, both offering UH-60 Black Hawk variants, may contest the award) when they will replace the old Huey taking over the role of protecting the America’s ICBM missile silos as well as VIP transportation and utility tasks.
(Boeing / Leonardo)
The MH-139 leverages the market-leading Leonardo AW139 baseline, a modern, non-developmental, multi-mission helicopter that is in service with 270 governments, militaries and companies across the world. According to Leonardo, over 900 AW139s are already in service with 260 assembled and delivered from Philadelphia, where the U.S. Air Force’s MH-139 will be assembled.
The HH-139A also features a secure communications suite, integrated defensive aids suite, hoist, search light, wire cutters, cargo hook, loudspeaker system, and emergency floatation gear and any other equipment required to perform “convetional” search and rescue, as well as Combat SAR missions.
The Italian Air Force helicopter can do also something else. Since they can carry a bambi bucket they can perform aerial firefighting activity. Beginning in 2018, the Italian HH-139A belonging to the 82° Centro CSAR (Combat SAR Center) from Trapani have carried out firefighting tasks in Sicily.
Feature image: Boeing MH-139.
This article originally appeared on The Aviationist. Follow @theaviationist on Twitter.
The military has very talented photographers in the ranks, and they’re always capturing what life as a service member is like during training and at war. Here are the best military photos of the week:
A U.S. Air Force F-15E Strike Eagle fires flares during a flight in support of Operation Inherent Resolve June 21, 2017. The F-15, a component of U.S. Air Forces Central Command, supports U.S. and coalition forces working to liberate territory and people under the control of ISIS.
U.S. Air Force Col. Peter Fesler, 1st Fighter Wing commander, looks back to his wingman during his final F-22 Raptor flight over Charlottesville, Va., June 21, 2017. The Raptor is a 5th-generation fighter jet that combines stealth, supercruise, maneuverability and integrated avionics.
Soldiers of the 100th Battalion donned Ghillie suits, June 18, 2017, in preparation for their mock ambush on opposing forces during their annual training at Kahuku Training Area.
An M1A1 Abrams from Task Force Dagger plays the role of Opposing Forces at Fort Hood, Texas, to provide the 278th Armored Brigade Combat Team with a near-peer opponent during the unit’s eXportable Combat Training Capability rotation May 30 – June 21. Task Force Dagger consisted of the 116th Brigade Engineer Battalion’s forces and was supplemented by units from five other states during the exercise.
The Henry J. Kaiser-class fleet replenishment oiler USNS Yukon (T-AO 202) is underway alongside the Arleigh Burke-class guided-missile destroyer USS Kidd (DDG 100) during a replenishment-at-sea. Kidd is underway with the Nimitz Carrier Strike Group on a scheduled deployment to the western Pacific and Indian Oceans.
Sailors aboard the amphibious assault ship USS Bataan (LHD 5) prepare to participate in an M9 pistol shoot on the ship’s port aircraft elevator. The ship and its ready group are deployed in the U.S. 5th Fleet area of operations in support of maritime security operations designed to reassure allies and partners, and preserve the freedom of navigation and the free flow of commerce in the region.
Marine Special Operations School Individual Training Course students fire an M249 squad automatic weapon during night-fire training April 13, 2017, at Camp Lejeune. For the first time, U.S. Air Force Special Tactics Airmen spent three months in Marine Special Operations Command’s initial Marine Raider training pipeline, representing efforts to build joint mindsets across special operations forces.
U.S. Marines of Golf Company, 2nd Battalion, 25th Marines, 4th Marine Division, Marine Forces Reserve, exit a CH-53E from Heavy Marine Helicopter Squadron 772, 4th Marine Air Wing, MARFORRES, to perform a rehearsal for the Air Assault Course as a part of the battalion final exercise for Integrated Training Exercise 4-17 at Camp Wilson, Marine Air Ground Combat Center, Twentynine Palms, June 21, 2017. ITX is a Marine Air Ground Task Force integration training exercise featuring combined arms training events that incorporate live fire and maneuver.
A 25-foot Response Boat-Small boatcrew from Coast Guard Maritime Safety and Security Team Honolulu (91107) conducts a coastal safety and security patrol while escorting Hōkūleʻa, a Polynesian double-hulled voyaging canoe, back to Magic Island, Oahu, June 17, 2017. The Hōkūleʻa returned home after being gone for 36 months, sailing approximately 40,000 nautical miles around the world.
A member of the U.S Coast Guard Ceremonial Honor Guard’s silent drill team waits prior to performing at a sunset salute program, Tuesday, June 20, 2017, at Charlestown Navy Yard in Boston. The team performed in front of the Coast Guard Cutter Eagle as part of the festivities surrounding Sail Boston.
The charity for wounded veterans, the Wounded Warrior Project, is facing accusations of using donor money toward excessive spending on conferences and parties instead of on recovery programs, according to a CBS News report.
Army Staff Sergeant Erick Millette, who returned from Iraq in 2006 with a bronze star and a purple heart, told CBS News he admired the charity’s work and took a job with the group in 2014 but quit after two years.
“Their mission is to honor and empower wounded warriors, but what the public doesn’t see is how they spend their money,” he told CBS News.
Millette said he witnessed lavish spending on staff, with big “catered” parties.
“Going to a nice fancy restaurant is not team building. Staying at a lavish hotel at the beach here in Jacksonville, and requiring staff that lives in the area to stay at the hotel is not team building,” he told CBS News.
According to the charity’s tax forms obtained by CBS News, spending on conferences and meetings went from $1.7 million in 2010 to $26 million in 2014, which is the same amount the group spends on combat stress recovery.
Two former employees, who were so fearful of retaliation they asked that CBS News not show their faces on camera, said spending has skyrocketed since Steven Nardizzi took over as CEO in 2009, pointing to the 2014 annual meeting at a luxury resort in Colorado Springs.
“He rappelled down the side of a building at one of the all hands events. He’s come in on a Segway, he’s come in on a horse,” one employee told CBS News.
About 500 staff members attended the four-day conference in Colorado, which CBS News reported cost about $3 million.
Wounded Warrior Project declined CBS News’ interview requests for Nardizzi, but instead sent Director of Alumni and a recipient of their services, Captain Ryan Kules, who denied there was excessive spending on conferences.
“It’s the best use of donor dollars to ensure we are providing programs and services to our warriors and families at the highest quality,” he said.
Kules added the charity did not spend $3 million on the Colorado conference, but he was not there and was unable to say what it did cost. He also told CBS News that the charity does not spend money on alcohol or engage in any other kind of excessive spending.
Back in the days before DVRs and movies on demand, what television networks aired really mattered. If something wasn’t on television, you didn’t watch it. If something really, really good was on, everyone was watching it. This was why ABC started the tradition of showing Saving Private Ryan every Veterans Day for nearly five years. It was really good, and everyone watched it.
Then one Super Bowl night, Janet Jackson’s privates changed the cultural landscape of the United States.
None of us were prepared for what was about to happen.
It goes without saying (but I’m going to anyway) that Saving Private Ryan is easily one of the best – if not the best – war films ever made. Its realism is unmatched, and the Omaha Beach landings are so realistic, actual World War II veterans called it the most realistic they’d ever seen, it caused post-traumatic stress-related episodes in theaters, and the VA had to set up a hotline just for vets who were shook by the film.
Saving Private Ryan influenced every World War II film that came after it and sparked a resurgence in Americans’ waning interest in World War II and highlighted the declining numbers of surviving World War II veterans. So it makes sense that the ABC television network would decide to show the film every year on Veterans Day, uncut and with limited commercial interruptions. The profanity and combat scenes were left in their entirety on network television. All that changed after 2004.
There are people in the post-9/11 U.S. that think this is the worst thing that ever happened to America.
On February 1st, 2004, Super Bowl XXXVIII saw the New England Patriots defeat the upstart Carolina Panthers. But no one remembers the score of the game because all anyone could talk about for the next decade was Janet Jackson’s right nipple. During the halftime show, a young Justin Timberlake joined Jackson on stage. At the end of their performance and the halftime show itself, Timberlake ripped off part of Jackson’s outfit, revealing her right breast to the millions of people who were watching for roughly half a second.
The backlash was immediate. The FCC tried to give CBS the largest fine it ever handed down. Jackson’s music was blacklisted from TV and radio worldwide, and the phrase “wardrobe malfunction” entered the American lexicon. More than that, politicians used the controversy to attempt to curtail material deemed inappropriate for general consumption on network television. Even Congress jumped on board. Watch New Mexico Representative and future Air Force Secretary Heather Wilson practically break down in tears over a half-second of Janet Jackson’s nipple.
Victims of the knee-jerk veer toward self-censorship included daytime soap operas, Bono, Howard Stern, the Victoria’s Secret Fashion Show, and more. By Veterans Day 2004, nine months later, the backlash had still not died down, and when it came time to show Saving Private Ryan in its traditional Veterans Day primetime slot, ABC affiliates began to balk. When the uncut version of the film began to air, a large chunk of ABC stations opted not to show the film – even though the Walt Disney Company offered to pay any FCC fines incurred by airing it.
Randy Sharp of the American Family Association, said that Ryan’s language — the f-word is used at least 20 times — is not suitable for children watching at 8 p.m. “It may be OK on the battlefield, but it’s not OK on the public airwaves during prime-time broadcast hours.”
Instead of seeing the greatest, most realistic war movie on Veterans Day, some people instead saw Return to Mayberry, a made-for-TV movie based on the Andy Griffith Show, where Andy, Opie, and Barney Fife solve the mystery of a local lake monster.
There was no fallout from airing Saving Private Ryan – at least, not from the Federal government. The end result was that ABC no longer shows the film every Veterans Day. At a time when the United States was fighting two wars – Afghanistan and Iraq – and still reeling from the aftermath of the 9/11 attacks, a half-second of what is now the world’s most famous nipple was enough to distract the country from nearly everything else.
The Pentagon’s research arm is now demonstrating an entirely new level of aircraft autonomy which blends the problem-solving ability of the human mind with computerized robotic functions.
The Defense Advance Research Project Agency, or DARPA, program is called Aircrew Labor in Cockpit Automation System, or ALIAS.
A key concept behind ALIAS involves a recognition that while human cognition is uniquely suited to problem-solving and things like rapid reactions to fast-changing circumstances, there are many procedural tasks which can be better performed by computers, developers explained.
ALIAS uses a software backbone designed with open interfaces along with a pilot-operated touchpad and speech recognition software. Pilots can use a touch screen or voice command to direct the aircraft to perform functions autonomously.
For instance, various check-list procedures and safety protocols such as engine status, altitude gauges, lights, switches and levers, can be more rapidly, safely and efficiently performed autonomously by computers.
“This involves the routine tasks that humans need to do but at times find mundane and boring. The ALIAS system is designed to be able to take out those dull mission requirements such as check lists and monitoring while providing a system status to the pilot. The pilot can concentrate on the broader mission at hand,” Mark Cherry, President and CEO of Aurora Flight Sciences, told Defense Systems in an interview.
The aircraft is able to perform a wide range of functions, such as activating emergency procedures, pitching, rolling, monitoring engine check lights, flying autonomously to pre-determined locations or “waypoints,” maneuvering and possibly employing sensors – without every move needing human intervention.
Developers explain that ALIAS, which has already been demonstrated by DARPA industry partners Lockheed Martin and Aurora Flight Sciences, can be integrated into a wide range of aircraft such as B-52s or large civilian planes.
Initial configurations of ALIAS include small aircraft such as a Cessna 208 Caravan, Diamond DA42 and Bell UH-1 helicopters, Cherry explained. The ALIAS system is able learn and operate on both single engine and dual-engine aircraft.
Both Lockheed and Aurora Flight Sciences have demonstrated ALIAS; DARPA now plans to conduct a Phase III down-select where one of the vendors will be chosen to continue development of the project.
As algorithms progress to expand into greater “artificial intelligence” functions, computers with increasingly networked and rapid processors are able to organize, gather, distill and present information by themselves. This allows for greater human-machine interface, reducing what is referred to as the “cognitive burden” upon pilots.
There are some existing sensors, navigational systems and so-called “fly-by-wire” technologies which enable an aircraft to perform certain functions by itself. ALIAS, however, takes autonomy and human-machine interface to an entirely new level by substantially advancing levels of independent computer activity.
In fact, human-machine interface is a key element of the Army-led Future Vertical Lift next-generation helicopter program planning to field a much more capable, advanced aircraft sometime in the 2030s.
It is certainly conceivable that a technology such as ALIAS could prove quite pertinent to these efforts; a Joint Multi-Role Technology Demonstration Army ST program is already underway as a developmental step toward engineering this future helicopter. The intention of the FVL requirement, much like ALIAS, is to lessen the cognitive burden upon pilots, allowing them to focus upon and prioritize high-priority missions.
The human brain therefore functions in the role of command and control, directing the automated system to then perform tasks on its own, Cherry said.
“Help reduce pilot workload and increase safety in future platforms,” Cherry said.
Aircraft throttle, actuation systems and yokes are all among airplane functions able to be automated by ALIAS.
“It uses beyond line of sight communication which is highly autonomous but still flies like a predator or a reaper,” John Langford, CEO of Aurora Flight Sciences, told Defense Systems in an interview.
Due to its technological promise and success thus far, ALIAS was given an innovation award recently at the GCN Dig IT awards.
Creating a realistic battle scene — whether it’s from World War II or the Napoleonic Wars — demands technical know-how and precise attention to detail.
Paul Biddiss, the military technical adviser on the upcoming World War I movie “1917,” taught the actors everything they needed to know, from proper foot care to how to hold a weapon, “which allows the actor to concentrate on his primary task. Acting!” Biddis told Insider.
Biddiss has worked on projects from a variety of time periods — “large Napoleonic battles through to World War I, World War II, right up to modern-day battles with Special Forces,” Biddiss said.
Read on to learn about how Biddiss prepared “1917” performers for the gruesome, grueling warfare of World War I.
(Air Force photo by Senior Airman Javier Alvarez)
Biddiss spent 24 years in the British military before finding a career in film.
Biddiss, a former paratrooper, started his film career as an extra on the movie “Monuments Men.”
Since then, he has worked on projects like “Mission: Impossible Rogue Nation,” HBO’s “Catherine the Great,” and “The Crown.”
“I always tell people military film advising is 60% research and 40% of my own military experience added in to the mix,” Biddiss told Insider by email.
To prepare for a shoot, Biddiss obtains authentic training manuals appropriate to the conflict.
“I like to first understand the recruitment and training process, the rank structure and attitude between the ordinary ranks and officers,” he said. “This helps me better understand the battles and tactics used by the men and what must have been going through their heads at the time.”
That helps him structure a training program appropriate to the conflict, and safe for the performers — even when he’s short on prep time.
“When tasked to train 500 supporting artists for [the BBC’s] ‘War and Peace,’ I only had three days to research Napoleonic warfare and prepare a safe structured training program before flying out to Lithuania to train the men before a large battle sequence.”
Director Sam Mendes with actors Dean-Charles Chapman and George MacKay on the set of “1917.”
Training on “1917” started from the ground up — literally.
“Foot care was one of the first lessons I taught George [MacKay] and Dean [Charles Chapman], the importance of looking after their feet daily,” Biddiss said, referring to two stars of “1917.” “Basic recruits are taught this still even today.”
Trench foot, a common condition in World War I, is caused by wet, cold, and unsanitary conditions. It can be avoided by keeping the feet dry and clean, but left untreated it can lead to gangrene and amputation.
“The boys were wearing authentic period boots, walking and running in the wet mud all day and if not addressed early would have cause them major problems on set,” Biddiss said. “I taught them how to identify hot spots on the feet where the boots rubbed, taping up those hotspots to prevent blisters and applying talc and clean socks at every opportunity.”
A battle scene in “1917.”
Battle scenes require a lot from performers, but Biddiss said he “would never dream of asking an actor to do something I was not physically able to do myself.”
“I naturally train most days to keep myself in shape” and to instill confidence in his abilities, Biddiss told Insider.
“It’s not a good look if you’re a military adviser and you’re carrying around excess weight” and get winded after a short walk, he said.
Shooting a scene from “1917.”
(Universal Pictures and DreamWorks Pictures)
With hundreds of extras, making sure all the performers were right for the movie was a massive task in itself, Biddiss said.
“We first ran local auditions,” Biddiss said. “I then ran assessments before boot camps to make sure we had the right people who not only looked right, but were coordinated and physically robust to take on the task.”
After the performers were selected, “I started with basic arms drill to test coordination, fitness to test stamina,” he said. “Then to weapon handling, historical lessons, and tactics.”
“There so much attention to detail, like I’ve never seen before on set,” Biddiss said.
Mendes with Chapman and MacKay on the set of “1917.”
Biddiss has to teach the performers how to look and feel both natural and accurate when using their weapons.
Weapons handling is one of the main hurdles in preparing an actor for battle.
“There could [be] over 500 supporting artists on set with bayonets fixed and firing blank rounds,” Biddiss said. “The blanks used are very powerful and can still do permanent damage, so if time is not invested in training it could all go horribly wrong.”
It’s also one of the things he notices other productions often don’t get right. Biddiss said he notices performers never reloading their weapons or always having their fingers on a gun’s trigger.
MacKay in a scene from “1917.”
Throughout the production, the mindset of the performers has to be just like that of a soldier, Biddiss said.
“I like to impress on one aspect,” Biddiss said. “Fear and anger.”
“I tell actors and supporting artists that they need to show both feelings on their faces when about to act a battle sequence,” he said. “Fear of dying, but anger towards the people who have brought them to this situation.”
“There is nothing ninja about soldiering,” Biddiss tells the performers he trains. “You have one job. Close in and kill the enemy.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
There were a number of unwritten rules among the men who fought the American Civil War. Confederate soldiers were known to execute white officers who led black men in combat. While that certainly is terrible, Confederate troops also refused to use landmines, believing them “ungentlemanly.” Meanwhile, the Union Army practiced “total war” against the South, destroying the property and livelihoods of soldier and civilian alike while at the same time adhering to the Lieber Code, an early law that governed warfare much the way the Geneva Convention later would.
There was one thing, however, the soldiers on either side of Civil War battlefields would not do – they would not shoot a man relieving himself. And for a good reason.
There’s a good chance they’ve all had dysentery.
The biggest killer of Civil War soldiers was not the bullet, sword, or cannonball, it was disease. For every American troop who died at the hands of the enemy, two more would die of disease. The most likely culprits were typhoid and dysentery. The clear winner was dysentery, and it wasn’t even close. Dysentery and the diarrhea that came along with it ravaged both Armies for the entire war. It was this disease and its signature symptom that claimed more lives than all the battles of the war, combined.
It wasn’t the doctor’s fault, they actually had no idea what caused such diseases at this time in American history. The necessity of sanitation and hygiene among such large groups of people was not fully understood at the time. Doctors didn’t actually know about germ theory or how disease actually started. Camps were littered with refuse and whatnot in various states of decomposition. Soldiers lived close to their latrines, along with the manure from the army’s animals. An estimated 99.5 percent of all troops caught dysentery at some point.
With how much the disease affected both sides of the war, another rule to the war’s unwritten code of conduct emerged. No soldier would ever take a shot at a man relieving himself of the primary burden of the disease – or in the words of one Civil War soldier’s letter home, “attending to the imperative calls of nature.” when they rejoined their unit, of course, they were fair game.
Doctors did what they could to treat the illness, but given that they didn’t know bacteria existed, let alone the dozens or more that could cause gastrointestinal distress, it hardly did the job. Usually, troops were treated with opium. Not a terrible way to get back to duty but also not quite a cure, either.
Protection against many common pathogens and environmental stressors is written into our DNA. Our skin responds to sun exposure. Our immune system mounts defenses when we get the flu. Our bodies inherently work to mitigate the potential for harm caused by these health threats. However, these intrinsic responses are not always quick, robust, or appropriate enough to adequately defend us from harm, which is why many people experience sunburn after intense sun exposure or suffer severe symptoms, even death, following exposure to the flu.
Military service members, first responders, and civilian populations face threats far more severe than sunburn and respiratory infections. Pathogens with pandemic potential, toxic chemicals, and radioactive materials can all quickly and powerfully overwhelm the body’s innate defenses. And though significant public and private investment has been focused on the development of traditional medical countermeasures such as drugs, vaccines, and biologics to guard against the worst effects of these health threats, current countermeasures are often limited in their effectiveness and availability during emergencies.
DARPA is looking to make gains beyond the status quo. Inspired by recent advances in understanding of when and how genes express their traits, DARPA’s new PReemptive Expression of Protective Alleles and Response Elements (PREPARE) program will explore ways to better protect against biological, chemical, or radiological threats by temporarily and reversibly tuning gene expression to bolster the body’s defenses against – or directly neutralize – a given threat.
“The human body is amazingly resilient. Every one of our cells already contains genes that encode for some level of resistance to specific health threats, but those built-in defenses can’t always express quickly or robustly enough to be effective,” said Renee Wegrzyn, the PREPARE program manager. “PREPARE will study how to support this innate resistance by giving it a temporary boost, either before or after exposure, without any permanent edits to the genome.”
The program will focus on four key health challenges as proofs of concept for what DARPA ultimately envisions as a generalizable platform that can be rapidly adapted to emerging public health and national security threats: influenza viral infection, opioid overdose, organophosphate poisoning, and exposure to gamma radiation.
“Each of these four threats are major health concerns that would benefit from disruptive approaches,” Wegrzyn said. “Seasonal flu vaccines, for example, are limited in that they try to hit a perpetually moving target, so circulating flu strains are often mismatched to vaccine strains. Programmable modulation of common viral genome sequences could potentially neutralize many more circulating viral strains simultaneously to keep up with moving targets. Combining this strategy with a temporary boost to host protection genes could change how we think about anti-virals.”
PREPARE requires that any treatments developed under the program have only temporary and reversible effects. In so doing, PREPARE diverges sharply from recent gene-editing research, which has centered on permanently modifying the genome by cutting DNA and inserting new genes or changing the underlying sequence to change the genetic code. Such approaches may cause long-lasting, off-target effects, and though the tools are improving, the balance of risk versus benefit means that these therapies are reserved for individuals with inherited genetic disorders with few to no other treatment options. In addition, some indications, including treatment of pain, may only require temporary solutions, rather than life-long responses.
The envisioned PREPARE technologies would provide an alternative that preserves the genetic code exactly as it is and only temporarily modulates gene activity via the epigenome and transcriptome, which are the cellular messages that carry out DNA’s genetic instructions inside cells. This would establish the capability to deliver programmable, but transient, gene modulators to confer protection within brief windows of time for meaningful intervention.
“Focusing only on programmable modulation of gene expression enables us to provide specific, robust protection against many threats at once, with an effect that carries less risk, is limited but tunable in duration, and is entirely reversible,” Wegrzyn said.
Success will hinge on developing new tools for targeted modulation of gene expression inside the body. Researchers must identify the specific gene targets that can confer protection, develop in vivo technologies for programmable modulation of those gene targets, and formulate cell- or tissue-specific delivery mechanisms to direct programmable gene modulators to the appropriate places in the body. Although the immediate program goal is to develop defenses against one of the four focus areas determined by DARPA, the ultimate objective of PREPARE is to develop a modular, threat-agnostic platform solution with common components and manufacturing architecture that can be readily adapted to diverse and emerging threats.
Research will be conducted primarily using computer, cell culture, organoid, and animal models to establish proof of concept. However, DARPA’s vision is to generate new medical countermeasures for future use in humans. As such, DARPA is working with independent bioethicists to identify and address potential ethical, legal, and societal issues.
By the end of the four-year program, DARPA aims for each funded team to submit at least one final product to the U.S. Food and Drug Administration (FDA) for regulatory review as an Investigational New Drug or for Emergency Use Authorization. Throughout the program, teams will be required to work closely with the FDA to ensure that the data generated and experimental protocols meet regulatory standards.
The McCurtain County VA Clinic and members of the local community gathered in Idabel, Oklahoma to celebrate World War II veteran Sydney Hunnicutt’s 102nd birthday.
“We truly care about the veterans in our community and we just want to make a difference,” said Lisa Morphew, registered nurse and clinic manager. “We love our veterans and want to show them that we’re here to help, whatever their needs are.”
VA clinic staff presented birthday cards and Jonathan Plasencia, associate director for the Eastern Oklahoma VA Health Care System, presented a gift bag to Hunnicutt on behalf of VA Voluntary Service.
Twelve of Hunnicutt’s family members were able to attend the party including several who were visiting from California. Dorothy Cash, Hunnicutt’s daughter, said she was grateful to the clinic and community who helped make the day special for her father.
Jonathan Plasencia shakes Sydney Hunnicutt’s hand.
“It means the world to us,” said Cash.
During World War II, Hunnicutt was drafted into the U.S. Army and deployed to the Philippines with the 63rd Infantry Regiment, 6th Infantry Division. During the Battle of Luzon, Hunnicutt fought the Japanese and was shot in his left hand. He lost two fingers and was later awarded a Purple Heart.
“It’s an honor to be here today to celebrate a member of the Greatest Generation,” said Plasencia, who drove from the Jack C. Montgomery VA Medical Center in Muskogee to celebrate Hunnicutt’s milestone. “Veterans have many options for their health care and when they place their trust in VA, that is a privilege we do not take lightly.”
“It couldn’t have been better,” said Hunnicutt, who turns 102 on July 13, 2019.
Clinic staff join Sydney Hunnicutt for his 102nd birthday celebration.
Hunnicutt has been a patient at the clinic since it opened in 2017, and Dr. Jose Gomez has served as his primary care physician.
“He is so happy,” said Cash. “Dr. Gomez has been the best.”
Dr. Gomez said it’s been a privilege to provide care for Hunnicutt.
“I want to thank him for his courage and for putting his life on the line for us to be able to have the freedoms that we have,” he said. “It’s an honor just to shake his hand.”
This article originally appeared on VAntage Point. Follow @DeptVetAffairs on Twitter.
Every day, young men and women walk into their local Marine recruiting office with the prospect of joining the Corps. How could they not? The military knows how to make a compelling commercial or inspirational poster. The recruiter will also toss out some motivating terms like honor and respect just to wet an idealist’s beak.
But there’s one epic recruiting tool that helps give the individual that much needed push to make their final decision to sign up — the motivating recruiting video.
For MARSOC — or Marine Special Operations Command — the standard recruiting video takes it one step further. Their video comes with a unique narrative and badass soundtrack, and showcases a well-disciplined Marine rising out of the river in slow motion.
Where do we sign up? (Image via Giphy)MARSOC is one of our nation’s most elite fighting forces; its members are ready to respond to any crisis, anywhere.
These small but well-trained Marine units embrace the unknown and are prepared to face any challenge. To earn a position on a MARSOC team takes a superhuman effort and the willingness to go above and beyond.
In August 1941, a submarine crew that already had a series of crazy, Mediterranean adventures under its belt slid up to the coast of Crete, a sailor swam from the boat to the shore with a lifeline, and the submarine rescued 130 stranded soldiers, setting a record for people crammed into one submarine in the process.
The Mediterranean and Middle East Theater of World War II get short shrift next to the much more famous European, Pacific, and even North African theaters. But the Mediterranean was home to some fierce fighting and amazing stories, like that of the submarine HMS Torbay. Originally launched in 1938, the submarine was commissioned in 1941 and sent to the central and eastern Mediterranean.
Once there, the crew proved itself to be straight P-I-M-P. It slaughtered the small, wooden ships from Greece that Germany had pressed into service for logistics, and it took down multiple tankers and other ships. At one point, it even attacked a convoy with both an Italian navy and air escort, narrowly escaping the depth charges dropped near it. They were ballsy.
But while the Torbay was killing Italian and German ships and escaping consequence-free, even when it’s by the skin of the crew’s teeth, other forces in the area weren’t faring so well. The New Zealanders, British, Australian, and Greek troops holding Greece were being beaten back by a German assault. The Balkans had oil that Germany desperately needed, and the sparse forces there simply could not hold the line.
Defenders fought a slow withdrawal south in April 1941, eventually falling back to the island of Crete. Forces there were brave, but doomed. There was almost no heavy equipment. Troops had to defend themselves with just their personal weapons while they could only entrench by digging with their helmets.
Glider- and airborne troops hit the island on May 20, quickly seizing an airfield and using it to reinforce their units. The defenders fought hard for a week and then began evacuating. Over 16,000 troops were successfully withdrawn, and another 6,500 surrendered to the Germans.
But, in secret, at least 200 troops were still on the island. During the night on July 26, these troops signaled the submarine HMS Thrasher by flashing a light in an SOS pattern. The Thrasher gathered 78 survivors, but was forced to leave more than 100 on the beach.
Soon after, the Torbay was sent to patrol the Gulf of Sirte, and it survived a torpedo attack as well as a fight with an escorted convoy. It sank a sailing vessel with scuttling charges, and then got word of the men on the beach of Crete. The Torbay sailed there to help.
Despite the tight quarters on the small submarine, the HMS Torbay loaded men through the dark of August 18-19 and again August 19-20. A submariner, Petty Officer Philip Le Gros, swam across from the sub to the beach with a lifeline and helped the men get from shore to safety.
Between the two nights, the Torbay onloaded 130 men, setting a record for most people in a submarine at once. Obviously, with quarters that cramped, they couldn’t continue their wartime patrol, so they took the passengers to Alexandria, Egypt.
When most ships are decommissioned, they eventually will head to the scrapyard. Mostly, their fate is to become razor blades.
Others become artificial reefs, providing a tourist attraction for divers and a home for fish. But some vessels escape these fates for a more noble end: They are sunk as targets.
And that’s not new.
Back in the early 1920s, the United States used old battleships as targets to test how well air-dropped bombs could sink ships. In fact, since the end of World War II, ships have been sunk as targets – often to test how well current or new weapons work, or to provide crews with training that is quite realistic in using their anti-surface warfare systems.
The 1946 Operation Crossroads was perhaps one of the most dramatic examples. In two tests, the Navy detonated atomic bombs amongst a fleet of obsolete ships, including the Japanese battleship Nagato, the German cruiser Prinz Eugen, and the aircraft carrier USS Saratoga (CV 3). A total of 14 ships sank outright, while the Prinz Eugen sank five months later.
Perhaps the largest ship to be sunk as a target was the aircraft carrier USS America (CV 66). This ship displaced almost 85,000 tons when fully loaded, and had a 31-year career, including service in the Vietnam War, Operation El Dorado Canyon, and Desert Storm.
On May 14, 2005, the America was sunk after the testing by controlled scuttling, which included remote systems monitoring the effects of underwater explosions that took place over four weeks.
The video below shows the sinking of a pair of Oliver Hazard Perry-class frigates and a Newport-class landing ship. Often smaller systems will be used before they unleash the really powerful missiles – and last, but not least, the torpedoes.
“Spider-Man: Far From Home” is in theaters. And if you head out to see it, make sure you stay until the very end.
There are two must-watch end-credits scenes that will have fans talking long after the movie is over. The last one will change the way you see the entire movie.
If you left the theater early, or were confused at all, INSIDER has you covered.
The first end-credits scene
MJ and Peter Parker are officially a couple.
The scene picks up right where the movie ended with MJ and Peter Parker across the street from Madison Square Garden in New York City after the two flew through the city skies.
“Are you OK?” asks Peter Parker.
“Yeah, I’m never doing that again,” MJ tells Parker.
Peter’s about to head off when a breaking news report comes on a screen on the side of Madison Square Garden. The newsman says he has “disturbing revelations” about last week’s attack in London.
“An anonymous source provided this video,” says the newsman. “It shows Quentin Beck aka Mysterio moments before his death.”
The news stream then cuts to Mysterio looking right into the camera saying that he managed to send the Elementals back through an inter-dimensional rip in time and space, but he’s not confident he’s going to make it.
“Spider-Man attacked me for some reason,” says Beck. “He has an army of weaponized drones. Stark technology. He said he’s going to be the next Iron Man.”
The video then cuts to footage of Spider-Man speaking with his Stark technology glasses, E.D.I.T.H.
“Are you sure you want to commence the drone attack? There will be significant casualties,” says E.D.I.T.H. The Stark glasses stand for “Even Dead, I’m the hero.”
Spider-Man is then heard saying he doesn’t care.
“Execute them all,” Spider-Man appears to say.
The newsman says the video was released on the “controversial news website” theDailyBugle.net.
J.K. Simmons then appears on screen reprising his role as J. Jonah Jameson, the head of the fictional New York City tabloid.
“There you have it, folks. Conclusive proof that Spider-Man was responsible for the brutal murder of Mysterio, an inter-dimensional warrior who gave his life to protect our planet and who, will no doubt, go down in history as the greatest superhero of all time,” says Jameson.
Jameson’s not done yet. He then shows another clip of Mysterio.
“Spider-Man’s real name is Peter Parker,” he says.
Photos of Parker show up on the big screen. Parker, shocked, yells out, “What the —?”
The scene cuts to black.
J.K. Simmons as J. Jonah Jameson in “Spider-Man.”
The return of J. Jonah Jameson!
None other than J.K. Simmons, who played the same character in the original “Spider-Man” trilogy starring Tobey Maguire, appears at the film’s end.
In the original trilogy, which ran from 2002 until 2007, Jameson plays a newspaperman who is constantly demanding photos of the webslinger. Jameson thinks Spider-Man is a menace and is set on exposing the vigilante in The Daily Bugle.
In the Marvel Cinematic Universe, Jameson has left the newspaper business behind and is running his own Daily Bugle website.
Jameson has aged accordingly since the last time we’ve seen him on screen; however, his appearance leaves a big question up in the air. Is this the same version of Jameson who we saw in the Tobey Maguire era of “Spider-Man” movies? Probably not.
If you’re familiar with 2018’s “Into the Spider-Verse,” which introduced different versions of Peter Parker living in parallel dimensions, we’re thinking this is simply a different version of Jameson suited for the MCU. We’re here for it.
Peter’s going to be panicking for a little.
What this means for future “Spider-Man” movies: It’s not looking great for Peter at the moment.
Not only does Parker have to juggle a new relationship with his superhero responsibilities, but now he’s probably going to be on the run, at least for a little now that his secret identity is out there.
Any new potential threats to Spidey will likely come after Aunt May, MJ, or anyone else close to Peter. While this may present immediate concern, it shouldn’t be a danger to Parker forever.
We’re not that concerned about Peter’s identity being leaked to the world. Something tells us Parker’s pals Pepper Potts and S.H.I.E.L.D. will be able to swoop in and fix this real quick. We’d be surprised if they’re not able to show that the video footage from Jameson is fake news, at some point, and make it seem as if Peter isn’t really Spidey. This is a minor hiccup for the young Spidey.
Unfortunately, Spidey’s now on Jameson’s radar and you better believe he’s probably going to be asking for more photos of Parker and Spider-Man to get further proof that the two are one and the same.
The second end-credits scene
Nick Fury and Maria Hill go for another car ride similar to the end of “Avengers: Infinity War.”
We open up to Maria Hill and Nick Fury driving around in an Audi, a scene that’s reminiscent to the end of “Infinity War.”
As they’re in the car, Hill shapeshifts back into the Skrull, Soren.
“You gotta tell him, Talos,” Soren says.
Fury shapeshifts back into Soren’s husband, Talos.
“It was fine,” says Talos. “The little boy handled it. We helped.”
“How was I supposed to know that the whole thing was fake? I mean that was all very convincing,” he adds. “This is embarrassing for a shapeshifter.”
Talos decides to call the real Nick Fury.
“Hey, I hope your mission is going well. We gave the glasses to Parker about a week ago, like you said,” Talos tells Fury. “Shortly after that, everything kind of went off the rails, and so we need you to come back. Everyone kept asking where the Avengers are and I don’t know what to say to that.”
The scene cuts to the real Nick Fury who hangs up on Talos. He’s on a beach with a drink in a coconut. Fury gets up and stretches to reveal that he’s not really on a beach. He’s on a ship with other Skrulls.
“Back to work,” Fury claps. He walks further around the ship barefoot to show that he’s in space.
The scene cuts to black.
Talos was introduced in “Captain Marvel.”
Who are those green aliens?
If you haven’t seen “Captain Marvel,” you may have been surprised by the reveal of the shapeshifters. Soren and Talos (Ben Mendelsohn) are two friendly skrulls who were first introduced in the March 2019 movie.
A general in the Skrull Empire, Talos’ people were caught in a war with the Kree, who destroyed their home planet. Talos was reunited with his wife, Soren, and his child by the movie’s end.
Where is Nick Fury and what is he up to?
Fury’s been hanging out with the Skrulls since returning from Thanos’ life-altering Snap in “Avengers: Infinity War.” It looks like he’s trying to relax a little bit more after initially vanishing for five years.
That doesn’t mean Fury isn’t still focused on work. We see him on some unidentified Skrull ship alongside a flurry of the green guys. Fury tells everyone to get back to work. What kind of work?
Our best guess is that Fury is probably off looking for more alien life to recruit more superheroes. He’s the one who started the Avengers’ initiative. Now that Captain America and Iron Man are toast, he may need some new heroes to fill their shoes. Space seems like a good place to search.
There’s a little piece of evidence to support this. Captain Marvel tells Black Widow early in “Avengers: Endgame” that she can’t be back on Earth because she’s busy on other planets. Thanos’ Snap affected life throughout the universe and Carol Danvers looked like she was checking in on a lot of different people. We wouldn’t be surprised if Fury was going to meet Danvers on one of these planets that needed her help or if he’s looking into beings on another one of the worlds.
Peter Parker’s been to space, but he may not be ready for what’s next in the MCU.
What does this mean for the next phase of Marvel movies? Prepare to get more celestial
“Spider-Man: Far From Home” closes out the third phase of the MCU. After more than 20 movies, where are we heading next?
The sight of Fury in space has us thinking about the future lineup of Marvel movies and most of them are reportedly pretty cosmic. Of Disney’s upcoming movie slate, there are eight untitled Marvel movies. Among the movies Marvel is currently working on are “Guardians of the Galaxy Vol. 3” and “The Eternals,” two movies which deal with space and cosmic beings.
While James Gunn is returning to direct the third “GOTG” movie, we’re more interested in the latter film. Marvel Studios’ president Kevin Feige previously told TheWrap the film was in development. Ma Dong-seok (“Train to Busan”), Richard Madden (“Game of Thrones”), and Kumail Nanjiani (“Silicon Valley”) are reportedly among the cast, with Angelina Jolie in talks to join. We could easily see Fury hearing about these characters and jetting off to find them.
Jack Kirby created the Eternals in 1976.
Perhaps the answer is simpler. The end of “Far From Home” could simply be teasing the next “Captain Marvel” and filling us in on what Carol Danvers has been up to since the ’90s and since Fury vanished at the end of “Infinity War.”
Hopefully, we’ll only have to wait for San Diego Comic-Con in a few short weeks to potentially hear more about the upcoming Marvel Cinematic Universe films.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.